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        <title><emph>First Book in Composition, Applying the Principles of Grammar to the Art of Composing:</emph><emph>Also, Giving Full Directions for Punctuation; Especially Designed for the Use of Southern Schools:</emph>
Electronic Edition.</title>
        <author>Branson, L. (Levi), b. 1832</author>
        <funder>Funding from the Institute of Museum and Library
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        <pubPlace>University of North Carolina at Chapel Hill, </pubPlace>
        <date>1999.</date>
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Applying the Principles of Grammar to the Art of Composing: Also, 
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  <text>
    <front>
      <div1 type="cover">
        <p>
          <figure id="cover" entity="compcv">
            <p>[Cover Image]</p>
          </figure>
        </p>
      </div1>
      <div1 type="title page">
        <p>
          <figure id="title" entity="comptp">
            <p>[Title Page Image]</p>
          </figure>
        </p>
      </div1>
      <div1 type="verso">
        <p>
          <figure id="verso" entity="compvs">
            <p>[Title Page Verso Image]</p>
          </figure>
        </p>
      </div1>
      <div1 type="back cover">
        <p>
          <figure id="back" entity="bransbk">
            <p>[Back Cover Image]</p>
          </figure>
        </p>
      </div1>
      <titlePage>
        <docTitle>
          <titlePart type="main">FIRST BOOK
<lb/>
IN
<lb/>
COMPOSITION,</titlePart>
          <titlePart type="subtitle">APPLYING THE PRINCIPLES OF GRAMMAR
<lb/>
TO THE ART OF
<lb/>
COMPOSING:
 </titlePart>
          <titlePart type="subtitle">ALSO,
GIVING FULL DIRECTIONS FOR PUNCTUATION;
<lb/>
ESPECIALLY DESIGNED FOR THE USE OF
<lb/>
SOUTHERN SCHOOLS,</titlePart>
        </docTitle>
        <byline>BY</byline>
        <docAuthor> L. BRANSON, A.M.</docAuthor>
        <docImprint>
<pubPlace>RALEIGH:</pubPlace>
<publisher>BRANSON, FARRAR  &amp;  CO.</publisher>
<docDate>1863.</docDate>
</docImprint>
        <pb id="bransonverso" n="verso"/>
        <docImprint>Entered according to Act of Congress in the Year 1862,</docImprint>
        <byline>BY </byline>
        <docAuthor>L. BRANSON, A. M.</docAuthor>
        <docImprint>
In the Clerk's Office of the District Court of the Confederate States, for the Eastern
<lb/>
District of North Carolina.
<publisher>A.M. GORMAN, PRINTER.</publisher></docImprint>
      </titlePage>
      <pb id="bransonpreface" n="3"/>
      <div1 type="preface">
        <head>PREFACE.</head>
        <p>No subject is more difficult to the mind of the Pupil, than that
of Composition; and yet, strange as it may seem, he is usually expected
to compose without any assistance whatever from books. —
Teachers have sometimes objected to the use of works on Composition,
lest the mind of the pupil should be cramped, or the style should
become artificial, but these are groundless objections. Every student's
style is compelled to be more or less artificial in<hi rend="italics"> acquirement</hi>
and yet it may be perfectly natural in its <hi rend="italics">disposition</hi>.</p>
        <p>To acquire a love of the subject, is a great point gained in the acquisition
of any science. This work is designed to make the art of
composing both easy and agreeable.</p>
        <p>As soon as the student can read intelligibly, he may commence
the study of this Book. The exercises found, will naturally lead
him to the habit of writing, and gradually draw out the mind to the
practice of thinking, and finally to that of independent composition.</p>
        <p>This Book if studied before English Grammar will greatly aid the
pupil in the acquisition of that science, while the more advanced student
may find it altogether profitable.</p>
        <p>In the hope that it may be useful to the young of our great rising
Confederacy, the work is respectfully offered to the public.</p>
      </div1>
      <div1 type="contents">
        <pb id="bransoncontents" n="5"/>
        <head>CONTENTS.</head>
        <list type="simple">
          <item>I. Letters, Vowels, Consonants, Syllables . . . . .
<ref targOrder="U" target="branson9">9</ref>.</item>
          <item>II. Words, Articles . . . . .
<ref targOrder="U" target="branson10">10</ref>.</item>
          <item>III. Nouns, . . . . .
<ref targOrder="U" target="branson12">12</ref>.</item>
          <item>IV. Pronouns. . . . . <ref targOrder="U" target="branson13">13</ref>.</item>
          <item>V. Adjectives, . . . . .
<ref targOrder="U" target="branson15">15</ref>.</item>
          <item>VI. Verbs, . . . . . <ref targOrder="U" target="branson16">16</ref>.</item>
          <item>VII. Adverbs, . . . . .
<ref targOrder="U" target="branson17">17</ref>.</item>
          <item>VIII. Exercise on Adverbs, . . . . .
<ref targOrder="U" target="branson19">19</ref>.</item>
          <item>IX. Conjunctions, . . . . .
<ref targOrder="U" target="branson20">20</ref></item>
          <item>X. Prepositions, . . . . .
<ref targOrder="U" target="branson22">22</ref>.</item>
          <item>XI. Interjections, . . . . .
<ref targOrder="U" target="branson24">24</ref>.</item>
          <item>XII. A Review, . . . . .
<ref targOrder="U" target="branson26">26</ref>.</item>
          <item>XIII. Miscellaneous Exercise, . . . . .
<ref targOrder="U" target="branson27">27</ref>.</item>
          <item>XIV. Miscellaneous Exercise, . . . . .
<ref targOrder="U" target="branson28">28</ref>.</item>
          <item>XV. The Subject. . . . .<ref targOrder="U" target="branson28">28</ref>.</item>
          <item>XVI. Exercise, . . . . . <ref targOrder="U" target="branson31">31</ref>.</item>
          <item>XVII. The Object—Transitive &amp; Intransitive Verbs, . . . . .
<ref targOrder="U" target="branson32">32</ref>.</item>
          <item>XVIII. Personal, Relative, Interogative and Adjective Pronouns, . . . . .
<ref targOrder="U" target="branson35">35</ref>.</item>
          <item>XIX. The Relative Pronoun and Relative Clause, . . . . .
<ref targOrder="U" target="branson38">38</ref></item>
          <item>XX. Participles—Participial Clauses, . . . . .
<ref targOrder="U" target="branson39">39</ref>.</item>
          <item>XXI. A Review, . . . . .
<ref targOrder="U" target="branson41">41</ref>.</item>
          <item>XXII. Sentences, Phrases, Clauses, Apposition, . . . . .
<ref targOrder="U" target="branson43">43</ref></item>
          <item>XXIII. Composition, . . . . . .
<ref targOrder="U" target="branson46">46</ref>.</item>
          <item>XXIV. Description, . . . . .
<ref targOrder="U" target="branson48">48</ref>.</item>
        </list>
        <list type="simple">
          <head>SUBJECTS.</head>
          <item>No. 1. Strawberries, . . . . .<ref targOrder="U" target="branson50">50</ref></item>
          <item>  “    2. Ants, . . . . .<ref targOrder="U" target="branson52">52</ref></item>
          <item>  “    3. Frogs, . . . . .<ref targOrder="U" target="branson53">53</ref></item>
          <item>  “    4. Flies, . . . . .<ref targOrder="U" target="branson55">55</ref></item>
          <item>  “    5. Bird's-nests, . . . . . <ref targOrder="U" target="branson56">56</ref></item>
          <item>“    6. Chesnuts, . . . . .<ref targOrder="U" target="branson58">58</ref></item>
          <item>  “    7. Katy-dids, . . . . .<ref targOrder="U" target="branson59">59</ref></item>
          <item>  “    8. Apple Trees, . . . . .<ref targOrder="U" target="branson61">61</ref></item>
          <item> “  9. Rain, . . . . .<ref targOrder="U" target="branson62">62</ref></item>
          <item>  “ 10. Frost, . . . . . <ref targOrder="U" target="branson64">64</ref></item>
          <item>  “ 11. Snow, . . . . .<ref targOrder="U" target="branson66">66</ref></item>
          <item>  “ 12. Ice, . . . . . .<ref targOrder="U" target="branson67">67</ref></item>
          <item>  “ 13. Night, . . . . .<ref targOrder="U" target="branson69">69</ref></item>
          <item>  “ 14. Morning, . . . .<ref targOrder="U" target="branson71"> 71</ref></item>
          <item>  “ 15. Trees, . . . . .<ref targOrder="U" target="branson73">73</ref></item>
          <item>  “ 16. Flowers. . . . . .<ref targOrder="U" target="branson74">74</ref></item>
        </list>
        <pb id="bransonvi" n="6"/>
        <list type="simple">
          <head>PUNCTUATION.</head>
          <item>1. Period, Interrogation Point, Exclamation Point, . . . . .<ref targOrder="U" target="branson77">77</ref></item>
          <item>2. Colon and Semicolon, . . . . . <ref targOrder="U" target="branson79">79</ref></item>
          <item>3. Comma, . . . . .<ref targOrder="U" target="branson80">80</ref></item>
          <item>4. Exercise in Punctuation, . . . . .<ref targOrder="U" target="branson82">82</ref></item>
          <item>5. Dash, Parenthesis, Brackets, . . . . .<ref targOrder="U" target="branson84">84</ref></item>
          <item>6. Other Marks used in Writing, . . . . .<ref targOrder="U" target="branson86">86</ref></item>
          <item>7. Exercise in Punctuation, . . . . .<ref targOrder="U" target="branson87">87</ref></item>
          <item>8. Exercise in Punctuation, . . . . .<ref targOrder="U" target="branson88">88</ref></item>
          <item>9. Rules for the use of Capitals, . . . . .<ref targOrder="U" target="branson90">90</ref></item>
          <item>10. A Review, . . . . .<ref targOrder="U" target="branson92">92</ref></item>
          <item>11. A Review, . . . . .<ref targOrder="U" target="branson93">93</ref></item>
        </list>
        <list type="simple">
          <head>DIVISION II.</head>
          <item>No. 1. Autumn Leaves, . . . . .<ref targOrder="U" target="branson95">95</ref></item>
          <item>“   2. Moss, . . . . .<ref targOrder="U" target="branson97">97</ref></item>
          <item>“   3. Wild Flowers, . . . . .<ref targOrder="U" target="branson99">99</ref></item>
          <item>  “   4. Roses, . . . . .<ref targOrder="U" target="branson101">101</ref></item>
          <item>  “   5. Water-Lilies, . . . . .<ref targOrder="U" target="branson102">102</ref></item>
          <item>  “   6. Recess, . . . . .<ref targOrder="U" target="branson104">104</ref></item>
          <item>  “   7. Blind Man's Buff, . . . . .<ref targOrder="U" target="branson106">106</ref></item>
          <item>No. 8. A Pic-Nic, . . . . .<ref targOrder="U" target="branson108">108</ref></item>
          <item> “  9. A Sleigh Ride, . . . . .<ref targOrder="U" target="branson110">110</ref></item>
          <item> “ 10. A Menagerie, . . . . .<ref targOrder="U" target="branson112">112</ref></item>
          <item> “ 11. A Fair, . . . . . <ref targOrder="U" target="branson114">114</ref></item>
          <item> “ 12. Thanksgiving, . . . . .<ref targOrder="U" target="branson116">116</ref></item>
          <item> “ 13. Fourth of July, . . . . .<ref targOrder="U" target="branson117">117</ref></item>
          <item> “ 14. Christmas, . . . . .<ref targOrder="U" target="branson119">119</ref></item>
        </list>
        <list type="simple">
          <head>DIVISION III.</head>
          <item>No. 1. A Mountain, . . . . .<ref targOrder="U" target="branson121">121</ref></item>
          <item> “  2. A Brook, . . . . .<ref targOrder="U" target="branson123">123</ref></item>
          <item> “  3. A Waterfall, . . . . .<ref targOrder="U" target="branson125">125</ref></item>
          <item> “  4. A Spring, . . . . .<ref targOrder="U" target="branson127">127</ref></item>
          <item> “  5. A Moonlight Scene, . . . . .<ref targOrder="U" target="branson129">129</ref></item>
          <item>No. 6. A Thunder Storm, . . . . .<ref targOrder="U" target="branson130">130</ref></item>
          <item>  “  7. A Snow Storm . . . . .<ref targOrder="U" target="branson132">132</ref></item>
          <item>  “  8. An Aurora Borealis, . . . . .<ref targOrder="U" target="branson134">134</ref></item>
          <item>   “  9. A Sunrise, . . . . .<ref targOrder="U" target="branson136">136</ref></item>
          <item>   “10. A Sunset. . . . . .<ref targOrder="U" target="branson138">138</ref></item>
        </list>
      </div1>
    </front>
    <body>
      <div1 type="text">
        <pb id="branson9" n="9"/>
        <head>FIRST BOOK IN COMPOSITION.</head>
        <div2 type="section">
          <head>CHAPTER I.</head>
          <head>LETTERS, VOWELS, CONSONANTS, SYLLABLES.</head>
          <p>What is a letter?</p>
          <p>A letter represents a sound.</p>
          <p>How many letters are used in the English Language?</p>
          <p>Twenty-six.</p>
          <p>Repeat them.</p>
          <p>
            <hi rend="italics">A, b, c, d, e, f, g, h, i, j, k, l, m, n, o, p, q, r, s, t, u, v, w, x, y, z.</hi>
          </p>
          <p>What are the letters called, when taken all together?</p>
          <p>THE ALPHABET.</p>
          <p>How are these letters classified?</p>
          <p>Into two distinct classes.</p>
          <p>What are these classes called?</p>
          <p>Vowels and consonants.</p>
          <p>Which represent the heavier tones?</p>
          <p>The Tonics—a, e, i, o, u, and w and y, not commencing a syllable.</p>
          <p>What are Tonic sounds?</p>
          <p>Sounds made with the mouth open and the tongue not raised.</p>
          <p>Which letters represent the next heavier sounds?</p>
          <p>The Subtonics—c, d, g, j, l, m, ng, r, v, w, y, z, wh, th,
and w and y beginning a syllable.</p>
          <p>What are Sub-Tonic sounds?</p>
          <p>Sounds made farther down the throat, and less distinct
than the Tonic.</p>
          <pb id="branson10" n="10"/>
          <p>Which letters represent the aspirations or breathings?</p>
          <p>The At-Tonics, f, h, k, p, q, s, t, th.</p>
          <p>What are At-Tonic sounds?</p>
          <p>Sounds without any tone, simply breathings.</p>
          <p>Of how many sounds is the word <hi rend="italics">goodness</hi> composed?</p>
          <p>Two, <hi rend="italics">good </hi>and <hi rend="italics">ness</hi>.</p>
          <p>What are small words, when used to compose larger ones, called?</p>
          <p>Syllables.</p>
          <p>What is a syllable?</p>
          <p>One of the natural divisions of a word.</p>
          <p>How many syllables does a word generally have?</p>
          <p>One for each distinct vowel sound;<hi rend="italics"> el-e-phant</hi>.</p>
          <p>Are all words of more than one syllable really compound words?</p>
          <p>They are.</p>
          <p>When is a syllable compound?</p>
          <p>When it is composed of more than one letter, as, <hi rend="italics">a-word</hi>.</p>
          <p>What do letters compose?</p>
          <p>Syllables.</p>
          <p>What do syllables compose?</p>
          <p>Words.</p>
          <p>What do words compose?</p>
          <p>Members or clauses.</p>
          <p>What do members compose?</p>
          <p>Sentences.</p>
          <p>What do sentences compose?</p>
          <p>Chapters.</p>
        </div2>
        <div2 type="section">
          <head>CHAPTER II.</head>
          <head>WORDS—ARTICLES.</head>
          <p>How do you convey your thoughts?</p>
          <p>By Words.</p>
          <p>What does a word indicate when spoken?</p>
          <p>An idea.</p>
          <pb id="branson11" n="11"/>
          <p>Through what medium does it convey an idea to the mind?</p>
          <p>The <hi rend="italics">ear</hi>.</p>
          <p>What does a word indicate when written?</p>
          <p>An Idea.</p>
          <p>Through what medium?</p>
          <p>The <hi rend="italics">eye</hi>.</p>
          <p>NOTE. We hear spoken words, and see those which are written.</p>
          <p>How are words divided?</p>
          <p>Into parts of speech.</p>
          <p>Why are they thus divided?</p>
          <p>For convenience.</p>
          <p>How many parts of speech and what are they called?</p>
          <p>Nine: viz., Article, Noun, Pronoun, Adjective, Verb,
Adverb, Conjunction, Preposition, and Interjection.</p>
          <p>Which is the simplest part of speech?</p>
          <p>The Article.</p>
          <p>What is an Article?</p>
          <p>An Article is a word placed before another word to
limit its meaning.</p>
          <p>How many Articles are there?</p>
          <p>Two; A and The.</p>
          <p>When we say <hi rend="italics">the</hi> man, what do we mean?</p>
          <p>Some particular man.</p>
          <p>When we say <hi rend="italics">a man</hi>, what is meant?</p>
          <p>Any man.</p>
          <p>What is <hi rend="italics">the</hi> called?</p>
          <p>A definite Article.</p>
          <p>Why?</p>
          <p>Because it points out some person or thing <hi rend="italics">definitely</hi>.</p>
          <p>What is <hi rend="italics">a</hi> called?</p>
          <p>An indefinite Article.</p>
          <p>Why?</p>
          <p>Because it points out some person or thing <hi rend="italics">indefinitely</hi>.</p>
          <p>Why is <hi rend="italics">n</hi> used after <hi rend="italics">a</hi> frequently, as <hi rend="italics">an enemy</hi>?</p>
          <p>To prevent two tonic sounds from coming together.</p>
          <pb id="branson12" n="12"/>
          <p>Where is<hi rend="italics"> a </hi>used?</p>
          <p>A is used before words commencing with sub-tonic
sounds, as, a cat, a goat, a man, a unit, a eulogy.
Where is <hi rend="italics">n </hi>used after the <hi rend="italics">a</hi>?</p>
          <p>Before words commencing with a tonic sound; as, an
enemy, an hour.</p>
        </div2>
        <div2 type="section">
          <head>CHAPTER III.</head>
          <head>NOUNS.</head>
          <p>What is the next part of speech in order?</p>
          <p>The Noun.</p>
          <p>What are the names of all persons and things?</p>
          <p>Nouns.</p>
          <p>What is North Carolina?</p>
          <p>A Noun.</p>
          <p>How do you define a Noun?</p>
          <p>A Noun is the name of any person, place, or thing; as,
John, Raleigh, Book.</p>
          <p>How many classes of nouns are there?</p>
          <p>Two; Common and Proper.</p>
          <p>What is a common noun?</p>
          <p>A common noun is a common name; as, <hi rend="italics">town, city, tree,
cow.</hi></p>
          <p>Define a Proper noun.</p>
          <p>A Proper noun is a proper or particular name; as,
<hi rend="italics">Charles Fisher, Newbern, Yadkin.</hi></p>
          <p>How do proper nouns always commence?</p>
          <p>With a capital letter.</p>
          <p>Is Tennessee a common or proper noun?</p>
          <p>A Proper noun, because it is a particular name.
What kind of a noun is <hi rend="italics">State</hi>?</p>
          <p>A common noun, because it is a name given to all States.</p>
          <div3 type="chapter">
            <pb id="branson13" n="13"/>
            <head>EXERCISE.</head>
            <argument>
              <p>Fill up the following sentences by inserting in place of the dash
(—) a common or a proper noun, as may be needed.</p>
            </argument>
            <p>EXAMPLE.—is planted in April.</p>
            <p>FILLED. <hi rend="italics">Cotton</hi> is planted in April.</p>
            <p>1.—is a Confederate State.</p>
            <p>2. Gen.—reduced Fort Sumter.</p>
            <p>3. South Carolina is the greatest—country in the Confederate
States.</p>
            <p>4. Louisiana raises more—than any other State in the Confederacy.</p>
            <p>5. The mountains of North Carolina are a great—of resort
for—and pleasure.</p>
            <p>6. The Sea—are pleasant and healthy.</p>
            <p>7. Nearly all the—of America is raised in—and—.</p>
          </div3>
        </div2>
        <div2 type="section">
          <head>CHAPTER IV.</head>
          <head>PRONOUNS.</head>
          <p>What is the word Pronoun composed of?</p>
          <p><hi rend="italics">Pro</hi>, which means for, and <hi rend="italics">noun</hi>, a name.</p>
          <p>In the sentence, <hi rend="italics">“William learns his lesson,”</hi> what does <hi rend="italics">his</hi> stand
for?</p>
          <p>The Name William.</p>
          <p>Could we dispense with the word <hi rend="italics">his</hi>?</p>
          <p>Yes; by saying William learns William's lesson.</p>
          <p>Then why do we use the word his?</p>
          <p>Because it is shorter than the noun William, and
answers the same purpose.</p>
          <p>What do we call all words standing for nouns?</p>
          <p>Pronouns.</p>
          <p>Define a Pronoun.</p>
          <p>Pronouns are used instead of nouns.</p>
          <p>Are they always used instead of nouns?</p>
          <p>No; sometimes they only relate to nouns, and sometimes
merely point them out.</p>
          <pb id="branson14" n="14"/>
          <p>Mention the Pronouns that stand for persons and things.</p>
          <p>
            <hi rend="italics">I, thou, he, she, it.</hi>
          </p>
          <p>What are these called?</p>
          <p><hi rend="italics">Personal</hi> Pronouns.</p>
          <p>Mention those relating to nouns.</p>
          <p>
            <hi rend="italics">Who, which, that, and what.</hi>
          </p>
          <p>Give an example.</p>
          <p><hi rend="italics">He </hi>is the man, <hi rend="italics">who</hi> captured the flag.</p>
          <p>Mention the Pronouns that simply <hi rend="italics">point out</hi> nouns.</p>
          <p>
            <hi rend="italics">This, that, any, one, all, such, some, both, another, none,
each, every, either, neither.</hi>
          </p>
          <p>Give an example.</p>
          <p><hi rend="italics">That </hi>man is sober; <hi rend="italics">both</hi> boys were to blame.</p>
          <p>What are these called?</p>
          <p>Adjective pronouns.</p>
          <p>You should take sufficient notice of these pronouns to know them
wherever you see them, since they are used very often in all books.</p>
          <div3 type="chapter">
            <head>EXERCISE.</head>
            <argument>
              <p>In following sentences insert <hi rend="italics">pronouns</hi> to fill the dashes.</p>
            </argument>
            <p>EXAMPLE. The hail has broken—corn.</p>
            <p>FILLED. The hail has broken<hi rend="italics"> my </hi>corn.</p>
            <p>1. Abraham. Lincoln led—people into war.</p>
            <p>2. I will obey—parents.</p>
            <p>3. The South is—native land.</p>
            <p>4. Give me—pencil. I will return—.</p>
            <p>5. People love the land of—birth.</p>
            <p>6. Are—going to learn—lesson?</p>
            <p>7. I gave the beggar—hat, and—thanked me very politely.</p>
            <p>8. Jefferson Davis defended—country bravely, and deserves
great applause for—patriotism. </p>
            <p>9. Napoleon desired to render—name immortal by conquering
Empires and extending—rule over all the world.</p>
            <p>10. The climate of—country is soft and balmy; no—
land is more highly favored.</p>
            <p>11. Those people—live in North Carolina <hi rend="italics"><sic corr="healthy">hhealthy alech</sic></hi>
and delightful climate.</p>
            <p>12. Washington, in—youth, and throughout—whole
life, adhered strictly to the truth, and thus set an example, which
—ought to follow.</p>
            <p>13. The works of creation invite—to contemplate the greatness
and goodness of—Creator.</p>
            <pb id="branson15" n="15"/>
            <p>14. If—think—never do wrong—deceive—
for almost every moment—are guilty of sin.</p>
            <p>15. General Andrew Jackson, at the battle of New Orleans, showed
—valor by bravely commanding—own men, and entirely
routing—of the enemy, and killing many of—on the field.</p>
          </div3>
        </div2>
        <div2 type="section">
          <head>CHAPTER V.</head>
          <head>ADJECTIVES.</head>
          <p>What is the next part of speech called?</p>
          <p>The ADJECTIVE.</p>
          <p>In the sentence, <hi rend="italics">“Apples are good fruit,”</hi> which word is a noun?</p>
          <p><hi rend="italics">Fruit</hi> is a noun, because it is a name.</p>
          <p>Which word describes fruit?</p>
          <p>Good.</p>
          <p>What part of speech is good?</p>
          <p>An ADJECTIVE.</p>
          <p>An Adjective is a word used to describe or limit a noun or pronoun.</p>
          <p>Give one or two examples.</p>
          <p>A <hi rend="italics">bad </hi>boy. A <hi rend="italics">large</hi> tree. A <hi rend="italics">great</hi> ox. Samuel is
<hi rend="italics">disobedient.</hi></p>
          <p>In the examples given, which words are adjectives?</p>
          <p><hi rend="italics">Bad, large, great, </hi>and <hi rend="italics">disobedient</hi>.</p>
          <p>What other kind of adjectives do we have?</p>
          <p>NUMERAL.</p>
          <p>Give a few examples.</p>
          <p>
            <hi rend="italics">Three, seven, eight, third, seventh, eighth.</hi>
          </p>
          <p>What do these words express?</p>
          <p>NUMBER. All numeral adjectives express <hi rend="italics">number</hi>.</p>
          <div3 type="chapter">
            <head>EXERCISE.</head>
            <argument>
              <p>Complete the following sentences by inserting an adjective in
place of each dash. Do not use the same adjective more than once.</p>
            </argument>
            <p>EXAMPLE. A—day. Putting in an adjective, a <hi rend="italics">rainy</hi> day; a<hi rend="italics"> pleasant </hi>day;
an<hi rend="italics"> unfortunate </hi>day.</p>
            <p>1. In New England it is very—during winter; and—
deaths occur from the rigors of the climate.</p>
            <pb id="branson16" n="16"/>
            <p>2. Winter in the West Indies is—and the climate is delightful
for—persons.</p>
            <p>3. Columbus was the— man that crossed the—Ocean.
He—landed on one of the West Indie islands, and performed
worship to the—Creator.</p>
            <p>4. The whale is a—animal; he often does—damage
with a—stroke of his tail.</p>
            <p>5. We live in a—mansion, which has—chimneys.</p>
            <p>6. In the woods we may—flowers; the—rose,
the—dandelion, and the—lilly.</p>
            <p>7. Be a—boy while at school, and you may make a—
man when you are old.</p>
            <p>8. John has studied the—lesson and deserves a—grade.</p>
            <p>9. Remember to be—to your teachers and—to your
parents.</p>
            <p>10. William has a—book, a—slate, and a—uniform.</p>
          </div3>
        </div2>
        <div2 type="section">
          <head>CHAPTER VI.</head>
          <head>VERBS.</head>
          <p>What is the fifth part of speech called?</p>
          <p>The Verb.</p>
          <p>In the sentence <hi rend="italics">“Sarah reads Latin,”</hi> which word tells what Sarah
does?</p>
          <p>Reads.</p>
          <p>In the sentence, “Mary sleeps,” which word tells us the state
Mary is in?</p>
          <p>Sleeps.</p>
          <p>What do we call <hi rend="italics">reads </hi>and <hi rend="italics">sleeps</hi>?</p>
          <p>Verbs.</p>
          <p>What is a verb?</p>
          <p>A verb is word that expresses action, or a state of
being.</p>
          <p>In the sentence <hi rend="italics">“William is industrious,”</hi> what part of speech is
William, and why? What is <hi rend="italics">is</hi>, and why? What is <hi rend="italics">good</hi>, and why?</p>
          <div3 type="chapter">
            <head>EXERCISE.</head>
            <argument>
              <p>Where a dash occurs insert a verb that will complete the sense.</p>
            </argument>
            <p>EXAMPLE. The trees—large roots, so as to—the winter
winds.</p>
            <pb id="branson17" n="17"/>
            <p>COMPLETED. The trees <hi rend="italics">have </hi>large roots so as to <hi rend="italics">resist</hi> the winter
winds.</p>
            <p>1. In autumn the farmer—his harvest, and—it away
in barns. The leaves—from the trees, and the wind—
through the branches.</p>
            <p>2. Whatever you—to do,—it quickly; never—
till to-morrow what—to-day.</p>
            <p>3. Let us—early, and—much work.</p>
            <p>4. Cows—milk, which we—into butter and cheese.</p>
            <p>5. Richard—to the concert, and—Dixie's Land sung.</p>
            <p>6. A farmer—a snake, almost frozen to death, under a hedge;
moved with compassion, he—it to his house, and—it
near the fire. No sooner did the heat—to revive it, than the
snake—upon his wife,—one of his children, and—
the whole family into terror and confusion. “Ungrateful wretch!”
—the farmer; “I find it—useless to—favors on the
undeserving.” With these words he—a hatchet, and—
the snake into pieces.</p>
            <p>7. Indian tribes—in the forest. They sometimes—the
white man as he—on his journey, and—goods from him.</p>
            <p>8. The horse—a noble animal. He can—, or—,
and at the same time—a man on his back, or—a wagon
behind him.</p>
          </div3>
        </div2>
        <div2 type="section">
          <head>CHAPTER VII.</head>
          <head>ADVERBS.</head>
          <p>What is the sixth part of speech called?</p>
          <p>The Adverb.</p>
          <p>What is the meaning of the word <hi rend="italics">Adverb</hi>?</p>
          <p><hi rend="italics">Joined to a verb</hi>.</p>
          <p>Why are adverbs joined to verbs?</p>
          <p>To modify them.</p>
          <p>In the sentence <hi rend="italics">“Beauregard fought bravely,”</hi> what word tells
how he fought?</p>
          <p>Bravely.</p>
          <p>Then <hi rend="italics">bravely</hi> is joined to, or modifies what word?</p>
          <p>The verb fought.</p>
          <p>What part of speech then, is <hi rend="italics">bravely</hi>?</p>
          <p>An Adverb.</p>
          <pb id="branson18" n="18"/>
          <p>Are adverbs ever joined to any other words besides verbs?</p>
          <p>Yes; adverbs modify verbs, participles, adjectives, and 
other adverbs.</p>
          <p>In the sentence, <hi rend="italics">“Beauregard fought 
very bravely,”</hi> what word tells how bravely Beauregard fought?</p>
          <p>Very.</p>
          <p>Then <hi rend="italics">very</hi> is joined to 
<hi rend="italics">bravely</hi>; what part of speech is<hi rend="italics"> bravely</hi>?</p>
          <p>An Adverb.</p>
          <p>Then since <hi rend="italics">very</hi> is joined to the adverb 
<hi rend="italics">bravely</hi>, what part of speech is it?</p>
          <p>An Adverb.</p>
          <p>In the sentence, <hi rend="italics">“John is very diligent,”</hi> to what is <hi rend="italics">very</hi> joined?</p>
          <p>To the adjective <hi rend="italics">diligent</hi>.</p>
          <p>What part of speech is it, then?</p>
          <p>An adverb.</p>
          <p>What is an adverb?</p>
          <p>An Adverb is a word used to modify verbs, adjectives,
and other adverbs.</p>
          <p>Select the adverbs in the following sentences, and tell what words
they modify.</p>
          <p>1. James talks sensibly.</p>
          <p>2. He studies very hard, and stands well in his class.</p>
          <p>3. I like him very much.</p>
          <p>Mention some of the principal classes of adverbs.</p>
          <p>1. Adverbs of manner, which end for the most part in <hi>ly</hi>; as
swiftly, boldly, quickly, slowly, handsomely, &amp; c.</p>
          <p>2. Adverbs of time; as, now, then, yesterday, to-day, to-morrow,
immediately, often, always, never, ever, again, soon, seldom, hitherto, &amp; c.</p>
          <p>3. Adverbs of place; as, here, there, hither, thither, whither,
hence, thence, where, and its compounds nowhere, elsewhere,
anywhere &amp; c.</p>
          <p>4. Adverbs of quality; as, much, little, enough, &amp; c.</p>
          <p>5. Adverbs of degree; as, very, almost, nearly, &amp; c.</p>
          <p>What other words express manner and are liable to be confounded
with adverbs of manner?</p>
          <p>Adjectives.</p>
          <p>What is the difference between them?</p>
          <p>An adjective is a word used to describe a noun; an adverb,
to describe or modify a verb, an adjective, or another adverb.</p>
          <pb id="branson19" n="19"/>
          <p>How can you tell them apart?</p>
          <p>When a word expressing manner is joined to a noun or
pronoun, it is an adjective; when it is joined to a verb,
adjective, or adverb, it is an adverb.</p>
          <div3 type="chapter">
            <head>EXERCISE.</head>
            <argument>
              <p>Make a list, in order, of the adjectives that occur in the following sentences.</p>
              <p>Make a separate list of the adverbs, in order.</p>
            </argument>
            <p>1. The early hours of sleep are the most sweet and refreshing.</p>
            <p>2. The Bedouin Arabs are, for the most part, small, <sic corr="meager">meagre</sic>, and tawny.</p>
            <p>3. Quicksilver is a valuable metal; it has hitherto been imported
chiefly from Spain, Germany, and Peru.</p>
            <p>4. I will assist you most cheerfully if you will be careful and attentive.</p>
            <p>5. Those who are virtuous may not always be happy here, but
they will certainly receive their reward hereafter.</p>
            <p>6. Large armies generally march slowly.</p>
            <p>7. He who forms conclusions too quickly, often forms them incorrectly.</p>
            <p>8.  If you are attentive you will learn grammar very fast.</p>
            <p>9. The Portugese were once the most enterprising navigators of
Europe; they founded colonies in many parts of the world,
before totally unknown.</p>
            <p>10. I have heard better singing to-day than I ever heard before.</p>
            <p>11. He who tries hard, seldom fails to succeed.</p>
          </div3>
        </div2>
        <div2 type="section">
          <head>CHAPTER VIII.</head>
          <head>EXERCISE ON ADVERBS.</head>
          <argument>
            <p>Where a dash occurs insert an adverb that will complete the sense.</p>
          </argument>
          <p>EXAMPLE. I labored—.</p>
          <p>COMPLETED. I labored faithfully.</p>
          <p>1. Josephine sings—, and dances—.</p>
          <p>2. The house is—tall, and is—built.</p>
          <p>3. We are—going to the grave.</p>
          <p>4. I saw him—; he was running—down the <sic corr="hillside">hill side</sic>.</p>
          <p>5. Listen—, and you will—be able to understand the
subject.</p>
          <p>6. General Stuart—started in pursuit; he—overtook
the enemy,—led on the attack in person, and gained a complete
victory.</p>
          <pb id="branson20" n="20"/>
          <p>7. Time past—returns; improve the moments,  therefore, as
—as you can.</p>
          <p>8. The horse trotted—. John ate—.</p>
          <p>9. The lion roars—. The kitten plays—.</p>
          <p>10. The rain began to fall—, and they were—wet.</p>
          <p>11. The poor boy was—hurt.</p>
          <p>12. This room will hold twenty persons very—.</p>
          <p>13. He—gave the poor man his purse.</p>
          <p>14. When are you going?—. </p>
          <p>15. Do you see him? Yes he is—.</p>
        </div2>
        <div2 type="section">
          <head>CHAPTER IX.</head>
          <head>CONJUNCTIONS.</head>
          <p>What is the seventh part of speech called?</p>
          <p>The Conjunction.</p>
          <p>When I say <hi rend="italics">“Mary learns her lesson,”</hi> what is the expression called?</p>
          <p>A sentence.</p>
          <p>What is a sentence?</p>
          <p>Such an assemblage of words as makes complete <sic corr="sense">senes</sic>.</p>
          <p>Would <hi rend="italics">“Kate to the fair,”</hi> be a sentence?</p>
          <p>No; because it would not make complete sense.</p>
          <p>Make a complete sentence of it.</p>
          <p>
            <hi rend="italics">“Kate has gone to the fair.”</hi>
          </p>
          <p>In the sentence <hi rend="italics">“James got up early and went to market,”</hi> how
many parts are there, and what are they?</p>
          <p>Two; “James got up early” is one, “went to market” is the other.</p>
          <p>What are such parts of a sentence called?</p>
          <p>Clauses.</p>
          <p>What word connects the two clauses in the above sentence?</p>
          <p>And.</p>
          <p>What does the word <hi rend="italics">conjunction</hi> mean?</p>
          <p>
            <hi rend="italics">A connecting together.</hi>
          </p>
          <p>What, then, may <hi rend="italics">and</hi>, and all such words as connect clauses, be called?</p>
          <p>Conjunctions.</p>
          <pb id="branson21" n="21"/>
          <p>Do conjunctions ever connect any thing else besides clauses?</p>
          <p>Yes; conjunctions connect words also.</p>
          <p>Give me a sentence in which there is a conjunction connecting
words.</p>
          <p><hi rend="italics">“Mary turned and wept;”</hi> here the conjunction<hi rend="italics"> and</hi>
connects the verbs <hi rend="italics">turned</hi> and<hi rend="italics"> wept</hi>.</p>
          <p>Give me another.</p>
          <p><hi rend="italics">“George and Henry have gone to Raleigh;”</hi> here the
conjunction<hi rend="italics"> and </hi>connects the nouns <hi rend="italics">George</hi> and <hi rend="italics">Henry</hi>.</p>
          <p>Now tell me, what is a conjunction?</p>
          <p>A conjunction is a word used to connect other words and
clauses.</p>
          <p>Mention some of the principal conjunctions.</p>
          <p>And, because, if, that, or, nor, either, neither, but, lest,
notwithstanding, therefore, though, unless, than, as.</p>
          <p>What is a sentence?</p>
          <p>What is a clause?</p>
          <p>What is a conjunction?</p>
          <div3 type="chapter">
            <head>EXERCISE.</head>
            <argument>
              <p>Where a dash occurs, insert a conjunction that will complete the
sense.</p>
            </argument>
            <p>EXAMPLE. He went to the ball,—he was ordered to remain.</p>
            <p>COMPLETED. He went to the ball, <hi rend="italics">although</hi> he was ordered to remain.</p>
            <p>1. Either you must go,—I. John—Mary are here.</p>
            <p>2. Neither the wagon,—the carriage has arrived.</p>
            <p>3. We will not go fishing,—it rains.</p>
            <p>4. Hannibal took an oath—he would conquer the Romans.</p>
            <p>5. He did not get a premium,—he did not deserve it.</p>
            <p>6. Mary has excellent parents,—she is a bad girl.</p>
            <p>7. Do not buy the book—you can get it for a shilling.</p>
            <p>8. I like to see a hard shower,—I never walk out in one.</p>
            <pb id="branson22" n="22"/>
            <p>9. My father—mother are going to Raleigh to-morrow—
it be clear.</p>
            <p>10. Let those who stand, beware—they fall.</p>
            <p>11. The happy often forget—others are miserable.</p>
            <p>12. General Lee defeated the Yankees,—his army was much
smaller—theirs.</p>
            <p>13. None will deny—the hawk flies more swiftly—the pigeon.</p>
            <p>14.—you do your duty you will not be blamed.</p>
            <p>15. I saw my cousin—I was turning the corner.</p>
          </div3>
        </div2>
        <div2 type="section">
          <head>CHAPTER X.</head>
          <head>PREPOSITIONS.</head>
          <p>What is the eighth part of speech called?</p>
          <p>The PREPOSITION.</p>
          <p>In the sentence, <hi rend="italics">“William walked to Charleston,”</hi> what word
shows the relation between <hi rend="italics">William's walking</hi> and Charleston?</p>
          <p>
            <hi rend="italics">To.</hi>
          </p>
          <p>How is this word<hi rend="italics"> to</hi> placed?</p>
          <p>Before the noun Charleston.</p>
          <p>What does the word <hi rend="italics">preposition </hi>mean?</p>
          <p>
            <hi rend="italics">A placing before.</hi>
          </p>
          <p>What then may we call<hi rend="italics"> to</hi>, and all similar words?</p>
          <p>Prepositions.</p>
          <p>What is a Preposition?</p>
          <p>A Preposition is a word placed before a noun or pronoun,
to show the relation between it, and some other
word or words in the sentence.</p>
          <pb id="branson23" n="23"/>
          <p>Mention the principal prepositions.<ref targOrder="U" id="ref1" n="1" rend="sc" target="note1">*</ref></p>
          <note id="note1" n="1" rend="sc" place="foot" anchored="yes" target="ref1">* The pupil ought to commit this list to memory.</note>
          <list type="simple">
            <item>among</item>
            <item>around</item>
            <item>about</item>
            <item>above</item>
            <item>across</item>
            <item>according to</item>
            <item>after</item>
            <item>against</item>
            <item>amidst </item>
            <item>at</item>
            <item>before</item>
            <item>behind</item>
            <item>below</item>
            <item>beneath</item>
            <item>beside</item>
            <item>between</item>
            <item>beyond</item>
            <item>by</item>
            <item>concerning</item>
            <item>down</item>
            <item>during</item>
            <item>except</item>
            <item>for</item>
            <item>from</item>
            <item>in</item>
            <item>into</item>
            <item>instead of</item>
            <item>near</item>
            <item>of</item>
            <item>on</item>
            <item>out of,</item>
            <item>over</item>
            <item>respecting</item>
            <item>through</item>
            <item>throughout</item>
            <item>to</item>
            <item>towards</item>
            <item>up</item>
            <item>upon</item>
            <item>under</item>
            <item>unto</item>
            <item>with</item>
            <item>within</item>
            <item>without</item>
          </list>
          <div3 type="chapter">
            <head>EXERCISE.</head>
            <argument>
              <p>Wherever a dash occurs, insert a preposition that will complete
the sense.</p>
            </argument>
            <p>EXAMPLE. Nothing can be accomplished—an effort.</p>
            <p>COMPLETED. Nothing can be accomplished <hi rend="italics">without </hi>an effort.</p>
            <p>1. In Greenland, the people live— wretched huts.</p>
            <p>2. Steamboats run—Vicksburg—Memphis.</p>
            <p>3. —the summer, the cattle love to lie—shady trees.</p>
            <p>4. The camel has a hump—his back.</p>
            <p>5. —patience and perseverance you may attain the highest station
—society.</p>
            <p>6.  He gave the book—me, and I placed it—the table.</p>
            <p>7. You must perform examples—the rule.</p>
            <p>8. It is dark—sunset.</p>
            <p>9. She lives—Piedmont, twenty-five miles—Salem.</p>
            <p>10. A large rock hangs—the path.</p>
            <p>11. The sailor likes to get—port.</p>
            <p>12. Always keep virtue and duty—your eyes.</p>
            <p>13. I live—my father.</p>
            <p>14. A farmer was bitten—a snake, while he was standing
— the weeds.</p>
            <p>15. The ferry-boat will take us—the river.</p>
          </div3>
        </div2>
        <div2 type="section">
          <pb id="branson24" n="24"/>
          <head>CHAPTER XI.</head>
          <head>INTERJECTIONS.</head>
          <p>What is the ninth and last part of speech?</p>
          <p>The INTERJECTION.</p>
          <p>In the sentence <hi rend="italics">“Alas! I am undone!”</hi> what word is thrown in
to express the sorrow of the speaker?</p>
          <p>
            <hi rend="italics">Alas!</hi>
          </p>
          <p>What does the word <hi rend="italics">interjection</hi> mean?</p>
          <p>
            <hi rend="italics">A throwing in.</hi>
          </p>
          <p>What, then, may <hi rend="italics">alas!</hi> and similar words be called?</p>
          <p>Interjections.</p>
          <p>What is an Interjection?</p>
          <p>An Interjection is a word used to express some sudden
feeling of the speaker.</p>
          <p>What are the principal feelings which are expressed by interjections?</p>
          <p>Sorrow, triumph, disgust, wonder; there are also interjections
of calling, of attention, of saluting, of taking leave.</p>
          <p>Mention the principal interjections of sorrow.</p>
          <p>Oh! ah! alas! alack!</p>
          <p>Mention those expressing triumph.</p>
          <p>Hurrah! huzza! bravo! aha!</p>
          <p>Mention those expressing disgust.</p>
          <p>Indeed! fudge! pshaw! tush! away! begone!</p>
          <p>Mention those expressing wonder.</p>
          <p>Indeed! strange! what!</p>
          <pb id="branson25" n="25"/>
          <p>Mention those of calling.</p>
          <p>Hallo! ho!</p>
          <p>Mention those of attention.</p>
          <p>Behold! lo! hark! listen! see! hush! hist!</p>
          <p>Mention those of saluting.</p>
          <p>O! (<hi rend="italics">O</hi> is always used with a pronoun, or the name of
an object addressed; as, <hi rend="italics">O thou! O James!</hi>) welcome!
hail!</p>
          <p>Mention those of taking leave.</p>
          <p>Adieu! farewell! good b'ye!</p>
          <p>What mark is that (!) which you see placed after each of the above
interjections?</p>
          <p>An Exclamation Point.</p>
          <p>When you write an interjection, what must you place after it?</p>
          <p>An exclamation point.</p>
          <p>In the exercise that follows, how will you know which of the above
interjections to insert in place of the dash?</p>
          <p>I will read the whole sentence, and put in an interjection
that is appropriate; thus, if the sentence express
<hi rend="italics">sorrow</hi>, I will insert an interjection of <hi rend="italics">sorrow</hi>; if <hi rend="italics">wonder</hi>,
I will insert one of<hi rend="italics"> wonder</hi>, &amp; c.</p>
          <div3 type="chapter">
            <head>EXERCISE.</head>
            <argument>
              <p>Where a dash occurs, insert a suitable interjection.</p>
            </argument>
            <p>EXAMPLE. —! the victory is ours!</p>
            <p>COMPLETED. <hi rend="italics">Hurrah!</hi> the victory is ours!</p>
            <p>1. —! I am surprised at this.</p>
            <p>2. My house is on fire; —! I am undone.</p>
            <p>3. —! what strange figure is this that is approaching?</p>
            <p>4. —! my friend; I am glad to see you.</p>
            <p>5. —! the cannon are booming; the battle has begun.</p>
            <pb id="branson26" n="26"/>
            <p>6. —!dishonest wretch; I despise thee!</p>
            <p>7. —! our friend has conquered.</p>
            <p>8. —! stranger; will you tell a traveller where he is?</p>
            <p>9. —! no one can tell how much the poor suffer. </p>
            <p>10.—! is it thus you behave?</p>
            <p>11. I hope you may have a pleasant journey.—!</p>
            <p>12. —! what noise was that?</p>
            <p>13. —! poor fellow! I am sorry for him.</p>
            <p>14. —! John, where are you going?</p>
            <p>15. Who is that?—! he is descending the hill.</p>
            <p>16. —! is it really so! impossible!</p>
            <p>17. —! thou blessed sun, that spreadest gladness over the earth.</p>
            <p>18. —! I am at the head of my class.</p>
          </div3>
        </div2>
        <div2 type="section">
          <head>CHAPTER XII.</head>
          <head>A REVIEW.</head>
          <argument>
            <p>[The pupil has answered all the questions given below, as they occurred
the preceding lessons; but as he may have forgotten some of them, he
must look back for the answers, and learn them carefully.]</p>
          </argument>
          <p>What is a letter?</p>
          <p>What is a vowel? Name the vowels.</p>
          <p>What is a consonant? Name the consonants.</p>
          <p>What two letters are sometimes vowels, and at other times consonants?</p>
          <p>When are they vowels, and when consonants?</p>
          <p>What is a syllable?</p>
          <p>What is a word?</p>
          <p>How many parts of speech are there? Mention them.</p>
          <p>What is an article? Mention the articles.</p>
          <p>What is a noun? Give an example.</p>
          <p>How many kinds of nouns are there? What is a proper noun? What is
a common noun?</p>
          <p>What is a pronoun? Mention the principal pronouns.</p>
          <p>What is an adjective? Give an example.</p>
          <p>What is a verb? Give an example.</p>
          <p>What is an adverb? Give an example. Mention the different kinds of
adverbs, and give an example of each.</p>
          <p>What is a sentence?</p>
          <pb id="branson27" n="27"/>
          <p>What are distinct members or parts of sentences called?</p>
          <p>What is a conjunction? Mention some of the principal conjunctions.</p>
          <p>What is a preposition? Mention some of the principal propositions.</p>
          <p>What is an interjection? What are the principal classes of interjections?</p>
          <p>Mention one of each class.</p>
        </div2>
        <div2 type="section">
          <head>CHAPTER XIII.</head>
          <head>MISCELLANEOUS EXERCISE.</head>
          <argument>
            <p>In this lesson and the next, the pupil, wherever a blank occurs, must insert
whatever part of speech is required to complete the sense. Following the spelling
and punctuation of the book.</p>
          </argument>
          <head>MARTINS.</head>
          <p>Martins <gap reason="blank space"/>a kind of swallows. They feed<gap reason="blank space"/>  flies,<gap reason="blank space"/> and other insects, and skim swiftly through <gap reason="blank space"/> air, in pursuit of their prey.  In the morning<gap reason="blank space"/> are up by day-break, and twitter about
your window, while<gap reason="blank space"/> are asleep<gap reason="blank space"/> bed. They <sic corr="are">a e</sic> <gap reason="blank space"/>harmless, and, as people do not molest them, they<gap reason="blank space"/> build their<gap reason="blank space"/> in towns<gap reason="blank space"/>villages. They are small birds, but<gap reason="blank space"/>a great deal.
I will<gap reason="blank space"/> a couple of stories, illustrating their sagacity.</p>
          <p>A pair of martins, who<gap reason="blank space"/> their nest in a<gap reason="blank space"/>porch, had some
young ones; and<gap reason="blank space"/> happened that one of them, in<gap reason="blank space"/> to climb<gap reason="blank space"/> the side, fell out, and striking<gap reason="blank space"/> the stones, was<gap reason="blank space"/> killed.  The old<gap reason="blank space"/> , seeing this accident, went and<gap reason="blank space"/> strong pieces of
straw, and fastened them<gap reason="blank space"/> mud all around the<gap reason="blank space"/> , in order to
keep the<gap reason="blank space"/> from meeting a similar<gap reason="blank space"/>.</p>
          <p>Here is another<gap reason="blank space"/> about them. While a martin was absent from
his nest one day, a<gap reason="blank space"/> cock-sparrow took possession<gap reason="blank space"/>it; when the owner<gap reason="blank space"/> and<gap reason="blank space"/> to enter, he put out<gap reason="blank space"/> bill, and commenced
pecking at him. The martin, not<gap reason="blank space"/>pleased with this invasion
of his<gap reason="blank space"/>, flew away, and<gap reason="blank space"/> a number of his companions.
They all came<gap reason="blank space"/> the nest, with bits of clay in their<gap reason="blank space"/> , with
which<gap reason="blank space"/> plastered up the<gap reason="blank space"/>to the nest; so<gap reason="blank space"/> the sparrow,
unable to<gap reason="blank space"/> food and air,<gap reason="blank space"/> died.</p>
        </div2>
        <div2 type="section">
          <pb id="branson28" n="28"/>
          <head>CHAPTER XIV.</head>
          <head>EXERCISE.</head>
          <head>THE DUKE AND THE GALLEY-SLAVES.</head>
          <p>The King of Spain once gave<gap reason="blank space"/> to<gap reason="blank space"/> Duke of Ossuna to release
such of the galley-slaves as<gap reason="blank space"/>might think proper. The
Duke, as he<gap reason="blank space"/>among the slaves who were at the oars, asked
them in succession of what crime they had<gap reason="blank space"/>guilty. They all
protested innocence, and<gap reason="blank space"/> him that they had been unjustly<gap reason="blank space"/> .
One attributed his condemnation to the<gap reason="blank space"/>of an enemy, another
to the<gap reason="blank space"/>of his judge. At last, however, he<gap reason="blank space"/> one who admitted
that, to save his<gap reason="blank space"/> from starving, he had robbed a man of<gap reason="blank space"/> ,
on<gap reason="blank space"/> highway. The Duke,<gap reason="blank space"/>  he heard this, gave him a stroke<gap reason="blank space"/>
 the back<gap reason="blank space"/> his hand, and said, “ Get you gone, you rogue,
from the<gap reason="blank space"/> of honest men.” So<gap reason="blank space"/> who confessed<gap reason="blank space"/> fault was released, while the<gap reason="blank space"/> , for their want of<gap reason="blank space"/> were compelled
to<gap reason="blank space"/> at their labors.</p>
          <p>Thus we see<gap reason="blank space"/> we are not likely to lose any thing by a<gap reason="blank space"/> admission of<gap reason="blank space"/> faults.</p>
        </div2>
        <div2 type="section">
          <head>CHAPTER XV.</head>
          <head>THE SUBJECT.</head>
          <p>When I say, <hi rend="italics">“Charles walks,”</hi> who is it that I speak about?</p>
          <p>
            <hi rend="italics">Charles.</hi>
          </p>
          <p>In the sentence, <hi rend="italics">“The oak has been cut down,“</hi> what is it that I speak about?</p>
          <p>The <hi rend="italics">oak.</hi></p>
          <p>What do we call <hi rend="italics">Charles, oak</hi>, and all words respecting which an action
or state is affirmed?</p>
          <p>SUBJECTS.</p>
          <pb id="branson29" n="29"/>
          <p>What is the subject of a verb?</p>
          <p>The subject of a verb is that respecting which the action or
state expressed by the verb is affirmed.</p>
          <p>How may you always find the subject of a verb?</p>
          <p>Put the word <hi rend="italics">who</hi> or <hi rend="italics">what</hi> before the verb, and the answer to the
question will be the subject.</p>
          <p>Give me an example. In the sentence, <hi rend="italics">“John went to market,”</hi> what is
the subject?</p>
          <p>Put <hi rend="italics">who </hi>before the verb, and the answer to the question will
be the subject; thus, <hi rend="italics">“Who went to market?”</hi> Answer, <hi rend="italics">John.</hi></p>
          <p><hi rend="italics">John,</hi> therefore, is the subject.</p>
          <p>In the sentence, <hi rend="italics">“Virtue is a source of happiness,”</hi> find the subject in the
<sic corr="same">ame</sic> manner as above.</p>
          <p>Put<hi rend="italics"> what</hi> before the verb; “<hi rend="italics">What</hi> is a source of happiness?’</p>
          <p>Answer, <hi rend="italics">Virtue. Virtue</hi> is the subject.</p>
          <p>In the same manner select the subjects in the following sentences:</p>
          <p>Bees make honey. Virginia is a large state.</p>
          <p>Quarrels are unpleasant. Charles was late at school.</p>
          <p>The flute makes fine music. We are tired of walking.</p>
          <p>The machine was invented in England. You are wrong.</p>
          <p>Gratitude is a noble feeling. Science enlarges the mind.</p>
          <p>They are very sick. We were disappointed.</p>
          <p>In last two sentences, what are the subjects?</p>
          <p><hi rend="italics">They</hi> and <hi n="italics">we.</hi></p>
          <p>What part of speech are <hi rend="italics">they </hi>and <hi rend="italics">we</hi>?</p>
          <p>Pronouns.</p>
          <p>May pronouns, then, be subjects of a verb?</p>
          <p>They may.</p>
          <p>In the sentence, <hi rend="italics">“To steal is base,”</hi> find the subject as above.</p>
          <p>Put <hi rend="italics">what </hi>before the verb; “<hi rend="italics">What</hi> is base! Answer, <hi rend="italics">to steal</hi>.</p>
          <p><hi rend="italics">To steal</hi> is the subject.</p>
          <p>What part of speech is <hi rend="italics">steal</hi>?</p>
          <p>A verb, because it expresses action.</p>
          <p>When a verb has <hi rend="italics">to</hi> before it, we say it is in the <hi rend="italics">infinitive mood</hi>; may a 
verb in the infinitive mood, then, be the subject of another verb?</p>
          <p>It may.</p>
          <pb id="branson30" n="30"/>
          <p>What mood is a verb in, when it has <hi rend="italics">to</hi> before it?</p>
          <p>A verb is in the infinitive mood when it has <hi rend="italics">to</hi> before it.</p>
          <p>How may we know when a verb is in the infinitive mood?</p>
          <p>By seeing whether it has <hi rend="italics">to</hi> before it.</p>
          <p>Is <hi rend="italics">to play</hi> in the infinitive mood? <hi rend="italics">to jump? to walk?</hi> Mention six more
verbs in the infinitive mood.</p>
          <p>May a verb in the infinitive mood be the subject of another verb?</p>
          <p>It may.</p>
          <p>Give me several examples, and mention the subject.</p>
          <p><hi rend="italics">To lie is dishonorable</hi>: here, <hi rend="italics">to lie</hi> is the subject. <hi rend="italics">To travel is pleasant:
to travel </hi>is the subject.</p>
          <p>Make three short sentences of your own, like the above, in which a verb
in the infinitive mood will be the subject of another verb, and mention the
subject in each sentence.</p>
          <p>In the sentence, <hi rend="italics">“Whether we shall go to Columbia is uncertain,”</hi> find the subject
in the manner described above.</p>
          <p>Put <hi rend="italics">what</hi> before the verb: “<hi rend="italics">What</hi> is uncertain? Answer,
<hi rend="italics">whether we shall go to Columbia.</hi> These words, therefore, <hi rend="italics">whether
we shall go to Columbia,</hi> are the subject.</p>
          <p>These words form part of a sentence; may, then, part of a sentence be
the subject of a verb?</p>
          <p>It may.</p>
          <p>Find, as above, the subjects in the following sentences:</p>
          <p>1. To fall from the top of a church-steeple, is certain death.</p>
          <p>2. For a weak nation to provoke a strong one, is bad policy.</p>
          <p>3. That even the best men commit sin, is proved by daily experience.</p>
          <p>Now, let us see, what have we found that a verb may have for its subject?</p>
          <p>A verb may have for its subject,</p>
          <p>I. A noun; as, <hi rend="italics">John walks</hi>;</p>
          <p>II. A pronoun; as, <hi rend="italics">they are gone</hi>;</p>
          <p>III. A verb in the infinitive mood; as, <hi rend="italics">to dig is hard work</hi>;</p>
          <p>IV. Part of a sentence; as, <hi rend="italics">doing one's duty secures happiness</hi>.</p>
          <p>Select the subject in each of the sentences just given as examples.</p>
          <div3 type="chapter">
            <pb id="branson31" n="31"/>
            <head>EXERCISE.</head>
            <argument>
              <p>Select and write out the subject in each of the following sentences;
if you are in any doubt, put<hi rend="italics"> who</hi> or <hi rend="italics">what </hi>before the verb, as directed
above.</p>
            </argument>
            <p>EXAMPLE. Working in quicksilver mines is very injurious to the
health.</p>
            <p><hi rend="italics">Subject.</hi> Working in quicksilver mines.</p>
            <p>1. We should improve our time.</p>
            <p>2. Digging potatoes is hard work.</p>
            <p>3. To reveal a friend's secrets is dishonorable.</p>
            <p>4. Cicero was a celebrated orator.</p>
            <p>5. Wealth does not always procure esteem.</p>
            <p>6. Temperance and exercise preserve health.</p>
            <p>7. Time and tide wait for no man.</p>
            <p>8. For an ignorant person to profess to teach philosophy, only
exposes him to ridicule.</p>
            <p>9. Whether it will rain is uncertain.</p>
            <p>10. John and I will start in the morning</p>
            <p>11. Where are the women going?</p>
            <p>12. To be wise in his own eyes, is the mark of a fool.</p>
          </div3>
        </div2>
        <div2 type="section">
          <head>CHAPTER XVI.</head>
          <head>EXERCISE.</head>
          <argument>
            <p>Where a blank occurs, insert a subject, either a noun, a pronoun,
or a verb in the infinitive mode, or part of a sentence, as may be required
to complete the sense.</p>
          </argument>
          <p>EXAMPLE.<gap reason="blank space"/> and<gap reason="blank space"/> lead to wealth.</p>
          <p><hi rend="italics">Completed</hi>.<hi rend="italics"> Industry</hi> and <hi rend="italics">frugality</hi> lead to wealth.</p>
          <p>1.<gap reason="blank space"/>and<gap reason="blank space"/> gnaw holes in the floor.</p>
          <p>2.<gap reason="blank space"/>,<gap reason="blank space"/>, and<gap reason="blank space"/>, are used for drawing loads.</p>
          <p>3.<gap reason="blank space"/>
<ref targOrder="U" id="ref2" n="2" rend="sc" target="note2">*</ref>is dishonorable.</p>
          <p>4. <gap reason="blank space"/>am going to school.</p>
          <p>5. <gap reason="blank space"/>is a useful study.</p>
          <note id="note2" n="2" rend="sc" place="foot" anchored="yes" target="ref2">* Here the pupil must insert a verb in the infinitive mode or a part of a sentence.</note>
          <pb id="branson32" n="32"/>
          <p>6. Has the<gap reason="blank space"/>arrived?</p>
          <p>7.<gap reason="blank space"/>attends carefully to his lessons.</p>
          <p>8. Have<gap reason="blank space"/>written your exercise?</p>
          <p>9.<gap reason="blank space"/>and<gap reason="blank space"/>are made from milk.</p>
          <p>10.<gap reason="blank space"/>    <ref targOrder="U" id="ref3" n="3" rend="sc" target="note3"> *</ref>is a proof of dishonesty.</p>
          <p>11.<gap reason="blank space"/>  <ref targOrder="U" n="3" rend="sc" target="note3"> *</ref>is the practice of a bad boy.</p>
          <p>12.<gap reason="blank space"/>   <ref targOrder="U" n="3" rend="sc" target="note3">*</ref>is unpleasant work.</p>
          <p>13. <gap reason="blank space"/>   <ref targOrder="U" n="3" rend="sc" target="note3">*</ref>is the business of the baker.</p>
          <p>14.<gap reason="blank space"/> marched by with a fine band of music.</p>
          <note id="note3" n="3" rend="sc" place="foot" anchored="yes" target="ref3">* Here the pupil must insert a verb in the infinitive mode or a part of a sentence.</note>
        </div2>
        <div2 type="section">
          <head>CHAPTER XVII.</head>
          <head>THE OBJECT.—TRANSITIVE AND INTRANSITIVE VERBS.</head>
          <p>In the sentence, <hi rend="italics">“Charles killed a fly,”</hi> what word expresses the object
that receives the action expressed by the verb?</p>
          <p>The word<hi rend="italics"> fly</hi>.</p>
          <p>What do we call <hi rend="italics">fly</hi>, in this sentence?</p>
          <p><hi rend="italics">Fly</hi> is the OBJ ECT of the verb <hi rend="italics">killed</hi>.</p>
          <p>In the sentence, <hi rend="italics">“Children love milk,”</hi> what is the object of the verb <hi rend="italics">love</hi>?</p>
          <p>
            <hi rend="italics">Milk.</hi>
          </p>
          <p>What is the object of a verb?</p>
          <p>The object of a verb is that which receives the action expressed
by the verb.</p>
          <p>What is the object in each of the following sentences?</p>
          <list type="simple">
            <item>Bees make honey.</item>
            <item>Mary kindled the fire. </item>
            <item>My mother loves me.</item>
          </list>
          <list type="simple">
            <item>Birds build nests.</item>
            <item>I have broken my knife.</item>
            <item>John's father scolded him.</item>
          </list>
          <p>In the last two sentences what are the objects?</p>
          <p><hi rend="italics">Me</hi> and <hi rend="italics">him</hi>.</p>
          <p>What part of speech are <hi rend="italics">me</hi> and <hi rend="italics">him</hi>?</p>
          <p>Pronouns.</p>
          <p>May a pronoun, then, be the object of a verb?</p>
          <p>It may.</p>
          <pb id="branson33" n="33"/>
          <p>In the sentence, <hi rend="italics">“John sleeps,”</hi> it there any object?</p>
          <p>There is not.</p>
          <p>Does the verb <hi rend="italics">sleep</hi> admit an object after it?</p>
          <p>It does not.</p>
          <p>Into how many classes, then, may verbs be divided?</p>
          <p>Into two classes;</p>
          <p>I. TRANSITIVE verbs, or verbs that express an act that may
be done to an object. </p>
          <p>II. INTRANSITIVE verbs, or verbs that do not express an act
that may be <sic corr="done">doue</sic> to an object.</p>
          <p>Are verbs that express simply <hi rend="italics">a state of being</hi>, transitive or intransitive?</p>
          <p>Verbs that express a state of being are intransitive.</p>
          <p>Why?</p>
          <p>Because they do not express any action at all. </p>
          <p>Is <hi rend="italics">strike</hi> transitive or intransitive and why?</p>
          <p><hi rend="italics">Strike</hi> is a transitive verb, because it admits an object after it.
Thus we may say, “I strike a man;” in this sentence, <hi rend="italics">man </hi>would be the object, and hence we find that <hi rend="italics">strike</hi> is transitive.</p>
          <p>Is <hi rend="italics">live</hi> a transitive or intransitive verb?</p>
          <p><hi rend="italics">Live</hi> is an intransitive verb, because it expresses simply a state
of being, and does not admit an object after it.</p>
          <p>Is<hi rend="italics"> sleep</hi> transitive or intransitive? <hi rend="italics">jump? hurt? eat? dream? love? see?
be? walk? run?</hi></p>
          <p>May any other put of speech besides a verb, have an object?</p>
          <p>Yes; a preposition may have an object.</p>
          <p>In the sentence, <hi rend="italics">“John is lying on the grass,”</hi> what is the object of the preposition on?</p>
          <p>
            <hi rend="italics">Grass.</hi>
          </p>
          <p>Make three short sentences similar to the one last given, in which there
will be a preposition and its object.</p>
          <p>How may you always find the object of a verb, or preposition?</p>
          <pb id="branson34" n="34"/>
          <p>By putting <hi rend="italics">what</hi> or <hi rend="italics">whom </hi>after it; the answer to the question
will be the object.</p>
          <p>Give me an example. Tell me the object of the verb and preposition in this sentence, <hi rend="italics">“The butcher killed a pig with a knife.”</hi>  </p>
          <p>Put <hi rend="italics">what </hi>after the verb—“The butcher killed<hi rend="italics"> what?</hi>” Answer,
<hi rend="italics">a pig; pig</hi> is the object of the verb <hi rend="italics">killed</hi>. Put <hi rend="italics">what</hi> after the preposition—“With <hi rend="italics">what</hi>?” Answer, a <hi rend="italics">knife; knife</hi> is the object of the preposition <hi rend="italics">with.</hi></p>
          <div3 type="chapter">
            <head>EXERCISE.</head>
            <argument>
              <p>Complete the following sentences by inserting an object where a
blank occurs; either a noun or pronoun, as the sense may require.</p>
            </argument>
            <p>1. In Egypt the Nile overflows the<gap reason="blank space"/>, and renders the<gap reason="blank space"/>fertile.</p>
            <p>2. Boys can buy <gap reason="blank space"/> with their money.</p>
            <p>3. I have found in the street a <gap reason="blank space"/>and a <gap reason="blank space"/>.</p>
            <p>4. A man by honesty and <gap reason="blank space"/>will always gain the <gap reason="blank space"/>of his companions.</p>
            <p>5. Henry's father bought him a <gap reason="blank space"/>for a Christmas  <gap reason="blank space"/>.</p>
            <p>6. When danger is nigh, a hen gathers her <gap reason="blank space"/>under her <gap/>.</p>
            <p>7. The fisherman is preparing to go to <gap reason="blank space"/> in a <gap reason="blank space"/>.</p>
            <p>8. In building houses, they use<gap reason="blank space"/>, <gap reason="blank space"/>, and <gap reason="blank space"/> .</p>
            <p>9. The mice have gnawed <gap reason="blank space"/>in this old <gap reason="blank space"/>.</p>
            <p>10. The American Indians are very skilful with the bow and arrow;
they can hit a very small <gap reason="blank space"/>at a great <gap reason="blank space"/>. With these weapons they often kill <gap reason="blank space"/>, <gap reason="blank space"/>, and other wild <gap reason="blank space"/>.</p>
            <p>11. With your spare <gap reason="blank space"/>  purchase books; read <gap reason="blank space"/>, profit by <gap reason="blank space"/>, and take good care of <gap reason="blank space"/>.</p>
            <p>12. My brother loves me, and I love <gap reason="blank space"/>.</p>
            <p>13. After we die, the grave will contain <gap reason="blank space"/>; but our friends will
remember  <gap reason="blank space"/>, and shed <gap reason="blank space"/>on account of our departure.</p>
            <p>14. Birds gather <gap reason="blank space"/>for their young, and teach <gap reason="blank space"/>how to fly.</p>
            <p>15. The milk of the cow furnishes us <gap reason="blank space"/>and <gap reason="blank space"/>.</p>
            <p>16. In church we see many <gap reason="blank space"/>, but should listen to the <gap reason="blank space"/>.</p>
          </div3>
        </div2>
        <div2 type="section">
          <pb id="branson35" n="35"/>
          <head>CHAPTER XVIII.</head>
          <head>PERSONAL, RELATIVE, INTERROGATIVE, AND ADJECTIVE
PRONOUNS.</head>
          <p>What is a pronoun? (See Lesson IV., if you do not remember.)</p>
          <p>How many different classes of pronouns are there, and what are
their names?</p>
          <p>There are four classes of pronouns—Personal, Relative,
Interrogative, and Adjective.</p>
          <p>In the sentence,<hi rend="italics">“I am tired,”</hi> for what does the pronoun<hi rend="italics"> I</hi> stand?
For the name of the person speaking.</p>
          <p>What kind of a pronoun is <hi rend="italics">I</hi>?</p>
          <p>A <hi rend="italics">personal</hi> pronoun.</p>
          <p>What is a personal pronoun?</p>
          <p>A personal pronoun is a word, which, being used in a sentence
without the noun for which it stands, merely represents it, without
introducing any additional idea respecting it.</p>
          <p>Mention the personal pronouns.</p>
          <p>The personal pronouns are as follows: <hi rend="italics">I, my, mine, me, we,
our, ours, us, thou, thy, thine, thee, you, your, yours, he, his, him,
she, her, hers, it, its, they, their, theirs, them.</hi></p>
          <p>In the sentence, <hi rend="italics">“The Romans, who were victorious, lost only fifty men,’</hi>
to what word does the pronoun<hi rend="italics"> who</hi> relate; or, in other words, who are said to have been victorious?</p>
          <p>
            <hi rend="italics">Romans.</hi>
          </p>
          <p>Then, since the pronoun <hi rend="italics">who </hi>relates to <hi rend="italics">Romans</hi>, what kind of a pronoun
shall we call it?</p>
          <p>A <hi rend="italics">relative</hi> pronoun. </p>
          <pb id="branson36" n="36"/>
          <p>What is a relative pronoun?</p>
          <p>A relative pronoun is a word that relates to a noun or pronoun
before it.</p>
          <p>What is this noun or pronoun going before, to which the relative relates
called?</p>
          <p>The antecedent.</p>
          <p>In the sentence, <hi rend="italics">“The boy who is idle will be unhappy,’</hi> what is the relative, and what its antecedent?</p>
          <p><hi rend="italics">Who</hi> is the relative, and <hi rend="italics">boy</hi> is its antecedent.</p>
          <p>Mention the relative pronouns.</p>
          <p>The relative pronouns are <hi rend="italics">who, whose, whom, which, that<corr sic="period">.</corr></hi> </p>
          <p>Is <hi rend="italics">who</hi> always a relative pronoun?</p>
          <p>No; sometimes it does not relate to an antecedent, but is used
to ask a question, as, <hi rend="italics">“Who is there?”</hi></p>
          <p>What kind of a pronoun is it then called?</p>
          <p>An <hi rend="italics">interrogative</hi> pronoun.</p>
          <p>What is an interrogative pronoun?</p>
          <p>An interrogative pronoun is one that is used to ask a question.</p>
          <p>Mention the interrogative pronouns?</p>
          <p>The interrogative pronouns are <hi rend="italics">who, whose, whom, which </hi>and
<hi rend="italics">what.</hi></p>
          <p>What mark always follows a sentence that contains an interrogative
pronoun?</p>
          <p>The Interrogation Point (?) which ought to be placed after
every question.</p>
          <p>How, then, can you tell when<hi rend="italics"> who</hi> is relative pronoun, and when an
interrogative?</p>
          <p>By looking at the end of the sentence; if the interrogation
point is there, it is for the most part an interrogative pronoun
if not, it is a relative.</p>
          <pb id="branson37" n="37"/>
          <p>What are adjective pronouns?</p>
          <p>Adjective Pronouns are words that are sometimes used instead
of nouns, but are more frequently followed by their nouns, which
they limit, or, qualify, after the manner of adjectives.</p>
          <p>Give me one or two sentences containing adjective pronouns.</p>
          <p>“Hand me<hi rend="italics"> that </hi>book.” “I have <hi rend="italics">some </hi>apples.” “Have you
<hi rend="italics">any</hi> paper?” <hi rend="italics">That, some,</hi> and <hi rend="italics">any </hi>are adjective pronouns.</p>
          <p>Mention some of the principal adjective pronouns?</p>
          <p>
            <hi rend="italics">This, that, these, those, some, no, none, any, all, each, every,
either, neither.</hi>
          </p>
          <p>How can you tell adjective pronouns?</p>
          <p>By their being followed by a noun; as, <hi rend="italics">these </hi>pens, <hi rend="italics">some </hi>money,
<hi rend="italics">each </hi>breath, <hi rend="italics">either </hi>side.</p>
          <div3 type="chapter">
            <head>EXERCISE.</head>
            <argument>
              <p>Make lists of the personal, relative, interrogative, and adjective
pronouns, in order, as they occur in the following sentences. The
pupil will do well to make his lists according to the following<corr sic="period">.</corr></p>
              <p>EXAMPLE. Jane, I told you to hand me that book which is lying
on the table, but you have not done it. What is the reason?</p>
            </argument>
            <list type="simple">
              <head>Lists.<lb/>Personal.</head>
              <item>I,</item>
              <item>you,</item>
              <item>me,</item>
              <item> you,</item>
              <item> it.</item>
            </list>
            <list type="simple">
              <head>Relative.</head>
              <item>Which.</item>
            </list>
            <list type="simple">
              <head>Interrogative.</head>
              <item>What.</item>
            </list>
            <list type="simple">
              <head>Adjective</head>
              <item>That.</item>
            </list>
            <p>1. You say that<ref targOrder="U" id="ref4" n="4" rend="sc" target="note4">*</ref> I am charged with a great crime. Who are my
accusers? Let them stand forth, that I may see the authors of this
base slander.</p>
            <p>2. If every man would do his duty, none would have cause for
complaint.</p>
            <p>3. Can we stand patiently by, and see our property torn from us?
No; each generous emotion of our hearts forbids it. Let this tyrant
tremble, and all his <sic corr="satellites ">satelites</sic> beware!</p>
            <p>4. The men whom I saw had each a musket.</p>
            <p>5. Wherever she went, every one seemed disposed to do her honor.</p>
            <p>6. Look on this picture and on that.</p>
            <note id="note4" n="4" rend="sc" place="foot" anchored="yes" target="ref4">NOTE. The word THAT, is sometimes a conjunction, sometimes a relative, and
at other times an adjective pronoun; the pupil must decide which it is by the
relation that it bears to other words in the sentence.  In this sentence, THAT is not a relative, for it does not relate to any antecedent; it is not an adjective pronoun, for it is not joined to, or used for, any noun, but it is a conjunction, for it connects clauses.</note>
          </div3>
        </div2>
        <div2 type="section">
          <pb id="branson38" n="38"/>
          <head>CHAPTER XIX.</head>
          <head>THE RELATIVE PRONOUN AND RELATIVE CLAUSE.</head>
          <p>What is a Relative Pronoun?</p>
          <p>A Relative Pronoun is one that relates to a noun or pronoun
going before, called the antecedent.</p>
          <p>What is the antecedent?</p>
          <p>The antecedent is a noun or pronoun before the relative to
which it relates.</p>
          <p>In the sentence, <hi rend="italics">“He that does right will be rewarded,”</hi> what is the
relative and what the antecedent?</p>
          <p><hi rend="italics">That</hi> is the relative, and <hi rend="italics">he</hi> is the antecedent.</p>
          <p>What service does the relative perform in a sentence?</p>
          <p>The relative is used to introduce a clause for the purpose of
limiting, explaining, or adding something further to what is being
said.</p>
          <p>What is a clause thus introduced by a relative, called?</p>
          <p>A RELATIVE CLAUSE.</p>
          <p>What is the relative clause in the sentence, <hi rend="italics">“He that does right will be
rewarded?”</hi></p>
          <p><hi rend="italics">That does right </hi>is the relative clause, because it is introduced
by the relative<hi rend="italics"> that</hi>.</p>
          <p>Select the relative, the antecedent, and the relative clause, in the
following sentences.</p>
          <p>1. The friends that we gain in childhood, often forget us in old age.</p>
          <p>2. The wind, which had been shifting all day from point to point,
now began to blow steadily from the south.</p>
          <p>3. Those who are the most industrious are the most happy.</p>
          <p>4. James, whose work was the best, received the premium.</p>
          <p>5. I have seen the man that lives in the cave.</p>
          <pb id="branson39" n="39"/>
          <div3 type="chapter">
            <head>EXERCISE.</head>
            <argument>
              <p>The sentences given in this exercise contain a relative and its
antecedent; the pupil must complete them by inserting the relative
clause, where the blank occurs. Before attempting to insert the
clause, read the whole sentence, and then think of something that
will be appropriate.</p>
              <p>EXAMPLE. The study <hi rend="italics">that</hi><gap reason="blank space"/> is History.</p>
              <p><hi rend="italics">Completed</hi>. The study that I<hi rend="italics"> like best</hi> is History.</p>
              <p>Or, The study that <hi rend="italics">I dislike most</hi> is History.</p>
              <p>Or, The study that <hi rend="italics">I find most difficult </hi>is History.</p>
              <p>Each sentence may be completed in a variety of ways.</p>
            </argument>
            <p>1. I have broken my watch, <hi rend="italics">which</hi><gap reason="blank space"/>.</p>
            <p>2. The tree <hi rend="italics">that</hi><gap reason="blank space"/>, was blown down last night.</p>
            <p>3. My father, <hi rend="italics">who</hi><gap reason="blank space"/>, has got well.</p>
            <p>4. Those <hi rend="italics">who</hi><gap reason="blank space"/>will be happy in this world, and still happier in the next.</p>
            <p>5. Horses are very useful to those<hi rend="italics"> who</hi><gap reason="blank space"/>.</p>
            <p>6. In every school there are boys <hi rend="italics">who</hi><gap reason="blank space"/>.</p>
            <p>7. Thomas found the knife <hi rend="italics">which</hi><gap reason="blank space"/>.</p>
            <p>8. There is a boy <hi rend="italics">whose</hi><gap reason="blank space"/>.</p>
            <p>9. Mary is the most <sic corr="diligent ">dilligent</sic> girl <hi rend="italics">that</hi><gap reason="blank space"/> .</p>
            <p>10. The good boy will apply himself vigorously to the lesson
<hi rend="italics">which</hi><gap reason="blank space"/>.</p>
            <p>11. The carriage <hi rend="italics">which</hi><gap reason="blank space"/>has been mended.</p>
            <p>12. Columbus was the first man <hi rend="italics">that </hi><gap reason="blank space"/>.</p>
            <p>13. The butterflies <hi rend="italics">which</hi><gap reason="blank space"/>,will all perish in winter.</p>
            <p>14. The dog<hi rend="italics"> that </hi><gap reason="blank space"/>has run away.</p>
          </div3>
        </div2>
        <div2 type="section">
          <head>CHAPTER XX.</head>
          <head>PARTICIPLES.—PARTICIPIAL CLAUSES.</head>
          <p>In the sentence, <hi rend="italics">“I saw John feeding his chickens,”</hi> which word implies action, and at the same time qualifies John?</p>
          <p>
            <hi rend="italics">Feeding.</hi>
          </p>
          <pb id="branson40" n="40"/>
          <p>Which part of speech implies action, and which qualifies nouns?</p>
          <p>The <hi rend="italics">verb</hi> implies action, and the <hi rend="italics">adjective</hi> qualifies nouns.</p>
          <p>The word <hi rend="italics">feeding</hi>, then, partakes of the nature of what two parts of
speech?</p>
          <p>The verb and the adjective.</p>
          <p>What name is given to<hi rend="italics"> feeding </hi>and similar words?</p>
          <p>PARTICIPLES.</p>
          <p>What is a participle?</p>
          <p>A participle is a word that describes a noun or pronoun, by
assigning to it a certain action or state.</p>
          <p>Does the participle form a distinct part of speech?</p>
          <p>No; participles are now classed as parts of verbs.</p>
          <p>How many participles has every transitive verb?</p>
          <p>Five.</p>
          <p>Mention the five participles of the verb <hi rend="italics">love</hi>.</p>
          <p>
            <hi rend="italics">Loving, loved, having loved, being loved, having been loved.</hi>
          </p>
          <p>How many participles has every intransitive verb?</p>
          <p>Two.</p>
          <p>Mention the two participles of the intransitive verb<hi rend="italics"> walk</hi>.</p>
          <p>
            <hi rend="italics">Walking, having walked.</hi>
          </p>
          <p>Give me two or three sentences containing participles, and select the
participle in each.</p>
          <p>James, while <hi rend="italics">walking</hi> by the shore, saw large bass <hi rend="italics">attacked</hi>
by a shark.</p>
          <p><hi>Having been deceived</hi> once, I never trusted him again.</p>
          <p>He died, <hi rend="italics">loved </hi>and<hi rend="italics"> respected</hi> by all that knew him.</p>
          <p>In the last sentence, what clause is introduced by the participles, <hi rend="italics">loved</hi>
and <hi rend="italics">respected</hi>?</p>
          <p>
            <hi rend="italics">“Loved and respected by all that knew him.”</hi>
          </p>
          <p>What is a clause introduced by, or containing a participle, called?</p>
          <p>A PARTICIPIAL CLAUSE.</p>
          <p>Select the participial clause in each of the three sentences given above.</p>
          <div3 type="chapter">
            <pb id="branson41" n="41"/>
            <head>EXERCISE.</head>
            <argument>
              <p>Complete the following sentences by inserting a participle in
place of the blank.</p>
            </argument>
            <p>EXAMPLE. The day <gap reason="blank space"/>fair, we started on our journey.</p>
            <p><hi rend="italics">Completed</hi>. The day <hi rend="italics">being</hi> fair, we started on our journey.</p>
            <p>1. Moses, <gap reason="blank space"/>his lessons, recited them well.</p>
            <p>2. We saw a boy <gap reason="blank space"/> in the river.</p>
            <p>3. Dinner <gap reason="blank space"/>, the party sat down.</p>
            <p>4. The carriage <gap reason="blank space"/>, Robert has taken it to the blacksmith's,
to get it <gap reason="blank space"/>.</p>
            <p>5. My dog <gap reason="blank space"/>sick, I could not go a hunting.</p>
            <p>6. I have just seen a man killed by <gap reason="blank space"/>from the top of a house.</p>
            <p>7. My friend, while <gap reason="blank space"/>out on horseback, was thrown and seriously
injured.</p>
            <p>8. I saw the Confederate flag <gap reason="blank space"/>from the City Hall.</p>
            <p>9. You may often see bad boys <gap reason="blank space"/>in the street.</p>
            <p>10. Our house <gap reason="blank space"/>, we are about to move into it.</p>
            <p>11. The merchant spends his time in <gap reason="blank space"/>and <gap reason="blank space"/>goods.</p>
            <p>12. Gas is useful for <gap reason="blank space"/>streets and houses.</p>
            <p>13. Oxen are used for <gap reason="blank space"/> wagons.</p>
            <p>14. Ships, while <gap reason="blank space"/>on the ocean, often encounter violent storms<corr sic="period">.</corr></p>
            <p>15. The weather <gap reason="blank space"/>we must have a fire <gap reason="blank space"/>.</p>
            <p>16. From this eminence <gap reason="blank space"/>my eyes upon the vast plain that lay
before me, I saw a herd of buffaloes <gap reason="blank space"/>amid the long prairie-grass, and a group of wild horses <gap reason="blank space"/>away in the far distance.</p>
            <p>17. He was a bad man, and died, <gap reason="blank space"/>and <gap reason="blank space"/>by all that knew him.</p>
          </div3>
        </div2>
        <div2 type="section">
          <head>CHAPTER XXI.</head>
          <head>A REVIEW.</head>
          <argument>
            <p>[For the answers to the following questions, see Chapters XV., XVII.,
XVIII., XIX., and XX.]</p>
          </argument>
          <p>What is the subject of a verb?</p>
          <p>How may you find the subject of a verb?</p>
          <p>What may a verb have for its subject?</p>
          <pb id="branson42" n="42"/>
          <p>What is the object of a verb?</p>
          <p>What other parts of speech, besides transitive verbs, may have an object?</p>
          <p>How may you find the object of a verb or <sic corr="preposition">proposition</sic>?</p>
          <p>What is a pronoun?</p>
          <p>Name the classes of pronouns.</p>
          <p>What is a personal pronoun? Mention the personal pronouns.</p>
          <p>What is a relative pronoun? Mention the relative pronouns.</p>
          <p>What is an interrogative pronoun? Mention the interrogative pronouns.</p>
          <p>What is an adjective pronoun? Mention some of the principal adjective
pronouns.</p>
          <p>What is a relative clause?</p>
          <p>What is the antecedent of a relative pronoun?</p>
          <p>What is a participle?</p>
          <p>How many participles has a transitive verb? an intransitive verb?</p>
          <p>Mention the participles of the verb<hi rend="italics"> ask</hi>. Mention those of the verb <hi rend="italics">dream</hi>.</p>
          <p>What is a participial clause?</p>
          <div3 type="chapter">
            <head>EXERCISE.</head>
            <argument>
              <p>Where a dash occurs, put its one or more words, as may be
required to complete the sense.</p>
            </argument>
            <head>THE TAME BEAR.</head>
            <p>Hans Christian Anderson, the German writer, tells us the
following—story of a tame bear, which broke loose while the man
—exhibiting him was—dinner. He made his way to
—public house,—, and went straight—where there
was three children, the eldest—whom was no more than six
or eight—old. “The door sprang open, and in walked—.
The children were much frightened—, and crept—corners. The bear followed—, and rubbed them with—nose,
but he did not—. When the children—, they thought it
was a big dog, and they patted,—, and—. The eldest
boy now—his drum, and began to—loud noise. No
sooner did the bear—, than he raised himself on—and
began to dance. This was charming.</p>
            <p>The boys had been playing at soldiers before—, and now each
— his gun and—. They gave the bear a gun, too, and
he— like a  regular militia-man. Then they marched; what a
fine comrade—!</p>
            <p>Presently, however, the door—again. It was the children's
<pb id="branson43" n="43"/>
mother. You should have seen her; and her face was white as—
and she trembled with fear when saw the—. Then the smallest
— ran up to her, and shouted, ‘Mamma, mamma, we have
had such—, playing soldier!’”</p>
          </div3>
        </div2>
        <div2 type="section">
          <head>CHAPTER XXII.</head>
          <head>SENTENCES, PHRASES, CLAUSES, APPOSITION.</head>
          <p>What is a sentence?</p>
          <p>A sentence is such an assemblage of words as makes
complete sense.</p>
          <p>How many kinds of sentences are there, and what are they?</p>
          <p>Four kinds; declarative, imperative, interrogative, and
exclamatory.</p>
          <p>What is a declarative sentence?</p>
          <p>A declarative sentence is one in which something is
declared; as, “It rains.”</p>
          <p>What is an imperative sentence?</p>
          <p>An imperative sentence is one in which permission is
given, or a command, an exhortation, or an entreaty
uttered; as, “Let it rain.”</p>
          <p>What is an interrogative sentence?</p>
          <p>An interrogative sentence is one in which a question
is asked; as, “Does it rain?”</p>
          <p>What is an exclamatory sentence?</p>
          <p>An exclamatory sentence is one that contains an exclamation;
as, “How it rains!”</p>
          <p>Make two declarative sentences; two imperative; two interrogative;
two exclamatory.</p>
          <pb id="branson44" n="44"/>
          <p>What is a phrase?</p>
          <p>A phrase is a combination of words which <hi rend="italics">separately</hi>
have no connection, either in construction, or sense, with
other words in the sentence, but which, <hi rend="italics">when taken
together</hi>, convey a single idea, and may be construed as a
single word. Thus; “James, in short, has become a hermit,”
— in this sentence, <hi rend="italics">in short</hi> is a phrase.</p>
          <p>What is a clause?</p>
          <p>A clause is a combination of words which<hi rend="italics"> separately</hi>
may or may not be connected in construction with other
words in the sentence: if so connected, they assert some
additional circumstance respecting the leading <sic corr="preposition">proposition</sic>;
as, “James, <hi rend="italics">who had been on the watch</hi>, espied a sail:” if
not so connected, they assert an entirely independent
proposition; as, Stephen sailed for Florida, but <hi rend="italics">he was
wrecked on the voyage</hi>. In these sentences the words in
<hi rend="italics">italics</hi> are clauses.</p>
          <p>What is a relative clause?</p>
          <p>A clause containing a relative pronoun; as, “James,
<hi rend="italics">for whom I felt so much anxiety</hi>, has arrived.”</p>
          <p>What is a participial clause?</p>
          <p>A clause containing a participle; as “<hi rend="italics">The rest of the
company having arrived</hi>, went to dinner.”</p>
          <p>What is an adverbial clause?</p>
          <p>A clause that performs the office of an adverb, and generally
expresses time, place, or manner; as, “<hi rend="italics">A thousand
years hence</hi>, all these things will have passed away.”</p>
          <p>What a vocative clause?</p>
          <p>A clause containing the name of an object addressed,
<pb id="branson45" n="45"/>
with its adjuncts; as, “<hi rend="italics">My dear friend</hi>, I hope to meet
you soon.”</p>
          <p>When is one noun said to be in apposition with another?
When it refers to the same object, and is in the same
construction; as, “Paul, the Apostle”—<hi rend="italics">Apostle </hi>is in apposition with Paul.</p>
          <p>May more than one of the clauses enumerated above, occur in the
same sentence?</p>
          <p>They may.</p>
          <p>Does every sentence contain one of these clauses?</p>
          <p>No; there are some simple sentences that do not contain
any of these clauses; as, “I love my mother.”</p>
          <div3 type="chapter">
            <head>ORAL EXERCISE.</head>
            <argument>
              <p>Tell to what class each of the following sentences belong. When
a clause occurs, tell what kind of a clause it is. </p>
            </argument>
            <p>1. Oh for a lodge in some vast wilderness!</p>
            <p>2. There are men in the world, who are dead to every generous
impulse.</p>
            <p>3. Have you heard the news that has just been received by the
steamer?</p>
            <p>4. Rising from his seat, the monarch gazed around; and, darting
a look of scorn on his humbled courtiers, bade them leave his
presence till they should become honest men.</p>
            <p>5. My son, do you indulge in anger?</p>
            <p>6. O Romeo, Romeo! wherefore art thou Romeo?</p>
            <p>7. Who ever hears of fat men heading a riot, or herding together
in turbulent mobs?</p>
            <p>8. It is chiefly through books that we enjoy intercourse with
superior minds.</p>
            <p>9. The ship being now under sail, the shore began to recede
rapidly from our sight.</p>
            <p>10. Lord Hastings, who had bore himself most bravely throughout
the whole battle, escaped with a slight wound.</p>
            <pb id="branson46" n="46"/>
            <p>11. James, whom I sent to the river an hour ago, has not yet
returned.</p>
            <p>12. What an accident! Did you ever witness a scene like this?</p>
            <p>13. Where Freedom rears her banner, a new empire has arisen.</p>
          </div3>
        </div2>
        <div2 type="section">
          <head>CHAPTER XXIII. </head>
          <head>COMPOSITION.</head>
          <p>What is the term “Composition” derived from?</p>
          <p>It is derived from two Latin words, which signify <hi rend="italics">“to
put together.”</hi></p>
          <p>What is “composition” then?</p>
          <p>It is a <hi rend="italics">“putting together.”</hi></p>
          <p>Can we speak of the “composition” of a substance, like <hi rend="italics">paste</hi> or
<hi rend="italics">varnish</hi>?</p>
          <p>We can.</p>
          <p>What do we mean by it?</p>
          <p>We mean <hi rend="italics">“the putting together”</hi> of the<hi rend="italics"> material </hi>of which
the substance is made up.</p>
          <p>When we speak of the “composition” of a <hi rend="italics">picture</hi>, what do we mean?</p>
          <p>We mean <hi rend="italics">“the putting together”</hi> of the different <hi rend="italics">objects</hi>
which make up the picture; as, <hi rend="italics">a mountain, trees, a
river, &amp; c.</hi>When we speak of a “composition” on any <hi rend="italics">subject</hi>, what do we
mean?</p>
          <p>We mean <hi rend="italics">“a putting together”</hi> of the<hi rend="italics"> thoughts </hi>which
belong to the subject.</p>
          <pb id="branson47" n="47"/>
          <p>Suppose you were to write “Grass is green;” “Birds sing;”
“John is blind;” would that be composition?”</p>
          <p>It would not.</p>
          <p>Why?</p>
          <p>Because the thoughts are not connected with each other,
nor with a subject.</p>
          <p>Suppose you take for your subject, <hi rend="italics">“A blind boy;”</hi> and write,
“John is blind; he cannot see that the grass is green, but he can
hear the birds sing:” is that “composition?”</p>
          <p>It is.</p>
          <p>Why?</p>
          <p>Because the three thoughts, “John is blind,” “Grass
is green,” “Birds sing,” are connected with each other,
and with the subject, “A blind boy.”</p>
          <p>How, then, can thoughts which are independent of each other,
often be united?</p>
          <p>By introducing another thought which will connect them.</p>
          <p>Give an example.</p>
          <p>In the example, “John is blind; he cannot see that
the grass is green, but he can hear the birds sing,”—the
two thoughts, “he cannot see,” “but can hear,” connect
the three independent thoughts, “John is blind,” “Grass
is green,” “Birds sing.”</p>
          <p>Are there not many thoughts belonging to every subject?</p>
          <p>There are.</p>
          <p>How should these be “put together?”</p>
          <p>They should be so <hi rend="italics">“put together,”</hi> that they will appear to follow each other in a natural order.</p>
          <pb id="branson48" n="48"/>
          <p>In what, then, does “composition” consist?</p>
          <p>It consists in “putting together,” in a natural order,
thoughts belonging to a subject.</p>
        </div2>
        <div2 type="section">
          <head>CHAPTER XXIV.</head>
          <head>DESCRIPTION.</head>
          <p>What has “Composition” been defined to be?</p>
          <p>Composition has been defined to be <hi rend="italics">“a putting together”</hi>
of <hi rend="italics">thoughts</hi> under a subject.</p>
          <p>Are there not many kinds of composition?</p>
          <p>There are.</p>
          <p>What is the first kind of composition?</p>
          <p>“Descriptive” is the first principal kind of composition.
What is “description?”</p>
          <p>It is <hi rend="italics">“a putting together”</hi> of our impression of any object or scene.</p>
          <p>Why is this called the first kind of composition?</p>
          <p>Because it relates to that which we see, and that which
we<hi rend="italics"> see</hi>, lies at the beginning of Thought.</p>
          <p>How, only, can we learn to describe well?</p>
          <p>By studying attentively, the object or scene which we
wish to describe.</p>
          <p>What is necessary to a good description?</p>
          <p>That those particulars be given, in which the object or
scene differs from other objects or scenes.</p>
          <pb id="branson49" n="49"/>
          <p>If I were to ask you to describe your kitten, and you should say,
“It has whiskers, four legs, and a tail,” would that be a good
description?</p>
          <p>It would not.</p>
          <p>Why not?</p>
          <p>Because it mentions only things which are common to all
kittens, and does not describe any particular one.</p>
          <p>Suppose you were to say instead, “It has a glossy black fur, a
white diamond between its eyes, and one white whisher,” would
that be a good description?</p>
          <p>It would be.</p>
          <p>Why?</p>
          <p>Because it describes particulars which distinguish the kitten
from other kittens<sic corr=".">?</sic></p>
          <p>Do not such particulars enable us to distinguish objects of the
same kind from each other?</p>
          <p>They do.</p>
          <p>Could not a dog be distinguished among a hundred others, by
one who was familiar with it?</p>
          <p>It could.</p>
          <p>What, then, is a good rule for describing an object?</p>
          <p>To give those particulars by which we know it from
other objects of the same kind.</p>
          <p>What is a <hi rend="italics">scene</hi>?</p>
          <p>A <hi rend="italics">scene</hi> is a combination of objects.</p>
          <p>How, then, should a scene be described?</p>
          <p>By giving those particulars, in the objects and their
<hi rend="italics">arrangement</hi>; by which it is distinguished from other scenes.</p>
        </div2>
        <div2 type="section">
          <pb id="branson50" n="50"/>
          <head>SUBJECTS.</head>
          <div3 type="chapter">
            <head>DIRECTIONS TO THE PUPIL.</head>
            <head>SUBJECT NO. 1.</head>
            <p>You may take the subject which you will find upon the
following page, and write <hi rend="italics">your own answers</hi> to the
questions.</p>
            <p>Take each question by itself, and do your best to answer
it fully; using the same language as in speaking.
When you have done this, join these answers together in
correct sentences.</p>
            <p>Your composition will then be done, all except copying.
In copying, the principal things to remember are these:</p>
            <p>TO WRITE NEATLY.</p>
            <p>TO SPELL CORRECTLY, AND</p>
            <p>TO BEGIN EVERY NEW SENTENCE WITH A CAPITAL LETTER.</p>
            <p>If you attend to these directions your composition will
then be ready to hand to your teacher.</p>
          </div3>
          <div3 type="chapter">
            <head>SUBJECT NO. 1.</head>
            <head>STRAWBERRIES.</head>
            <p>1. Is not the strawberry season always anticipated with
great pleasure by the children?</p>
            <p>2. How early does the plant begin to show its blossoms?</p>
            <pb id="branson51" n="51"/>
            <p>3. What kind of flowers are they?</p>
            <p>4. When the flower disappears, what does it leave?</p>
            <p>5. How long are these green clusters in ripening?</p>
            <p>6. As soon as they begin to turn red, what do children do?</p>
            <p>7. Where do they hunt for them?</p>
            <p>8. Where do they find the largest ones?</p>
            <p>9. Do not the bright red clusters look delicious?</p>
            <p>10. Do not more berries go into mouths, than into baskets,
generally?</p>
            <p>11. Are not strawberries a favorite fruit with almost
every one?</p>
            <p>12. Are they not much cultivated in gardens?</p>
            <p>13. Do they not sometimes grow to a large size?</p>
            <p>14. How large have you seen them?</p>
          </div3>
          <div3 type="chapter">
            <head>
              <hi rend="italics">TO THE PUPIL</hi>
            </head>
            <head>SUBJECT NO. 1.</head>
            <p>Strawberries are the earliest of all the berries in summer.
On this account, as well as because they are the
most delicious of all, every one looks forward with great
pleasure to the time when they will be ripe. You can
mention how early children begin to watch the buds and
blossoms of this little plant in the field and by the wayside.
You can describe the clusters of white blossoms,
and their gradual change into ripe, red berries; then the
joy of the children; the plans they form for their holiday
afternoons; their pleasant excursions in parties, with baskets
<pb id="branson52" n="52"/>
and tin pails, to hunt for the red treasures; in what
kind of places they look for them; where they find the
largest, and how many they sometimes bring home: also,
how you like best to eat them.</p>
            <p>You can describe, too, the manner in which this fruit is
cultivated in gardens, and the size to which it sometimes
grows.</p>
          </div3>
          <div3 type="chapter">
            <head>SUBJECT NO. 2.</head>
            <head>
              <hi rend="italics">ANTS.</hi>
            </head>
            <p>1. Do not ants seem to be about as busy creatures as bees?</p>
            <p>2. Are they as useful to us as bees?</p>
            <p>3. What do bees furnish us with?</p>
            <p>4. May we not, however, learn something from the ant?</p>
            <p>5. How do they show industry and perseverance?</p>
            <p>6. What kind of houses do they live in?</p>
            <p>7. Do they build these themselves?</p>
            <p>8. If any accident happens to their dwelling, what do they do?</p>
            <p>9. Are they ever out of patience or discouraged?</p>
            <p>10. Are not such accidents very frequent?</p>
            <p>11. How do they provide for the future?</p>
            <p>12. What may we learn from them in this?</p>
            <p>13. Are they not enterprising little creatures?</p>
            <pb id="branson53" n="53"/>
            <p>14. Have you ever seen one carrying a burden much larger
than himself?</p>
            <p>15. How did he manage?</p>
            <p>16. What other facts do you know about these little insects?</p>
          </div3>
          <div3 type="chapter">
            <head>
              <hi rend="italics">TO THE PUPIL.</hi>
            </head>
            <head>SUBJECT NO. 2.</head>
            <p>Solomon, who you know was the wisest of men, says,
“Go to the ant, thou sluggard; consider her ways, and
be wise;” which shows that he himself had learned lessons
of industry from this little insect.</p>
            <p>You must observe: he says, “<hi rend="italics">Consider</hi> her ways;”
which means, we must <hi rend="italics">study</hi> the movements of the little
creatures, watch their <hi rend="italics">going-in </hi>and their <hi rend="italics">coming out</hi>, and
find out, if we can, the <hi rend="italics">purpose</hi> of each movement; for
you will learn, by watching them, that each purpose <hi rend="italics">has</hi>
a purpose. All this you must do; and in addition to your
own observations, you should find out from books, or by
asking questions, as much as possible about the habits of
this little insect, and any interesting facts or anecdotes
concerning them. In this way, you will find more than
enough material for one composition. If you choose, you
may divide the questions, and write twice upon this subject.</p>
          </div3>
          <div3 type="chapter">
            <head>SUBJECT NO. 3.</head>
            <head>
              <hi rend="italics">FROGS.</hi>
            </head>
            <p>1. What kind of looking creatures are frogs?</p>
            <p>2. What sort of places do they live in?</p>
            <pb id="branson54" n="54"/>
            <p>3. What do they live upon?</p>
            <p>4. What kind of a noise do they make?</p>
            <p>5. Is it not one of the first sounds in spring?</p>
            <p>6. Is it a pleasant sound?</p>
            <p>7. Does it not express contentment as much as the singing of
birds?</p>
            <p>8. Is it not easy to see how birds can be happy, hopping
about in the trees?</p>
            <p>9. Are not frogs just as happy in dirty marshes and
pools?</p>
            <p>10. Has not God made every creature for some particular
place?</p>
            <p>11. Would a frog enjoy himself if he were to change
places with a bird?</p>
            <p>12. What lesson can we learn from this thought?</p>
          </div3>
          <div3 type="chapter">
            <head>
              <hi rend="italics">TO THE PUPIL.</hi>
            </head>
            <head>SUBJECT NO. 3.</head>
            <p>The peeping of these strange creatures is one of the
earliest indications of the approach of summer. On this
account, it is a delightful sound to every one. You can
describe the feeling of pleasure with which you always
hear it for the first time, after winter has departed, and
all the pleasant visions it brings to your mind of the coming
summer; of blue skies, and soft, warm air; of walks
in the woods, wild flowers, and green moss. You can describe
the haunts of these creatures,— some of them in
<pb id="branson55" n="55"/>
pleasant places; their queer noises and sudden jumps,—
what these mean. You can compare their life with that
of a bird. If you choose, instead of writing answers to
the questions, you may write a story of a discontented
frog who thought he would try a bird's life, his
adventures, and how at last he became a contented frog.</p>
          </div3>
          <div3 type="chapter">
            <head>SUBJECT NO. 4.</head>
            <head>
              <hi rend="italics">FLIES.</hi>
            </head>
            <p>1. Are not flies the most common of insects?</p>
            <p>2. Do they sting like <sic corr="mesquites ">musquitoes</sic>?</p>
            <p>3. Are they not, however, sometimes very troublesome?</p>
            <p>4. How are they troublesome?</p>
            <p>5. What do they like best to eat?</p>
            <p>6. Are they not most abundant in very warm weather?</p>
            <p>7. Is it easy to drive one away when he makes up his
mind to attack you?</p>
            <p>8. What kind of traps do people set for them?</p>
            <p>9. How does the fly get caught?</p>
            <p>10. Are not great numbers often destroyed in this way?</p>
            <p>11. What is the greatest enemy of the fly?</p>
            <p>12. How does the spider catch it?</p>
            <p>13. How do flies manage to walk on the ceiling?</p>
            <p>14. Could a bird walk so?</p>
            <p>15. Do flies like cold weather?</p>
            <p>16. What becomes of them in winter?</p>
          </div3>
          <div3 type="chapter">
            <pb id="branson56" n="56"/>
            <head>
              <hi rend="italics">TO THE PUPIL.</hi>
            </head>
            <head>SUBJECT NO. 4.</head>
            <p>You can speak particularly of the troublesome character
of this insect,—the annoying way in which it will return,
again and again, after being driven off. You can
describe one of these attacks upon yourself, and mention
which at last gained the victory, you or the fly. You can
also give a full description of the manner in which the
spider constructs his web, and manages to catch the fly.</p>
            <p>If you will consider a moment, it will seem quite wonderful
to you that a fly can walk upon the ceiling: you
know a bird could not walk so. If you cannot give the
reason yourself, you should ask some one to explain it to
you; and when you have obtained a clear idea of all these
particulars, you should try to describe them accurately in
your composition.</p>
          </div3>
          <div3 type="chapter">
            <head>SUBJECT NO. 5.</head>
            <head>
              <hi rend="italics">BIRD'S NESTS.</hi>
            </head>
            <p>1. Where do birds generally build their nests?</p>
            <p>2. Why do they build them so high?</p>
            <p>3. What is the outside of the nest made of?</p>
            <p>4. What is the inside lined with?</p>
            <p>5. Where do birds get the materials for their nests?</p>
            <p>6. Do they collect it together, and carry it in one load
in their claws?</p>
            <p>7. How do they manage it?</p>
            <pb id="branson57" n="57"/>
            <p>8. Is not a bird's-nest full of young birds, or of little
blue eggs, a pretty sight?</p>
            <p>9. Is it not cruel to rob a bird's nests?</p>
            <p>10. How does the old bird feel when any one is near her nest?</p>
            <p>11. How does she show her distress?</p>
            <p>12. Do the birds leave their nests when they fly off to
the south, or do they take them?</p>
            <p>14. Will they not build other nests when they return in the
spring?</p>
          </div3>
          <div3 type="chapter">
            <head>
              <hi rend="italics">TO THE PUPIL.</hi>
            </head>
            <head>SUBJECT NO. 5.</head>
            <p>Have you ever found in the Fall, after the cold winds
had come, or in winter, half full of snow, a little bird's
nest; and examined how neatly it was woven together,— 
the outside of rough sticks and leaves, and the inside
lined so delicately with soft hair? If you have, you
can describe all this in your own way, and mention where
and how you found the nest, and to what bird it probably
belonged.</p>
            <p>You can describe, also, under the questions, the process
of building a nest; the appearance of a nest full of eggs,
or of little birds; the actions of the young birds while
you were near the nest; the movements and cries of
distress of the mother, the manner in which the old bird
<pb id="branson58" n="58"/>
feeds the young ones; what she gives them to eat; and
what becomes of the nest when the little birds have learned
to fly.</p>
          </div3>
          <div3 type="chapter">
            <head>SUBJECT NO. 6.</head>
            <head>
              <hi rend="italics">CHESNUTS.</hi>
            </head>
            <p>1. What tree do these nuts grow upon?</p>
            <p>2. What kind of a bur are they <sic corr="enclosed">inclosed </sic>in?</p>
            <p>3. When do these burs open?</p>
            <p>4. What becomes of the nut when the bur opens?</p>
            <p>5. Is not this time eagerly watched for?</p>
            <p>6. Are not nutting excursions then all the fashion?</p>
            <p>7. Are these not delightful?</p>
            <p>8. Is it always easy to find the nuts?</p>
            <p>9. What sometimes covers them up?</p>
            <p>10. Do not the nuts sometimes stick in the burs?</p>
            <p>11. Is it not great work for boys to shake them down?</p>
            <p>12. Is it not pleasant to take home a good basket full of
nuts?</p>
            <p>13. What is done with them in the evening, sometimes?</p>
            <p>14. Are not these nutting excursions the pleasantest
things in autumn?</p>
            <p>15. Are they not the last of the season?</p>
            <p>16. How do the woods begin to look?</p>
          </div3>
          <div3 type="chapter">
            <pb id="branson59" n="59"/>
            <head>
              <hi rend="italics">TO THE PUPIL.</hi>
            </head>
            <head>SUBJECT NO. 6.</head>
            <p>In mentioning the chesnut-tree, you can compare it
with the oak, and speak of the difference between the two
trees, in their general appearance and the manner in which
their branches grow, shape of the leaf, &amp; c. You can describe
the appearance of the chesnut-tree when in blossom,
the kind of flower it bears, and the clusters of green burs
which succeed the flower. Also, the effect of the frost
upon these burs, and the eagerness with which children
watch for the dropping of the nuts; the excursions into
the woods which take place; the shuffling and poking among
the dry leaves; the gathering of the nuts; the pleasure
of bringing them home; then of boiling them and sharing
them with friends.</p>
            <p>You can speak of these excursions into the wood as being
the last of the season, and describe the signs of the
coming winter,—cold winds, bare trees, &amp; c.</p>
          </div3>
          <div3 type="chapter">
            <head>SUBJECT NO. 7.</head>
            <head>
              <hi rend="italics">KATY-DIDS.</hi>
            </head>
            <p>1. What do Katy-dids look like?</p>
            <p>2. What color are they?</p>
            <p>3. Is not their note very peculiar?</p>
            <p>4. What does it sound like?</p>
            <p>5. How do they make it?</p>
            <p>6. When do we first begin to hear them in summer?</p>
            <pb id="branson60" n="60"/>
            <p>7. Do they not seem always to be contradicting each
other?</p>
            <p>8. What does one side say?</p>
            <p>9. What do the others reply?</p>
            <p>10. Do they ever seem to come to any agreement about
Katy?</p>
            <p>11. Do they not take up the same old tune every summer?</p>
            <p>12. Has any one ever found out yet <hi rend="italics">what </hi>Katy did?</p>
            <p>13. Do you suppose any one ever <hi rend="italics">will </hi>find out?</p>
            <p>14. Is it likely the Katy-dids and Katy-didn'ts ever will
agree?</p>
            <p>15. Does not this show how hard it is for people to stop
when they once begin to contradict?</p>
            <p>16. Should it not be a warning every one to be very
careful about beginning a dispute?</p>
          </div3>
          <div3 type="chapter">
            <head>
              <hi rend="italics">TO THE PUPIL.</hi>
            </head>
            <head>SUBJECT NO. 7.</head>
            <p>You can describe, very particularly, the appearance of
this curious insect, and the manner in which it produces
the peculiar sound from which it takes its name.</p>
            <p>You can speak of the time in the summer when this note
begins to be heard, and describe a concert of summer
evening sounds; the various notes which mingle with those
of the Katy-did; and the peculiar effect, like that of perpetual
contradiction, produced by this insect.</p>
            <pb id="branson61" n="61"/>
            <p>You can, if you please, write an imaginary story of the
manner in which this quarrel originated, and add any
reflections which may occur to you upon the habit of
contradiction, and the determination to have the last word
in a dispute.</p>
          </div3>
          <div3 type="chapter">
            <head>SUBJECT NO 8.</head>
            <head>
              <hi rend="italics">APPLE-TREES.</hi>
            </head>
            <p>1. Are apple trees graceful?</p>
            <p>2. Are they not generally low and crooked?</p>
            <p>3. Are they not easy trees to climb?</p>
            <p>4. If they were lofty, like the elm, would it not be
difficult to gather the fruit?</p>
            <p>5. Are not all associations with this tree very pleasant?</p>
            <p>6. Are they not beautiful when they are laden with the
blossoms?</p>
            <p>7. What color are their blossoms?</p>
            <p>8. Have they not a delicious fragrance?</p>
            <p>9. When the flowers disappear, what succeeds?</p>
            <p>10. How long does it take for the little green apples to
ripen?</p>
            <p>11. How does the tree look when laden with ripe fruit?</p>
            <p>12. When the red and golden apples begin to drop, is it
not pleasant to gather them?</p>
            <p>13. What is the first thing to be done every morning?</p>
            <pb id="branson62" n="62"/>
            <p>14. If there has been a high wind, is not the ground strewn
with them?</p>
            <p>15. What is done with the apples?</p>
          </div3>
          <div3 type="chapter">
            <head>
              <hi rend="italics">TO THE PUPIL.</hi>
            </head>
            <head>SUBJECT NO. 8.</head>
            <p>You can speak of the ease with which this tree is climbed,
and of other reasons why it is a favorite with children;
and describe its appearance in the different seasons: beginning
with spring, when it is covered with its beautiful
pink and white blossoms; then, when these blossoms begin
to fall, the showers of white leaves and the delightful
odors which fill the air; the curious little green things
which the flowers leave behind them; the slow growth of
these into rich, ripe apples; the appearance of the tree
when the fruit is ripe, sometimes bending under its red
and golden burden; and the way <sic corr="in">it</sic> which the branches
are prevented from breaking off, when they are too heavily
laden. Describe, also, the gathering of the fruit, and
mention what is done with the different kinds of apples
and all the various uses of this fruit.</p>
          </div3>
          <div3 type="chapter">
            <head>SUBJECT NO. 9</head>
            <head>
              <hi rend="italics">RAIN</hi>
            </head>
            <p>1. Where does rain come from?</p>
            <p>2. How<sic corr="does"> doos </sic>it get into the clouds?</p>
            <pb id="branson63" n="63"/>
            <p>3. If it were not for rain, would not every thing upon
the earth die?</p>
            <p>4. In summer, do not many weeks often pass away without
any?</p>
            <p>5. How does every thing look then?</p>
            <p>6. Does not rain always come at last?</p>
            <p>7. Is it not delightful to see the clouds roll up, and the
drops begin to fall?</p>
            <p>8. Does not the grass begin to grow green again
immediately?</p>
            <p>9. How does the air feel, and every thing look, after
the shower?</p>
            <p>10. Do not children always like rain when it does not
spoil their plans?</p>
            <p>11. If they are planning an excursion, do they like to see
the clouds?</p>
            <p>12. Do they not always try to think it will not rain?</p>
            <p>13. If the rain does come, ought they to complain?</p>
            <p>14. Is it not always good for the earth?</p>
          </div3>
          <div3 type="chapter">
            <head>
              <hi rend="italics">TO THE PUPIL.</hi>
            </head>
            <head>SUBJECT NO. 9.</head>
            <p>You will be able to answer the first question; but perhaps
you may not know how the rain gets into the clouds.
This you must learn by asking your Teacher.</p>
            <p>You can describe the appearance of every thing in summer,
<pb id="branson64" n="64"/>
when several weeks have passed without rain,—so
dried up; the grass scorched and withered; and the air
filled with dust, and every body uncomfortable; then the
shower, which always comes at last; the delight of every
one, when the clouds are seen rolling up; the falling of
the rain; the overflowing of the streets; then the bursting
forth of the sun; the freshened air, and the altered appearance
of the landscape. You can speak, also, of the 
manner in which children sometimes complain of the rain,
when it interferes with their plains; and give the reasons
why this is wrong.</p>
          </div3>
          <div3 type="chapter">
            <head>SUBJECT NO. 10.</head>
            <head>
              <hi rend="italics">FROST.</hi>
            </head>
            <p>1. When does frost first come?</p>
            <p>2. Does it not make sad work with the beautiful summer
flowers?</p>
            <p>3. Before it comes, how do they look?</p>
            <p>4. After it, is not everything changed?</p>
            <p>5. What becomes of the grass and flowers?</p>
            <p>6. Are not the trees the only thing which the frost does
not spoil?</p>
            <p>7. What does it do to them?</p>
            <p>8. Do their bright colors last long?</p>
            <p>9. What do they gradually turn into?</p>
            <p>10. What becomes of the leaves finally?</p>
            <pb id="branson65" n="65"/>
            <p>11. Are not the trees left bare?</p>
            <p>12. Do not the cold winds begin to whistle through them then?</p>
            <p>13. Is not this a sign that winter is coming?</p>
            <p>14. Is it not pleasant, then, to gather round the bright
fire in the house?</p>
            <p>15. Do not the evenings begin to grow long then?</p>
            <p>16. How is it pleasant to spend them?</p>
          </div3>
          <div3 type="chapter">
            <head>
              <hi rend="italics">TO THE PUPIL.</hi>
            </head>
            <head>SUBJECT NO. 10.</head>
            <p>You can describe the gradual signs of Jack Frost's approach
in the chill September nights, growing colder and
colder, till finally he makes his appearance; then the 
change which comes over every thing; the desolation of
the gardens, as frost after frost passes over them; every
thing a dull, dead brown except the trees; the beautiful
colors with which these are adorned; the gradual fading
of these bright leaves, till finally they drop off; then the
bare appearance of the trees; the darkened, chilly skies; 
the whistling of November winds, and the freezing temperature.</p>
            <p>You can describe the gathering round bright fires in the
house, the lengthening evenings, and the various ways in
which these may be pleasantly spent.</p>
          </div3>
          <div3 type="chapter">
            <pb id="branson66" n="66"/>
            <head>SUBJECT NO. 11.</head>
            <head>
              <hi rend="italics">SNOW.</hi>
            </head>
            <p>1. What comes next after frost?</p>
            <p>2. Are not children always delighted to see the snow,
when it first comes?</p>
            <p>3. Do they not get tired of the dead grass and leaves?</p>
            <p>4. Are they not glad to have them covered up?</p>
            <p>5. Do these not like to watch the snow-flakes as they fall?</p>
            <p>6. Do these make any noise in falling?</p>
            <p>7. Does it not often snow all night, without any one
finding it out?</p>
            <p>8. Is it not a great surprise in the morning, to see every
thing white with snow?</p>
            <p>9. How do the trees and roofs look?</p>
            <p>10. Is it not pleasant to hear the sleigh-bells begin to
jingle?</p>
            <p>11. How do boys play with the snow?</p>
            <p>12. Do they not like it all the better, the deeper it is?</p>
            <p>13. Does it not seem strange, that such a cold thing as
snow can keep any thing warm?</p>
            <p>14. Does it not keep the earth warmer than it would be
without it?</p>
            <p>15. Would not a great many plants die in winter, if it
were not for the snow?</p>
          </div3>
          <div3 type="chapter">
            <pb id="branson67" n="67"/>
            <head>
              <hi rend="italics">TO THE PUPIL.</hi>
            </head>
            <head>SUBJECT NO. 11.</head>
            <p>You can speak of the pleasant change from the dreary,
frozen earth, to the clear, white snow; the delight of
children, when they see the first white flakes floating in
the air; how they like to catch these as they fall, and see
them melt in their hands; and the various beautiful forms
of these snow-flakes. You can speak of the<hi rend="italics"> stillness</hi> of a
snow-storm, and describe the changed appearance of
every thing after one has taken place in the night; the
beautiful effect of the morning sun upon the pure white
landscape; then the jingling of sleigh-bells, the shoveling
of paths, and all the sports which snow brings with
it for children; snow-balling, forts, coasting, &amp; c.: all
these you will find no difficulty in describing.</p>
            <p>You can mention, also, the reasons why the earth is
warmer with its snow covering than it would be without it.</p>
          </div3>
          <div3 type="chapter">
            <head>SUBJECT NO. 12.</head>
            <head>
              <hi rend="italics">ICE.</hi>
            </head>
            <p>1. How is ice formed?</p>
            <p>2. Does not water sometimes freeze in falling from the
roof of a house?</p>
            <p>3. What does it form then?</p>
            <p>4. What shape are these icicles?</p>
            <p>5. Do we not often see great numbers of them hanging
from houses and trees?</p>
            <pb id="branson68" n="68"/>
            <p>6. How do they look when the sun shines upon them?</p>
            <p>7. When the weather is very cold, what happens to the
ponds and rivers?</p>
            <p>8. Do not the boys have merry times then, sledding
and skating?</p>
            <p>9. Is not ice very slippery?</p>
            <p>10. If you do not step carefully, will you not certainly
fall?</p>
            <p>11. Even then, will you not sometimes be over before
you know it?</p>
            <p>12. Do not children like to find a smooth strip by the 
roadside?</p>
            <p>13. Do they not always stop to try it?</p>
            <p>14. And sometimes, by doing so, do they not get late to
school?</p>
          </div3>
          <div3 type="chapter">
            <head>
              <hi rend="italics">TO THE PUPIL.</hi>
            </head>
            <head>SUBJECT NO. 11.</head>
            <p>You can describe the various forms which ice takes in
freezing; the beautiful, delicate crystals which are sometimes
found on the top of water; the long, sharp-pointed
icicles hanging in stiff fringes from the roofs of houses
and branches of trees; the silver coating of boughs and
twigs; and the beauty of all this, when the sun shines
upon it.</p>
            <p>You can describe, too, the freezing of the ponds and
rivers; then the skating parties which cover them; the
<pb id="branson69" n="69"/>
coasting down steep hill-sides; the caution one is obliged
to observe in walking upon ice, and various tumbles one
gets in spite of it.</p>
            <p>You can speak of the pleasure it gives children to find
a long, smooth strip of ice by the roadside; the manner
of sliding upon it; and also of getting late to school, and
its consequences.</p>
          </div3>
          <div3 type="chapter">
            <head>SUBJECT NO. 13.</head>
            <head>
              <hi rend="italics">NIGHT.</hi>
            </head>
            <p>1. Do not all things go to sleep at night?</p>
            <p>2. How do flowers go to sleep?</p>
            <p>3. What do chickens do at night?</p>
            <p>4. What do children do?</p>
            <p>5. Could any one live without sleep?</p>
            <p>6. Does it not sometimes seem a pity to lose the beauty
of the night?</p>
            <p>7. Are not the moon and the troops of bright stars
beautiful?</p>
            <p>8. Is not their light pleasanter in summer than the glaring
sun at noon?</p>
            <p>9. Is it not pleasant to listen to the crickets and the
katy-dids?</p>
            <p>10. Do they not seem as glad as people are to have the
sun go down?</p>
            <pb id="branson70" n="70"/>
            <p>11. Are not winter nights beautiful, too?</p>
            <p>12. Are not the stars brighter then than in summer?</p>
            <p>13. What bright light do we often see then, in the
north?</p>
            <p>14. Does not the snow upon the ground help make it
very light?</p>
            <p>15. At night, does it not almost seem as if we could see
heaven between the stars?</p>
            <p>16. Does not God seem nearer to us at night than by day?</p>
          </div3>
          <div3 type="chapter">
            <head>
              <hi rend="italics">TO THE PUPIL.</hi>
            </head>
            <head>SUBJECT NO. 13.</head>
            <p>There are many thoughts suggested by these questions,
upon which you can dwell at almost any length.  Among
these are,—the uses of the night to plants, to animals,
and to human beings; the thought, also, of what would
become of them without this period of repose. Then there
are descriptions of the beauty of night; the glory of the
moon and stars, and all the host of heaven; the quiet of
summer evenings; and the song of the katy-did and
cricket, rejoicing at the going down of the sun; then the
winter night; the clear, frosty air; the brilliant aurora
borealis; the brightness of the stars; the light of the 
snow: all these you may describe as vividly as possible,—
then how, at night, we can look up into the sky, without
being blinded by the light; and the longer we look, the
<pb id="branson71" n="71"/>
farther we seem to see into the deep blue heaven. You
can speak of the glory of God, as written upon the
heavens, and of his nearness to us in the still hours of
the night.</p>
          </div3>
          <div3 type="chapter">
            <head>SUBJECT NO. 14.</head>
            <head>
              <hi rend="italics">MORNING.</hi>
            </head>
            <p>1. Is not early morning the most delightful part of the
day?</p>
            <p>2. Is it not a pity to waste it in sleeping?</p>
            <p>3. What do the birds begin to do before daylight in
summer?</p>
            <p>4. How do the roosters try to wake up lazy people?</p>
            <p>5. Is not the air pure and cool in the morning?</p>
            <p>6. Do not the flowers look fresh, with the dew upon them?</p>
            <p>7. Is it not pleasant to take walks before breakfast and
gather flowers?</p>
            <p>8. Is it not best to wear things which will not be spoiled
by the dew?</p>
            <p>9. Cannot a great deal of time be saved by early rising?</p>
            <p>10. Ought not every one to form the habit of it?</p>
            <p>11. Have not almost all great men been early risers?</p>
            <p>12. Have they not been able to study more than other people?</p>
            <pb id="branson72" n="72"/>
            <p>13. By this means have they not become distinguished
for their learning, or in some other way?</p>
            <p>14. Can you mention any of these by name?</p>
            <p>15. For what were they distinguished?</p>
          </div3>
          <div3 type="chapter">
            <head>
              <hi rend="italics">TO THE PUPIL.</hi>
            </head>
            <head>SUBJECT NO. 14.</head>
            <p>Every one knows, or ought to know, that the early
morning is the most beautiful part of the day. You can
mention the various reasons why it is so; the fresh appearance
of every thing; the coolness of the air; the beauty
of the sunrise: and you can speak of the foolishness of
losing all this beauty by sleeping late; and of the wisdom
of the little birds, and of Roosters, in comparison with
lazy children; how the Roosters begin long before sunrise
to crow, and the birds to chirp and, twitter, as if trying
to make sleepy people wake up and enjoy the beauty
of the sense.</p>
            <p>You can speak, also, of the time that is saved by early
rising, and estimate how much half an hour saved would
be at the end of a year; and you can mention, also, any
great men who have been early risers, and for what they
became distinguished.</p>
          </div3>
          <div3 type="chapter">
            <pb id="branson73" n="73"/>
            <head>SUBJECT NO. 15.</head>
            <head>
              <hi>TREES.</hi>
            </head>
            <p>1. Would there be any beauty in the earth, if it were
not for trees?</p>
            <p>2. Do they not cover the mountains and fill the valleys?</p>
            <p>3. In spring, what is the appearance of their foliage?</p>
            <p>4. How does it look in summer?</p>
            <p>5. How does it change in autumn?</p>
            <p>6. In winter, is it not pleasant to look through the leafless
twigs into the deep blue sky?</p>
            <p>7. When the trees are covered with ice, how do they look
in the sunlight?</p>
            <p>8. Do we not love trees best in summer?</p>
            <p>9. Are they not of more use to us then?</p>
            <p>10. Could we endure the heat of summer without their
cool shade?</p>
            <p>11. After a hot walk in the sun, is it not delightful to
come to a shady grove?</p>
            <p>12. Do not people sometimes get up pic-nics, and take
dinner under the trees?</p>
            <p>13. Is not a grove of trees the most pleasant dining-room
in the world?</p>
            <p>14. What is its furniture?</p>
          </div3>
          <div3 type="chapter">
            <pb id="branson74" n="74"/>
            <head>
              <hi rend="italics">TO THE PUPIL.</hi>
            </head>
            <head>SUBJECT NO. 15.</head>
            <p>Trees clothe the whole earth with beauty, and without
them it would be barren and desolate enough. You can
dwell upon this latter idea, and write, if you chose, an
imaginary description of the earth without trees, in contrast
to the earth as it now is, adorned with its beautiful
plumage of green.</p>
            <p>You can describe the varied appearance of trees, in
spring, in summer, in autumn, and in winter.</p>
            <p>You can speak of the scorching heat of the summer
sun; how impossible it would be to endure this without
the shade of trees to relieve it; and the pleasure, in a summer
walk, of taking refuge in a shady grove.</p>
            <p>You can describe a pic-nic dinner under the trees; the 
kind of dining-room which these form; with what it is carpeted, 
and how it is furnished in other respects.</p>
          </div3>
          <div3 type="chapter">
            <head>SUBJECT NO. 16.</head>
            <head>
              <hi rend="italics">FLOWERS.</hi>
            </head>
            <p>1. Could not God have made the world without flowers?</p>
            <p>2. Could we not have houses to live in, and enough to
eat, if there were no flowers?</p>
            <p>3. Might not God have made flowers all of one kind
and one color?</p>
            <p>4. Has he not given us a wonderful and beautiful variety?</p>
            <pb id="branson75" n="75"/>
            <p>5. Has he not scattered them in profusion everywhere?</p>
            <p>6. Do flowers seem to have been made for any thing
except to give us pleasure?</p>
            <p>7. Is not the grass by the roadside often sprinkled with
little flowers?</p>
            <p>8. When we see them, ought we not to be thankful to
God?</p>
            <p>9. Should it not teach us to try to make others happy?</p>
            <p>10. Cannot we make others happy by kind words and
acts, as God makes us happy with flowers?</p>
            <p>11. Ought we not to give these as freely as he gives us
flowers?</p>
            <p>12. Do we not often trample upon flowers and throw
them away?</p>
            <p>13. When we do so, does God stop giving us flowers?</p>
            <p>14. When people are unkind to us, then, should we stop
being kind to them?</p>
            <p>15. If we do, is that being like God?</p>
          </div3>
          <div3 type="chapter">
            <head>
              <hi rend="italics">TO THE PUPIL.</hi>
            </head>
            <head>SUBJECT NO. 16.</head>
            <p>Answer these questions in the order in which they stand;
and try to make a composition out of the thoughts suggested,
which shall show the love of God in giving us flowers.</p>
            <p>You must remember then, that it is the question, <hi rend="italics">“Why does
God give us flowers?”</hi>—that you are to answer, in
<pb id="branson76" n="76"/>
your composition; and you are to show that it is because
he loves us, and wishes us to be happy, that he scatters
these beautiful things along the wayside and in the woods;
and that we ought to try to scatter kind words and acts
along the pathway of others, in order to make them happy,
so that we may be like God; and also that, as he never
stops giving us good things on account of our ingratitude,
so we ought never to become discouraged or weary in
well-doing by the unkindness of others.</p>
          </div3>
        </div2>
        <div2 type="section">
          <pb id="branson77" n="77"/>
          <head>PUNCTUATION.</head>
          <div3 type="chapter">
            <head>LESSON XXII.</head>
            <div4 type="lesson">
              <head>PERIOD, INTERROGATION POINT, EXCLAMATION POINT.</head>
              <p>WHAT is Punctuation?</p>
              <p>Punctuation is the art of dividing written language by
points, in order that the meaning may be readily understood.</p>
              <p>What are the characters used in Punctuation?</p>
              <list type="simple">
                <item>Period,     .</item>
                <item>Interrogation,     ?</item>
                <item>Exclamation,     !</item>
                <item>Colon,     :</item>
                <item>Semicolon     ;</item>
                <item>Comma     ,</item>
                <item>Dash     —</item>
                <item>Parenthesis     ()</item>
                <item>Brackets,   [ ]</item>
              </list>
              <p>Learn these characters perfectly, so that you can make them on
the black-board.  Turn to the oral exercise at the end of the last
lesson, and mention the names of the points as they occur.</p>
              <p>Where should the period be used?</p>
              <p>A period should be placed after every declaration and
imperative sentence; as, <hi rend="italics">“The child is asleep.”</hi> The
period is also used to denote an abbreviation; thus, when
we write <hi rend="italics">Dr</hi> for <hi rend="italics">Doctor</hi>, or <hi rend="italics">Geo</hi> for <hi rend="italics">George</hi>, we must use
a period—<hi rend="italics">Dr., Geo.</hi></p>
              <p>Where should the interrogation point be used?</p>
              <p>An interrogation point should be placed after every interrogative
sentence; as, <hi rend="italics">“Have you been to Ohio?”</hi></p>
              <pb id="branson78" n="78"/>
              <p>Where should the exclamation point be used?</p>
              <p>An exclamation point should be placed after ever exclamatory
sentence, and every interjection except <hi rend="italics">O</hi>; as, <hi rend="italics">“Alas! woe is me!”</hi></p>
            </div4>
            <div4 type="subchapter">
              <head>EXERCISE.</head>
              <argument>
                <p>Write the following sentences, and insert periods, interrogation
points, and exclamation points, in their proper places.</p>
              </argument>
              <p>EXAMPLE. Alas true friendship has departed from earth
<hi rend="italics">Punctuated.</hi> Alas! true friendship has departed from earth.</p>
              <p>1. Hark the bee winds her small but mellow horn</p>
              <p>2. What art thou doing Is revenge so sweet</p>
              <p>3. Ha at the gates what grisly forms appear</p>
              <p>4. Farewell ye gilded follies welcome ye silent groves</p>
              <p>5. What would I have you do I'll tell you kinsman learn to be 
wise.</p>
              <p>6. Canst thou not sing Send forth a hymn of praise</p>
              <p>7. No more I'll hear no more Begone</p>
              <p>8. How dead the vegetable kingdom lies</p>
              <p>9. The village dogs bark at the early pilgrim</p>
              <p>10. Can you recall time that is gone Why then do you not improve
the passing moments</p>
              <p>11. A brave man knows no fear</p>
              <p>12. Both stars and sun will fade away but can the soul of man die</p>
              <p>13. Oh horrible thought Ah woe is me</p>
              <p>14. Dr Johnson was a learned man</p>
              <p>15. New Holland contains many singular species of birds</p>
            </div4>
          </div3>
          <div3 type="chapter">
            <pb id="branson79" n="79"/>
            <head>LESSON XXIV.</head>
            <div4 type="subchapter">
              <head>COLON AND SEMICOLON.</head>
              <p>Make a colon on the black-board.</p>
              <p>Where should the colon be placed?</p>
              <p>The colon should be placed between clauses that have
very little connection; and after the words, <hi rend="italics">thus, following,</hi>
or <hi rend="italics">as follows</hi>, when reference is made by them to something
coming after; as, “The Squire next ascended the platform, 
and spoke as follows:‘Gentlemen and ladies,’” &amp; c.</p>
              <p>Make a semicolon on the black-board.</p>
              <p>For what is the semicolon used?</p>
              <p>The semicolon is used to separate long clauses, such
as are not very closely connected; as, “I perceive the
difference; it is very obvious.”</p>
            </div4>
            <div4 type="subchapter">
              <head>SPECIAL RULES.</head>
              <p><hi rend="italics">Rule I. </hi>When several long clauses follow each other
all having common dependence on some other clause, they
are separated by semicolons; as, “I love to wander
through the fields; to see the vegetable world spring into
life; to gaze upon the beauties which God has so lavishly
diffused; and through the creature to commune with the
Creator.</p>
              <p><hi rend="italics">Rule II. </hi>When examples are introduced by the word
<hi rend="italics">as</hi>, a semicolon is placed before<hi rend="italics"> as</hi>; for an example, see
the preceding rule.</p>
            </div4>
            <div4 type="subchapter">
              <head>EXERCISE.</head>
              <argument>
                <p>Write the following sentences, and insert periods, interrogation
points, exclamation points, colons, and semicolons,
where they are required.</p>
              </argument>
              <pb id="branson80" n="80"/>
              <p>EXAMPLE. He has arrived he sounds his bugle at the gates Shall
we admit him</p>
              <p><hi rend="italics">Punctuated.</hi> He has arrived; he sounds his bugle at the gates.
Shall we admit him?</p>
              <p>1. The warrior spoke as follows ”O man heavy with wine why
dost thou keep prattling”</p>
              <p>2. Do not insult a poor man his misery entitles him to pity.</p>
              <p>3. Some books are to be read others are to be studied while many
may be entirely neglected with positive advantage</p>
              <p>4. His last words were as follows “Farewell may Heaven prosper
thee in thy perilous enterprise”</p>
              <p>5. If the sacred writers will take up their abode under my roof
if Milton will cross my threshold, to sing to me of Paradise if
Shakespeare will open to me the fields of imagination I shall not pine
for want of company</p>
              <p>6. Beauty is an all-pervading presence It unfolds in the flowers
of spring it waves to the branches of the trees it haunts the depths
of the earth and sea.</p>
              <p>7. Gentle reader, have you ever sailed on the sparkling waters of
the Mississippi</p>
            </div4>
          </div3>
          <div3 type="chapter">
            <head>LESSON XXV.</head>
            <div4 type="subchapter">
              <head>COMMA.</head>
              <p>MAKE a comma on the black-board.</p>
              <p>For what is the comma used?</p>
              <p>The comma is used to separate short clauses, or such
as are closely connected, but, in consequence of the
construction or arrangement, must be separated by some point.</p>
              <p>SPECIAL RULES. What is the rule for placing the comma before
and after clauses and phrases?</p>
              <p><hi rend="italics">Rule I. </hi>When a clause or phrase is introduced into a
<pb id="branson81" n="81"/>
sentence without a conjunction, particularly if an inversion
occurs, so that it does not occupy its natural position,
a comma should be placed before and after it; or, if such
clause stands at the commencement of a sentence, a comma
should be placed after it.</p>
              <p>The principal clauses and phrases that fall under this rule are
as follows:</p>
              <p>I. A relative clause; as, “Ellen, who was up early, finished her
lesson.” But if the relative clause restricts the antecedent, or the
connection between the two is very close, there is no comma before
the relative; “Those who are good, are happy.”</p>
              <p>II. A participial clause when it does not qualify the object of a 
verb; as, “The Captain, seeing his danger, avoided it.” </p>
              <p>III. An adverbial clause; as, “By the time we reached shelter,
we were completely wet.” </p>
              <p>IV. A vocative clause; as, “Here I am, my beloved son.” </p>
              <p>V. The phrase, <hi rend="italics">in short, in truth, on the contrary,</hi> &amp; c. also, the
words, <hi rend="italics">besides, moreover, namely, nay, firstly, secondly, </hi> &amp; c. The
conjunctions, <hi rend="italics">also</hi> and <hi rend="italics">however</hi>, which should not commence a sentence, have a comma before and after them; as, “Your cousin, in short, has become a lovely woman.” “James, however, is here.”</p>
              <p>What is the rule that relates to the subject of a verb?</p>
              <p><hi rend="italics">Rule II.</hi> When the subject of a verb, consists of a
number of words, a comma should be placed after it; as
“Close and undivided attention to any object, insures
success.”</p>
              <p>What is the rule that relates to certain conjunctions?</p>
              <p><hi rend="italics">Rule III.</hi> When, to avoid repetition, a verb, or a 
conjunction that connects words of the same part of speech,
is omitted, a comma should be put in its place to denote
the omission; as, “Conversation makes a ready man;
writing, an exact man.” In the last clause the verb,
<hi rend="italics">makes</hi> is omitted, and the comma is put in its place.
“Solomon was a wise, prudent, and powerful monarch.”
The conjunction<hi rend="italics"> and </hi>is omitted between <hi rend="italics">wise </hi>and <hi rend="italics">prudent</hi>,
and a comma is put in its place.</p>
              <pb id="branson82" n="82"/>
              <p>What is the rule that relates to certain conjunctions?</p>
              <p><hi rend="italics">Rule IV.</hi> A comma should be placed before <hi rend="italics">and, or,
if, but, </hi>and<hi rend="italics"> that</hi>, when they connect short clauses; and
before<hi rend="italics"> and, or,</hi> and <hi rend="italics">nor</hi>, when they connect the last two
of a series of words that are of the same part of speech;
as, “You must come with me, or I will go with you.”
“Neither Ellen, Sarah, nor Jane was there.”</p>
              <p>What is the rule that relates to nouns in apposition?</p>
              <p><hi rend="italics">Rule V.</hi> When a clause of more than two words occurs,
containing a noun in apposition with some preceding
noun, a comma should be placed before and after the
clause; as “Columbus, the discoverer of America, was
born in Genoa.”</p>
              <p><hi rend="italics">Rule VI.</hi> Words used in pairs take a comma after each
pair; as, “Poverty and distress, desolation and ruin, are
the consequences of civil war.”</p>
            </div4>
            <div4 type="subchapter">
              <head>EXERCISE.</head>
              <argument>
                <p>Copy the following sentences, and insert commas in
the proper places. The rule under which the examples
are given, will direct you; refer to it, if you do not
remember it.</p>
              </argument>
              <p><hi rend="italics">Examples under Rule I.</hi> The Romans who conquered the world
could not conquer themselves. Those who fled were killed. Philip
whose wife you have seen has gone to Albany. We saw a man
walking on the rails. A man while imprudently walking on the
rails was run over by the cars. Where we stood we could not hear
a word. Wait a moment my friend. Vice is alluring, and has many
votaries; virtue on the contrary has but few.</p>
              <p><hi rend="italics">Under Rule II.</hi> That this man has basely deceived those who
have trusted him cannot be doubted. A long life of good works and
sincere repentance can hardly atone for such misdeeds. The author
of these profound and learned philosophical essays was a poor
blacksmith.</p>
              <p><hi rend="italics">Under Rule III.</hi> Diligence is the mother of success; laziness of
<pb id="branson83" n="83"/>
failure. The wife was a tall lean cadaverous personage; the husband
was a fine good looking sturdy fellow. Men women and children
cry out and run.</p>
              <p><hi rend="italics">Under Rule IV.</hi> No one will respect you if you are dishonest.
Stephen saw his cousin coming and ran to meet her. My horse is
not handsome but he trots well. He will be here on Wednesday
Thursday or Friday. Be virtuous that you may be esteemed by
your companions.</p>
              <p><hi rend="italics">Under Rule V.</hi> Bunyan the author of “The Pilgrim's Progress”
was a tinker. Paul the Apostle of the Gentiles wrote many epistles.
I have been in Ireland ill-fated country. Cicero the orator, is one
of the most distinguished of the ancient Romans.</p>
              <p>Under Rule VI. Industry and virtue idleness and vice go hand
in hand. Summer and winter seed time and harvest are the gifts of
an all-wise Providence. Painting and sculpture poetry and music
will always have enthusiastic admirers.</p>
            </div4>
          </div3>
          <div3 type="chapter">
            <head>LESSON XXVI.</head>
            <argument>
              <p>Copy the following extract, inserting the punctuation
points that have been described.</p>
            </argument>
            <head>THE SWAN.</head>
            <p>Swans in a wild state are found in the eastern part of Europe but
they are most abundant in Siberia and the countries that surround
the Caspian Sea Under ordinary circumstances they are perfectly
harmless but when driven to act on the defensive have proved themselves
formidable enemies They have great strength in their wings
an old swan using these as his weapons has been known to break a
man's leg with a single stroke When their young are in danger
they do not hesitate to engage with large animals and not unfrequently
come off victorious from the struggle A female swan was
<pb id="branson84" n="84"/>
once seen to attack and drown a fox which was swimming towards her
nest for the purpose of feeding upon her young</p>
            <p>When sailing upon the water which is its favorite element the
swan is a beautiful bird and its motions are graceful when on land
however it presents a very different appearance its gait being awkward
and all its movements exceedingly clumsy</p>
            <p>It has been said by some authors that the swan which during its
life never sings a note sends forth when it is dying a most
beautiful strain This is no doubt a mere fable at all events we have
not sufficient evidence to establish it as a fact</p>
            <p>Swans were formerly held in such esteem in England that by an
act of Edward IV no one but the king's son was permitted to keep
a swan unless he had an income of five marks a year. By a subsequent
act those who took their eggs were punished by imprisonment
for a year and a day and fined according to the king's pleasure At
the present day swans are little valued for the delicacy of their flesh
though many are still preserved for their beauty.</p>
          </div3>
          <div3 type="chapter">
            <head>LESSON XXVII.</head>
            <div4 type="subchapter">
              <head>DASH, PARENTHESIS, BRACKETS.</head>
              <p>MAKE a dash.</p>
              <p>For what is the dash used?</p>
              <p>The dash is used,</p>
              <p>I. To denote that a sentence is unfinished; as, “I cannot
believe that he—.”</p>
              <p>II. To denote a sudden transition either in the form of
a sentence, or in the sentiment expressed, as, “It was a
sight—that child in the agony of death—that would have
moved a heart of stone.”</p>
              <q type="quote" direct="unspecified">He had no malice in his mind—
No ruffles on his shirt.</q>
              <pb id="branson85" n="85"/>
              <p>Make a parenthesis. Make a bracket.</p>
              <p>For what are parenthesis and brackets used?</p>
              <p>Parentheses and brackets are used to<sic corr="enclose"> inclose</sic> words and
clauses, that are not connected in construction with other
words in the sentence, but are suggested by them, or explanatory
of their meaning; as,</p>
              <q type="quote" direct="unspecified">Know, then, this truth, (enough for man to know,)
Virtue alone is happiness below.</q>
              <q type="quote" direct="unspecified">The wisest men, (and it may be said the best too,) are
not exempt from sin.</q>
              <p>Are parentheses and brackets much used by authors of the present
day?</p>
              <p>No; commas are generally used, instead of them.</p>
            </div4>
            <div4 type="subchapter">
              <head>EXERCISE.</head>
              <argument>
                <p>Copy and punctuate the following sentences.</p>
              </argument>
              <p>
                <hi rend="italics">Dash.</hi>
              </p>
              <p>1. A crimson handkerchief adorned his head<lb/>
   His face was cheerful and his nose was red</p>
              <p>2. Some and they were not a few knelt down</p>
              <p>3. His eyes how they twinkled his dimples how merry</p>
              <p>4. They poisoned my very soul hot burning poisons</p>
              <p>5. Away ungrateful wretch. A father's curse rest Alas what am
I doing I cannot curse my son</p>
              <p>6. The friend of our infancy has she gone forever</p>
              <p>7. Thou merry laughing sprite<lb/>
  With spirits feather light<lb/>
Untouched by sorrow and unsoiled by sin<lb/>
Good Heavens the child is swallowing a pin<lb/>
Thou imp of mirth and joy<lb/>
In love's dear chain so strong and bright a link<lb/>
Thou idol of thy parents drat the boy<lb/>
There goes my ink</p>
              <pb id="branson86" n="86"/>
              <p>
                <hi rend="italics">Parentheses.</hi>
              </p>
              <p>8. Let us then for we cannot flee without disgrace boldly meet the
foe.</p>
              <p>9. Mr. Morton every old citizen knows him well died last week of
apoplexy.</p>
            </div4>
          </div3>
          <div3 type="chapter">
            <head>LESSON XXVIII.</head>
            <div4 type="subchapter">
              <head>OTHER MARKS USED IN WRITING.</head>
              <p>Are any other marks used in writing besides those which have
been described?</p>
              <p>Yes;</p>
              <list type="simple">
                <item>Apostrophe,     '</item>
                <item>Quotation Marks,     “”</item>
              </list>
              <list type="simple">
                <item>Hyphen,     - </item>
                <item>Caret,     ⁁</item>
              </list>
              <p>Make an apostrophe. For what is the apostrophe used?</p>
              <p>The apostrophe is used,</p>
              <p>I. To denote the omission of one or more letters; as,
<hi rend="italics">tho'</hi> for <hi rend="italics">though</hi>; <hi rend="italics">'neath</hi> for<hi rend="italics"> beneath</hi>.</p>
              <p>II. When<hi rend="italics"> s</hi> is placed after a noun, making it denote
possession, an apostrophe is inserted before the <hi rend="italics">s</hi>; as,
<hi rend="italics">John's book</hi>. But when the noun ends in s, and signifies
more than one, an apostrophe alone placed after it, makes
it denote possession as, “The ladies' seats.”</p>
              <p>Make quotation Marks. For what are quotation marks used?</p>
              <p>Quotation marks are used to<sic corr="enclose"> inclose</sic> a passage quoted
from an author or speaker, in his words; as,</p>
              <q direct="unspecified">To err is human; to forgive, divine.</q>
              <p>Are single quotation marks (‘ ’ )ever used?</p>
              <p>Yes; single quotation marks are used to <sic corr="enclose">inclose</sic> quotations
that occur within quotations, or that are slightly altered
<pb id="branson87" n="87"/>
from the words of the author or speaker; as, “The
Scripture saith,‘Watch and pray.’ ”</p>
              <p>Make a hyphen. For what is the hyphen used?</p>
              <p>The hyphen is used,</p>
              <p>I. To connect two simple words that unite to form a
compound word; as, “A spirit-moving strain.”</p>
              <p>II. At the end of a line, where there is not room for
the whole of a word, the hyphen is placed after one of
its syllables, to show that the remainder may be found at
the beginning of the next line;
<ref targOrder="U" id="ref5" n="5" rend="sc" target="note5">*</ref> as, 
“He strove manfully.”</p>
              <note id="note5" n="5" rend="sc" place="foot" anchored="yes" target="ref5">* 
When the pupil, in writing, cannot get the whole of a word in 
the line, and has
to carry part of it to the next, he must be careful to divide 
it according to its syllables, and place the hyphen after 
a complete syllable.</note>
              <p>Make a caret. For what is the caret used?</p>
              <p>When some word that has been omitted is interlined,
the caret is used to show where it should be introduced;
           as, “Study this⁁ lesson
 carefully.”</p>
            </div4>
            <div4 type="subchapter">
              <head>EXERCISE.</head>
              <argument>
                <p>Copy and punctuate the following sentences: </p>
              </argument>
              <p><hi rend="italics">Apostrophe</hi>.  I ll neer forget your kindness. They sat neath a
spreading willow. Tho Milton was blind yet was his mind well
stored with knowledge. Hark tis the signal gun. Where is my
fathers hat? Zenos school was one of the most celebrated in Greece.
Romes greatness has passed away. I saw the citys gates. I saw
the cities gates. Where is Janes fan.</p>
              <p><hi rend="italics">Quotation marks.</hi> Pope says The proper study of mankind is
man. When Socrates was asked what man approached the nearest
to perfect happiness he answered, That man who has the fewest wants.
The philosopher hath truly said Anxiety is the poison of human life.
The quality of mercy says Shakespeare is not strained. How much
truth there is in Franklin's maxim. One to-day is worth two tomorrows.</p>
              <pb id="branson88" n="88"/>
              <p><hi rend="italics">Hyphen</hi>. Away thou earth polluting miscreant! He is a mischief
maker. The laborer enjoys his well earned feast. The air is
full of snow flakes. Where is your eye glass? Near the shore was
a grove of spice wood. The river glides on in its serpent like course.</p>
              <p><hi rend="italics">Caret. (In each of the following sentences, one or more words are
omitted. Introduce the omitted word or words by means of a caret;</hi>
       is
<hi rend="italics">as</hi>, Dark⁁the path.) </p>
              <p>Labor gives a relish pleasure. Hope, the balm life, soothes under
every misfortune. Charity is one of the virtues. Always show
to the aged. Honor your father mother. Do not your time.</p>
            </div4>
          </div3>
          <div3 type="chapter">
            <head>LESSON XXIX.</head>
            <head>EXERCISE.</head>
            <argument>
              <p>COPY and punctuate the following extracts:</p>
            </argument>
            <p>1. PHOCION. Phocion one of the most illustrious of the ancient
Greeks was condemned to death by his ungrateful countrymen
When about to drink the fatal hemlock he was asked if he had any
thing to say to his son Bring him before me cried he My dear son
said this magnanimous patriot I entreat you to serve your country
as faithfully as I have done and to forget that she rewarded my services
by an unjust death.</p>
            <p>2. THE SYBARITIES. We have heard many stories of lazy people
but what Athenæus tells us of the Sybarites a nation of antiquity
exceeds them all They would not allow any mechanical trade to be
carried on in their city because the noise was unpleasant and disturbed
their slumbers for the same reason to keep a rooster was a
grave offence punishable by law A Sybarite on one occasion it is
said wandering out into the country saw some men digging whereupon
the sight gave him a violent strain in the back while a friend
to whom he described what he had seen caught a severe pain in the
side One of them having visited Lacedæmon was introduced to the
<pb id="branson89" n="89"/>
public table where the principal dish was <hi rend="italics">black broth</hi>. Ah cried he
no longer do I wonder at the bravery of the Spartans for rather
would I die than to live on such wretched diet.</p>
            <p>3. THE FORM OF THE EARTH. Heraclitus supposed that the earth
had the form of a canoe. Aristotle that it was shaped like a timbrel
while Anaximander proved to his own satisfaction that it was a vast
cylinder It was reserved for a later age to discover its real shape</p>
          </div3>
          <div3 type="chapter">
            <head>LESSON XXX.</head>
            <head>EXERCISE.</head>
            <argument>
              <p>COPY and punctuate the following extract.</p>
            </argument>
            <p>THE LEPROSY IN AFRICA. Leprosy that awful disease which covers
the body with scales still exists in Africa Whether it is the same
leprosy as that mentioned in the Bible is not known but it is regarded
as perfectly incurable and so infectious that no one dares to come
near the leper. In the south of Africa there is a large lazar house
for the victims of this terrible malady It consists of an immense
space <sic corr="enclosed">inclosed </sic>by a very high wall and containing fields which the
lepers cultivate. There is only one entrance and it is strictly guarded
When any one is found with the marks of leprosy upon him
he is brought to this gate and enters never to return Within this
abode of misery there are multitudes of lepers in all stages of the
disease Dr Helbeck a missionary of the Church of England from
the top of a neighboring hill saw them at work He noticed two
particularly sowing peas in the field The one had no hands the
other no feet those members having been wasted away by the disease
The one who wanted the hands was carrying the other who
wanted the feet on his back and he again bore in his hands the bag
of seed and dropped a pea every now and then which the other
pressed into the ground with his foot and so they managed the work
of one man between the two</p>
            <p>Such is the prison house of disease. Ah how little do we realize
the misery that is in the world How unthankful are we for the
blessings which God bestows upon us while he denies them to others.</p>
          </div3>
          <div3 type="chapter">
            <pb id="branson90" n="90"/>
            <head>LESSON XXXI.</head>
            <div4 type="subchapter">
              <head>RULES FOR THE USE OF CAPITAL LETTERS.</head>
              <p>WHAT usage formerly prevailed with regard to capital letters?</p>
              <p>To begin every noun, both in writing and printing, with
a capital. This is still the practice in the German language.</p>
              <p>What are the rules that are to guide us at the present day?</p>
              <p>Begin with a capital letter:</p>
              <p>1. The first word of every sentence.</p>
              <p>2. All proper nouns, and titles of office or honor; as,
<hi rend="italics">Rome, Spain, President Davis, General Washington,
Henry Street</hi>.</p>
              <p>3. Adjectives formed from proper nouns; as, <hi rend="italics">Roman,
Spanish.</hi></p>
              <p>4. Common nouns when spoken to, or spoken of, as
persons; <hi rend="italics">“Come, gentle Spring.”</hi></p>
              <p>5. The first word of every line of poetry.</p>
              <p>6. The appellations of the Deity, and personal pronouns
standing for His name; as <hi rend="italics">“God is the Lord; He
ruleth in His might.”</hi></p>
              <p>7. The first word of a quotation that forms a complete
sentence by itself and is not introduced by <hi rend="italics">that</hi>, or other
words which would connect it in construction with what
precedes; as, <hi rend="italics">“Remember the old maxim:‘Honesty is
the best policy.’”</hi></p>
              <p>8. Every important word in the titles of books, or
headings of chapters; as<hi rend="italics"> “Locke's Essay on Human
Understanding.”</hi></p>
              <p>9. Words that are the leading subjects of discourse.</p>
              <pb id="branson91" n="91"/>
              <p>10. The pronoun<hi rend="italics"> I</hi>, and the interjection<hi rend="italics"> O</hi>, must be
written in capitals.</p>
            </div4>
            <div4 type="subchapter">
              <head>EXERCISE.</head>
              <argument>
                <p>Copy the following sentences, applying the rules given
above, and observing that where there is no rule for
using a capital you must substitute a small letter.</p>
              </argument>
              <p>1. <hi rend="italics">Under Rule I</hi>. Know Thyself. honesty is the best policy. Follow
virtue. It Rains. envy is a Dishonorable emotion. avoid the
appearance of evil. Improve every Moment.</p>
              <p>2. <hi rend="italics">Under Rules II. and III.</hi> Alexander the great overran syria,
persia, lydia, and hyrcania, pushing his Conquests as far as the river
indus. napoleon kept all europe at bay, until the Fatal Field of Waterloo consigned him to st. helena. President adams received the
congratulations of the french and spanish ministers.</p>
              <p>3. <hi rend="italics">Under Rule IV</hi>. Hail, winter, seated on thine icy Throne!
Fierce war has sounded his trumpet, And Called the peasant from
the field. bland Goddess peace now smiles upon the plain. here I
and sorrow sit. Grim darkness furls his leaden Shroud.</p>
              <p>4.<hi rend="italics"> Under Rules V. and VI</hi>.
<q type="verse" direct="unspecified"><lg type="verse"><l>in every leaf that trembles to the breeze,</l><l>i hear the Voice of god among the trees.</l><l>Trust in the lord; hath he Spoken, And shall he not do it?</l><l>these, as they change, almighty father, these</l><l>are but the varied god.</l></lg></q>
</p>
              <p>5.<hi rend="italics"> Under Rule VII</hi>. This was our saviour's command: “watch
and pray.” Virgil says, “labor conquers all things.” “merry
christmas,” cried the delighted villagers.</p>
              <p>6.<hi rend="italics"> Under Rule VIII</hi>. milton's “paradise lost” only brought him
five Pounds. Have you read dickens' Account of his visit to
america, which he entitles “american notes for general circulation?”
I have read with delight hervey's “meditations among the tombs.’</p>
              <p>7.<hi rend="italics"> Under Rule X</hi>. i love thee not as once i loved, o false friend,
o cruel traitor. O Heaven! i am undone! O wretched youth! i
thought i hated thee; but thy misfortune hath turned My Hate to
Pity.</p>
            </div4>
          </div3>
          <div3 type="chapter">
            <pb id="branson92" n="92"/>
            <head>LESSON XXXII.</head>
            <div4 type="subchapter">
              <head>A REVIEW.</head>
              <head>WHAT is a sentence? How many kinds of sentences are there?
What is a declarative sentence? an imperative sentence? an
interrogative sentence? an exclamatory sentence?</head>
              <p>What is a phrase? What is a clause? What is a relative clause?
a participial clause? an adverbial clause? a vocative clause?</p>
              <p>When is one noun said to be in apposition with another?</p>
              <p>What is punctuation? Name the characters used in punctuation.
Where is the period placed? What is the period also used to denote?
Where is the interrogation point used? the exclamation point?
Where should the colon be placed? What is the semicolon used to
separate? Repeat the rule for the use of the semicolon between
dependent clauses; the rule that relates to examples.</p>
              <p>For what is the comma used? What is the rule that relates to
the use of the comma in the case of clauses and phrases? What
are the four principal clauses that fall under this rule? Mention
some of the phrases that fall under it. What is the rule that
relates to the subject of a verb? to the omission of words? to
certain conjunctions? to nouns in apposition? to words used in pairs?</p>
            </div4>
            <div4 type="subchapter">
              <head>EXERCISE.</head>
              <argument>
                <p>Copy the following extracts, inserting as may be required,
capital letters, punctuation points, and the other
marks used in writing, described in Lesson XXVIII.</p>
              </argument>
              <p>1. The Bushman and the missionary. the bushmen are a very degraded
and ignorant race who live in southern africa not far from the
cape of good hope A missionary who for some time had been laboring
to introduce christianity among them took occasion one day
to speak of the great objects of creation and the duties of man  at
last he asked, what is the chief end of man The bushmen were silent
for several moments apparently reflecting what answer they
should give to this difficult question At length one of them who
seemed inspired by a sudden idea replied, to steal oxen.</p>
              <p>2. The bravery of Horatius cocles. when porsenna king of the
<pb id="branson93" n="93"/>
etrurians was endeavoring to re-establish <foreign lang="lat">tarquinius superbus </foreign>on the
throne he attacked rome and had the good fortune to take the <foreign lang="lat">janiculum</foreign>
at the first assault At this crisis, horatius cocles a common
sentinel but a man of the greatest courage posted himself at the
extremity of the Sublician bridge and alone withstood the whole force
of the enemy till the bridge was broken down behind him. he then
threw himself into the tiber and swam over to his friends unhurt
by either his fall or the darts the enemy</p>
              <p>3.<q type="verse" direct="unspecified"><lg type="verse"><l>by wisdom tutored poetry exalts</l><l>her voice to ages and informs the page</l><l>with music image sentiment and thought</l></lg></q></p>
            </div4>
          </div3>
          <div3 type="chapter">
            <head>LESSON XXXIII.</head>
            <div4 type="subchapter">
              <head>A REVIEW.</head>
              <p>FOR what is the dash used? For what are parentheses and brackets
used? For what is the apostrophe used? quotation marks? the
hyphen? the caret?</p>
              <p>Repeat the ten rules for the use of the capital letters.</p>
            </div4>
            <div4 type="subchapter">
              <head>EXERCISE.</head>
              <argument>
                <p>Copy the following extracts, inserting as may be required,
capital letters, punctuation points, and the other marks
used in writing.</p>
              </argument>
              <p>LIARS. aristides among athenians and epaminondas among
the thebans are said to have been such lovers of truth that they
never told a lie even in joke. atticus likewise with whom cicero
was very intimate neither told a lie himself nor could bear it in others
i hate that man achilles used to say as much as i do the gates of
pluto who says one thing and thinks another. Aristotle bears his
testimony as follows liars are not believed even when they speak
the truth. Sincerity is one of the most important virtues that man
can possess.</p>
              <p>2. THE AFFECTIONATE DOLPHIN. during the reign of
<gap reason="missing words"/>
<pb id="branson94" n="94"/>
augustus a dolphin formed an attachment to the son of a poor man
who used to feed him with bits of bread. every day the dolphin
when called by the boy swam to the surface of the water and after
having received his usual meal carried the boy on his back from
baiæ to a school in puteoli, and brought him back in the same manner
The boy after a time died and the dolphin coming to the usual
place and missing his kind master is said to have died of grief</p>
            </div4>
            <div4 type="subchapter">
              <head>TO THE TEACHER.</head>
              <p>The student now, having been carried through punctuation, should
be required to punctuate every sentence as it written: thus he will
readily learn to use all the points as he progresses with the art of
composition. By faithfully pointing out his mistakes, and referring
him to the rule violated, the pupil will soon become as familiar with
punctuation as with the alphabet.</p>
              <p>While the student is writing the following exercises, he would
do well to review the first twenty-four chapters; and also the eleven
chapters on Punctuation.</p>
            </div4>
          </div3>
        </div2>
        <div2 type="section">
          <pb id="branson95" n="95"/>
          <head>SUBJECTS.</head>
          <head>DIVISION II.</head>
          <div3 type="chapter">
            <head>SUBJECT NO. 1.</head>
            <head>
              <hi rend="italics">AUTUMN LEAVES.</hi>
            </head>
            <p>1. When do the trees begin to put on their bright, warm
colors?</p>
            <p>2. Does the first frost change them much?</p>
            <p>3. How do the woods appear after the first frost?</p>
            <p>4. How after the second or third?</p>
            <p>5. On the hills, and in the valleys, and by the roadside,
what is seen?</p>
            <p>6. What are the different colors, in this bright array?</p>
            <p>7. What tree, or shrub, or vine puts on the most brilliant
attire?</p>
            <p>8. What color does the maple choose?</p>
            <p>9. What, the oak?</p>
            <p>10. What, the chesnut?</p>
            <p>11. What trees retain their green dress?</p>
            <pb id="branson96" n="96"/>
            <p>12. Are not these brilliant colors often seen in beautiful
contrasts?</p>
            <p>13. How does a group of trees appear, in which all these
colors are mingled?</p>
            <p>14. What change passes over these bright leaves?</p>
            <p>15. What does the November wind do with them?</p>
            <p>16. Where do they all at last lie?</p>
            <p>17. What trees alone retain their foliage, to shield them
in winter?</p>
          </div3>
          <div3 type="chapter">
            <head>
              <hi rend="italics">TO THE PUPIL.</hi>
            </head>
            <head>SUBJECT NO. 1.</head>
            <p>You can describe how the first breath of frost is seen in
the changing colors of the leaves, and how these brilliant
hues gradually spread over the hill-sides and fill the valleys;
and also the different colors assumed by the different
trees. You will find, by observing them, that these are
not entirely accidental; but that each tree, from year to
year, wears nearly the same autumn dress. The maple
assumes the greatest variety of colors, while the oak and
chesnut are more uniform, and present only different hues
of the same color. You can describe the effect of these
colors contrasted with one another in a group of trees—
from the dark, unchanging evergreen, to the gayest maple—
and all the intervening shades of the other trees,
and the effect of sunlight upon these autumn colors.</p>
            <p>In studying the wondrous changes wrought by touches
of light upon this autumn scenery, a new world of pleasure
<pb id="branson97" n="97"/>
will be opened to you, and you will be furnished with
abundant material for description.</p>
            <p>You can mention the gradual fading of these bright
leaves, till they lie scattered by November winds upon
the ground; then the <sic corr="somber">sombre</sic>, desolate appearance of the
forests, as they stand waiting for the winter snow.</p>
          </div3>
          <div3 type="chapter">
            <head>SUBJECT NO. 2.</head>
            <head>
              <hi rend="italics">MOSS.</hi>
            </head>
            <p>1. Are there not many kinds of moss?</p>
            <p>2. What kinds are found upon fences, old trees, and
roofs of houses?</p>
            <p>3. Are not the most beautiful moss found in the woods?</p>
            <p>4. What kind do you like best?</p>
            <p>5. How does it grow?</p>
            <p>6. Do you not often find many kinds growing together?</p>
            <p>7. Do they not then make a beautiful carpet?</p>
            <p>8. What kind of berries creep over this carpet?</p>
            <p>9. What flowers blossom upon it?</p>
            <p>10. What trees wave over it?</p>
            <p>11. What lights and shadows dance upon it?</p>
            <p>12. What little birds hop over it?</p>
            <p>13. What little forest animals dine upon it?</p>
            <p>14. What nuts do they find hiding away in it?</p>
            <pb id="branson98" n="98"/>
            <p>15. Is it not often spread out by the side of a brook or
spring?</p>
            <p>16. Is it not then the most delightful retreat in a warm
summer day?</p>
          </div3>
          <div3 type="chapter">
            <head>
              <hi rend="italics">TO THE PUPIL.</hi>
            </head>
            <head>SUBJECT NO. 2.</head>
            <p>You have seen, probably, many kinds of moss, creeping
over rocks and stones, hanging from fences, and growing
upon the roofs of old houses, and upon old trees. You
can dwell upon this fondness of moss for <hi rend="italics">old </hi>things, and
speak of the beautiful effect it gives to every thing it
clings to. You can describe the various kinds you remember,
particularly those which grow in the woods, and
which form such a beautiful carpet by the side of a brook
or spring. Nothing can be more beautiful than this, when
it is fresh and green, interlaced with running vines, and
dotted with wild flowers and bright scarlet berries. No
wonder that the little birds like to hop round upon it, or
if the squirrel chooses it for a dining-room: all this you
describe in your own words, and make as pretty a picture
of it as you can.</p>
            <p>You should describe any given kind of moss, as you
would do if you wanted some for a particular purpose,
and were sending for it by a person who had never seen
any. In such a case you would endeavor to distinguish
it from all other kinds, in such a way that he would be
sure to bring you the right kind of moss. This would be
a very good test by which to try your descriptions. You
can speak, too, of the ornamental uses of moss, if you
know of any.</p>
          </div3>
          <div3 type="chapter">
            <pb id="branson99" n="99"/>
            <head>SUBJECT NO. 3.</head>
            <head>
              <hi rend="italics">WILD-FLOWERS.</hi>
            </head>
            <p>1. Are not these flowers to be found from early in the
spring till late in autumn?</p>
            <p>2. Are they not most beautiful in spring?</p>
            <p>3. Is it not delightful, after the tedious cold and snow,
to see the <hi rend="italics">liverworts</hi>, and the <hi rend="italics">anemones</hi>, the<hi rend="italics"> blue violets</hi>,
and <hi rend="italics">trailing arbutus</hi> and<hi rend="italics"> columbines </hi>blossom one by one?</p>
            <p>4. What kind of flower is the <hi rend="italics">liverwort</hi>, and where does it grow?</p>
            <p>5. The <hi rend="italics">anemone</hi>?</p>
            <p>6. The <hi rend="italics">columbine</hi>?</p>
            <p>7. The <hi rend="italics">trailing arbutus</hi> or <hi rend="italics">Mayflower</hi>?</p>
            <p>8. The <hi rend="italics">honeysuckle</hi>, too, what kind of a flower is it, and
where does it grow?</p>
            <p>9. Later in the summer, what comes?</p>
            <p>10. Are not the <hi rend="italics">laurel </hi>bushes covered with their magnificent
blossoms
?</p>
            <p>11. What color are they, and how do they grow?</p>
            <p>12. What kind of flower is the <hi rend="italics">wild geranium</hi>?</p>
            <p>13. The <hi rend="italics">cardinal </hi>flower?</p>
            <p>14. What about the<hi rend="italics"> golden-rod</hi>
?</p>
            <p>15. The<hi rend="italics"> fringed gentian</hi>, too, is it not one of the last
flowers before frost?</p>
            <p>16. When do these beautiful summer visitants finally disappear?</p>
          </div3>
          <div3 type="chapter">
            <pb id="branson100" n="100"/>
            <head>
              <hi rend="italics">TO THE PUPIL.</hi>
            </head>
            <head>SUBJECT NO. 3.</head>
            <p>You can mention by name the various flowers, as they
appear from early spring till late in the autumn, and the
reasons why spring flowers seem the sweetest. These you
may describe, one by one, as you remember them, mentioning
the time of their appearance, and the places where
they are found; then in the same way the flowers of summer
and of autumn, ending with those which disappear on
the arrival of frost.</p>
            <p>In speaking of these various flowers, you should endeavor
to use descriptive terms which express the most striking
quality of the flower; this may be <hi rend="italics">color</hi>, as in the cardinal
flower or golden-rod; or fragrance, as in the Mayflower;
or profusion of blossoms, as in the laurel; or it may be
the manner in which it grows—in clusters, or otherwise.
To seize upon this quality and express it, may often require
careful study; but in no other way can excellence in
description be attained.</p>
            <p>Very few of these beautiful wild-flowers have, as they
all <hi rend="italics">ought </hi>to have, <hi rend="italics">beautiful names</hi>. If you please, you
can exercise your fancy in suggesting new names for the
flowers whose old ones you do not like. <hi rend="italics">Liverworts</hi>, for instance,
you might call “Spring's blue eyes,” or “May's
blue eyes,” or simply “blue eyes,” or you can suggest
any other name which may occur to you.</p>
          </div3>
          <div3 type="chapter">
            <pb id="branson101" n="101"/>
            <head>SUBJECT NO. 4.</head>
            <head>
              <hi rend="italics">ROSES.</hi>
            </head>
            <p>1. What is the rose sometimes called?</p>
            <p>2. Why is it called “Queen of Flowers?</p>
            <p>3. Does it not grow in greater profusion and variety
than any other flower?</p>
            <p>4. Is it not more fragrant than any other?</p>
            <p>5. Is it not found in every region where flowers grow?</p>
            <p>6. How many varieties have you ever seen?</p>
            <p>7. Which do you think most beautiful?</p>
            <p>8. How many kinds of white roses?</p>
            <p>9. How many of pink and red roses?</p>
            <p>10. Are there yellow roses?</p>
            <p>11. Are there not many kinds of climbing roses?</p>
            <p>12.  Which is the most beautiful of these?</p>
            <p>13. What kind of a flower is the wild rose?</p>
            <p>14. Is not the “sweet-brier” a species of rose?</p>
            <p>15. How does this grow?</p>
            <p>16. In what countries are roses most beautiful and abundant?</p>
            <p>17. Are they not more fragrant, also, in southern regions?</p>
            <p>18. What delicious perfume is obtained from them?</p>
            <p>19. Why is this very highly esteemed?</p>
          </div3>
          <div3 type="chapter">
            <pb id="branson102" n="102"/>
            <head>
              <hi rend="italics">TO THE PUPIL.</hi>
            </head>
            <head>SUBJECT NO. 4.</head>
            <p>Every one has seen more than one kind of rose; for
there is no flower of which there are so many varieties as
this. You may give the reasons why it is called “Queen
of Flowers,” and also name and describe the various kinds
you have seen, speaking particularly of the differences of
color and fragrance in these, and giving the reasons for
their names.</p>
            <p>You must not forget the moss-rose, and the beautiful
variety of climbing roses. You can speak of the luxuriant
growth of these latter, the profusion of their blossoms,
and the appearance of a house or porch covered by
one in full blossom. The “wild rose,” too, and especially
the “sweet-brier,” you may describe, and compare them
with the garden rose.</p>
            <p>In describing any given rose, you should endeavor to
apply the rule given in the preceding instructions, and
speak of those qualities in color, size, fragrance, or manner
of growth, or whatever it may be, by which it is distinguished
from other roses.</p>
            <p>You can mention, also, the superior size and fragrance
of the roses of southern regions, and the kind of perfume
obtained from them.</p>
          </div3>
          <div3 type="chapter">
            <head>SUBJECT NO. 5.</head>
            <head>
              <hi rend="italics">WATER-LILIES.</hi>
            </head>
            <p>1. Are not these blossoms among the loveliest objects in the
world?</p>
            <p>2. Do they not grow in beautiful places?</p>
            <pb id="branson103" n="103"/>
            <p>3. How does a lake or pond look when covered with
them?</p>
            <p>4. What color is the flower, and what kind of a <sic corr="center">centre</sic> has it?</p>
            <p>5. Do not these blossoms appear to float upon the water?</p>
            <p>6. What kind of leaves are they surrounded by?</p>
            <p>7. Where are the roots of the plant?</p>
            <p>8. How are the blossoms and leaves connected with the root?</p>
            <p>9. Is not this stem very long and flexible?</p>
            <p>10. At night, does this flower close up?</p>
            <p>11. How does it appear then?</p>
            <p>12. How are these flowers gathered?</p>
            <p>13. Is it not delightful to go in a boat to gather them?</p>
            <p>14. How can the long stems be secured?</p>
            <p>15. In reaching over for them, must one not be careful
about upsetting the boat?</p>
            <p>16. Is not a fresh bunch of these lilies a splendid bouquet?</p>
            <p>17. Have they not a fresh, delicious fragrance?</p>
          </div3>
          <div3 type="chapter">
            <head>
              <hi rend="italics">TO THE PUPIL.</hi>
            </head>
            <head>SUBJECT NO. 5.</head>
            <p>No one can see these beautiful flowers floating upon the
water, without a feeling of delight and admiration. You
can describe the appearance of a lake or pond covered 
<pb id="branson104" n="104"/>
with them; the freshness and purity of the white blossoms;
the manner in which they rest upon the water;
the color of the outside petals, and the appearance
of the flower when closed: the pointed green buds; the
shape and texture of the leaves, and the peculiarly flat
manner in which they lie upon the water: also, the kind
of stem which connects the flowers and leaves with the
roots of the plant.</p>
            <p>You can describe the life of these flowers in the lovely
places which are their favorite haunts; the banks of the
ponds and streams in which they grow; the shadows and
breezes which play over them; the little fishes which dart
about among them, under the shelter of their broad flat
leaves and the little bays or coves which they cover with
their blossoms.</p>
            <p>You can speak, too, of the way in which these flowers
are gathered; how they must be pulled in order to secure
long stems; the danger, in reaching too far, of upsetting
the boat; the pleasure of drawing in the lilies, one after
another; the beauty of a fresh <sic corr="bouquet">buoquet </sic>of them; and their
delicious fragrance.</p>
          </div3>
          <div3 type="chapter">
            <head>SUBJECT NO. 6.</head>
            <head>
              <hi rend="italics">RECESS.</hi>
            </head>
            <p>1. Is not this always the delight of all schools?</p>
            <p>2. At what hour does it generally come?</p>
            <p>3. Is not the last half hour before recess a time of
anxious watching?</p>
            <p>5. When the bell at last rings, what happens?</p>
            <pb id="branson105" n="105"/>
            <p>6. Is it not a scene of confusion?</p>
            <p>7. If it is summer, what does every one do?</p>
            <p>8. How is your school-room situated?</p>
            <p>9. What kind of a play-ground have you?</p>
            <p>10. What games do you play in it?</p>
            <p>11. In winter, how is the recess spent?</p>
            <p>12. What do older pupils do?</p>
            <p>13. What do the younger ones do?</p>
            <p>14. What games are then most popular?</p>
            <p>15. Does not recess appear to fly by very quickly?</p>
            <p>16. What happens when the bell ring for study-hours
again?</p>
            <p>17. In a few minutes, is not every thing changed?</p>
            <p>18. What is every one doing?</p>
          </div3>
          <div3 type="chapter">
            <head>
              <hi rend="italics">TO THE PUPIL.</hi>
            </head>
            <head>SUBJECT NO. 6.</head>
            <p>This is a subject upon which every one can write without
difficulty; for recess is the delight of every pupil.
You can describe the impatience with which it is looked
forward to by all; how slowly the minutes seem to go by,
before the welcome sound of the bell for recess; then the
scene which follows: if summer, the rush which is made
out of doors, and the various amusements entered into by
different groups, or by the whole together. You
can describe the situation of your school-room, and the
<pb id="branson106" n="106"/>
pleasant places around it, which are the resort of the
pupils at this time. If there are any trees near it, you
can give a description of these, and of the scenes which
take place under them. If there is a brook, describe
that and the sports connected with it; or, if you have only
a play-ground, the groups which cover it, and the games
which are played upon it: then, as the cold weather comes
on, the changes which take place in the sports entered into:
the various in-door games which are introduced. You
can mention the most popular ones, and describe the manner
in which they are played.  You can speak, too, of
the swiftness with which the moments of recess fly by;
the ringing of the bell for study-hours to recommence:
and the change which then takes place in the appearance
of the school.</p>
          </div3>
          <div3 type="chapter">
            <head>SUBJECT NO. 7.</head>
            <head>
              <hi rend="italics">BLIND MAN'S BUFF.</hi>
            </head>
            <p>1. Is not this one of the most exciting games that can
be played?</p>
            <p>2. Is any one too old, or too young to play it?</p>
            <p>3. What is the first step to be taken in playing?</p>
            <p>4. How is the person to be blindfolded selected?</p>
            <p>5. Must not the blindfolding be done fairly?</p>
            <p>6. How do the others satisfy themselves about this?</p>
            <p>7. What then takes place?</p>
            <p>8. What is the objection of the person blindfolded?</p>
            <pb id="branson107" n="107"/>
            <p>9. What is the object of the others?</p>
            <p>10. Is it not very difficult to catch any one who is
fairly blindfolded?</p>
            <p>11. Is it not necessary to move about cautiously?</p>
            <p>12. What is the danger?</p>
            <p>13. Does not the blindfolded person sometimes become
quite bewildered?</p>
            <p>14. If he succeeds in catching any one, what follows?</p>
            <p>15. If he does not succeed, and gives up, how does the
game proceed?</p>
            <p>16. Why is it almost impossible to play this game out of
doors?</p>
          </div3>
          <div3 type="chapter">
            <head>
              <hi rend="italics">TO THE PUPIL.</hi>
            </head>
            <head>SUBJECT NO. 7.</head>
            <p>This game is a great favorite with every one, especially
on Thanksgiving, or similar occasions.  You may describe
the zeal with which it is entered into at such times; the
curious string of words with which the one to be blindfolded
is chosen, and the meaning of these words, if you
can suggest any. You may describe, also, the various
ways which are tried to prove that the blindfolding has
been fairly done: then, when this point has been ascertained,
the general running and dodging, and shouting
and screaming which takes place: the cautious groping
of the blindfolded person, and the bewildered manner in
which he runs about; the devices of the others to confuse
<pb id="branson108" n="108"/>
him, and to get out of the way when he approaches them:
also what takes place when he succeeds in catching one;
the struggles of the person caught to get free; the endeavors
of the catcher to guess whom he has caught, and
if he is successful in this, the manner in which the game
proceeds.</p>
            <p>You can mention the antiquity of this game, and give
an account of its origin, if you can learn anything about
it. You can speak, also, of the reasons why it is an especial
favorite with children.</p>
          </div3>
          <div3 type="chapter">
            <head>SUBJECT NO. 8.</head>
            <head>
              <hi rend="italics">A PIC-NIC.</hi>
            </head>
            <p>1. Was the Pic-nic much talked of beforehand?</p>
            <p>2. What was the place fixed upon for it?</p>
            <p>3. What kind of a place was it said to be?</p>
            <p>4. What was the time fixed upon for going?</p>
            <p>5. What preparations were made?</p>
            <p>6. What were the baskets filled with?</p>
            <p>7. When the day came, was it clear or doubtful weather?</p>
            <p>8. Did you ride or walk?</p>
            <p>9. Was the road a pleasant one?</p>
            <p>10. At what time did you arrive at the Pic-nic ground?</p>
            <p>11. How was it situated?</p>
            <p>12. What took place upon arriving?</p>
            <p>13. What preparations were made for the dinner?</p>
            <pb id="branson109" n="109"/>
            <p>14. How was the table arranged?</p>
            <p>15. Was not the dinner scene a merry one?</p>
            <p>16. What followed after dinner? </p>
            <p>17. How late in the afternoon did you stay?</p>
            <p>18. Was the ride home a pleasant one?</p>
            <p>19. Was there a brilliant sunset to be seen?</p>
            <p>20. What changes did it pass through?</p>
          </div3>
          <div3 type="chapter">
            <head>
              <hi rend="italics">TO THE PUPIL.</hi>
            </head>
            <head>SUBJECT NO. 8.</head>
            <p>Very few Pic-nics are got up and carried through without
a great deal of talking and planning; sometimes the
plan is proposed several weeks before it is carried into
execution.</p>
            <p>You can mention how long beforehand the Pic-nic you
describe was talked about; the discussions with respect to
the preparations; the packing of the baskets; the doubts,
hopes, and fears with regard to the weather; the arrival
of the day; the assembling of the party; and the manner
in which you rode or walked. You can describe,
also, your adventures by the way, or any amusing circumstance
which may have happened; the dispersing of the
party in various groups on arrival at the Pic-nic ground;
the search for a pleasant dining-room; the different places
proposed; the one finally decided upon; its advantages
over the other places; the scene which ensued; the unpacking
of the baskets; the arrangement of the table;
<pb id="branson110" n="110"/>
and the various preparations for the dinner: then the assembling
of the party at dinner, and how the afternoon
was spent. You can give a description also, of the ride
home, and of a beautiful sunset seen upon the way.</p>
          </div3>
          <div3 type="chapter">
            <head>SUBJECT NO. 9.</head>
            <head>
              <hi rend="italics">A SLEIGH-RIDE.</hi>
            </head>
            <p>1. Under what circumstances was the ride taken?</p>
            <p>2. Who were your companions?</p>
            <p>3. Was the sleighing fine?</p>
            <p>4. What kind of a day was it?</p>
            <p>5. What precautions did you take against the cold?</p>
            <p>6. What kind of a sleigh was it?</p>
            <p>7. Did you fly along rapidly?</p>
            <p>8. What road did you take?</p>
            <p>9. Was there much snow to be seen?</p>
            <p>10. How did the mountains and hills appear?</p>
            <p>11. The trees and bushes?</p>
            <p>12. The ponds and streams?</p>
            <p>13. How would these have appeared if it had been summer?</p>
            <p>14. Was it not exciting to feel yourself going along so fast?</p>
            <p>15. Did you meet many sleighs?</p>
            <p>16. Did not fingers and toes begin to freeze at last?</p>
            <pb id="branson111" n="111"/>
            <p>17. In spite of the cold, however, did you not enjoy the ride?</p>
            <p>18. Was it not pleasant to get back again by the warm fire at
home?</p>
          </div3>
          <div3 type="chapter">
            <head>
              <hi rend="italics">TO THE PUPIL.</hi>
            </head>
            <head>SUBJECT NO. 9.</head>
            <p>In describing a sleigh-ride, you can speak of the exhilarating
effect of the bracing air; the clear blue sky; the
bright sun; the swiftness of the motion, and the sound of
the sleigh-bells. You can contrast, also, the scenery
which you saw, with the same in its summer dress; the
bleakness of the mountains and hills; the clear, distinct
outlines, so different from the soft warm haze of summer:
then the trees, with their thousand leafless twigs, with
their appearance in summer; the ponds and streams, stiff
in their icy covering, with their summer life and beauty.</p>
            <p>By calling up vividly before your mind the landscape
as it is in summer, you will be better able to describe the
changes wrought by Winter, with its frost and snow, in
every part of it, for you will feel more keenly what he
has taken from it,—from the fields, from the brooks, from
the trees, the hills, the skies, and the air.</p>
            <p>You can describe, also, the beauties of a winter landscape;
the pure white snow; the sparkling of ice in the
sunbeams; the evergreens loaded with snow, and the deep
blue sky above it all; also the gradual freezing up of all
ideas, and the pleasure of being again by the warm fireside.</p>
          </div3>
          <div3 type="chapter">
            <pb id="branson112" n="112"/>
            <head>SUBJECT NO. 10.</head>
            <head>
              <hi rend="italics">A MENAGERIE.</hi>
            </head>
            <p>1. What was the arrival of the Menagerie preceded by?</p>
            <p>2. What did the handbills announce?</p>
            <p>3. Did it not awaken a great deal of expectation and
curiosity?</p>
            <p>4. Was not the entrance of the Menagerie a time of
great excitement?</p>
            <p>5. Did not everybody turn out to witness it?</p>
            <p>6. What headed the procession?</p>
            <p>7. What were the musicians seated in?</p>
            <p>8. What followed?</p>
            <p>9. What did these cages contain?</p>
            <p>10. In what kind of a place was the Menagerie exhibited?</p>
            <p>11. How were the cages arranged in this tent?</p>
            <p>12. Was there not a great crowd in attendance?</p>
            <p>13. What animals interested you most?</p>
            <p>14. Did the keeper enter the lion's cage?</p>
            <p>15. How did he manage it?</p>
            <p>16. What performances took place with the monkeys?</p>
            <p>17. What with the elephants?</p>
            <p>18. Was not the exhibition fatiguing?</p>
            <p>19. Were you not glad when it was over?</p>
          </div3>
          <div3 type="chapter">
            <pb id="branson113" n="113"/>
            <head>
              <hi rend="italics">TO THE PUPIL.</hi>
            </head>
            <head>SUBJECT NO. 10.</head>
            <p>You can describe the handbills or advertisements which
generally precede the arrival of a menagerie in a place;
the wonderful attractions they always offer, and the excitement
which this creates among the children: then the
triumphal entry of the caravan on the day appointed;
the music; the magnificence of the musician's car; the
trappings of the horses and the elephants; the singular
effect produced by those of the elephants; the number of
wagons or cages which follow, and the crowd which this
sight attracts: then the opening of the exhibition; the various
animals and their performances, particularly the
elephant: the manner in which he eats an apple, or
anything else which is given him. You can describe the
character of the elephant, and relate any anecdotes you
may have read in illustration of any of his traits. You
can speak also, of the habits of this animal in his wild
state; of the countries in which he is found; what he
lives upon; the size to which he sometimes grows; and
the manner in which he is caught and tamed. You can
mention, also, the animals with which you were most
pleased, and describe them; also, the wonderful feats of
the monkeys, and the way the keeper managed the lion
when he entered the cage or any thing else which interested
you.</p>
          </div3>
          <div3 type="chapter">
            <pb id="branson114" n="114"/>
            <head>SUBJECT NO. 11.</head>
            <head>
              <hi rend="italics">A FAIR.</hi>
            </head>
            <p>1. Are there not many kinds of Fairs?</p>
            <p>2. For what different purposes are they held?</p>
            <p>3. What is the object of a Horticultural Fair?</p>
            <p>4. What does the display consist of then?</p>
            <p>5. What is the object of an Agricultural Fair?</p>
            <p>6. What takes place then?</p>
            <p>7. Are not Fairs often held for the purpose of raising
money?</p>
            <p>8. What does the exhibition generally consist of?</p>
            <p>9. How is it conducted?</p>
            <p>10. Did you ever attend such a Fair?</p>
            <p>11. Did you ever assist in getting up one?</p>
            <p>12. How was the room decorated?</p>
            <p>13. How were the tables arranged?</p>
            <p>14. What kind of articles were for sale upon them?</p>
            <p>15. By whom were these sold?</p>
            <p>16. Was there a post-office in the Fair?</p>
            <p>17. How was this conducted?</p>
            <p>18. Were there many visitors?</p>
            <p>19. Were most of the articles sold?</p>
            <p>20. How long did the Fair last?</p>
            <p>21. How did it end?</p>
          </div3>
          <div3 type="chapter">
            <pb id="branson115" n="115"/>
            <head>
              <hi rend="italics">TO THE PUPIL.</hi>
            </head>
            <head>SUBJECT NO. 11.</head>
            <p>You can speak of the different objects for which Fairs
are held, and mention those which are most common, and
what each of these is called. You can describe the display
of flowers, fruits, and vegetables, at a Horticultural
Fair, and the manner in which this is generally conducted;
also, an Agricultural Fair, in which a cattle show is the
most prominent feature: both these afford great <sic corr="scope">scop</sic> for
description, particularly the latter in the variety of animals
exhibited, and the various ways in which superiority
among them is tested. If you prefer to describe this kind
of fair, you can give an account of the preparations made
for it by the farmers for weeks beforehand. You can describe
also, the place where the exhibition was held, then
the morning of the fair; the trains of animals; bands of
music and crowds of wagons; the different kinds of noises;
then the various parts of the exhibition, and the distribution
of prizes.</p>
            <p>Fairs are also often held, in order to raise money for
benevolent purposes. You can speak of the manner in
which these are generally got up; how the various articles
to be sold are furnished; the decorations of the rooms;
the arrangement of the different tables; the company
present, &amp; c.: also, who presided at the tables; how long the
Fair continued; and the amount raised by the sale of the
articles.</p>
          </div3>
          <div3 type="chapter">
            <pb id="branson116" n="116"/>
            <head>SUBJECT NO. 12.</head>
            <head>
              <hi rend="italics">THANKSGIVING.</hi>
            </head>
            <p>1. What is Thanksgiving?</p>
            <p>2. By whom was this festival first celebrated?</p>
            <p>3. Under what circumstances?</p>
            <p>4. Was it not at first celebrated only in New England?</p>
            <p>5. Is it not now observed by many other States?</p>
            <p>6. How long beforehand do children begin to count the
days and weeks to Thanksgiving?</p>
            <p>7. What preparations<sic corr="are"> sre</sic> made for it in the kitchen?</p>
            <p>8. How many kinds of pies and puddings?</p>
            <p>9. What kind of pie figures most prominently?</p>
            <p>10. What does the farmer bring to market?</p>
            <p>11. What is the principal thing to be secured?</p>
            <p>12. Are the poor forgotten in these preparations?</p>
            <p>13. How is the morning of Thanksgiving day occupied?</p>
            <p>14. After church what takes place?</p>
            <p>15. How does the table look?</p>
            <p>16. How does the dinner go off?</p>
            <p>17. How are the afternoon and evening spent?</p>
            <p>18. Is not this a great day for family meetings?</p>
            <p>19. Does not every one try to be at home then?</p>
            <p>20. Ought not this festival always to be observed?</p>
          </div3>
          <div3 type="chapter">
            <pb id="branson117" n="117"/>
            <head>
              <hi rend="italics">TO THE PUPIL.</hi>
            </head>
            <head>SUBJECT NO. 12.</head>
            <p>Every one knows that Thanksgiving is a religious festival
of rejoicing and giving thanks. In writing upon this
subject, you may mention the circumstances in which it
originated, and the manner of its first observance. You
can describe, also, the present mode of observing the day;
the pleasure with which it is anticipated by every one;
the divers kinds of pies and puddings concocted for the
occasion; the dreadful slaughter of turkeys, geese, and
chickens—the articles which the farmer brings to market,
the fat turkey which every one looks out for: then the
manner in which Thanksgiving day is spent; the various
games which occupy the afternoon and evening. You
can describe a family party gathered on Thanksgiving
evening; the different ages of the persons who are brought
together, and who all share alike in these games. You can
speak of some one occasion of this kind which you may
have enjoyed very much, and give an account of the amusements
entered into, and all the pleasant things which occurred.
You can speak, also, of the manner in which the
poor are remembered on this occasion; also of the pleasant
family gatherings which always takes place at this time,
and of the various beneficial effects resulting from the
observance of this festival.</p>
          </div3>
          <div3 type="chapter">
            <head>SUBJECT NO. 13</head>
            <head>
              <hi rend="italics">FOURTH OF JULY.</hi>
            </head>
            <p>1. What is the origin of this celebration?</p>
            <p>2. What is the date of the event it commemorates?</p>
            <p>3. Is it a religious festival, like Thanksgiving?</p>
            <pb id="branson118" n="118"/>
            <p>4. Is it observed all over the country?</p>
            <p>5. What preparations are made for it?</p>
            <p>6. Do not boys begin weeks beforehand to save their
money for it?</p>
            <p>7. What do they spend it in?</p>
            <p>8. How does the day open?</p>
            <p>9. How many cannons are fired?</p>
            <p>10. What is this followed by?</p>
            <p>11. What sounds are heard incessantly?</p>
            <p>12. Are there not great crowds to be seen everywhere?</p>
            <p>13. What is seen at every corner?</p>
            <p>14. What is sold at these stalls?</p>
            <p>15. Is there not a great deal of molasses candy sold by small
boys?</p>
            <p>16. How do they carry it about?</p>
            <p>17. How does the day end?</p>
            <p>18. What sometimes take place in the evening?</p>
            <p>19. Does not this day commemorate the greatest event in
history?</p>
            <p>20. Ought not its observance to be perpetuated?</p>
          </div3>
          <div3 type="chapter">
            <head>
              <hi rend="italics">TO THE PUPIL.</hi>
            </head>
            <head>SUBJECT NO. 13.</head>
            <p>The mention of this subject brings up to every one
memories of scenes which are repeated on every return of
the day; of cannons, soldiers, parades, drunken men,
<pb id="branson119" n="119"/>
fighting men, crowds of men, women and children, horses
and carriages, fire-crackers incessantly sounding, boys
with molasses candy, stalls of apples and gingerbread:
from early morning, when one is wakened by the roar of
the cannons, till late at night, after the last cracker has
been fired and the last skyrocket sent up, there is no peace
for eyes or ears. All these various sights and sounds you
may describe in any order you please; or you may give an
account of a Fourth of July which was celebrated in some
particular manner—by a pic-nic, or some kind of procession
and describe the arrangements for the occasion; the
manner in which it passed off; the speeches which were
made, &amp; c.</p>
            <p>You may precede your description of the celebration
of this day, if you choose, with a brief history of the War
of the Revolution, the success of our struggles, the Declaration
of Independence and the manner in which this was
drawn up and signed. You will find all these particulars
in any history of the United States.</p>
          </div3>
          <div3 type="chapter">
            <head>SUBJECT NO. 14.</head>
            <head>
              <hi rend="italics">CHRISTMAS.</hi>
            </head>
            <p>1. Is this an American festival, like Fourth of July or
Thanksgiving?</p>
            <p>2. How did it originate?</p>
            <p>3. What did it first commemorate?</p>
            <p>4. How is it observed in this country?</p>
            <p>5. What do children do the night before Christmas?</p>
            <p>6. What do they expect to find in the morning?</p>
            <p>7. Who are they told filled their stockings?</p>
            <pb id="branson120" n="120"/>
            <p>8. What sort of a person is Santa-Claus said to be?</p>
            <p>9. How is he dressed?</p>
            <p>10. How does he get about?</p>
            <p>11. What does he carry in his sleigh?</p>
            <p>12. How does he enter the house in the night?</p>
            <p>13. What does he leave in naughty children's stockings? </p>
            <p>14. What takes place on Christmas morning?</p>
            <p>15. Are the children not up before daylight?</p>
            <p>16. What greetings are heard all over the house?</p>
            <p>17. Does not Santa-Claus sometimes get up a Christmas 
tree?</p>
            <p>18. How does he manage this? </p>
            <p>19. Is not this day observed religiously by many?</p>
            <p>20. How are the churches decorated for the occasion?</p>
            <p>21. Do they not present a beautiful appearance?</p>
          </div3>
          <div3 type="chapter">
            <head>
              <hi rend="italics">TO THE PUPIL.</hi>
            </head>
            <head>SUBJECT NO. 14.</head>
            <p>This festival is not, like Thanksgiving and Fourth of
July, of American origin, but it has been celebrated for
many hundred years as the anniversary of the most important
event in the world's history<hi rend="italics">—the birth of Christ—</hi>
and because this event brought joy to the world, it was
celebrated as a day of rejoicing; at first religiously, and
it is so observed by many persons at this day: many
churches are beautifully decorated with evergreens, and
opened for religious services.</p>
            <pb id="branson121" n="121"/>
            <p>With children, however, this has become a great day for
receiving gifts: they find their stockings full of all
sorts of good things on Christmas morning, and they are
told that a certain Santa-Claus, whose name was originally
St. Nicholas, a little old man, queerly dressed in furs,
and driving a sleigh drawn by six little reindeer, enters
the house by coming down the chimney, and fills their
stockings.</p>
            <p>Almost every one has some fancy about this Santa-Claus
and his visits. You can give a description of him
as you imagine him to be; of all the particulars of his 
dress; of the presents he carries; of the size and shape
of his sleigh, and the trappings of the reindeer; or any
impression you may have concerning him. You can speak
also, of the manner in which you are accustomed to observe
this day.</p>
          </div3>
        </div2>
        <div2 type="section">
          <head>DIVISION III. </head>
          <div3 type="chapter">
            <head>SUBJECT NO. 1.</head>
            <head>
              <hi rend="italics">A MOUNTAIN.</hi>
            </head>
            <p>1. What is the highest mountain or rock you have ever
visited?</p>
            <p>2. Where is it?</p>
            <p>3. What is its name, and why was it so named?</p>
            <p>4. How high is it?</p>
            <p>5. How high is its shape?</p>
            <p>6. Is it covered with trees, or is it bare rock?</p>
            <pb id="branson122" n="122"/>
            <p>7. Is it connected with other hills, or does it stand
alone?</p>
            <p>8. What is the appearance of the range to which it belongs?</p>
            <p>9. Is the ascent to the mountain difficult?</p>
            <p>10. Is the view from the top fine?</p>
            <p>11. At what season did you see it? </p>
            <p>12. At what time in the day?</p>
            <p>13. Was the atmosphere clear or hazy?</p>
            <p>14. What lay at the foot of the mountain—a river or
meadows?</p>
            <p>15. Beyond, what was seen—villages, lakes, or a town?</p>
            <p>16. What bounded the view in the horizon?</p>
            <p>17. How does this view compare with others you have
seen?</p>
          </div3>
          <div3 type="chapter">
            <head>
              <hi rend="italics">TO THE PUPIL.</hi>
            </head>
            <head>SUBJECT NO. 1.</head>
            <p>You may describe some mountain you have visited or
seen, placing its name at the head of your composition as
your subject; or, better still, you may visit some elevation
in your vicinity from which a fine prospect may be
seen, and answer these questions from the point of view
itself.</p>
            <p>If you describe things as you actually see them before
you, your description will be<hi rend="italics"> life-like</hi>—that is, it will portray
objects as they really are, at a given time; but if
you trust to your memory, you will be apt to use only
<pb id="branson123" n="123"/>
general terms, which are not capable of conveying definite
images to the mind.</p>
            <p>Remember that, in all descriptions of nature, it is not
so much the <hi rend="italics">objects themselves</hi> about which you are to concern
yourself, as these objects seen <hi rend="italics">under some particular
light</hi>—for what is true of them at one time may be false at
another: the spire of a church, for, instance, under a cloudy
sky, is one uniform color, whatever it may be; while, in
the rays of the setting or the rising sun, one half will
be in dazzling light, and the other half in deep shadow, and
so all objects are being continually transformed by changing
lights and shadows.</p>
          </div3>
          <div3 type="chapter ">
            <head>SUBJECT NO. 2.</head>
            <head>
              <hi rend="italics">A BROOK.</hi>
            </head>
            <p>1. Is there a brook near where you live?</p>
            <p>2. Does it run fast or slow?</p>
            <p>3. Is its bed stony or clear?</p>
            <p>4. Is its bed noisy or still?</p>
            <p>5. Does it wind about much?</p>
            <p>6. Does it pass through woods and meadows?</p>
            <p>7. What kind of trees shade it in the woods?</p>
            <p>8. What grows on its banks?</p>
            <p>9. What fringes its side in the meadows?</p>
            <p>10. What kind of bushes mark its course?</p>
            <p>11. Are there any fishes in the brook?</p>
            <pb id="branson124" n="124"/>
            <p>12. What kind are they?</p>
            <p>13. Did you ever catch any?</p>
            <p>14. How did you manage this?</p>
            <p>15. Did you ever launch any little boats in it?</p>
            <p>16. What became of them?</p>
            <p>17. Did you ever tumble in the brook?</p>
            <p>18. How did it happen?</p>
            <p>19. Did you ever wade about in the brook?</p>
            <p>20. Is it not pleasant to do this in a warm summer day.</p>
          </div3>
          <div3 type="chapter ">
            <head>
              <hi rend="italics">TO THE PUPIL.</hi>
            </head>
            <head>SUBJECT NO. 2.</head>
            <p>You may put the name of the brook you describe at the
head of your composition, as your subject; or, if it has
no name, you can invent one for it, which will have an
agreeable sound and at the same time be descriptive of
some of its qualities—such a “Winding Brook,” “Stony
Brook,” or “Merry Brook,” or whatever it may be; also,
in your descriptions of the scenes through which it passes,
remember to <hi rend="italics">individualize</hi> as much as possible: that is,
instead of using general terms, such as “flower “bush,”
“tree,” which conveys only general ideas to the mind,
name an <hi rend="italics">individual</hi> flower, bush, or tree, which calls up
some particular image. It is this <hi rend="italics">individualizing</hi> which
gives <hi rend="italics">vividness</hi> to a description. For example, the <hi rend="italics">particular
terms,</hi> “blue meadow-lily,” “golden buttercup,”
“red barberry bush,” “dark hemlock,” each convey a
<pb id="branson125" n="125"/>
distinct image to the mind, and give it a peculiar feeling
of pleasure, which it does not receive from the <hi rend="italics">general
terms </hi>“flower,” “bush,” “tree.”</p>
            <p>Remember, also, that an object must be described, not
only by some striking quality, but also by some particular
aspect: thus, if you were describing a barberry-bush,
in blossom, you would not speak of it as <hi rend="italics">red</hi>; and so with
all other objects.</p>
          </div3>
          <div3 type="chapter">
            <head>SUBJECT NO. 2.</head>
            <head>
              <hi rend="italics">A WATERFALL.</hi>
            </head>
            <p>1. Did you ever visit any waterfall?</p>
            <p>2. Where was it?</p>
            <p>3. What was it called?</p>
            <p>4. Why was it so called?</p>
            <p>5. Under what circumstances did you visit it?</p>
            <p>6. Was the approach to the fall easy or difficult?</p>
            <p>7. Was it through a ravine?</p>
            <p>8. What kind of a ravine was it?</p>
            <p>9. Was the bed of the brook rocky?</p>
            <p>10. Did you hear the fall before you saw it?</p>
            <p>11. Did you first see it from above or below?</p>
            <p>12. What was the scenery around the fall?</p>
            <p>13. Over what kind of rocks did the water fall?</p>
            <p>14. How high was the fall?</p>
            <pb id="branson126" n="126"/>
            <p>15. Did it fall in one sheet, or was it broken up?</p>
            <p>16. How was it broken up?</p>
            <p>17. What was the sound of the falling water?</p>
            <p>18. How did the stream below appear?</p>
            <p>19. Were there any falls below this one?</p>
            <p>20. What was the course of the stream?</p>
            <p>21. Did it come out into quiet meadows at last?</p>
          </div3>
          <div3 type="chapter">
            <head>
              <hi rend="italics">TO THE PUPIL.</hi>
            </head>
            <head>SUBJECT NO. 3.</head>
            <p>Under this subject you can describe a visit to some
waterfall, taking its name as the subject of your composition.</p>
            <p>The approach to a waterfall is almost always wild and
picturesque, and is therefore a good subject for description.
By the term “<hi rend="italics">picturesque,</hi>” is meant “<hi rend="italics">that which would
be beautiful in a picture;</hi>” and in the turnings and windings
of a ravine there are often a succession of little views
which would make beautiful pictures if they were painted.
This succession of picturesque views you should endeavor
to bring before the mind in language. In order to do this,
you should try to imagine in what way an artist would
represent the scene you wish to describe—the lights, shadows,
and colors he would use, and how he would arrange
these; and remember, that whatever can be represented
in a <hi rend="italics">picture,</hi> can be expressed in language.</p>
            <p>You should have in your mind, not merely a general,
confused idea of rocks, stones, running water, wild places,
and a great deal of scrambling to be done, but a distinct
<pb id="branson127" n="127"/>
impression of each successive view in the approach
to the fall, and finally of the fall itself, and describe each
as if it were a picture by itself. In this way you will
succeed in conveying to the mind of another, the impression
which the visit to the fall made upon yourself.</p>
          </div3>
          <div3 type="chapter">
            <head>SUBJECT NO. 4.</head>
            <head>
              <hi rend="italics">A SPRING.</hi>
            </head>
            <p>1. What is a spring?</p>
            <p>1. Where does water in springs come from?</p>
            <p>3. What becomes of it when it flows out of the spring?</p>
            <p>4. What do the brooks flow into?</p>
            <p>5. What becomes of the rivers?</p>
            <p>6. Did you ever see a spring?</p>
            <p>7. Where was it?</p>
            <p>8. Was it shaded by trees?</p>
            <p>9. Were there any flowers, or mosses, or ferns around it?</p>
            <p>10. Did you drink from it?</p>
            <p>11. Was the water pure and cold?</p>
            <p>12. How deep was it?</p>
            <p>13. What became of the water that flowed from it?</p>
            <p>14. Is not a spring always a stopping place for children
in their rambles?</p>
            <p>15. How do they contrive to drink from it?</p>
            <p>16. Is the water in all springs cold?</p>
            <pb id="branson128" n="128"/>
            <p>17. What do you know about the famous Hot Springs?</p>
            <p>18. How can they be accounted for?</p>
            <p>19. What other kinds of springs are there?</p>
          </div3>
          <div3 type="chapter">
            <head>
              <hi rend="italics">TO THE PUPIL.</hi>
            </head>
            <head>SUBJECT. NO. 4.</head>
            <p>The name of the spring you describe you can take for
the subject of your composition: or, if it has no name, you
should give it one which is descriptive of some of its qualities,
or of something in its situation.</p>
            <p>In describing it you should bring together all that is
delightful about the spring, and in the scenery around it,
so as to form an agreeable picture. You can speak of the
manner in which it is kept filled, and give an imaginary
description of the sources, deep in the earth, from which
the water wells up, or trickles down into its basin; and
then of its outflowing, and the beauty and verdure which
gather around its borders. You should try to imagine
that the spring itself has<hi rend="italics"> life</hi>, and <hi rend="italics">feels</hi> as you would, in
its place; and that the trees, mosses, ferns, and flowers
which grow around it, have feeling also: this will give
you a keener perception of all that is pleasant about the
places in which they live.</p>
            <p>You can describe, also, the scenes which take place
around the spring; the merry companies of children that
stop by its side; their expedients for drinking from it;
the kind of cups they make out of leaves, and the success
of their experiments, and any incident connected with these
visits.</p>
          </div3>
          <div3 type="chapter">
            <pb id="branson129" n="129"/>
            <head>SUBJECT NO. 5.</head>
            <head>
              <hi rend="italics">A MOONLIGHT SCENE.</hi>
            </head>
            <p>1. Was it in summer or in winter?</p>
            <p>2. Was the moon just rising, or was it high in the heavens?</p>
            <p>3. Were there any clouds in the sky?</p>
            <p>4. Were they touched by the moon's light?</p>
            <p>5. Were there any flying clouds to be seen?</p>
            <p>6. How did this affect the light?</p>
            <p>7. What were the most distant points seen?</p>
            <p>8. How did the light strike upon them?</p>
            <p>9. Nearer, what was seen?</p>
            <p>10. Close at hand, what appeared? </p>
            <p>11. How would the same scene have looked in broad
day-light?</p>
            <p>12. Were not its common-place features invisible in the
moonlight?</p>
            <p>13. Was not all that was fine seen in shadowy outlines?</p>
            <p>14. Were the colors of the landscape visible?</p>
            <p>15. Was there any thing seen but silvery lights and dark
shadows?</p>
            <p>16. How were these distributed over the scene?</p>
            <p>17. What was the effect produced?</p>
            <p>18. How did it compare with a sunset scene?</p>
          </div3>
          <div3 type="chapter">
            <head>
              <hi rend="italics">TO THE PUPIL.</hi>
            </head>
            <head>SUBJECT NO. 5.</head>
            <p>You may take any season you please for this description,
either summer, when the effect of moonlight streaming
<pb id="branson130" n="130"/>
with such brilliancy, and the moon and stars are so gloriously
beautiful. You should, however, describe, a real
scene and not an imaginary one?</p>
            <p>The first thing to be noticed in descriptions of moonlight
scenery is,<hi rend="italics"> absence of color—the sun</hi> is the great <hi rend="italics">painter</hi> of the world, the first touch of his rays upon a
landscape brings out a multitude of colors, all fresh and
glowing; but the moon is like an artist who uses only
black crayons; nothing is seen in her landscapes but silvery
lights and shadows; these, however, she distributes
with wondrous effect over the scene. In your descriptions,
therefore, you should be guided by the great
artist herself—the moon—and bring out in language the
points which she touches with her rays, and describe also
the<sic corr="somber"> sombre</sic> effect produced by those features of the scene
over which she casts a dark drapery of shadows.</p>
            <p>You can speak of the effect upon the mind, of these
deep shadows; the vague terrors of the imagination which
they inspire. You can compare, also, with respect to
beauty, a moonlight with a sunset scene.</p>
          </div3>
          <div3 type="chapter">
            <head>SUBJECT NO. 6.</head>
            <head>
              <hi rend="italics">A THUNDER-STORM.</hi>
            </head>
            <p>1. What kind of day was it?</p>
            <p>2. In what month?</p>
            <p>3. Were there any signs of a coming storm?</p>
            <p>4. What was the first indication in the sky?</p>
            <p>5. How did the clouds roll together?</p>
            <p>6. Did it grow very dark?</p>
            <p>7. Was there a sound of rising wind?</p>
            <pb id="branson131" n="131"/>
            <p>8. Was there distant thunder?</p>
            <p>9. Were there flashes of lightning?</p>
            <p>10. As the storm drew nearer, did these increase?</p>
            <p>11. Did the wind begin to roar among the trees?</p>
            <p>12. Did it toss their branches?</p>
            <p>13. How did the rain begin to fall?</p>
            <p>14. Did it increase rapidly?</p>
            <p>15. Did it fall in torrents?</p>
            <p>16. Did it flood the roads?</p>
            <p>17. Was any living creature to be seen?</p>
            <p>18. How long did the storm last?</p>
            <p>19. Did it clear away suddenly?</p>
            <p>20. How did everything appear after the storm?</p>
            <p>21. Was there a rainbow to be seen?</p>
          </div3>
          <div3 type="chapter">
            <head>
              <hi rend="italics">TO THE PUPIL.</hi>
            </head>
            <head>SUBJECT NO. 6.</head>
            <p>Under this subject you may first give a picture of a
drought which preceded the storm, and describe the feeling
of the atmosphere and the appearance of the earth.</p>
            <p>You may mention <hi rend="italics">individual</hi> plants and animals, and
the manner in which they were affected the want of
rain: then the gathering of the storm, the rumbling thunder,
the rising wind, flashes of lightning, the rolling <sic corr="together">togetherr</sic>
of the clouds.</p>
            <pb id="branson132" n="132"/>
            <p>You can describe the forms of the clouds, and the
changes that took place in them till they overcast the
heavens, and poured their deluge of rain upon the earth:
also, the manner in which the wind twisted and tossed the
branches of the trees; the terrific claps of thunder and
flashes of lightning in the midst of the pouring rain: then,
after the storm, the refreshed appearance of the plants
you had noticed as drooping under the drought. Also,
in describing the rainbow, you can speak of the extent of
the arch, the breadth of its belt of colors, the order of
their arrangement, its brilliancy, and its fading away.</p>
            <p>You can speak of the cause of this appearance in the
heavens, and give the reasons why it does not follow every
thunder-storm. You can also allude to the promise which
was once given in connection with the rainbow, and the
occasion of that promise.</p>
          </div3>
          <div3 type="chapter">
            <head>SUBJECT NO. 7.</head>
            <head>
              <hi rend="italics">A SNOW-STORM.</hi>
            </head>
            <p>1. Had the storm been long in gathering?</p>
            <p>2. What was the appearance of the sky?</p>
            <p>3. How did the air feel?</p>
            <p>4. Was the ground hard and frozen?</p>
            <p>5. Was the landscape dreary?</p>
            <p>6. How did the flakes begin to fall?</p>
            <p>7. Did the storm increase?</p>
            <p>8. Was there any wind, or was it still?</p>
            <pb id="branson133" n="133"/>
            <p>9. Did the snow-flakes fill the air?</p>
            <p>10. How did every thing begin to appear—trees, fences,
branches, twigs?</p>
            <p>11. Were there any drifts?</p>
            <p>12. Were any sleighs, or any people to be seen plunging
through the snow?</p>
            <p>13. How long did the storm continue?</p>
            <p>14. Did it clear off bright and cold?</p>
            <p>15. How did every thing look in the sunlight?</p>
            <p>16. Was not every twig loaded?</p>
            <p>17. How did the evergreens look?</p>
            <p>18. Did people begin to break paths in the snow?</p>
            <p>19. Did the sleigh-bells begin to be heard?</p>
            <p>20. Did not every one rejoice that the storm was over?</p>
          </div3>
          <div3 type="chapter">
            <head>
              <hi rend="italics">TO THE PUPIL.</hi>
            </head>
            <head>SUBJECT NO. 7.</head>
            <p>Under this subject you wish first to convey to the mind
an impression of the peculiar bleakness and chilliness
which generally precedes a long snow-storm. You can
describe the various indications of the coming snow, in
the feeling of the air and the appearance of the sky; the
solid bank of snow clouds in the horizon; then the gradual
manner in which the storm begins; the silent, leisurely
fall of the snow-flakes, in contrast of that of rain-drops;
the powdered appearance of the earth after the first
sprinkling; then the increase of the storm; the thick flakes
<pb id="branson134" n="134"/>
filling the air; the increasing depth of the snow; the
white heaps to be seen everywhere; the wind whirling and
sweeping over it, and roaring in the tops of the trees:
then the bright clearing up; the beauty of the white snowdrifts
in the sunlight; and of the loaded trees—particularly
the dark evergreens, in contrast with their white burden.</p>
            <p>Endeavor always to give <hi rend="italics">the particular aspect</hi> of whatever
you wish to describe: thus, “the wind whirls—it
sweeps the edge of the drifts,” is more descriptive than
“the wind blows,” because the former gives not only the
<hi rend="italics">fact</hi>, but also the <hi rend="italics">manner </hi>of the blowing, while the latter
expresses nothing but the fact.</p>
          </div3>
          <div3 type="chapter">
            <head>SUBJECT NO. 8.</head>
            <head>
              <hi rend="italics">AN AURORA BOREALIS.</hi>
            </head>
            <p>1. In what regions are these displays more brilliant?</p>
            <p>2. In what part of the heavens do they always begin to
appear?</p>
            <p>3. Why are they called “Northern Lights?”</p>
            <p>4. What are they called by inhabitants of some northern
regions?</p>
            <p>5. Why do they give them the name of “Merry Dancers?”</p>
            <p>6. What was the most brilliant one you ever saw?</p>
            <p>7. In what season did it occur?</p>
            <p>8. At what time in the evening did you first see it?</p>
            <p>9. Was the sky cloudless, or were there clouds?</p>
            <p>10. Was the moon visible?</p>
            <pb id="branson135" n="135"/>
            <p>11. What was the first appearance of the Aurora?</p>
            <p>12. In what way did it increase?</p>
            <p>13. Did it assume any color?</p>
            <p>14. Were there waves and columns of light?</p>
            <p>15. What was the appearance of these waves?</p>
            <p>16. Did the streams of light shoot up rapidly?</p>
            <p>17. Did they extend around the whole heavens?</p>
            <p>18. Was the brilliancy variable?</p>
            <p>19. When was it greatest?</p>
            <p>20. How long did the display continue?</p>
            <p>21. Is the cause of these<sic corr="appearances"> appearances </sic>known?</p>
          </div3>
          <div3 type="chapter">
            <head>
              <hi rend="italics">TO THE PUPIL.</hi>
            </head>
            <head>SUBJECT NO. 8.</head>
            <p>The magnificent displays of the Aurora Borealis, or
Northern Lights, occur most frequently in winter, though
they sometimes appear with great splendor in the summer
season. No one has ever accounted for them satisfactorily.
We know not whence they come, nor whither
they go; and this mystery hanging over their sudden appearance
and disappearance, adds greatly to the feeling
of awe and wonder with which we view their bright visitations.</p>
            <p>You can expand this idea, or put it in another form, as
an introduction to your composition, if you choose; and
then proceed with a description of the appearance of the
sky before the Aurora began; the clouds in the northern
<pb id="branson136" n="136"/>
<gap reason="damaged page"/>rizon; the manner in which the streams of light shot
<gap reason="damaged page"/>t of them: the waves and columns of light which fol-
<gap reason="damaged page"/>ved; the rapid changes of motion and color in these;
<gap reason="damaged page"/>e extent <sic corr="and">snd </sic>brilliancy of the Aurora; the time of its
<gap reason="damaged page"/>ntinuance, and its final disappearance. You should study
<gap reason="damaged page"/>find a variety of terms expressing rapidity of motion
<gap reason="damaged page"/>d brilliancy of color; such as—darting, shooting,
<gap reason="damaged page"/>eaming, waving, glancing, kindling, flashing, luminous,
<gap reason="damaged page"/>id, glowing; and make a careful use of these in your
<gap reason="damaged page"/>cription.</p>
            <p><gap reason="damaged page"/>n doing this, you will be much assisted by considering
<gap reason="damaged page"/>hints given in the preceding instructions.</p>
          </div3>
          <div3 type="chapter">
            <head>SUBJECT NO. 9.</head>
            <head>
              <hi rend="italics">A SUNRISE.</hi>
            </head>
            <p><gap reason="damaged page"/>. Was it in summer or winter? </p>
            <p><gap reason="damaged page"/>. From what point did you watch the sunrise?</p>
            <p><gap reason="damaged page"/>. What were the distant features in the view? </p>
            <p><gap reason="damaged page"/>. What was nearer?</p>
            <p><gap reason="damaged page"/>. What were close at hand?</p>
            <p><gap reason="damaged page"/>What kind of a light preceded the sunrise?</p>
            <p><gap reason="damaged page"/>Did this continue brighter and brighter?</p>
            <p><gap reason="damaged page"/>What sounds were heard?</p>
            <p><gap reason="damaged page"/>Were there any clouds in the east?</p>
            <p><gap reason="damaged page"/>What kind of clouds were they?</p>
            <p><gap reason="damaged page"/>How did they indicate the approaching sunrise?</p>
            <pb id="branson137" n="137"/>
            <p>12. How did they change, in shape and color?</p>
            <p>13. What was the first appearance of the sun?</p>
            <p>14. What was the first point touched by his light?</p>
            <p>15. What was the effect produced?</p>
            <p>16. Was there any dew, or frost, or mist seen in t<gap reason="damaged page"/>
light?</p>
            <p>17. How did this look?</p>
            <p>18. Were there any long shadows cast?</p>
            <p>19. By what objects?</p>
            <p>20. Did these grow shorter and shorter?</p>
            <p>21. How long was it before the sun was fairly risen?</p>
          </div3>
          <div3 type="chapter">
            <head>
              <hi rend="italics">TO THE PUPIL.</hi>
            </head>
            <head>SUBJECT NO. 9.</head>
            <p>The best advice that can be given you in writing up
this subject, is to describe an <hi rend="italics">actual scene</hi>—select<gap reason="damaged page"/>
some point which commands a pleasant view, and giv<gap reason="damaged page"/>
the changes as they took place under your own obser<gap reason="damaged page"/>
tion.</p>
            <p>You should mention the season in which the sun<gap reason="damaged page"/>
occurred, the kind of light which preceded the rising<gap reason="damaged page"/>
the sun, and the appearance of the sky and clouds.</p>
            <p>You should also describe the various points in the la<gap reason="damaged page"/>
scape as it was spread out before you in this uniform g<gap reason="damaged page"/>
light; and then, the changes which took place in each<gap reason="damaged page"/>
these points successively, under the magic touch of<gap reason="damaged page"/>
sun's ray; also, the morning mist, the dew drops catch<gap reason="damaged page"/>
the light, the long shadows, the fresh air, the morn<gap reason="damaged page"/>
<pb id="branson138" n="138"/>
sounds, and, above all, the splendor of the clouds which
hung about the pathway of the sun, and the changes
which occurred in these, as he rose higher and higher; all
this is capable of being wrought in a beautiful description.</p>
            <p>Remember, it is with description as with painting—<hi rend="italics">fine
touches</hi> are needed to give it beauty. Not only the outline
of the landscape, but something also of the effect
produced by lights, shadows and colors, must be conveyed
to the mind, otherwise the description will be wanting in
<hi rend="italics">completeness.</hi></p>
          </div3>
          <div3 type="chapter">
            <head>SUBJECT NO. 10.</head>
            <head>
              <hi rend="italics">A SUNSET.</hi>
            </head>
            <p>1. Under what circumstances did you observe the sunset?</p>
            <p>2. What was the season?</p>
            <p>3. What kind of a day—clear or hazy?</p>
            <p>4. What was your point of view?</p>
            <p>5. How high was the sun when you began to watch its
progress?</p>
            <p>6. Were there any clouds in the sky?</p>
            <p>7. How did these change in shape and color? </p>
            <p>8. What were the nearest features in the view?</p>
            <p>9.<sic corr="Beyond"> Beyend</sic> these, what were seen?</p>
            <p>10. What were the most distant points?</p>
            <p>11. How did each of these appear in the rays of the setting
sun?</p>
            <p>12. Was there any haze over the landscape?</p>
            <pb id="branson139" n="139"/>
            <p>13. What was its appearance on the most distant hills?</p>
            <p>14. What on those next nearer?</p>
            <p>15. How was it with the nearest?</p>
            <p>16. Were there any deep shadows to be seen?</p>
            <p>17. What points were successively illuminated?</p>
            <p>18. What gradual changes took place as the sun sunk
lower?</p>
          </div3>
          <div3 type="chapter">
            <head>
              <hi rend="italics">TO THE PUPIL.</hi>
            </head>
            <head>SUBJECT NO. 10.</head>
            <p>You may take as your subject a <hi rend="italics">summer sunset</hi>. This
is a<sic corr="glorious"> glorions</sic> theme for a description. It is a favorite with
every artist who wishes to paint a beautiful picture, on account
of the brilliance of the sky, the glowing colors of
the landscape, the strong contrasts of the lights and shadows,
and the haze which fills the atmosphere, giving such
a beautiful softness to every thing.</p>
            <p>In studying a scene of this kind for the purpose of describing
it, you should observe the effect of this <hi rend="italics">haze</hi>. On
the most distant hills it may be a light, pearly tint, hardly
to be distinguished from the sky; on those next nearer, its
color will be more decided; and on the next, different still;
while over the nearest objects, it assumes a great variety
of beautiful hues.</p>
            <p>You should also notice the effect of strong light in changing
the appearance of objects. A little cluster of twigs,
upon which the rays of the setting sun may strike, will
look as if they had been dipped in gold; and though you
may know them as they really are, you must describe them
as they <hi rend="italics">appear</hi>.</p>
            <p>Great care must be taken in the selection of<hi rend="italics"> right descriptive
terms</hi>, for this is as essential to a fine description,
as is the proper choice of colors to a fine painting.</p>
          </div3>
          <pb id="branson140" n="140"/>
          <div3 type="chapter">
            <head>CONCLUSION.</head>
            <p>The subjects embraced in Division III. are inexhausti
<gap reason="damaged page"/>e in their character, since by changing the point of view
<gap reason="damaged page"/>each, the subject itself is changed.</p>
            <p>The pupil will thus find it an excellent exercise, to take
<gap reason="damaged page"/>e same subject two or three times in succession, varying
<gap reason="damaged page"/>s compositions according to the scene selected for de-
<gap reason="damaged page"/>ription.  In the study of Nature he will find an ample
<gap reason="damaged page"/>ariety of material.</p>
            <p>These exercises in description are of the highest impor-
<gap reason="blank space"/>nce, as laying the foundation of all freshness and vivid-
<gap reason="blank space"/>ess of style. The pupil should be thoroughly trained in
<gap reason="blank space"/>em before attempting any other branch of composition.</p>
          </div3>
        </div2>
      </div1>
    </body>
  </text>
</TEI.2>