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Electronic Edition</title>
        <author>Ripley, Eliza Moore Chinn McHatton, 1832-1912</author>
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  <text>
    <front>
      <div1 type="frontispiece image">
        <p>
<figure id="frontis" entity="ripleyfp"><p>The Author at Twenty-Two
<lb/>
Painted by Moïse<lb/>[Frontispiece Image]</p></figure></p>
      </div1>
      <div1 type="title page image">
        <p>
<figure id="title" entity="ripleytp"><p>[Title Page Image]</p></figure>
</p>
      </div1>
      <titlePage>
        <docTitle>
          <titlePart type="main">SOCIAL LIFE IN<lb/>
OLD NEW ORLEANS</titlePart>
          <titlePart type="subtitle">Being
Recollections of my Girlhood</titlePart>
        </docTitle>
        <byline>BY</byline>
        <docAuthor>ELIZA RIPLEY</docAuthor>
        <docEdition>ILLUSTRATED</docEdition>
        <docImprint><pubPlace>NEW YORK AND LONDON</pubPlace>
<publisher>D. APPLETON AND COMPANY</publisher>
<docDate>MCMXII</docDate></docImprint>
        <titlePart type="verso">COPYRIGHT, 1912, BY<lb/>
D. APPLETON AND COMPANY
<lb/>
Printed in the United States of America
</titlePart>
      </titlePage>
      <div1 type="dedication">
        <p><hi rend="italics">To</hi>
MY CHILDREN
<hi rend="italics">and</hi>
MY CHILDREN'S CHILDREN
<hi rend="italics">and to</hi>
THEIR CHILDREN TO COME</p>
      </div1>
      <div1 type="foreword">
        <head>FOREWORD</head>
        <p>Far more vivid than the twilight of the days in which I
dwell, there rises before my inner eye the vision, aglow
in Southern sunshine, of the days that are gone, never to
return, but which formed the early chapters of a life that
has been lived, that can never be lived again.</p>
        <p>Many of the following stories are oft-told tales at my
fireside—others were written to record phases of the
patriarchal existence before the war which has so utterly
passed away.</p>
        <p>They have been printed from time to time in the
pages of the New Orleans <hi rend="italics">Times-Democrat,</hi> the editor
of which has very kindly consented to their publication
in this form.</p>
      </div1>
      <div1 type="contents">
        <head>CONTENTS</head>
        <list type="simple">
          <item>I. NEW ORLEANS CHILDREN OF 1840 . . . . .
<ref targOrder="U" target="ripley1">1</ref></item>
          <item>II. NEW ORLEANS SCHOOLS AND TEACHERS IN
THE FORTIES . . . . . <ref targOrder="U" target="ripley7">7</ref></item>
          <item>III. BOARDING SCHOOL IN THE FORTIES . . . . .
<ref targOrder="U" target="ripley14">14</ref></item>
          <item>IV. PICAYUNE DAYS . . . . . <ref targOrder="U" target="ripley23">23</ref></item>
          <item>V. DOMESTIC SCIENCE SEVENTY YEARS AGO . . . . .
<ref targOrder="U" target="ripley31">31</ref></item>
          <item>VI. A FASHIONABLE FUNCTION IN 1842 . . . . .
<ref targOrder="U" target="ripley42">42</ref></item>
          <item>VII. NEW YEARS OF OLD . . . . .
<ref targOrder="U" target="ripley50">50</ref></item>
          <item>VIII. NEW ORLEANS SHOPS AND SHOPPING IN
THE FORTIES . . . . . <ref targOrder="U" target="ripley58">58</ref></item>
          <item>IX. THE OLD FRENCH OPERA HOUSE . . . . .
<ref targOrder="U" target="ripley65">65</ref></item>
          <item>X. MURAL DECORATIONS AND PORTRAITS OF
THE PAST . . . . . <ref targOrder="U" target="ripley71">71</ref></item>
          <item>XI. THOUGHTS OF OLD . . . . .
<ref targOrder="U" target="ripley80">80</ref></item>
          <item>XII. WEDDING CUSTOMS THEN AND NOW . . . . .
<ref targOrder="U" target="ripley87">87</ref> </item>
          <item>XIII. A COUNTRY WEDDING IN 1846 . . . . .
<ref targOrder="U" target="ripley94">94</ref></item>
          <item>XIV. THE BELLES AND BEAUX OF FORTY . . . . .
<ref targOrder="U" target="ripley101">101</ref></item>
          <item>XV. AS IT WAS IN MY DAY . . . . .
<ref targOrder="U" target="ripley107">107</ref></item>
          <item>XVI. FANCY DRESS BALL AT THE MINT IN 1850. . . . .
<ref targOrder="U" target="ripley116">116</ref></item>
          <item>XVII. DR. CLAPP'S CHURCH . . . . .
<ref targOrder="U" target="ripley120">120</ref></item>
          <item>XVIII. OLD DAGUERREOTYPES . . . . .
<ref targOrder="U" target="ripley125">125</ref></item>
          <item>XIX. STEAMBOAT AND STAGE SEVENTY YEARS
AGO . . . . . <ref targOrder="U" target="ripley130">130</ref></item>
          <item>XX. HOTEL AT PASS CHRISTIAN IN 1849 . . . . .
 <ref targOrder="U" target="ripley140">140</ref></item>
          <item>XXI. OLD MUSIC BOOKS . . . . .
 <ref targOrder="U" target="ripley146">146</ref></item>
          <item>XXII. THE SONGS OF LONG AGO. . . . .
<ref targOrder="U" target="ripley153">153</ref></item>
          <item>XXIII. A RAMBLE THROUGH THE OLD CITY . . . . .
 <ref targOrder="U" target="ripley159">159</ref></item>
          <item>XXIV. OLD CREOLE DAYS AND WAYS . . . . .
<ref targOrder="U" target="ripley173">173</ref></item>
          <item>XXV. A VISIT TO VALCOUR AIME PLANTATION . . . . .
<ref targOrder="U" target="ripley182">182</ref></item>
          <item>XXVI. THE OLD PLANTATION LIFE . . . . .
 <ref targOrder="U" target="ripley191">191</ref></item>
          <item>XXVII. PEOPLE I HAVE ENTERTAINED . . . . .
 <ref targOrder="U" target="ripley200">200</ref></item>
          <item>XXVIII. A MONUMENT TO MAMMIES . . . . .
 <ref targOrder="U" target="ripley209">209</ref></item>
          <item>XXIX. MARY ANN AND MARTHA ANN . . . . .
<ref targOrder="U" target="ripley216">216</ref></item>
          <item>XXX. WHEN LEXINGTON WON THE RACE . . . . .
 <ref targOrder="U" target="ripley245">245</ref></item>
          <item>XXXI. LOUISIANA STATE FAIR FIFTY YEARS AGO . . . . .
 <ref targOrder="U" target="ripley250">250</ref></item>
          <item>XXXII. THE LAST CHRISTMAS . . . . .
 <ref targOrder="U" target="ripley256">256</ref></item>
          <item>XXXIII. A WEDDING IN WAR TIME . . . . .
 <ref targOrder="U" target="ripley264">264</ref></item>
          <item>XXXIV. SUBSTITUTES . . . . .
<ref targOrder="U" target="ripley273">273</ref></item>
          <item>XXXV. AN UNRECORDED BIT OF NEW ORLEANS
HISTORY . . . . . <ref targOrder="U" target="ripley280">280</ref></item>
          <item>XXXVI. CUBAN DAYS IN WAR TIMES . . . . .
<ref targOrder="U" target="ripley287">287</ref></item>
          <item>XXXVII. “WE SHALL KNOW EACH OTHER THERE” . . . . .
 <ref targOrder="U" target="ripley295">295</ref></item>
          <item>XXXVIII. A RAMBLE THROUGH NEW ORLEANS
WITH BRUSH AND EASEL . . . . .
<ref targOrder="U" target="ripley303">303</ref></item>
          <item>XXXIX. A VISIT OF TENDER MEMORIES . . . . .
<ref targOrder="U" target="ripley320">320</ref></item>
          <item>BIOGRAPHICAL NOTE . . . . .
 <ref targOrder="U" target="ripley331">331</ref></item>
        </list>
      </div1>
      <div1 type="list of illustrations">
        <head>LIST OF ILLUSTRATIONS</head>
        <list type="simple">
          <item>The Author at Twenty-two . . . . .
<ref targOrder="U" target="frontis"><hi rend="italics">Frontispiece</hi></ref></item>
          <item>Richard Henry Chinn . . . . .
<ref targOrder="U" target="ill1"><hi rend="italics">Facing</hi> 10</ref></item>
          <item>Market Doorway . . . . .
<ref targOrder="U" target="ill2">24</ref></item>
          <item>A New Orleans Yard and Cistern . . . . .
<ref targOrder="U" target="ill3">33</ref></item>
          <item>Door in the French Market . . . . .
<ref targOrder="U" target="ill4"><hi rend="italics">Facing</hi> 38</ref></item>
          <item>Courtyard on Carondalet Street . . . . .
<ref targOrder="U" target="ill5">45</ref></item>
          <item>The Old French Opera House . . . . .
 <ref targOrder="U" target="ill6">66</ref></item>
          <item>Typical Old New Orleans Dwelling . . . . .
<ref targOrder="U" target="ill7">73</ref></item>
          <item>A Creole Parterre . . . . .
<ref targOrder="U" target="ill8">81</ref></item>
          <item>St. Louis Cemetery, New Orleans . . . . .
 <ref targOrder="U" target="ill9">111</ref></item>
          <item>Augusta Slocomb Urquhart . . . . .
<ref targOrder="U" target="ill10"><hi rend="italics">Facing</hi> 118</ref></item>
          <item>Steamboat on the Mississippi . . . . .
<ref targOrder="U" target="ill11">131</ref></item>
          <item>American Stagecoach . . . . .
 <ref targOrder="U" target="ill12">137</ref></item>
          <item>Seal of the City of New Orleans . . . . .
<ref targOrder="U" target="ill13">160</ref></item>
          <item>Exchange Alley . . . . .
<ref targOrder="U" target="ill14">163</ref></item>
          <item>Henry Clay . . . . .
<ref targOrder="U" target="ill15"><hi rend="italics">Facing</hi> 168</ref></item>
          <item>Arlington Plantation on the Mississippi . . . . .
<ref targOrder="U" target="ill16"><hi rend="italics">Facing</hi> 192</ref></item>
          <item>James Alexander McHatton . . . . .
 <ref targOrder="U" target="ill17"><hi rend="italics">Facing</hi> 258</ref></item>
          <item>The Calaboose . . . . .
<ref targOrder="U" target="ill18">281</ref></item>
          <item>A Courtyard in the French Quarter . . . . .
 <ref targOrder="U" target="ill19">305</ref></item>
          <item>“Behold a Wrecked Fountain” . . . . .
 <ref targOrder="U" target="ill20">308</ref></item>
          <item>“A Queer House Opposite” . . . . .
<ref targOrder="U" target="ill21">311</ref></item>
          <item>St. Roch . . . . .
<ref targOrder="U" target="ill22">316</ref></item>
          <item>The Author . . . . .
<ref targOrder="U" target="ill23"><hi rend="italics">Facing</hi> 324</ref></item>
          <item>A New Orleans Cemetery . . . . .
<ref targOrder="U" target="ill24">326</ref></item>
        </list>
      </div1>
    </front>
    <pb id="ripley1" n="1"/>
    <body>
      <div1 type="text">
        <head>SOCIAL LIFE IN OLD<lb/>
NEW ORLEANS</head>
        <div2 type="chapter">
          <head>I<lb/>
NEW ORLEANS CHILDREN OF 1840</head>
          <p>CHILDREN should be seen and not heard.”
Children were neither seen nor heard in the days of
which I write, the days of 1840. They led the simple life,
going and coming in their own unobtrusive way, making
no stir in fashionable circles, with laces and flounces
and feathered hats. There were no ready-made
garments then for grown-ups, much less for children. It
was before California gold mines, before the Mexican
war, before money was so abundant that we children
could turn up our little noses at a picayune. I recall the
time when Alfred Munroe descended from Boston
upon the mercantile world of New Orleans, and
opened on Camp Street a “one price” clothing store for
men. Nobody had ever heard of one price, and no
deviation, for anything, from a chicken to a plantation.
The fun
<pb id="ripley2" n="2"/>
of hectoring over price, and feeling, no matter how the
trade ended, you had a bargain after all, was denied the
customers of Mr. Alfred Munroe. The innovation was
startling, but Munroe retired with a fortune in course of
time.</p>
          <p>Children's clothes were homemade. A little wool
shawl for the shoulders did duty for common use. A
pelisse made out of an old one of mother's, or some
remnant found in the house, was fine for Sunday wear. 
Pantalettes of linen, straight and narrow and untrimmed,
fell over our modest little legs to our very shoetops. Our
dresses were equally simple and equally “cut down and
made over.” Pantalettes were white, but I recall, with a
dismal smile, that when I was put into what might be
called unmitigated mourning for a brother, my pantalettes
matched my dresses, black bombazine or black
alpaca.</p>
          <p>Our amusements were of the simplest. My father's
house on Canal Street had a flat roof, well protected by
parapets, so it furnished a grand playground for the
children of the neighborhood. Judge Story lived next
door and Sid and Ben Story enjoyed to the full the
advantages of that roof, where all could romp and jump
rope to their heart's content. The neutral ground, that is
now a center  for innumerable lines of street cars, was at
that
<pb id="ripley3" n="3"/>
time an open, ungarnished, untrimmed, untended strip
of waste land. An Italian banana and orange man
cleared a space among the bushes and rank weeds and
erected a rude fruit stall where later Clay's statue stood.
A quadroon woman had a coffee stand, in the early
mornings, at the next corner, opposite my father's
house. It could not have been much beyond Claiborne
Street that we children went crawfishing in the ditches
that bounded each side of that neutral ground, for we
walked, and it was not considered far.</p>
          <p>The Farmers' and Traders' Bank was on Canal
Street, and the family of Mr. Bell, the cashier, lived
over the bank. There were children there and a
governess, who went fishing with us. We rarely
caught anything and had no use for it when we did.
Sometimes I was permitted to go to market with
John, way down to the old French Market. We had to
start early, before the shops on Chartres Street were
open, and the boys busy with scoops watered the
roadway from brimming gutters. John and I hurried
past. Once at market we rushed from stall to stall, filling
our basket, John forgetting nothing that had been
ordered, and always carefully remembering one most
important item, the saving of at least a picayune out of
the market money for a cup of coffee at Manette's stall. I
<pb id="ripley4" n="4"/>
drank half the coffee and took one of the little cakes.
John finished the repast and “dreened” the cup, and with
the remark, “We won't say anything about this,” we
started toward home. We had to stop, though, at a bird
store, on the square above the Cathedral, look at the
birds, chaff the noisy parrots, watch the antics of the
monkeys, and see the man hang up his strings of corals
and fix his shells in the window, ready for the day's
business. We could scarcely tear ourselves away, it was
so interesting; but a reminder that the wax head at Dr.
De Leon's dentist's door would be “put out by this time,”
hurried me to see that wonderful bit of mechanism open
and shut its mouth, first with a row of teeth, then revealing
an empty cavern. How I watched, wondered and
admired that awfully artificial wax face! These occasional
market trips—and walks with older members of the
family—were the sum of my or any other child's
recreation<sic/></p>
          <p>Once, and only once, there was a party! The little
Maybins had a party and every child I knew was
invited. The Maybins lived somewhere back of Poydras
Market. I recall we had to walk down Poydras Street,
beyond the market, and turn to the right onto a street
that perhaps had a name, but I never heard it.</p>
          <p>The home was detached, and surrounded by
<pb id="ripley5" n="5"/>
ample grounds; quantities of fig trees, thickets of
running roses and in damp places clusters of palmetto
and blooming flags. We little invited guests were
promptly on the spot at 4 P. M., and as promptly off
the spot at early candlelight. I am sure no débutantes
ever had a better time than did we little girls in
pantalettes and pigtails. We danced; Miss Sarah
Strawbridge played for us, and we all knew how to
dance. Didn't we belong to Mme. Arraline Brooks'
dancing school?</p>
          <p>The corner of Camp and Julia Streets, diagonally
across from the then fashionable 13 Buildings, was
occupied by Mme. Arraline Brooks, a teacher of
dancing. Her school (studio or parlor it would be called
now) was on the second floor of Armory Hall, and
there we children—she had an immense class, too—learned all the fancy whirls and “heel and toe” steps of
the intricate polka, which was danced in sets of eight,
like old-time quadrilles. Mme. Arraline wore in the
classroom short skirts and pantalettes, so we had a
good sight of her feet as she pirouetted about, as agile
as a ballet dancer.</p>
          <p>By and by, at a signal from Miss Sarah, who had
been having a confidential and persuasive interview with
a little miss, we were all placed with our backs to the
wall and a space cleared. Miss Sarah
<pb id="ripley6" n="6"/>
struck a few notes, and little Tenie Slocomb danced the
“Highland fling.” Very beautiful was the little sylph in
white muslin, her short sleeves tied with blue ribbons,
and she so graceful and lovely. It comes to me to-day
with a thrill, when I compare the companion picture—of a pale, delicate, dainty old lady, with silvered hair and
tottering step, on the bank of a foreign river. It is not
easy to bridge the seventy years (such a short span, too,
it is) between the two. Then the march from “Norma”
started us to the room for refreshments. It is full forty
years since I have heard that old familiar air, but for
thirty years after that date I did not hear it that the
impulse to march to lemonade and sponge cake did not
seize me.</p>
          <p>Alack-a-day! Almost all of us have marched away.</p>
        </div2>
        <pb id="ripley7" n="7"/>
        <div2 type="chapter">
          <head>II<lb/>
NEW ORLEANS SCHOOLS AND TEACHERS IN THE
FORTIES</head>
          <p>OF course, seventy years ago, as in the ages 
past and to come, convents were the places
for educating young girls in a Catholic
community. Nevertheless, there have always been
schools and schools, for those whom it was not
expedient or convenient to board in a convent. In New
Orleans the Ursuline Convent was too remote from the
majority of homes for these day scholars, so there were
a few schools among the many that come to my mind
to-day, not that I ever entered one of them, but I had girl
friends in all. In the thirties St. Angelo had a school
on Customhouse Street, next door to the home of the
Zacharies. His method of teaching may have been all
right, but his discipline was objectionable; he had the
delinquent pupils kneel on brickdust and tacks and
there study aloud the neglected lesson. Now, brickdust
isn't so very bad, and tacks only a trifle worse, when
one's knees are protected by stockings or even
pantalettes,
<pb id="ripley8" n="8"/>
but stockings in those days did not extend over the
knee, and old St. Angelo was sure to see that the
pantalettes were well rolled up. This method of
discipline was not acceptable to parents whose children
came home with bruises and wounds. That dominie
retired from business before the forties.</p>
          <p>Mme. Granet had a school for girls in the French
municipality. Elinor Longer, one of my most intimate
friends, attended it, and she used to tell us stories that
convulsed us with laughter about Madame's daughter.
Lina had some eye trouble, and was forbidden to
“exercise the tear glands,” but her tears flowed copiously
when Madame refused to submit to her freaks. Thus
Lina managed, in a way, to run the school, having half
holidays and other indulgences so dear to the schoolgirl,
at her own sweet will.</p>
          <p>At the haunted house (I wonder if it is still standing
and still haunted?) on Royal Street, Mme. Delarouelle
had a school for <foreign lang="fr"><hi rend="italics">demoiselles.</hi></foreign> Rosa, daughter of Judge
John M. Duncan, was a scholar there. I don't think the
madame had any boarders, though the house was large
and commodious, even if it was haunted by ghosts of
maltreated negroes. The school could not under those
circumstances have continued many years, for every child
knew it was dangerous to cross its portals. Our John told
<pb id="ripley9" n="9"/>
me he “seed a skel'ton hand” clutching the grated front
door once, and he never walked on that side of the
street thereafter. He even knew a man “dat seen eyes
widout sockets or sockets widout eyes, he dun know
which, but dey could see, all de same, and they was a
looken out'en one of the upstairs winders.” With such
gruesome talk many a child was put to bed in my young
days.</p>
          <p>Doctor, afterward Bishop Hawks, when he was
rector of Christ Church, then on Canal Street, had a
school on Girod Street. It was a temporary affair and
did not continue over a season or two. It was entirely
conducted by Mrs. Hawks and her daughters, so far as
I know, for, as before mentioned, I attended none of
the schools.</p>
          <p>In 1842 there was a class in Spanish at Mr. Hennen's
house, on Royal Street, near Canal. Señor Marino Cubi
y Soler was the teacher of that class; a very prosaic and
painstaking teacher he was, too, notwithstanding his
startlingly high flown cognomen. Miss Anna Maria and
young Alfred Hennen and a Dr. Rhodes, from the
Belize, as the mouth of the Mississippi is called, with a
few other grown-ups, formed the señor's class. I was
ten years old, but was allowed to join with some other
members of my family, though my mother protested it
was nonsense for a child like me and a waste of money.
<pb id="ripley10" n="10"/>
Father did not agree with her, and after over sixty
years to think it over, I don't either. When the señor's
class dispersed I imagine the text-books, which, by the
way, he was author, were laid aside. But years and
years thereafter, during the war, while traveling in
Mexico, some of the señor's teaching came
miraculously back to me, bringing with it enough Spanish
to be of material help in that stranger country.</p>
          <p>Another teacher wandered from house to house with
his “Telemaque” and “colloquial phrases,” giving
lessons in French. Gimarchi, from the name may have
been partly, at least, Italian, but he was fine teacher of
the sister language. <foreign lang="fr"><hi rend="italics">Por supuésto,</hi></foreign> his itinerary was
confined to the American district of the city.</p>
          <p>Is it any surprise that the miscellaneous education we
girls of seventy years ago in New Orleans had access to,
culminated by fitting us for housewives and mothers,
instead of writers and platform speakers, doctors and
lawyers - suffragettes? Everybody was musical; every
girl had music lessons and every mother superintended
the study and practice of the one branch deemed
absolutely indispensable to the education of a
<foreign lang="fr"><hi rend="italics">demoiselle.</hi></foreign>
The city was dotted all over with music
teachers, but Mme. Boyer was, <foreign lang="fr">par excellence,</foreign>
the most
popular. She did not wander
<figure id="ill1" entity="ripley10"><p>RICHARD HENRY 
CHINN <lb/>Painted by Hardin </p></figure>
<pb id="ripley11" n="11"/>
from house to house, but the <foreign lang="fr"><hi rend="italics">demoiselles, </hi></foreign>music roll in
hand, repaired to her domicile, and received instruction
in a music room barely large enough to contain a piano,
a scholar and a madame who was, to say the least,
immense in bulk, the style of Creole who appears best
in a black silk <foreign lang="fr"><hi rend="italics">blouse volante.</hi></foreign></p>
          <p>Art was not taught, art was not studied, art was not
appreciated. I mean by art the pencil and the brush, so
busily wielded in every school now. No doubt there
were stifled geniuses whose dormant talent was never
suspected, so utterly ignored were the brush and the
palette of the lover of art. I call to mind the ability
evinced by Miss Celestine Eustis in the use of the
pencil. She occasionally gave a friend a glimpse of
some of her work, of which, I regret to say, she was
almost ashamed, not of the work, but of the doing it. I
recall a sketch taken of Judge Eustis' balcony, and a
group of young society men; the likenesses,
unmistakably those of George Eustis and of Destour
Foucher, were striking.</p>
          <p>M. Devoti, with his violin in a green baize bag, was a
professor of deportment and dancing. He undertook to
train two gawky girls of the most awkward age in my
father's parlor. M. Devoti wore corsets! and laced, as
the saying is, “within an inch of his life.” He wore a
long-tail coat, very full
<pb id="ripley12" n="12"/>
at the spider waist-line, that hung all round him, almost
to the knees, so he used it like a woman's skirt, and
could demonstrate to the awkward girls the art of
holding out their skirts with thumb and forefinger, and all
the other fingers sticking out stiff and straight. Then
curtsey! throw out the right foot, draw up the left.</p>
          <p>Another important branch of deportment was to seat
the awkwards stiffly on the extreme edge of a chair, fold
the hands on the very precarious lap, droop the eyes in a
pensive way. Then Devoti would flourish up and
present, with an astonishing salaam, a book from the
center table. The young miss was instructed how to rise,
bow and receive the book, in the most affected and
mechanical style. Another exercise was to curtsey,
accept old Devoti's arm and majestically parade round
and round the center table. The violin emerged from the
baize bag, Devoti made it screech a few notes while the
trio balanced up and down, changed partners and
promenaded, till the awkwards were completely
bewildered and tired out. He then replaced the violin,
made a profound bow to extended skirts and curtseys,
admonished the pupils to practice for next lesson, and
vanished. Thus ended the first lesson. Dear me!
Pockmarked, spider-waist Devoti is as plain to my eye
to-day as he was in the flesh, bowing
<pb id="ripley13" n="13"/>
smiling, dancing with flourishing steps as in the days
of long ago.</p>
          <p>Were those shy girls benefited by that artificial
training? I opine not. This seems to modern eyes,
mayhap, a whimsical exaggeration; nevertheless, it is a
true picture. Devoti's style was indeed the “end of an
era”; he had no successor. Turveydrop, the immortal
Turveydrop himself, was not even an imitator. These
old schools and teachers march before my mind's eye
to-day; very vivid it all is to me, though the last of them,
and perhaps all those they tried to teach, have passed
away. Children who went to Mme. Granet and Mme.
Delarouelle and Dr. Hawks and all the other schools of
that day, sent their daughters, a decade or two later, to
Mme. Desrayoux. Now she is gone and many of the
daughters gone also. And it is left to one old lady to dig
out the past, and recall, possibly to no one but herself,
New Orleans schools, teachers and scholars of seventy
years ago.</p>
        </div2>
        <pb id="ripley14" n="14"/>
        <div2 type="chapter">
          <head>III<lb/> 
BOARDING SCHOOL IN THE FORTIES </head>
          <p>I WONDER if the parents of the present do not
sometimes contrast the fashionable schools in
which their daughters are being educated with the
fashionable schools to which their aged mothers,
mayhap grandmothers, were sent sixty and more
years ago? Among my possessions that I keep—according to the dictum of my grandchildren—“for
sentimental sake,” is a much-worn “Scholar's
Companion,” which they scorn to look at when I bring
it forth, and explain it to be the best speller that ever
was; and a bent, much overworked crochet needle
of my schooldays, for we worked with our hands
as well as with our brains. The boarding school to
which I refer was not unique, but a typical New
England seminary of the forties. It was both
fashionable and popular, but the young ladies were
not, as now, expected to appear at a 6 o'clock
dinner in a low neck (oh, my!) gown.</p>
          <p>Lately, passing through the now much expanded
city to which I was sent, such a young girl, on a
<pb id="ripley15" n="15"/>
sailing ship from New Orleans to New York in the
early spring of 1847, I spent a half hour walking on
Crown Street looking for No. 111. It was not there, not
a trace of the building of my day left; nor was one, so
far as I know, of the girls, my old schoolmates, left; all
three of the dear, painstaking teachers sleeping in the
old cemetery, at rest at last were they. Every blessed
one lives in my memory, bright and young, patient and
middle-aged—all are here to beguile my twilight
hours.....</p>
          <p>The school routine was simple and precise, especially
the latter. We had duties outside the schoolroom, the
performance of which was made pleasant and
acceptable, as when the freshly laundered clothes were
stacked in neat little piles on the long table of the yellow
room on Thursdays, ready for each girl to carry to her
own room. There were also neat little stacks on each
girl's desk, of personal articles requiring repairs, buttons
to replace, holes to patch, stockings to darn, and in the
schoolroom on Thursday afternoons—how some of us
hated the work!—it was examined and passed upon
before we were dismissed. The long winter evenings we
were assembled in the library and one of the teachers
read to us. I remember one winter we had “Guy
Mannering” and “Quentin Durward,” Sir Walter Scott's
lovely stories. We girls were expected
<pb id="ripley16" n="16"/>
to bring some work to occupy our fingers while
listening to the readings, with the comments and
explanations that illuminated obscure portions we might
not comprehend.</p>
          <p>There was an old-fashioned “high boy” (<foreign lang="fr"><hi rend="italics">haut bois</hi></foreign>) in
the library, in the capacious drawers of which were
unmade garments for the missionary box. Woe unto the
young lady who had no knitting, crocheting or hemstitching
of her own to do! She could sew on red flannel for the
little Hottentots! After hymn singing Sunday afternoons
there was reading from some suitably saintly book. We
had “Keith's Evidences of Prophecy” (I have not seen a
copy of that much-read and laboriously explained volume
for more than sixty years). The tension of our minds
produced by “prophecy” was mitigated once in a while by
two goody-goody books, “Lamton Parsonage” and “Amy
Herbert,” both, no doubt, long out of print.</p>
          <p>There also were stately walks to be taken twice a day
for recreation; walks down on the “Strand,” or some
back street that led away from college campus and
flirtatious students. Our school happened to be too near
the college green, by the way. We marched in couples,
a teacher to lead who had eyes both before and behind,
and a teacher similarly equipped to follow. With all these
<pb id="ripley17" n="17"/>
precautions we—some of us were pretty—were often
convulsed beyond bounds when “we met by chance, the
only way,” on the very backest street, a procession of
college fellows on mischief bent, marching two and two,
just like us. In bad weather we were shod with what
were called “gums” and wrapped in coats long and
shaggy and weighing a ton. Waterproofs were a later
invention. Wet or dry, cold or warm, those exercises
had to be taken to keep us in good physical condition. I
must mention in this connection that no matter what
ailed us, in stomach or back, head or foot, we were
dosed with hot ginger tea. I do not remember ever
seeing a doctor in the house, or knowing of one being
summoned. The girls hated that ginger tea, so no doubt
many an incipient headache was not reported.</p>
          <p>With the four spinsters (we irreverently called No. III
Old Maids' Hall) who lived in the house, there were
scraggly, baldheaded, spectacled teachers from outside 
- a monsieur who read Racine and Molière with us and
taught us<foreign lang="fr"><hi rend="italics"> j'aime, tu aime,</hi></foreign> which he could safely do, the
snuffy old man; a fatherly sort of Turveydrop dancing
master, who cracked our feet with his fiddle bow; a
drawing master, who, because he sometimes led his
class on sketching trips up Hillhouse Avenue, was
immensely popular, and every one of us wanted
<pb id="ripley18" n="18"/>
to take drawing lessons. We did some water colors,
too; some of us had not one particle of artistic talent. I
was one of that sort, but I achieved a Baltimore oriole,
which, years after, my admiring husband, who also
had no artistic taste, had framed and “hung on the line”
in our hall. Perhaps some Yankee may own it now, for
during the war they took everything else we had, and
surely a brilliant Baltimore oriole did not escape their
rapacity!</p>
          <p>Solid English branches were taught by the dear
spinsters. We did not skin cats and dissect them. There
was no class in anatomy, but there was a botany class,
and we dissected wild flowers, which is a trifle more
ladylike. Our drilling in chirography was something to
marvel at in these days when the young people affect
such complicated and involved handwriting that is not
easily decipherable. And grammar! I now slip up in both
grammar and rhetoric, but I have arrived at the failing
age. We spent the greater part of a session parsing
Pope's “Essay on Man,” and at the closing of that book  I
think we knew the whole thing by heart. Discipline was,
so to say, honorary. There were rules as to study and
practice hours, and various other things. Saturday
morning, after the “Collect of the day” and prayers,
when we were presumed to be in a celestial frame of
mind, each girl reported
<pb id="ripley19" n="19"/>
her infringement of rules—if she was delinquent, and
she generally was. That system served to make us
more truthful and conscientious than some of us might
have been under a different training.</p>
          <p>It was expressly stipulated that no money be
furnished the pupils. A teacher accompanied us to do
necessary shopping and used her discretion in the
selection. If one of us expressed the need of new shoes
her entire stock was inspected, and if a pair could be
repaired it was done and the purchase postponed.
Now, bear in mind, this was not a cheap, second rate
school, but one of the best known and most
fashionable. There were several young ladies from the
South among the twenty or so boarders. The Northern
girls were from the prominent New York families—
Shermans, Kirbys, Phalens, Pumpellys and Thorns. This
was before the fashionables of to-day came to the fore.</p>
          <p>Speaking of reporting our delinquencies, we knew
quite well that it was against the custom, at least, to
bring reading matter into the school. There was a
grand, large library of standard works of merit at our
free disposal. In some way “Jane Eyre” (just published)
was smuggled in and we were secretly reading it by
turns. How the spinsters found it out we never knew,
but they always found
<pb id="ripley20" n="20"/>
out everything, so we were scarcely surprised one
Saturday morning to receive a lecture on the pernicious
character of the book “Jane Eyre,” so unlike (and alas!
so much more interesting than) Amy Herbert, with her
missionary basket, her coals and her flannel petticoats.
We were questioned, not by wholesale, but individually,
if we had the book? If we had read the book? The first
two or three in the row could reply in the negative, but
as interrogations ran down the line toward the guilty
ones they were all greatly relieved when one brave girl
replied, ‘Yes, ma'am, I am almost through, please let me
finish it.” Then “Jane” vanished from our
possession.</p>
          <p>When the Church Sewing Society met at our house,
certain girls who were sufficiently advanced in music to
afford entertainment to the guests were summoned to
the parlor to play and sing, and incidentally have a
lemonade and a jumble. I was the star performer (had I
not been a pupil of Cripps, Dr. Clapp's organist, since I
was able to reach the pedal with my foot?). My
overture of “La Dame Blanche” was quite a
masterpiece, but my “Battle of Prague” was simply
stunning. The “advance,” the “rattle of musketry,” the
“beating of drums” (did you ever see the music score?) I
could render with such force that the dear, busy ladies
almost
<pb id="ripley21" n="21"/>
jumped from their seats. There were two Kentucky girls
with fine voices also invited to entertain the guests.
Alas! our fun came to an end. On one occasion when I
ended the “Battle of Prague” with a terrific bang, there
was an awful moment of silence, when one of the ladies
sneezed with such unexpected force that her false teeth
careered clear across the room ! Not one of the guests
saw it, or was aware that she quietly walked over and
replaced them, but we naughty girls were so brimful of
fun that we exploded with laughter. Nothing was said to
us of the unfortunate contretemps, but the musical
programmes were discontinued.</p>
          <p>College boys helped to make things lively for us,
though we did not have bowing acquaintance with one
of them. Valentines poured in to us; under doors and
over fences they rained. The dear spinsters laughed
over them with us. Thanksgiving morning, when the
front door was opened for the first time, and we were
assembled in the hall ready to march to 11 o'clock
church service, a gaunt, skinny, starved-to-death turkey
was found suspended to the door knob, conspicuously
tied by a broad red ribbon, with a Thanksgiving
greeting painted on, so “one who ran could read.” No
doubt a good many had read and run, for there had
been hours allowed them. The dear spinsters were so
mortified
<pb id="ripley22" n="22"/>
and shocked that we girls had not the courage to laugh.</p>
          <p>By reason of my distance from home, reached by a
long voyage on a sailing ship—the first steamer service
between New York and New Orleans was in the
autumn of 1848, and the Crescent City was the pioneer
steamer—I spent the vacations under the benign
influence of the teachers, always the only girl left, but
busy and happy, enjoying all the privileges of a parlor
boarder. I still have a book full of written directions for
knitting and crocheting, and making all sorts of old-timey
needle books and pincushions, the initial directions dated
1846, largely the collection and record of more than one
long summer vacation at that New England school.
What girl of to-day would submit to such training and
routine? What boarding school, seminary or college is
to-day conducted on such lines? Not one that you or I
know. The changes in everything, in every walk of life,
from the simple in my day and generation to the
complicated of the present, sets me to moralizing. Like
all old people who are not able to take an active interest
in the present, I live in the past, where the
disappointments and heartaches, for surely we must
have had our share, are forgotten. We old people live in
the atmosphere of a day dead—and gone—and
glorified!</p>
        </div2>
        <pb id="ripley23" n="23"/>
        <div2 type="chapter">
          <head>IV<lb/>
PICAYUNE DAYS</head>
          <p>THE first time I ever saw a penny was at school in
Yankeeland in 1847. It was given me to pay the man for
bringing me a letter from the postoffice—10 cents
postage, 1 cent delivery, in those days. People had to
get their mail at the office. There was no free delivery.
Certain neighborhoods of spinsters, however—the
college town was full of such—secured the services of
a lame, halt or blind man to bring their letters from the
office to their door once a day for the stipend of a
penny each.</p>
          <p>There was no coin in circulation of less value than a
picayune where was my home. A picayune, which
represented so little value that a miser was called
picayunish, at the same time represented such a big
value that we children felt rich when we had one tied in
the corner of our handkerchief. At the corner of
Chartres and Canal Streets was a tiny soda fountain,
where one could get a glass of soda for a picayune—
or mead. We children liked mead. I 
<pb id="ripley24" n="24"/>
never see it now, but, as I recall, it was a thick,
honey, creamy drink. We must have preferred it
because it seemed so much more for a picayune than
the frothy, effervescent, palish soda water. It was
a great lark to go with Pa and take my glass of
mead, while he ordered ginger syrup (of all things!)
with his soda. The changing years bring gold
<figure id="ill2" entity="ripley24"><p>MARKET DOORWAY.</p></figure>
mines, greenbacks, tariffs, labor exactions and
<foreign lang="fr"><hi rend="italics">nouveaux riches, </hi></foreign>
and a penny now buys about what a
picayune did in my day. One pays a penny for ever so
big a newspaper to-day. A picayune was the price of a
small sheet in my time.</p>
          <p>Many of us must remember the colored <foreign lang="fr"><hi>marchandes</hi></foreign>
<pb id="ripley25" n="25"/>
who walked the street with trays, deftly balanced
on their heads, arms akimbo, calling out their
dainties, which were in picayune piles on the trays—
six small celesto figs, or five large blue ones, nestling on
fig leaves; lovely popcorn tic tac balls made with that
luscious “open kettle” sugar, that dear, fragrant brown
sugar no one sees now. Pralines with the same sugar;
why, we used it in our coffee. A few years ago, visiting
dear Mrs. Ida Richardson, I reveled in our breakfast
coffee. “I hope you preserve your taste for brown sugar
coffee?” she said. I fairly jumped at the treat.</p>
          <p>But a <foreign lang="fr"><hi rend="italics">marchande</hi></foreign> is passing up the street, and if I am
a little girl, I beg a picayune for a praline; if I am an old
lady, I invest a picayune in a leaf with six <foreign lang="fr"><hi rend="italics">figues
celestes. </hi></foreign>Mme. Chose— I don't give any more definite
name, for it is a sub rosa venture on her part—had a
soirée last night. Madame buys her <foreign lang="fr"><hi rend="italics">chapeaux</hi></foreign> of
Olympe, and her <foreign lang="fr"><hi rend="italics">toilettes</hi></foreign> from Pluche or Ferret, and if
her home is way down, even below Esplanade Street,
where many Creoles live, she is thrifty and frugal. So
this morning a chocolate-colored <foreign lang="fr"><hi rend="italics">marchande, </hi></foreign>who
usually vends picayune bouquets of violets from
madame's <foreign lang="fr"><hi rend="italics">parterre,</hi></foreign> has her tray filled with picayune
stacks of broken nougat pyramid and candied orange
and macaroons very daintily arranged on bits of tissue
paper. I vividly
<pb id="ripley26" n="26"/>
recall encountering way down Royal Street, where no
one was loitering to see me, this chocolate <foreign lang="fr"><hi rend="italics">marchande,</hi></foreign>
and recognizing the delicacies of a ball the previous night.
I was on my way to call on Mrs. Garnet Duncan, the
dear, delightful woman who was such a <foreign lang="fr"><hi rend="italics">gourmande, </hi></foreign>and
I knew how delicious were those sweets; no one could
excel a Creole madame in this confection. So I invested
a few picayunes in some of the most attractive, carrying
off to my sweet friend what I conveniently could. How
she did enjoy them! And how she complained I had not
brought more! The <foreign lang="fr"><hi rend="italics">mesdames</hi></foreign> of that date are gone;
gone also, no doubt, are the <foreign lang="fr"><hi rend="italics">marchandes</hi></foreign> they sent forth.
It was a very picayunish sort of business, but labor did
not count, for one was not paying $20 a month for the
reluctant services of a chocolate lady.</p>
          <p>Then again, in the early morning, when one, <foreign lang="fr"><hi rend="italics">en
papilottes,</hi></foreign> came down to breakfast, listless and “out of
sorts,” the chant of the cream cheese woman would be
heard. A rush to the door with a saucer for a cheese, a
tiny, heart-shaped cheese, a dash of cream poured from
a claret bottle over it—all this for a picayune! How
nice and refreshing it was. What a glorious addition to
the breakfast that promised to pall on one's appetite.</p>
          <p>Picayune was the standard coin at the market. I
<pb id="ripley27" n="27"/>
wonder what is now? Soup bone was <hi rend="italics">un escalin</hi> (two
picayunes), but one paid for the soup vegetables, a bit
of cabbage, a leek, a sprig of parsley, a tiny carrot, a
still tinier turnip, all tied in a slender package. A <foreign lang="fr"><hi rend="italics">cornet</hi></foreign>
of fresh gumbo <foreign lang="fr"><hi rend="italics">filé, </hi></foreign>a bunch of horse-radish roots, a
little sage, parsley, herbs of every sort in packages and
piles, a string of dried grasshoppers for the mocking
bird, “<hi rend="italics">un picayun, </hi>” the Indian or black woman
squatting on the <hi rend="italics"><foreign lang="fr">banquette</foreign></hi> at the old French Market
would tell you.</p>
          <p>A picayune was the smallest coin the richly appareled
madame or the poor market negro could put in the
collection box as she paused on her way at the
Cathedral to tell her beads. There was no occasion for
the priest to rebuke his flock for niggardliness. They may
have been picayunish, but not to the extent of the
congregation of one of the largest Catholic churches I
wot of to-day, where the fathers were so tired counting
pennies that it was announced from the pulpit: “No more
pennies must be put in the box. We spend hours every
week counting and stacking pennies, and it is a shocking
waste of time. If you are so destitute that you can't
afford at least a nickel to your church, come to the
vestry, after mass, and we will look into your needs and
give you the relief the church always extends to her
poor.”</p>
          <pb id="ripley28" n="28"/>
          <p>The shabby old negro, with her heavy market basket,
returning home, no doubt needing the prayers of her
patron saint or some other churchly office, filched the
picayune from the carefully counted market money. I
know, no matter how carefully my mother doled the
market fund to John, he always contrived to secure a
picayune out of it, and for no saint, either, but for old
Coffee-stand Palmyre.</p>
          <p>Do not we old ladies remember the picayune dolls of
our childhood? The wooden jointed dolls, the funny little
things we had to play with, every feature, even hair and
yellow earrings, painted on little, smooth bullet heads.
They could be made to sit down and to crook their
arms, but no ingenuity could make them stand a-loney.
How we loved those little wooden dolls! We do not see
a pauper child, not even a poor little blackie, with a
picayune doll nowadays. I really believe we—I am
talking of old ladies now—were happier, and had more
fun with our picayune family than the little girls of the
present day have with their $10 dolls, with glass eyes that
are sure to fall out and long curls that are sure to tangle.
We had no fears about the eyes and hair of our
picayunes.</p>
          <p>The picayune, whose memory I invoke, was a
Spanish coin, generally worn pretty thin and often
having a small hole in it. I remember my ambition
<pb id="ripley29" n="29"/>
was to accumulate enough picayunes to string on a
thread for an ornament. It is unnecessary to say that in
those thrifty days my ambition was not gratified. It is
more than fifty years since I have seen one of those old
6 1/4 cent picayunes. I have a stiff, wooden corset
board that I sometimes take out to show to my
granddaughter when I find her “stooping,” that she may
see the instrument that made grandma so straight. I
would like to have a picayune to add to my very limited
collection of relics. They flourished at the same era and
have together vanished from our homes and shops.</p>
          <p>We all must have known some “picayune people.”
There was a family living near us who owned and
occupied a large, fine home on St. Joseph Street, while
we and the Grimshaws and Beins lived in rented houses
near by. They had, besides, a summer home “over the
lake” (and none of us had!). Often, on Mondays, a fish,
or a quart of shrimp, or something else in the “over the
lake” line, was sent to one of us, for sale. We used to
laugh over the littleness of the thing. A quart of shrimp
for a picayune was cheap and tempting, but none of us
cared to buy of our rich neighbor. The climax came
when an umbrella went the rounds for inspection. It was
for raffle! Now, umbrellas, like pocket handkerchiefs,
are always useful and never go out 
<pb id="ripley30" n="30"/>
of fashion. With one accord, we declined chances in the
umbrella.</p>
          <p>I feel I am, for the fun of the thing, dragging forth a
few skeletons from closets, but I do not ticket them, so
no harm is done. In fact, if I ever knew, I have long
since forgotten the name to tack onto the umbrella
skeleton. And the fashionable madame who sent out on
the streets what a lady we knew called the “perquisites”
of her soirée supper has left too many well-known
descendants. I would scorn to ticket the skeleton of that
frugal and thrifty madame. There are no more umbrellas
for a picayunish skeleton to raffle, no more such
delicious sweets for the madame to stack into picayune
piles, and, alack-a-day! no more picayunes, either.</p>
        </div2>
        <pb id="ripley31" n="31"/>
        <div2 type="chapter">
          <head>V<lb/>
DOMESTIC SCIENCE SEVENTY YEARS AGO</head>
          <p>HOUSEKEEPING is vastly simplified since the days
when my mother washed her teacups and spoons every
morning. I love the old way; however, I do not practise
it. If my grandchildren were to see the little wooden
piggin brought me on a tray after breakfast, and see me
wash the silver and glass they would think grandma has
surely lost her mind. That purely domestic housewifely
habit lasted long after my mother had passed away. It
still is the vogue in many a New England household, but
no doubt is among the lost virtues South. When I was a
young lady and occasionally (oh, happy times!) spent a
few days with the Slocombs, I always saw Mrs.
Slocomb and her aged mother, dear old Mrs. Cox, who
tremblingly loved to help, pass the tea things through
their own delicate hands every morning. So it was at
Mrs. Leonard Matthews', and so it was in scores of
wealthy homes.</p>
          <p>Though we had ever so many servants, our family
<pb id="ripley32" n="32"/>
being a large one, my semi-invalid mother, who rarely
left her home and never made visits, did a thousand little
household duties that are now, even in families where
only one or two servants are kept, entirely ignored by
the ladies of the house. After a dinner party or an
evening entertainment, and my father was hospitably
inclined—much beyond his means—my mother
passed all the silver, glass and china through her own
delicate fingers, and we did not, as I recall after all this
lapse of years, have anything of superlative value. It was
not a matter of thrift or economy on her part, but a
matter of course; everybody did the same.</p>
          <p>After a visit to a New England family several years
ago I was telling a Creole friend of the lovely old India
china that had been in daily use over three generations.
The reply was: “Oh, but they did not have a
Christophe.” No doubt they had had several
Christophes, but they never had a chance to wash those
valuable cups. In the days of long ago housewives did
not have negligées with floating ribbons and smart laces.
They had calico gowns that a splash of water could not
ruin.</p>
          <p>Household furniture—I go back full seventy years—was simple and easily cared for. Carpets were generally
what was known as “three-ply.” I don't see them now,
but in places, on humble 
<pb id="ripley33" n="33"/>
<figure id="ill3" entity="ripley33"><p>A NEW ORLEANS YARD 
AND CISTERN.</p></figure>
<pb id="ripley35" n="35"/>
floors, I see imitation Brussels or some other
counterfeit. The first carpet I ever saw woven in one
piece, like all the rugs so plentiful now (and that was at
a much later date) was on the parlor floor of the
Goodman house, on Toulouse Street, the home so full
of bright young girls I so loved to visit. There was no
concern to take away carpets to be cleaned and stored
in the summer. Carpets were taken to some vacant lot
and well beaten. The neutral green on Canal Street,
green and weedy it was, too, was a grand place to
shake carpets; no offense given if one carried them
beyond Claiborne Street where were no pretentious
houses. Then those carpets were thickly strewn with
tobacco leaves, rolled up and stored in the garret, if you
had one. Every house did not boast of that
convenience.</p>
          <p>Curtains were not satin damask. At the Mint when
Joe Kennedy was superintendent, and his family were
fashionable people, their parlor curtains were some red
cotton stuff, probably what is known as turkey red;
there was a white and red-figured border; they were
looped over gilt rods meant to look like spears and
muskets, in deference, I suppose, to the military side of
that government building, for there were sentinels and
guards stationed around about that
<pb id="ripley36" n="36"/>
gave the whole concern a most imposing and military
air.</p>
          <p>I remember at the Breedloves' home there were net
curtains (probably mosquito net), with a red border.
They were thought rather novel and stylish. There were
no madras, no Irish point, no Nottingham curtains even,
so one did not have a large variety to choose from.</p>
          <p>People had candelabras, and some elaborate affairs—they called them girandoles—to hold candles; they
had heavy crystal drops that tinkled and scintillated and
were prismatic and on the whole were rather fine. The
candles in those gorgeous stands and an oil lamp on the
inevitable center-table were supposed to furnish
abundance of light for any occasion. When my sister
dressed for a function she had two candles to dress by
(so did I ten years later!), and two dusky maids to
follow her all about, and hold them at proper points so
the process of the toilet could be satisfactorily
accomplished. Two candles without shades—nobody
had heard of shades—were sufficient for an ordinary
tea table. I was a grown girl, fresh from school, when I
saw the first gaslight in a private house, at Mrs.
Slocomb's, on St. Charles Street. People sewed,
embroidered, read and wrote and played chess evenings
by candlelight, and except a few
<pb id="ripley37" n="37"/>
near-sighted people and the aged no one used glasses.
There was not an oculist (a specialist, I mean) in the
whole city.</p>
          <p>Every woman had to sew. There were well-trained
seamstresses in every house; no “ready-mades,” no
machines. Imagine the fine hand-sewing on shirt
bosoms, collars and cuffs. I can hear my mother's voice
now, “Be careful in the stitching of that bosom; take up
two and skip four,” which I early learned meant the
threads of the linen. What a time there was when the
boys grew to tailor-cut pantaloons! Cut by a tailor,
sewed at home, what a to-do there was when Charley
had his first tailcoat; he could not sit on the tails, they
were too short, so he made an uproar.</p>
          <p>I recall also how I cried when sister's old red and
black “shot silk” dress was made over for me, and I
thought I was going to be so fine (I was nine years old
then and was beginning to “take notice”). The goods fell
short, and I had to have a black, low neck, short-sleeve
waist. In vain I was told it was velvet and ever so stylish
and becoming. I knew better. However, that
abbreviated dress and those abbreviated tails did duty
at the dancing school.</p>
          <p>But we have wandered from house furnishings to
children's clothes. We will go upstairs now and
<pb id="ripley38" n="38"/>
take a look at the ponderous four-poster bed, with its
awful tester top, that covered it like a flat roof. That
tester was ornamented with a wall paper stuff, a wreath
of impossible red and yellow roses, big as saucers,
stamped on it, and four strands of same roses reaching
to the four corners of the monstrosity. The idea of lying,
with a raging fever or a splitting headache, under such a
canopy! How ever, there were “swells” (there always
are “swells”) who had testers covered with silk.</p>
          <p>I hear a rumor that furniture covered with horsehair
cloth is about to come to the fore again. Everybody in
my early day had black haircloth furniture; maybe that
was one reason red curtains were preferred, for furniture
covered with black haircloth was fearfully funereal.
However, as no moth devoured it, dust did not rest on
its slick, shiny surface, and it lasted forever, it had its
advantages. Every household possessed a haircloth sofa,
with a couple of hard, round pillows of the same, the
one too slippery to nap on and the others regular
break-necks.</p>
          <p>Butler's pantry! My stars! Who ever heard of a
butler's pantry, and sinks, and running water, and
faucets inside houses? The only running water was a
hydrant in the yard; the only sink was the gutter in the
yard; the sewer was the gutter in the
<figure id="ill4" entity="ripley38"><p>DOOR IN THE FRENCH 
MARKET</p></figure>
<pb id="ripley39" n="39"/>
street so why a butler's pantry? To be sure there was
a cistern for rainwater, and jars like those Ali Baba's 
forty thieves hid themselves in. Those earthen jars
were replenished from the hydrant, and the muddy
river water “settled” by the aid of almond hulls or
alum.</p>
          <p>Of course, every house had a storeroom, called
pantry, to hold supplies. It was lined with shelves, but
the only light and air was afforded by a half-moon
aperture cut into a heavy batten door. We had wire
safes on the back porch and a zinc-lined box for the
ice—nothing else—wrapped in a gray blanket, gray,
I presume, on the same principle we children preferred
pink cocoanut cakes—they kept clean longer than
the white! Ice was in general use but very expensive. It
was brought by ship from the North, in hogsheads.</p>
          <p>For the kitchen there were open fireplaces with a
pot hanging from a crane, skillets and spiders. We
don't even hear the names of those utensils now. By
and by an enterprising housewife ventured on a cook
stove. I have a letter written by one such, slated in
New Orleans in 1840, in which she descants on the
wonders achieved by her stove. “Why, Susan, we
baked three large cakes in it at one time.” In the old
way it required a spider for each cake.</p>
          <p>There were no plated knives, but steel, and they
<pb id="ripley40" n="40"/>
had to be daily scoured with “plenty brickdust on your
knife board,” but those knives cut like razors. There
was no bric-a-brac, few pictures, nothing ornamental
in the parlors. One house I remember well had a
Bunker Hill monument, made, I guess, of stucco, and
stuck all over with gay seashells; it was perhaps 25 or
30 inches high; it made a most commanding appearance
on the center-table. When my sister made a tiresomely
long call at that house it amused me to try to count the
shells.</p>
          <p>An old gentleman, called “Old Jimmie Dick” when I
remember him, a rich cotton broker (the firm was Dick
&amp; Hill), made a voyage to Europe and brought home
some Apollos, and Cupids, and Mercuries, statues in the
“altogether,” for his parlor. Jimmie Dick was a
bachelor, and lived on Canal Street, near Carondelet or
Baronne, and had a charming spinster niece keeping
house for him, who was so shocked when she saw the
figures mounted on pedestals (they were glaring white
marble and only a trifle under life size) that she
immediately made slips of brown holland and
enveloped them, leaving only the heads exposed! I
never went to that house but the one time when we
surprised her in the act of robing her visitors!</p>
          <p>I speak of houses that I visited with my grown sister.
It was not <foreign lang="fr"><hi rend="italics">comme il faut</hi></foreign> for a young 
<pb id="ripley41" n="41"/>
lady to be seen too frequently on the street or to make
calls alone. Mother was an invalid and made no visits.
Father accompanied sister on ceremonious occasions. I
was pressed into service when no one else was
available. I feel I am going way back beyond the
recollection of my readers, but some of the
grandmothers, too old, mayhap, to do their own
reading, can recall just such a life, a life that will never
be lived again.</p>
        </div2>
        <pb id="ripley42" n="42"/>
        <div2 type="chapter">
          <head>VI<lb/>
A FASHIONABLE FUNCTION IN 1842</head>
          <p>IT is hard to realize while we are surrounded by so
many housekeeping conveniences what an amount of
time, energy, and, above all, knowledge of the craft
were necessary to the giving of a reception seventy
years ago, when every preparation had to be made in
the house and under the watchful supervision of the
chatelaine.</p>
          <p>There were no chefs to be hired, nor caterers to be
summoned, not even a postman to deliver invitations.
All that was done “by hand.” A darky was sent forth
with a basket of nicely “tied up with white ribbons”
notes of invitation, and he went from house to house,
sending the basket to the occupant, where she not only
subtracted her special note, but had the privilege of
seeing “who else was invited.” And if the darky was
bewildered as to his next stopping-place she could
enlighten him. This complicated mode of delivering
invitations prevailed into the fifties.</p>
          <p>The preparations for the supper involved so much
<pb id="ripley43" n="43"/>
labor that many hosts offered only <foreign lang="fr"><hi rend="italics">eau sucré</hi></foreign> or
gumbo. There was no cut nor granulated nor pulverized
sugar, to be turned from the grocer's bag onto the
scales. All sugar except the crude brown, direct from
plantations, was in cone-shaped loaves as hard as a
stone and weighing several pounds each. These well-
wrapped loaves were kept hung (like hams in a
smokehouse) from the closet ceiling. They had to be cut
into chips by aid of carving knife and hammer, then
pounded and rolled until reduced to powder, before
that necessary ingredient was ready for use.</p>
          <p>There were no fruit extracts, no essences for
seasoning, no baking powder to make a half-beaten
cake rise, no ground spices, no seedless raisins, no
washed (?) currants, no isinglass or gelatine, and to
wind up this imperfect list, no egg-beater! Still the thrifty
housewife made and served cakes fit for the gods, with
only Miss Leslie's cook book to refer to, and that was
published in the twenties. Ice cream was seasoned by
boiling a whole vanilla bean in the milk; it was frozen in
a huge cylinder without any inside fixtures to stir the
mixture; it was whirled in the ice tub by hand—and a
stout one at that—and required at least one hour,
constant labor, to freeze the cream.</p>
          <p>For jelly, calves' feet were secured days in
<pb id="ripley44" n="44"/>
advance, and Madame superintended the making of
gelatine. Pink jelly was colored with a drop or two of
cochineal, yellow, doctored with lemon, and a beautiful
pale green, colored with the strained juice of scalded
spinach. These varieties were served in various
attractive shapes; and all, even the green, were
delicious. These preparations were also complicated by
the necessity of procuring all supplies from the early
morning market often a mile or more away, and which,
besides, closed at 10 o'clock. No stepping to the corner
grocery for eggs or butter in an unforeseen emergency,
and to the credit of the community the “borrowing habit”
was entirely unknown.</p>
          <p>I remember a Mrs. Swiler, chiefly because when I
went to see her, with an older sister, she “passed
around” bananas. Cuban fruits were scarce in those
days, and highly prized.</p>
          <p>There were no awnings to be used in bad weather;
no camp chairs for the invited guests if all came, and all
wanted to sit down at the same time; no waterproofs for
them to come in; no rubbers to protect feet from
rain-soaked sidewalks; no street cars; no public
conveyances that people ever hired for such occasions;
no private carriages to bump you over rough
cobblestones. So, there you are!</p>
          <pb id="ripley45" n="45"/>
          <p>
            <figure id="ill5" entity="ripley45">
              <p>COURTYARD 
ON CARONDELET STREET</p>
            </figure>
          </p>
          <pb id="ripley47" n="47"/>
          <p>Arrived after all these tiresome preparations and your
own discomfort at my father's house, on Canal Street,
to a reception given almost seventy years ago, in honor
of Commodore Moore of the Texas navy, who brought
to my father letters of introduction from President
Mirabeau B. Lamar, of the Republic of Texas, and
Gen. Sam Houston of the Texas army!</p>
          <p>I have reason to think at this late date, not hearing to
the contrary at the time, that the commodore's visit was
quite amicable and friendly. If he was escorted by
Texas warships! or even arrived in his own flagship! I
never knew. With his imposing uniform and a huge gilt
star on his breast, a sword at his side, and a rather
fierce mustache (mustaches were little worn then), he
looked as if he were capable of doing mighty deeds of
daring, for the enterprising new republic on our border.
He was accompanied by his aide, a callow youth, also
in resplendent attire, a sword so long and unwieldy he
was continually tripping, and therefore too
embarrassingly incommoded to circulate among the
ladies. I met that “aide,” a real fighter in Texas during
the late war. He proudly wore a lone star under the
lapel of his coat of Confederate gray, and we had a
merry laugh over his naval début. He was Lieut. Fairfax
Grey. His sister was the
<pb id="ripley48" n="48"/>
wife of Temple Doswell, and many of her descendants
are identified with New Orleans to-day.</p>
          <p>Mr. Clay, grand, serene, homely and affable; also
Gen. Gaines in his inevitable uniform. The two military
and naval officers commanded my admiration, as I sat
quietly and unobtrusively in a corner in a way “becoming
to a child of nine”—“a chiel amang ye, takin'
notes”—but no one took note of the chiel. We had also
a jolly itinerant Irish preacher, I think of the Methodist
persuasion, whom my father had met at country camp
meetings. His call was to travel, and incidentally preach
where the harvest was ripe. I remember how,
laughingly, he remarked to my father, anent the
commodore's visit, that the chief inhabitants of Western
Texas were mesquite grass and buffaloes. He was
father of John L. Moffitt of Confederate fame, and a
very attractive daughter became the wife of President
Lamar.</p>
          <p>There was dance music—a piano only—but the
room was too crowded for more than one attempt at a
quadrille. The notabilities, army, navy and State, did not
indulge in such frivolity. Life was too serious with them.</p>
          <p>These functions generally began at 8 and terminated
before the proverbial small hours. So by midnight the
last petticoat had fluttered away; and 
<pb id="ripley49" n="49"/>
then there followed the clearing up, and, as the old lady
said, the “reinstating of affairs,” which kept the hostess
and her sleepy helpers busy long after the rest of the
family had fluttered away also—to the land of Nod.</p>
        </div2>
        <pb id="ripley50" n="50"/>
        <div2 type="chapter">
          <head>VII<lb/>
NEW YEAR'S OF OLD</head>
          <epigraph>
            <p>“When I was young, time had for me the lazy ox's pace,<lb/>
But now it's like the blooded horse that means to 
win the race.”</p>
          </epigraph>
          <p>HERE it is New Year's Day again. It seems only
yesterday when we had such a dull, stupid New
Year's Day. Everybody who was anybody was out of
town, at country mansions to flourish with the rich, or
to old homesteads to see their folks. Nobody walking
the streets, no shops were open. Those of us who
had no rich friends with country mansions, or no old
homesteads to welcome us, remained gloomily at
home, with shades down, servants off for the day, not
even a basket for cards tied to the doorknob.</p>
          <p>Nobody calls now at New Year's. It is out of fashion,
or, rather, the fashion has descended from parlor to
kitchen. When Bridget and Mary don their finery and
repair to Bridget's cousin's to “receive,” and Sambo
puts on a high shirt collar and a stovepipe hat, and
sallies out on his round of calls, 
<pb id="ripley51" n="51"/>
we have a pick-up dinner, and grandma tries to enliven
the family with reminiscences of the New Year's Days
of seventy years ago, when her mother and sister
“received” in state, and father and brother donned their
“stovepipes” and proceeded to fill the society role for
the year.</p>
          <p>In the forties and for years thereafter, New Year's
Day was the visiting day for the men, and receiving day
for the ladies. All the fathers and grandfathers, in their
newest rig, stick in hand, trotted or hobbled around,
making the only calls they made from year to year.
Before noon, ladies were in their parlors, prinked up,
pomatumed up, powdered up, to “receive.” Calling
began as early as 11, for it was a short winter day, and
much to be accomplished. A small stand in the hall held
a card receiver, into which a few cards left from last
year's stock were placed, so the first caller might not
be embarrassed with the fact that he was the first. No
one cared to be the very first then, any more than now.</p>
          <p>A table of generous dimensions occupied a
conspicuous position in the parlor (we never said
“drawing room”), with silver tray, an immense and
elaborately decorated cake and a grand bowl of
foaming eggnog. That was chiefly designed for the
beaux. On the dining room sideboard (we did
<pb id="ripley52" n="52"/>
not say “buffet,” either) a brandy straight or whisky
straight was to be found for those walking-stick ones
whose bones were stiff and whose digestion could not
brook the fifty different concoctions of eggnog they
were liable to find in the fifty different houses. Those
varied refreshments, which every caller was expected
to at least taste, often worked havoc on the young and
spry, to say nothing of the halt and lame.</p>
          <p>There were no flower decorations. It was the dead
season for plants, and Boston greenhouses were not
shipping carloads of roses and carnations to New
Orleans in the '40s. Rooms were not darkened,
either, to be illuminated with gas or electricity, but
windows were thrown wide open to the blessed light of
a New Year's Day. Little <foreign lang="fr"><hi rend="italics">cornets</hi></foreign> of bon-bons and
<foreign lang="fr"><hi rend="italics">dragées</hi></foreign> were carelessly scattered about. Those
cornucopias, very slim and pointed, containing about a
spoonful of French confections, were made of stiff,
shiny paper, gaudily colored miniatures of impossible
French damsels ornamenting them. I have not seen
one of those pretty trifles for sixty years. It was quite
the style for a swain to send his Dulcinea a <foreign lang="fr"><hi rend="italics">cornet</hi></foreign> in
the early morning. If the Dulcinea did not happen to
receive as many as she wanted, she could buy a few
more. One liked to be a Belle!</p>
          <pb id="ripley53" n="53"/>
          <p>Living in Canal Street, a little girl was unconsciously
taking notes that blossom now in a chronicle of the
doings and sayings of those New Year's Days of the
early '40s. She enjoyed looking through the open
window, onto the broad, unshaded street, watching an
endless procession of callers. There were rows of
fashionable residences in Canal Street to be visited, and
the darting in and out of open doors, as though on
earnest business bent, was a sight. The men of that day
wore skin-tight pantaloons (we did not call them
trousers), often made of light-colored materials. I clearly
remember a pea green pair that my brother wore,
flickering like a chameleon in and out of open street
doors. Those tight-fitting pantaloons were drawn taut
over the shoe, a strong leather strap extending under the
foot buckled the garment down good and tight, giving
the wearer as mincing a gait as the girl in the present-
day hobble skirt. The narrow clawhammer coat with
tails that hung almost to the knees behind and were
scarcely visible in front, had to have the corner of a
white handkerchief flutter from the tail pocket.</p>
          <p>Military men like Gen. E. P. Gaines (he was
in his zenith at that date) and all such who could sport a
military record wore stiff stocks about their long necks.
Those stocks made the necks appear
<pb id="ripley54" n="54"/>
abnormally long. They were made of buckram (or
sheet iron?), so broad that three straps were required
to buckle them at the back, covered with black satin,
tiny satin bows in front which were utterly superfluous,
for they tied nothing and were not large enough to be
ornamental. The stocks must have been very trying to
the wearers, for they could not turn their heads when
they were buckled up, and, like the little boy with the
broad collar, could not spit over them. However, they
did impart a military air of rigidity and stiffness, as
though on dress parade all the time.</p>
          <p>I remember Major Waters had a bald spot on the
top of his head and two long strands of sandy hair on
each side which he carefully gathered up over the bald
spot and secured in place by the aid of a side comb! I
used to wish the comb would fall out, to see what the
major would do, for I was convinced he could not bend
his head over that stiff, formidable stock. The major
won his title at the battle of River Rasin (if you know
where that is, I don't). My father was in the same battle,
but being only seventeen he did not win a title. I don't
suppose that River Rasin engagement amounted to
much anyway, for dear pa did not wear a stock, nor a
military bearing, either. Gen. Persifor Smith was another
stock man who called always at New Year's
<pb id="ripley55" n="55"/>
and at no other time. And Major Messiah! Dear me,
how many of us remember him in the flesh, or can
forget the cockaded, epauletted portrait he left behind
when he fought his last life's battle?</p>
          <p>All the men wore tall silk hats that shone like patent
leather. Those hats have not been banished so long ago
that all of us have forgotten their monstrosity, still to be
seen now and then in old daguerreotypes or <foreign lang="fr"><hi rend="italics">cartes de
visite. </hi></foreign>They flocked in pairs to do their visiting. It would be
a Mardi Gras nowadays to see one of those old-time
processions. Men of business, men of prominence,
no longer society men, fulfilled their social duty once
each year, stepped into the dining room at a nod from
mother, who was as rarely in the parlor to “receive,” as
the men who, at the sideboard, with a flourish of the
hand and a cordial toast to the New Year, took a
brandy straight. They are long gone. Their sons, the
beaux of that day, quietly graduated from the eggnog to
the sideboard, become even older men than their
fathers, are gone, too.</p>
          <p>I remember a very original, entertaining beau of those
days saying eggnog was good enough for him, and
when he felt he was arriving at the brandy-straight age
he meant to kill himself. How would he know when the
time for hari-kari came? “When my nose gets spongy.”
He had a very pronounced
<pb id="ripley56" n="56"/>
Hebrew nose, by the way. Not so many years ago I
heard of him hobbling on crutches. Not only his nose,
but his legs were spongy, but he gave no indication that
life was not as dear to him as in his salad days.</p>
          <p>The younger element, beaux of my grown-up sister,
rambled in all day long, hat in hand, with “A happy New
Year,” a quaff of eggnog, “No cake, thanks,” and away
like a flash, to go into house after house, do and say the
same things, till night would find they had finished their
list of calls and eggnog had about finished them. So the
great day of the year wore on.</p>
          <p>After the house doors were closed at the flirt of the
last clawhammer coat tail, cards were counted and
comments made as to who had called and who had
failed to put in appearance, the wreck of glasses, cake
and tray removed, and it was as tired a set of ladies to
go to bed as of men to be put into bed.</p>
          <p>As the beautiful custom of hospitality spread from
the centers of fashion to the outskirts of society the
<foreign lang="fr"><hi rend="italics">demi mondaines,</hi></foreign> then the small tradesman, then the
negroes became infected with the fashion of “receiving”
at New Year's, in their various shady abodes. The bon
tons gradually relinquished the hospitable and friendly
custom of years. Ladies suspended tiny card receivers
on the doorknob, and retired behind
<pb id="ripley57" n="57"/>
closed blinds. Those of the old friends of tottering
steps and walking sticks, always the last to relinquish a
loved habit, wearily dropped cards into the little basket
and passed on to the next closed door. Now the
anniversary, instead of being one of pleasant greetings,
is as stupid and dull as any day in the calendar, unless,
as I have said, one has a friend with a “cottage by the
sea”or a <foreign lang="fr">château</foreign> on the hilltop and is also endowed
with the spirit of hospitality to ask one to spend the
week-end and take an eggnog or a brandy straight.</p>
        </div2>
        <pb id="ripley58" n="58"/>
        <div2 type="chapter">
          <head>VIII<lb/>
NEW ORLEANS SHOPS AND SHOPPING IN THE
FORTIES</head>
          <p>THE shopping region of New Orleans was
confined to Chartres and Royal Streets seventy
years ago. It was late in the fifties when the first
movement was made to more commodious
and less crowded locations on Canal Street,
and Olympe, the fashionable modiste, was the
venturesome pioneer.</p>
          <p>Woodlief's was the leading store on Chartres Street
and Barrière's on Royal, where could be found all the
French <foreign lang="fr"><hi rend="italics">nouveautés</hi></foreign> of the day, beautiful <foreign lang="fr"><hi rend="italics">barèges, </hi></foreign>Marcelines and chiné silks, organdies stamped in
gorgeous designs, to be made up with wreathed and
bouquet flounces, but, above and beyond all for utility
and beauty, were the imported French calicoes, fine
texture, fast colors. It was before the day of aniline and
diamond dyes; blues were indigo, reds were cochineal
pure and unadulterated; so those lovely goods, printed
in rich designs—often the graceful palm-leaf pattern—could 
<pb id="ripley59" n="59"/>
be “made over,” turned upside down and hindpart
before, indefinitely, for they never wore out or lost
color, and were cheap at fifty cents a yard. None but
those in mourning wore black; even the men wore blue
or bottle green coats, gay flowered vests and tan-
colored pantaloons. I call to mind one ultra-fashionable
beau who delighted in a pair of sage green “pants.”</p>
          <p>The ladies' toilets were still more gay; even the
elderly ones wore bright colors. The first black silk
dress worn on the street, and that was in '49, was
proudly displayed by Miss Mathilde Eustis, who had
relatives in France who kept her <foreign lang="fr"><hi rend="italics">en rapport</hi></foreign> with the
latest Parisian style. Hers was a soft Marceline silk;
even the name, much less the article, is as extinct as the
<foreign lang="fr"><hi rend="italics">barège</hi></foreign> and <foreign lang="fr"><hi rend="italics">crêpe lisse</hi></foreign> of those far away days. It was
at Woodlief's or Barrieres these goods were displayed
on shelves and counters. There were no show
windows, no dressed and draped wax figures to tempt
the passerby.</p>
          <p>Mme. Pluche's shop, on the corner of Royal and
Conti, had one window where a few trifles were
occasionally displayed on the sill or hung, carefully
draped on the side, so as not to intercept the light.
Madame was all French and dealt only in French
importations. Mme. Frey was on Chartres Street. Her
specialty (all had specialties; there was no shop
<pb id="ripley60" n="60"/>
room for a miscellaneous stock of goods) was <foreign lang="sp"><hi rend="italics">mantillas,</hi></foreign>
<foreign lang="fr"><hi rend="italics">visites,</hi></foreign> <foreign lang="fr"><hi rend="italics">cardinals</hi></foreign> and other confections to envelop
the graceful <foreign lang="fr">mesdames</foreign> <foreign lang="fr"><hi rend="italics">en flânant.</hi></foreign> I call to mind
a <foreign lang="fr"><hi rend="italics">visite</hi></foreign> of thinnest muslin, heavily embroidered (no
Hamburg or machine embroidery in those days), lined
with blue silk, blue cords and tassels for a finish. It was
worn by a belle of the forties, and Mme. Frey claimed
to have imported it. The madame was not French. She
had a figure no French woman would have submitted
to, a fog-horn voice and a well-defined mustache, but
her taste was the best and her dictum in her specialty
was final.</p>
          <p>The fashionable milliner was Olympe. Her specialty
was imported <foreign lang="fr"><hi rend="italics">chapeaux.</hi></foreign> She did not—ostensibly, at
least—make or even trim <foreign lang="fr"><hi rend="italics">chapeaux.</hi></foreign> Olympe's ways
were persuasive beyond resistance. She met her
customer at the door with “Ah, madame”—she had
brought from Paris the very bonnet for you! No one had
seen it; it was yours! And Mam'zelle Adèle was told to
bring Mme. X's <foreign lang="fr"><hi rend="italics">chapeau. </hi></foreign>It fit to a <foreign lang="fr"><hi rend="italics">merveille</hi></foreign>! It was an
inspiration! And so Mme. X had her special bonnet sent
home in a fancy box by the hand of a dainty <foreign lang="fr"><hi rend="italics">grisette. </hi></foreign>
Olympe was the first of her class to make a specialty of
delivering the goods. And Monsieur X, though he may
have called her “Old Imp,” paid the bill with all the
extras of specialty and delivery included,
<pb id="ripley61" n="61"/>
though not itemized. Those were bonnets to shade the
face—a light blue satin shirred lengthwise; <foreign lang="fr"><hi rend="italics">crêpe lisse,</hi></foreign>
same color, shirred crosswise over it, forming indistinct
blocks; and a <foreign lang="fr"><hi rend="italics">tout aller,</hi></foreign> of raspberry silk, shirred
“every which way,” are two that I recall.</p>
          <p>Madame a-shopping went followed by a servant to
bring home the packages. Gloves, one button only,
were light colored, pink, lavender, lemon, rarely white;
and for ordinary wear bottle green gloves were
considered very <foreign lang="fr"><hi rend="italics">comme il faut. </hi></foreign>They harmonized with
the green <foreign lang="fr"><hi rend="italics">barège</hi></foreign> veil that every lady had for shopping.</p>
          <p>Our shopping trip would be incomplete if we failed to
call on an old Scotch couple who had a lace store
under Col. Winthrop's residence on Royal Street. The
store had a door and a window, and the nice old parties
who had such a prodigious Scotch brogue one would
scarcely understand them, could, by a little skill,
entertain three customers at one and the same time. If
one extra shopper appeared, Mr. Syme disappeared,
leaving the old lady to attend to business. She was
almost blind from cataract, a canny old soul and not
anyways blind to business advantages. I am pleased to
add they retired after a few busy years quite well-to-do.
There was Seibricht, on Royal Street, a furniture
<pb id="ripley62" n="62"/>
dealer, and still further down Royal Seignoret, in the
same lucrative business, for I do not recall they had any
competitors. Memory does not go beyond the time
when Hyde and Goodrich were not the jewelers; and
Loveille, on the corner of Customhouse and Royal, the
grocer, for all foreign wines, cheeses, etc. Never do I
see such Parmesan as we got from Loveille in my early
days.</p>
          <p>William McKean had a bookshop on Camp Street, a
few doors above Canal. Billy McKean, as the irreverent
called him, was a picture of Pickwick, and a clever,
kindly old man was he. There was a round table in the
rear of his shop, where one found a comfortable chair
and a few books to browse over. In my childhood I was
always a welcome visitor to that round table, for I always
“sat quiet and just read,” as dear old Mr. McKean told
me. As I turn the pages of my book of memories not
only the names but the very faces of these shopkeepers
of seventy years ago come to me, all smiles and winning
ways, and way back I fly to my pantalette and pigtail
days, so happy in these dreams that will never be reality
to any place or people.</p>
          <p>There were no restaurants, no lunch counters, no tea
rooms, and (bless their dear hearts, who started it!) no
woman's exchange, no place in the whole city where a
lady could drop in, after all this
<pb id="ripley63" n="63"/>
round of shopping, take a comfortable seat and order
even a sandwich, or any kind of refreshment. One
could take an éclair at Vincent's, corner of Royal and
Orleans, but éclairs have no satisfying quality.</p>
          <p>There was a large hotel (there may be still—it is sixty
years since I saw it), mostly consisting of spacious
verandas, up and down and all around, at the lake end
of the shellroad, where parties could have a fish dinner
and enjoy the salt breezes, but a dinner at “Lake End”
was an occasion, not a climax to a shopping trip. The
old shellroad was a long drive, Bayou St. John on one
side, swamps on the other, green with rushes and
palmetto, clothed with gay flowers of the swamp flag.
The road terminated at Lake Pontchartrain, and there
the restful piazza and well-served dinner refreshed the
inner woman.</p>
          <p>I am speaking of the gentler sex. No doubt there
were myriads of cabarets and eating places for men on
pleasure or business bent. Three o'clock was the
universal dinner hour, so the discreet <foreign lang="fr"><hi rend="italics">mesdames</hi></foreign> were
able to return to the city and be ready by early
candlelight for the inevitable “hand round” tea.</p>
          <p>Then there was Carrollton Garden (I think it is dead
and buried now). There was a short railroad leading to
Carrollton; one could see open fields and
<pb id="ripley64" n="64"/>
grazing cattle from the car windows as one crept along.
Except a still shorter railroad to the Lake, connecting
with the Lake boats, I think the rural road to Carrollton
was the only one leading out of the city. The Carrollton
hotel, like the Lake one, was all verandas. I never knew
of any guest staying there, even one night, but there
was a dear little garden and lots of summer houses and
pagodas, covered with jasmines and honeysuckle vines.
One could get lemonade or orgeat or orange flower
syrup, and return to the city with a great bouquet of
monthly roses, to show one had been on an excursion.
A great monthly rose hedge, true to its name, always in
bloom, surrounded the premises. To see a monthly rose
now is to see old Carrollton gardens in the forties.</p>
        </div2>
        <pb id="ripley65" n="65"/>
        <div2 type="chapter">
          <head>IX<lb/>
THE OLD FRENCH OPERA HOUSE</head>
          <p>IT was on Orleans Street, near Royal—I don't have to
“shut my eyes and think very hard,” as the Marchioness
said to Dick Swiveller, to see the old Opera House and
all the dear people in it, and hear its entrancing music.
We had “Norma” and “Lucia di Lammermoor” and
“Robert le Diable” and “La Dame Blanche,”
“Huguenots,” “Le Prophete,” just those dear old
melodious operas, the music so thrillingly catchy that
half the young men hummed or whistled snatches of it
on their way home.</p>
          <p>There were no single seats for ladies, only four-seated
boxes. The pit, to all appearances, was for elderly,
bald gentlemen only, for the beaux, the fashionable
eligibles, wandered around in the intermissions or
“stood at attention” in the narrow lobbies behind the
boxes during the performances. Except the two stage
boxes, which were more ample, and also afforded sly
glimpses towards the wings and flies, all were planned
for four occupants. Also,
<pb id="ripley66" n="66"/>
all were subscribed for by the season. There was
also a row of latticed boxes in the rear of the dress
circle, usually occupied by persons in mourning, or
the dear old <foreign lang="fr"><hi rend="italics">messieurs et
mesdames,</hi></foreign> who were not
chaperoning a <foreign lang="fr"><hi rend="italics">mademoiselle.</hi></foreign> One stage box belonged,
by right of long-continued possession, to Mr.
<figure id="ill6" entity="ripley66"><p>THE OLD FRENCH 
OPERA HOUSE.</p></figure>
and Mrs. Cuthbert Bullitt. The opposite box was
<foreign lang="fr"><hi rend="italics">la
loge des lions, </hi></foreign> and no less than a dozen lions
wandered in and out of it during an evening. Some were
blasé and looked dreadfully bored, a few were young
and frisky, but every mortal one of them possessed a
pompous and self-important mien.</p>
          <p>If weather permitted (we had to consider the
<pb id="ripley67" n="67"/>
weather, as everybody walked) and the opera a
favorite, every seat would be occupied at 8 o'clock,
and everybody quiet to enjoy the very first notes of the
overture. All the fashionable young folks, even if they
could not play or whistle “Yankee Doodle,” felt the
opera was absolutely necessary to their social success
and happiness. The box was only five dollars a night,
and pater-familias certainly could afford that!</p>
          <p>Think of five dollars for four seats at the most
fashionable Opera House in the land then, and
compare it with five dollars for one seat in the topmost
gallery of the most fashionable house in the land
to-day. Can one wonder we old people who sit by our
fire and pay the bills wag our heads and talk of the
degenerate times?</p>
          <p>Toilets in our day were simple, too. French muslins
trimmed with real lace, pink and blue <foreign lang="fr"><hi rend="italics">barèges</hi></foreign> with
ribbons. Who sees a <foreign lang="fr"><hi rend="italics">barège</hi></foreign> now? No need of
jeweled stomachers, ropes of priceless pearls or
diamond tiaras to embellish those Creole ladies, many
of whom were direct descendants of French nobles;
not a few could claim a drop of even royal blood.</p>
          <p>Who were the beaux? And where are they now? If
any are living they are too old to hobble into the pit and
sit beside the old, bald men.</p>
          <pb id="ripley68" n="68"/>
          <p>It was quite the vogue to saunter into Vincent's, at
the corner, on the way home. Vincent's was a great
place and he treated his customers with so much
“confidence.” One could browse about the glass cases
of <foreign lang="fr">pâtés, <hi rend="italics">brioches,</hi> éclairs, méringues,</foreign> and all such
toothsome delicacies, peck at this and peck at that, lay
a dime on the counter and walk out. A large Broadway
firm in New York attempted that way of conducting a
lunch counter and had such a tremendous patronage
that it promptly failed. Men went for breakfast and
shopping parties for lunch, instead of dropping in <foreign lang="fr"><hi rend="italics">en
passant</hi></foreign> for an éclair.</p>
          <p>As I said, we walked. There were no street cars, no
'buses and precious few people had carriages to ride
in. So we gaily walked from Vincent's to our respective
homes, where a cup of hot coffee put us in condition
for bed and slumber.</p>
          <p>Monday morning Mme. Casimir or Mam'zelle
Victorine comes to sew all day like wild for seventy
five cents, and tells how splendidly Rosa de Vries (the
prima donna) sang <foreign lang="fr"><hi rend="italics">“Robert, toi que j'aime”</hi></foreign> last night.
She always goes, <foreign lang="fr"><hi rend="italics">“Oui, madame, toujours,”</hi></foreign> to the
opera Sunday. Later, dusky Henriette Blondéau
comes, with her <foreign lang="fr"><hi rend="italics">tignon</hi></foreign> stuck full of pins and the deep
pockets of her apron bulging with sticks of bandoline,
pots of pomade, hairpins and a 
<pb id="ripley69" n="69"/>
bandeau comb, to dress the hair of mademoiselle. She
also had to tell how fine was “Robert,” but she prefers
De Vries in “Norma,” <foreign lang="fr"><hi rend="italics">“moi.”</hi></foreign> The Casimirs lived in a
kind of cubby-hole way down Ste. Anne Street. M.
Casimir was assistant in a barber shop near the French
Market, but such were the gallery gods Sunday nights,
and no mean critics were they. Our nights were
Tuesday and Saturday.</p>
          <p>Society loves a bit of gossip, and we had a delightful
dish of it about this time, furnished us by a denizen of
Canal Street. He was“horribly English, you know.” As
French was the fashion then, it was an impertinence to
swagger with English airs. The John Bull in question,
with his wife all decked out in her Sunday war paint and
feathers, found a woman calmly seated in his pew at
Christ Church, a plainly dressed, common appearing
woman, who didn't even have a flower in her bonnet.
The pew door was opened wide and a gesture
accompanied it, which the common-looking somebody
did not fail to comprehend. She promptly rose and
retired into the aisle; a seat was offered her nearer the
door of the church, which she graciously accepted.
Lady Mary Wortley Montagu had asked for a seat in
that pew, as she bore a letter of introduction to its
occupant. This incident gave us great merriment, for the
inhospitable Englishman had been boasting
<pb id="ripley70" n="70"/>
of the coming of Lady Mary. I introduce it here, for it
has a moral which gives a Sunday school flavor to my
opera reminiscences. Now they have all gone where
they are happily singing, I hope, even better than Rosa
de Vries, and where there are no doors to the pews.</p>
        </div2>
        <pb id="ripley71" n="71"/>
        <div2 type="chapter">
          <head>X<lb/>
MURAL DECORATIONS AND PORTRAITS OF THE PAST</head>
          <p>THE pendulum is swinging. Landscape wall papers,
after a seventy years' truce, are on the warpath,
to vanquish damask hangings and other fabrics
that are traps for moths and dust and microbes,
we old-time people aver. Now, in view of the
return to favor of landscape wall papers, some
elegant, expensive and striking specimens rise in
my memory, and clamor to be once more
displayed to the public.</p>
          <p>I vividly remember a decorated wall at a school
under the charge of a superannuated Episcopal
clergyman. His aged wife must have possessed
considerable artistic ability, for she painted, on the
parlor walls, mythological subjects, as befits a school
teacher's, if not a preacher's, residence. There were
Diana and her nymphs (quite modestly wrapped in
floating draperies) on one side the room, and opposite,
was Aurora in her chariot, driving her team of doves.
They were up in the dawning sky, and below was such
greenery as I presume
<pb id="ripley72" n="72"/>
old Mrs. Ward thought belonged to the period of gods
and goddesses, but it was strangely like the bushes and
trees in her own back yard. Various other figures
were floating or languishing about The colors, on the
whole, were not brilliant; in fact, artistically subdued.
That bit of mural adornment was a curiosity to all. I, a
little child, thought it most wonderful, and it was. All
these landscape walls had a three or four-foot base of a
solid color, surmounted by a band of wood, called in
those days “chair boarding.” So the figures came near
the level of the eye.</p>
          <p>Years after the two old people had joined the
immortals, I had occasion to call at the house. It was a
great disappointment to find the parlor wall covered
with stiff paper, representing slabs of white marble
(marble, of all things, in that dingy red-brick house!) .
Aurora and Diana, and perhaps Calypso, for I imagine
the scope was sufficiently extensive to comprise such a
picturesque immortal, were buried under simulated
marble. A weatherbeaten portrait of Major Morgan in
full uniform hung right over the spot where Aurora
drove her fluttering birds. I looked at the desecration in
dismay, when the voice of old black mammy was
heard. “Dat is Mars Major in his rag-gi-ments; you
never know'd him?” No, I didn't. “And dat
<pb id="ripley73" n="73"/>
odder portrait over dar” (pointing to a simpering girl
with curly hair) “is Miss Merriky 'fore she married de
major.” Where are those old portraits now? The
whirligig of time has doubtless whirled them away to
some obscure closet or garret, where, with faces turned
to the wall, they await a time when there will be a
general cleaning up or tearing down—then where?
<foreign lang="la"><hi rend="italics">Sic
transit!</hi></foreign></p>
          <p>
            <figure id="ill7" entity="ripley73">
              <p>TYPICAL OLD 
NEW ORLEANS DWELLING. </p>
            </figure>
          </p>
          <p>I recall, in later life, a wonderful wall paper on the
broad hall of Judge Chinn's house in West Baton
Rouge. That was very gay and brilliant, somewhat after
the Watteau style, swains playing on impossible
instruments to beauties in various listening attitudes;
lambs gamboling in the distance, birds flying about amid
lovely foliage, horsemen on galloping steeds with
extraordinary trappings. How I did love that wall! It
was never permitted the
<pb id="ripley74" n="74"/>
family to cover all that glory with “pillars and panels,”
for the house, shortly after my visit, was destroyed by
fire, and the debonair ladies, prancing steeds and all
went up in one great holocaust.</p>
          <p>The new house that rose over the ashes was aptly
called Whitehall. It was all white, inside and out, broad,
dead white walls, grand balconies all around the
mansion dead white; white steps led to the lawn, and
the trees surrounding had their trunks white washed as
high as could be reached by a long pole and a brush.
All the old portraits and some awful prints (it was long
before the chromo era) were fished out of closets and
other hiding places and hung about on the white walls.
One old man with a tremendously long neck and a stiff
black stock to help hold up his head, and a fierce look,
had a pair of eyes that looked like great daubs of ink.
His portrait decorated the parlor. I was warned not to
handle the gilt-edged books and little trinkets on the
marble-top center-table, “for your Cousin Christopher
will see you; notice, whichever way you turn his eyes
will follow you.” I was mortally afraid of that old spook
till little black Comfort told me, “Laws! if dem eyes
could hurt we'd all be'n daid in dis house.”</p>
          <p>At “The Oaks,” Dr. Patrick's plantation, the wall
paper illustrated scenes from China, in colors not 
<pb id="ripley75" n="75"/>
gorgeous, like the last mentioned, neither was the house
so pretentious. There was no broad, high ceilinged hall
to ornament with startling figures that seemed to jump at
you. The orderly processions of pigtailed Chinamen in
sepia tints could not by any possibility get on one's
nerves. Whole processions wended their way to
impossible temples, wedding processions, palanquins,
and all that; funeral processions dwindled away to a
mere point in the distance, all becomingly solemn, until
some of the irrepressible Patrick children, with black
pencil, or charcoal, or ink, put pipes into all the mouths
and clouds of smoke therefrom spotted the landscape.
Moral suasion was the discipline of the Patrick children,
so that freak was not probably followed by afterclaps,
but the Chinese were promptly marched off, and the
inevitable white walls were the result.</p>
          <p>Family portraits came forth to brighten the room. One
notable one that superseded the Chinese wall paper
was a full-length portrait of Gov. Poindexter's
(everybody knows “Old Poins” was the first Governor
of the State of Mississippi) first wife, who was a sister
of Mrs. Patrick. She was a vision of beauty, in full
evening dress. Facing her was the glum, “sandy
complected” Governor, not one bit fascinated by the
sight of his wife's smiling face.
The fashionable portrait painter of the time was
<pb id="ripley76" n="76"/>
Moïse; it was he who painted the author's portrait
shortly after her marriage. He was a dashing, im-
provident genius, and many of his portraits were
executed to cancel debts. At one time he designed and
had made for my husband, in settlement for a loan, a
handsome silver lidded bowl with alcohol lamp
beneath. It was known as a <foreign lang="fr"><hi rend="italics">pousse café</hi></foreign> and
was used to serve hot punch to after-dinner parties. I
am glad to say it has survived all the family vicissitudes,
and is an honored heirloom, in company with a
<foreign lang="fr"><hi rend="italics">repoussé</hi></foreign> silver pitcher, which we won as a prize for
cattle at the Louisiana State Fair, described in a later
chapter.</p>
          <p>At John C. Miller's place the house was only one
story, but it spread over what seemed to be a half acre
of land. A square hall, which was a favorite lounging
place for everybody, had wall paper delineating scenes
from India. Women walked toward the Ganges river,
smilingly tripping along with huge water jars on their
shoulders, in full view of another woman descending the
steps of a temple, with a naked baby, poised aloft, to
be thrown into the sacred Ganges. A crocodile ruffled
the blue (very blue) waters, with jaws distended, ready
to complete the sacrifice. That sacred river seemed to
course all around the hall, for on another side were a
number of bathers, who appeared to be utterly
<pb id="ripley77" n="77"/>
oblivious of their vicinity to the mother and babe, not to
mention the awful crocodile.</p>
          <p>The culmination of landscape wall paper must have
been reached in the Minor plantation dwelling in
Ascension parish. Mrs. Minor had received this
plantation as a legacy, and she was so loyal to the
donor that the entreaties of her children to “cover that
wall” did not prevail. It was after that style of mural
decoration was of the past, that I visited the Minors.
The hall was broad and long, adorned with real jungle
scenes from India. A great tiger jumped out of dense
thickets toward savages, who were fleeing in terror.
Tall trees reached to the ceiling, with gaudily striped
boa constrictors wound around their trunks; hissing
snakes peered out of jungles; birds of gay plumage,
paroquets, parrots, peacocks everywhere, some way
up, almost out of sight in the greenery; monkeys swung
from limb to limb; ourang-outangs, and lots of almost
naked, dark-skinned natives wandered about. To cap
the climax, right close to the steps one had to mount to
the story above was a lair of ferocious lions!</p>
          <p>I spent hours studying that astonishing wall paper,
and I applauded Mrs. Minor's decision, “The old man
put it there; it shall stay; he liked it, so do I.” It was in
1849 I made that never-to-be-forgotten
<pb id="ripley78" n="78"/>
trip to jungle land. The house may still be there; I
don't know; but I warrant that decorated hall has been
“done over,” especially if little children ever came to
invade the premises. Upon the departure of landscape
wall paper, the pendulum swung to depressing
simplicity of dead white walls or else “pillared and
paneled,” which is scarcely one degree better.</p>
          <p>Old portraits and any kind of inartistic picture or
print were brought forth to gratify the eye
unaccustomed to such monotony. Only a few years ago
I asked: “What became of that military epauletted
portrait of old Major Messiah that always hung in your
mother's hall when we were children?” “Oh, it was
hanging twenty or more years ago in the office of a
hardware concern down town. Don't know where it is
now.”</p>
          <p>After the war, inquiring for a lot of portraits of
various degrees of merit and demerit that disappeared
when the Yankees left, we heard that some were in
negro cabins in West Feliciana. So they come and are
appreciated, those images of loved ones. So they often
go, and are despised by those who follow us, and who,
perchance, never knew the original. Now the questions
arise, will landscape wall papers really return? And in
their pristine splendor? Surely the scope in brilliancy
and variety 
<pb id="ripley79" n="79"/>
could not be excelled. The limit was reached almost
seventy years ago, and naturally ( I was a child then)
comes as vividly to my mind as the counterfeit face of
my ancestor with eyes following me all around the
room. The tigers and ourang-outangs, even the den of
lions and the crocodile of the Ganges, never made my
little soul quake like the searching eyes of “my Cousin
Christopher.”</p>
        </div2>
        <pb id="ripley80" n="80"/>
        <div2 type="chapter">
          <head>XI<lb/>
THOUGHTS OF OLD</head>
          <p>I SHALL begin to think I am in my second childhood
by and by. I have just been reading of a fashionable
wedding where the bride and her attendants carried flat
bouquets with lace paper frills. I don't doubt the revival
of the <foreign lang="fr"><hi rend="italics">porte bouquet</hi></foreign> will come next, the slender
bouquet holders made of filigree silver with a dagger
like a short hatpin to stick clear through and secure the
bouquet—a chain and ring attached to the holder and
all could be hung from the finger. I used to think, a
childish looker-on, that it was pretty to see the ladies in
a quadrille “balancing to your partners,” “ladies
changing,” etc., each with a tight little bouquet in a trim
little holder swinging and banging about from the chain.</p>
          <p>Later the <foreign lang="fr"><hi rend="italics">porte
bouquets</hi></foreign> were abandoned, but the
stiff little posies, in their lacy frills, remained. They were
symmetrical, a camellia japonica, surrounded by a tiny
row of heliotrope, then a row of Grand Duke jasmine,
one of violets, finally a
<foreign lang="fr"><hi rend="italics">soupçon</hi></foreign>
of greenery, and the
paper bed. James Pollock 
<pb id="ripley81" n="81"/>
had a fund of such rare flowers to draw from, for
though the Pollock home down on Royal street was
the simplest of old Creole houses, flush on the street,
<figure id="ill8" entity="ripley81"><p>A CREOLE PARTERRE.</p></figure>
only two steps from the
<foreign lang="fr"><hi rend="italics">banquette</hi></foreign>
leading into a
modest parlor, there was a tiny
<foreign lang="fr"><hi rend="italics">parterre</hi></foreign> in the rear, a
vision of the most choice collection of plants. How it
was managed and cultivated I don't know, for it was
hemmed in on all sides by buildings that intercepted
much of the air and almost all of the sun's rays. Still
those camellias, Grand Dukes and violets thrived and
bloomed, and delighted the heart of any girl to whom
James, the best dancer in society, sent them in one of
those tight little bouquets on the eve of a dance.</p>
          <pb id="ripley82" n="82"/>
          <p>I have to-day a much larger <foreign lang="fr"><hi rend="italics">parterre</hi></foreign> in my backyard,
open to sun and rain and wind, but no amount of
coddling brings anything better than dock-weed and
tie-grass. I leave it to the climate of my own sunny
Southland to explain the problem. The <foreign lang="fr"><hi rend="italics">porte bouquet</hi></foreign>
will no doubt come in time. I for one will hail an old
friend, if I am “on deck” when it arrives.</p>
          <p>Last Christmas what should my granddaughter
receive but a mob cap of gold lace! almost exactly like
one my mother wore before I can remember. Caps!
Every woman when she arrived at middle age, and
some who found them becoming at an earlier age, wore
caps. My mother was considered very tasty and expert
at cap-trimming. She had a papier maché, or soft wood
dummy head—I know she stuck pins into it—on
which she fashioned her caps.</p>
          <p>Mechlin lace (one rarely sees it now) was considered
the fashionable cap lace. Remember cotton laces and
Italian laces and machine-made laces were not in
existence in those days, neither were Hamburg
embroideries and Nottingham curtains, two awful
products of to-day; and a thousand other make-
believes, cheap and tawdry now. When mother's fine
Mechlin edgings became soiled she “did them up”
herself, clapping the damp lace in her hands, pulling out
and straightening the
<pb id="ripley83" n="83"/>
delicate edges—drying them without heat; and she had
a deft way, too, of what she called “pinching” With her
dainty fingers; she knife pleated it. The net foundation
was fitted to the wooden head, the lace was attached in
folds and frills, and little pink rosebuds or some other
tiny flower scattered tastefully here and there. Behold a
dress cap! One can imagine the care and taste and time
and thought consumed in its manufacture. And how the
old lady must have appeared when in full dress!</p>
          <p>Many of those dames wore little bunches of black
curls to enhance the effect, those tight, stiff little curls
that looked like they had been wound on a slate-pencil.
Dear Mrs. Leonard Matthews always wore the black
curls. Even a few years after the war I met the sweet
old lady, curls and all, jet black, tight little curls, and
she looked scarcely older than in my earliest
recollection of her.</p>
          <p>Well, I must return to cap trimmings to tell of a bride.
She must have been in the neighborhood of seventy,
for she made what her friends called a suitable match
with a widower long past that age. They came to the
St. Charles Hotel on a kind of honeymoon trip. She
decorated her head, oh, ye cherubim and seraphim!
with a fussy cap sprinkled with sprays of orange
flowers!</p>
          <p>I, who revel in a towering white pompadour, 
<pb id="ripley84" n="84"/>
have just had the present of a soft silk cap, with frills
and bows. I presume it will be useful on the breezy
piazzas of the mountains a week hence; but it looks to
me now that the caps of our mothers and grandmothers
are on the march hitherward. I possess a few
“Moniteurs des Dames,” dated in the late forties, that
contain pictures and patterns for “bonnets,” as they
were called. Who knows but they may be useful yet?</p>
          <p>Now, “in regard to” (as a lady we all know prefaces
every remark)—“in regard to” frills, in my young days
we had to make our own frills. Nobody had dreamed
even of machine-made ruchings any more than of
vehicles that run all over the streets without the aid of
horses. We made our frills of lawn, neatly gathered on
to a band, and what is more, they had to be fluted with
hot irons. The making was not beyond everybody's
skill, but the “doing up” and fluting was way beyond
me, as beyond many others. How queer it is, when we
recall to mind the images of people so long absent that
they are almost forgotten, the image presents itself,
emphasized by some peculiarity of dress or speech.
When I think of Dr. Bein's daughter Susanna, whom I
knew and loved so well, it is with the beautifully fluted
frill she always wore and so excited my envy. Now,
every Biddy in the kitchen
<pb id="ripley85" n="85"/>
and every little darky one sees wandering around wears
handsomer frills than Susanna and I ever dreamed of.</p>
          <p>Parasols had heavy fringes; so, to show to
advantage, they were carried upside down, the ferule
end fitted with a ring to be, like the bouquet holders,
hung from the finger. My sister had a blue parasol, with
pink fringe, that I thought  too beautiful for words. How
I should laugh at it now!</p>
          <p>Best frocks, such as could be utilized for dinners and
parties, were made with short sleeves, “caps,” they
were called, and tapes sewed in the armholes; long
sleeves similarly equipped were tied in under the
“caps.” I used to see even party guests take off their
sleeves as they put on their gloves to descend to the
dancing room. Black, heelless slippers, with narrow
black ribbons, wound over the instep, and crossed and
recrossed from ankle, way up, over white stockings,
were the style; it was a pretty fashion.</p>
          <p>I recall the autumn of 1849, when I, a young girl, was
at the Astor House, in New York. Coming downstairs
one morning to breakfast, how surprised I was at
glaring notices posted on walls and doors, “Hop
to-night.” You may well believe I was at the hop, though I
had no suitable dress. I was only a looker-on.</p>
          <pb id="ripley86" n="86"/>
          <p>When I mentioned slippers I recalled that hotel hop,
for Mme. Le Vert wore a pink silk dress and pink satin
slippers, all laced up and tied up with broad pink ribbons.
Nobody had ever seen the like before. Mme. Walton,
her mother, was on hand, and hopped, too, just as spry a
hop as any young girl. I contrived to sidle along and keep
near to Mme. Le Vert, for I was as fascinated as any one
of her numerous beaux. Dr. Le Vert, by the way, had just
started on a trip to Europe for his health. Going to Europe
then was like taking a trip to Mars now.</p>
          <p>I heard Mme. Le Vert talking to four different swains
in four different languages. I believe she considered her
linguistic versatility her strong point. She surely was a
most remarkable woman. She was as tender and sweet
to me, a very plain, simple, unattractive girl, as to her
swellest friends. One does not easily forget such an
episode of early life. I never met Mme. Le Vert after
that autumn. We all returned South together on the
Crescent City, the pioneer steamer between New York
and New Orleans.</p>
          <p>I will not moralize or sermonize over these
reminiscences. They are all of the dead past. Both
fashions and people are gone.</p>
        </div2>
        <pb id="ripley87" n="87"/>
        <div2 type="chapter">
          <head>XII<lb/>
WEDDING CUSTOMS THEN AND NOW</head>
          <p>WE were lingering about the breakfast table having
such a comfortable, chatty review of the last night's
party, when a familiar voice was heard. “Oh!
congratulate me; we have captured him; they are
engaged.” That was the first time I had ever heard an
“announcement” from headquarters. It was made to
Mrs. Slocomb, in her library. There followed many
amusing particulars, audible to us, in the adjoining
room, but we were discreet young girls; perhaps that
was one reason we were among the very few invited to
the wedding, which so quickly followed the
engagement that it was a complete surprise to the
whole community.</p>
          <p>Sixty years ago only Catholics went to the sanctuary
for a wedding ceremony. Protestant weddings were
home affairs, necessarily confined to family and nearest
friends. Houses being limited in space, company was
limited in number. No city house could boast of a
ballroom; few had “double parlors.”</p>
          <pb id="ripley88" n="88"/>
          <p>At the wedding whose “announcement” was such a
surprise to us, I think our family and the Slocombs
were the only guests, except the families of the groom's
business associates. The idea of having a grand
reception to announce a marriage engagement, to
which everybody who is anybody is invited, was
unheard of. The anxiety, too, of the parties interested to
get the news in a suitable form in the daily papers, for
the butcher boy and the sewing girl, out of the social
swim, to read, accompanied by the genealogies of the
engaged people, the wealth of the girl and how she
came by it, and the numbers of clubs of which the
young man is a member, as though the money and the
clubs were “the chief end of man,” was unheard of, too.
We did things on a very different scale sixty years ago!</p>
          <p>I recall my astonishment when Elèna Longer told me
her sister Héda was married the night before, for Elèna
and I (we were ten years old at the time) had played
together all that day of the wedding, and not a hint was
imparted to me of the impending event. I had not even
heard the name of Mr. Charles Kock, the fiancé,
mentioned. There were already six married daughters,
with hosts of children , at that time in the Longer family,
so there could have been little room on such an
occasion for outsiders, even if their presence had been
desired. </p>
          <pb id="ripley89" n="89"/>
          <p>Wedding presents were not made, either. The first
time we saw a display of wedding gifts, how surprised
we were, and how we wondered as to how it
happened! There were not many, nor were they
expensive, so for ever so long I could have given the list
and the names of the donors. Dear Maria Shute, who,
as I remember, was the bridesmaid, presented a pearl-
handled paper cutter! That article might have escaped
my memory, along with the others, but years after that
wedding I met Maria, then Mrs. Babcock, and we
talked of it all, and had a merry laugh over the paper
cutter.</p>
          <p>Fifty-eight years ago, when I married, I was
surprised by a solitary wedding present, a napkin ring!
From the most unexpected source it came. The giver is
long since dead and gone; dead and gone also is the
napkin ring.</p>
          <p>At the wedding of Caroline Hennen to Mr. Muir, the
first I ever attended, there were not a dozen guests, but
the rooms were filled, indeed the Hennen family easily
filled one of them. At this wedding we met Mr. William
Babcock from New York, a forty-niner en route to
California (this was in 1849). The following day I went
with him to call on and introduce him to his young
cousin, an intimate friend of mine he was desirous of
meeting. She was of that handsome family of Smiths, a
niece 
<pb id="ripley90" n="90"/>
of Mrs. Labouisse. I never saw either him or her
afterwards, for within the following fortnight they quietly
married and started “round the Horn” to San Francisco.
More than fifty years after I saw their children and
grandchildren in California.</p>
          <p>Some of us must remember genial, gossipy Mrs.
Garnet Duncant, the <foreign lang="fr"><hi rend="italics">bon vivant,</hi></foreign> so bright, so fat and so
entertaining? She it was who called one day (sixty years
ago) to tell us Amelia Zacharie had married her invalid
cousin, and sailed away with him. Those two are the
only cases I recall of wedding trips, and both were
permanent trips, for there was no intention of a return to
New Orleans of either couple. It was the fashion for the
newly-mated to remain quietly in the home nest, until
one of their very own be made ready for their reception.</p>
          <p>James Pollock, I recall to mind, made a late
appearance (in 1850) at a dance given by the Lanfears,
on Julia street, that old “13 Buildings.” The Lanfears
were the last to leave that once fashionable row.
Pollock swept in late, full of apologies. His sister Mana
had married that evening and he was detained.</p>
          <p>The only other wedding trip I can chronicle was one
where the bridegroom went alone. Do you remember
what an excitement there was, years ago, when a
wealthy young man disappeared from the
<pb id="ripley91" n="91"/>
side of his bride the morning after the wedding? There
were no wires or wireless then to facilitate the hunt,
undertaken with frantic haste, and continuing two
mortally anxious weeks. He was eventually discovered,
in a semi-conscious, dazed condition, on a wharfboat at
Baton Rouge, or some such river town. He recovered
from that attack, to be blown away by another “brain
storm” a few years later. It was twenty years after this
second disappearance that the courts pronounced him
dead, and the widow permitted to administer on the
estate.</p>
          <p>In those days old maids were rare. Every girl, so to
say, married. The few exceptions served to emphasize
the rarity of an unmated female.</p>
          <p>Divorces were so rare when I was young that they
were practically unknown in polite circles. I know of
cases, and you would know of them, too, if I
mentioned names, where men sent their erring or
cast-off wives, not to Coventry, but to Paris, and made
them stay there. One such died in Paris lately at the age
of ninety-five, who was packed off, under a cloud of
suspicion. There was no divorce, no open scandal. She
simply went and stayed! He simply stayed!</p>
          <p>Last winter I was invited to a view (sounds like a
picture exhibit!) of the trousseau and wedding gifts of a
fashionable young lady. I was <sic>stunnned</sic>
<pb id="ripley92" n="92"/>
with amazement! A large room filled to overflowing 
with glass, china, silver, mirrors, everything a body
could require, and a vast array of utterly useless articles!
and the trousseau which the tired mother, who has had
nervous prostration ever since, spent months
accumulating in Paris. My gracious! the best
<foreign lang="fr"><hi rend="italics">blanchisseuse</hi></foreign> in the land could not cope successfully
with all that flimsy finery, laces and ribbons. I could
only look and wonder, “What can all this lead to?” (I
add here, anticipating events: It led to an apartment and
one maid servant.) The young man was a salaried
clerk, and the young girl utterly unfit to care for even the
superabundance of china and silver, so much more than
they could possibly find use for in a three-story house,
not to mention a six-room apartment and “light
housekeeping.” I wonder if the whirligig of time won't
bring back some of the simplicity of my day?</p>
          <p>Already it is the style to “fire out of sight” the useless
bric-a-brac ornaments that twenty years ago cluttered
up drawing rooms till one had to pick her way carefully
lest she stumble over a blue china cat, or tilt over a
bandy-leg table covered with ivory idols and Chinese
mandarins with bobbing heads. Some of the most
fashionable drawing rooms to-day are already so
stripped of furniture one has to wander around quite a
bit to find a chair to sit on; not 
<pb id="ripley93" n="93"/>
even a pier mirror to prink before, nor a parlor clock,
flanked by “side pieces,” on the mantel. All that
banished for stunning simplicity. Not so, however, the
costumes and entertainments, which are becoming, so it
seems to a near-sighted old lady, more and more
luxurious. Perhaps this extreme (we all dote on
extremes) of simplicity will come to take the place of
many other equally absurd extremes of the present day.
<foreign lang="it"><hi rend="italics">Qui vivra verra.</hi></foreign></p>
        </div2>
        <pb id="ripley94" n="94"/>
        <div2 type="chapter">
          <head>XIII<lb/>
A COUNTRY WEDDING IN 1846</head>
          <p>WE missed the train! and here we were in the
old Bayou Sara Hotel, looking for some kind of
locomotion. We had eighteen miles to make, and if the
<hi rend="italics">Belle Creole</hi> had made the run we would have been all
right, but the <hi rend="italics">Belle Creole</hi> was not a flier; it had no time
for arrivals or departures; it just jogged along at its own
good will, answering every call, running all sorts of
antics up and down the river. Dick started out to see
what he could do.</p>
          <p>I sat on the dirty porch, looking through November
china trees towards the river. Is there anything more
depressing than a view of china trees in November?
The pretty, fragrant, blue flowers long gone, and the
mocking birds (nobody ever heard of English sparrows
then !) that had drunk their fill of intoxicating liquor
from the scattering china berries were gone too. The
train we had missed, the dear old <hi rend="italics">Belle Creole</hi> always
missed, was a kind of private affair. The whole outfit,
about twenty
<pb id="ripley95" n="95"/>
miles of track, the lumbering cars, the antiquated
engines, and I think, too, the scattering woods that
supplied the fuel were all the private property of the
McGehees. The McGehees had a cotton factory in the
neighborhood of Woodville, twenty miles from the river.
They had one train, cheap and dirty, that made one