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        <title>Life of George M. Horton, The Colored Bard of North-Carolina: 
electronic edition.</title>
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        <edition>First edition,
<date>1996.</date></edition>
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        <publisher>Academic Affairs Library, UNC - CH.</publisher>
        <pubPlace>The University of North Carolina at Chapel Hill,</pubPlace>
        <date>1996.</date>
        <availability status="unknown">
          <p>This work is the property of the University of North Carolina 
at Chapel Hill. 
It may be used freely by individuals for research, teaching and personal use as long as this statement of availability is included in the text.</p>
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        <note anchored="yes">Call number VC811 H82p 1845</note>
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        <bibl><title>The Poetical Works of George M. Horton, the Colored Bard 
of North Carolina, to which is Prefixed the Life of the Author, Written by Himself.</title>
<author id="jaj">George Moses Horton.</author><imprint><pubPlace>Hillsborough:</pubPlace><publisher>Heartt,</publisher><date>1845.</date></imprint></bibl>
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digitization project <hi rend="italic">Documenting the American South: The Southern Experience in 19th Century America</hi></p>
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        <p>Indentation in all poems' lines has not been preserved.</p>
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            <edition>21st
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            <item>Horton, George Moses, 1798?-ca. 1880.</item>
            <item>African Americans -- North Carolina -- Poetry.</item>
            <item>Slavery -- North Carolina -- Poetry.</item>
            <item>Slaves -- North Carolina -- Poetry.</item>
            <item>African American poets -- North Carolina -- Biography.</item>
            <item>North Carolina -- Poetry.</item>
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        <docTitle>
          <titlePart type="main">THE <emph rend="bold">POETICAL WORKS</emph> OF 
GEORGE M. HURTON, THE COLORED BARD OF NORTH-CAROLINA.
TO WHICH IS PREFIXED <emph rend="bold">THE LIFE OF THE AUTHOR,</emph></titlePart>
        </docTitle>
        <byline>WRITTEN BY HIMSELF</byline>
        <docImprint><pubPlace>HILLSBOROUGH:</pubPlace>
<publisher>PRINTED BY D.HEARTT,</publisher>
<date>1845</date></docImprint>
      </titlePage>
    </front>
    <pb id="hort3" n="iii"/>
    <body>
      <head>LIFE OF 
<emph rend="bold">GEORGE M. HORTON,</emph>
The Colored Bard of North-Carolina.</head>
      <p>From the importunate request of a few
individuals, I assume the difficult task of
writing a concise history of my life. But to
open a scene of all the past occurrences of my
life I shall not undertake, since I should fail 
by more than two-thirds in the matter. But 
if you will condescend to read it, I will endeavor 
to give a slight specimen entirely clear of
exaggeration. A tedious and prolix detail in
the matter may not be of any expected, since
there is necessarily so much particularity required 
in a biographical narrative.</p>
      <p>I was born in Northampton county, N C., 
near the line of Virginia, and within four miles 
of the Roanoke River; the property of William 
Horton, senior, who also owned my 
mother, and the whole stock of her children, 
which were five before me, all girls, but not of 
one father. I am the oldest child that my
mother had by her second husband, and she had
<pb id="hort4" n="iv"/>
four younger than myself, one boy and three
girls. But to account for my age is beyond
the reach of my power. I was early fond of
music, with an extraordinary appetite for singing
lively times, for which I was a little remarkable. 
In the course of a few years after 
my birth, from the sterility of his land, my old
master assumed the notion to move into Chatham, 
a more fertile and fresh part of country
recently settled, and whose waters were far
more healthy and agreeable. I here become 
a cow-boy, which I followed for perhaps ten
years in succession, or more. In the course 
of this disagreeable occupation, I became fond
of hearing people read; but being nothing but
a poor cow-boy, I had but little or no thought
of ever being able to read or spell one word
or sentence in any book whatever. My mother 
discovered my anxiety for books, and strove 
to encourage my plan; but she, having left her 
husband behind, was so hard run to make a
little shift for herself, that she could give me
no assistance in that case.  At length I took
resolution to learn the alphabet at all events;
and lighting by chance at times with some
opportunities of being in the presence of
school children, I <sic>learnt</sic> the letters by heart;
and fortunately afterwards got hold  of some
<pb id="hort5" n="v"/>
old parts of spelling books abounding with
these elements, which I <sic>learnt</sic> with but little
difficulty.  And by this time, my brother was
deeply excited by the assiduity which he discovered 
in me, to learn himself; and some of 
his partial friends strove to put him before me, 
and I in a stump now, and a sorry instrument 
to work with at that. But still my brother 
never could keep time with me. He was indeed 
an ostentatious youth, and of a far more 
attractive person than myself, more forward 
in manly show and early became fond of popularity 
to an astonishing degree for one of 
his age and capacity. He strove hard on
the wing of ambition to soar above me, and
could write a respectable fist before I could
form the first letter with a pen, or barely knew
the use of a goose-quill. And I must say that
he was quite a remarkable youth, as studious
as a judge, but much too full of vain lounging
among the fair sex.</p>
      <p>But to return to the earlier spring of my
progress. Though blundering, I became a 
far better reader than he; but we were indeed
both remarkable for boys of color, and hard
raising. On well nigh every Sabbath during
the year, did I retire away in the summer season 
to some shady and lonely recess, when I
<pb id="hort6" n="vi"/>
could stammer over the dim and promiscuous
syllables in my old black and tattered spelling
book, sometimes a piece of one, and then of
another; nor would I scarcely spare the time 
to return to my ordinary meals, being so truly
engaged with my book. And by close application 
to my book at night, my visage became 
<sic>considerally</sic> emaciated by extreme perspiration, 
having no <sic>lucubratory</sic> <sic>aparatus</sic>, no candle, 
no lamp, nor even light-wood, being
chiefly raised in oaky woods. Hence I had 
to sit sweating and smoking over my incompetent 
bark or brush light, almost exhausted 
by the heat of the fire, and almost suffocated 
with smoke; consequently from Monday 
morning I anticipated with joy the approach 
of the next Sabbath, that I might again retire 
to the pleasant umbrage of the woods, whither 
I was used to dwell or spend the most of 
the day with ceaseless investigation over my 
book. A number strove to dissuade me from 
my plan, and had the presumption to tell 
me that I was a vain fool to attempt learning 
to read with as little chance as I had. Playboys 
importunately insisted on my abandoning 
my foolish theory, and go with them on 
streams, desport, and sacrifice the day in athletic 
folly, or <sic>alibatic</sic> levity. Nevertheless
 <pb id="hort7" n="vii"/>
did I persevere with an indefatigable resolution, 
at the risk of success. But ah! the oppositions 
with which I contended are too tedious 
to relate, but not too formidable to surmount; 
and I verily believe that those obstacles 
had an auspicious tendency to waft me, 
as on pacific gales, above the storms of envy 
and the calumniating scourge of emulation, 
from which literary imagination often sinks 
beneath its dignity, and instruction languishes 
at the shrine of vanity. I reached the threatening 
heights of literature, and braved in a 
manner the clouds of disgust which reared in 
thunders under my feet. This brings to mind 
the verse of an author on the adventurous seaman.</p>
      <lg type="poem">
        <l>“The wandering sailor ploughs the main,</l>
        <l>A competence in life to gain;</l>
        <l>The threatening waves around him foam,</l>
        <l>'Till flattering fancy wafts him home.”</l>
      </lg>
      <p>For the overthrow and <sic>downfal</sic> of my scheme 
had been repeatedly threatened. But with 
defiance I accomplished the arduous task of 
spelling (for thus it was with me,) having no 
facilitating assistance. From this I entered
into reading lessons with triumph. I became
very fond of reading parts of the New Testament, 
<pb id="hort8" n="viii"/>
such as  I  could pick up as they lay 
about at random; but I soon became more
fond of reading verses, Wesley's old hymns,
and other <sic>peices</sic> of poetry from various authors. 
I became found of it to that degree, 
that whenever I chanced to light on a piece of
paper, so common to be lying about, I would
pick it up in order to examine it whether it 
was written in that curious style or not. If 
it was not, unless some remarkable prose, I 
threw it aside; and if it was, I as carefully preserved 
it as I would a piece of money. At 
length I began to wonder whether it was possible 
that I ever could be so fortunate as to 
compose in that manner. I fell to work in 
my head, and composed several undigested 
pieces, which I retained in my mind, for I
knew nothing about writing with a pen, also 
without the least grammatical knowledge, a 
few lines of which I yet retain.  I will give 
you the following specimen. On one very 
calm Sabbath morning, a while before the 
time of preaching, I undertook to compose a 
divine hymn, being under some serious impression 
of mind:</p>
      <lg>
        <lg>
          <l>Rise up, my soul and let us go</l>
          <l>Up to the gospel feast;</l>
          <pb id="hort9" n="ix"/>
          <l>Gird on the garment white as snow,</l>
          <l>To join and be a guest.</l>
        </lg>
        <lg>
          <l>Dost thou not hear the trumpet call</l>
          <l>For thee, my soul, for thee?</l>
          <l>Not only thee, my soul, but all,</l>
          <l>May rise and enter free.</l>
        </lg>
      </lg>
      <p>The other part I cannot now recollect. But 
in the course of some eight or ten months, 
under similar pensive impressions, I composed 
the following:</p>
      <lg>
        <head rend="sc">Excited from reading the obedience of Nature to her
Lord in the vessel on the sea.</head>
        <lg>
          <l>Master we perish if thou sleep,</l>
          <l>We know not whence to fly;</l>
          <l>The thunder seems to rock the deep,</l>
          <l>Death frowns from all the sky.</l>
        </lg>
        <lg>
          <l>He rose, he ran, and looking out,</l>
          <l>He said, ye seas, be still;</l>
          <l>What art thou, cruel storm about?</l>
          <l>All silenced at his will.</l>
        </lg>
        <lg>
          <l>Dost thou not know that thou art mine,</l>
          <l>And all thy liquid stores;</l>
          <l>Who ordered first the sun to shine</l>
          <l>And gild thy swelling shores.</l>
        </lg>
        <pb id="hort10" n="x"/>
        <lg>
          <l>My smile is but the death of harm,</l>
          <l>Whilst riding on the wind,</l>
          <l>My power restrains the thunder's arm,</l>
          <l>Which dies in chains confined.</l>
        </lg>
      </lg>
      <p>After having read the travel of Israel from
Egypt to the Red Red Sea, where they triumphantly 
arrive on the opposite bank, I
was excited to compose the following few
lines:</p>
      <lg>
        <lg>
          <l>Sing, O ye ransom'd, shout and tell</l>
          <l>What God has done for ye;</l>
          <l>The horses and their riders fell</l>
          <l>And perish'd in the sea.</l>
        </lg>
        <lg>
          <l>Look back, the vain Egyptian dies</l>
          <l>Whilst plunging from the shore;</l>
          <l>He groans, he sinks, but not to rise,</l>
          <l>King Pharaoh is no more.</l>
        </lg>
      </lg>
      <p>Many other pieces did I compose, which
have long since slipped my recollection, and
some perhaps better than those before you.
During this mental conflict no person was apprised 
of my views except my brother, who
rather surmised it, being often in converse
with me, and who was equally <sic>emulous</sic> for
literatures and strove to rival me. Though
<pb id="hort11" n="xi"/>
he <sic>learnt</sic> to read very well for one of color,
it seems that his genius did not direct him
towards Parnassus, for he was rather a Josephus 
than a Homer; though he could write
very well before I could form the first letter
as above stated, for I devoted most of my opportunities 
to the study of composing or trying 
to compose. At any critical juncture,
when any thing momentous transpired, such
as death, misfortune, disappointment, and the
like, it generally passed off from my mind
like the chanting of birds after a storm, for
my mind was then more deeply inspired than
at other periods.</p>
      <p>One thing is to be lamented much; that is,
that ever I was raised in a family or neighborhood 
inclined to dissipation, or that the
foul seed should have been sown in the bosom
of youth, to stifle the growth of uncultivated
genius, which like a torch lifted from a cell
in the midst of rude inclement winds, which,
instead of kindling its blaze, blows it out. My
old master, being an eminent farmer, who had
acquired a competent stock of living through
his own prudence and industry, did not descend 
to the particularity of schooling his
children at any high rate; hence it is clear that
he cared less for the improvement of the mind
<pb id="hort12" n="xii"/>
of  his servants. In fact, he was a man who
aspired to a great deal of elaborate business,
and carried me into measures almost beyond
my physical ability. Often has he called me
with my fellow laborers to his door to get the
ordinary dram, of which he was much too
fond himself; and we, willing to copy the example, 
partook freely in order to brave the
storms of hardship, and thought it an honor
to be intoxicated. And it was then the case
with the most of people; for they were like
savages, who think little or nothing of the result
of lewd conduct.  Nay, in those days,
when the stream of intemperance was little
regarded, the living had rather pour a libation
on the bier of the plead than to hear a solemn
funeral preached from the hallowed lips of a 
divine; for Bacchus was honored far more
than Ceres, and they would rather impair the
fences of fertile lands in their inebriating
course than to assist a prudent farmer in cultivating 
a field for the space of an hour.</p>
      <p>Those days resembled the days of martyrdom, 
and all christendom seemed to be relapsing 
into dissipation; and libertinism, obscenity 
and profanation were in their full career;
and the common conversation was impregnated 
with droll blasphemy. In those days sensual
 <pb id="hort13" n="xiii"/>
gratification was prohibited by few; for
drinking, I had almost said, was a catholic toleration, 
and from 1800 to 1810 there was
scarcely a page of exemplary conduct laid before 
my eyes. Hence it was inevitably my
misfortune to become a votary to that growing
evil; and like a Saul,  I was almost ready to
hold the garments of an abominable rabble in
their public sacrilege, to whom the tender of
a book was offensive, especially to those who
followed distilling on the Sabbath in the midst
of a crowd of profligate sots, gambling around,
regardless of demon, or Deity!  Such scenes
I have witnessed with any own eyes, when
not a <sic>sunday</sic> school was planted in all the surrounding 
vicinities.</p>
      <p>My old master having come to the conclusion
to confer part of his servants on his children, 
lots were cast, and his son James fell
heir to me. He was then living on Northampton, 
in the winter of 1814. In 1815 he
moved into Chatham, when my opportunities
became a little expanded. Having got in the 
way of carrying fruit to the college at Chapel
Hill on the Sabbath, the collegians who, for
their diversion, were fond of pranking with
the country servants who resorted there for
the same purpose that I did, began also to
<pb id="hort14" n="xiv"/>
prank with me. But somehow or other
they discovered a spark of genius in me, either 
by discourse or other means, which excited
their curiosity, and they often eagerly insisted 
on me to spout, as they called it. This
inspired in me a kind of enthusiastic pride
I  was indeed too full of vain egotism, which
always discovers the gloom of ignorance, or
dims the lustre of popular distinction. I
would stand forth and address myself extempore 
before them, as an orator of inspired
promptitude. But I soon found it an object
of aversion, and considered myself nothing
but a public ignoramus. Hence I abandoned
my foolish harangues, and began to speak of
poetry, which lifted these still higher on the
wing of astonishment; all eyes were on me,
and all ears were open. Many were at first
incredulous; but the experiment of acrostics
established it as an incontestable fact. Hence
my fame soon circulated like a stream throughout
the college. Many of these acrostics I
composed at the handle of the plough, and
retained them in my head, (being unable to
write,) until an opportunity offered, when I
dictated, whilst one of the gentlemen would
serve as my <sic>emanuensis</sic>. I have composed
love pieces in verse for courtiers from all parts
<pb id="hort15" n="xv"/>
of the state, and acrostics on the names of many 
of the tip top belles of Virginia, South Carolina 
and Georgia. But those <sic>criticising</sic>
gentlemen saw plainly what I lacked, and many
of them very generously gave me such
books as they considered useful in my case,
which I received with much gratitude, and
improved according  to my limited opportunities.
Among, these gentlemen the following
names occur to me: Mr. Robert Gilliam, Mr.
Augustus Washington,  Mr. Cornelius Roberson,
Mr. Augustus Alston, Mr. Benjamin
Long, Mr. William Harden, Mr. Merryfort,
Mr. Augustus Moore, Mr. Thomas Pipkin,
Mr. A. Rencher, Mr. Ellerbee, Mr. Gilmer,
Mr. William Pickett, Mr. Leonidas Polk,
Mr. Samuel Hinton, Mr. Pain, Mr. Steward,
Mr. Gatlin, Mr. J. Hogan, Mr. John Pew,
Messrs W. and J. Haywood, and several
more whose names have slipped my memory;
all of whom were equally liberal to me,
and to them I ascribe my lean grammatical
studies. Among the books given me were
Murray's English Grammar and its accordant
branches; Johnson's Dictionary in miniature,
and also Walker's and Sheridan's, and
parts of others. And other books of use they
gave me, which I had no chance to peruse
<pb id="hort16" n="xvi"/>
minutely. Milton's Paradise Lost, Thompson's
Seasons, parts of Homer's Illiad and
Virgil's Aenead, Beauties of Shakespear,
Beauties of Byron, part of Plutarch, Morse's
Geography, the Columbian Orator, Snowden's
History of the Revolution, Young's
Night Thoughts, and some others, which my 
concentration of business did not suffer me to
pursue with any scientific regularity.</p>
      <p>Mr. Augustus Alston first laid (as he said)
the low price of twenty-five cents on my compositions 
each, which was unanimously established, 
and has been kept up ever since;
but some gentlemen extremely generous, have
given me from fifty to seventy-five cents, 
besides many decent and respectable suits of
clothes, professing that they would not suffer
me to pass otherwise and write for them.</p>
      <p>But there is one thing with which I am
sorry to charge many of these gentlemen.
Before the moral evil of excessive drinking
had been impressed upon my mind, they flattered 
me into the belief that it would hang me
on the wings of new inspiration, which would
waft me into regions of poetical perfection.
And I am not a little astonished that nature and
reason had not taught me better before, after
having walked so long on a line which plainly
<pb id="hort17" n="xvii"/>
dictated and read to me, though young, the
lesson of human destruction. This realizes
the truth of the sentiment in the address of
the Earl of Chatham, in which he spoke of
“the wretch who, after having seen the difficulties
of a thousand errors, continues still
to blunder;” and I have now experienced
the destructive consequences of walking in
such a devious line from the true centre to
which I was so early attracted by-the magnet
of genius. But I have discovered the beneficial
effects of temperance and regularity,
and fly as a penitent suppliant to the cell of
private reflection, sorrowing that I ever had
driven my boat of life so near the wrecking
shoals of death, or that I was allured by the
music of sirens that sing to ensnare the lovers
of vanity. </p>
      <p>To the much distinguished Mrs. Hentz of
Boston, I owe much for the correction of many
poetical errors. Being a professional poetess
herself, and a lover of genius, she discovered
my little uncultivated talent, and was
moved by pity to uncover to me the beauties
of correctness, together with the true importance
of the object to which I aspired. She
was extremely pleased with the dirge which
I wrote on the death of her much lamented                                 
<pb id="hort18" n="xviii"/>
<sic>primogenial</sic> infant, and for which she gave me
much credit and a handsome reward. Not
being able to write myself, I dictated while she
wrote; and while thus engaged she strove in
vain to avert the inevitable tear slow trickling
down her ringlet-shaded cheek. She was indeed
unequivocally anxious to announce the
birth of my recent and astonishing fame, and
sent its blast on the gale of passage back to
The frozen plains of Massachusetts.</p>
      <p>This celebrated lady, however, did not continue 
long at Chapel Hill, and I had to regret
the loss of her aid, which I shall never forget
in life. As her departure from Chapel Hill,
she left behind her the laurel of Thalia blooming
on my mind, and went with all the spotless
gaiety of  Euphrosyne with regard to the
signal services she had done me. In
gratitude for all these favors, by which she
attempted to supply and augment the stock
of servile genius, I inscribe to her the following </p>
      <lg>
        <head>EULOGY.</head>
        <l>Deep on thy pillar, thou immortal dame,</l>
        <l>Trace the inscription of eternal fame;</l>
        <l>For bards unborn must yet thy works adore,</l>
        <pb id="hort19" n="xix"/>
        <l>And bid thee live when others are no more.</l>
        <l>When other names are lost among the dead,</l>
        <l>Some genius yet may live thy fame to spread;</l>
        <l>Memory's fair bush shall not decline to bloom,</l>
        <l>But flourish fresh upon thy sacred tomb.</l>
        <l>When nature's crown refuses to be gay,</l>
        <l>And ceaseless streams have worn their rocks
away;</l>
        <l>When age's vail shall beauty's visage mask</l>
        <l>And bid oblivion blot the poet's task,</l>
        <l>Time's final shock shall elevate thy name,</l>
        <l>And lift thee smiling to eternal fame.</l>
      </lg>
      <p>I now commit my brief and blundering task
to the inspection of the public, not pretending
to warrant its philology nor its orthography,
since grammarians, through criterions themselves,
from precipitation do not always escape
improprieties; and which little task, as
before observed, I should not have assumed
had it not been insisted on by some particular
gentlemen, for I did not consider myself
capable of such an undertaking. I trust,
therefore, that my readers will rather pity
than abuse the essay of their unqualified
writer.</p>
      <p>I will conclude with the following lines
from the memorable pen of Mr. Linn, in
<pb id="hort20" n="xx"/>
which he has done honor to the cause of illiterate
genius:</p>
      <lg>
        <l>“Though in the dreary depth of gothic gloom,</l>
        <l>Genius will burst the fetters of her tomb;</l>
        <l>Yet education should direct her way,</l>
        <l>And nerve with firmer grasp her powerful</l>
        <l>sway.”</l>
      </lg>
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