<!DOCTYPE TEI.2 SYSTEM "http://docsouth.unc.edu/dtds/teixlite.dtd" [
<!ENTITY % external-entities SYSTEM "./extEntities.dtf">
<!ENTITY % internal-entities SYSTEM "./intEntities.dtf">
<!ENTITY eliotvs SYSTEM "eliotvs.jpg" NDATA jpeg>
<!ENTITY eliotad SYSTEM "eliotad.jpg" NDATA jpeg>
<!ENTITY eliotcv SYSTEM "eliotcv.jpg" NDATA jpeg>
<!ENTITY eliot223 SYSTEM "eliot223.jpg" NDATA jpeg>
<!ENTITY eliot224 SYSTEM "eliot224.jpg" NDATA jpeg>
<!ENTITY eliot225 SYSTEM "eliot225.jpg" NDATA jpeg>
<!ENTITY eliot226 SYSTEM "eliot226.jpg" NDATA jpeg>
<!ENTITY eliot227 SYSTEM "eliot227.jpg" NDATA jpeg>
<!ENTITY eliot228 SYSTEM "eliot228.jpg" NDATA jpeg>
<!ENTITY eliotsp SYSTEM "eliotsp.jpg" NDATA jpeg>
<!ENTITY eliottp SYSTEM "eliottp.jpg" NDATA jpeg>
]>
<TEI.2>
  <teiHeader type="" status="new">
    <fileDesc>
      <titleStmt>
        <title><emph>THE DURKET SPERRET: </emph>
Electronic Edition.</title>
        <author>Sarah Barnwell Elliott, 1848-1928</author>
        <respStmt>
          <resp>Text scanned (OCR) by</resp>
          <name id="cg">Lee Ann Morawski</name>
        </respStmt>
        <respStmt>
          <resp>Images scanned by</resp>
          <name>Lee Ann Morawski</name>
        </respStmt>
        <respStmt>
          <resp>Text encoded by </resp>
          <name id="ns">  Jill Kuhn</name>
        </respStmt>
      </titleStmt>
      <editionStmt>
        <edition>First edition, <date>1999</date></edition>
      </editionStmt>
      <extent>ca.   450K</extent>
      <publicationStmt>
        <publisher>Academic Affairs Library, UNC-CH</publisher>
        <pubPlace>University of North Carolina at Chapel Hill, </pubPlace>
        <date>1999.</date>
        <availability status="unknown">
          <p>© This work is the property of the University of North Carolina 
at Chapel Hill. It may be used freely by individuals for research, teaching and personal use as long as this statement of availability is included in the text.</p>
        </availability>
      </publicationStmt>
      <notesStmt>
        <note anchored="yes">Call number PZ 3 .E468D        
(Tennessee State Library)</note>
      </notesStmt>
      <sourceDesc>
        <bibl>
          <title>The Durket Sperret</title>
          <author>Sarah Barnwell Elliott, 1848-1928</author>
          <imprint>
            <pubPlace>New York</pubPlace>
            <publisher>Henry Holt and Company</publisher>
            <date>1898</date>
          </imprint>
        </bibl>
      </sourceDesc>
    </fileDesc>
    <encodingDesc>
      <projectDesc>
        <p>The electronic edition is a part of the UNC-CH
digitization project, <hi rend="italics">Documenting the American South, Beginnings to 1920.</hi></p>
      </projectDesc>
      <editorialDecl>
        <p>Any hyphens occurring in line breaks have been 
removed, and the trailing part of a word has been joined to 
the preceding line.</p>
        <p>All quotation marks and ampersand have been transcribed as
entity references.</p>
        <p>All double right and left quotation marks are encoded as ” and “
respectively.</p>
        <p>All single right and left quotation marks are encoded as ’ and
‘ respectively.</p>
        <p>All em dashes are encoded as —
<lb/>
Indentation in lines has not been preserved.</p>
        <p>Running titles have not been preserved.</p>
        <p>Spell-check and verification made against printed text using
Author/Editor (SoftQuad) and Microsoft Word spell check programs.</p>
        <p>Advertisements that precede and follow the main text have been included as images.</p>
      </editorialDecl>
      <classDecl>
        <taxonomy id="lcsh">
          <bibl>
            <title>Library of Congress Subject Headings, </title>
            <edition>21st edition, 1998</edition>
          </bibl>
        </taxonomy>
      </classDecl>
    </encodingDesc>
    <profileDesc>
      <langUsage>
        <language id="fre">French</language>
      </langUsage>
      <textClass>
        <keywords scheme="lcsh">
          <list type="simple">
            <item>Cumberland Mountains -- Social life and customs -- 19th century --
Fiction.</item>
            <item>Cumberland Mountains -- Social conditions -- 19th century --
Fiction.</item>
            <item>Southern States -- Social life and customs -- 19th century --
Fiction.</item>
            <item>Southern States -- Social conditions -- 19th century --
Fiction.</item>
            <item>Mountain whites (Southern States) -- Cumberland Mountains --
Fiction.</item>
            <item>Mountain life -- Cumberland Mountains -- Fiction.</item>
            <item>Women -- Cumberland Mountains -- Fiction.</item>
            <item>Dialect literature, American -- Cumberland Mountains.</item>
            <item>Dialect literature, American -- Southern States.</item>
          </list>
        </keywords>
      </textClass>
    </profileDesc>
    <revisionDesc>
      <change>
        <date>1999- , </date>
        <respStmt>
          <name>Celine Noel and Sam McRae </name>
          <resp/>
        </respStmt>
        <item> revised TEIHeader and created catalog 
record for the electronic edition.</item>
      </change>
      <change>
        <date>1999-03-29, </date>
        <respStmt>
          <name>Jill Kuhn, </name>
          <resp>project manager, </resp>
        </respStmt>
        <item>finished TEI-conformant encoding and final proofing.</item>
      </change>
      <change>
        <date>1999-03-23, </date>
        <respStmt>
          <name>Lee Ann Morawski</name>
          <resp/>
        </respStmt>
        <item> finished scanning (OCR) and proofing.</item>
      </change>
    </revisionDesc>
  </teiHeader>
  <text>
    <front>
      <div1 type="cover image">
        <p>
          <figure id="cover" entity="eliotcv">
            <p>[Cover Image]</p>
          </figure>
        </p>
      </div1>
      <div1 type="spine image">
        <p>
          <figure id="spine" entity="eliotsp">
            <p>[Spine Image]</p>
          </figure>
        </p>
      </div1>
      <div1 type="advertisement image">
        <p>
          <figure id="advert" entity="eliotad">
            <p>[Advertisement Image]</p>
          </figure>
        </p>
      </div1>
      <div1 type="title page image">
        <p>
          <figure id="title" entity="eliottp">
            <p>[Title Page Image]</p>
          </figure>
        </p>
      </div1>
      <div1 type="title page verso image">
        <p>
          <figure id="verso" entity="eliotvs">
            <p>[Title Page Verso Image]</p>
          </figure>
        </p>
      </div1>
      <titlePage>
        <docTitle>
          <titlePart type="main">THE DURKET SPERRET</titlePart>
          <titlePart type="subtitle">
            <hi rend="italics">A NOVEL</hi>
          </titlePart>
        </docTitle>
        <byline>BY</byline>
        <docAuthor>SARAH BARNWELL ELLIOTT
<lb/>
AUTHOR OF “JERRY,” “JOHN PAGET,” AND “THE FELMERES”</docAuthor>
        <docImprint><pubPlace>NEW YORK</pubPlace>
<publisher>HENRY HOLT AND COMPANY</publisher>
<docDate>1898</docDate></docImprint>
        <pb id="pverso" n="verso"/>
        <docImprint><docDate>COPYRIGHT, 1898.</docDate>
BY
<publisher>HENRY HOLT &amp; CO.</publisher>
<lb/>
THE MERSHON COMPANY PRESS,
<lb/>
RAHWAY, N. J.</docImprint>
      </titlePage>
      <div1 type="dedication">
        <p>DEDICATED
<lb/>
TO
<lb/>
MY BROTHER
<lb/>
<emph rend="bold">John Gibbes Barnwell Elliott, M. D.</emph>
<lb/>
OF
<lb/>
NEW ORLEANS, LOUISIANA.</p>
      </div1>
    </front>
    <body>
      <div1 type="text">
        <pb id="ell1" n="1"/>
        <head>“THE DURKET SPERRET.<sic corr="right double quotation mark">’</sic></head>
        <div2 type="chapter">
          <head>I</head>
          <epigraph>
            <lg type="verse">
              <l>“But when I saw that woman's face,</l>
              <l>Its calm simplicity of grace—”</l>
            </lg>
          </epigraph>
          <p>It had been a wild morning up among the
Cumberlands. A March morning full of rain, of
clouds that veiled the mountains, and of wind
that tore the clouds to shreds. But at the turn
of the day the wind had fallen: the great masses
of trees that purpled the mountain-side from
base to apex had ceased their tossing, and stood
in dark monotony, save when a gray cliff thrust
itself out, or a wild, snow-swollen stream dashed
its spray toward the sky as it flung itself down
into the valley.</p>
          <p>The shadows are gathering early over a little
valley known as “Lost Cove.” On all sides the
mountains rise about it in soft, sweeping curves,
until they stand out against the sky a level, 
unbroken line. There is little of rugged wildness
in these old mountains, for no stormy outburst
<pb id="ell2" n="2"/>
marked their birth. They stand the perfect
work of the ages. Their gray old faces
looked out across the slow silurian sea, whose
wandering waves began the patient work of 
denudation.</p>
          <p>No rugged wildness, but a silent grandeur of
repose <sic corr="smooths">smoothes</sic> every curve of every spur that
stretches out across the plain, and a great 
unspoken dignity lives in the straight sky line that
marks the summit.</p>
          <p>On three sides the mountains guard Lost
Cove, on the fourth the barrier that shuts this
basin from the world is lowered. But though
lowered, the little stream that through all the
years had hollowed out Lost Cove, found here
an obstacle that its patient zeal could not remove.
It could not rise above it—it could not
wear it through, and so it sank, and, burrowing
deep among the “hidden bases of the hills,”
found victory and freedom. From out the
black-browed cave it flashed again into the glad
sunlight, with a mocking laugh for the barring
cliffs that rose two hundred feet above it, to face
the eastern sun.</p>
          <p>Near the upper end of the Cove, which is
nearly a mile long, there stands a house built of
squared logs, carefully mortised at the corners,
and neatly “chinked” with plaster. Seventy
<pb id="ell3" n="3"/>
years ago it was built by the first Warren, as a
defense as well as a shelter. Three rooms, a
lobby, a loft, and two piazzas make the extent of
it. A room on either side the lobby that connects
the front and back piazzas, and from which
a rough stairway leads up to the loft. The third
room is made by boarding in the end of the back
piazza, and through its single window a modern
cooking stove pushes its pipe. The floors look
worn with scrubbing, the small, deep-set windows
shine like eyes, and the great stone chimneys 
that grace either end of the house, look as
if built for eternity. Around the house there is
a rough picket fence; within this inclosure there
are some cedar trees, some common rose bushes,
some chickens, and some much-scratched grass.
Beyond, and rising and falling with the swells of
the mountains, is a rail fence which shuts in from
the public road the lot where the hogs, and cows,
and horses are kept, and where stand the few
out-buildings. From the lower end of this outer
lot the fields stretch down the Cove to where
the stream sinks, and a stately beech grove
crowns the rising ground. The public road
from across the mountains turns at Mr. Warren's
gate, and zigzags along these fields to the beech
wood, then it marches over the divide to the
far-off valley.</p>
          <pb id="ell4" n="4"/>
          <p>A young woman leaned over the outer gate.
The rain had ceased, and the wind came softly
with a touch of spring. It would be clear on the
morrow, the girl thought as she looked up from
the shadows of the Cove to where the cloud-broken 
sunlight flashed and faded on the mountain 
tops. A clear spring day, and, as the warm
wind swept by, her fair cheeks flushed with 
gladness for the coming spring.</p>
          <p>The winter had been hard, and for the first
time the Warrens had felt themselves poor.
This girl's father had been killed a few months
before, and she and her grandparents had had to
fight through the cold weather alone. And
now, as she waited for the cows, the touch of
warmth in the wind brought to her mind a new
problem—the planting. Some help would have
to be hired, and where was the money? They
had bacon, and apples, and potatoes that could
be sold—if she could take them to the town on
top the mountain. The color flamed into her
face; she had never “peddled” in her life! Her
grandfather was held fast by rheumatism, and
her grandmother would far rather starve than
go on such an errand.</p>
          <p>Presently a cow-bell clanked, and down the
mountain-side, in dignified procession, came the
rough, long-legged, patient-eyed cows. The
<pb id="ell5" n="5"/>
girl roused herself with a sigh, and, holding the
big gate open, remembered one more article that
could be sold—butter.</p>
          <p>She fetched two wooden piggins, white with
scouring, and some fodder, then brought the
cows in, one at a time, to the inner lot. She
moved with the deliberation of age, and milked
with patient sedateness. This quietness was a
class habit, but increased in this girl's case
through her having lived always with old people;
and now the heavy responsibilities that crowded
upon her seemed to have banished all youthfulness.</p>
          <p>The Warrens had always been well-to-do,
making at home almost everything they
needed. After his sons left him the old man had
been quite able to carry on the place, and before
his strength failed his eldest son had returned
with his motherless baby, Hannah. So there
had been little need for money until now, when,
her father dead and her grandfather disabled,
Hannah needed to hire help. She might have
paid in kind, but everybody that she knew made
all they needed. The only people she had ever
heard of who bought everything and saved nothing,
were these new people on the mountain,
who were held throughout the country to be
strangely “lackin'.” Old Mrs. Warren 
<pb id="ell6" n="6"/>
pronouncing them “darn fools, a-settin' round with
books in their hands.”</p>
          <p>The milking done, Hannah took the pails into
the kitchen. With the same lack of haste she
stirred the fire under the kettle, opened the oven
to look at the corn bread, strained the milk, then
taking up an axe went into the back yard. Her
face grew graver as she looked at the wood pile;
she would have to go for more to-morrow, and
she sighed as she pulled a log into position for
cutting.</p>
          <p>There was an outlet from all this. She could
marry her cousin Si Durket. She would rather
cut wood all day! And the axe swung into the
air with an ease and swiftness scarcely to be
looked for from a woman.</p>
          <p>No good would ever come to Si. She rested
on the axe as she turned the log with her foot.
Peddling would be better than Si; hiring out—
starving—<hi rend="italics">anything</hi> would be better. Yet, if
something were not done very soon, she would
have to marry him, or let the old people want.
Mrs. Wilson, from the far side of the Cove, went
up to the mountain to peddle—she could go with
her. Mrs. Wilson was a creature much scorned
by Mrs. Warren, still she knew the ways at the
University, and could direct a beginner. It was
<pb id="ell7" n="7"/>
worth thinking of. Gathering up the wood, she
went into the house to her grandmother's room.</p>
          <p>It was low, and the walls, finished up to the
rafters with wood, were painted gray, spattered
with white. A pine bedstead, with tall posts,
and piled into a dumpling with feather beds,
filled one corner. In another corner there stood
a high chest of drawers, above which hung a
spotted looking glass and some peacock feathers.
A spinning-wheel, a small table full of
dusty odds and ends, a large rocking-chair, 
covered with a patchwork quilt, and a few 
splint-bottomed chairs, finished the furnishing of the
room. In the rocking-chair, close to the great
fireplace, sat an old man, and an old woman
stood near a window catching the last light on
her work.</p>
          <p>She had been a handsome woman once, and,
like Hannah, was tall; but here the likeness
ended. Mrs. Warren's face was sharp and hard,
the girl's face was grave and strong; Mrs. Warren's 
eyes were keen, while Hannah's eyes were
thoughtful, almost sad. Further, Mrs. Warren's 
temper and tongue were famous, while
Hannah seemed still and gentle. Perhaps time
was needed to reveal Hannah; perhaps the
temper of her grandmother had made her esteem
<pb id="ell8" n="8"/>
peace as the greatest good. Each son had had to
take his wife away, and Hannah's father had only
come back after his wife's death, when, seeing
that his father needed him, he stayed. A gentle,
patient man, he could put up with the temper
his mother, whose maiden name had been
Durket, was proud to call the “Durket sperret.”
With regard to his child, he knew that no real
harm would come to any creature absolutely 
dependent on his mother. “Her own” meant a
great deal to Mrs. Warren. Her sons' wives she
had looked on as aliens. The kitchen stove, 
introduced by one of these unworthies, had caused
the final breaking up of the family. The young
woman had declared the open fireplace to be 
old-fashioned, and her husband bought the stove.
The “Durket sperret” could not stand this, and
the young people had to go, but not the stove;
Mrs. Warren kept that, and for the future vented
much of her superfluous wrath on it.</p>
          <p>As Hannah entered, Mrs. Warren turned
sharply:</p>
          <p>“I wonder you don't git tired a-playin' nigger,
Hannah Warren,” was her greeting. The
girl put down and arranged the wood before she
answered:</p>
          <p>“Thar is wuss things,” then stood looking
down into the fire. Straight as a young poplar,
<pb id="ell9" n="9"/>
with the grace and roundness of perfect strength
and youth in every curve, Hannah, in her scant
black frock, was dowered with a beauty rare in
any class. A grave, clear-cut face, waving
brown hair taken straight back and twisted in a
knot, a full throat that showed exquisitely white
where the little faded shawl fell away from it, and
hands that, if hard and brown, were very shapely.</p>
          <p>Her grandmother looked at her intently as she
stood there, and grumbled a little under her
breath.</p>
          <p>“Ain't you none better, Gramper?” Hannah
asked pityingly of the old man, bent nearly
double in his chair.</p>
          <p>“I'm some easier,” he answered patiently,
“but I'm tore up a-steddyin' 'bout the crap.”</p>
          <p>“The crap wouldn't count if Hannah had a
shavin' o' sense,” the old woman struck in
sharply.</p>
          <p>“Supper's ready, Granny,” Hannah said, and
left the room.</p>
          <p>“You pesters Hannah moren human, 
Mertildy,” the old man suggested mildly; “an'
she's a good gal.”</p>
          <p>“I reckon I knows my own flesh an' blood,
John Warren,” his wife retorted; “ an' but for
you, I'd larn her some sense, or know why. Si
Durket's my own brether's son, an' as good as
<pb id="ell10" n="10"/>
Hannah Warren will ever git. He's got a
plenty, an' is free-handed an' hearty, an' he'll do
to look at too. He's a Durket through an'
through.”</p>
          <p>“All the same, Mertildy, Hannah don't favor
Si.”</p>
          <p>“Don't favor Si! You makes me weak, John
Warren! Do a steer favor a yoke? but thet's
all a steer or a yoke is made fur. Gals is the
same; an' all yokes is jest alike as fur as I kin
see.”</p>
          <p>Mr. Warren shook his head, “You've missed
the furrer, Mertildy,” he said; “ 'tain't the yoke,
hit's the tother steer thet's the trouble. The
yoke is fur all, one way or anether, an' we gits
our necks sorely galded, thet's true; but hit's the
tother steer thet mostly gits us, an' Hannah
shan't be yoked ginst her will. You worn't,
Mertildy.”</p>
          <p>“I reckon the difference would abeen wore
out by now, anyhow,” Mrs. Warren answered
ungraciously, “an' I'd abeen jest as well
pleased”; and she left the room.</p>
          <p>For more than a year Si Durket had been
courting his cousin Hannah. Hannah's father
and grandfather had supported her in saving no,
agreeing that a man who could strike his mother
and curse his old father, was not to be desired;
<pb id="ell11" n="11"/>
but Mrs. Warren championed Si vigorously.
That a woman lived who could refuse a Durket,
she would not believe. A Durket who would be
rich when his father died, for there was much
land and only two brothers to divide it; further,
a Durket who had been to school. Mrs. Warren
had a great contempt for education, nevertheless 
she urged Si's “larnin” as a point in his
favor.</p>
          <p>Another potent cause for Mrs. Warren's 
earnestness was that the wife of Si's brother Dave,
a young woman from a town, had openly
laughed at Si's choice of Hannah, a country girl
who had never been out of Lost Cove a half
dozen times in her life, and who was poor compared
with some girls Si might have won.</p>
          <p>These considerations did not sway Si, but he
was keen enough to repeat this speech to his
Aunt Warren, who in her rage declared that
Hannah should marry Si, if only “to down thet
sassy hussy, Minervy!” And Si, seeing how
work and poverty were pressing the girl, felt his
hopes rise.</p>
          <p>Mr. Warren was troubled for Hannah in the
present crisis, still he felt that <hi rend="italics">any</hi> work was 
better than marrying a man she despised. Hard
work made rest sweet, he thought, as he sat by
the fire weary and disabled; made any food seem
<pb id="ell12" n="12"/>
good, and left a peaceful satisfaction when the
day was done, when one could smoke one's pipe
and think of the long dark furrows, and the 
well-stacked wood-pile, and the cattle penned from
harm, and think that, when the winter came,
there would be a plenty and to spare. Ay, work
was a good friend. But now his son was gone,
and he could do nothing. It was hard on the
girl.</p>
          <p>“He knocked hisn's mammy—he's hard.”
The musing ended aloud, and Hannah, coming
in with his supper, heard him.</p>
          <p>“I'll never tuck him,” she said, in her soft slow
voice, as she put the cup and plate on a chair near
the old man. “Si kin cuss, an' Granny kin blate,
I'll tuck hit, but I'll never tuck Si.” She
kneeled on the hearth with her hands fallen 
together in front of her. “An' 'bout the crap,
Gramper, I 'llows I kin git thet Dock Wilson
what's come to the Cove to he'p me do the
plowin', an' Granny kin drap, an' I kin
kivver.”</p>
          <p>“Don't say nothin' to Granny 'bout drappin',
chile,” the old man said, with patient experience
in his voice, “hit 'll jest gie her anether handle
to grind on.”</p>
          <p>“Jest so,” Hannah responded; “but, Gramper,
<pb id="ell13" n="13"/>
if Dock's like hisn's stepmammy he'll strike
fur high wages.”</p>
          <p>“Thet's true as true, an' thar ain't no money.”</p>
          <p>“Thar's things to sell,” Hannah suggested;
“I could tuck ole Bess, an' pack truck to the
'versity.”</p>
          <p>“Peddle!” the old man said, in a lowered
tone; “a Warren woman peddle?”</p>
          <p>“Hit ain't no sin.”</p>
          <p>“No, but no Warren woman ain't never peddled 
yit—never yit!”</p>
          <p>“You said onest that I could go,” the girl 
persisted; “an' hits peddlin', or hirin out, or 
marryin' Si, Gramper.”</p>
          <p>“That's true, gal; but I hates hit.”</p>
          <p>“No moren I do, Gramper.” Then hearing
a chair pushed back in the kitchen, she rose.
“I'll hev to git wood to-morrow,” she added,
“but I'll go on Friday. Don't say nothin' to
Granny.”</p>
          <p>Mr. Warren nodded, and Hannah, taking the
cup and plate, reached the door just as her
grandmother entered.</p>
          <p>“The cawfee's 'bout out,” she said, “an' the
sugar's right low too.”</p>
          <p>“I knows hit, Granny.”</p>
          <p>“An' I can't git on 'thout cawfee an' sugar.”</p>
          <pb id="ell14" n="14"/>
          <p>“I knows thet, too, Granny,” and Hannah
closed the door.</p>
          <p>“An' whar hit's to come from <hi rend="italics">I</hi> dunno,” Mrs.
Warren continued as she filled her pipe.</p>
          <p>“I reckon Jack Dunner'll trade her some fur
meat,” Mr. Warren answered. “Jack knows
we's pushed, an' he's mighty 'commydatin'.”</p>
          <p>“Pushed! Thet <hi rend="italics">is</hi> true, John Warren, if you
did say hit, but if you hed any grit we'd not <hi rend="italics">be</hi>
pushed. You keeps on a-stirrin', an' a-stirrin'
'bout Hannah tell nuther one o' you is stiffern
hog slops.”</p>
          <p>“An' if Hannah <hi rend="italics">did</hi> tuck Si,” Mr. Warren
said patiently, “hit'd leave us 'thout <hi rend="italics">no</hi> help,
Mertildy, fur thet gal is all we hes.”</p>
          <p>Mrs. Warren laughed. “Thet's easy fixed,”
she answered; “goin' to Si's is jest a-goin' home
to me an' you kin bet youuns hide I'd go.”</p>
          <p>“Then you'd leave me, Mertildy,” and the old
man straightened himself. “I couldn't rest under 
no shed but John Warren's, an' I won't, kase
thar ain't no shed big enough for two famblies,
nummine if thar's only one apiece in them 
famblies. Moren thet, thar ain't never been a 
Warren beholden to nobody fur a shelter yit, an'
John Warren ain't gwine to start hit. If you
goes, Mertildy, you'll leave ole John to his
lone.”</p>
          <pb id="ell15" n="15"/>
          <p>Mrs. Warren smoked furiously, and, “You're
sappy yit,” was all the answer she vouchsafed.</p>
          <p>Pondering his wife's words, the old man began
to see the wisdom of Hannah's plan, while
Hannah, at her work, was busy devising ways for
the carrying out of this same plan. The coffee
and sugar made a good excuse for her journey
to this new mountain town, that was a market
for all the country. She could arrange her load
in an out-house, and leave before the old people
were up. When she went for the wood she
would stop at the Wilsons' and find out about
the people and prices at Sewanee. She had
been there as a sightseer, but <hi rend="italics">never</hi> to peddle.
There were worse things than peddling, however, 
<hi rend="italics">and Si Durket was one.</hi></p>
        </div2>
        <div2 type="chapter">
          <pb id="ell16" n="16"/>
          <head>II</head>
          <epigraph>
            <lg type="verse">
              <l>“Ofttimes like children we are led to meet</l>
              <l>Our life—or driven like slaves by circumstance.</l>
              <l>And suddenly it crowds us down to earth!</l>
              <l>And in the thick we have no time to cry,</l>
              <l>Only to fight! Then all is still. And through</l>
              <l>The deadly calm of peace we moan—‘Oh, fool!</l>
              <l>Oh, fool! now all thy life is done—is done!’</l>
              <l>Yet, still, like children we were led to it;</l>
              <l>Or driven like slaves by lashing circumstance,</l>
              <l>And knew not of the ambush waiting there.”</l>
            </lg>
          </epigraph>
          <p>At the time this story opens, the railway station,
known as Sewanee, consisted of a few
shops, the post-office, and one or two small
houses, built about a barren square. From this
a broad road led to the “University,” and
the other end of Sewanee. Up this road the
butcher and shoemaker had planted some locust
trees in front of their shops, and beyond them
the confectioner had laid a stone pavement for
the length of his lot, and planted some maple
trees, that, in the autumn, burned like flames of
fire. Beyond the confectioner's the road was in
the woods for a short space, then more houses.
About a half mile from the station this road
<pb id="ell17" n="17"/>
ended in another road that crossed it at right
angles, and up and down this the University
town was built.</p>
          <p>Between the houses, between the public buildings,
wherever any space was left free from carpenters 
and stone masons, the forest marched up
and claimed its own, while the houses looked
as if they had been convinced of their obtrusiveness,
and had crept as far back as possible, leaving
their fences as protection to the forest, and
not as the sign of a clearing.</p>
          <p>Very still and bare the little place looked on
the gray March morning, when, under Mrs. Wilson's 
guidance, Hannah made her entrance as a
peddler. Down the road, beaten hard by the
rain, and dotted here and there with clear little
pools of water, Hannah led old Bess, bearing the
long bags, in the ends of which were bestowed
the apples and potatoes, the bucket of butter
being fastened to the saddle.</p>
          <p>They had not stopped at the station, for Mrs.
Wilson said the people in the town paid better
prices.</p>
          <p>“They don't know no better than to tuck
frostbit 'taters,” she explained, “an' they'll give
most anything fur butter jest now. All the 'versity
boys is come back, an' butter's awful sca'ce.
To tell the truth,” pushing her long bonnet back,
<pb id="ell18" n="18"/>
“thar ain't much o' <hi rend="italics">anything</hi> to eat right now.
What with layin' an' scratchin' through the
winter fur a livin', the hens is wore out, an'
chickens ain't in yit, an' these 'versity women is
jest pestered to git sumpen fur the boys.”</p>
          <p>Hannah listened in silence. She had her own
ideas about trading, and besides had very scant
respect for Mrs. Wilson, either mentally or
morally. She knew that her things were good,
but she was determined to ask only a fair price
for them. It was bad to cheat people because
they were simple or “in a push.” She was in a
push herself, and felt sorry for them.</p>
          <p>“An' ax a leetle moren you 'llows to git,”
Mrs. Wilson went on, “kase they'll allers tuck
some off. Thar <hi rend="italics">air</hi> a few that jest pays what you
says, or don't tuck none, an' I axes them a fa'r
price.” They stopped at a gate as she finished,
and she directed Hannah to “hitch the nag an'
stiffen up.”</p>
          <p>“I ain't feared,” Hannah answered, while she
made old Bess fast, “but I ain't usen to peddlin',
an' I don't like hit, nuther.”</p>
          <p>Mrs. Wilson laughed. “Youuns Granny
keeps on a-settin' you up till nothin' ain't good
enough,” she said. “Lots o' folks as good
as ary Warren hes been a peddlin' a many a
year.”</p>
          <pb id="ell19" n="19"/>
          <p>“Thet don't make hit no better fur me, Lizer
Wilson, an' nothin' ain't agoin' to make hit better;
any moren a dog ever likes a hog-waller,”
and she took down the bucket of butter with a
swing that brought her face to face with her
companion. One glance at Hannah's eyes, that
now looked like her grandmother's, and Mrs.
Wilson changed the subject.</p>
          <p>“Leave the sacks,” she said roughly; “hit'll
be time to pack 'em in when they're sold.” She
led the way in along a graveled walk, Hannah
looking about her curiously, and trying to 
conquer her rather unreasonable anger against Mrs.
Wilson, before she should meet the people about
whom she had heard such varying reports.</p>
          <p>At the front piazza Hannah paused, and Mrs.
Wilson laughed exasperatingly.</p>
          <p>“Lor, gal!” she said, “these fine folks don't
ax folks like weuns in the front do'; weuns ain't
nothin' but 'Covites come to peddle'; come to
the kitchen.”</p>
          <p>That people lived who thought themselves
better than the Warrens or Durkets was a new
sensation to Hannah, and she wondered if her
grandmother knew it. Her astonishment stilled
her wrath until the thought overwhelmed her,
that perhaps these people would look on her and
Lizer Wilson as the same! She had followed
<pb id="ell20" n="20"/>
mechanically, and before she had reached any
conclusion they were at the back door.</p>
          <p>A negro woman stood wiping a pan, while a
lady, holding an open bucket of butter, was talking
scoldingly to a woman who, as Hannah saw
instantly, looked very different from the lady,
and very much like Lizer and herself. There
was a moment's silence as the newcomers 
appeared; then the negress spoke.</p>
          <p>“Mornin', Mrs. Wilson,” she said familiarly.</p>
          <p>“Mornin', Mary,” Mrs. Wilson answered, in
an oily tone; then to the lady she said:
“Mornin', Mrs. Skinner.”</p>
          <p>“Good-morning, Mrs. Wilson,” the lady 
answered, while the woman she had been scolding
turned, and Hannah recognized a person who
lived near the Durkets, and who was looked
down on by them just as Lizer Wilson was by
the Warrens. They did not greet each other,
but Hannah felt the woman's stare of wonder,
that “John Warren's gal” should peddle with
Lizer Wilson! She seemed to hear the story
being told to the Durkets, and repeated to her
grandmother by Si. Things seemed misty for
a moment, then, through the confusion, she
heard Lizer's voice. “No, I ain't got nothin'
left but a few aigs; but this gal has a few things
she'd like to get shed of 'fore we starts home.”</p>
          <pb id="ell21" n="21"/>
          <p>Hannah listened, wondering, and remembered
a saying of her grandmother's, that Lizer
could “lie the kick outern a mule.”</p>
          <p>“What has she?” questioned Mrs. Skinner.</p>
          <p>“Taters, an' apples, an' butter,” Lizer answered; 
“nothin' much to pack back if the price
ain't a-comin'.”</p>
          <p>“What is the price of the butter?”</p>
          <p>“Thirty cents; I've done sold mine at thet;
the taters is a dollar an' a heff a bushel, an' the
apples a dollar.”</p>
          <p>“I have just paid twenty cents for butter; why
are your things so high?” was questioned
sharply.</p>
          <p>“Ourn is extry good,” Lizer answered. The
negro woman smiled. Hannah's indignation
was gathering, but she did not speak. Mrs.
Wilson must know the ways of the place—she
would wait.</p>
          <p>“I'll take the apples,” the lady began 
compromisingly, “but I will <hi rend="italics">not</hi> take the butter nor
the potatoes. How many apples have you?” to
Hannah.</p>
          <p>“A bushel,” Hannah answered quickly,
afraid that Lizer would say a cartload.</p>
          <p>Mrs. Skinner looked at her keenly. “I have
never seen you before,” she said.</p>
          <p>“She ain't never peddled befo', an' ain't got
<pb id="ell22" n="22"/>
no need to come now,” Lizer struck in, looking
straight at the woman from the other valley.
“She jest come along fur comp'ny, an' brung a
few things fur balance—she ain't pertickler 'bout
sellin'.”</p>
          <p>The first part of this speech soothed Hannah's
feelings somewhat, but the final clause, representing
her as coming for the love of Lizer Wilson, 
was worse than the peddling.</p>
          <p>She began to wonder if this woman <hi rend="italics">could</hi> tell
the truth.</p>
          <p>“Run git youuns apples, Honey,” were the
next astonishing words; Lizer calling <hi rend="italics">her</hi>
“Honey!” She felt a sudden hatred for the
woman. What had happened to her? was she
really no better than Lizer? She drew a bitter
sigh. Never mind, she would get a dollar for
the apples instead of the “six-bits” she had
thought to demand, and shouldering the apples
she went back. They were carefully examined
by the mistress, and generously measured by the
servant.</p>
          <p>“Hit's a good bushel,” Hannah said, astonished 
that her bushel should be remeasured.</p>
          <p>“Three water-buckets with a rise,” the lady
put in quietly, and the negress piled each bucket
carefully. Mrs. Wilson laughed, then stooped
to help her, and Hannah watched them with her
<pb id="ell23" n="23"/>
share of the “Durket sperret” rising within her.
A Warren cheat!</p>
          <p>“With all youuns risin', Mary, some's left,”
and Lizer laughed again. Hannah looked down
the cavernous bag, where about a dozen apples
were huddled into one corner. The color burned
in her face, and with a quick movement she
emptied them on the floor.</p>
          <p>“They wuz in my bushel,” she said, “they
misewell go in yourn.”</p>
          <p>The negress laughed. “I'll tek dese, Miss
Josie,” she said to the lady.</p>
          <p>There were two spots of color on Mrs. Skinner's 
face as she paid Hannah. “I should like
some more apples if you can spare them,” she
said.</p>
          <p>Hannah paused, her anger fading before the
hope of more money. If she could bring them
the next day? But by Sunday the storm about
peddling would reach her from the Durkets, and
she had no security that she would be allowed
to return. “Hit's a fur way to come an' only a
dollar at the end,” Lizer struck in, mistaking
Hannah's hesitation, and Mrs. Skinner answered, 
“She can bring me two bushels for two
dollars and a quarter.”</p>
          <p>“I can't bring 'em atter to-morrer,” Hannah
said slowly.</p>
          <pb id="ell24" n="24"/>
          <p>“Very well, bring them to-morrow.”</p>
          <p>When they turned the corner of the house,
Mrs. Wilson said:</p>
          <p>“Thet wuz a good trade; you'd asold fur
nothin'. Miss Harner thar, she hed put her
butter at two bits, an' only got twenty cents.
These folks beats a pusson down to nothin'.”</p>
          <p>“She riz on the apples,” Hannah answered
coldly.</p>
          <p>“Riz on the apples,” Lizer repeated derisively, 
while Hannah untied the horse; “she
done thet kase you acted so biggity. My soul!
but thet'll tickle Si Durket when Jane Harner
tells hit.”</p>
          <p>“ 'Pears to me like she done hit kase she lit
on a honest pusson,” Hannah retorted.</p>
          <p>It was Mrs. Wilson's turn to be angry
now, but as the Warrens were her rich neighbors,
she only comforted herself with a promise
to remember, and walked on without giving a
hint as to their destination. At the next house
she did not wait while Hannah tied the horse,
but walked in rapidly, leaving her to come alone.
Hannah was glad, for if there was danger of
meeting acquaintances, she preferred not to be
seen with Lizer. She walked in quite confidently, 
but when she reached the back door,
Lizer had vanished.</p>
          <pb id="ell25" n="25"/>
          <p>She paused a moment before several closed
doors, some belonging to an out-house, and two
to the main house. She knocked at one of the
latter. She might be mistaken, but there was
no harm in trying. Her knock was answered
by a little boy, who asked her business, then
called to someone within: “It's a woman with
butter.” There was an indistinguishable answer;
then the child led the way to a small room,
where Hannah saw so much china and glass that
she wondered if they kept it for sale. She would
have liked a longer look at it, and if she had
known more she would have waited here, but the
child had gone through another door, and she
followed.</p>
          <p>Once or twice she had heard descriptions of
how the people lived in this town, that to the
surrounding country was as yet an enigma.
Stories of how they had no object in life but
“book larnin',” and were little better than
“Naytrals.” Once her grandfather had said,
“God made all the critters, book-larnin' critters,
too, an' all hes a right to live.” This was
the only excuse she had ever heard made for
them. But she forgot all she had ever heard
when she passed through the second door. It
was as strange as a dream. The various kinds of
furniture she had never seen before, the covered
<pb id="ell26" n="26"/>
floors that made no noise, the books, the
curtains, the pictures, all were new to her, at least,
in this reckless profusion.</p>
          <p>“Come near the fire,” a voice said, and Hannah
caught a glimpse of a fire, but it seemed a
long way off, and a young man in the middle
distance was an almost impassable barrier. She
saw no signs of Lizer, but only the young man,
and near the fire a young woman who had
spoken. She moved forward slowly. The
room seemed so full, and she felt herself so 
unusually large, that she was afraid of knocking
things over. A new and disagreeable sensation,
at which she could only wonder as she took
her seat carefully, doubtful if the chair the young
woman had placed for her would hold her.</p>
          <p>“How much butter have you?” the young
lady asked.</p>
          <p>“Six pounds,” Hannah answered, then waited
to hear again the voice that was so different from
any voice she had ever heard; different even
from Mrs. Skinner's, that itself had been strange
to her.</p>
          <p>“And what do you ask for it?” the voice went
on.</p>
          <p>“Two bits, an' hit's good.”</p>
          <p>“That will be one dollar and a half”; then
to the child, “call Susan for me.”</p>
          <pb id="ell27" n="27"/>
          <p>“I've got some taters,” Hannah suggested
hesitatingly, pushing her bonnet back a little;
“taters, a bushel, good measure an' sound, for
a dollar.”</p>
          <p>“I will take them also.”</p>
          <p>Hannah rose. “If your things are at the
front gate, this is your shortest way out,” and the
young lady opened a door that led into a hall,
then opened also what Hannah recognized as the
front door, which Lizer had declared was sealed
to traders.</p>
          <p>“Did you observe how very handsome that
girl was?” the young lady asked of her 
companion when she returned from the hall.</p>
          <p>“I did not,” he answered, looking contentedly
into the face before him.</p>
          <p>“Very handsome, and I am sure she will bring
the potatoes in here—she seems quite bewildered.”</p>
          <p>“I thought she seemed quite at home.”</p>
          <p>“Not at all. Her voice was very soft, too.”</p>
          <p>“Yes, and her English had about it that sweet
simplicity that dispenses with all extra syllables. 
The way in which she said ‘taters’ was
lovely.”</p>
          <p>“I am in earnest; her voice is sweet. I have
never seen her before; I wonder what Cove she
comes from.”</p>
          <pb id="ell28" n="28"/>
          <p>“Ask her, and ask her to call again.”</p>
          <p>“I shall.” Here the door opened, and Hannah,
with the long bag over her shoulder,
entered and stood looking from one to the other.
Her bonnet had fallen back, letting the light
touch the delicately flushed face, and the dark
eyes grown wistful in their uncertainty. She
was unquestionably handsome. She put the bag
down carefully.</p>
          <p>“Did I ax you too much?”</p>
          <p>“Oh, no!” the young woman exclaimed.
“Here, Susan,” to a negress who had entered
from the back, “empty these things.”</p>
          <p>Susan raised the bag with some difficulty.
“Dat Wilson woman's in de kitchen, Miss
Agnes,” she said; “she's got aigs.”</p>
          <p>“You know I never buy from her,” the young
lady answered.</p>
          <p>Hannah listened, and Susan went away chuckling.</p>
          <p>Agnes turned to Hannah. “Sit down and
take off your bonnet,” she said, herself taking a
seat. “What Cove do you come from?”</p>
          <p>“Lost Cove.”</p>
          <p>“Where the stream sinks?”</p>
          <p>“Thet's hit; hev you seen hit?”</p>
          <p>“No, but I wish very much to see it.”</p>
          <p>“Hit's a smart piece,” Hannah went on, looking
<pb id="ell29" n="29"/>
into the fire as if making calculations, “but
you could go it on a nag.”</p>
          <p>“Where do you live in Lost Cove?” Agnes
went on.</p>
          <p>“Hit most all b'longs to Gramper. Mrs.
Wilson owns a leetle piece—” then her face
burned as she remembered what had just been
said about Lizer. Agnes remembered too, and
asked:</p>
          <p>“Is Mrs. Wilson a friend of yours?”</p>
          <p>“She is a neighbor,” Hannah said; then, after
a moment's pause, “she come alonger me this
mornin', kase I didn't know the ways ner the
folks, but we couldn't 'gree, an' she leff me at
youuns gate.”</p>
          <p>“I am glad of that. If you had come with her
I should not have bought your things; she asks
two prices.”</p>
          <p>“She do thet! But she's mighty poor.”</p>
          <p>A smile flitted across the young man's face as
the words reached him, and he wondered what
Hannah's idea of wealth was! “Quantity,”
would have been her answer, for, to her, this was
the only difference. In her world the rich 
demanded no better quality, only a greater 
quantity, and, after a certain stage of plentifulness
was reached, life was taken with folded
hands.</p>
          <pb id="ell30" n="30"/>
          <p>“You have never been here before?” Agnes
asked.</p>
          <p>“Not to peddle, I ain't.”</p>
          <p>“Will you come again soon?” as the servant
put the bag and bucket down by Hannah.</p>
          <p>“I hes to bring some apples to a woman
to-morrer.”</p>
          <p>“Then you call bring me some—a bushel?”</p>
          <p>“I reckon,” and Hannah rose, feeling as glad
about coming again as about the much-coveted
money she was putting into the old deer-skin
purse; then Agnes shook hands with the girl
over whom she had cast a spell.</p>
          <p>“So you sold out at Agnes Welling's front
do',” Mrs. Wilson said mockingly, when she met
Hannah at the gate.</p>
          <p>“I did, an' I'll wait fur you at the sto' ”; then
Hannah mounted old Bess and rode away. She
did not want to talk to Mrs. Wilson just yet.</p>
          <p>“And you did not ask her name?” the young
man said when Hannah was gone.</p>
          <p>“I forgot it; but was she not handsome? I
shall go to Lost Cove this summer.”</p>
          <p>“We will make up a party,” the young man
suggested.</p>
          <p>“No, I will go alone.”</p>
          <p>“Honest, at least.”</p>
          <pb id="ell31" n="31"/>
          <p>Agnes laughed softly. “Still, I mean what I
say, Mr. Cartright.”</p>
          <p>“It is too far for you to go alone, your brother
will not permit it.”</p>
          <p>“We will see.” Then Cartright went away,
slamming the gate sharply, while Agnes laughed.</p>
        </div2>
        <div2 type="chapter">
          <pb id="ell32" n="32"/>
          <head>III</head>
          <epigraph>
            <lg type="verse">
              <l>“Turn, Fortune, turn thy wheel with smile or frown;</l>
              <l>With that wild wheel we go not up or down.</l>
              <l>Our hoard is little, but our heart is great.”</l>
            </lg>
          </epigraph>
          <p>It had been a successful day, and as Hannah
rode through the falling shadows, with Mrs.
Wilson mounted behind her, her heart felt light.
She had the coffee and the sugar, besides two
dollars toward the plowing, and three bushels
of apples engaged, making five dollars—to her
a fortune, And this success <hi rend="italics">would</hi> mitigate the
displeasure of her grandmother, unless talk from
the Durkets reached her; that would stop 
everything.</p>
          <p>But above all, she had looked into a new
world, and her life seemed to have changed.
All the fear of Sewanee was gone. The people
up there were strange; that is, different from any
people she had known, but she liked them. She
was anxious to see that “Miss Agnes” again.
She would take more potatoes to-morrow, and
some meat; there was no telling how much she
might make.</p>
          <pb id="ell33" n="33"/>
          <p>She began to hum a tune as they jogged
along; for, although Mrs. Wilson's feelings
permitted her to ride behind Hannah, they still
prevented conversation. It was only at the
Warrens' gate that Mrs. Wilson vouchsafed a
dignified “Far'well, Hannah Warren,” and
trudged away across the fields.</p>
          <p>Hannah was preoccupied and excited. She
had been dead, and now, in some strange way,
vigorous and uncontrollable life had come to her.
Her impulse was to defy her grandmother, but
habit bade her avoid any meeting until she had
found out from her grandfather the state of
things.</p>
          <p>She hung the bag containing her purchases
across the fence, and unsaddled the horse. In
the kitchen she went through the evening's 
routine with forced quietness, and ran upstairs for
the fodder with a lightness and haste hitherto 
unknown, laughing softly as, opening the end 
window farthest from her grandmother's room she
tossed the binds out. This would let her carry
the milk pails out when she went down, and 
lessen, by one journey into the house, the danger
of meeting Mrs. Warren.</p>
          <p>She leaned on the gate as on the afternoon
when she decided to peddle; but how different
was everything. She felt that she controlled her
<pb id="ell34" n="34"/>
own fate now; that she could resist her
mother and defy Si Durket. In short, she was
free, and with the rare joy of having realized her
bondage and freedom in the same moment. She
might have gone on forever in the old dull path,
but for the necessity that drove her to peddling.
The fruits of the earth and the beasts of the field
had become her protectors against Si Durket.
She would never tire of work again. A shadow
fell on the joy, and she leaned her head on the
gate. “Poor Daddy! If he hed downfaced
Granny, an' peddled stiddy, an' not jest traded
what happed over, Granny couldn't hev jawed
him the way she did, kase he'd hev hed as much
as the Durkets. Poor Daddy!” And she recalled
the silent, sad-eyed man who had thought
himself a failure. The tears rose to her eyes, but
did not quench the anger that burned in her
heart against her grandmother. “An' I'd abeen
jest like him but fur peddlin'.”</p>
          <p>The clank of the cow-bells broke on her musings,
and at the sound happiness brimmed up
again. “Does you feel well, cows?” she said. 
“Si Durket kin say farwell now”; and, holding
open the gate, she patted the animals as they
came in. This elation lasted until she had to
carry wood into her grandmother's room, then
unexpectedly her heart failed her.</p>
          <pb id="ell35" n="35"/>
          <p>“All she kin do is to kill me,” she thought,
with an incredulous smile, “an' thet's heap 
bettern marryin' Si.”</p>
          <p>“Hardy, Gramper!” she said as she opened
the door, and there was such a cheery ring to her
voice that Mrs. Warren put her great 
silver-rimmed spectacles in place to look at her.
“How'd you git on 'thout me?” she went on,
smiling reassuringly into the old man's eyes as
she put down the wood.</p>
          <p>“Hit's been some lonesome,” he answered;
“hit's never been afore thet I've set all day an'
never hearn a holler, ner a whistle, ner a step
'bout the ole house thet kin 'member so many
a stomp. My Par, an' my brethers, an' my boys,
all gone—all gone. But I kin 'member how
ever one sot hisn heel to the flo'. I don't see
how I'll ever spar' you to go clean away,
Hannah,”</p>
          <p>“You'll never need to see hit,” Hannah 
answered. “Supper's ready, Granny,” she went
on, and turned to the door.</p>
          <p>Mrs. Warren rose slowly. “You gits meallyer 
ever day, John Warren,” she said, pushing
the odd needle through her knitting.</p>
          <p>“Thet's right, Mertildy, a good, ripe apple is
allers meally.”</p>
          <pb id="ell36" n="36"/>
          <p>“An' gits rotten-meally—mebbe you knows
thet.”</p>
          <p>“An' you speaks thet to me thet hes been
youuns man fur moren fifty yeer, Mertildy?”</p>
          <p>“Yes, I do say hit 'bout Hannah,” she 
answered. “Did I think I'd live to see a Warren
gal a-tradin' taters like any trash? She'll be
a-peddlin' next; an' mebbe you'll marry her to
Dock Wilson, jest to hev her a-nigh you.”</p>
          <p>“Hit mout all come true, Mertildy,” and the
old man's gentle eyes flashed; “fur peddlin' ain't
no sin, an' Dock Wilson ain't never knocked a
woman yit.”</p>
          <p>A dull color came into Mrs. Warren's face.
“Si were wrong,” she admitted; “but thar's
one thing a Durket can't stand, an' thet's bein'
jawed by a fool, and Si's Mar were a p'in-blank
fool.” At the door she met Hannah. It looked
almost as if she had been waiting there, in spite
of the cold wind that was sweeping through the
lobby.</p>
          <p>And now the happiness that had left her at the
wood-pile came back, as, kneeling in front of the
fire, Hannah drew the two silver dollars from her
pocket.</p>
          <p>“Didn't you git no cawfee an' sugar?” Mrs.
Warren asked.</p>
          <p>“I did thet, an' brung home this fur the
<pb id="ell37" n="37"/>
plowin',” and she shook the money triumphantly. 
Then she told her story, impressing on
the old man that she had gone to the shop with
money. But she lowered her voice as she told
of her meeting Mrs. Harner, and of her engagement 
for the next day. Mr. Warren, eating
slowly, made no comment until she came to the
description of her being received in the Wellings'
parlor, while a servant emptied her things,
and Lizer waited in the kitchen.</p>
          <p>“Thet'll tickle Mertildy,” he said with a
chuckle; “but if you 'lows to go ag'in to-morrer,
you must git off 'fore youuns Granny hes
time to hender you.”</p>
          <p>“She can't hold me all day, Gramper, an' she
can't tie me.”</p>
          <p>Mr. Warren regarded his granddaughter curiously. 
“Granny's ole now, chile,” he said, “an'
don't you go to makin' her wuss mad 'an is needful. 
You ain't never seen her rayly mad. I
ain't never seen hit but onest, but thet's
enough,” rubbing one hand slowly round on his
bald head. “ ‘Fair-an'-easy’ is a good horse,
Hannah, but ‘Don't keer’ is a galding nag.
Thar's no use a-flyin' in Granny's face 'thout
thar's a needcessity.”</p>
          <p>Hannah felt her independence slipping away,
and she asked, “What hev you told Granny?”</p>
          <pb id="ell38" n="38"/>
          <p>“Thet you hed gone to trade fur cawfee an'
sugar, an' I ain't a-goin' to tell her nothing mo'
tell I'm obleeged to. She's been worrited an'
onsettled all day, mad 'bout Lizer a-goin. 
Lizer ain't to say a clean-tongued woman.”</p>
          <p>“Mrs. Wilson's feared o' me,” Hannah said
contemptuously. Then told again of emptying
the apples, and the snubbing she had given 
Lizer at the gate.</p>
          <p>“Thet's what Granny 'll call the ‘Durket
sperret,’ ” and the old man smiled as if at the
vagaries of a child. “But she sets a heap o'
store by you, Hannah.”</p>
          <p>“She's too hard, Gramper,” the girl said
coldly. “She stomps youuns feelin's dead, an'
<hi rend="italics">then</hi> she ain't sati'fy, kase then you've got to feel
her way,” and the girl's eyes filled with tears.
“If I coulder lied or stole, or if I coulder left you
an' Daddy, she'd hev druv me to hit long ago.
Poor Daddy!” But she dashed the tears away,
for, without warning, Mrs. Warren entered.
She looked at them sharply, then seated herself
near the fire with her knitting. Hannah did not
move; she would do nothing that looked like
retreat.</p>
          <p>“An' what's you been a-cryin' 'bout, Hannah;
is you sick?”</p>
          <p>“We's been a-talkin', Mertildy,” Mr. Warren
<pb id="ell39" n="39"/>
answered, “ 'bout you, and me, an' Joshaway, an'
Hannah.”</p>
          <p>Mrs. Warren was silent, for, unknown to
anyone, her heart was sore about her son
Joshua. Her last words to him haunted her.
She had abused him in the presence of his
child. When she ceased, he had shouldered
his axe and had gone into the woods,
and in the evening had been brought home
dead, his life crushed out by a falling tree.
Her grief for his death had been unfeigned, and
she had spent all she could lay her hands on for
his funeral; but she had never said that she was
sorry for any of the hard things she had dealt to
him throughout his life, and Hannah's young
heart had grown hard toward her. But Mrs.
Warren remembered, and any mention of his
name was a keen pain.</p>
          <p>“Youuns daddy were a good son, boy and
man,” Mr. Warren went on. “He never tole a
lie as I kin 'member, an' he never done nothin'
he were tole not to do, nur he never hurt nothin'
if he knowed hit; an' when youuns Granny were
ailin', thar worn't no woman more soffly than
Joshaway. An' from the time he were born he
hed them kind o' askin' eyes like the critters thet
can't say what they wants. An' hit allers hurt
me, Joshaway's eyes did, an' when he were leetle
<pb id="ell40" n="40"/>
I were allers a-givin' him ever'thing he looked
at; but all the same hisn's eyes kept on askin' an'
askin' to the last.”</p>
          <p>There was a dead silence in the room save for
the click of Mrs. Warren's needles, and the
whispering of the fire. Presently Mr. Warren
spoke again. “I reckon hisn eyes is satisfy now.
I reckon so. An' weuns never hed no words,
me an' Joshaway; but I've been right sharp
on Pete, an' Dave, an' John; but Joshaway never
hurt nobody, an' nobody never hed no 'casion to
hurt Joshaway. An' now he's gone afore me.
But I reckon hisn eyes is satisfy—I reckon so.”</p>
          <p>Hannah rose, she could not listen any longer;
she would cry out against the hard old woman
sitting there with that immovable face. Her
taste of freedom that day had unfitted her for the
stolid submission of the past. She could not
bear it, and she left the room. It scarcely
seemed fair that her father should be brought
back from his grave to blunt her grandmother's
temper. She might be mistaken, and the words
have been only loving recollections.</p>
          <p>“Ole folks don't hev nothin' to do but 'member
things,” she whispered, wiping her eyes with
the corner of her little shawl, as she stole away
to the loft where the apples were stored. She
put down the sacks and the measure carefully,
<pb id="ell41" n="41"/>
and, hanging the lantern on a nail in the low
rafters, kneeled down cautiously. “An' Daddy
would a-been willin' to be spoke 'bout to save
me,” the whisper went on, as she carefully
picked out the apples and laid them in the measure.
The fall of one might call her grandmother
up to investigate, and prohibit. When the sacks
were filled she lowered them from the window
with a rope. It took a long time, and she was
shivering uncontrollably when she took the 
lantern from the nail and crept downstairs.</p>
          <p>The meat and the potatoes were easily arranged,
for they were in an out-house. In the
piazza she piled wood for the morning, and laid
the kitchen fire ready for lighting. Her grandmother 
should have no extra work to complain
of.</p>
          <p>She took the milk pails and the kettle into her
own room, for all must be done before day. And
in after-years it seemed to her that her life dated
from that cold, dark March morning. She
milked, with the lantern casting weird shadows
about her, refusing to listen to the strange noises
of the wind, and trembled like a thief when she
took off her shoes and stole into the kitchen
with the milk. She was glad now that the wind
was wild and high; she could hear the branch of
a tree her father had planted close to the house,
<pb id="ell42" n="42"/>
scraping against her grandmother's window, and
drowning any little noise that she might make.</p>
          <p>She drank a bowl of milk, and put a piece of
cold corn-bread into her pocket, to serve until
she came back, and, as the first light broke in the
east, and flashed a crimson flame from point to
point of the low-flying clouds, Hannah closed
the gate softly and rode away.</p>
          <p>The shadows were still black in the woods, and
the wind that came tearing down the mountain
seemed to wrap round her, and to bend the trees
down as if to bar her from this journey. Never
before had the sunrise affected her as it did now,
and realizing dimly a change in herself, she 
wondered a little, stopping to look down over the
wild, mist-draped scene.</p>
          <p>“Everything seems purtier now,” she murmured.</p>
          <p>A thread of blue smoke rose from among the
trees below; she started, gathering up the reins;
she knew where that came from.</p>
          <p>“An' now poor Gramper's a-steddyin' what
to say!” and she urged old Bess forward as if
her grandmother might yet sally forth and stop
her.</p>
        </div2>
        <div2 type="chapter">
          <pb id="ell43" n="43"/>
          <head>IV</head>
          <epigraph>
            <lg type="verse">
              <l>“But my being is confused with new experience,</l>
              <l>And changed to something other than it was.”</l>
            </lg>
          </epigraph>
          <p>“Where are you off to, Max?” The young
man addressed was adjusting a shabby gown
with much precision.</p>
          <p>“To Miss Welling's,” Max answered, as with
the same care he put on his square cap.</p>
          <p>“If <hi rend="italics">I</hi> had such a fossil gown,” his companion
went on from the bed where, though the day was
young, he was lounging with a cigarette between
his lips, “and such a crummy mortar-board, I'd
not put them on with such solemnity and
jurisdiction.<sic>’</sic> ”</p>
          <p>“If you could show such a cap and gown,
Melville, you'd not be a ‘Squab’ ”; and taking
up some books, Max left the room.</p>
          <p>It was early, but formal visiting hours were
ignored in the village of Sewanee, and people
kept open house, and “dropped in” on each
other when they liked. So Max dropped in and
found Miss Welling sewing.</p>
          <p>“I have brought the book I spoke of,” he 
<pb id="ell44" n="44"/>
began, without further greeting. “This poet
ought to capture you, to convert you to himself, 
for he makes one long to live bravely.”</p>
          <p>“Or die bravely,” Agnes suggested.</p>
          <p>“To live is harder. Death cannot be dodged,
so there is no use in being afraid; but many
things in life can be dodged. I often wonder if
education makes any difference in the way one
meets death. Is it easier for these country 
people to let life go than for us?”</p>
          <p>“They live like moles,” Agnes said, “in comparison 
we are squirrels; and I think they take a
pride in dying. I think the ignorant die calmly
because they do not know, and the educated 
because they do know.”</p>
          <p>“What?”</p>
          <p>“What? why—why, everything; which 
comprehensive everything is, after all, very limited.
Still I believe in education. I <hi rend="italics">know</hi> that educated 
people are happier and better.”</p>
          <p>“Whew!” and Max pulled his mustache
slowly. “If I were sure of that, I should this
day begin a crusade with a ‘blue-backed’ 
spelling-book as my banner. And you,” leaning 
forward a little, “your duty is to begin at once to
teach. If once we realize what is best to be done
for our fellows, we <hi rend="italics">must</hi> do it.”</p>
          <p>The door opened and Hannah stood before
<pb id="ell45" n="45"/>
them with a sack of apples across one shoulder.
“Hardy,” she said, her face lighting up as she
caught sight of Agnes; “har's youuns apples.”</p>
          <p>“I am glad to see you,” and Agnes held out
her hand. Max looked from one to the other
curiously, then placed a chair near the fire for
Hannah. “It is cold,” he said. Hannah
looked at him a moment, then taking off her
long bonnet, sat down on the edge of the chair.</p>
          <p>“Yes, and she has come a long way,” Agnes
answered for her, then turned away to call the
servant. Max took up the bag and followed
Agnes into the next room, and she going still
further, he returned to his place. Hannah
watched him until he came back, then looked at
the fire, and Max watched her. It was a beautiful
face as he saw it now with the firelight on it,
and he spoke to her.</p>
          <p>“What Cove do you come from?” he asked.</p>
          <p>“Lost Cove.”</p>
          <p>“Then you must be connected with Mr. John
Warren, and with his son?”</p>
          <p>“He's my Gramper,” she answered, in a 
surprised voice; “and hisn's son, Joshaway?”</p>
          <p>“Yes; I met them out hunting last October.”</p>
          <p>“Joshaway were my Par”—the voice 
faltered, and the eyes sought the fire. “He were
killed in November.”</p>
          <pb id="ell46" n="46"/>
          <p>“Yes, I heard that. What is your name?”</p>
          <p>“Hannah,” watching Agnes as she returned.</p>
          <p>“And is your grandfather quite well?” Max
went on in a quiet way, that put Hannah at her
ease and surprised Agnes.</p>
          <p>“No, he ain't; he can't stir fur the rheumatiz,
an' he ain't done a hand's turn sence hog-killin',
jest atter Daddy died, an' I'll hev to hire Dock
Wilson to help me plow.”</p>
          <p>“You plow?”</p>
          <p>“Yes, sir.”</p>
          <p>“Can you read?”</p>
          <p>“Some; Mammy hed schoolin', an' she larned
dad, an' he larned me. But I don't hev no time,
what with the cows, an' the hogs, an' the wood,
an' the cookin', an' washin'; an' Granny says
book-larnin' is foolishness.”</p>
          <p>“You must have too much to do; though
work is a good friend.”</p>
          <p>“Thet's what Gramper says. He says work
b'ars no gredges an' tells no lies; good work
stan's up an' says ‘good,’ an' bad work stan's up
an' says ‘bad,’ an' thar's no hushin' them, an'
hit's true”; then rising, she took up the bag the
servant had brought, and held out her hand to
Agnes.</p>
          <p>“Farwell,” she said, “weuns'd be rale proud
to see you down home.”</p>
          <pb id="ell47" n="47"/>
          <p>“Thank you,” Agnes said, smiling as Hannah,
instead of shaking her hand, turned it over
and looked at it curiously. Then she turned to
Max. “You must come, too, an' what name
shell I name to Gramper?”</p>
          <p>“Max Dudley,” shaking hands in his turn;
“we camped together one night. I was lost
and came on his camp. I will bring Miss 
Welling down”; then he opened the door for
Hannah.</p>
        </div2>
        <div2 type="chapter">
          <pb id="ell48" n="48"/>
          <head>V</head>
          <epigraph>
            <lg type="verse">
              <l>“And answered with such craft as women use,</l>
              <l>Guilty or guiltless, to stave off a chance—</l>
              <l>That breaks upon them perilously.”</l>
            </lg>
          </epigraph>
          <p>Successful as before, Hannah was happy, for,
besides a little bag of flour, she had more money
than she intended to show even to Mr. Warren.
If he knew of this surplus he might reveal it in
order to save her from hard words; and if Mrs.
Warren knew, it would be stored away and she
be left as helpless as before. She had made a
long <foreign lang="fre">détour</foreign> to reach the Wilsons' and engage
Dock to plow, as she had the money to pay him.
She would say four dollars, the rest she must
save for other purposes.</p>
          <p>Once more on the main road, she urged old
Bess on. There was much excitement in her
position, and she was anxious yet afraid. How
would it be possible to see Mr. Warren alone
first? She stopped the horse. “If I keeps on
bein' afeard o' Granny,” she said aloud, “I'll do
sumpen rale mean some day.” Old Bess was
urged on again. “I'll go right in an' face her,
crooked chance or straight chance.” She
<pb id="ell49" n="49"/>
dropped the reins on the horse's neck, and took
the old deer-skin purse from her pocket. It was
quite full with her two days' gains, and she drew
a long sigh. She took out all the money save
the four dollars intended for Dock's wages, and
tying it up in her glove, hid it in her bosom, then
put the purse back in her pocket.</p>
          <p>“Hit looks right sneakin', but I must save
hit 'ginst Si.”</p>
          <p>Reaching the gate, she unsaddled the horse
with unusual celerity, and shouldering the saddle
and the little bag of flour, went quickly into
the house.</p>
          <p>It had been a long and weary day to the old
man. Hannah's errand was a bitter pill to Mrs.
Warren. She had never done such a thing in
her life, nor was it customary with women of
her station. In those early days, “the man who
would let his women-folks peddle was a poor
sort of man.” But the concealment of the 
expedition had wounded Mrs. Warren also.</p>
          <p>Often she had complained that she did not
understand Hannah, for though she usually held
herself very much aloof, Hannah would yet do
work and associate with people that shocked
Mrs. Warren, and the irritation caused by what
she deemed the girl's peculiarities was a very
constant thing.</p>
          <pb id="ell50" n="50"/>
          <p>“A goat raised a pup once, Mertildy,” her
husband had often said to her, “but she never
could larn thet pup to butt; an' you'll never larn
Hannah youuns ways.”</p>
          <p>All this ground, and the grievance about Si,
had been gone over many times during the day.
Mrs. Warren felt herself outwitted, for she was
sure the difficulty of plowing had been solved.
Her sequence had been—no man to plow—no
money to pay a man—no crop, then want, or Si
Durket.</p>
          <p>“An' why not?” she had asked; “he's well-lookin'
—he's well off—he's a <hi rend="italics">man</hi>. He cusses
some; he gits drunk some, and when he's mad,
he <hi rend="italics">is</hi> mad. But all the Durkets hes sperret, an'
Si ain't none o' your soft-walkin'<sic corr="-">—</sic>still-tongued
folks like the Warrens; an' when he walks, he
stomps!”</p>
          <p>Mr. Warren had told her of Hannah's first
venture, how she had sat in the parlor, leaving
Lizer in the kitchen—how she showed the
“Durket sperret” about the apples, and how,
after her purchases, Hannah had two dollars
left.</p>
          <p>These things had mollified her, until she 
remembered that they had been concealed from
her: and when Hannah entered she turned her
face away.</p>
          <pb id="ell51" n="51"/>
          <p>“Is you done dinner?” Hannah asked, then
looked at her grandmother's averted face.</p>
          <p>“Yes, Honey,” Mr. Warren answered, twitching
her dress furtively; “an' was the woman glad
to see you?”</p>
          <p>“Yes, and I had a rale nice time. Thar
wuz a young man to Miss Agnes Wellin's that
knowed you an' Daddy. Says he stayed all
night to youuns camp. He's coming to see
you, an' Miss Agnes is a-comin' too.”</p>
          <p>“That's right,” Mr. Warren answered
heartily; “I 'members that feller, he's named
Dudley, and he's rale well-spoken.”</p>
          <p>“That's hit,” Hannah assented, “an' I said as
you and Granny would be proud to see 'em if
they'd come, an' they said they'd come sure.
An' Miss Agnes said I must come again.”
Then, more slowly, “Them folks at Sewanee is
good folks, Gramper, an' the lies Mrs. Wilson
tells 'em, an' tells 'bout 'em, is scan'alous! But
they knows Lizer.”</p>
          <p>“And was you all the time a-doin' that?”
Mrs. Warren asked curtly.</p>
          <p>“No, I stopped a piece at Mrs. Skinner's and
at the sto'. Aigs is awful sca'ce; Mrs. Skinner
says she'll gimme twenty cents a dozen.”</p>
          <p>“Thet's a good price, sure,” Mr. Warren said.
“Did you promise any?”</p>
          <pb id="ell52" n="52"/>
          <p>“You said not to say I'd go again,” Hannah
answered.</p>
          <p>“When you is done rubbin' 'gainst the pot,
thar ain't no use a-fearing smut,” Mrs. Warren
put in sharply. “Hannah Warren is done
knowed fur a peddler alonger Lizer Wilson an'
sich, an' she misewell sell the aigs.”</p>
          <p>“If you sesso, Granny, I'm surely willin',”
and Hannah did not give a sign of the surprise
she felt. “An' Dock Wilson says he'll come
a-Monday, Gramper.”</p>
          <p>Mrs. Warren looked up quickly. She saw
some of her suspicions being made facts, and 
realized that Hannah was escaping her. “An'
who's to pay?”</p>
          <p>“I've got the money,” Hannah answered.
Then she went her way to the kitchen, where she
stood still and drew a long breath of relief.</p>
        </div2>
        <div2 type="chapter">
          <pb id="ell53" n="53"/>
          <head>VI</head>
          <epigraph>
            <lg type="verse">
              <l>Is she wronged? To the rescue of her honor,
My heart!</l>
              <l>Is she poor?—What costs it to become a donor?</l>
              <l>Merely an earth to cleave—a sea to part.</l>
              <l>But that fortune should have thrust all this upon her!</l>
            </lg>
          </epigraph>
          <p>“Dock Wilson!” Mrs. Wilson stood in the
open door of her small log-house. Dock turned
and looked from where he sat on the wood-pile
whittling, but did not answer, and she raised her
voice, “Dinner's done, an' I wish you'd come!”</p>
          <p>Dock went on with the whittling, whistling
softly. He was tall and fair, with a grave, kind
face and his eyes were true. His stepmother,
Lizer Wilson, ruled him “to the last notch,”
people said, but Dock had his own code and
went his quiet way, with few words or friends.
He had not been in the Cove long. When old
man Wilson was dying, he sent for this son; and
since his father's death Dock had worked faithfully
for his stepmother and her two boys.</p>
          <p>In Mrs. Warren's eyes he was contemptible.
“Any man that kin stan' Lizer Wilson must hev
cotton insides,” she would say conclusively, and
Hannah began to think of Dock with sympathy.</p>
          <pb id="ell54" n="54"/>
          <p>Just now he took his own time about obeying
Mrs. Wilson's call. He was in deep thought
that he seemed to work into the butter-paddle
he was fashioning, whistling softly. He regarded
it with some satisfaction, as he shut his
knife and dropped it into his cavernous pocket.</p>
          <p>“A piece o' glass 'll make hit smooth.” He
put it away in the hollow of a tree near by, and
went into the house.</p>
          <p>“Pears like you ain't much honggry,” was
Mrs. Wilson's greeting.</p>
          <p>“I dunno,” Dock answered, “I'll try an' see.”
For a few moments there was silence; then,
<sic corr="eyeing">eying</sic> Dock closely, Mrs. Wilson asked:</p>
          <p>“What did Hannah Warren want?”</p>
          <p>“She wanted to hire some plowin'.”</p>
          <p>Mrs. Wilson grunted. “Hiren plowin' an'
been up twicest this week a-peddlin'. <hi rend="italics">She</hi> to set
up to run the place on hired han's; she'd better
tuck Si Durket an' be done.”</p>
          <p>Dock shook his broad shoulders a little.</p>
          <p>“Is you a-goin' to plow?”</p>
          <p>“I am.”</p>
          <p>“An' I bet you ain't made no trade, jest said
you'd do hit.”</p>
          <p>“Jest so.”</p>
          <p>“An' what kinder trade is you a-goin' to
make?”</p>
          <pb id="ell55" n="55"/>
          <p>“If Hannah Warren hes to peddle to pay me,
she kin pay what she hes a mind to pay, 
Hannah is a Sunday gal!”</p>
          <p>“An' me an' the boys 'thout rags to ourn
backs,” rising, as if to keep up her voice; “an'
you eatin' like a horse! I ain't a-goin' to stand
hit, Dock Wilson, I tell you I ain't! An' thet
dratted Hannah Warren thinkin' herself too
good to go alonger me. You're a fool—a 
dead-gone fool! I ain't a-goin' to stand hit!”</p>
          <p>Dock, rising, drew his shirt-sleeve slowly
across his bearded lips as he rose. Mrs. Wilson
seized his arm. “Is you deef?” she cried
shrilly. Dock looked down on her.</p>
          <p>“No,” he answered deliberately, “I ain't deef;
an' I b'lieve you could raise the dead, Lizer,
much less make the deef hear.”</p>
          <p>The woman swung away from him. “I sw'ar
you'll wish yerseff dead if you don't make a good
trade,” she said; “I sw'ar you will.”</p>
          <p>“Thet won't be nothin' new.” Then Dock
went to a little shanty he had built for himself,
where Lizer was denied entrance. He pushed
up the fire, and, sitting down, lighted his pipe.
Hannah Warren! Her worth had dawned on
him gradually. He was first struck by the 
difference between her and the other women he
knew. She reminded him of a pool of water
<pb id="ell56" n="56"/>
deep under the rocks, where there was no sound
of trickling stream—no ripple. In the evening,
when the sun was setting and all was still,
the purple light on the mountain-side seemed
like her. He could not put it into words, but,
when he saw these things he would whisper,
“Hit 'minds me o' her.” He did not dream of
lifting his eyes to Hannah, he had scarcely ever
spoken to her; but this far-off influence had
changed his life. Now she had sought him.
She had called him, softly, “Dock!” and when
he stood beside her horse and looked up, the fair
face seemed doubly fair, shining from the depths
of her long bonnet. Drive a bargain with Hannah! 
he would see Lizer dead and buried first.
It hurt him to think of her going about
Sewanee peddling. It was very well for Lizer
and the like, but Hannah was different. He had
heard enough to make him sure she was 
peddling to save herself from Si Durket, and that
she peddled against her grandmother's will. He
had seen her cutting wood, and hauling it, too.
Already he had carried wood there in the night,
not enough to attract attention, but enough to
help her. He must help her against Si, or he
would have to kill Si. A quarrel was “easy
picked.”</p>
          <p>Presently Mrs. Wilson's voice, ordering the
<pb id="ell57" n="57"/>
boys to bring in wood, reminded him that the
more wood he cut to-day, the more time he
would have to help Hannah next week. He put
down his pipe, and soon the quick, sharp strokes
of the axe rang through the stillness, until Hannah
could hear them between her own less
powerful blows.</p>
          <p>She listened, and wondered what wages he
would demand. Speaking to him, she had 
become sure of his goodness, and felt that if he
knew how hardly she was bestead, he would not
push her.</p>
          <p>“But I can't tell him, if his heart <hi rend="italics">is</hi> kind.”</p>
          <p>Si would come over the next day, it being
Sunday, and she longed for snow or rain, even
to the detriment of the plowing, to keep him
at home. But before evening the clouds were
swept away before a stinging northwest wind,
and the morning dawned brilliantly clear.</p>
          <p>“You'll hev a good week a-plowin',” Mr.
Warren said, as he ate his breakfast.</p>
          <p>“But we'll hev Si to-day,” Hannah answered,
“an' Granny will r'ar an' pitch if he riles her
'bout the peddlin'.”</p>
          <p>“Mebbe he won't say nothin', an' you kin
keep him pleased.”</p>
          <p>Hannah looked up quickly. “If I makes
b'lieve to favor him, I kin,” she said; “but that's
<pb id="ell58" n="58"/>
a big lie, Gramper, an' surely you don't mean hit,
kase if you goes against me I'll go and hire out.”</p>
          <p>“Lord! youuns Granny'll die!”</p>
          <p>“Well, she'll hev to die 'fore I'll tuck Si.”
She felt strong now that she had a little money
laid by; nevertheless her heart quailed a little
when she saw Si dismount at the gate. She
heard him come into her grandfather's room,
and she longed to run away; instead, she emptied 
the water from the buckets, and, when the
dishes were put away, sat with buckets on either
side and her bonnet on. Presently a chair was
moved, and Hannah was gone. Si found the
kitchen empty. But, lengthen it as she would,
the work was done at last, and when Mrs. 
Warren called her she had to go. She took her seat
close to her grandfather, who laid his hand on
hers, that rested on the arm of his chair.</p>
          <p>Si was giving a grand description of a visit he
had made lately to Chattanooga. It was something
to have traveled on the railway, but a visit
to Chattanooga was a thing to date from. He
had brought back some “<hi rend="italics">see</hi>gyars,” one of
which he now smoked with much ostentation.</p>
          <p>Mrs. Warren looked and listened to her
nephew with undisguised admiration, every now
and then putting in an encouraging exclamation.</p>
          <pb id="ell59" n="59"/>
          <p>This great man was a Durket—the Warrens 
could not have produced him. She had
tried her best to make her boys Durkets. She
had showed them the “Durket sperret” faithfully;
but each son, as he married, chose the
quietest woman he could find. And now her
granddaughter, who had this golden opportunity
of mating with the flower of the Durkets,
refused—and stood to her refusal with a strength
in which Mrs. Warren might have seen a strain
of “Durket sperret,” if she had not been 
convinced that it was Warren obstinacy.</p>
          <p>Presently Hannah was sent to see after dinner,
then Si said: “We'll walk a piece after grub,
Hannah.”</p>
          <p>“I dunno—”</p>
          <p>“Yes, you do!” Mrs. Warren struck in; “I'll
clean up—go 'long.”</p>
          <p>Hannah was tempted to hide, but the storm
would then fall on her grandfather, who was
bound to his chair, and always at the mercy of
that merciless tongue. She must go with Si,
and if there was a battle to be fought she must
fight it.</p>
          <p>“If there's a bad place in the road, pick up
youuns foot an' cross it quick,” she said to herself
as she put the dinner on table—“thar' ain't
no use in doubtin'—git over.” Then she helped
<pb id="ell60" n="60"/>
her grandfather, and went back into the room
as Mrs. Warren and Si left it.</p>
          <p>She found that as yet nothing had been said
about the peddling, and Si seemed in a good
humor.</p>
          <p>“But he hes hearn,” Hannah thought, and
took as long as she could to eat her own
dinner.</p>
          <p>At last the time came, and she passed quickly
through the gate that Si held open, and turned
into the public road going down the Cove.
The bare trees along the mountain-tops seemed
to be cut in ebony against the brilliant blue.
The buds were swelling—the moss and lichens
on the gray <sic corr="boulders">bowlders</sic> looked a brighter hue, the
fields spread brown and ready for work, the birds
were flying about busily, and through the stillness
came the sound of falling water. The winter
was done, and all nature was glad for the
warm, soft wind that touched it into life again.
The feeling swept over Hannah, too—a thrill of
health and strength. The young year called to
her youth that sprang forward to meet it. How
happy she could have been! Si was still telling
of the glories of Chattanooga, and Hannah had
begun to hope that the walk would terminate
peacefully, when he turned and said:</p>
          <p>“Would you like to live to Chattynoogy?”</p>
          <pb id="ell61" n="61"/>
          <p>Hannah started, and answered, more sharply
than was wise: “No, I wouldn't.”</p>
          <p>“An' why not?”</p>
          <p>“Kase I ain't heard you tell 'bout nothin'
thar 'ceppen cussin' an' whisky, an' I hates
both.”</p>
          <p>Si laughed and pulled a flat bottle out of his
pocket. “Thet's the best friend in the country,”
he said, “an' you'd soon larn to like hit—
hit's good. Why, gal, thet cost nigh onter <hi rend="italics">two</hi>
dollars a gallon! But Si Durket ain't feared o'
spendin'.”</p>
          <p>Hannah was silent, hoping that Si would go
on talking as he had done before, but he had
other intentions.</p>
          <p>“Would you like to live 'cross the mountain?”
he asked, stooping to look under her
bonnet.</p>
          <p>Hannah drew back quickly. “No, I
wouldn't”; and the tone of disgust in her voice
cut her cousin like a lash.</p>
          <p>“Damn it, then, you needn't!” he answered
viciously, kicking a stone into the fields that lay
below them. “An' peddlin' is what you likes—
peddlin' alonger Lizer Wilson an' Jane Harner
an' sich—sittin' round folks' back do's alonger
the niggers till the fine ladies come to buy; you
likes thet.”</p>
          <pb id="ell62" n="62"/>
          <p>“Peddlin' is hones',” Hannah answered, and
turned toward the house. She was afraid to go
farther away with Si in this humor.</p>
          <p>“Whar's you a-goin'?”</p>
          <p>“To milk the cows!”</p>
          <p>“Damn the cows!” but Hannah walked
on, and he had to follow her or be left. He
made a long step. “Hannah!” and he caught
her sleeve. She stopped and looked at him
quietly. “Is you a-goin' to marry me?”</p>
          <p>Hannah turned her head away and moved forward
as if deliberating; but Si held her sleeve.</p>
          <p>“Is you?” drawing nearer. Hannah took off
her bonnet and turned it about in her hands.</p>
          <p>“Weuns don't suit, Si,” dropping the bonnet,
and Si, stooping for it, let go her sleeve.</p>
          <p>“Hit suits me, an' hit suits Aunt Tildy; you
is the only one that can't be satisfy.”</p>
          <p>“Well, I'm the main one,” her voice growing
firmer, as she caught sight of Dock Wilson in a
field near by. But Si went on with a patience
that surprised her.</p>
          <p>“An' what about me don't please you?” he
asked.</p>
          <p>Hannah shook her head, “Fire don't suit
water,” she answered, “An' corn won't grow
outer 'tater eyes, but I dunno why.”</p>
          <p>“An' you won't?”</p>
          <pb id="ell63" n="63"/>
          <p>“I can't.”</p>
          <p>“An' who's a-goin' to run this place an' feed
the old folks?”</p>
          <p>“I is.”</p>
          <p>“Peddlin'? Not if I knows hit. None o' my
women folks ain't a-goin' to do thet, an' I'll show
Aunt Tildy why. I knowed you were up to
some trick when I hearn Jane Harner a-tellin',
but you'll not go agin. If you do, thar'll be
sicher talk raised as'll compel you to tuck 
anybody that axes you. An' everybody knows thet
whoever comes nighst Hannah Warren is got
Si Durket to fight.”</p>
          <p>Hannah walked on, silent.</p>
          <p>“Does you onderstan'?” Si repeated, his head
seeming to flatten in his anger like the head of a
snake.</p>
          <p>“I do—an' I tell you right now, Si, thet Hannah 
Warren 'll stay Hannah Warren furever,”
her eyes burning ominously into his. “You ner
Granny can't skeer me; an' you kin tell all the
lies you wants to 'bout me, kase if lies grows fast,
truth grows strong.”</p>
          <p>Si uttered a great oath and raised his arm.
Hannah smiled.</p>
          <p>“You knocked youun's mammy, but—”
then she paused, for at her words a livid hue
overspread his face, and his arm dropped. For
<pb id="ell64" n="64"/>
a moment she watched him, then walked away;
and Dock, out in the fields, kept her well in
sight.</p>
          <p>The cows were gathered round the gate, and,
letting them in, she went for the pails and food.
Mrs. Warren met her.</p>
          <p>“Whar's Si?” she asked. Hannah pointed
to an elevated part of the road, where Si could be
seen leaning against a tree, and Mrs. Warren let
her go. She was trembling with excitement,
and longed to warn her grandfather of the
gathering storm. She led the cows to a position
that her grandfather could see from the window,
and Si coming in would not pass near. She
heard a cheerful whistle, and saw Dock leaning
on the fence, looking over the fields they would
plough the next day. She took no notice, but
was glad he was near.</p>
          <p>Steadily she went on with the milking, 
wondering why Si did not come. It was possible
that he was emptying the bottle he had shown
her; if so, anything might happen. At last he
came, and passing without a word, went into the
house. She saw that he still had her bonnet in
his hand; perhaps he was not very drunk, but she
shivered a little. She was milking the last cow
when voices reached her. Her grandmother's
voice, rising higher and higher, and Mr. Warren's
<pb id="ell65" n="65"/>
weaker tones calling out, “Mertildy! Mertildy!”
Dock's whistle rose with the voices,
and she saw that he had climbed the fence and
was sitting on the wood-pile. He nodded as she
looked, and she nodded in return.</p>
          <p>“Hannah Warren!” She started—her grandmother
was standing in the open lobby. She
took up the pails and went in. There was no
fear or nervousness in her demeanor, except that
her hands trembled a little as she strained the
milk; but even that had ceased by the time she
washed them, and, pulling down her sleeves,
turned to face her grandmother.</p>
          <p>Mrs. Warren did not understand the expression
on the young face that looked so full in
hers; an expression of cold hardness mixed with
a little contempt; a look the old woman had
never met before. For the moment she was
disconcerted and turned toward her room, then,
the spell of the look being broken, her voice rose
sharp and clear. “This away!” she called;
“come right in; I'll hev the truth o' this dratted
business or die—come in!” But Hannah
felt secure; her grandmother had flinched before
her look, and instantly she felt a pity for what
was weaker than herself. She would explain
and keep the peace if possible, and she took her
seat near her grandfather, just opposite Si.</p>
          <pb id="ell66" n="66"/>
          <p>“An' now, Hannah Warren, jes say what you
mean by a-lyin' 'bout apples as were promised;
jest tell the truth if you kin, fur I'll hev it outer
you or die!” and Mrs. Warren's voice was 
rasping in its bitterness as she stood with arms
akimbo, glaring at the two who sat so close
together.</p>
          <p>“Hit worn't no lie; I did tuck up apples I hed
promised to Miss Agnes Wellin' and Mrs.
Skinner.”</p>
          <p>“An' the meat an' the taters, whar'd you sell
them?” stamping her foot as she came near. A
faint color came in Hannah's face, but she 
answered, quietly still:</p>
          <p>“I dunno what thet woman were named.”</p>
          <p>“No, thet you don't!” coming nearer still,
and working herself up to a pitch of anger that
would soon be beyond control; “but Si knows,
he's 'cute as you, stealin' fust an' lyin' atterwards.
How dar' you tuck them things—how
dar' you go a-peddlin' 'thout axin' me—how
dar' you—how dar' you do hit!”</p>
          <p>“I never lied, an' I never stole, Granny,” the
girl answered, rising to her feet, “an' if you're
a-goin' to keep Si Durket to crawl round an'
spy on me, I'm a-goin'.” She had risen because
she expected now, what had always come with
any burst of anger, quick, hard blows. And as
<pb id="ell67" n="67"/>
she finished speaking the brown, sinewy old fist
flashed up, but as quickly the girl caught it in
her strong young hand—an action that was more
to Mrs. Warren than a return blow would have
been, for it meant not war, but victory.</p>
          <p>“Granny”—the low voice trembled, and the
dark eyes flashed—“I've done tuck my last
orders, an' I've done tuck my last blow. I'm
a woman now, an' you must larn to 'member
hit.” A silence fell that seemed the silence of
death, as the anger on the old face changed to
terror, and a gray hue spread from lips to brow
—a deadly gray hue as the fierce old eyes grew
dim, and a slight foam came on the parched lips.
It was an awful change, scarcely realized by the
girl until a low cry from her grandfather made
her spring forward and catch the reeling
figure.</p>
          <p>“Help me, Si!” she called, and between them
they laid Mrs. Warren on the bed. “Open the
winders an' fetch some water—” and while Si,
half dazed with liquor, clumsily obeyed, Hannah
loosened the old woman's clothes, and Mr. Warren, 
unable to move, wrung his hands.</p>
          <p>“She's hed hit afore!” he wailed, “an' they
said not to make her mad no mo'—an' we never
did—oh, Lord! hev mussy—hev mussy! I
oughter hev tole Hannah, an' I never did. I
<pb id="ell68" n="68"/>
never hed no 'casion, she were such a peaceable
chile—an' now—Lord, hev mussy—hev mussy!”</p>
          <p>No, they had never told her. With the old
man's words there came to Hannah the memory
of the years through which all had bowed to the
relentless will of this old woman. She had
thought there <hi rend="italics">was</hi> some truth in her grandmother's
scorn for the weakness of the Warrens
that yielded so quietly to the “Durket sperret,”
and she had determined to vindicate the Warrens
—alas! Those strong men submitted because
they were strong, and the old woman ruled 
because she was weak. And now in her pride she
had made all those years of sacrifice of no avail!
There came a weak sigh. “Hesh, Gramper,”
she said, softly, to still the old man's wail, and
motioned Si from the room. The sight of him
would recall too much.</p>
          <p>Dock watched him go, then walked away
slowly.</p>
          <p>“I'll help her agin Si to the tune of a bullet,
if thar's a needcessity,” he said to himself, “an'
never feel myseff no sinner, nuther.” And
Hannah missed the friendly whistle that had
helped her.</p>
        </div2>
        <div2 type="chapter">
          <pb id="ell69" n="69"/>
          <head>VII</head>
          <epigraph>
            <lg type="verse">
              <l>“Yet, ah, that Spring should vanish with the Rose!</l>
              <l>That Youth's sweet-scented manuscript should close!</l>
              <l>The nightingale that in the branches sang—</l>
              <l>Ah, whence, and whither flown again, who knows!”</l>
            </lg>
            <lg type="verse">
              <l>“Would but some wingèd Angel ere too late</l>
              <l>Arrest the yet unfolded Roll of Fate.</l>
              <l rend="indent1">And make the stern Recorder otherwise</l>
              <l>Enregister or quite obliterate!”</l>
            </lg>
          </epigraph>
          <p>Monday was bright, and only cold enough to
remind people that frost might still come to
harass them. An exquisite morning, with that
“sense of tears in mortal things” that seems
ever to veil the glory of the spring.</p>
          <p>Agnes Welling always declared that she liked
Sewanee much better in winter than in the rush
of summer gayety. Question her, and it would
be found that by “winter” she meant from the
end of August to the first of July. From the
crisply cool days of September, when the first
touch of crimson is on the tall black gums, and
the blue gentian bells bloom by the clear, brown
streams; when the white shell flowers, like fallen
stars, look up from among the shadowy ferns, it
<pb id="ell70" n="70"/>
is as a dream—a dream where the air is sweeter
than life; where the sky melts into illimitable
depths of blue, and the purple haze, like the
shadow of light, spreads over all the land. Then,
in the great, still forests, the leaves float down
softly, tenderly to death; the nuts fall—the
squirrels drop from limb to limb—the brilliant
lizards bask in the last warm sun, and the 
partridges whir up and away from their hiding in
the dry, brown leaves. Through the long white
winter, when the trees bend with the weight of
ice, and the snow hushes all to the silence of
death—when the pulse of nature beats so slow,
and only the cold winds cry and move. Through
all the sweet waking of the flowers, and the fresh
budding of the trees—through the glory of June
to the glare of July—all this Agnes called
“winter.” And leaning on the gate this Monday
morning, she thought, “Only to live is
enough.”</p>
          <p>“A penny for your thoughts!” and Max Dudley
joined her.</p>
          <p>“I am mooning over the seasons, wondering
which I like best.”</p>
          <p>“Which is the saddest? Tell me that, and I
will tell you which you like best. Young
people, ignorant of sorrow, have usually a leaning
toward the melancholy.”</p>
          <pb id="ell71" n="71"/>
          <p>“You being very old.”</p>
          <p>“Measuring by experience, yes. But about
the seasons?”</p>
          <p>“The saddest season in life must be when we
have outlived our longings.”</p>
          <p>Max gave her a quick look. It was not often
that she showed herself, yet now she had turned
deliberately from the lighter side of the subject.
Was it confidence in him? And he answered:</p>
          <p>“That we cannot do. In youth we long for
the future; after that, we look back with
longing.”</p>
          <p>“And when is ‘that’?”</p>
          <p>“I do not know. In the turmoil we do not
seem to see the line; then we look up, and all is
behind us, save our longings.”</p>
          <p>“And regrets? They seem immortal.”</p>
          <p>“ ‘Oh, last regret, regret can die!’ ”</p>
          <p>“Poetry scarcely counts for proof.”</p>
          <p>“True poets are prophets,” Max answered.
“They glorify common things, purify all things,
and interpret the universe.”</p>
          <p>“Does ‘common things’ include people?”
Agnes questioned. “And does the poet make
<hi rend="italics">them</hi> glorious, or only cast a glory about
them?”</p>
          <p>“Yes, to both questions,” looking at her with
a smile, “because I have that great liking and
<pb id="ell72" n="72"/>
respect for the lower classes which you say you
cannot understand. I like them, even if they be
moles and our favored selves squirrels.”</p>
          <p>“That is a very good simile,” Agnes maintained, 
“for their lives are passed in the blackness
of intellectual darkness.”</p>
          <p>“And ours in the high tree-tops of culture.
Even so, but to what better purpose? The mole
makes a living; what more does the squirrel?
And what difference does it make to the mole
so long as he does not know what it is to be
a squirrel? Of course I am thankful that I am
a squirrel; still, if I were a mole, I hope that I
should be in this same state of mind, and burrow
diligently into the best potato-patch I could
find.”</p>
          <p>“And you do not think you would want to
rise if, for instance, you were a Covite?”</p>
          <p>Max shook his head. “If you should ask a
Covite that question,” he answered, “he would
very soon show you that he did not consider
your condition any better than his own. And
if you changed his environment, he would not
thank you any more than the mole would thank
you if you should take him from his burrow and
put him up a tree. Yet this is what you aim at
in your educational crusade. I object to it. I
like these people through this country, who have
<pb id="ell73" n="73"/>
the habits and even the thoughts of eighty years
ago, and with it a sturdy independence of
opinion.”</p>
          <p>“And you do not think that Hannah Warren,
for instance, would be better for an education
and a little civilization? Think how charming
she would be if well dressed and speaking good
English.”</p>
          <p>“But not molded by a free school. From
that she would return, probably, with frizzed
bangs and a great love for chewing-gum.”</p>
          <p>“Horrid! But here she comes now; see how
pretty she is.”</p>
          <p>Max turned and saw Hannah leading her
horse. She was walking very slowly, with her
bare bead drooped, and in her hand her bonnet
and a tin bucket.</p>
          <p>“She is almost beautiful,” Max answered,
“but do you think that drapings and a fantastical
hat would improve her?”</p>
          <p>“I think a simple white frock and a big white
hat would make her altogether beautiful; and the
mole would not be ‘up a tree,’ but developed
into an ideal squirrel, for it would have the 
cornbread training of the mole and the graces of the
squirrel. She would be <hi rend="italics">your</hi> ideal. Shall we
civilize her?”</p>
          <p>Max looked at her questioningly for a 
<pb id="ell74" n="74"/>
moment, then laughing, he answered, “By all
means.”</p>
          <p>Hannah was about to fasten her horse, when
she became aware of their presence, and a wave
of color swept over her face, while her soft eyes
looked from one to the other.</p>
          <p>“How do you do, Hannah?” and Agnes
stretched her hand over the fence in greeting.
Hannah looked puzzled, then Max taking her
bonnet and bucket, she gave him a grateful
glance and took Agnes' outstretched hand.</p>
          <p>“I'm well as common, Miss Agnes, but
Granny's sick. She were tuck bad yisterday;
she's deep in the bed this mornin'.”</p>
          <p>“And you have brought some butter?” Agnes
went on, holding out her hand for the bucket.</p>
          <p>“Let me bring it in for you!” Max said, But
Agnes shook her head and walked away. Max
watched her a moment, then turned to Hannah,
who looked so wearily dispirited. “What
ails your grandmother?” he asked.</p>
          <p>“She got mad fust, an' then she hed a fit, tell
I 'llowed she were dead.”</p>
          <p>Here Agnes came back. “Your bucket will
come in a moment,” she said; “won't you come
in and rest?”</p>
          <p>“I'm obleeged to you, Miss Agnes, but I'm
after the doctor; I'll stop back for the bucket.”</p>
          <pb id="ell75" n="75"/>
          <p>As she turned away she looked up at Max.
“Gramper 'members you, Mr. Dudley, and
wants to see you an' Miss Agnes powerful; but
when you comes,” looking pleadingly from one
to the other, “for the mussy sake don't say
nothin' 'bout peddlin'.”</p>
          <p>“Of course not; and if there is anything I can
do for you, Hannah, you will promise to let me
know?”</p>
          <p>“Yes, sir.” The low voice was tremulous,
and the dark eyes full of tears. “I'm in a dark
trouble, Mr. Dudley; far'well.”</p>
          <p>“That was a picturesque expression,” Agnes
said; “some love affair, I suppose. They are
usually the dark troubles of youth.”</p>
          <p>“It seems to be her grandmother, not a likely
hero for a love affair; and she begged us not to
mention peddling.”</p>
          <p>“Here comes Mrs. Wilson,” Agnes said; “let
us ask her.”</p>
          <p>“But not betray Hannah.”</p>
          <p>“Of course not,” looking at him curiously for
a moment.</p>
          <p>“Good-mornin', Miss Agnes; is you hearty?”</p>
          <p>“Yes, thank you, Mrs. Wilson; what is it this
morning?”</p>
          <p>“Jest a few aigs. I coulder sold 'em, but I
allers brings 'em here fust.”</p>
          <pb id="ell76" n="76"/>
          <p>“I do not think I want them. Is Mrs. Warren
very ill?”</p>
          <p>“Nothin' but tantrums,” grunting contemptuously. 
“She's sot on Hannah a-marryin' 
her cousin Si Durket, and Hannah's sot
agin hit. An' Hannah slips off an' peddles for
money to run the place, an' ole Mrs. Warren
'llowed that Hannah couldn't run the place, an'
would jest hev to tuck Si, an' she's mad tell she's
sick; an' thet's the jig they're dancin' to now.”</p>
          <p>Max looked indignant. “Poor girl!” he
said.</p>
          <p>“Hannah 'll not git hurt,” Mrs. Wilson
sneered, and went her way.</p>
          <p>“A ‘mole romance’ for you, Mr. Dudley,”
Agnes said. “I suppose there is a ‘true love’
somewhere to whom Hannah is faithful.”</p>
          <p>“And you laugh at true love? Give me time
and I will prove it to you,” a betraying earnestness
creeping into his voice.</p>
          <p>“As much as you like,” and Agnes turned
away.</p>
        </div2>
        <div2 type="chapter">
          <pb id="ell77" n="77"/>
          <head>VIII</head>
          <epigraph>
            <lg type="verse">
              <l>“Alas! shall hope be nursed</l>
              <l>On life's all-succoring breast in vain,</l>
              <l>And made so perfect only to be slain?”</l>
            </lg>
          </epigraph>
          <p>Mrs. Warren's attack seemed to have taken
all hope out of Hannah's life, for opposition to
the old woman's will might mean death. She
longed to go away and work, and send the
money back, but she could not. For years her
father and grandfather had lived lives of purest
self-abnegation, and as they had borne so she
must wait and bear; and some words her father
used to say seemed now to have been the 
keynote of his life, “Hit's easier to hurt than to
heal,” he would say, and leave the house to
smoke his pipe outside. And now, as she rode
through the glancing lights and shadows of the
sweet spring day, she had a great longing to tell
her father that she understood him now, and
would follow in his footsteps. “I'll do jist what
he done, kase if I kills Granny, all he done is
gone fur nuthin', an' what he planted shell be
gethered.” She had been taught by example,
and the lesson had gone very deep.</p>
          <p>Mrs. Warren had refused to talk the night 
<pb id="ell78" n="78"/>
before, and this morning had spoken only to find
fault and to order the doctor. This would
diminish Hannah's savings sorely, and there was
an unacknowledged suspicion in Hannah's mind
that the physician had been called on purpose
to absorb this money. In this, however, she was
mistaken, and this demand for medical attention
was a pledge of safety. Mrs. Warren was far
more afraid of having another fit than Hannah
was of causing it. The thought of death coming
in this sudden way terrified her, and she was
pitifully eager to avoid it. All her life she had
been superstitious about the number three, and
now saw death in the third fit.</p>
          <p>She had dressed herself and put things to
rights as usual; then, taking her knitting, sat
down near the window, watching, with miserable
but silent anxiety, for Hannah. She was feverishly
anxious that things should seem as at other
times, and the deprecating tenderness of her
husband was dreadful to her. “For the Lord's
sake, John Warren, quit a-whinin'!” she cried
nervously; “you needn't be afeared that I'm
agoin' to hev any mo' fits. But Hannah's got
mo' sperret 'an any Warren I ever seen. Hit's
better to git mud on you by prancin' 'an by
crawlin', but she ain't a-goin' to prance on me.”</p>
          <p>Hannah found things so much as usual on her
<pb id="ell79" n="79"/>
return that Sunday began to seem like a bad
dream. “The doctor's a-comin',” she said;
then, as Mrs. Warren neither looked up nor 
answered, she turned to leave the room.</p>
          <p>“Ain't thar nothin' mo' to tell?” Mrs. Warren
said sharply. She was anxious to be diverted, 
and angry because she knew that, in her
absence, Hannah would have much to tell Mr.
Warren. Hannah came back and knelt in front
of the fire. “Miss Agnes were leanin' on the
gate, an' Mr. Dudley,” she began; “an' I tole
'em I come fur the doctor kase you were sick,
an' they were mighty sorry; an' Mr. Dudley says
if thar were anything he could do, jest to let him
know.”</p>
          <p>“I'd be rayly proud to see Mr. Dudley,” Mr.
Warren said, as Hannah paused; “when he talks
I think I'm hearin' the paper read.”</p>
          <p>“An' the doctor axed a-many a question,” she
went on, “an' he prophesied thet you'd be up
'ginst I got home, an' you is.” The old woman
listened eagerly; if the doctor could tell that
much from questions, perhaps he could cure her
entirely. She felt much happier, and answered
Hannah's next question amiably.</p>
          <p>“Yes, you kin make a few biscuit, an' make
some rale strong cawfee; I reckon the doctor 'll
tuck a swaller.”</p>
          <pb id="ell80" n="80"/>
          <p>Hannah went out to the fence after this, and
as she waited for Dock's slow plow she 
wondered what had happened to sweeten her 
grandmother's mood.</p>
          <p>“You hev done a heap,” she said, as Dock
paused and drew his shirt sleeve across his 
forehead; “I'll bet you ain't rested.”</p>
          <p>“I ain't tired yit,” Dock answered; then looking
away, “the doctor don't tuk no pay from po'
folks,” he said, “but he'll tuck pay from you.”</p>
          <p>“I know hit,” wondering how much Dock
knew of her difficulties, “an' I've got hit, an'
for you, too, Dock.”</p>
          <p>“Hit don't make no difference 'bout me,”
seizing his plow handles as if for instant 
departure, “I kin wait—or never,” he added after
a moment's pause. Hannah looked at him curiously. 
She remembered his waiting until Si left,
and how this morning he had come at the first
streak of dawn and cut a great pile of wood; and
as she watched him standing there with averted
face, her eyes filled with tears of gratitude.</p>
          <p>“I'm 'bleeged to you all the same, Dock,” she
said, “but I've got the money.” After dinner
Hannah “geared up” old Bess and joined Dock
in the fields, and when the evening fell she
thought she had never seen such an honest day's
work. And while her grandmother and Dock
<pb id="ell81" n="81"/>
were eating their supper in the kitchen, Mrs.
Warren talking so affably about the doctor's
visit that she astonished Dock into a brisk 
conversation, Hannah told her grandfather all
Dock's goodness and gave him the money to
pay Dock. “I can't do hit, Gramper,” she said,
“kase thar's a heap that money can't pay fur,
an' I 'llow he'd ruther git hit from you.”</p>
          <p>Tuesday rose clear, and Hannah hurried
through her housework, for, in spite of all
Dock's exertions, her absence the day before had
made a difference. If her grandmother would
only get dinner as usual; but she did not 
suggest it. While she plowed, her thoughts
wandered off to Agnes Welling—so fair and
delicate. The white clouds brought Agnes back
to her; so did the soft, fresh wind as it swept by.
A sense of coarseness came over her. She was
like the clods her plow turned: she was clumsy,
like her own heavy shoes that she had silently
compared with Agnes' dainty slipper. What
made the difference? Her thoughts glanced
from Si Durket, as lowest in the scale, to Max
Dudley, and to the other young man she had
seen first with Agnes. That first day she had
decided that he was Agnes' “sweetheart,” but
she was doubtful about it now, for Max Dudley
was with her so much oftener. She tried to
<pb id="ell82" n="82"/>
think of Agnes as mated with Si, and blushed at
the thought. What was it made the difference?
Until she had gone to Sewanee, she had thought
herself the best—her grandmother had taught
her this; but now she knew her grandmother
had been mistaken. And the valley people who
had laughed at the Sewanee people as “fools,
'llowin' they wuz extry fine kase o' book larnin,”
—they were mistaken, too. She saw at once
that there was a difference in favor of the Sewanee
people, and if books made this difference,
they were right to care for books. Had anyone
observed this before? She would ask her 
grandfather; he would know.</p>
          <p>Suddenly the sound of the horn blown sharply,
roused her, and seeing her shadow gathered
close about her feet, she hoped that Mrs. Warren
had prepared dinner. She was loosing her
horse from the plow when another sharp blast
made her drop everything and run. Reaching
the yard, she saw Mrs. Warren hurrying about,
and she felt relieved.</p>
          <p>“Fur mussy sake hurry!” the old woman
cried. “Youuns Uncle Durket's a-dyin', an' Si
hes sent fur me. Git me sumpen to eat quick,
while I gits my things”—her voice was tremulous
—“My po' brether; an' I ain't seen him so
long. Po' Dave—po' Dave!—jest to think!”
<pb id="ell83" n="83"/>
and while she talked, walking back and forth,
putting things together in a bundle, Hannah
prepared dinner, and Mr. Warren watched his
wife uneasily. She ought not to go, but, in her
present state of nervousness, opposition might
do more harm than the ride and the tumult she
would find “over the mountain”; so he said
nothing except “Po' Dave—who would hev
thought it?” This monotonous little refrain
seemed to please Mrs. Warren, for she paused
sometimes to hear it, at last she said, “Sure
enough, who would hev thought hit? But when
the Durkets start to do anything, they don't
mind what folks think.” She became less nervous
after this, for her own speech reminded her
that she had the Durket name to sustain, and a
little accident like death must not upset her. At
last all was arranged, and Hannah went with her
to the gate.</p>
          <p>“I'll stop tell atter the buryin',” she said, “an'
see how things is left; I most knows hit'll all
come to Si, kase young Dave ain't got good
sense, if he is oldern Si. An' if I sends fur you
to come to the buryin', Hannah, leff Dock
alonger youuns Gramper an' come.”</p>
          <p>“All right, Granny,” and as the little procession
moved away, she hurried to the kitchen,
shutting her grandfather's door as she passed,
<pb id="ell84" n="84"/>
and carrying with her the picture of him so 
helpless, so patient. The old man's mind was back
in the days when he was courting Matilda 
Durket, the handsomest, richest, tartest girl in the
county; with one brother David, who managed
afterward to get all the property.</p>
          <p>“If I hed a-married Mertildy fur her money,
I woulder made some fuss 'bout Dave gittin'
everything, kase half were rightly Mertildy's.
But I hed enough, an' mebbe I'm a-doin' Dave a
onjustice, an' him a-dyin'. Mebbe hisn's par
give hit to him far' an' squar'; but he's got
white eyes, an' thet ain't a good color fur a
hones' man.” Then he sat silent, gone back
into days that had come to seem like dreams;
and started with a cry when Hannah came with
his dinner.</p>
        </div2>
        <div2 type="chapter">
          <pb id="ell85" n="85"/>
          <head>IX</head>
          <epigraph>
            <lg type="verse">
              <l>“An eye to everything—keen eyes like gimlets:</l>
              <l>And a tongue—there are no words for that!</l>
              <l>So bitter, sharp, so hard, so swift to probe</l>
              <l>Into the heart of things; and for excuse—</l>
              <l>For making black look white—no tongue like hers.”</l>
            </lg>
          </epigraph>
          <p>From inertia solely, Mrs. Warren had fallen
into the habit of staying at home, until at last
she looked upon it as a virtue. From this she
came to rail mercilessly on those whose habits
were different, calling them “slip arounds” and
“light heels,” and other unpleasant names that
made her own going impossible, except in cases
of necessity. But this journey was such a necessity,
and Mrs. Warren enjoyed it in spite of its
occasion, or, rather, <hi rend="italics">because</hi> of its occasion, for
nothing makes people so important as affliction.
The Warrens and the Durkets stood on the same
social level, and as the two aristocratic lines met
in Mrs. John Warren, she was regarded as a
very important person, indeed; and, assisted by
her temper and tongue, she kept people greater
than Lizer Wilson in much awe. Of course it
<pb id="ell86" n="86"/>
would be noised abroad that Mrs. John Warren
was coming, and this would insure a gathering
of the “upper ten” from all the valleys. People
would come even from the “Beech settlement.”
The Budds would be there: not as rich as the
Durkets, but more traveled, for they had been
not only to Nashville and Chattanooga, but one
member of the family had penetrated as far as
Atlanta on the one side and Memphis on the
other. Thus, although without the blood of the
Durkets, the Budds had achieved a position that
in some respects rivaled theirs. Then Dave
Durket, Jr., had married Minerva Budd.</p>
          <p>Mrs. Warren knew that she was going where
she would be treated with some distinction, and
was pleasantly excited. She shuddered once or
twice when she remembered that Jane Harner
had probably spread the report of Hannah's 
peddling, and as the exploit could not be denied,
she must tell them that Hannah had gone to
visit a friend in the University. It was true that
Mrs. Warren had a contempt for Sewanee, and
so far had ignored it; but the Sewanee people
could not be despised save for their thriftlessness,
born of love of books; for no one could
prove that they were not as well born as any
family in the valley. They behaved as if they
were above their neighbors, but this mistake,
<pb id="ell87" n="87"/>
she felt, came of that same pride of knowledge.
Young Mrs. David Durket, Mrs. Warren's dearest
foe, was a graduate of a country college, and
thought herself learned, but she knew no 
Sewanee people, and if Mrs. Warren could 
emphasize the fact that Hannah had friends among
these new people, who ate and drank books, it
would be pain to Mrs. Dave. Further, she
could say that one combining Durket and Warren
blood could do what she pleased. She went
so far as to acknowledge to herself that she had
made a mistake in railing at the girl, and in not
presenting this view of things to Si; for Mrs.
Warren still clung to the thought of the Durket
alliance. This visit could be turned to good 
account, if used properly, and enable her to rectify
many things. She had never been able to<hi rend="italics"> prove</hi>
that her brother had cheated her out of her share
of the property, but she knew that it had 
happened only because of her absence. Her
brother had taken the position that his father did
not want the property divided, and that he,
David Durket, would, in his turn, leave the land
intact to one son. And Si thought, and the
community thought, and Mrs. Warren was sure,
that the heir would be Si; for the other son,
David, was weak-minded.</p>
          <p>But David had married a woman, Minerva
<pb id="ell88" n="88"/>
Budd, who was far from weak-minded. She
never resented the opinion that Si should be the
heir; instead, she made much of Si; almost as
much as she made of the old man, who never
before had received such flattering attentions.</p>
          <p>It was a long, rough ride across the mountains, 
and Mrs. Warren was tired before her
horse began to bog along the red clay valley,
and was thankful when at last she arrived.</p>
          <p>Nothing seemed changed since her girlhood.
The fences seemed the same, with about the
same number of rotten and of missing rails.
She seemed to see the same cows and horses—
the same stumps. She could swear to the
stumps—for who ever wasted time on a stump?
The inclosures about the house were absolutely
unchanged, only that the apple trees looked a 
little older. The branch was full, as always in the
spring, and she could have declared that the
geese had not changed even a feather.</p>
          <p>Si came out and helped her down, looking
supernaturally solemn. Mrs. Dave waited in
the doorway. Her front hair painfully frizzed,
long earrings in her ears, her stumpy fingers
much beringed—and her jaws working patiently
and doggedly on a piece of “chewing gum,” for,
in spite of her travels and mental attainments,
she had retained that barbarism.</p>
          <pb id="ell89" n="89"/>
          <p>“How sweet <hi rend="italics">too</hi> welcome those we love, Aunt
Warren!” she said. “And are you well?”</p>
          <p>“Well as common,” Mrs. Warren answered.</p>
          <p>“An' had you an enjoyable ride <hi rend="italics">too</hi>-day?”</p>
          <p>“No, hit were dratted rough, Minervy Budd,
an' you knows hit. How's my po' brether?”</p>
          <p>“My dear papa is weakenin' sadly,” leading
the way upstairs. “You'll want <hi rend="italics">too</hi> remove
your ridin' skirt, dear Aunt,” opening the door
into a gaudily papered but fireless bedroom.
“My dear papa's apart<hi rend="italics">ment</hi> is on the right side
as you descend; an' I must return <hi rend="italics">too</hi> my dooties”;
and, waiting for no reply, she left the
room.</p>
          <p>Mrs. Warren's ire was rising. “Hit's enough
to make a hog sick,” she muttered, “to hear that
fool go on, an' she as ugly as a pot o' homemade
soap. <hi rend="italics">Her</hi> dear ‘pup-par’—Lord! what
is we a-comin' to? A Budd as much as
callin' a Durket daddy—let alone ‘pup-par!’
An' her <corr>‘</corr>dooties,’ an' ‘too-day!’ Work is
good enough fur anybody, an' <hi rend="italics">ter</hi>-day is
too good fur a Budd. But when a man
marries a parry-toed, whinin' fool like my
po' brether done, they must speck to hev chilluns
like young Dave; an' only God knows who
them chilluns 'll marry. But this <hi rend="italics">is</hi> rale purty
paper,” regretfully; putting her spectacles in
<pb id="ell90" n="90"/>
place, “an' the beds is right well dressed, but
I'd ruther hev a fire 'an all them frizzled papers
a-setting in thet ole pitcher.” She looked about
a little longer, then unbuttoned the ginger-colored
skirt that had protected her during the
long ride and shook out her frock. This frock
was black, and a good piece of stuff, and the
handkerchief about her throat was silk, and 
fastened with a large gold brooch, in which was set
a ghastly picture of her husband. Her earrings
had been put on before she left home, for she
had not kept straws in the “bores” of her ears
all these years for nothing. Her hair was
screwed on top her head with a high comb
brought from “North Calliny” by her mother.
It had made her sun-bonnet rather uncomfortable,
and the big hoop-earrings had felt very
heavy, but she “hed to put on good clothes to
down Minervy Budd.” She smoothed her knitted
mittens over her wrists, and extracting a
large white handkerchief from her bundle, she
folded it up as small as possible, and holding it
tightly in her hands, began a stately descent on
the lower regions.</p>
          <p>“I wonder who's gethered,” she muttered.
“Thar's nothin' like a rale good sickness fur
getherin' folks. I reckon Minervy Budd is got
too much larnin' to hev anything to eat; I reckon
<pb id="ell91" n="91"/>
she specks us to chaw newspapers. Hardy,
Dave!” to her nephew who stood in the barren,
bleak hall that was checkered from end to end
with a mosaic of red-clay foot-tracks.</p>
          <p>“Hardy, Aunt Tildy, is you well?”</p>
          <p>“Well as common. Minervy looks as biggitty
as a settin' hen,” shaking hands carelessly,
“how's youuns Par?”</p>
          <p>“Dad's a-goin'. This do', Aunt Tildy,” holding
one open.</p>
          <p>Mrs. Warren paused a moment, then entered
with the dignity she thought due to herself, and
saw that she made an impression. Mrs. Dave
Durket saw it, too, and wondered, but stood
aside, with her eyes cast down. Besides the sick
skeleton propped up on the bed, there was quite
a number of people sitting in the room, waiting,
with solemn faces and folded hands, to see their
friend die.</p>
          <p>As Mrs. Warren had expected, the Budds
were there; also Dr. Slocum, the family physician
and his wife; and Mrs. Billingsly and her
husband, Preacher Billingsly, who was a lawyer
as well. He was a friend of long standing, and
when Si returned on Sunday he had found
Preacher Billingsly there, and from that time he
had never left the sick man.</p>
          <p>As Mrs. Warren entered, the preacher and the
<pb id="ell92" n="92"/>
doctor rose. Others rose, too, and all watched
the meeting.</p>
          <p>“Hardy, brether Dave, does you know me?”
approaching the bed and taking in hers the bony
hand that lay on the quilt. The hollow eyes
opened. “Yes, Tildy,” then drawing her down
he whispered, “I've done right 'bout the lan', an'
John Warren were mighty good never to make
no fuss.”</p>
          <p>As Mrs. Warren had but one idea of right in
regard to the land, this puzzled her, but she 
answered so as to be heard, “The Warrens hed
plenty, Dave.” Away from the Warrens she
was loyal.</p>
          <p>“An' as Hannah's a-goin' to tuck Si, she 'll
git youun's shar', Tildy.” Then his breath failed
him, and the doctor put some whisky to his lips,
while the spectators watched breathlessly, and
none so breathless as Mrs. Dave. Si came in
and leaned over his father, but the old man
shook his head.</p>
          <p>“Tildy, come close,” he muttered, and again
Mrs. Warren bent over him. “I keeps on
a-seein' Dad, Tildy,” he whispered. “He ain't
never leff me since Sunday. He keeps on
a-holdin' up hisn's han's like I wuz agoin' to
knock him.” A pallor crept over Mrs. Warren's
face, that seemed to spread to Si's as they looked
<pb id="ell93" n="93"/>
at each other, and she whispered, “Did you do
it, Dave?”</p>
          <p>“Yes, oh, Lord! yes!” he wailed, “won't my
sins git no forgivenness?”</p>
          <p>“Yes—yes! Brother Durket,” struck in
Preacher Billingsly, who had caught only this
last wail, “jest hev faith, Brother Durket.”</p>
          <p>The hollow eyes seemed on fire. “But my
ole Dad ain't <hi rend="italics">never</hi> rested,” he cried aloud, and
the company shivered. “Day ner night—day
ner night—he ain't never left me. He comes
an' goes. I've seen him a-many a time a-peepin'
in thet do'—an a-rockin' in the cheer by the fire
—an' a-cropin' up an' down the sta'rs—an' <hi rend="italics">thar</hi>
he is! Go 'way, Dad! go 'way! I've done jestice
—jestice!” and while he stared and pointed
he fell back dead. The women screamed, but
the men, looking in each other's eyes, were still.
Mrs. Warren stood there for one moment, then
turned and went out like one in a dream. Her
brother <hi rend="italics">had</hi> intimidated her father—had stolen
her share of the property, and had been haunted!
All these years her father had never rested; had
roamed and wandered, following up the thief;
had come even when his son lay dying. She
paused in the hall, trembling and uncertain. Si
came up to her hurriedly with a glass of whisky;
he had been drinking and made her finish his
<pb id="ell94" n="94"/>
potations. “Drink hit an' furgit all thet
damned foolishness. Come git a bite,” and
taking her arm he led her into the long, low 
kitchen, where the family also ate. Jane Harner
was serving, assisted by a friend, and their
solemn greetings restored to Mrs. Warren some
of her lost composure.</p>
          <p>Si seated his aunt at the narrow table and
helped her vigorously. Presently he went away,
and when he returned, smelling more strongly
of whisky, he was supporting Minerva, and 
followed by Dave. “Eat, Aunt Tildy, eat!” he
cried. “Eat, Minervy; hit were sickness made
Dad crazy. Jane Harner, go call the folks, I'll
sen' fur Hannah 'fore day, Aunt Tildy,” helping
himself. “She must git here 'fore the buryin'.
Hit'll be ter-morrer evenin'. All's ready 'ceppen
the grave, an' thet's easy dug now the ground is
soft. Hit'll be over in the new graveyard whar
Mar is buried; an' youun's Par, Aunt Tildy.”</p>
          <p>“Silas, my dear,” snuffled Minerva, “graves
is too much for my nerves. Will Cousin Hannah
have a black dress, Aunt Warren?”</p>
          <p>“Hannah Warren's got as much as you, Minervy
Budd, an' she aint made skimpy, nuther”;
Mrs. Warren answered; her spirit was returning.
“<hi rend="italics">She</hi> don't look like no pickled cucumber.
She's got good hones' eyes thet don't wink an'
<pb id="ell95" n="95"/>
blink liker sore-eye dog a-layin' in the sun; an'
when she talks she says hit out like the best
kinder folks is usin' to hear hit said, an' don't
keep on a-whistlin' hit liker pattridge in the
springtime.”</p>
          <p>“True as Scriptur!” Si cried.</p>
          <p>“An' if I send her word or no, she mout not
put on all she's got; kase Hannah's got the Durket
sperret if she <hi rend="italics">is</hi> a Warren.”</p>
          <p>“She's got hit sho!” Si cried; and David
blinked his foolish, big eyes and repeated, “Sho.”</p>
          <p>“I wants <hi rend="italics">too</hi> see my Cousin Hannah,” Minerva 
said. “I were away <hi rend="italics">too</hi> cawlidge for so
long a period, thet I hev not made her acquaintance,
but, through Silas' speakin', I love her like
a sister.”</p>
          <p>“Well, jest keep on,” Mrs. Warren answered,
“but don't look to see no fool from cawlidge.
Hannah Warren's got good horse sense, an'
don't need no cawlidge. God never made
womens fur no cawlidge; an' jest so a woman kin
wash, an' cook, an' sew, an' raise her chilluns,
that's all the needcissity God is got fur her.”</p>
          <p>Minerva's little black eyes flashed, then were
quickly cast down again. “I hope my Cousin
Hannah 'll like me, anyhow,” she said, with a
toss of her head.</p>
          <p>“She mout, an' she mout not,” Mrs. Warren
<pb id="ell96" n="96"/>
answered, “but Hannah don't like many folks;
an' if Si wuz not a-stuffin' hisself, an' hisn's po'
daddy a-bein' laid out, hed sesso.”</p>
          <p>“Hannah peddles to Sewanee, don't she?”
Minerva asked.</p>
          <p>There was a little flutter in the audience, then
a deadly pause while Mrs. Warren eyed Mrs.
Dave, who answered her enemy's gaze with
malice in her eyes that did not waver until Mrs.
Warren answered, with apparent frankness,
“Yes, she did go a-peddlin'—leastways, she
tuck Lizer Wilson 'long to do the peddlin'
an' lead the nag,” looking about her with
a smile. “An' Lizer never hed no better
sense than to tuck Hannah to the back do';
but Hannah knowed thet no Warren ner no
Durket wornt made fur stannin' 'round back do's
an' tradin' alonger niggers. So the nex' house
whar Hannah knowed the woman, she sont 
Lizer to the kitchen, an' she went to the settin'
room alonger Miss Agnes Wellin' an' Mr. Dudley;
an' soon's he hearn her title he knowed her,
an' were mightily pleased to git acquainted,”
nodding and smiling, while Minerva stared in
astonishment. “An' Mr. Dudley an' Miss Wellin' 
is a-comin' down to see Hannah. Yes, she
peddled, but thet's the way she done hit. An'
you'd peddle day and night, Minervy Budd, to
<pb id="ell97" n="97"/>
get to know them folks to Sewanee. But,
Lord! them folks come from fur places, an'
knows what's what, an' seen thet Hannah 
Warren air the right sort. An' talk 'bout 
book-larnin'—mussy! Them folks never stirs 'thout
books in they uns' han's; but fur all thet some is
rale nice. I tole Hannah, says I, ‘Jane Harner 
'll surely tell hit thet you peddles,’ says I.
Says she, proud-like, ‘A Warren or a Durket
kin do anything,’ says she. I tell you, Hannah
Warren is got the Durket sperret.”</p>
          <p>Here the door opened and Brother Billingsly
came in. “My dearly beloved friends,” said he,
“will you please to walk into where our departed
brother is layin' at ease, his sins forgiven and his
soul at peace.” The company rose, then waited
for Mrs. Warren and Minerva to lead the way.
Minerva took her aunt's arm, and drooped her
head lovingly on her shoulder. Mrs. Warren
did not seem to observe her, for now the awful
scene of the death rushed back on her, and she
trembled and turned pale. Family pride made
her glad that none but Si and herself had heard
the confession; and though the whole company
had heard the last pitiful cry, they would think,
and truly, that the justice that had been done
was to herself, for everyone knew that her
brother had kept the whole property.</p>
          <pb id="ell98" n="98"/>
          <p>Arrayed in his best clothes, with a large white
handkerchief over his face, the dead man lay, stiff
and stark, in the coffin that rested on two chairs.
On either side of the empty fireplace sat Si and
Dave. Dr. Slocum was close by the coffin.
The bed was 'fresh dressed'; lighted lamps and
candles stood about, for the day, was closing,
and a row of men were seated against the wall.
As Mrs. Warren and Minerva approached the
coffin, Dr. Slocum turned the handkerchief back
with a gesture of resigned despair and looked
away. Minerva fell on her knees and wailed
aloud. Others began to groan and shake their
heads with short, staccato grunts; but after one
look Mrs. Warren walked away. The doctor
had told her that excitement was bad for her, and
she was afraid. She left the room where the
people were now crowding about the coffin,
shaking their heads and groaning as if in the 
profoundest woe. Nobody really cared, but it
showed a gratifying family influence that so
many pretended. It was going to be a “good
buryin',” but she had done enough for one day,
and needed rest and a smoke. She went to the
kitchen, where Jane Harner and her friend were
taking the first cups of the fresh coffee, made
ostensibly for the ‘watchers.’ Jane had made it
early in order to secure the grounds of former
<pb id="ell99" n="99"/>
pots of coffee. If she waited, Mrs. Dave would
herself secure the grounds. As cook, Jane had
for two days provided with a lavish hand; and
Mrs. Dave had not dared to watch or to object,
for any shadow of carefulness on such an 
occasion would be the blackest disgrace. Jane's
basket under the back steps had in it much cold
pork, fried chicken, sausage, pies, cake, pickles,
and sugar; and Jane now hoped to arrange for
more sugar.</p>
          <p>At the moment of Mrs. Warren's entrance
Jane was saying that Mrs. Dave was so
“skimpin',” that even scraps were scarce, for
Minerva was not “a rale Durket who wuz 
free-handed.” She said this very loudly as she saw
Mrs. Warren.</p>
          <p>Mrs. Warren nodded. “That's true, Jane,”
she said, “an' I wish you'd kindle a fire upstairs;
and I don't much keer if you burns up them
dratted papers in the fireplace.”</p>
          <p>This was a golden opportunity, and Jane
whipped off a sugar dish, saying, as she went,
“everybody knows the Budds.”</p>
          <p>Mrs. Warren drew her pipe and tobacco from
her pocket and, pulling a chair close to the fire,
sat down. She filled her pipe, lighting it with
a coal, then tucking in her frock between her
knees and ankles to keep it from scorching, she
<pb id="ell100" n="100"/>
leaned forward, with her arms crossed on her
knees, and smoked vigorously. She drove her
thoughts from the present to the rearrangements
that would come about when Si took possession,
with Hannah as his wife and herself as general
director. She saw Minerva vanishing. She
saw Jane Harner installed as cook and general
servant. She saw Hannah, very fine, rocking
with idle hands, playing lady. She saw roaring
fires—eternal cooking and company—she saw
herself ruling all, the great woman of the county!
Suddenly she remembered the lonely old man
across the mountain. She shook her shoulders.
A young man was needed to work that place;
Jim and his wife could come, and if the old man
was such a fool as to prefer that “Warren hole”
to this “Durket paradise,” he could stay. She
was tired of the “lonesomeness an' po'ness.”</p>
          <p>“Thar's a good Durket fire a-burnin', Mrs.
Warren.” Jane startled the old woman as she
flourished in with the emptied and refilled sugar
dish. “Hit's good and big, like youuns is usen
to.”</p>
          <p>Mrs. Warren knocked out her pipe. “You're
mighty right, Jane Harner,” she said. “The
Durkets is usen to plentifulness; but some folks
will eat a hog down to hits yeers an' tail—
Lord!” and she walked to the door followed by
<pb id="ell101" n="101"/>
applauding giggles. At the door she paused.
“Did Si tell thet nigger to go fur Hannah Warren?”
she asked.</p>
          <p>“Mussy, yes! tole him fust thing.”</p>
          <p>“An' whar's the nigger? I wanter send a
word to Hannah.”</p>
          <p>Jane glanced at her companion, then said:
“He's gone, Mrs. Warren, he tuck the nags to
ole black Judy's—” She hesitated, then
blurted out, “he were feared; he said he dar'sent
stay here kase o' the hant.”</p>
          <p>Mrs. Warren looked at her sternly. “Looker
h'ar, Jane Harner, you is got mo' sense 'an to
listen to sich foolishness. You know thet a
dyin' man ain't 'sponsible fur all he says.”</p>
          <p>“Mussy, Miss Warren!” cried Jane, “I jest
tole you what thet fool nigger said. Me an'
Mincy never b'lieved nothin' like thet. But he
<hi rend="italics">did</hi> say that Si Durket couldn't git no nigger to
stay, kase o' hisn's par a-dyin' so hard.”</p>
          <p>“Well, Si'll settle <hi rend="italics">thet</hi> nigger,” and Mrs. Warren
left the room.</p>
        </div2>
        <div2 type="chapter">
          <pb id="ell102" n="102"/>
          <head>X</head>
          <epigraph>
            <lg type="verse">
              <l>“Of different clay? Not so, but with a soul</l>
              <l>Pure-fibered through and through.”</l>
            </lg>
          </epigraph>
          <p>When Hannah arrived, everybody who could
be expected was at the Durkets'. Eating and
drinking were going on briskly in the kitchen;
and Jane Harner and her friend Mincy had 
become so confidential as to assist each other in
filling the baskets under the back steps. Mrs.
Warren greeted Hannah affably, Minerva gushingly,
and Si, though flushed and excited by the
morning's potations, was a little timid in his welcome.
Minerva saw instantly that, as far as material 
went, Hannah's black frock surpassed her
own, and, though strangely straight, it was not
unbecoming to the tall, fair girl. She saw, too,
that the brown hair rippled without any frizzing
—that her skin was as smooth as ivory, and 
Minerva felt herself at a great disadvantage in the
presence of this girl from “over the mountain.”
Nor could she account for the way in which people
treated Hannah. Even Jane Harner, who
<pb id="ell103" n="103"/>
had told scornful tales of the peddling, waited
on her obsequiously; and when they entered the
room where Brother Billingsly waited to
“preach the funeral” Minerva saw that 
Hannah drew all eyes as she sat close beside her
grandmother. Mrs. Warren saw it, too.</p>
          <p>Preacher Billingsly did not make the sermon
long, but he drew it very strong. He wound
up with, “He was a dootiful son to his aged
parents, a lovin' brother to his only sister, a 
devoted husband to his departed wife, a true father
to his children. An' when his call came, his
sins and justice was his cry. ‘Justice—justice!’
he cried. An', now havin' done justice, he is
at rest a-playin' on his golden harp, wavin' his
silver wings, an' a-singin' hallelujah! Not for
him do we weep, but for his sister an' his niece
a-settin' here, for his sons an' daughter-in-law
a-standin' here, for his brother-in-law over in the
Cove. For these we weep. Yea, we shed tears,
yea, we mourn an' beat our breasts; yea, we cry
and plead for help for these bereaved ones.
Help me to cry—help me—help me!” Immediately
moans and groans began, and Minerva
fell down in hysterics.</p>
          <p>Then, one by one, the family approached and
took farewell of the corpse, all kissing it except
Hannah. With folded hands she stood a 
<pb id="ell104" n="104"/>
moment, then moved away, and Si swore a silent,
mighty oath that some day he would “break
that sperret.” The people filed slowly round the
coffin and out the door into the yard. The top
was laid on the coffin, and the coffin put into a
farm wagon. Dave drove, with Preacher 
Billingsly beside him. Si and Dr. Slocum took
their seats on the coffin. Then the procession
moved: Mrs. Warren and Mrs. Slocum
in Dr. Slocum's lopsided old buggy; Minerva
and Hannah following in the Durkets'
equally old vehicle, whose back curtain, the
top being down, hung almost to the ground;
Mrs. Billingsly and Mrs. Budd in Preacher
Billingsly's buggy, which had many points
in common with the others. After that people 
came as best they could on foot, on horseback, 
and in wagons, winding down the muddy
lane to where, on the edge of the woods, on the
first swell of the mountains, was the new graveyard
of the Durkets.</p>
          <p>The coffin was put on two boards laid across
the open grave, the top removed, and amid
groans and cries the strange ceremony of the
“last far'well” began. Minerva, Mrs. Budd and
Jane Harner yelled; Mrs. Slocum and Mrs. 
Billingsly groaned and rocked. Mrs. Warren, 
being afraid of excitement, wiped her eyes and
<pb id="ell105" n="105"/>
blew her nose, and scolded Hannah under her
breath. “You kin holler jest as good as Minervy
Budd,” she said, “an' ain't a-doin' hit—
hit's scannalous—jest scannalous!” But Hannah
stood unmoved. The drawn, dead face
looking so cold under the gray sky; the wind
making strange noises in the bare trees as it
swept down the mountain; the screams and cries
—all brought back her father's funeral, that had
been terrible to her. She only shivered a little
when her grandmother spoke.</p>
          <p>The coffin lid was screwed on, and during this
operation Hannah saw Si retire to the wagon
and seek comfort in his bottle. After this she
watched him with some anxiety. She knew
what would come next, and longed to draw her
shawl up over her face, but she was afraid of
what might happen if she did not watch, so she
only pulled her long bonnet on a little farther,
and watched Si.</p>
          <p>The lowering of the coffin into the grave, and
the beginning of a hymn by Preacher <sic corr="Billingsly">Billingsby</sic>,
were the signal for a general row. Si jumped
down on the coffin, yelling like a maniac. Minerva
fell on Dr. Slocum in hysterics, while Dave
and Mrs. Billingsly and Mrs. Budd mingled their
tears and groans. On rolled the hymn, and in
was shoveled the earth until Si stood ankle
<pb id="ell106" n="106"/>
deep; then the Budd brothers pulled him out and
laid him in the wagon dead drunk. At last it
was over. The crowd dispersed, save the Slocums
and Billingslys and Budds, who went back
for another night at the Durkets'.</p>
          <p>The next morning an early beginning was
made. Mrs. Dave seemed to be in a state of
suppressed excitement that made her silly, for
at breakfast she asked Mrs. Warren how soon
she would leave. It was a most unusual question. 
Mrs. Warren listened in contemptuous
astonishment, then made answer to the company
at large. “Minervy Budd had better larn her
place.” Minerva giggled with what seemed
pronounced insanity, and answered, “<sic corr="To">Too</sic> the
best of my knowledge Durket farm <hi rend="italics">is</hi> my place.”
Si looked up angrily. “Mind youuns eye, 
Minervy”, he said. Minerva giggled again, but,
Preacher Billingsly shaking his head, she said no
more.</p>
          <p>After breakfast Mrs. Warren desired to know
how things were left. Si said that Preacher 
Billingsly would read the will, he having drawn it
up. They gathered about the fire with the will.
It was soon read, and left everything to his son,
Silas Durket. Mrs. Warren nodded, saying,
“Hit's bad Dave ain't got a rich gal.” Minerva
smiled. Si looked expectant, but no one 
<pb id="ell107" n="107"/>
congratulated him, and Jane Harner in the 
background thought that things looked strange.
Presently Brother Billingsly cleared his throat
and began an exhortation on the vanity of
riches. Mrs. Budd and her sons, Mrs. Slocum
and Mrs. Billingsly, moved their chairs,
making a sort of circle about Minerva and Dave.
Mrs. Warren smoked. Si watched for a pause
in which to go for another drink. Hannah
longed to be gone. After a preamble, Brother
Billingsly made the direct statement that Grandfather
Durket had been unjust to his daughter,
Sister Warren.</p>
          <p>Mrs. Warren took her pipe from her lips and
turned her face to the speaker, but Brother 
Billingsly was looking at Si. He went on to say
that he had never held the old man responsible
for the injustice; that he and many others had
suspected that his son, Mr. David Durket, had
compelled him to do this. On Sunday these
suspicions had been verified, for Mr. Durket had
confessed that he had used violence to compel
his father to leave him the property, and that
ever since he had been followed by his father's
spirit, which could be proved by all who had
witnessed his death.</p>
          <p>Brother Billingsly paused to wipe his lips.
Jane Harner drew nearer—Hannah leaned 
<pb id="ell108" n="108"/>
forward—Mrs. Warren's face grew stern—Si, 
rising, leaned against the mantelpiece with a 
terrible expression in his eyes, and Minerva's silly
smile gave place to a look of apprehension.
Brother Billingsly smoothed down his back hair,
then proceeded with what seemed a narrative.</p>
          <p>He had come over on Sunday, he said, to see
Brother Durket concerning his spiritual 
condition. He had found Dr. Slocum, Mr. Reub
and Sam Budd, and their mother. In the
mercy of Providence it seemed to be arranged
that these witnesses should be there. Before
them all Brother Durket had confessed
his sins, telling the means he had used to
intimidate his old father and get all the property;
that long ago he had repented, and now wanted
justice done; that as his father had been treated
so he had been treated, and driven by his son
into making an unjust will; and that before it was
too late, and while he was supported by these
dear friends, who were not to reveal it, nor to
leave him until he was buried—he would make
a just will.</p>
          <p>Reub Budd changed his position so as to be
between Brother Billingsly and Si, and put his
hand back under his coat.</p>
          <p>Billingsly now produced a paper which he 
explained was a certified copy of the last will, which
<pb id="ell109" n="109"/>
had been deposited with the Clerk of the County
Court for safety. This will read that the tract
of land known as Durket Farm was to be divided
into two parts; the line to be drawn from the
“big gum” that marked the limit on one side to
the “mile-stone corner” which abutted on the
public road; that this line leaving the buildings
and the spring on one half, making it the most
valuable half, his sons must draw lots for it. All
stock and tools must be divided by arbitration.
That he had not left anything to his sister, as
she seemed satisfied and as her granddaughter,
Hannah, marrying Si, would get her share.</p>
          <p>There was a deadly pause, and Hannah, moving
her chair, seemed to touch a spring. Everyone 
sprang up, and Mrs. Warren, dashing her
pipe into the fire, said hoarsely: “Hit's a damned
lie, Joe Billingsly—a lie, an' you know hit!”</p>
          <p>“A lie!—a lie!” Si screamed, and raised a
chair; but Reub Budd covered him with a pistol,
and the chair fell with a crash. Reub's action
seemed to quiet things, and let Brother 
Billingsly's voice be heard insisting that they were
Christians and this a Christian will, and the
sooner the lots were drawn the better. This
suggestion relieved the tension. Si realized that
half the farm was gone; still, he might draw the
most valuable part, and if he could stay in the
<pb id="ell110" n="110"/>
old house and kick the Budds out, he would not
feel that he had fallen so far. He longed to 
begin the kicking, and agreed to draw lots 
immediately. Two broom straws stuck in cracks
of the wall would be the method and Jane Harner
be the tool, she bein' uninterested. She was
not allowed to approach the company, and 
received her orders from Dr. Slocum, who said, in
a loud voice:</p>
          <p>“Break two straws from the broom—one long
and one short; stick them in two cracks, one
each side the fireplace in Brother Durket's
room; then go out and slam the front door after
you, and wait in the yard.” Jane, looking, half
out of her wits, went her way, breaking up more
than one straw on the journey. The awfulness
of going alone into the room where the “hant”
had rocked in the chairs, and where all day 
yesterday the corpse had lain—and the more 
mundane terror of having a hand in the division of
the Durket property shook her being to its
foundations, for the Durkets were fierce and
reckless. Hurriedly she stuck the straws in
cracks so far apart that if one projected a little
more it could not be detected. Then she 
scurried out, giving the door a great jerk. What a
hollow, reverberating, awful sound it was!</p>
          <p>Si started with an oath. Why had he
<pb id="ell111" n="111"/>
let them put the straws in his father's room!
It was there he had struck his mother—it
was there he had intimidated his old father.
He shivered as he remembered. How could
he have any luck in there? All seemed 
spellbound until Dave rose. “I'm feared,” he
said. This broke the spell, and they moved
toward the door in a body. Along the narrow
hall they jostled, none wanting to be first
or last, and at the open door of the dead man's
room they paused in silence. Then Dave said,
“I'm feared”—and Minerva pushed him in. Si
pushed his way through the group and, following
the reluctant David, marched up to the fireplace.
He paused; he could not touch the straws; he
asked Dave, “Which hand?” and Dave, being
left-handed, held up that member, causing his
wife to snarl: “Don't he know thet han's 
unlucky—don't he know nothin'?”</p>
          <p>Si knew it, and turned quickly to the right.
He put his fingers on the straw, but he did not
draw it out until Dave did. One second Si
stood still.</p>
          <p>“Measure—measure!” came from the group
in the doorway. Dave held up his straw, with a
smile on his idiot face. It was at least three
times as long as Si's!</p>
          <p>Reub Budd strode into the room. From one
<pb id="ell112" n="112"/>
to the other Si glanced, covered with Reub's
pistol, then turned. He dashed his heavy heel
against a window, driving out frame and glass.
One wrench of the wreck with his hand, and he
sprang through into the yard and was gone.</p>
        </div2>
        <div2 type="chapter">
          <pb id="ell113" n="113"/>
          <head>XI</head>
          <epigraph>
            <lg type="verse">
              <l>“The old heart sighs and waiteth patiently,</l>
              <l>For Time is sure, and Truth is very strong.”</l>
            </lg>
          </epigraph>
          <p>“If you had seen Si lip outer thet winder,
Gramper, you'd a-been feared he'd kill hisself.”
Hannah was telling the story of the will, for
Mrs. Warren had stated only the bare facts.
She had watched Si's violent exit, then had
ordered the horses. She had not said one word
of farewell, nor had she spoken during the ride
home. Arriving, she had given Mr. Warren an
outline, had changed her dress, then sat knitting
until supper, as silent as the dead.</p>
          <p>The maltreatment of her father, and the 
defrauding of herself by her brother, were bad, but
could be borne, because in her estimation they
had aggrandized the Durkets. But that this
evil should work for an enemy was intolerable.</p>
          <p>When Hannah finished, Mr. Warren shook
his head. “Si aint a-goin to kill hisself,” he
said, “ner do nothin' to nobody what kin hurt
him, 'ceppen when he's drunk. Big talkin'
don't make big doin'; hit's these still-tongue
<pb id="ell114" n="114"/>
folks what's dangerous. An' now I know why
Dave Durket ain't hed no luck. Mertildy's
daddy were a hard man, but I never 'llowed
Dave'd beat him when he got too weak to do
nothin'. The Lord 'll wipe the Durkets out if
they ain't keerful. I've seen a-many a name go
out for the lack o' the Lord's blessin'. Peaceful 
folks what tries to do right don't make much
stirrin', mebbe, but they spreads an' multiplies.
But when folks gits biggitty an' tucks all they
can git, then if you'll watch you'll see 'em fadin'
outer the land. An' folks says mournful ‘Thet's
the last one’—they never 'llows thet God done
hit kase the folks wornt wuth nothin' by hisn's
count. If folks is fine, folks 'llows they oughter
live.”</p>
          <p>“Minervy's mighty biggitty,” Hannah said.</p>
          <p>“But them Budds is mighty keerful; they
allers cropes tell they're sure they kin walk.
Now they've done crope inter Durket's farm, I
reckon they 'll start to stomp. But thar's no
luck ner blessin' thar, an' I'm glad we ain't never
hed a stick ner a straw frum thar.”</p>
          <p>Hannah looked up. “Si ain't got much
now,” she said; “won't Granny let me 'lone?”</p>
          <p>“Thar ain't no tellin', Honey; Si's a Durket
yit. Mertildy is a-steddyin' 'bout sumpen,
a-settin' thar so still; but soon she can't hold hit,
<pb id="ell115" n="115"/>
an' then I'll know. I never pesters her tell she
gits done a-steddyin'; then I 'grees tell I works
her round. But sayin' no at fust settles her fur
ever-and-ever, an' she'll grind tell she gits what
she wants. She gits sorry, too, but she'll die
'fore she'll sesso. Po' Mertildy! I wonder
whar Si is?” looking up as Mrs. Warren
entered.</p>
          <p>“I ain't pestered 'bout Si,” she answered
quickly,“ an' if money an' Lawyer Blogs kin get
them Budds outer Si's house, they'd better start;
for I'll hev my rights now, sure.”</p>
          <p>“You didn't surely git youuns shar', Mertildy,
but we hev plenty.”</p>
          <p>“John Warren,” looking at her husband severely, 
“you knows I ain't greedy ner gredgin';
but young Dave is a fool, an' no pusson gainsays
hit; an' as fur Minervy Budd,” slapping her
hands together, “if I jest could box her ears
oncest, she'd not chaw none fur a-while.
Gosh!” and taking a piece of corn-cob and a
knife from her pocket, she began to hollow out
a pipe-bowl. “An' them two fools <hi rend="italics">shent</hi> hev
the ole place.”</p>
          <p>“Ain't you got no pipe, Mertildy?”</p>
          <p>“Pipe? I were that mad when Joe Billingsly
—I ain't agoin' to call <hi rend="italics">him</hi> ‘preacher’ ner
brether, nuther—when he were a-readin' thet
<pb id="ell116" n="116"/>
paper thet I busted my pipe 'ginst the chimbly
back. Gosh! I wish I hed a-busted hit 'ginst
Joe Billingsly's head. I wisht I hed! An' when
I 'members how I jawed Hannah,” looking down
at the girl who kneeled in front of the fire, “kase
she wouldn't holler at the buryin', I'm mad. If
I'd a-knowed what my brether Dave hed wrote
in thet paper, I'd never hev gone nighst the
buryin', much less hollered.” Screwing a piece
of cane into the hole she had made for the 
pipe-stem, “But I will say thet Hannah Warren never
put me to shame 'ceppen as a moaner, an' now
I'm glad 'bout thet. An' when I seen Hannah
a-stannin' 'longsider Minervy Budd, I says
to Betty Slocum, says I, 'If hit ain't fur all the
worl' liker horse an' a mule,' says I. But Betty
knowed thet the mule were a-goin' in the
horse's stable, an' she never said nothin'. But
I'll git my shar' if I hes to gie hit to ole Blogs.”</p>
          <p>“Gie Durket land to a Blogs?” her husband
said, in surprise.</p>
          <p>“I'd ruther the Blogs hev hit as the Budds.”</p>
          <p>“But the Budds ain't got hit—hit b'longs to
the Durkets yit; an' if you tuck hit, hit'll be Warren
land or Blogs land one; but leff hit, an' hit's
Durket land yit. An' if Si'll do what I say, he'll
build him a nice house. If I 'members, thar's
a good grove o' trees on Si's side o' the place.”</p>
          <pb id="ell117" n="117"/>
          <p>“You 'members,” Mrs. Warren answered,
“but them trees is in the ole graveyard. A lot
o' Si's land is in thet graveyard, an' thar's heaps
o' onjestice in the line drawed across the
farm.”</p>
          <p>“I 'grees to thet, Mertildy, but Dave might
hev hed the bad side jest like Si done. An' then
sperrets walks in the old house. Thet nigger
what come to tuck the nags back, says Dave'll
not git no niggers to stay on hisn's place.”</p>
          <p>Mrs. Warren was silent. Perhaps Minerva
had not gained so much, after all.</p>
          <p>“An' if Si'll jest do as I say,” Mr. Warren
went on, “he'll build him a house like them
houses to Sewanee. Then thar'll be two Durket
places.” Hannah rose. She had to go; this
soothing method did not seem honest to her,
and yet she saw the wisdom. A difficult point
had been rounded, and Si reinstated, as it were.
But did not her grandfather realize that if once
Mrs. Warren undertook the uplifting of Si, she
would insist on Hannah's marrying him? A
new house—new furniture—and then a wife?
She raised her hand in a silent vow.</p>
          <p>Si did not kill himself, but appeared in Lost
Cove the next day in a vile temper; and Mrs.
Warren became so much interested in persuading
him to a quiet course of action, that she forgot
<pb id="ell118" n="118"/>
the lawsuit she had threatened. She built
and furnished Si's new house several times that
morning, while Mr. Warren showed Si that if
he chose the arbitrators wisely, and let them hear
no complaint, that they would give him every
advantage in the division of the stock and movable
stuff. People knew that Dave had more
than his share, and public feeling would turn to
Si. By dinner Si was quiet, and he and Mrs.
Warren took Dock into their confidence; while
from her grandfather Hannah heard the morning's 
talk, and found that his sympathies were
stirred for Si. Her uncle's belated justice was
working against her.</p>
          <p>While “gearing up” the animals Dock
watched her furtively, and, putting the lines into
her hands, said, “Youuns Gramper seems like
he thinks more o' Si; an' youuns Granny is
a-goin' to stay in Si's fine new house. Will <hi rend="italics">you</hi>
go, Hannah?”</p>
          <p>“<hi rend="italics">Thet</hi> I won't.”</p>
          <p>“An' if youuns Gramper goes?”</p>
          <p>The girl's face was white and set. “I'll hire
out, or kill myself,” she said.</p>
          <p>Si went away pacified, and surprised Minerva
so much by his quiet demeanor that she insisted
on his returning to his old quarters. And
Si speaking of his new house, Reub Budd said
<pb id="ell119" n="119"/>
that Dr. Slocum had a book of plans which he
would get for Si. And the Budds, who had 
remained to keep the peace, rode away, feeling
that things were safe. But Minerva's feelings
were mixed. All the talk was for Si; all the
plans were for Si—and she saw Hannah ruling
over a much finer house, and Mrs. Warren playing
the great lady. She began to think that she
would rather have the new place.</p>
          <p>The spring was turning out unusually bad.
Rain and premature warmth that set all the fruit
trees blooming. “Thar'll be no fruit this year,”
Mrs. Warren said, “kase thar's 'bleeged to be a
late frost.” Hannah was troubled. Still she
had been lucky of late. The hens were doing
well, and there were two litters of pigs, and the
calf born lately was a heifer; so that there were
some cheerful things. But the weather was
bad, and she seemed to see the seed rotting in
the ground.</p>
          <p>Meanwhile Si came often. His house had
been contracted for, and the lumber was on the
spot near the old graveyard, where some trees
had grown out of the burying limits, and made
a pleasant shade.</p>
          <p>Mrs. Warren had spent a night at Minerva's
to look after Si's plans and the site, and when
she came away she left Minerva feeling that the
<pb id="ell120" n="120"/>
worst luck of her life was Dave's drawing the
best half of the farm. The division of the movables
and stock was now at hand, however, and
Minerva determined to strike for her own 
advantage.</p>
        </div2>
        <div2 type="chapter">
          <pb id="ell121" n="121"/>
          <head>XII</head>
          <epigraph>
            <lg type="verse">
              <l>“I love thee with the breath,</l>
              <l>Smiles, tears of all my life!—and if God choose,</l>
              <l>I shall but love thee better after death.”</l>
            </lg>
          </epigraph>
          <p>It had been a desperate night, the rain coming
down in straight, relentless streams, and the soft,
cloudy morning did not promise much for clearing. 
Hannah looked after the young creatures
to see that none had been drowned; looked
hopelessly at the fields, and thought anxiously
of the big spring. This was a strange formation
in the side of the mountain. A steep path
climbed up to it, then climbed down again into
a great basin of rock where lay the pool. It had
no inlet or outlet—an underground lake, and
tradition said that it had no bottom.</p>
          <p>This morning when Hannah went for water
she climbed up as usual, and, as the path was
slippery, made a long step to put her over the
top of the basin. The day before she had to go
down several feet to dip up the water—to-day
she grasped the rock to regain her balance; for
the water brimmed up to the top. She stood
still in anxious astonishment. She had never
<pb id="ell122" n="122"/>
seen it so high. She had heard her grandfather
say that, once or twice, it had come over; the
creek had backed up at the same time from the
end of the Cove, the outlet not being large
enough, and together they had flooded the little
valley. Would there be a flood now? There
was not much hope in the soft, gray sky; and
she filled her buckets quickly. She must get the
pigs and calves to a safe place. She must get
Dock to help her. It was early, and her grandmother
was just stirring when she went to tell
the news. “Lord, Lord!” she heard her grandfather
say, then groan as he realized his helplessness. 
She kindled the kitchen fire, and put
on the kettle, then, mounting old Bess barebacked, 
she rode off to the Wilsons'. Lizer
stood in the door of the house, and Dock was
at the wood-pile.</p>
          <p>“Dock!” she called “Dock, come quick!”
and, dropping the axe, Dock ran. Lizer came
forward, too, but Hannah had already turned,
and, with Dock trotting alongside, was on the
way home.</p>
          <p>“The spring's clean up to the top,” she explained, 
“an' yisterday I went down an' seen
that the creek was a-backin' up, an' I wants to
git the stock to the mountain. Hit'll be awful.
Dock.”</p>
          <pb id="ell123" n="123"/>
          <p>“Mebbe hit won't; mebbe hit won't rain no
mo'.”</p>
          <p>“But all what's done rained ain't riz yit,”
Hannah said, “an' the varmints 'll git the young
pigs, sure.”</p>
          <p>“No, they won't,” Dock answered, looking
up, his kind face flushed with the quick time he
was making, “kase I'll make a pen fur 'em an'
kivver hit with rails; an' 'ginst night comes I'll
build a fire nighst hit an' put my dog Buck in the
pen, an' I reckon no varmints 'll come thar. An'
we'll shet the calves in thar, too. Jest don't you
fret, Hannah.”</p>
          <p>“I won't; an' we'll put the chickens in the loft
an' the wood in the house; but the crap, Dock?”</p>
          <p>“You've got mo' seed, an' 'twon't tuck long
to plant agin—not long.”</p>
          <p>Hannah never forgot that day, gray and chilly,
and raining at intervals. Fortunately it was not
far they had to go to build the pen, and the part
of the rail-fence that was nearest the spot was
quickly taken down and put into proper shape.
Then Dock enticed the pigs and Hannah drove
the calves, and, grunting and bleating, they were
put away. The sitting-hens were the next difficulty.
To move one is almost fatal, and Hannah
was tempted to take the risk of the water; but
an extra shower made her change her mind, and
<pb id="ell124" n="124"/>
in tubs and baskets, the hens, unmoved from
their nests, were transported to the loft, and left
covered until they should quiet down.</p>
          <p>At last the day was done, and Hannah, kneeling
in front of the fire, looked very tired. But
she felt more hopeful. The rain might put out
Dock's watchfire, but the dog was in the pen,
and the evil from the water was sure, while the
evil from “varmints” was only possible.</p>
          <p>“Hit seems to be like I hearn the water
a-pourin' over at the spring,” Mrs. Warren said,
coming in suddenly. “Hit's bad; an' Dock's
gone to turn the stock out, so they kin find a
high place. Hit's bad to be shet up in a hole.”</p>
          <p>Hannah went outside quickly to listen. She
could hear Dock's voice and the stumbling footsteps
of the cattle; and the calves, hearing their
mothers, began to bleat.</p>
          <p>The rain had ceased, and in the pause she 
listened. She heard a dim sound like falling
water; she could not be sure it was the spring,
for any stream would sound on a night like this.
She looked for Dock's fire. It was a good
thought putting it into that hollow gum-trunk
where the rain could not reach it. The trunk
was big enough to burn all night, and if it fell it
could not hurt anything. Dock was at the fire
now, stirring it until a great cloud of red, wild
<pb id="ell125" n="125"/>
sparks flurried about him; and silhouetted against
the lurid light he looked double his real size.
The dog was barking with delight, and Hannah
could see the cows passing in front of the fire.
She drew her little shawl closer about her; it was
not raining, and she remembered some wood they
had not brought in. She found it quite easily,
and, gathering up an armful, went back into the
house. The next turn she let fall a log, and
water splashed into her face. A rain-pool, she
thought. The third turn she made she met
Dock. “I'm totin' in mo' wood,” she said, and
he turned to help her. This time she seemed
to get into the water. She filled her arms and
turned away, when an exclamation from Dock
stopped her.</p>
          <p>“Water! Hit's backed up, Hannah, an' don't
come out no mo'.” Hannah's heart failed her.</p>
          <p>She staggered a little with her heavy load,
then Dock came up.</p>
          <p>“Hit's all right,” he said cheerily; “hit'll
soon clear up.”</p>
          <p>But Hannah walked beside him, silent. The
darkness, the rising wind, the creeping water—
seemed living enemies.</p>
          <p>She was chilly, and her feet and clothes were
wet, and there seemed nothing to do now and
she went into the kitchen. Dock looked down
<pb id="ell126" n="126"/>
on her for a moment as she sat, all drooped 
together, then, pushing up the fire in the stove, he
went out, shutting the door.</p>
          <p>Hannah did not move. She was tired out,
and it seemed useless to fight any longer now the
water had backed up. The kettle began to sing.
Since dawn she had worked like a man—now
she must work like a woman. If her father had
lived, it would have been better. His patient
face came up before her. She had never heard
him complain. The kettle sang louder, and the
steam shot from the spout. She got up slowly.
“Po' daddy, hit's youuns work I'm doin',” she
said; “an' I'll do hit tell I draps.”</p>
          <p>The dishes were soon put away, and she pulled
down her sleeves, put out the fire, then paused
to tell the old people that all was safe, saying
nothing of the rising water.</p>
          <p>She wondered if she needed to make a fire for
herself; she was <hi rend="italics">so</hi> tired. She saw a line of light
under her door. She opened it—a bright fire
burned in the chimney, the hearth was swept,
and a pile of wood was in the corner.</p>
          <p>“Dock done hit,” she said, “an' him so wet
and tired. I'd ruther been beat!” She shut
the door softly and walked to the fire, while the
slow tears filled her eyes. “He seen I were
clean down, an' he done hit to hope me up—an'
<pb id="ell127" n="127"/>
me grumblin' in a good house an' everything
handy. God knows I ain't no 'count. Po'
Dock!”</p>
          <p>And out on the hillside Dock minded the cattle, 
and at intervals stole down to watch the
creeping water; quite happy through all the
wild, wet night tending the fire and keeping
guard. In the dim gray hour before day he went
home and slipped into his little hut. Lizer
must not know of his vigil—nor must Hannah
know.</p>
        </div2>
        <div2 type="chapter">
          <pb id="ell128" n="128"/>
          <head>XIII</head>
          <epigraph>
            <lg type="verse">
              <l rend="indent2">“We wear out life, alas!</l>
              <l>Distracted as a homeless wind,</l>
              <l>In beating where we must not pass,</l>
              <l>In seeking what we shall not find.”</l>
            </lg>
          </epigraph>
          <p>It was a dismal scene the next morning. The
house was an island, and all things that could
float—small coops, chips, brush—were bobbing
up and down against the fences, and tapping like
persistent ghosts against the house. The fowls
that had gone to roost in the loft of the stable
were making a great noise, and Hannah laughed
as she heard them. “I'll git Dock to ride out
an' feed 'em.” As she spoke she heard a cheerful 
“Git up, Bess,” and a splashing as Dock rode
up to the piazza.</p>
          <p>The flood seemed to throw Mrs. Warren into
a pleasant excitement. She pottered about
sweeping out the chips, looking at the hens, and
measuring the rise of the water, until Si's voice
called from the highroad. Hannah's heart
sank. She was not summoned, however, but
when she took Mr. Warren's dinner in she saw
that there was trouble. She nodded to Si, but
<pb id="ell129" n="129"/>
he paid no heed, and he and Mrs. Warren went
to dinner in silence.</p>
          <p>“Si's been done powerful mean,” Mr. Warren
said, “they've gin him the po'res' heff o' 
ever'thing. The Budds done hit, They app'inted
Reub Budd to choose fur Dave, an' Slocum for
Si. Si says Slocum hed mostly first ch'ice, but
tuck the wust every time. Si says Minervy hed
Slocum paid. Thar is onjestice been done, an'
trouble 'll come. Heaper Si's lan' is in thet ole
graveyard, an' he says he's gwine to plow hit
up kase thar's Budds an' Slocums buried thar.”</p>
          <p>Hannah looked at her grandfather in horror.
“Who'd eat thet corn, Gramper? dead folk's
corn!”</p>
          <p>“Hit's awful; but Si's sot on doin' hit.
Sure<hi rend="italics">ly</hi> these is the last days, Hannah, an' folks
ain't got no feelin's fur nothin'—no insides o'
any kind leff.”</p>
          <p>“Hev you hearn, Hannah?” Mrs. Warren
asked when she and Si returned from the
kitchen, “how they've cheated Si?”</p>
          <p>“Yes, Granny, hit's bad. But them Budds
don't look straight.”</p>
          <p>“If I jest live long enough,” Si said, “I'll
sp'ile Minervy. Thar's lots of ways to do hit.
I'll ruin any pusson what goes aginst me—”
looking straight in Hannah's eyes.</p>
          <pb id="ell130" n="130"/>
          <p>All Mrs. Warren's excitement forsook her
after this. The sun came out, Mr. Warren 
foretold good weather, and the water began to
recede, but nothing roused her from her angry 
silence. The Durkets were being overrun by the
Budds. The plowing up of the graveyard was
rather awful, but anything else that Si could do
for revenge would be justifiable, and the worse
the better. She did not tell what Si had hinted
in the way of retaliation. The trapping of rabbits
to be turned into Minerva's garden—the
rotten rails that Dave's own hogs could
be persuaded to root away, and gain a
night in the potatoes and corn—the mixture
that would make the hogs seem to
die of cholera. There was much that patience
could accomplish, and if Dave put up corn, or
“roughness,” or meat that year it would be a 
surprisingly small quantity. All this had been 
outlined during dinner. Mrs. Warren brooded
over it, but did not tell it, for she felt that her
husband and Hannah were quite capable of
warning Dave.</p>
          <p>At supper Dock, who had been up to Sewanee
that day, told some strange news to Mrs.
Warren, reporting the talk about Si's house and
the bad division of the things.</p>
          <p>“He'll be hevin' a hant,” Dock finished
<pb id="ell131" n="131"/>
“kase he's gwine to onderpin hisn's new house
with the gravestones.”</p>
          <p>Mrs. Warren almost dropped her cup.
“Sure<hi rend="italics">ly</hi> that ain't true!”</p>
          <p>“Thet's what they say,” Dock answered, “an'
all the folks is a-waitin' an' a-watchin' to see.”</p>
          <p>Build his house on piles of gravestones! Mrs.
Warren did not sleep that night. For a time
they did not hear any more of Si's plans; 
meanwhile the water subsided and things were
replaced; but, of course, the crop was injured, the
more so as there came a freeze while it was wet,
and the apple and the peach trees looked as if
they had been boiled. It was a very bad season,
and Mr. Warren's rheumatism increased day by
day.</p>
          <p>It was hard on Hannah, and Lizer Wilson, 
returning from Sewanee, leaned over the fence to
talk to the girl, who was milking, thinking to
hear some complaints.</p>
          <p>“Hit's a hard time we're a-goin' to hev,” Lizer
began. “Thar ain't much bo'ders come to
Sewanee outside the students; an' tradin'll be
sca'ce.”</p>
          <p>“Thet'll be hard on you, Lizer,” Mrs. Warren
said, coming out to the fence.</p>
          <p>“Hit'll be hard on heapser folks,” Lizer 
<pb id="ell132" n="132"/>
answered, “but if Hannah 'll keep Dock in
work—” with a leer in her eyes.</p>
          <p>Mrs. Warren withered the leer with a glance.
“Work'll be sca'ce, too,” she said.</p>
          <p>“An' they do say,” Lizer went on quickly,
“thet the flood over to Durket's were the wust
thet ever was. Hit muster skeered the rabbits,
kase Jane Harner says thet the sight o' them as
were ketched in Dave's garden wornt never seen
afore; an' hit were eat off clean as youuns han'.”</p>
          <p>“Thet's a jedg<hi rend="italics">ment</hi> on Minervy Budd fur
cheatin' Si,” said Mrs. Warren.</p>
          <p>“Hit looks thet a-way,” Lizer assented.
“An' thar ain't a nigger thet'll stay thar overnight
kase o' the hant. An' t'other night they
hearn a great miration in the chicken house, an'
they ketched two critters eatin' jest ever'thing;
thar wornt <hi rend="italics">no</hi> nestesses leff.”</p>
          <p>“Thar hit is again,” commented Mrs. Warren. 
“Hit's a jedg<hi rend="italics">ment</hi>; an' if you'll watch, Lizer 
Wilson, you'll see thet Minervy Budd won't
save nothin' <hi rend="italics">this</hi> year.”</p>
          <p>“Hit do look thet a-way. Jane Harner says
thet water never hurt Si, kase hit wasted hitself
on Dave. An' Si's garden is good, an' some o'
hisn's corn is s'prisin' high.”</p>
          <p>“Whar 'bouts?”</p>
          <p>“In the—the best corn is in the ole graveyard.”</p>
          <pb id="ell133" n="133"/>
          <p>“Who 'll want thet?” cried Hannah.</p>
          <p>“Folks away won't know no difference,” 
Lizer answered, “ner cattle at home.”</p>
          <p>“But no blessin' will come on Si,” Hannah
said. Mrs. Warren was silent.</p>
          <p>“Jane says,” Lizer went on, without comment,
“thet Si made a good sale on the timber, an'
tuck the stones to onderpin hisn's house, kase
be says the Budds and Slocums is jest about fitten
to onderpin hisn's house and topdress his
land.”</p>
          <p>“And what do the Budds and Slocums say?”</p>
          <p>“They're mad as fire, but they're fear'd, kase
all the valley knows they done Si a onjestice.”</p>
          <p>Hannah shook her head. “Thet don't no-wise 
skuse Si,” she said. “An' what's Minervy
a-doin'?”</p>
          <p>“They do say she's pestered to death. What
with the niggers 'fusin' to stay thar, an' the
chickens bein' eat up, an' the garden gone, an'
the water a-washin' everything, she's too much
to stand. Folks don't favor her much, nohow.”</p>
          <p>“She ain't nothin' to favor,” struck in Mrs.
Warren.</p>
          <p>“Mighty nigh true,” Lizer assented. “An'
they do say Si's house is tastey; but he's skeerder
what he's done, an' he's drinkin' hard, Jane says.
You ought to go over thar, Mrs. Warren.”</p>
          <p>“You're right,” was answered, with surprising
<pb id="ell134" n="134"/>
mildness. “An' I'll try to git to go” Then
Lizer went her way.</p>
          <p>“Ain't you sorry, Granny?”</p>
          <p>“Sorry, gal? Hit's done done, an I ain't
a-goin' back on my own,” Mrs. Warren 
answered, “an' I ain't afeared to go an' stay in Si's
house. Gravestones or no gravestones, I'm
a-goin'. An' I wants to see Minervy Budd
pestered—pestered to death—please God.”</p>
          <p>Time wore on, and after a long absence, Lizer
brought a message from Si that he was coming
to fetch Mrs. Warren and Hannah. Lizer
also told how the hogs had ruined Dave's 
potatoes, and that there was some strange disease
among Dave's hogs. “An' the jedg<hi rend="italics">ment</hi> is so
sure that folks is skeered.” Si, on the contrary,
flourished; but people did not seek his company,
and he wanted Mrs. Warren's aid in a social way.</p>
          <p>“Si need not ax me,” Hannah said, “I ain't
a-goin' to no sich place.”</p>
          <p>When Si came, Hannah was on the front piazza. 
She declined firmly. “Do you mean hit,
Hannah; mean that you ain't a-comin' to <hi rend="italics">my</hi>
house?” the pupils of his eyes contracting.</p>
          <p>“Yes,” she answered, “you have done a bad
sin, plowin' up dead folks, an' I ain't a-comin'.”
There was a moment's silence, then Si raised his
hand to heaven.</p>
          <pb id="ell135" n="135"/>
          <p>“ 'Fore God, Hannah, I'll make you sorry,”
he said. He shook his finger in her face.
“Thar's one mo' chance I'll gie you, an' if you
'fuses thet, the Lord 'll hev to he'p you fur the
talk I'll raise.”</p>
          <p>“I don't want no mo' chance, Si, an' the Lord
<hi rend="italics">will</hi> he'p me.” Then Mrs. Warren called, and
Hannah went in.</p>
          <p>Mrs. Warren was to spend two nights at Si's
house. She went off with a brave front, but was
much relieved to find that Jane Harner and her
oldest daughter were to be there to do the work,
and that Dave and Minerva were to receive her.
This last bit of news pleased her, for she had
come to enjoy Minerva's ill-luck quite as much
as Si's house. Underneath all, however, was
honest loyalty to the Durkets. She hoped that
by staying in the house she could do away with
the stories of “hants,” and take from Hannah a
strong argument against Si. If Hannah could
adduce a “hant,” all the world would support
her against Si and the plowed graveyard and
desecrated gravestones. Whereas great prosperity
and genial “freehandedness” might obliterate 
all, if there were not a “hant” and an
obstinate girl to remind people.</p>
          <p>Mrs. Warren was delighted with everything.
There was no sign of the old graveyard; instead,
<pb id="ell136" n="136"/>
a field of the finest corn she had seen. She
looked furtively at the foundations of the house,
but the stones were so neatly built together that
no one would think of gravestones in connection
with them. The house was neatly finished,
and painted, papered, and furnished with a
gaudiness that enchanted Mrs. Warren. She
and Si walked home with Dave and Minerva that
afternoon, and while at the old house Mrs. Warren
called attention to all the points of superiority
in Si's house and farm. She sympathized
cheerfully with Minerva's misfortunes, pointing
out the judgment in it all so clearly that Minerva
felt that for her the last great day had come
and gone.</p>
          <p>Si and Mrs. Warren sat late over the fire that
night, and finishing with hot grog the old
woman slept too heavily to be roused by
“hants”; but Jane Harner heard noises like fleeing
footsteps and hushed oaths! She wrapped
her head in the blanket—a “hant” that cursed
and trampled like cattle was too awful! Cows
got into Dave's corn that night. Some of the
top rails of the fence were old, and were broken
where they jumped in. In the morning Dave
was in despair, and Mrs. Warren and Si enjoyed
his misfortune as only near relatives could.
Many neighbors came in that day to see Mrs.
<pb id="ell137" n="137"/>
Warren. She escorted them about gladly, calling
on all to witness that she had slept soundly.
Hot grog finished the second evening also, and
though Mrs. Warren was tremulous when she
reached home the next day, she could triumphantly
deny the “hants,” much to Hannah's
discomfort. Not long after this, on a fair fresh
day, that made one glad to live, Si came over.
Mr. Warren, whose rheumatism had gone, was
in the garden, Hannah was at the wash-tub, and
Mrs. Warren on the front piazza.</p>
          <p>“I'm come to see Hannah,” Si said. “The
house is done, an if she's a-comin' I wants to
know. This is the last chence I'm a-goin' to
give her, an' thet's p'int-blank.”</p>
          <p>Mrs. Warren's eyes flashed. “If you wants
the gal, Si Durket, thet ain't no way to talk, an'
Hannah ain't gwine to tuck hit.”</p>
          <p>“She kin please herself,” Si said doggedly,
“but hit's her last chence.”</p>
          <p>“You're a fool!” and, knocking the ashes
from her pipe, Mrs. Warren rose. “I'll call her,
an' I'll talk to her; but I ain't a-goin to hev no
fits ner no 'sputin'.<sic>’</sic> You must 'member, Si
Durket, thet you ain't got but heff o' what you
hed. Jest heff o' farm, an' piece o' thet graveyard.
An' I wants you to know thet hit makes
a difference to me, anyhow. Not to Hannah,
<pb id="ell138" n="138"/>
kase she's sich a fool shed tuck you 'thout
nothin', if so be she hed a favor to you. If you'll
keep quiet, I'll keep on a-talkin' to her right
stiddy 'bout hit an' bime by she mout tuck you.”</p>
          <p>Si's face grew more sullen. His aunt was
right. He was worth only half as much as was
expected, and had become, besides, a marked
man.</p>
          <p>Mrs. Warren waited; she knew that she had
him at a great disadvantage. But Si made no
acknowledgment of this; he brooded for a few
moments, then repeated:</p>
          <p>“Hit's the last chence.”</p>
          <p>Mrs. Warren hesitated. Was he in earnest?
Would it be wiser to persuade him or to call
Hannah and let her teach his pride a lesson?
She called, and the girl came reluctantly, 
wiping her hands on her apron. Greeting Si
quietly, Hannah stood silent. One moment the
trio waited, then Si spoke.</p>
          <p>“I promised I'd come again, Hannah,” he
said, “an I'm come. What word is that fur
me?”</p>
          <p>“An' you'd better gie him a good word,” Mrs.
Warren struck in. “He'll gie you time to
steddy 'bout hit, if you axes hit. I'm a-gittin'
tired o' this foolishness, an' I aint a-goin' to hev
hit. The nice new house a-waitin',” she urged,
alarmed at the realization of the dangerous state
<pb id="ell139" n="139"/>
of things—that the new house and furniture,
that Minerva's complete defeat, that possibly the
future of the Durkets, hung in the balance.
“An' ever'thing so handy, an' Minerva nigh
dead kase hit ain't hern. Now mind what you
say, gal, an' gie youuns cousin a good word; fur
God knows what we'll do 'ginst the winter.”</p>
          <p>Hannah glanced apprehensively at her grandmother,
but as the old woman went on, half
cajoling, half threatening, she turned her face
away and looked down the little valley.</p>
          <p>“I ain't never hed but one word fur Si,” she
said, still looking far away; “an' he knows thet
word; an' you knows thet word; an' I'll set my
life 'gainst the winter.”</p>
          <p>Si turned on his heel and walked away with a
look in his eyes that startled the old woman.
Would he kill the girl some time when she was
away from the house?</p>
          <p>“Si!” she called—“Si!”—but he paid no
heed, and mounting his horse, dashed straight
up the hillside. Then Mrs. Warren turned on
Hannah, and for the first time in her life Hannah
realized what awful things words could be.
Abused, taunted, cursed, insulted, lashed past
endurance by the vulgar fury of the old woman's
tongue, she turned a white face and blazing eyes
on her persecutor. “Thet's enough,” she said
<pb id="ell140" n="140"/>
in a low tone. “Youuns words hev set me
free, an' I'm a-goin'.”</p>
          <p>“Hannah!” and old Mr. Warren laid his hand
on her shoulder. “Tuck thet back, chile!”</p>
          <p>“I can't, Gramper,” and, trembling with 
excitement, she went back to her work. Mrs.
Warren's words burned in her ears; dreadful
words she had never heard before. If her
grandmother could say such things, what could
not Si say? and he had threatened her. Her
one thought was to get away from them. She
would go to Sewanee and get work. She was
sorry to leave her grandfather; but she could not
stay where such things were said to her.</p>
          <p>While she worked through the long day with
feverish nervousness she matured her plans, and
a determination once reached, she felt happier,
even though her pillow was wet with tears when
she fell asleep.</p>
        </div2>
        <div2 type="chapter">
          <pb id="ell141" n="141"/>
          <head>XIV</head>
          <epigraph>
            <lg type="verse">
              <l>“Oh, the little more, and how much it is!</l>
              <l>And the little less, and what worlds away!”</l>
            </lg>
          </epigraph>
          <p>Mrs. Warren would not speak to Hannah the
next morning, and ignored the preparations for
going to Sewanee. She saw no bundle, only the
butter and eggs that always went for coffee and
sugar; and she drew the rash conclusion that
Hannah had repented. When all was ready,
Hannah led the horse to the big gate. Mr.
Warren stood there, waiting.</p>
          <p>“You're comin' back to-day?” he asked
wistfully.</p>
          <p>“Yes, Gramper,” then looking down, “Ax
Granny what she said to me.”</p>
          <p>“I hearn; but furgit an' furgive, or mebbe
God 'll furgit an' not furgive.”</p>
          <p>“You only hearn some, Gramper.” Then she
rode away.</p>
          <p>Once more she found Agnes and Max Dudley
at the gate.</p>
          <p>“Where have you been all this time?” Agnes
asked.</p>
          <pb id="ell142" n="142"/>
          <p>“Home, workin'.”</p>
          <p>“You look overworked,” Max said.</p>
          <p>“Hit ain't work thet hurts,” Hannah 
answered, “but everything hev gone against me.
I've come to hire out,” looking wistfully at
Agnes.</p>
          <p>“Hire!—You!” Max questioned. “Will
your people allow it?”</p>
          <p>“I wont ax. Granny's done said words what
set me free. I'll send 'em all the money; but I
won't live thar any mo'. I can't.”</p>
          <p>“If you are in earnest,” Agnes said, “I want
a girl. Can you wait on table?”</p>
          <p>Hannah looked puzzled. “You mean set a
table? I dunno if I knows youuns ways, but I
kin larn.”</p>
          <p>“Come in, then, and we will talk about it.”</p>
          <p>Max lifted his cap. “I will see you later,
Miss Agnes,” he said. Then to Hannah, “I
think I will go to Lost Cove this very day.”</p>
          <p>Old Mr. Warren and his son had impressed
Max, when he met them, as being so thoroughly
good. And the handsome face of the son was
the saddest he had ever seen. That his daughter
should offer herself as a servant was an unknown
thing in her grade of life. Sometimes a native
would go into service, but never of Hannah's
class. He wondered what had driven her to it.</p>
          <pb id="ell143" n="143"/>
          <p>The girl and her story interested him, and he 
decided to go to Lost Cove and solve the little
mystery. It was a charming day for the walk,
and he might do some good.</p>
          <p>Meanwhile Hannah and Agnes had settled
terms, and Hannah was to come the next day.
But their relations seemed to have changed, and
without being told Hannah went out by the back
door. Miss Welling had been very clear and 
decided in the statement of Hannah's duties, but
her voice had been kind, and her terms liberal,
and afterward she had smiled pleasantly and
hoped that Hannah would like her new home.
What had made Hannah for the first time leave
the house by the back door? The girl puzzled
over this question as she rode.</p>
          <p>The level road being done, Hannah gathered
up the bridle for the rough descent, and saw
Max Dudley.</p>
          <p>“You have caught me,” he said; “I am glad,
for your grandmother might not be pleased to
see me.”</p>
          <p>“I reckon she will; she mostly likes comp'ny.”</p>
          <p>Max laid his hand on her bridle, and they
journeyed on together. “Do you think you
will like being a servant?”</p>
          <p>“I dunno.”</p>
          <p>“You won't be free, you know; and your
<pb id="ell144" n="144"/>
place will be in the kitchen. Have you thought
of all this?”</p>
          <p>“I dunno, Mr. Dudley.” Hannah's heart
grew cold, and the sure things of life seemed to
be slipping away. “I don't know how hit'll be, but
it can't be no harder than Granny.”</p>
          <p>“What made her so angry?”</p>
          <p>“Kase I won't marry my cousin, Si Durket.”
The color rushed into the girl's face. “I can't
do that; no, sir; I'll be a nigger fust.”</p>
          <p>“And your grandfather?”</p>
          <p>“Gramper don't favor Si.”</p>
          <p>They had come down the mountain quite
rapidly while they talked, and were now at the
Warrens' gate, where Lizer Wilson leaned, talking
to Mrs. Warren. The conversation ceased
as Hannah and Dudley appeared, and Lizer
smiled as Max helped the girl off the horse, 
instead of leading the horse to the fence and 
allowing her to climb down, as was the valley
custom. Mrs. Warren looked pleased, but Lizer,
knowing the differences that obtained at
Sewanee, smiled a smile that vocalized itself
while Dock ate his dinner.</p>
          <p>“What kin you say fur youuns great Hannah
Warren,” she began, “a-comin' down the mountain
longer University boy, an' him a-leadin' ole
Bess like Hannah couldn't ride a nag. An'
<pb id="ell145" n="145"/>
a-heppin' her off like she were hisn's woman,
an' a mile o' fence right thar whar any right
kinder gal woulder clum down. An' ole Mrs.
Warren so proud, like Hannah hed done met up
alonger her ekals. An' him—Dudley's his
name—takin' off hisn's hat, an' bowin' an'
shuckin' han's like he does up to the University
womens. Gosh! But he jest nods hisn's head
to me. I knows mor'n he thinks I knows 'bout
him, a-keepin' comp'ny alonger that Agnes Wellin'
up yander. She holds herself mighty high;
an' if she do tuck Hannah to the parlor, an' sen's
me to the kitchen, taint kase she 'lows Hannah's
her ekal. Gosh! but Hannah Warren 'll be as
low down as Lizer Wilson soon.”</p>
          <p>“I'll kill her fust!” Dock's face had grown
very white under Lizer's fire of innuendo. He
had not spoken, for that would have made things
worse; but his anger broke bounds at last, and it
was with infinite scorn that he looked on his
father's wife and said—“I'll kill her fust.”</p>
          <p>Lizer rose, too, her low face contracting with
fury. “You'll kill her fust, will you! 'Fore
God, I'll make hit so you'll want to. I knows
how to hurt you, Dock Wilson, an' I'll do hit or
die! Jest wait—wait!” and she shook her fist in
his face.</p>
          <p>Walking up the mountain in the red afternoon
<pb id="ell146" n="146"/>
light, Max Dudley remembered Hannah Warren
in many different poses. She had shown to
great advantage in her own sphere. He would
call on Agnes Welling and tell her of the flood
as Hannah had described it, making it quite an
<sic corr="idyll">idyl</sic>. He wondered how the girl would bear 
being a servant, as servants were held by the 
educated classes. It would take character to stand
such a test, and in his heart he added, “blood.”
There was no telling about American blood, and
Mr. Warren's blood might have been very blue
in ages past. Hannah might have hereditary
right to her simple dignity and beauty.</p>
          <p>And Hannah, waiting at the gate for the cows,
asked her grandfather, with a hopeless ring in
her voice, “What's the diffrunce, Gramper,
'twixt me an' Miss Agnes? An' Mr. Dudley
don't look like he's the same kinder creetur as
Si Durket.”</p>
          <p>“Thet's true,” Mr. Warren answered. “An'
steddyin' 'bout hit, hit seems like folks an' 
cattle favors one another. All cattle is got fo' legs,
an' yeers, an' tails; but hit takes more'n yeers,
an' tails, an' legs, to make a Jersey cow. Jim
Blount, up yander, is got a cow liker pictur.
Hit's a cow, but hit's no mo' like ourn cows 'an
Mr. Dudley's like Si Durket. Thar <hi rend="italics">is</hi> a 
diffrunce, and I've been a steddyin' 'bout hit, an'
<pb id="ell147" n="147"/>
to save my life I can't see nothin' in hit but 
wittles, an' shelter, an' seein' fur.”</p>
          <p>“Well, thet beats me,” Hannah said.</p>
          <p>“So hit do tell you steddies 'bout hit. Now
a man what plows must hev bacon an' 
cornbread, an' heapser hit; an' when hisn's day's
work's done he's so tired thet he don't steddy
'bout hisn's shelter. But them folks to Sewanee,
they don't to say work, an' they eats
mostly chickens an' light-bread; an' when they
gits done a-settin' aroun' all day readin' books,
they ain't to say clean wore out, an' ever'thing's
got to be mighty nice 'fore they kin sleep. An'
their pars, an' all their gran'pars done the like
afore 'em, tell they come to look an' to be
mighty diffrunt from folks what's a-been
plowin' since Adam. An' they looks at weuns
like Jim Blount's cow would look at
ourn cow; an' they'd die to live like weuns
live.”</p>
          <p>“But Granny don't 'llow thar's no difference.”</p>
          <p>Mr. Warren chuckled. “Granny's eyes ain't
been let to see nothin' but Durkets,” he said,
“an', anyhow, some folks don't see fur. Now
thar were Pete and Joshaway; Pete were furever
findin' sumpen—pickin' up buttons, an
nails, an' the like; an' Joshaway, a-drappin' 
<pb id="ell148" n="148"/>
ever'thing. An' when I come to steddy 'bout them
boys, I seen thet Pete were allers a-lookin' down,
an' Joshaway allers a-lookin' up. An Pete
traded Joshaway outer ever'thing. But Joshaway
didn't keer. If he could set by the branch
an' watch the water—or lay on hisn's back
a-watchin' the clouds—he were satisfy to let
Pete tuck ever'thing. An' Pete went out to
Texas to make money, an' Joshaway stayed
home an' died a-workin' fur ole folks what
couldn't do him no good. An' settin' by the
fire a po' cripple, I've steddied a heap; an' if
Joshaway coulder had book-larnin' he'd abeen
like them folks at Sewanee, kase he never eat
much nohow. But Joshaway an' them folks to
Sewanee seen fur—seen further than money.
But Granny don't. She never knows the blossoms
is a-blowin<sic corr="',">,'</sic> ner she never hears the rain
a-talkin'; she never b'lieves in no sperret 'ceppen
the Durket sperret. But she don't mean no
harm. An' folks what seen fur tuck to fine wittles;
an' folks what never seen fur was satisfy
alonger bacon. But I dunno which gits the
most satisfaxion; an' hit seems they gits mixed
somehow, kase you an' Joshaway oughter been
to Sewanee, an' not in no kitchen nuther.”</p>
          <p>The girl's face grew hard. “If hit gits
mixed, hit gits mixed,” she said, “an' I'm a bad
<pb id="ell149" n="149"/>
mistake, kase I'll heffter be satisfy in the kitchen,
to Sewanee.”</p>
          <p>For a moment Mr. Warren put his hand over
his eyes, then he lifted his head. “The fust time
I seen Jim Blount's fine cow, she were in a
mighty po' stall,” he said, “but thet didn't hurt
her, no, sir! she set the old stall off—she did.”</p>
        </div2>
        <div2 type="chapter">
          <pb id="ell150" n="150"/>
          <head>XV</head>
          <epigraph>
            <lg type="verse">
              <l rend="indent2">“What I aspired to be,</l>
              <l rend="indent2">And was not, comforts me:</l>
              <l>A brute I might have been, but would not sink i' the scale.”</l>
            </lg>
          </epigraph>
          <p>The life at Sewanee was a revelation to
Hannah.</p>
          <p>“You never seen the like, Gramper,” Hannah 
said, on her first visit home. “They eats
the soup, then all <hi rend="italics">them</hi> dishes hev to be tuck
offen the table; then they hes meat, an' taters,
an' sich; then all them dishes hev to be tuck
offen the table; then they has raw greens, an' all
them dishes hev to be tuck offen the table; then
I gits a silver trowel an' scrape that table to get
the crumbs offen hit; then they hes sweet
mixtry's they calls 'zert; an' cawfee. An' when
hits done thar ain't one o' them, 'Fesser Wellin',
ner Miss Agnes, ner her leetle nevvy, hev
eat a good meal—they picks.”</p>
          <p>“Hit seems to me like hit's a heap o' foolishness,”
Mrs. Warren said, “an' I don't see whar
you gits time fur youuns dinner.”</p>
          <p>Hannah flushed hotly. “Oh, I gits time; I
eats in the pantry.”</p>
          <pb id="ell151" n="151"/>
          <p>“Alonger the niggers?”</p>
          <p>“No, the niggers eats in the kitchen.”</p>
          <p>“Too good for the niggers, an' not good
enough for white folks,” Mr. Warren pushed his
chair back. “Is you satisfy, gal?” he asked.</p>
          <p>“Hit's bettern some things I knows on,”
Hannah answered. Then a silence fell while
Mr. Warren walked to the gate and back.
When he resumed his seat Mrs. Warren asked,
“Does you set down while youuns white folks
is a-eatin' ?”</p>
          <p>“No, Miss Agnes don't want me to set
down.”</p>
          <p>“Do she let you talk?”</p>
          <p>“No, she don't.”</p>
          <p>Mr. Warren looked at the girl curiously.
“Thet's  <hi rend="italics">wussern</hi> a nigger.” Hannah was silent.
Her cheeks would always burn with the memory
of Agnes' words—“A servant must always
stand in the presence of a master or mistress,
Hannah, and never speak unless spoken to.”
Those words made her remember how the 
apple-blossoms had looked after the frost.</p>
          <p>“Hev theyuns got ary dorg?” Mrs. Warren
asked at last; “kase if thar ain't none, sposen
you gits down an' be a dorg?”</p>
          <p>Hannah rose. “I must be a-startin',” she
said.</p>
          <pb id="ell152" n="152"/>
          <p>“I'll git Bess an' the mule,” Mr. Warren answered,
“you shent go back like a nigger, nohow.”</p>
          <p>Dock, who was regularly hired now, had been
sitting on the step listening; and the admission
wrung from the girl hurt him. Being even <hi rend="italics">his</hi>
wife would be better. He had never dared to
lift his eyes to Hannah, and he did not now, 
except in a sort of dream. In parting with her
grandfather at the Wellings' gate, Hannah said:
“I ain't a-comin' home fur a long time, Gramper. 
Long as I'm up har hit don't seem bad,
kase I sees the difference 'twixt me an' Miss
Agnes so p'int blank thet hit seems right fur me
to tuck orders; but when Granny talks it seems
awful. Far'well.”</p>
          <p>Max Dudley watched Hannah with much 
interest, and <sic corr="Cartright">Cartwright</sic> with amusement. “It is
ruination,” Cartright said, “to lower that ‘wild
child of the forest’ to civilization,”</p>
          <p>“On the contrary,” Agnes answered, “she is
being elevated.”</p>
          <p>“She looks cast down,” Max rejoined.</p>
          <p>“Of course; she is now realizing that she is
not the highest; but that is necessary. We
must see the heights before we can scale
them.”</p>
          <p>“Are you sure civilization is a height?”</p>
          <pb id="ell153" n="153"/>
          <p>“Yes, Mr. Dudley, and I say, Rise at any cost.
The girl is a different creature already. You 
remember when you dined with us yesterday, she
became so absorbed in the conversation that she
forgot her duties?”</p>
          <p>“Yes,” Max answered. He remembered uncomfortably
the pained interest on the girl's face
as Professor Welling discussed caste and the
dense ignorance of the “Covites,” their lack of
ambition, and his hopelessness as to their future.
The look of wondering pain in the girl's eyes
had made Max contradict as flatly as he might
the Professor's position. How pitiful that she
did not stay in her own sphere! He looked back
to where Hannah followed them, carrying Miss
Welling's books. They were on their way to a
mission Sunday school, where, twice during the
week, Agnes went to impart secular knowledge.
Hannah went with her always. As Max looked
back now, there was a lack of spirit in the girl's
whole bearing that was pathetic. “Are you
tired, Hannah?” he called, almost involuntarily.
Agnes and <sic corr="Cartright">Cartwright</sic> turned, too, and Hannah
looked up quickly.</p>
          <p>“No, sir; no, I ain't tired!”</p>
          <p>“You see I have been a guest in her house,”
Max explained in a lower voice to his 
companions, “and I do not think she understands
<pb id="ell154" n="154"/>
the ‘accident of birth.’ To her equality is a fact,
not a theory.”</p>
          <p>“I do not agree with you,” Agnes answered; 
“Hannah quite understands that there
is a difference, for she asked the cause.”</p>
          <p>“And your answer?”</p>
          <p>Agnes smiled. “To my surprise I was rather
puzzled how to answer. She told me that her
grandfather thought it was due to ‘shelter, an'
wittles, an' seein' fur.’ ”</p>
          <p>“Good!” <sic corr="Cartright">Cartwright</sic> exclaimed. “Environment; 
and ‘seeing far’ will stand for the survival
of the fittest. Good!”</p>
          <p>“And Mr. Dudley's sympathy is wasted,”
Agnes went on, “for you see they discuss this
thing.” And they moved aside to let a horseman
pass. He gave a surly “Evenin',” and Agnes
thought she had never seen a more evil face.
Hearing a rude laugh, she turned. “He speaks
to Hannah,” she said.</p>
          <p>“Some rustic lover,” and Cartright moved on.</p>
          <p>“No, we will wait for her. See, she has
stepped quite into the bushes. Call her, Mr.
Dudley.”</p>
          <p>“We are waiting, Hannah!” Max called, and
walked a few steps toward her. Then Si, for it
was he, rode on.</p>
          <p>Hannah had been horrified when startled from
<pb id="ell155" n="155"/>
her dreams by Si's voice, and had drawn aside to
let him pass; but he stopped. “I'm a-goin' to
the Cove,” he said, “what shall I say?”</p>
          <p>“Nothin', 'ceppen I'm well,” she answered.</p>
          <p>“An' whar's you a-goin'?”</p>
          <p>“To school.”</p>
          <p>“Po' folks' school! I've hearn 'bout 'em.
Larnin' the po' Covites fur nothin'. An' you
walks behind an' totes youuns missus' books.
Lord!” and he laughed. “Won't I tell Aunt
Tildy, an' she'll bile over.”</p>
          <p>Here Max's call interrupted them, and
Hannah started forward. “Youuns marster's
a-callin'; go on, Nigger,” jeered Si, in a low
voice, and Hannah made no answer.</p>
          <p>“Is it all right, Hannah?” Max asked as she
neared them.</p>
          <p>“Yes, sir,” looking up with flashing eyes and
scarlet cheeks. “Hit were my cousin, sir; Si
Durket.”</p>
          <p>“Oh!” and Max resumed his place by Agnes'
side.</p>
        </div2>
        <div2 type="chapter">
          <pb id="ell156" n="156"/>
          <head>XVI</head>
          <epigraph>
            <lg type="verse">
              <l>“That small, small, imperceptible</l>
              <l>Small talk, which cuts like powdered glass</l>
              <l>Ground in Tophana.”</l>
            </lg>
          </epigraph>
          <p>Often after this, Si met the school party. He
had ascertained the days on which they went
out; and that during the week Hannah and Miss
Welling went alone, but that many times Max
Dudley walked out to meet them. On Sunday
Dudley and Cartright always went. Much of
Si's information came from Lizer Wilson, who
had told him also of Dudley's escorting Hannah
down the mountain. And Si had seen Dudley
give his umbrella to Hannah once. A sudden
summer shower, and the girl was unprotected at
the station. Max handed her his umbrella and
joined Cartright.</p>
          <p>Cartright had smiled, saying: “She is very
handsome, but fancy giving one's umbrella to a
servant.”</p>
          <p>“She is a woman, and, in many ways, an 
unprotected one,” Max answered.</p>
          <p>“And so you draw attention to her?”</p>
          <pb id="ell157" n="157"/>
          <p>Max looked at his companion curiously. “I
do not quite understand you.”</p>
          <p>Cartright laughed. “I understand you, however.”
A third student joined them, and the
subject was dropped.</p>
          <p>But it all sifted down to the valley, where it
spread and crept up to the station again, then
to the University. Dudley had been chaffed by
Cartright for giving Miss Welling's maid his
umbrella. The laugh grew. Some laughed at
the devotion that could reach from mistress to
maid; some because the maid was so handsome;
but all laughed in a quiet way.</p>
          <p>So the summer waxed and waned, and Hannah,
not wanting to be disturbed, did not go
home at all. At first she got home news from
Dock, but gradually Dock's visits ceased, and
Hannah feared that he had heard the talk which
her grandmother had hurled at her that last day.
At last, in September, she grew anxious, and 
decided to go down. She asked for a day, but a
guest was expected, and Agnes promised her
several days later on. The guest was a Miss
Vernon, and after the first week she often 
embarrassed Hannah by her cool and amused stare.</p>
          <p>Miss Vernon accompanied the party to the
mission Sunday school one day, ridiculing it at
every step. Merrily they squabbled, Miss 
<pb id="ell158" n="158"/>
Vernon and Cartright against Max Dudley and
Agnes; and Hannah, trudging on behind, 
wondered at the bright badinage and laughter.
How narrow, and dark, and empty her world
had been! How could she go back? Agnes
had done much for her, teaching her many
things outside her work; and the eager mind had
grown rapidly.</p>
          <p>During the afternoon a storm came up that
settled into a steady downpour. Only two umbrellas
were in the party of five, and there was a
discussion. A number of the people were going
to wait, and as some had to come far on the
road to Sewanee, it was decided that Hannah
should wait, in hope of the weather clearing.
Hannah pleaded that she preferred a wetting,
but Agnes was firm, and Hannah was left.
Presently the party met the negro man sent by
Professor Welling with cloaks and umbrellas.</p>
          <p>“If only we had waited,” Agnes said.</p>
          <p>“Let me go back for Hannah,” suggested
Max, taking the extra shawl and umbrella.
“We have not come far, and it would not do to
leave her to Peter,” he added, in a lower tone.
“He regards her only as a servant, you know.”</p>
          <p>“You are very kind,” and Agnes looked up
gratefully.</p>
          <p>Then Max turned back, and Cartright pulled
<pb id="ell159" n="159"/>
his mustache to hide a smile. “I suppose Dudley
is living up to the lesson I heard him impressing
this afternoon,” he said. “Duty to
one's neighbor. He is <hi rend="italics">such</hi> a crank; I really 
believe he tries to do it.”</p>
          <p>“Take care, Mr. Cartright,” and though Agnes
smiled, there was a flash in her eyes. “ I
am—”</p>
          <p>“I know,” and Cartright helped her over a
little stream. “But Dudley goes too far. At
the station the other day he gave that girl his
umbrella. It is foolish, and causes remark.”
And he drew Agnes' cloak more closely about
her, looking straight down into her eyes, “After
all, the girl is a servant.”</p>
          <p>“Mr. Dudley <hi rend="italics">is</hi> queer; but, then, Hannah is
uncommonly handsome,” said Miss Vernon.</p>
          <p>A horseman passed them, and Agnes recognized
Si Durket, of whom Hannah had told her.</p>
          <p>Hannah stood alone in the schoolhouse doorway.
The young people who giggled together
regarded her as “sot up,” and avoided her.
Presently she saw Max Dudley returning. The
young people giggled more than ever, and the
old people, who wisely kept a “great gulf fixed”
between their class and the university men,
looked disapprovingly. They had heard talk
about Hannah Warren, and seeing Max return
<pb id="ell160" n="160"/>
in the rain for her, the vague reports took shape.
When Max entered the room there was a dead
silence.</p>
          <p>“Miss Agnes sent this shawl, Hannah,” he
said. “We met the servant just a little way
from here. If we walk fast we can catch them.”</p>
          <p>Hannah pulled her bonnet farther over her
face, and wrapping the shawl hastily about her,
stepped out into the rain before Max.</p>
          <p>“Wait for the umbrella!” he called; but Hannah 
did not heed. Harder and harder came the
driving rain and wind, but Hannah hurried on.
With her bonnet drawn down and the shawl held
close about her, she seemed not to know that
Max was with her, and now and then helped her
over bad places. On they went, with the umbrella
well down in front. Suddenly they heard
a shout, and found a horseman nearly on them,
the horse starting wildly at the umbrella. Hannah 
sprang aside, and, looking up, faced Si
Durket. There was a moment's pause—even in
the storm, the girl thought—and, righting the
umbrella, Max stepped again to Hannah's side.
With a laugh, Si rode on.</p>
          <p>“Your cousin?”</p>
          <p>“Yes, sir.” Yes, it was Si, and those people
at the schoolhouse had laughed; and Lizer Wilson
had hinted many times at her not being able
<pb id="ell161" n="161"/>
to guide her horse down the mountain. There
would be talk. But her grandmother's talk
about Dock was worse. Would not one piece of
talk kill another? And where would her character
be when all was said?</p>
          <p>“How quick you have been!” Agnes said,
glancing at Cartright.</p>
          <p>“Yes, Hannah raced.” Then to Cartright:
“What is the joke?”</p>
          <p>“My dear Dudley, I am only pleased to have
some assistance with the umbrellas,” Cartright
answered.</p>
          <p>Plodding on behind, Hannah wondered why
Si could not have met them after they had
joined the party.</p>
        </div2>
        <div2 type="chapter">
          <pb id="ell162" n="162"/>
          <head>XVII</head>
          <epigraph>
            <lg type="verse">
              <l>“Art thou a dumb, wronged thing that would be righted</l>
              <l rend="indent1">Entrusting thus thy cause to me? Forbear!</l>
              <l>No tongue can mend such pleadings; faith requited</l>
              <l rend="indent1">With falsehood—love, at last aware</l>
              <l>Of scorn—hopes, early blighted.”</l>
            </lg>
          </epigraph>
          <p>Behind her back Agnes' friends were laughing
at her and blaming her; varying their remarks 
with wonderings as to whether she would
marry Cartright or Dudley. <sic corr="Cartright">Cartwright</sic> had
money, but Dudley agreed with her in all her
fads, especially as to these country people and—
her own maid! Meanwhile, Cartright kept Miss
Welling in something of a temper about Dudley.
Hannah had not had her holiday yet, and
for some time had had no word. She was
vaguely uneasy, when late one afternoon Dock
came to the back door looking very miserable.
“Kin I see you, Hannah?”</p>
          <p>Hannah came out hastily. “Is Gramper
sick, Dock?”</p>
          <p>“No, nothin' don't ail nobody; I jest come to
<pb id="ell163" n="163"/>
git the word 'bout you. Is you well; is all
a-goin' well; is you satisfy, Hannah?”</p>
          <p>“Yes, Dock,” the misery on his face creeping
into her heart. “An' what ails you?”</p>
          <p>“Nothin'—nothin.' Jest youuns Granny
couldn't sleep last night kase an owl come thar
and hollered all night long. I couldn't sleep
nuther, an' I jest come to make sure 'bout you;
thet's all. Far'well.” He went away, and Hannah's
heart sank. Something was wrong and
Dock could not help her. Things were quiet
after this, but somehow Hannah could not please
her mistress. Could Miss Agnes be sick?
Then one morning Dock came to say that Hannah
was wanted at home, and Mr. Warren would
come for her that afternoon. And Dock could
explain nothing and escaped as soon as possible.</p>
          <p>Very slowly Hannah went to find Agnes; very
slowly, for she was weak and cold and trembling. 
She paused in the dining room to gain
composure, and heard voices in the drawing
room. It was the high, sharp voice of Mrs.
Skinner. “Indeed, for her own sake I would
not keep her a moment longer,” she said.
“Good or bad, I should send her home. I have
always thought her much too handsome for a
servant.” Then the voices were lost in the hall
as Agnes conducted her visitor to the door.</p>
          <pb id="ell164" n="164"/>
          <p>Hannah leaned against the wall. It was
she they were talking about,—for the cook was
black,—she who must be sent home. Agnes 
returned through the hall, and Miss Vernon with
her, laughing. “You are as solemn as in owl,
Agnes. I would not let the stupid talk bother
me. Send the girl home. I heard when I first
came that they were laughing at Mr. Dudley
about Hannah.”</p>
          <p>“And you did not tell me?” Agnes asked
quickly.</p>
          <p>“Why should I? You have eyes and ears,
and as Mr. Cartright is the coming man, why
should you care if Mr. Dudley makes a fool of
himself? And he seems to have done it
thoroughly.”</p>
          <p>“I do <hi rend="italics">not</hi> care,” Agnes answered, but she
shivered a little. The color flashed into Hannah's
face, and her drooping figure straightened
—a fire seemed lighted in her brain. Her grandfather
had heard all this; all Sewanee had been
talking, and of course the valley. She was to be
sent away; her name was a byword! And Miss
Agnes did not care. She went into the drawing
room and found Agnes and Miss Vernon at the
window, watching the approach of Mr. Cartright. 
“What is it?” and Agnes turned her
head. “Gramper is sent for me,” her eyes were
<pb id="ell165" n="165"/>
full of ineffable sadness; “says he'll come this
evenin'.”</p>
          <p>Agnes' delicate color faded a little. “Very
well,” she said. “Your money will be ready.
And—” she paused, then added, “as the term
is nearly over, you need not return.”</p>
          <p>“Yes, Miss Agnes,” the dark eyes not wavering; 
“shall I set the dinner table?”</p>
          <p>“Yes, and let Mr. Cartright in.” Cartright
met the eyes of the girl as she held the door
open, “like a dumb animal,” he thought, and
hurried past.</p>
          <p>“I am only a thing,” Hannah thought. “A
stick or a stone 'thout no feelin's.” Great God!
She knew her own class thoroughly. She had
done nothing, and they knew it; but they would
be glad to humble Mrs. Warren who “held
her head so high,” and herself, who had kept
aloof. They would pretend to scorn her; would
whisper when she came near; would laugh and
make coarse jokes on her. A great wave of 
bitterness swept over her. Miss Agnes, who knew
the truth, had turned from her; who would speak
a word for her good name? Good name! it was
already a byword. The glass she was polishing
fell from her hands with a crash. She looked
down—one of the best tumblers. The shock 
restored her and changed her train of thought.</p>
          <pb id="ell166" n="166"/>
          <p>“We kin stan' up tell we draps,” Dock had said.
She must stand up, as far as the world could
see.</p>
          <p>She finished her work and went to her room
to arrange her clothes. Her wardrobe had
greatly increased and her things made two 
bundles. But all the things that Agnes had given
her she put aside. She could not take them.
Just as she finished she saw her grandfather at
the gate, with old Bess and the mule. He
looked older, and his head was bent, as if he
could look no man in the face. <hi rend="italics">Why</hi> did he not
face the world and cry out to all that Si had done
it! Why did he not kill Si? She went down
hastily with the two bundles. “Hardy, Gramper,”
looking at him wistfully. “Here's my
things.”</p>
          <p>The old man lifted his eyes, but not his head,
and sighed.</p>
          <p>“Si done hit, Gramper.” She went on hurriedly, 
“You knows hit's all lies?”</p>
          <p>“Lies or no lies, everybody is a-talkin' an'
Hannah Warren's name is in the dirt. Thar's
no use a-tryin' to hide thet; we must hide
you.”</p>
          <p>For a moment Hannah leaned against the
horse. Si <hi rend="italics">had</hi> ruined her.</p>
          <p>“What is this, Hannah; going home?” Max
<pb id="ell167" n="167"/>
Dudley stood behind her. “Ah, how are you,
Mr. Warren?” to the old man.</p>
          <p>“Yes, sir,” Hannah answered, shocked into
strength once more. “I'm goin' home. I'll be
back in a minute, Gramper,” and she turned to
the house just as young Melville came up hurriedly,
saying, “Come, Dudley, come, I have
something to tell you.” She knew what he
meant.</p>
          <p>Up to her room she crept, sitting down one
moment to regain her strength; then she folded
each ribbon and frill that Agnes had given her—
the collars, the simple brooch. She would put
them in Agnes' room—they would speak and
say: “Covites have feelings.” Would anyone
ever love Agnes as she had done?</p>
          <p>She pinned her little shawl about her, and,
taking the little fineries and her bonnet, went to
Agnes' room. In the doorway she paused; it
was so pretty. Suppose she had lived in a place
like this, would she have grown careless of 
people's feelings? Did fineness make people hard?
A dry sob broke the stillness. She moved
hastily to put down the things.</p>
          <p>Not on the dressing table, nor on the table:
the sofa? that was lower. She turned the things
over in her hands; they looked to be very poor
when brought into this room. She laid them
<pb id="ell168" n="168"/>
on the rug, near the fireplace. Miss Agnes
would see them when she came,—a humble little
pile,—then she went out, closing the door. In
the hall below she met Agnes with some money
in her hands. Her eyes shone and two spots of
color were on her cheeks. “Your money,” she
said; “you have done remarkably well as
waitress.”</p>
          <p>“Yes, Miss Agnes,” but Hannah did not
touch the money. “I broke one o' the good
tumblers, Miss Agnes, an' please tuck it out.”</p>
          <p>“That is nothing,” Agnes said quickly, “I
<hi rend="italics">never</hi> count such things.”</p>
          <p>“But I does, Miss Agnes,” and Hannah's
hands remained folded.</p>
          <p>Agnes paused, too provoked to speak, then
put the money on a table near by. “There is
your money,” she said, “Good-by,” and she
walked away.</p>
          <p>Hannah watched her a second, then took all
the money save one-half dollar and went out.
She mounted the horse in silence, and as they
rode off, asked quietly: “What did Mr. Dudley
say, Gramper?”</p>
          <p>“Nothin' much. He axed me what made
you go, an' I tole him, an' they turned round and
gone, lookin' like the dead.”</p>
          <p>“An' all fur Si's lies,” Hannah said.</p>
          <pb id="ell169" n="169"/>
          <p>“Lies or no lies,” the old man answered, as
before, “hit's done done, an' youuns name is
ruined. Youuns Granny laughs one minute, an'
cusses the next. Thar's nothin' fur me to say,
kase when the women-folks of a fambly goes
down, hit's done fur. An' Lizer Wilson grins,
an Si—well, Si says he's willin' to kivver youuns
shame. Si says thet, an' hit's all we kin do.”</p>
          <p>Hannah clenched her teeth. Si, whose vile
lies had brought her to this, offering to screen
her from the world! Did they forget that death
was left her still?</p>
          <p>When they were out of the station limits Mr.
Warren spoke again. “Hit's a good offer, to
kivver youuns name. Thar's mighty few'd be
willin' to pick a gal up outen the mud.”</p>
          <p>“Gramper, Si's throwed the mud on me to
git me,” Hannah said sternly. “I ain't done
nothin', an' I ain't a-goin' to tuck Si, like I'm
glad to git shed o' my name. I ain't shamed, an'
I'll die 'fore I'll tuck Si.”</p>
          <p>“Hesh, gal! youuns life ain't yourn. Mertildy
says hit all comes o' you bein' so biggity,
an' hit's true. Weuns is got to git outen this
trouble, and Si's the best chance.”</p>
          <p>Hannah wheeled old Bess across the road, and
stopped the mule. “If you says thet agin',
<pb id="ell170" n="170"/>
Gramper, I'll ride straight on an' never come
back no more.” Her eyes burned like fire.</p>
          <p>A groan broke from Mr. Warren's lips.
“God hev mercy!” he said. Hannah waited a
moment, then turned the horse and rode on.
Presently Mr. Warren's mutterings began again.
“Whar <hi rend="italics">is</hi> he'p to come from? Mr. Dudley 'll
not make no motion. He kep' on a-sayin'
‘Thar's nothin' in hit; God knows thar's nothin'
in hit.’ An' he looked like death. An' t'other
feller says, ‘Come, Dudley, come; hit's all
damned nonsense.’ ‘Damned nonsense,’ says
I; ‘yes, but <hi rend="italics">my</hi> name is in the dirt, and <hi rend="italics">my</hi> gal is
done ruined. Who'll b'lieve hit's damned 
nonsense?’ Thet's what I said, an' Dudley looked
like death.”</p>
          <p>Hannah's head dropped. Shame on shame.
Agnes had turned from her, and Max 
Dudley—He had been so good to her; she
knew it hurt him. The old man muttered on,
but she did not listen. Her thoughts went back
and forth, and pain seemed everywhere.</p>
          <p>Down the rugged road they went in silence;
then the green valley and the old home. The
cows were waiting outside the fence, the chickens
were scratching in a perfunctory way before
going to roost—the pigs in their favorite 
mud-holes looked pictures of content, and the blue
<pb id="ell171" n="171"/>
smoke curling from the kitchen stove-pipe
showed the approach of supper. The mountain-tops
still gleamed with sunlight, but the shadows
were thick in the little valley.</p>
          <p>Hannah saw her grandmother in the lobby,
and longed to turn and flee, but her horse 
followed the mule and the bent old man through
the gate that Dock, with averted face, held open.
Mrs. Warren went into her room, and shut the
door. What did it matter? When even Dock
Wilson turned his face away, the limit was
reached. Hannah went quietly to her room,
but though Mr. Warren followed he did not put
down the bundles, and to Hannah the room
looked strange. Harness and tools were against
the walls, and the clothes hanging about were
men's clothes. Mr. Warren watched her. She
asked no questions, but moved to take the
bundles.</p>
          <p>“Not yit,” he said. “Dock stays in har, an'
Si, when he's over. Youuns Granny 'llowed the
loft would do fur you.”</p>
          <p>A blow from the old man would not have been
so cruel a shock.</p>
          <p>“Yes, hit 'll do,” she answered.</p>
          <p>“Youuns Granny 'llowed Dock'd run the
place on shar's, an' you'd tuck Si an' go,” Mr.
Warren said, as he followed up the steep steps,
<pb id="ell172" n="172"/>
and, putting, aside the bundles, sat down on the
low bed, made of boards laid on boxes, and
looked at the girl, who had gone to the end window.
Presently she turned, and said, “The loft,
or the cow-house, or the pig-pen is good enough
fur me, if so Granny likes, but Si ain't good
enough. If hit's to choose 'twixt rags, an'
starvin', an' p'intin' fingers, or Si, I'll tuck hit all,
but I'll <hi rend="italics">never</hi> tuck Si!”</p>
          <p>Mr. Warren climbed down the ladder slowly.</p>
        </div2>
        <div2 type="chapter">
          <pb id="ell173" n="173"/>
          <head>XVIII</head>
          <epigraph>
            <lg type="verse">
              <l>“Stronger than woe is will; that which was Good</l>
              <l rend="indent2">Doth pass to Better—Best.”</l>
            </lg>
          </epigraph>
          <p>Only one end of the loft had been made habitable,
but on its improvement someone had
spent great energy. The bed was neatly made,
and by it was the bit of rag carpet that had been
in Hannah's room, downstairs. There was no
way of making a fire, for the chimneys went
through in solid columns; but a bolt had been
put on the trap-door that shut the loft from the
lower world and air; and the largest cracks in the
roof were stuffed carefully with straw. A shelf
had been put near the window, and on it was
Hannah's little looking-glass. On a box in one
corner stood a tin basin and a piece of yellow
soap; a rough-dried towel hung from a nail in
the roof, and a bucket of fresh water was near.</p>
          <p>“Dock done hit,” she said; “if he turned his
head away or no, Dock done hit”; and, at this
first sign of sympathy, the tears sprang to her
eyes. Tears were not for her now, and, brushing
them aside, she untied her bundles. She
<pb id="ell174" n="174"/>
took out her finest apron and best kerchief and,
after rearranging her hair, put them on. She
was quite conscious of the improvement in her
wardrobe and in herself, and was determined to
appear at her best. She needed every possible
help now.</p>
          <p>If her grandfather had stood by her; if her
grandmother had not shown her contempt by
putting her in the loft—shown it to Dock and
Si, and so to the countryside—she might have
left her cause to others and broken down; but
this treatment, as of one absolutely unworthy,
roused her. The experience of a lifetime had
swept over her since morning. She had to fight,
and she descended to her grandmother's room
as if she were an honored guest. She even went
so far as to smile as she crossed the lobby, thinking,
“Hit's the Durket sperret.”</p>
          <p>She did not heed that, after the first glance
on her entrance, her grandmother turned her
head away, but walked to the fire, and, drawing
a chair forward, sat down. Mr. Warren stared.
How changed, how grand she was; what had
happened? And he looked across at his wife
doubtfully.</p>
          <p>But there was no doubt in Hannah's manner
as she smoothed her white apron, and folded her
hands, as she had seen Agnes do; then began
<pb id="ell175" n="175"/>
quietly to speak words that froze Mr. Warren's
blood, almost.</p>
          <p>“Granny,” looking at the old woman,
“couldn't you have stopped Si's lies? You
knew hit was lies, kase you knew me. Hit don't
look natteral for you to let 'em do me this bad
to skeer me into tuckin' Si, an' you a-knowin'
that I ain't skeery?”</p>
          <p>Mrs. Warren was knitting, but at the girl's
first words her hands began to tremble, then she
dropped them and her work in her lap, but did
not turn or speak.</p>
          <p>“You said some hard words to me afore I
went away,” Hannah went on, “words thet no
decent gal hed no 'casion to hear; but I never
'llowed you'd let outside folks talk 'bout youuns
own flesh and blood. An' I never 'llowed thet
you b'lieved hit till you put me up loft.”</p>
          <p>Mrs. Warren trembled. Had the last day
come that she should be dared like this! She
was boiling with fury, but she remembered the
third fit, and controlled herself. Her hands
were gripped together—her eyes were flashing
—her lips were quivering, but when she spoke
her voice was quiet.</p>
          <p>“I would have stopped it, Hannah Warren,
if I hed hearn hit start; but hit were all through
the country 'fore I hearn hit. An' I knowed
<pb id="ell176" n="176"/>
p'int-blank that a-many a ole debt o' mine were
patched on to hit, an' I were a-bein' paid off.
An' I put you up loft kase hit's good enough for
you. An' I hev cussed you, yes, an' all the Warrens;
an' I hev cussed Si—yes, cussed him with a
blight an' a blain, an' the sufferin' o' death 'thout
death!” and rising she left the room.</p>
          <p>There was silence until Mr. Warren spoke.
“Si's a-stoppin' har,” he said.</p>
          <p>“Si!”</p>
          <p>“That's hit; youuns Granny kep' him har fur
you.”</p>
          <p>Hannah rose. Through the window she saw
Si coming; then Dock spoke to him, and he
turned toward the kitchen.</p>
          <p>“Minervy an' Dave's nigh ruined,” Mr. Warren
went on, “an' Si hev done hit. He tole hit
when he were drunk.”</p>
          <p>“An' Si thinks to ruin me.”</p>
          <p>“An' he hev done thet—” Mr. Warren rejoined,
“through all the country he hev done
thet. Jim Blount tole me so, an' Bill Cole tole
me so, an' Lizer Wilson an' Jane Harner tole me
so. Yes, hit's done done!” clasping his hands
as he looked into the fire. “My Joshaway's
gal's ruined! I let you talk youuns Granny
down, but thar ain't no stoppin' the world, gal,
lessen you gits married. An' thar ain't no man
<pb id="ell177" n="177"/>
but what 'll stop befo' he'll stoop to Hannah
Warren—my Joshaway's gal!”</p>
          <p>Hannah stood with one hand on the mantelpiece
and listened. It was true. She had felt
it that morning in Agnes' manner—in the ride
through the village, where everyone stared, and
no one spoke—felt it in Dock's averted face—in
her grandfather's despair—in the very atmosphere
—this disgrace so unmerited—so dreadful.</p>
          <p>“Si makes a mighty good offer,” Mr. Warren
went on; “he says he'll settle hisn's farm on you,
if I'll settle this place on youuns chilluns. I tole
him I'd done settled hit on you a'ready; an' he
'llowed thet Dave's shar'd come in to you, too,
kase Dave hedn't no chilluns, an' hedn't no right
to leff the land outen the fambly. Hit looks to
me like hit'd be the upbuildin' o' both famblies.
An' Si”—looking away from the unwavering
eyes of the girl—“Si, drinkin' like he does, ain't
a-goin to live much longer.”</p>
          <p>There was a pause; then Hannah turned toward 
the door. “To tuck a man an' watch to
see him die o' drink is wussern all that hes been
said 'bout me.”</p>
          <p>“Hannah!” The despair in the cry stopped
her with her hand on the latch. “I've been
a-bearin' so much!” raising his clasped hands.
“Thar were the talk 'bout you an' Dock—the
<pb id="ell178" n="178"/>
talk youuns Granny tole you—then come the
talk 'bout you an' Dudley. An' every day I
hearn hit a-grindin', an' a-grindin', tell I knowed
thar worn't no wusser hell. An' when the talk
settled an' I poured hit off, the dregs was jest
this a-way: Dock wouldn't never dar' to ax you
—an' Dudley ain't a-goin' to steddy 'bout you—
an' Si jest come in 'twixt the two,” putting his
hands over his face; “an' I 'llowed hit would
not be sicher a long trial; an' a-many a woman
hev stood sich. Oh, God forgive me!”</p>
          <p>Hannah crossed the room swiftly, and kneeled
by the old man's chair. “Gramper, I kin live
the lies down—or go.”</p>
          <p>“If you goes the lies will grow like weeds of
a rainy summer; an' <hi rend="italics">I </hi>can't live 'em down—hit
'll kill me.” Hannah rose. She had no answer
for these bitter truths.</p>
          <p>At supper she talked a little to Dock, for
neither Mrs. Warren nor Si would speak, and
Mr. Warren refused all food. Her help in all
work being declined, she went outside where the
cows were. When Dock came to turn them out
he said as he passed, “ 'Pend on me, Hannah, an'
don't be skeered into nothin'. I couldn't kill
Lizer, she's a woman, but I kin kill Si!” Then
Mrs. Warren calling Hannah, he hurried away.</p>
          <p>“You called me Granny?” Hannah asked
<pb id="ell179" n="179"/>
when she reached the old woman. Then she
saw that Si stood just within the doorway.
Mr. Warren sat bent over the fire. “You
called?”</p>
          <p>“Yes,” Mrs. Warren answered, “but I ain't
a-wantin' you. Si is the fool.”</p>
          <p>“I'm axin' fur the last time, Hannah,” and
Si half closed his light eyes as he looked at her.
“An' mighty few would ax you now.”</p>
          <p>“Mighty few, Si,” Hannah answered, “but I
won't be beholden to none.”</p>
          <p>“What 'll you do? Hope an' pray fur Dudley?”
The scorn of the girl's eyes made him
look away. Mrs. Warren's clasped hands grew
rigid, and the old man lifted up his bowed head.
Almost he could have killed the villain!</p>
          <p>“Whatever I hopes an' prays fur,” Hannah
said quietly, “thar is this fur <hi rend="italics">you</hi> to 'member,
Si Durket. I kin be druv down to the lowest,
but never druv down to tuckin' you—never!”
and she smiled as she saw that Lizer Wilson had
come in and had heard. “An' I hope you'll tell
hit, Lizer Wilson,” she added.</p>
          <p>Mrs. Warren started, and reeled a little, then
went to her place by the fire. Si looked at the
door, but Hannah stood there. She saw his
wish, and smiled. “You've hed enough?” she
said. “Your jedg<hi rend="italics">ment</hi> is jest a-startin'; soon
<pb id="ell180" n="180"/>
this won't seem like nothin'. 'Twont be long
'fore all youuns wickedness comes home—not
long”; then she went to her loft.</p>
          <milestone n="*****" unit="typography"/>
          <p>“It is nonsense,” Melville said. He and Max
had been walking up and down the road for some
time. “To dismiss the girl was foolish,” he
went on, “for that gave the affair tone and color;
but I cannot see where you have any duty or
blame in the matter. As for Cartright, he is
scheming for his own ends.”</p>
          <p>Many, many times Melville had covered this
ground; but Dudley came back always to the
starting point—Hannah's misery.</p>
          <p>“You do not understand,” he answered in a
voice that had lost all life, “what an awful thing
it is for the girl. Blount says that the stories
grow worse at every turn.”</p>
          <p>“Damn Blount!” Melville interrupted.</p>
          <p>“Suppose we do; that does not help my position.
Just consider <hi rend="italics">my</hi> position.”</p>
          <p>“I have gone over it a hundred times, and you
have to thank Cartright's envy and Mrs. Skinner's
folly for it. Come; it is bedtime.”</p>
          <p>“You go; I will come presently.” Once
alone, Dudley walked into the forest and sat
down on a fallen tree. He felt dazed still.
When he had met Hannah at the gate that afternoon,
<pb id="ell181" n="181"/>
and heard the old man's story, he was
shocked and angry, and alone with Melville had
called him a fool for taking the girl away. 
Melville betrayed, unwittingly, the extent of the
talk, and Cartright joining them, fresh from the
Wellings', revealed that Agnes had dismissed
the girl. Max walked straight to Blount's shop,
and Blount's words appalled him. “The girl is
ruined, and as nice a girl as ever stepped. It is
a shame, but it is done.”</p>
          <p>Then with Melville by his side, raging and
swearing, he returned to the University in a sort
of a mist.</p>
          <p>How had it happened? Who had done it?
What was his duty?</p>
          <p>For a year his name had been coupled with the
name of Agnes Welling—he was Professor 
Welling's <sic corr="assistant">asistant</sic> and most intimate in the house.
He had only waited to finish his course before
speaking to Agnes.</p>
          <p>Melville said that Cartright had influenced
Agnes into dismissing Hannah—it was this that
had ruined the girl. Cartright's influence was a
new thing. If he should go to Agnes and say:
“This talk is all false—you know that I love you
—will you marry me?” Could she say “Yes,”
and hear the world say, as Cartright reported it
<pb id="ell182" n="182"/>
to have said already, that her rival was her maid,
who had been sent away? His ideal Agnes
would have stood by Hannah.</p>
          <p>He sprang to his feet—<hi rend="italics">still</hi> she was his ideal!
He had loved her so long—so truly—he could
not let her go.</p>
          <p>In reality it was Agnes who had disgraced
Hannah, and must he pay for her mistake by
righting the girl before the world? A servant?
A “Covite!” A woman. As a gentleman and
a Christian, what was his duty to this 
fellow-creature?</p>
          <p>The moonlight seemed to fade, and the darkness
to fold about him hopelessly. The night
was waning; he would go home.</p>
          <p>For a little while the next morning things
seemed confused again, but he lay still until he
collected his thoughts and laid fresh hold on his
determinations. After twelve o'clock he would
be free, and would go to Lost Cove.</p>
          <p>Poor Melville could find out nothing. He
followed Dudley until twelve o'clock, when Dudley
said, “I have an engagement—” and Cartright
joining them, Melville could find out nothing, 
and went away. Dudley walked on, with
Cartright beside him, until Dudley turned off.</p>
          <p>“Going to the station?” Cartright asked.</p>
          <p>“No, to Lost Cove.”</p>
          <pb id="ell183" n="183"/>
          <p>“Good Heavens, man! in the face of all this
talk?”</p>
          <p>“Because of all this talk.”</p>
          <p>Had the autumn woods been ever as beautiful
—or the sky as blue—or life as full of charm
and possibility as on this day—would it ever be
thus again? But he must not think. He must
bend all his being to this duty; there would be
time enough afterward for thinking.</p>
          <p>It might be that he could yet lay his case 
before Agnes. His ideal Agnes would uphold
him. But the real Agnes—Agnes as Cartright
seemed to know her—would she laugh at him
for his pains?</p>
        </div2>
        <div2 type="chapter">
          <pb id="ell184" n="184"/>
          <head>XIX</head>
          <epigraph>
            <lg type="verse">
              <l>“If you loved only what were worth your love,</l>
              <l>Love were clear gain, and wholly well for you:</l>
              <l>Make the low nature better by your throes!</l>
              <l>Give earth yourself, go up for gain above!”</l>
            </lg>
          </epigraph>
          <p>Dinner was over, and Lizer Wilson was heating 
irons in Mrs. Warren's room, where the old
man sat over the fire. Mrs. Warren was busy in
the kitchen—Dock in the yard, while Hannah,
not being allowed to help, had wandered off.
She had gone to the spring, and sat on the edge
of the basin. On one side, through the thick
growth of slim young poplars and maples, she
could see the valley and fields, and the mountains
that shut all in. On the other she looked down
to the mysterious pool. It was dark and still,
and people said it had no bottom. At Sewanee
she had heard this idea laughed at.</p>
          <p>Sewanee! she bowed her head on her hands.
Her grandmother did not want her; need she
stay here? The talk would grow in the valleys,
but at Sewanee it would soon die, then Miss
Agnes could marry Mr. Dudley, and all would be
<pb id="ell185" n="185"/>
well. She would be left desolate—but she was
only one. Trampled in the dust—left for dead!
who cared?</p>
          <p>A noise startled her, and she rose quickly, to
find Dock standing before her. “Does Granny
want me?” she asked.</p>
          <p>Dock stood silent, with one hand grasping a
young maple until it shivered and dropped its
scarlet leaves about him; while the girl watched
and trembled as the young maple did. At last
Dock raised his head, and his eyes were full of
pain and fire.</p>
          <p>“Lizer says thet you need not a-been so biggity
last night to Si, kase Si only done what he
done kase youuns Granny axed him to do hit to
save the two famblies. An' there worn't no other
man would tuck youuns now.” A fresh shower
of scarlet leaves fluttered down about him. “I
didn't knock her, kase I ain't never knocked a
woman yit. I told her she were a-lyin', an' she
knowed hit, an' I were one man thet would lay
down an' be chopped to pieces fur you—body
an' soul. An' hit's true, Hannah”; and his eyes
were filled with a light that would have glorified
any face on earth. “Hit's God's truth; but I
never would have told hit, 'ceppen fur everybody
a-turning 'gainst you. I ain't nobody, an' I
knows hit, an' I don't 'llow thet you hev come
<pb id="ell186" n="186"/>
down to me—thar ain't no sich foolishness in
me. But all is a talkin', Hannah—” shaking his
head sadly—“an' I kin give you a honest name,
an' I kin work fur you, and shoot fur you—an' I
<hi rend="italics">would</hi>. An' no pusson would dar' to tuck Hannah 
Wilson's name 'twixt tongue an' teeth to
spit hit out, kase I'd kill 'em. An' if you wants to
go 'way, I'll go, an' if you wants to stay, I'll stay.
An' I'll never cast nothin' in youuns teeth, ner
sot up to be no ekal o' yourn. Don't gimme no
word now,” he added, swaying the little maple
tree back and forth, “but keep it in youuns mind
fur sumpen to hold on to.” Then he went away.</p>
          <p>Nothing could have shown Hannah the depth
of her fall as completely as this offer did. Nothing
could have proved as cruelly the hopelessness 
of her position. That <hi rend="italics">Dock Wilson</hi> should
dare such a proposition! She sat down again,
casting her apron over her head, and rocking
herself back and forth. The strength of the
man's love had not touched her yet. Hannah
Wilson! He had coupled the names. Hannah
Wilson! what better than Lizer Wilson? To
Agnes Welling and her friends, all were
“Covites” together. <hi rend="italics">Was</hi> there a true difference?
Between herself and Agnes Welling
there was a wide difference, but between herself
and Dock? And between Dock and the much
<pb id="ell187" n="187"/>
admired Si Durket? This last difference was
plain enough, and Dock's kind face, glorified by
his love, rose up before her. Soul and body he
would die for her—he would work and fight for
her, and never think she had descended to his
level! She remembered how he had worked for
her and watched over her in the spring—asking
no return.</p>
          <p>The swaying motion ceased, and her apron fell
from over her face. Now he offered to stand 
between her and the world; and he knew that Si,
who made the talk, would keep it alive.</p>
          <p>What was the difference between her and
Dock? Somehow or other he seemed above her
now. Marry Dock, then Miss Agnes would
know that the talk was not true, and would
marry Mr. Dudley. With the thought of Sewanee
there came a vision of her leaden-lined
future.</p>
          <p>Suddenly the sound of the horn came to her.
She looked at the sun; it was not supper-time;
what could it mean? Again the sound, and this
time more sharp, and someone was waving to
her down in the field. Quickly she went, and
saw her grandfather beckoning. Before she
reached him she heard the words, “Mr. Dudley's
to the house—” and her heart seemed to stop.
Had Agnes sent for her to come back, and give
<pb id="ell188" n="188"/>
the talk the lie? She laid hold on the old man's
arm to steady herself. The joy shook her as no
pain had done.</p>
          <p>“Mr. Dudley!”</p>
          <p>“Thet's hit. He's come to tuck you away,
chile, an' stop the talk. Mertildy's in a mighty
takin', an' Lizer Wilson looks like she's been
frost-bit. Lord, gal, you are done saved, and
nobody 'll dar' to talk no mo'. An' thar'll not
be no mo' kitchen fur you to Sewanee.”</p>
          <p>“Gramper!” she staggered a little, stopping
him with a sudden gasp. “What is you
a-sayin'?”</p>
          <p>The old man hurried her on, and his voice was
a little less tremulous as he repeated his words.</p>
          <p>“Come fur me?” the girl whispered. “Mr.
Dudley!” and she flung up her hands as one who
is mortally wounded. How low—how low she
had fallen! She clung to a post of the back
piazza, unable to go farther. Dudley came for
<hi rend="italics">her</hi>—then all thought the worst of her. And
Agnes!</p>
          <p>“Come on, gal, come on. Mr. Dudley's
a-waitin' fur you; an' youuns Granny's a-waitin'.
I reckon she's right sorry she put you up loft.
An' Lizer Wilson is a-scorchin' all the clothes
she's a-tryin' to iron—don't you smell 'em? An'
yander she is a-peepin' at you.”</p>
          <pb id="ell189" n="189"/>
          <p>Hannah straightened herself up, and the
shivering ceased. She stepped quickly through
the lobby, where Lizer was ironing, to the front
piazza, where Max Dudley and Mrs. Warren
were waiting.</p>
          <p>Max leaned against one of the posts, holding
his Oxford cap by the long tassel; and behind
him, through the purple mist, the gorgeous,
autumn-tinted mountain-side. Standing there,
be looked so lonely—so apart—as if some magic
line had been drawn between him and his kind,
while an atmosphere of deathlike stillness
seemed to hem him in. And watching him curiously,
with anxious, flickering eyes, old Mrs.
Warren waited.</p>
          <p>For weeks the old woman had been under a
great strain, struggling with all her strength
against the many warring passions that tore her
and cried for utterance. All this morning she
had hurried from one thing to another, to keep
from an outburst of some sort, until now the 
supreme excitement of Max Dudley's coming
seemed to have weakened her beyond movement,
save for the nervous rocking of her chair.</p>
          <p>He had made his offer calmly and quietly in
the presence of all, and for a moment things had
grown dim before Mrs. Warren's vision, then
cleared as she looked proudly into the astonished
<pb id="ell190" n="190"/>
eyes of Lizer Wilson—and into the sad face
of Dock, who had come up while they talked.</p>
          <p>People might say what they pleased now, but
no girl in any valley had ever had a chance like
this. And Si! How Si would rage to think
of what his talk had accomplished! Hannah
could stand with the best now, and the Warrens
be acknowledged as the equals of all.</p>
          <p>She started when Hannah's quick step
sounded in the lobby, and Max lifted his head
and drew himself away from the support of the
post. His tired eyes dilated, and his pale face
grew whiter as the girl approached. And Lizer
paused, with uplifted iron, and Dock drew
a step nearer.</p>
          <p>“You wanted me, Mr. Dudley?” and Hannah
paused in front of him, with her hands clasped
and two crimson spots on her cheeks.</p>
          <p>“Yes, Hannah.” His voice was very low,
and the girl realized, by a subtle instinct, all that
he suffered—saw clearly the marks of despair on
his face, and wondered why she did not die of
shame. “Yes, Hannah”; then he paused, as if
to steady his voice. “I have come to ask you to
marry me, and help me to stop this talk. Your
grandfather and grandmother have given their
consent, and the matter lies with you. We know
that there is no truth in anything that has been
<pb id="ell191" n="191"/>
said; and everyone who knows you, Hannah,
knows you to be a good, true woman, and as
such I have come to offer you the protection of
my name.” His voice was very low, but Hannah
thought she had never heard anything sound
so sweet before. All bitterness passed from out
her heart—all doubts—and the great humiliation
of her life seemed turned to glory. Then his
voice ceased, and in the tense stillness Mrs. Warren
rose, with a strained look in her eyes. What
was it she saw in Hannah's face! Dock leaned
forward—Mr. Warren drew a step nearer, and
Lizer forgot the heavy iron she still held poised.</p>
          <p>“I'm obleeged to you, Mr. Dudley, fur the
true words you hev said this day,” Hannah 
began, “an' fur stannin' up fur me thet couldn't
do nothin' fur myself. An' I knows what hit
means, Mr. Dudley, for you to say the words
you have said this day, an' I prays the Lord will
bless you for hit.” And while she spoke soul
looked into soul, the distance between them was
bridged, and the strength of her beauty struck
Max as it had never done before. She was 
superb. “You hev been mighty good to me, Mr.
Dudley,” she went on, “but thar's a fur way
'twixt you an' me—thar's a diffrunce as wide as
all this valley,” with a little, sweeping gesture.
“An' you ain't fur folks like me. But thar's
<pb id="ell192" n="192"/>
one o' my own folks, Mr. Dudley, hev offered
me his honest name, an' please God all will hap
out right. But all the same, God bless you, Mr.
Dudley.”</p>
          <p>“Hannah! gal!” a sharp voice cried, and all
turned quickly, “Is you crazy—crazy! Si 'll
never come agin—never!” There was a 
moment's pause, and Hannah looked down into the
old woman's face pityingly. How gray and
drawn it looked; and she said soothingly, “Num
mine, Granny, hit's all right—hit's a better man
'an Si Durket, Granny.”</p>
          <p>“True, Hannah?” And Max laid his hand
on Hannah's shoulder.</p>
          <p>“As true as God's daylight, Mr. Dudley,”
turning her beautiful face up to his. “An' yander
he stands—Dock Wilson—”</p>
          <p>There was a low moan, and the old woman
reeled forward heavily.</p>
        </div2>
        <div2 type="chapter">
          <pb id="ell193" n="193"/>
          <head>XX</head>
          <epigraph>
            <lg type="verse">
              <l>“The high that proved too high, the heroic for earth too hard,</l>
              <l>The passion that left the ground, to lose itself in the sky,</l>
              <l>Are music sent up to God by the lover and the bard,</l>
              <l>Enough that he heard it once; we shall hear it by and by.”</l>
            </lg>
          </epigraph>
          <p>It was cold, but Melville waited patiently at
the top of the mountain for Dudley. He would
not go farther, for fear of missing him in the
dusk, and he had much to tell him. It was a
long way he had come to meet his friend, but
what he had to say was not for others to hear,
and the long walk back would give Dudley time
to recover himself.</p>
          <p>Presently he heard him coming, and Melville
shrank from the task he had set himself. How
could he tell Dudley! But Max was upon him
by this, and started, as if from a dream. “What
has happened?” he asked, and laid his hand on
Melville's shoulder.</p>
          <p>“I was anxious,” Melville faltered. “What
has happened to you?”</p>
          <p>“Nothing. The girl refused me. A princess
could not have done it more grandly; and the
<pb id="ell194" n="194"/>
old grandmother died in a fit. But what ails
you?”</p>
          <p>“Cartright—”</p>
          <p>“Well, Cartright?” and leaning against a tree,
Dudley took off his cap and passed his hand
wearily across his brow and eyes. The scenes
in the Cove had tired him more than he had realized
until now, and now he felt almost too weary
to go farther. “What about Cartright? He
knew where I was gone; has he posted me for a
fool?”</p>
          <p>“Worse than that.”</p>
          <p>Dudley started forward, taking hold of 
Melville. “What has he <hi rend="italics">dared</hi> to say!”</p>
          <p>“About you? Nothing. It is—it is Miss
Welling.” The grasp on Melville's shoulder 
became almost unbearable. “Oh, Dudley, 
Cartright is engaged to Miss Welling! Asked her
at noon—announced it at once, and Mrs. Skinner
says that Professor Welling is ‘immensely
pleased.’ I told you Cartright was working for
his own ends; and I thought that you would like
to have a walk after hearing. So I slipped away;
nobody knows I am come.”</p>
          <p>There was a moment's silence, then Dudley
turned homeward, walking slowly.</p>
        </div2>
      </div1>
      <div1 type="text">
        <pb id="ell195" n="195"/>
        <head>AN IDLE MAN.</head>
        <p>She stood alone, although the deck of the
steamer was crowded; stood near a pile of 
luggage just deposited from a steam launch.</p>
        <p>“She must be a princess at the very least,”
thought Alan Melhis, who had caught sight of
her only a moment before. “With that very
superior chin and those very scornful eyes, she
can be nothing less. She has no attendant, and
is not clothed in purple; nevertheless she has an
air everybody does not have. And now she
looks my way, straight into my face—what a 
direct look! Now she has looked me over from
head to foot, and now she looks at Vesuvius in
the same way. I might compose an ‘only’
poem on the spot:
<q type="verse" direct="unspecified"><lg type="verse"><l>Only a man in the foreground—</l><l>Only a mountain behind.</l></lg></q>
Now she has found what she wants—a waiter!
and her orders are low and decided, and the 
luggage disappears; alas, and the young woman,
too! It is four days to Port Saïd, however, and
<pb id="ell196" n="196"/>
I shall see her again, unless she is one of the
unfortunates who are sick from start to finish.
I hope not.”</p>
        <p>The disorder on the deck seemed to culminate
at this moment. The coal was all in, and the
venders of shells and coral, of hats, photographs,
and Sorrento woodwork, were making their last
efforts to sell their wares. Prices were falling
in a way that made people who had spent their
money early in the day gnash their teeth and
despise their purchases; while wiser people, who
had waited for this crisis, came in and bought
triumphantly. The coal barges swung off, but
the small boats hovered about persistently, 
until the screw churned the water into great white
eddies and they had to seek safety in flight.
Slowly the ship moved down the wonderful
bay, leaving Naples shining white and beautiful
on the hillside.</p>
        <p>Melhis, leaning over the stern of the vessel,
looked out idly; he knew every shade and turn
of the scene; he had killed so many weary days
on this coast, that now, in his own language, he
“loathed it.” Beautiful, yes, more beautiful still
when Capri was a part of the picture; but he was
tired of it. The rushing of the water just below
where he leaned prevented his hearing a footstep
that paused beside him; but presently he felt
<pb id="ell197" n="197"/>
a presence, and, turning, found the girl he had
watched in the early afternoon, standing near
him. Evidently the scene was new and beautiful
to her; for she stood in silent, motionless
absorption. The sun had gone; the new moon
gleamed like a silver thread in the glowing west;
the stars twinkled slowly into sight, and 
Vesuvius had lighted her dull beacon. The girl's
hands were clasped in front of her, and her figure
drooped a little, as if she were tired. She looked
rather sad and gentle now, Melhis thought, as he
watched her; and as the first bell clanged for dinner,
and people began to go down, he wondered
if she did not hear it, if she did not intend changing
her dress. Possibly she had never been at
sea before, and did not know that people made
a difference in their costume for this sacred meal.
And yet she must have traveled to have reached
Italy; for she was not an Italian, nor yet French.
Capri was behind them now, and the girl turned
her face toward the shore. “Good-by, old
Pæstum,” he heard her say, and, forgetting the
question of her nationality, he wondered what
this meant. The curving shore swept far away;
Salerno even was invisible in the swiftly gathering
dusk; how could gray old Pæstum be seen?
And what connection had she with Pæstum?
The second bell for dinner clanged, the girl did
<pb id="ell198" n="198"/>
not move, the deck was quite empty; did she not
know?</p>
        <p>“I beg pardon,” Melhis began, “the second
bell for dinner has rung.”</p>
        <p>“Thank you,” was answered quietly, “I heard
it.”</p>
        <p>Melhis lifted his hat with the thought, “nice,
dignified girl,” and walked away. The place
next to him at table was empty, and beyond sat
an old gentleman who looked very stern and ill,
and who evidently was watching for someone.
“My daughter,” Melhis heard the old man say
to the waiter; “she must be on deck.”</p>
        <p>“I am here, father,” was answered, and the
girl Melhis had been watching slipped into the
place. “I am sorry I am late,” she went on
gently, “but the view was too beautiful to leave.
How are you, father?”</p>
        <p>“Not so well, I am afraid; a little overtired.”</p>
        <p>“And you have wanted me.”</p>
        <p>Melhis thought he detected a tremor in the
young voice, and, looking at the old man with
new interest, felt more anxious than he would
have liked to tell the girl.</p>
        <p>The father looking up caught his eye. “I am
a great invalid,” he said, and the girl immediately
turned on Melhis a look that required unraveling. 
The first development he saw in it
<pb id="ell199" n="199"/>
was, that he was a most favored person to have
this father speak to him; the second element was
a proud watchfulness that he took his honors
with befitting humility; and the third element
was a shadowy hint of pleading that he would
make himself agreeable—a look that instantly
won Melhis' consent to all it demanded. “A
great invalid,” the father repeated, looking down
sadly on his daughter.</p>
        <p>“You are traveling for your health, then?”
Melhis asked.</p>
        <p>“Yes; but I hardly expect any benefit.”</p>
        <p>“Oh, but you will be better, father; you are
better,” the girl said softly.</p>
        <p>“I am sure Egypt will help you,” Melhis put
in quietly; “I have seen many wonderful cures
made there.”</p>
        <p>“You have been to Egypt?” the girl asked.</p>
        <p>“Yes, many times.”</p>
        <p>“Yet you go again?”</p>
        <p>“I am on my way to Australia.”</p>
        <p>“Oh! do you live there?”</p>
        <p>“No; I am an idle man,” smiling, “going in
order to kill the next few months.”</p>
        <p>“Are you in earnest?” looking up at him
with grave, astonished eyes.</p>
        <p>“Sadly in earnest,” Melhis answered. “You
think I should be hanged for murder?”</p>
        <pb id="ell200" n="200"/>
        <p>“I am going, child,” the father interrupted;
“I am very tired.”</p>
        <p>The girl turned with anxious haste, “Shall I
come, father; can I do anything?”</p>
        <p>“No, no, I need nothing”; then, bowing to
Melhis, he disappeared into a cabin near at hand.</p>
        <p>The girl watched him anxiously, and watched
the door after he had shut it; then turned to her
pudding in an absent-minded way.</p>
        <p>Melhis watched her, feeling sorry for her.
Her face looked troubled and tired; her chin was
no longer superior, he thought, nor her eye
scornful. This sick father was a great responsibility.
How did it happen that she was here
alone? for the father looked very ill. She
seemed to have forgotten Melhis, and her curiosity
about him that had been almost childish.
He wondered if she remembered where she was
and what she was doing; at last he spoke: “You
are very anxious?” he said.</p>
        <p>“Yes,” she answered, quite as if an interest
in her was the most natural thing in the world.
“I think my father is very ill, and we are so far
from home.”</p>
        <p>“There is a good physician on board,” Melhis
went on; “he sits just opposite.”</p>
        <p>The girl looked up, straight into the face of
the young doctor, who was looking at her. A
<pb id="ell201" n="201"/>
quiet, critical look she gave him, not seeming to
realize for a moment that he was returning it.
“I hope my father will consult him,” she said.
She had not once looked at Melhis since her
father's leaving; and now seemed to slip away
into the same region where she had been when
on deck.</p>
        <p>“Man or mountain,” thought Melhis, with a
smile at himself, “it does not matter now which
she sees; and that idiot opposite thinks she was
looking at him, and she has not a thought 
beyond his profession.” Later, Melhis saw her on
deck, sitting alone on one of the stationary
benches, looking straight out to sea. “Who is
she?” he asked of the Captain, who stood near
him.</p>
        <p>“Her name is Morden,” he answered.
“Americans, traveling for the old man's health.”</p>
        <p>“Hard position for the girl,” Melhis went on.</p>
        <p>“Yes; the old man seems in a bad way.
Rather rough to be left alone in Egypt.”</p>
        <p>“Wretched!” And Melhis turned toward
the stern.</p>
        <p>“The girl is rather offish,” the Captain went
on. “I don't quite make her out.”</p>
        <p>“A very good fault for a girl in her position.”
And this time Melhis walked away.</p>
        <p>Coming on deck the next morning for a turn
<pb id="ell202" n="202"/>
before breakfast, Melhis' first sight was Miss
Morden seated in the Captain's deck chair; he
knew it was the Captain's, for on the white 
canvas back, just above her head, was the word
“Captain,” printed in large letters. Moreover,
the Captain stood near her, pointing to where
Ætna shone white and glistening, above a line
of gray clouds.</p>
        <p>“She is an American,” he heard a voice say
close beside him, “and the Captain seems to like
her.”</p>
        <p>“Yes,” another voice answered, “we have
been on the ship all the way from England, and
that chair was not offered to us.”</p>
        <p>Melhis stroked his mustache, and asked 
himself the same question: Why had this girl made
a sensation? She was very quiet, and yet, there
was the Captain talking to her; and now the
Doctor had lifted his hat, and spoken to her.
What had he said to make her face light up like
that? Melhis drew near.</p>
        <p>“He sent for you?” she was saying. “I am
so glad. And what do you think, Doctor?”</p>
        <p>“I think that Egypt and perfect rest will cure
him.”</p>
        <p>The girl's face fell. “Perfect rest has been
prescribed so often,” she said, “but it does not
cure him; perhaps this voyage will give him
<pb id="ell203" n="203"/>
more perfect rest than he has tried yet.” And
while she spoke all the morning freshness went
from her face, and it grew tired and anxious once
more.</p>
        <p>“This voyage is the best thing for him,” the
Doctor hastened to say; and the Captain 
suggested that they should go all the way to 
Australia.</p>
        <p>“I wish we might,” the girl answered gravely.
Then the breakfast bell rang, and all went below.</p>
        <p>Mr. Morden was at breakfast, looking more
worn and stern in the merciless morning light;
and the sternness increased when the Doctor
suggested his going on to Australia. He put
the suggestion aside at once; but again and
again the girl brought it back to him.</p>
        <p>“The voyage will make you quite well,” she
said, at last; “and Egypt will be lonely.” She
had finished, and was leaning back, so that 
Melhis had a good view of her face. “The long rest
will be the very thing for you,” she urged.</p>
        <p>“We are now too far away from home,” the
father answered, “for me to die in any peace.”</p>
        <p>The girl grew white to her lips; so white that
Melhis wondered what would happen next.
Would she cry? Instead she smiled, laying her
hand on her father's arm. “That does not
frighten me to-day,” she said, “for you are looking
<pb id="ell204" n="204"/>
much better.” But her color did not come
back, even when on deck she had arranged his
cushions and rugs, and once more had taken 
possession of the Captain's big chair.</p>
        <p>“She's a plucky little thing,” Melhis thought;
“she is afraid to leave the ship, but she hides her
misery bravely.”</p>
        <p>Exquisite weather it was; growing warmer as
they neared the African coast; beautiful, calm
weather; but Mr. Morden did not make the 
wonderful strides in health the Doctor had 
predicted. Melhis spoke to the Doctor, who 
acknowledged that he thought him grown worse.
“But I do not tell the daughter; she is too
awfully nice,” he added, and wondered why 
Melhis turned away so abruptly.</p>
        <p>The usual things happened that happen at sea.
There were passing ships to be watched; there
were long pacings to and fro on deck; there were
discoveries made about fellow-passengers, and
retailed at afternoon tea, so soon as the person
in question had left the cabin. Miss Morden,
however, was as much alone as on the first 
afternoon. She did not visibly ignore her 
fellow-passengers, but she seemed not to heed them;
they possessed no interest for her. The Captain's
chair was placed in a shady spot each
morning by one of the sailors; the Doctor's
<pb id="ell205" n="205"/>
chair, also, had been put at her disposal; the 
Captain sometimes joined her in her walks on deck,
and for two afternoons she and her father had
taken tea in the Captain's room; an honor not
accorded to any but Melhis, who was with them
when the invitation was given. That these 
attentions were unusual, and the highest that the
ship could yield her, did not seem to occur to
Miss Morden; everything that came she received
most graciously, but always as a matter of
course; a state of things that amused Melhis very
much.</p>
        <p>“My first diagnosis was not far wrong,” he
said to himself; “she has other elements of
royalty besides her superior chin, and perhaps a
little self-absorption.”</p>
        <p>Once or twice he had joined her on deck, and
each time had been amused at the elderly and 
severe way in which she had lectured him. To do
her justice, Melhis always led up to it because
he liked it; but she was always quite ready to
follow his lead. She had remembered his
speech, that he was going to Australia to “kill
time,” and brought it up again.</p>
        <p>“I cannot see how you live without an object
in your life,” she said.</p>
        <p>“It is a little slow,” Melhis answered.</p>
        <p>“Then, why do it?”</p>
        <pb id="ell206" n="206"/>
        <p>“An object that I would make and set up before
myself, would seem rather a thing of straw,
would it not?” Melhis said; “a something I
could unmake?”</p>
        <p>“But have you no family to whom you owe
duty?” she went on with an earnestness that
charmed Melhis.</p>
        <p>“None; not a soul in the world but a rich,
worldly maiden aunt, who abhors me.”</p>
        <p>“No friends?”</p>
        <p>“Any number.”</p>
        <p>“And none of them in need of you?”</p>
        <p>“I do not think any creature has <hi rend="italics">ever</hi> needed
me,” Melhis answered, with a little different
tone to his voice. “My father died before I was
born, and my mother at my birth. I might have
died even when teething, and nobody any the
worse.”</p>
        <p>“You are making fun,” his companion went
on, “which makes me only the more sorry for
you; you should have made yourself useful 
somewhere.”</p>
        <p>“It never occurred to me.”</p>
        <p>“It is a pity you do not have to work for your
living,” still more severely. Melhis stooped to
pick up her glove which had fallen from her
lap, and had time to hide an irresistible smile
that came to his lips.</p>
        <pb id="ell207" n="207"/>
        <p>“Work is so wholesome,” she added.</p>
        <p>“Thoroughly wholesome,” Melhis assented,
straightening the fingers of the little glove as it
lay across his knee; “but I do not know that I
yearn for it.”</p>
        <p>“You <hi rend="italics">prefer</hi> being useless.”</p>
        <p>“I do not know that having to support myself
would benefit anyone; it might, on the contrary,
take a living from some man who is now quite
comfortable.”</p>
        <p>“It would be the making of you,” Miss Morden
answered, then leaned back silent, while her
chin took on the superior look, and her eyes
grew scornful. Melhis watched her furtively,
until at last she said carelessly, as if for the sole
purpose of making talk: “And have you friends
in Australia?”</p>
        <p>“Yes; and one fellow has just lost his
wife.”</p>
        <p>“Surely, you can be useful to him,” her face
lighting up with a relieved look as she turned to
him.</p>
        <p>It was Melhis now who leaned back and
looked indifferent. “What can one do for a
fellow in a fix like that?” he asked. “I must
confess, I have thought rather of postponing my
visit.”</p>
        <p>“How can you, now when he really needs
<pb id="ell208" n="208"/>
you; and to call that deepest sorrow ‘a fix!’ ”
She was leaning forward out of her chair, and
looking at him indignantly. “I wonder if you
are quite heartless?”</p>
        <p>“I have wondered often myself,” Melhis 
answered quietly. “I think it might be rather
comfortable.”</p>
        <p>They had known each other three days only,
but three days at sea are equal to three months
under any other circumstances. And Melhis
made up his mind, almost, to stop in Egypt; he
knew poor Langham wanted him; but who that
was not a cold-blooded heathen, could let this
poor girl land in a strange country alone with a
dying father. He could make an arrangement
with the agent at Suez, by which he would be
able to go on in the next vessel, or the vessel
after, if the father got better; if not, someone
should be there to look after the girl. How
nicely she lectured him, and how disgusted she
would be if he did not go to Australia. He
laughed quietly; he had more than half a mind to
stop. The morning after this they sighted land;
and at noon cast anchor in Port Saïd. All 
communication with the shore was prohibited, as
there was small-pox there; so the whole long
afternoon there was nothing for it but to watch
the strange-looking people who swarmed about
<pb id="ell209" n="209"/>
them in boats, and the black creatures putting in
the coal. The sun set; the moon came out white
and brilliant; still the black men were busy, singing
a barbaric chant as they worked, and looking
weird and strange in the red light that fell on
them from hanging iron cages where fire burned.
Dinner was over and Miss Morden sat on a pile
of coiled rope, watching the coalmen. The
cross lights from the moon and from the red
fires fell on her rather uncertainly; but Melhis
knew her outline quite well by this time, and
took his seat beside her. She did not seem to
know of his presence for some moments, then
she said suddenly:</p>
        <p>“Everyone who leaves the vessel to-morrow,
gets off at Ismailia.”</p>
        <p>“Yes.”</p>
        <p>“And we shall not reach Suez until night?”</p>
        <p>“No.”</p>
        <p>“Only father and I will get off at Suez”; and
Melhis thought he heard a little break in her
voice. Sitting alone in the darkness her heart
had grown very heavy. The vessel had been a
haven of rest to her. Now they were to face a
strange land; were further away than ever from
any friends, and her father decidedly weaker.
She dreaded the morrow; she dreaded saying
good-by to these people who had been kind to
<pb id="ell210" n="210"/>
her; she dreaded what might lie before her, and
did not dare to say what she dreaded.</p>
        <p>“There is a good hotel at Suez,” Melhis went
on; “you will be quite comfortable.”</p>
        <p>“I am so glad to hear it,” turning toward him
a little, “I am anxious about my father.”</p>
        <p>Melhis saw something on her cheek. His little
republican princess was breaking down like
any other girl; if she cried, what should he do?</p>
        <p>“Do they speak English there?” were the
next practical words.</p>
        <p>“Yes; it is an English hotel of which I speak.”</p>
        <p>Then she turned her face away, and leaned her
head against the railing.</p>
        <p>Things looked a little brighter, and there were
some good points about this Mr. Melhis. Had
he been mistaken about that tear? Melhis wondered.
All the next day they crawled through
the canal; all day looked out over the wide
wonder of the golden desert; so silent, so 
unconquerable in its desolation; so certain, so cruel in
its power; destroying with its deadly heat and
dryness; burying forever with its yellow, 
slow-drifting sand. It had a fascination for the girl
who sat and watched it; she could watch forever
the strange lights and shadows—shadows that
were only changing lights. But underneath she
was afraid something fatal would come to her in
<pb id="ell211" n="211"/>
this desert; something fatal. She had come to
Egypt with a heavy heart; and now the reality
seemed almost to overwhelm her. The 
afternoon came with the last tea in the Captain's
room, where she missed Melhis; then the last
dinner. The luggage was all on deck, the steam
launch alongside, the farewells said, and she
watched with nervous terror while her father 
descended the swaying steps. She followed
quickly, all feeling drowned in the dread of what
was before her, and, as the steam launch sped
away over the dark sea, she gave only one glance
back at the ship twinkling with lights; she did
not dare look again. Nor did she dare to look
down into the little cabin where her father sat so
bent and white; she looked up resolutely to the
stars; looked out to where the moonlight 
glittered on the water; to where the desert faded
into a wonderful silvery mystery; listened to the
guttural talk of the Arab sailors, and suddenly
remembered that she had not said good-by to
Melhis. She was sorry. A long way it seemed
over the dark water; then the flat-topped houses
of the little town rose up out of the sea, and they
stopped at the quay. There was a great mob
of Arabs there, bobbing about, and all talking
at once; and her father, coming on deck in a fever
of nervous energy, stood over the luggage with
<pb id="ell212" n="212"/>
his stick raised menacingly. The Arabs crowded
about him, jabbering and gesticulating, and the
girl's heart grew cold; this excitement would kill
him.</p>
        <p>“You go to the hotel, father,” she pleaded;
“I will go to the Custom-house.”</p>
        <p>“Impossible,” he said, “quite impossible.”
He wavered a little as he spoke, and leaned on
his stick; and the Arabs made a rush at the
luggage.</p>
        <p>“Mr. Morden”—the girl started; it was a
pleasant, quiet English voice, and she seemed
to know it—“if you will come to the hotel, just
here, I will look after the luggage,” and a strong
hand helped her father to the shore, then was
held out for her; and she looked up into Alan
Melhis's face.</p>
        <p>“How did you come here?” she asked.</p>
        <p>“In the mail boat,” he answered; then giving
some orders about the luggage led her father
away to the hotel. Their rooms were all ready,
thanks to Melhis, and there was no more trouble
about the luggage. Melhis took the keys and
went away to the Custom-house, and presently
everything came quite right. How peaceful it
had all been, thanks to this man who had been
too weak to go to his friend who was suffering.
It showed great weakness in him, Miss Morden
<pb id="ell213" n="213"/>
thought—great weakness; but what a godsend
he was to her!</p>
        <p>Mr. Morden's prostration was alarming even
to Melhis, who, having once studied medicine,
knew well how critical the case was.</p>
        <p>“As soon as he begins to feel the desert air,”
he said, reassuringly, when be came back from
the Custom-house, “he will be all right.”</p>
        <p>“You do not know,” the girl said coldly.</p>
        <p>“I have not watched the case as long as you
have,” Melhis admitted, “but I think some
brandy will be the thing now; and if we had some
beef-tea.”</p>
        <p>“I have,” the girl answered, producing from
her bag a little jar—“I have it always.”</p>
        <p>“By the way,” Melhis went on, “the hotel is
so crowded, I shall have to stay in here on this
couch to-night.”</p>
        <p>“Will you? I am so glad!” the words seeming
to spring from her lips. “At night when
I have to leave him, I am so wretched about
him.”</p>
        <p>“You look so tired,” and Melhis lowered his
voice as a deep sigh came from the bed at the
far end of the room, “you had better go to bed
and leave your father to me.” She looked up
at him doubtfully. “You may trust me,” he
said. “I have studied medicine; and you, if you
<pb id="ell214" n="214"/>
want a servant, clap your hands; they are all men
and East Indians; but they wear gowns and
speak English.”</p>
        <p>“No maids?”</p>
        <p>“There is not a woman in the house besides
yourself.”</p>
        <p>“How extraordinary.” She went toward the
bed. “He is asleep,” she whispered, coming
back, “I will not disturb him for good-night.”
Then putting her hand in Melhis's hand, “You
are so kind,” she said.</p>
        <p>“On the contrary, I must thank your father
that I have a place to sleep to-night.” While
he spoke he led her to the door. “Good-night,”
he said, then the door was shut quickly.
“I thought she would never go,” was his reflection
as he leaned over his patient, “and will I
get him out of this ever?” All night he
watched; with every half-hour something to give
the old man, until toward morning, when Mr.
Morden recovered sufficiently to fall into a natural
sleep. “What would she have done,” was
Melhis' thought as he threw himself on the
couch, “and Langham will understand.”</p>
        <p>“He needs only strength,” Melhis said, cheerfully,
the next morning, “and as he has no appetite
for solids, we shall have to give him liquids
very often; and I have persuaded him to stay in
<pb id="ell215" n="215"/>
bed to-day.” So he cheered the girl and quietly
doctored the father, so that by evening Mr.
Morden revived sufficiently to ask for a 
newspaper. “You will be able to go on in two
days,” Melhis said, “and Cairo will be the very
place for your father.”</p>
        <p>“And you will go on to Australia?”</p>
        <p>“I doubt it. It would be so dull.”</p>
        <p>“But you would be helping your friend.”</p>
        <p>“And boring myself to death—casting myself
willfully into an early grave.”</p>
        <p>“We are happier when we forget ourselves,”
and Miss Morden turned away sorrowfully.</p>
        <p>“What a dear little preacher,” thought Melhis,
pulling down his mustache to hide a smile,
and frowning heavily; “and how far she sees
into a millstone.”</p>
        <p>“All you say is true enough,” he said aloud;
“but I am very fond of Cairo.”</p>
        <p>So they journeyed to Cairo together, and took
up their abode in the quiet, charming Hotel du
Nil. It was a revelation to the girl; the beauty,
the freshness, the stillness of that lovely tropical
garden, where the palms and bamboos and 
acacias waved, and the roses bloomed, and high up
in the shadowy silence of the treetops the doves
cooed. There was none of the rush, or noise, or
hurry of a hotel; but a peaceful, restful quiet,
<pb id="ell216" n="216"/>
that made one wonder where the rest of the
world had gone. And Melhis, taking Miss Morden
to dinner across the garden where the moonlight
made a soft radiance, said: “How can
people be foolish enough to winter in England?”</p>
        <p>“Because, perhaps, they think of what is
right as well as what is pleasantest,” she
answered.</p>
        <p>“But it is so human to like the pleasantest
best, and so inhuman to be doing one's duty
always.”</p>
        <p>“And so easy not to be inhuman,” she added
severely.</p>
        <p>“Are you hungry?” Melhis asked.</p>
        <p>The days glided by peacefully, Melhis showing
Miss Morden all the wonderful sights of
Cairo; watching, meanwhile, with mixed sensations,
the steady improvement of the father.
Very soon the Mordens would cease to need
him; and poor Langham was so lonely—poor
Langham! And now the question with Melhis
was whether he should tell this girl what he
thought of her before he went away; or if he
should go and come back? He had won the
father's consent, but could make nothing of the
girl, or how she would receive his advances.
Day after day he watched her, discussing the
question with himself; longing more and more
<pb id="ell217" n="217"/>
each hour to have the right to look after this
self-confident young woman, who yet needed so
much care. They had become very good
friends; and though she would quarrel roundly
one moment, in the next she was appealing to
him as a child might, with a perfect security
that he would be her friend through everything.
One morning after breakfast, they sat together
in the garden; the sunlight flickered about them
in a thousand golden shafts; the doves were cooing
softly; the thin-legged little wagtails hopped
about the paths; the roses waved in the fresh
desert wind, and the light-footed Arab servants
came and went silently about their work, their
brightly colored gowns and turbans making the
picture complete. Melhis leaned back in his
low-hung rocking chair, while Miss Morden,
with the aid of her guide-book, was trying to
work out a cartouche inscribed on a rusty-looking
gray scarab.</p>
        <p>“I have made this one out quite easily,” she
said, holding the scarab toward Melhis; “it is
Thotmes the Third.”</p>
        <p>Melhis took the scarab. “Where did you
get this one?” he asked.</p>
        <p>“I bought it of Hassan for ten little piastres.
See how clear it is; and I can tell a genuine one
quite well now. Why do you smile?”</p>
        <pb id="ell218" n="218"/>
        <p>“It is a spurious one.”</p>
        <p>The color flashed into the girl's face. “You
are teasing me.”</p>
        <p>“No.”</p>
        <p>She paused a moment. “I am sorry,” she
said, “but at least I have read it correctly, have
I not?”</p>
        <p>“No; it is meant for <hi rend="italics">Amenhotep</hi>.”</p>
        <p>She looked at him menacingly for a moment,
then, casting the spurious scarab into the 
clustering ivy that bordered the flower-beds, she
closed her book.</p>
        <p>“That was very wrong,” said Melhis. “Hassan
or Achmet will find that scarab and sell it
again.”</p>
        <p>“But not to me,” she answered.</p>
        <p>“That speech does not sound like you”; and
Melhis shook his head.</p>
        <p>A bright smile flashed across her face. “I
learn this manner of thought from you,” she
retorted.</p>
        <p>“It is fortunate, then, that you will not have
the benefit of my teaching much longer,” Melhis
went on slowly. “I am going to Australia.”
He fancied the girl's color paled a little; he was
quite sure of a moment's pause before she asked:</p>
        <p>“When?”</p>
        <p>“Next week.”</p>
        <pb id="ell219" n="219"/>
        <p>She sat looking out toward the crooked 
entrance to the garden, and fluttering idly the
leaves of her book. Melhis watched her, while
every pulse in his body seemed to double its 
action. What would she say next? There was a
little disturbance near the entrance, and some
servants appeared with hand luggage; then a tall
young fellow in a white helmet hat and knickerbockers.
Melhis, watching his companion, saw
nothing of this, he saw only that her face grew
quite white, then crimson, and she rose quickly.</p>
        <p>“Mr. Nevil!” holding out her hand.</p>
        <p>Melhis got up slowly. Walter Nevil, he knew
him quite well; and he looked up involuntarily
to see if the sun had gone under a cloud. What
very good friends they seemed to be! Then
Nevil turned to him: “Well met,” and he held
out both his hands. “Until I reached Suez, I
fancied you in Australia.”</p>
        <p>“No, I go next week”; and Miss Morden felt
sorry that he had not confessed the truth about
it. Then Nevil went off to his room, and Melhis
sat down wearily.</p>
        <p>“You seem to know Nevil quite well,” he
said, when Miss Morden returned from telling
her father the news.</p>
        <p>“Yes,” brightly, “we were together in Rome
for six weeks; then he went with us to Castellamare;
<pb id="ell220" n="220"/>
we had such fun going to Vesuvius and
Capri and Pæstum.”</p>
        <p>Pæstum—and Melhis had a vision of a girl 
sitting alone on a ship's deck in the falling dusk,
and whispering a good-by to Pæstum; he understood
it now. “I wonder what brings him to
Egypt so late in the season?”</p>
        <p>The color deepened in Miss Morden's cheeks.
“He did not speak of it when he left us at 
Castellamare,” she answered quietly; “it must have
been a later plan.”</p>
        <p>It was a still gray day—they come even in
Egypt—when Melhis went away. He had
stayed until the last day that would permit him
to reach Suez in time for the steamer. He
would not leave a day sooner because of any
pain that had come into this last week; he would
not run away. “Good-by, Miss Morden,” he
said, “you will think better of me now that I
go to do my duty and be useful?”</p>
        <p>“Do your duty!” and Nevil's round blue eyes
grew rounder. “You who never—”</p>
        <p>“That will do, my dear fellow,” Melhis interrupted
quickly; “Miss Morden understands.”
Then he went away; lifting his hat and smiling
quietly as he passed from view. The day was
not so happy as other days had been. Nevil
was odd all morning, and when he came back
<pb id="ell221" n="221"/>
from seeing Melhis off, he seemed still more
unhappy, “Poor old Melhis,” he said, as he sat
with Miss Morden in the garden after lunch;
“the noblest man I know.”</p>
        <p>“He has been very pleasant to me,” Miss
Morden assented, coolly.</p>
        <p>“Pleasant?” Nevil said, rather sharply; then
whistled softly. “I <hi rend="italics">will</hi> tell you.”</p>
        <p>“What?” and her voice fell a little.</p>
        <p>“About Melhis. I must tell you; you ought
to know. To begin with, he is the best man I
know. He spends almost all his time and money
on other people; and his one effort in life is to
hide his goodness. This winter he was not very
well, and had made up his party for a cruise in
the Mediterranean. At the last moment, he
heard of Langham's trouble; he turned his
yacht over to a friend, and immediately
sailed for Australia. The sequel I heard at
Suez; he told his reasons to the agent, because
he wanted to give up his passage. He met a
young woman and her sick father; he was afraid
the father would die; he stopped at Suez, and
came with them to Cairo, and remained until the
father was out of danger.” Nevil paused.</p>
        <p>“Go on,” said Miss Morden; “go on, if there
is more.”</p>
        <p>“The rest is hard to tell. Last night, in your
<pb id="ell222" n="222"/>
father's presence, he made me the offer of a position
as the agent of estates of his in the south of
England; a house and salary quite sufficient for
us;” and Nevil laid his hand on Miss Morden's.
“And he loved you;” the hand he held grew
cold as ice—“he had asked your father's permission
to address you.” Her heart grew heavy,
and as cold as her hand, and a great wave of
desolation seemed to sweep over her. She had
known all the while that something fatal would
come to her here in Egypt! “Melhis has not
a vice; not even a weakness,” Nevil went on;
“while I—”</p>
        <p>“Don't tell me your vices and weaknesses
now,” and Miss Morden's voice sounded sharp;
but there was a break at the end, as she added,
“and perhaps I shall not find them out.”</p>
        <p>“I hope not,” Nevil answered humbly; “for
I promised Melhis that you should not.”</p>
        <trailer>THE END.</trailer>
      </div1>
    </body>
    <back>
      <div1 type="advertisements">
        <p>
          <figure id="eliot223" entity="eliot223">
            <p>[Advertisement Image]</p>
          </figure>
        </p>
        <p>
          <figure id="eliot224" entity="eliot224">
            <p>[Advertisement Image]</p>
          </figure>
        </p>
        <p>
          <figure id="eliot225" entity="eliot225">
            <p>[Advertisement Image]</p>
          </figure>
        </p>
        <p>
          <figure id="eliot26" entity="eliot226">
            <p>[Advertisement Image]</p>
          </figure>
        </p>
        <p>
          <figure id="eliot227" entity="eliot227">
            <p>[Advertisement Image]</p>
          </figure>
        </p>
        <p>
          <figure id="eliot228" entity="eliot228">
            <p>[Advertisement Image]</p>
          </figure>
        </p>
        <p/>
      </div1>
    </back>
  </text>
</TEI.2>