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        <title>The Battle-Ground:   
Electronic Edition.</title>
        <author>Ellen Anderson Gholson Glasgow,  1873-1945</author>
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        <pubPlace>University of North Carolina at Chapel Hill, </pubPlace>
        <date>1997.</date>
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          <p>This work is the property of the University of North Carolina 
at Chapel Hill. It may be used freely by individuals for research, teaching and personal use as long as this statement of availability is included in the text.</p>
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        <note anchored="yes">Call number PS3513 .L34 B38 (Davis Library, 
UNC-CH)</note>
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          <title>The Battle-Ground </title>
          <author>Ellen Glasgow</author>
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            <pubPlace>New York,</pubPlace>
            <publisher>Doubleday, Page &amp; Co.</publisher>
            <date>1902</date>
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            <item>Virginia -- Social life and customs -- Fiction.</item>
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  <text>
    <front>
      <div1 type="cover image">
        <p>
          <figure id="cover" entity="glabgcv">
            <p>[Cover Image]</p>
          </figure>
        </p>
      </div1>
      <div1 type="frontispiece image">
        <p>
          <figure id="frontis" entity="glabgfp">
            <p>Betty<lb/>[Frontispiece Image]</p>
          </figure>
        </p>
      </div1>
      <div1 type="title image">
        <p>
          <figure id="title" entity="glabgtp">
            <p>[Title Page Image]</p>
          </figure>
        </p>
      </div1>
      <titlePage>
        <docTitle>
          <titlePart type="main">The Battle-Ground</titlePart>
        </docTitle>
        <byline>By</byline>
        <docAuthor>Ellen Glasgow</docAuthor>
        <byline>ILLUSTRATED By </byline>
        <docAuthor>W. F. BAER AND  W. GRANVILLE SMITH</docAuthor>
        <docImprint><pubPlace>NEW YORK</pubPlace>
<publisher>DOUBLEDAY, PAGE &amp; CO.</publisher>
<docDate>1902</docDate></docImprint>
        <titlePart type="verso">Copyright, 1902, by
<date>Doubleday, Page &amp; Company</date>
Published March 1902</titlePart>
      </titlePage>
      <div1 type="dedication">
        <p>To The Beloved Memory of My Mother</p>
      </div1>
      <pb id="glasgowvii" n="vii"/>
      <div1 type="contents">
        <head>CONTENTS</head>
        <list type="simple">
          <head>BOOK FIRST. 
GOLDEN YEARS</head>
          <item>I.  “De Hine Foot er a He Frawg”. . . . <ref n="1" target="glasgow1" targOrder="U">1</ref></item>
          <item>II.  At the Full of the Moon. . . . <ref target="glasgow14" targOrder="U">14</ref></item>
          <item>III.  The Coming of the Boy. . . . <ref target="glasgow29" targOrder="U">29</ref></item>
          <item>IV.  A House with an Open Door. . . . <ref target="glasgow45" targOrder="U">45</ref></item>
          <item>V. The School for Gentlemen. . . . <ref target="glasgow56" targOrder="U">56</ref></item>
          <item>VI. College Days. . . . <ref target="glasgow72" targOrder="U">72</ref></item>
        </list>
        <list type="simple">
          <head>BOOK SECOND.
	 YOUNG BLOOD </head>
          <item>I. The Major's Christmas. . . . <ref target="glasgow93" targOrder="U">93</ref></item>
          <item>II. Betty dreams by the Fire. . . . <ref target="glasgow114" targOrder="U">114</ref></item>
          <item>III. Dan and Betty. . . . <ref target="glasgow122" targOrder="U">122</ref></item>
          <item>IV. Love in a Maze. . . . <ref target="glasgow135" targOrder="U">135</ref></item>
          <item>V. The Major loses his Temper. . . . <ref target="glasgow150" targOrder="U">150</ref></item>
          <item>VI. The Meeting in the Turnpike. . . . <ref target="glasgow162" targOrder="U">162</ref></item>
          <item>VII. If this be Love. . . . <ref target="glasgow174" targOrder="U">174</ref></item>
          <item>VIII. Betty's Unbelief. . . .<ref target="glasgow190" targOrder="U">190</ref></item>
          <item>IX. The Montjoy Blood. . . . <ref target="glasgow203" targOrder="U">203</ref></item>
          <item>X. The Road at Midnight . . . . <ref target="glasgow219" targOrder="U">219</ref></item>
          <item>XI. At Merry Oaks Tavern. . . . <ref target="glasgow229" targOrder="U">229</ref></item>
          <item>XII. The Night of Fear. . . . <ref target="glasgow243" targOrder="U">243</ref></item>
          <item>XIII. Crabbed Age and Callow Youth. . . . <ref target="glasgow253" targOrder="U">253</ref></item>
          <item>XIV. The Hush before the Storm. . . . <ref target="glasgow269" targOrder="U">269</ref></item>
        </list>
        <pb id="glasgowviii" n="viii"/>
        <list type="simple">
          <head>BOOK THIRD. 
THE SCHOOL OF WAR</head>
          <item>I. How Merry Gentlemen went to War. . . . <ref target="glasgow283" targOrder="U">283</ref></item>
          <item>II. The Day's March. . . . <ref target="glasgow294" targOrder="U">294</ref></item>
          <item>III. The Reign of the Brute. . . . <ref target="glasgow305" targOrder="U">305</ref></item>
          <item>IV. After the Battle. . . . <ref target="glasgow316" targOrder="U">316</ref></item>
          <item>V. The Woman's Part. . . . <ref target="glasgow327" targOrder="U">327</ref></item>
          <item>VI. On the Road to Romney. . . . <ref target="glasgow338" targOrder="U">338</ref></item>
          <item>VII. “I wait my Time”. . . . <ref target="glasgow349" targOrder="U">349</ref></item>
          <item>VIII. The Altar of the War God. . . . <ref target="glasgow357" targOrder="U">357</ref></item>
          <item>IX. The Montjoy Blood again. . . . <ref target="glasgow368" targOrder="U">368</ref></item>
        </list>
        <list type="simple">
          <head>BOOK FOURTH. 
THE RETURN OF THE VANQUISHED</head>
          <item>I. The Ragged Army. . . . <ref target="glasgow381" targOrder="U">381</ref></item>
          <item>II. A Straggler from the Ranks. . . . <ref target="glasgow392" targOrder="U">392</ref></item>
          <item>III. The Cabin in the Woods. . . . <ref target="glasgow405" targOrder="U">405</ref></item>
          <item>IV. In the Silence of the Guns. . . . <ref target="glasgow418" targOrder="U">418</ref></item>
          <item>V. “The Place Thereof”. . . . <ref target="glasgow429" targOrder="U">429</ref></item>
          <item>VI. The Peaceful Side of War. . . . <ref target="glasgow437" targOrder="U">437</ref></item>
          <item>VII. The Silent Battle. . . . <ref target="glasgow450" targOrder="U">450</ref></item>
          <item>VIII. The Last Stand. . . . <ref target="glasgow462" targOrder="U">462</ref></item>
          <item>IX. In the Hour of Defeat. . . . <ref target="glasgow474" targOrder="U">474</ref></item>
          <item>X. On the March again. . . . <ref target="glasgow488" targOrder="U">488</ref></item>
          <item>XI. The Return	. . . . <ref target="glasgow499" targOrder="U">499</ref></item>
        </list>
      </div1>
    </front>
    <body>
      <pb id="glasgow1" n="1"/>
      <div0 type="main">
        <head>THE BATTLE-GROUND</head>
        <div1 type="book">
          <head>BOOK FIRST </head>
          <head>GOLDEN YEARS</head>
          <div2 type="chapter">
            <head>I</head>
            <head>“DE HINE FOOT ER A HE FRAWG”</head>
            <p>TOWARD the close of an early summer afternoon, a 
little girl came running along the turnpike to where a 
boy stood wriggling his feet in the dust.</p>
            <p>“Old Aunt Ailsey's done come back,” she panted, 
“an' she's conjured the tails off Sambo's sheep. I saw 
'em hanging on her door!”</p>
            <p>The boy received the news with an indifference 
from which it blankly rebounded. He buried one hare 
foot in the soft white sand and withdrew it with a jerk 
that powdered the blackberry vines beside the way.</p>
            <p>“Where's Virginia?” he asked shortly.</p>
            <p>The little girl sat down in the tall grass by the 
roadside and shook her red curls from her eyes. She 
gave a breathless gasp and began fanning herself with 
the flap of her white sunbonnet. A fine moisture shone 
on her bare neck and arms above her frock of sprigged 
chintz calico.</p>
            <pb id="glasgow2" n="2"/>
            <p>“She can't run a bit,” she declared warmly, peering 
into the distance of the long white turnpike. “I'm a long 
ways ahead of her, and I gave her the start. Zeke's with 
her.”</p>
            <p>With a grunt the boy promptly descended from his 
heavy dignity.</p>
            <p>“You can't run,” he retorted. “I'd like to see a 
girl run, anyway.” He straightened his legs and thrust his 
hands into his breeches pockets. “You can't run,” he 
repeated.</p>
            <p>The little girl flashed a clear defiance; from a
pair of beaming hazel eyes she threw him a scornful challenge. 
“I bet I can beat you,” she stoutly rejoined. Then as the 
boy's glance fell upon her hair, her defiance waned. She 
put on her sunbonnet and drew it down over her brow. 
“I reckon I can run some,” she finished uneasily.</p>
            <p>The boy followed her movements with a candid 
stare. “You can't hide it,” he taunted; “it shines right 
through everything. O Lord, ain't I glad my head's not 
red!”</p>
            <p>At this pharisaical thanksgiving the little girl flushed 
to the ruffled brim of her bonnet. Her sensitive lips 
twitched, and she sat meekly gazing past the boy at the 
wall of rough gray stones which skirted a field of 
ripening wheat. Over the wheat a light wind blew, 
fanning the even heads of the bearded grain and 
dropping suddenly against the sunny mountains in the 
distance. In the nearer pasture, where the long grass 
was strewn with wild flowers, red and white cattle were 
grazing beside a little stream, and the tinkle of the cow 
bells drifted faintly across the slanting sunrays. It was 
open
			
<pb id="glasgow3" n="3"/>
country, with a peculiar quiet cleanliness about its long 
white roads and the genial blues and greens of its 
meadows.</p>
            <p>“Ain't I glad, O Lord!” chanted the boy again.
The little girl stirred impatiently, her gaze fluttering 
from the landscape.</p>
            <p>“Old Aunt Ailsey's conjured all the tails off Sambo's 
sheep,”she remarked, with feminine wile. “I saw 'em 
hanging on her door.”</p>
            <p>“Oh, shucks!  she can't conjure!” scoffed the boy.              
“She's nothing but a free nigger, anyway—and besides, 
she's plum crazy—”</p>
            <p>“I saw 'em hanging on her door,” steadfastly 
repeated the little girl. “The wind blew 'em right out, 
an' there they were.”</p>
            <p>“Well, they wan't Sambo's sheep tails,” retorted the 
boy, conclusively,“'cause Sambo's sheep ain't got any 
tails.”</p>
            <p>Brought to bay, the little girl looked doubtfully up 
and down the turnpike. “Maybe she conjured 'em <hi rend="italics">on </hi>
first,” she suggested at last.</p>
            <p>“Oh, you're a regular baby, Betty,” exclaimed the 
boy, in disgust. “You'll be saying next that she can 
make rattlesnake's teeth sprout out of the ground.”</p>
            <p>“She's got a mighty funny garden patch,” admitted 
Betty, still credulous. Then she jumped up and ran 
along the road. “Here's Virginia!” she called sharply, 
“an' I beat her! I beat her fair!”</p>
            <p>A second little girl came panting through the dust, 
followed by a small negro boy with a shining black 
face. “There's a wagon comin' roun' the curve,” she 
cried excitedly, “an' it's filled with old Mr.
<pb id="glasgow4" n="4"/>
Willis's servants. He's dead, and they're sold—Dolly's 
sold, too.”</p>
            <p>She was a fragile little creature, coloured like a 
flower, and her smooth brown hair hung in silken braids 
to her sash. The strings of her white pique bonnet lined 
with pink were daintily tied under her oval chin; there 
was no dust on her bare legs or short white socks.</p>
            <p>As she spoke there came the sound of voices singing, 
and a moment later the wagon jogged heavily round a 
tuft of stunted cedars which jutted into the long curve of 
the highway. The wheels crunched a loose stone in the 
road, and the driver drawled a patient “gee-up” to the 
horses, as he flicked at a horse-fly with the end of his 
long rawhide whip. There was about him an almost 
cosmic good nature; he regarded the landscape, the 
horses and the rocks in the road with imperturbable 
ease.</p>
            <p>Behind him, in the body of the wagon, the negro 
women stood chanting the slave's farewell; and as they 
neared the children, he looked back and spoke 
persuasively.  “I'd set down if I was you all,” he said.  
“You'd feel better. Thar, now, set down and jolt 
softly.”</p>
            <p>But without turning the women kept up their 
tremulous chant, bending their turbaned heads to the 
imaginary faces upon the roadside. They had left their 
audience behind them on the great plantation, but they 
still sang to the empty road and courtesied to the cedars 
upon the way. Excitement gripped them like a 
frenzy—and a childish joy in a coming change blended 
with a mother's yearning over broken ties.</p>
            <pb id="glasgow5" n="5"/>
            <p>A bright mulatto led, standing at full height, and her 
rich notes rolled like an organ beneath the shrill plaint 
of her companions. She was large, deep-bosomed, and 
comely after her kind, and in her careless gestures there 
was something of the fine fervour of the artist. She sang 
boldly, her full body rocking from side to side, her 
bared arms outstretched, her long throat swelling like a 
bird's above the gaudy handkerchief upon her breast.</p>
            <p>The others followed her, half artlessly, half in 
imitation, mingling with their words grunts of 
self-approval. A grin ran from face to face as if thrown 
by the grotesque flash of a lantern. Only a little black 
woman crouching in one corner bowed herself and 
wept.</p>
            <p>The children had fallen back against the stone wall, 
where they hung staring.</p>
            <p>“Good-by, Dolly!” they called cheerfully, and the 
woman answered with a long-drawn, hopeless whine: -</p>
            <lg type="poem">
              <l>“Gawd A'moughty bless you twel we </l>
              <l>Meet agin.”</l>
            </lg>
            <p>Zeke broke from the group and ran a few steps beside 
the wagon, shaking the outstretched hands.</p>
            <p>The driver nodded peaceably to him, and cut with a 
single stroke of his whip an intricate figure in the sand 
of the road. “Git up an' come along with us, sonny,”
he said cordially; but Zeke only grinned in reply, and 
the children laughed and waved their handkerchiefs 
from the wall. “Good-by, Dolly, and Mirandy, and 
Sukey Sue!” they
<pb id="glasgow6" n="6"/>
shouted, while the women, bowing over the rolling 
wheels, tossed back a fragment of the song: -</p>
            <lg type="poem">
              <l>“We hope ter meet you in heaven, whar we'll</l>
              <l>Part no mo',</l>
              <l>Whar we'll part no mo';</l>
              <l>Gawd A'moughty bless you twel we</l>
              <l>Me—et a—gin.”</l>
            </lg>
            <p>“Twel we meet agin,” chirped the little girls, 
tripping into the chorus.</p>
            <p>Then, with a last rumble, the wagon went by, and 
Zeke came trotting back and straddled the stone wall, 
where he sat looking down upon the loose poppies that 
fringed the yellowed edge of the wheat.</p>
            <p>“Dey's gwine way-way f'om hyer, Marse Champe,” 
he said dreamily. “Dey's gwine right spang over dar 
whar de sun done come f'om.”</p>
            <p>“Colonel Minor bought 'em,” Champe explained, 
sliding from the wall, “and he bought Dolly dirt 
cheap—I heard Uncle say so—”With a grin he looked up 
at the small black figure perched upon the crumbling 
stones. “You'd better look out how you steal any more of 
my fishing lines, or I'll sell you,” he threatened.</p>
            <p>“Gawd er live! I ain' stole one on 'em sence las' 
mont',” protested Zeke, as he turned a somersault into 
the road, “en dat warn' stealin'  'case hit warn' wu'th it,” 
he added, rising to his feet and staring wistfully after the 
wagon as it vanished in a sunny cloud of dust.</p>
            <p>Over the broad meadows, filled with scattered wild 
flowers, the sound of the chant still floated, with a 
shrill and troubled sweetness. upon the wind.
<pb id="glasgow7" n="7"/>		
As he listened the little negro broke into a jubilant 
refrain, beating his naked feet in the dust: -</p>
            <lg>
              <l>“Gawd A'moughty bless you twel we</l>
              <l>Me-et a-gin.”</l>
            </lg>
            <p>Then he looked slyly up at his young master.</p>
            <p>“I 'low dar's one thing you cyarn do, Marse 
Champe.”</p>
            <p>“I bet there isn't,” retorted Champe.</p>
            <p>“You kin sell me ter Marse Minor—but Lawd, Lawd, 
you cyarn mek mammy leave off whuppin' me. You 
cyarn do dat widout you 'uz a real ole marster hese'f.”</p>
            <p>“I reckon I can,” said Champe, indignantly. “I'd just 
like to see her lay hands on you again. I can make 
mammy leave off whipping him, can't I, Betty?”</p>
            <p>But Betty, with a toss of her head, took her revenge.</p>
            <p>“'Tain't so long since yo' mammy whipped you,” she 
rejoined. “An' I reckon 'tain't so long since you needed 
it.”</p>
            <p>As she stood there, a spirited little figure, in a patch 
of faint sunshine, her hair threw a halo of red gold 
about her head. When she smiled—and she smiled now, 
saucily enough—her eyes had a trick of narrowing until 
they became mere beams of light between her lashes. 
Her eyes would smile, though her lips were as prim as 
a preacher's.</p>
            <p>Virginia gave a timid pull at Betty's frock. 
“Champe's goin' home with us,” she said, “his uncle 
told him to—You're goin' home with us, ain't you, 
Champe?”</p>
            <p>“I ain't goin' home,” responded Betty, jerking
<pb id="glasgow8" n="8"/>							
from Virginia's grasp. She stood warm yet resolute in 
the middle of the road, her bonnet swinging in her 
hands. “I ain't goin' home,” she repeated.</p>
            <p>Turning his back squarely upon her, Champe broke 
into a whistle of unconcern. “You'd just better come 
along,” he called over his shoulder as he started off. 
“You'd just better come along, or you'll catch it.”</p>
            <p>“I ain't comin',” answered Betty, defiantly, and as 
they passed away kicking the dust before them, she 
swung her bonnet hard, and spoke aloud to herself. “I 
ain't comin',” she said stubbornly.</p>
            <p>The distance lengthened; the three small figures 
passed the wheat field, stopped for an instant to gather 
green apples that had fallen from a stray apple tree, and 
at last slowly dwindled into the white streak of the road. 
She was alone on the deserted turnpike.</p>
            <p>For a moment she hesitated, caught her breath, and 
even took three steps on the homeward way; then 
turning suddenly she ran rapidly in the opposite 
direction. Over the deepening shadows she sped as 
lightly as a hare.</p>
            <p>At the end of a half mile, when her breath came in 
little pants, she stopped with a nervous start and looked 
about her. The loneliness seemed drawing closer like a 
mist, and the cry of a whip-poor-will from the little 
stream in the meadow sent frightened thrills, like 
needles, through her limbs.</p>
            <p>Straight ahead the sun was setting in a pale red west, 
against which the mountains stood out as if sculptured 
in stone. On one side swept the pasture where a few 
sheep browsed; on the other, at
<pb id="glasgow9" n="9"/>											
the place where two roads met, there was a blasted tree 
that threw its naked shadow across the turnpike. 
Beyond the tree and its shadow a well-worn foot-path 
led to a small log cabin from which a streak of smoke 
was rising. Through the open door the single room 
within showed ruddy with the blaze of resinous pine.</p>
            <p>The little girl daintily picked her way along the 
foot-path and through a short garden patch planted in 
onions and black-eyed peas. Beside a bed of sweet sage 
she faltered an instant and hung back. “Aunt Ailsey,” 
she called tremulously, “I want to speak to you, Aunt 
Ailsey.” She stepped upon the smooth round stone 
which served for a doorstep and looked into the room. 
“It's me, Aunt Ailsey!  It's Betty Ambler,” she said.</p>
            <p>A slow shuffling began inside the cabin, and an old 
negro woman hobbled presently to the daylight and 
stood peering from under her hollowed palm. She was 
palsied with age and blear-eyed with trouble, and time 
had ironed all the kink out of the thin gray locks that 
straggled across her brow. She peered dimly at the child 
as one who looks from a great distance.</p>
            <p>“I lay dat's one er dese yer ole hoot owls,” she 
muttered querulously, “en ef'n 'tis, he des es well be 
a-hootin' along home, caze I ain' gwine be pestered wid 
his pranks. Dar ain' but one kind er somebody es will 
sass you at yo' ve'y do,' en dat's a hoot owl es is done 
loss count er de time er day—”</p>
            <p>“I ain't an owl, Aunt Ailsey,” meekly broke in Betty, 
“an' I ain't hootin' at you—”</p>
            <p>Aunt Ailsey reached out and touched her hair.</p>
            <pb id="glasgow10" n="10"/>
            <p>“You ain' none er Marse Peyton's chile,” she said. 
“I'se done knowed de Amblers sence de fu'st one er dem 
wuz riz, en dar ain' never been a'er Ambler wid a carrot 
haid—”</p>
            <p>The red ran from Betty's curls into her face, but she 
smiled politely as she followed Aunt Ailsey into the 
cabin and sat down in a split-bottomed chair upon the 
hearth. The walls were formed of rough, unpolished 
logs, and upon them, as against an unfinished 
background, the firelight threw reddish shadows of the 
old woman and the child. Overhead, from the uncovered 
rafters, hung several tattered sheepskins, and around the 
great fireplace there was a fringe of dead snakes and 
lizards, long since as dry as dust. Under the blazing 
logs, which filled the hut with an almost unbearable 
heat, an ashcake was buried beneath a little gravelike 
mound of ashes.</p>
            <p>Aunt Ailsey took up a corncob pipe from the stones 
and fell to smoking. She sank at once into a senile 
reverie, muttering beneath her breath with short, 
meaningless grunts. Warm as the summer evening was, 
she shivered before the glowing logs.</p>
            <p>For a time the child sat patiently watching the 
embers; then she leaned forward and touched the old 
woman's knee. “Aunt Ailsey, O Aunt Ailsey!”</p>
            <p>Aunt Ailsey stirred wearily and crossed her swollen 
feet upon the hearth.</p>
            <p>“Dar ain' nuttin' but a hoot owl dat'll sass you ter yo' 
face,” she muttered, and, as she drew her pipe from her 
mouth, the gray smoke circled about her head.</p>
            <p>The child edged nearer. “I want to speak to you, 
Aunt Ailsey,” she said.  She seized the withered
<pb id="glasgow11" n="11"/>										
hand and held it close in her own rosy ones. “I want 
you—O Aunt Ailsey, listen! I want you to conjure my 
hair coal black.”</p>
            <p>She finished with a gasp, and with parted lips sat 
waiting. “Coal black, Aunt Ailsey!” she cried again.</p>
            <p>A sudden excitement awoke in the old woman's face; 
her hands shook and she leaned nearer. “Hi! who dat 
done tole you I could conjure, honey?” she demanded.</p>
            <p>“Oh, you can, I know you can. You conjured back 
Sukey's lover from Eliza Lou, and you conjured all the 
pains out of Uncle Shadrach's leg.” She fell on her 
knees and laid her head in the old woman's lap.            
“Conjure quick and I won't holler,” she said.</p>
            <p>“Gawd in heaven!” exclaimed Aunt Ailsey. Her dim 
old eyes brightened as she gently stroked the child's 
brow with her palsied fingers. “Dis yer ain' no way ter 
conjure, honey,” she whispered. “You des wait twel de 
full er de moon, w'en de devil walks de big road.” She 
was wandering again after the fancies of dotage, but 
Betty threw herself upon her. “Oh, change it!  change 
it!” cried the child. “Beg the devil to come and change 
it quick.”</p>
            <p>Brought back to herself, Aunt Ailsey grunted and 
knocked the ashes from her pipe. “I ain' gwine ter ax 
no favors er de devil,” she replied sternly. “You des 
let de devil alont en he'll let you alont. I'se done 
been young, en I'se now ole, en I ain' never seed de 
devil stick his mouf in anybody's bizness  'fo'  he's 
axed.”</p>
            <pb id="glasgow12" n="12"/>
            <p>She bent over and raked the ashes from her cake with 
a lightwood splinter.  “Dis yer's gwine tase moughty 
flat-footed,” she grumbled as she did so.</p>
            <p>“O Aunt Ailsey,” wailed Betty in despair. The tears 
shone in her eyes and rolled slowly down her cheeks.</p>
            <p>“Dar now,” said Aunt Ailsey, soothingly, “you des 
set right still en wait twel ter-night at de full er de 
moon.” She got up and took down one of the crumbling 
skins from the chimney-piece. “Ef'n de hine foot er a he 
frawg cyarn tu'n yo' hyar decent,” she said, “dar ain' 
nuttin' de Lawd's done made es 'll do hit. You des wrop 
er hank er yo' hyar roun' de hine foot, honey, en' w'en de 
night time done come, you teck'n hide it unner a rock in 
de big road. W'en de devil goes a-cotin' at de full er de 
moon—en he been cotin' right stiddy roun' dese yer 
parts—he gwine tase dat ar frawg foot a mile off.”</p>
            <p>“A mile off?” repeated the child, stretching out her 
hands.</p>
            <p>“Yes, Lawd, he gwine tase dat ar frawg foot a mile 
off, en w'en he tase hit, he gwine begin ter sniff en ter 
snuff. He gwine sniff en he gwine snuff, en he gwine 
sniff en he gwine snuff twel he run right spang agin de 
rock in de middle er de road. Den he gwine paw en paw 
twel he root de rock clean up.”</p>
            <p>The little girl looked up eagerly.</p>
            <p>“An' my hair, Aunt Ailsey?”</p>
            <p>“De devil he gwine teck cyar er yo' hyar, honey. 
W'en he come a-sniffin' en a-snuffin' roun' de rock in de 
big road, he gwine spit out flame en smoke en yo' hyar 
hit's gwine ter ketch en hit's gwine ter bu'n
<pb id="glasgow13" n="13"/>									
right black. Fo' de sun up yo' haid's gwine ter be es 
black es a crow's foot.”</p>
            <p>The child dried her tears and sprang up. She tied the 
frog's skin tightly in her handkerchief and started 
toward the door; then she hesitated and looked back.  
“Were you alive at the flood, Aunt Ailsey?” she politely 
inquired.</p>
            <p>“Des es live es I is now, honey.”</p>
            <p>“Then you must have seen Noah and the ark and all 
the animals?”</p>
            <p>“Des es plain es I see you. Marse Noah? Why, I'se 
done wash en i'on Marse Noah's shuts twel I 'uz right 
stiff in de j'ints. He ain' never let nobody flute his frills 
fur 'im 'cep'n' me. Lawd, Lawd, Marse Peyton's shuts 
warn' nuttin ter Marse Noah's!”</p>
            <p>Betty's eyes grew big. “I reckon you're mighty old, 
Aunt Ailsey—'most as old as God, ain't you?”</p>
            <p>Aunt Ailsey pondered the question. “I ain' sayin' 
dat, honey,” she modestly replied.</p>
            <p>“Then you're certainly as old as the devil—you must 
be,” hopefully suggested the little girl.</p>
            <p>The old woman wavered. “Well, de devil, he ain' 
never let on his age,” she said at last; “but w'en I fust 
lay eyes on 'im, he warn' no mo'n a brat.”</p>
            <p>Standing upon the threshold for an instant, the child 
reverently regarded her. Then, turning her back upon 
the fireplace and the bent old figure, she ran out into 
the twilight.</p>
          </div2>
          <pb id="glasgow14" n="14"/>
          <div2>
            <head>II</head>
            <head>AT THE FULL OF THE MOON</head>
            <p>BY the light of the big moon hanging like a lantern 
in the topmost pine upon a distant mountain, the child 
sped swiftly along the turnpike.</p>
            <p>It was a still, clear evening, and on the summits of 
the eastern hills a fringe of ragged firs stood out 
illuminated against the sky. In the warm June 
weather the whole land was fragrant from the flower 
of the wild grape.</p>
            <p>When she had gone but a little way, the noise of 
wheels reached her suddenly, and she shrank into the 
shadow beside the wall. A cloud of dust chased 
toward her as the wheels came steadily on. They 
were evidently ancient, for they turned with a 
protesting creak which was heard long before the 
high, old-fashioned coach they carried swung into 
view—long indeed before the driver's whip cracked 
in the air.</p>
            <p>As the coach neared the child, she stepped boldly 
out into the road—it was only Major Lightfoot, the 
owner of the next plantation, returning, belated, from 
the town.</p>
            <p>“W'at you doin' dar, chile?” demanded a stern 
voice from the box, and, at the words, the Major's 
head was thrust through the open window, and his 
long white hair waved in the breeze.</p>
            <pb id="glasgow15" n="15"/>
            <p>“Is that you, Betty?” he asked, in surprise.  “Why, 
I thought it was the duty of that nephew of mine to see 
you home.”</p>
            <p>“I wouldn't let him,” replied the child. “I don't like 
boys, sir.”</p>
            <p>“You don't, eh?” chuckled the Major. “Well, there's 
time enough for that, I suppose. You can make up to 
them ten years hence,—and you'll be glad enough to do 
it then, I warrant you,—but are you all alone, young 
lady?” As Betty nodded, he opened the door and 
stepped gingerly down. “I can't turn the horses' heads, 
poor things,” he explained; “but if you will allow me, I 
shall have the pleasure of escorting you on foot.”</p>
            <p>With his hat in his hand, he smiled down upon the 
little girl, his face shining warm and red above his 
pointed collar and broad black stock. He was very tall 
and spare, and his eyebrows, which hung thick and 
dark above his Roman nose, gave him an odd 
resemblance to a bird of prey. The smile flashed like an 
artificial light across his austere features.</p>
            <p>“Since my arm is too high for you,” he said, “will 
you have my hand? Yes, you may drive on, Big 
Abel,” to the driver, “and remember to take out those 
bulbs of Spanish lilies for your mistress. You will find 
them under the seat.”</p>
            <p>The whip cracked again above the fat old roans, and 
with a great creak the coach rolled on its way.</p>
            <p>“I—I—if you please, I'd rather you wouldn't,” 
stammered the child.</p>
            <p>The Major chuckled again, still holding out his 
hand. Had she been eighty instead of eight, the gesture 
could not have expressed more deference.
<pb id="glasgow16" n="16"/>									
“So you don't like old men any better than boys!” 
he exclaimed.</p>
            <p>“Oh, yes, sir, I do—heaps,” said Betty. She 
transferred the frog's foot to her left hand, and gave 
him her right one. “When I marry, I'm going to 
marry a very old gentleman—as old as you,” she 
added flatteringly.</p>
            <p>“You honour me,” returned the Major, with a 
bow; “but there's nothing like youth, my dear, 
nothing like youth.” He ended sadly, for he had 
been a gay young blood in his time, and the 
enchantment of his wild oats had increased as he 
passed further from the sowing of them. He had 
lived to regret both the loss of his gayety and the 
languor of his blood, and, as he drifted further from 
the middle years, he had at last yielded to tranquillity 
with a sigh. In his day he had matched any man in 
Virginia at cards or wine or women—to say nothing 
of horseflesh; now his white hairs had brought him 
but a fond, pale memory of his misdeeds and the 
boast that he knew his world—that he knew all his 
world, indeed, except his wife.</p>
            <p>“Ah, there's nothing like youth!” he sighed over 
to himself, and the child looked up and laughed.</p>
            <p>“Why do you say that?” she asked.</p>
            <p>“You will! know some day,” replied the Major. 
He drew himself erect in his tight black broadcloth, 
and thrust out his chin between the high points of his 
collar. His long white hair, falling beneath his hat, 
framed his ruddy face in silver. “There are the lights 
of Uplands,” he said suddenly, with a wave of his 
hand.</p>
            <p>Betty quickened her pace to his, and they went on
<pb id="glasgow17" n="17"/>									
in silence. Through the thick grove that ended at the 
roadside she saw the windows of her home flaming 
amid the darkness. Farther away there were the small 
lights of the negro cabins in the “quarters,” and a great 
one from the barn door where the field hands were 
strumming upon their banjos.</p>
            <p>“I reckon supper's ready,” she remarked, walking 
faster. “Yonder comes Peter, from the kitchen with the 
waffles.”</p>
            <p>They entered an iron gate that opened from the road, 
and went up a lane of lilac bushes to the long stuccoed 
house, set with detached wings in a grove of maples.  
“Why, there's papa looking for me,” cried the child, as a 
man's figure darkened the square of light from the hall 
and came between the Doric columns of the portico 
down into the drive.</p>
            <p>“You won't have to search far, Governor,” called the 
Major, in his ringing voice, and, as the other came up 
to him, he stopped to shake hands. “Miss Betty has 
given me the pleasure of a stroll with her.”</p>
            <p>“Ah, it was like you, Major,” returned the other, 
heartily. “I'm afraid it isn't good for your gout, 
though.”</p>
            <p>He was a small, soldierly-looking man, with a 
clean-shaven, classic face, and thick, brown hair, 
slightly streaked with gray. Beside the Major's gaunt 
figure he appeared singularly boyish, though he held 
himself severely to the number of his inches, and even 
added, by means of a simplicity almost august, a full 
cubit to his stature. Ten years before he had been 
governor of his state, and to his.
<pb id="glasgow18" n="18"/>
friends and neighbours the empty honour, at least, 
was still his own.</p>
            <p>“Pooh! pooh!” the older man protested airily, 
“the gout's like a woman, my dear sir—if you begin 
to humour it, you'll get no rest. If you deny yourself 
a half bottle of port, the other half will soon follow. 
No, no, I say—put a bold foot on the matter. Don't 
give up a good thing for the sake of a bad one, sir. I 
remember my grandfather in England telling me that 
at his first twinge of gout he took a glass of sherry, 
and at the second he took two. ‘What! would you 
have my toe become my master?’ he roared to the 
doctor. ‘I wouldn't give in if it were my whole 
confounded foot, sir!’ Oh, those were ripe days, 
Governor!”</p>
            <p>“A little overripe for the toe, I fear, Major.” </p>
            <p>“Well, well, we're sober enough now, sir, sober 
enough and to spare. Even the races are dull things. 
I've just been in to have a look at that new mare 
Tom Bickels is putting on the track, and bless my 
soul, she can't hold a candle to the Brown Bess I ran 
twenty years ago—you don't remember Brown Bess, 
eh, Governor?”</p>
            <p>“Why, to be sure,” said the Governor. “I can see 
her as if it were yesterday,—and a beauty she was, 
too,—but come in to supper with us, my dear Major; 
we were just sitting down. No, I shan't take an 
excuse—come in, sir, come in.”</p>
            <p>“No, no, thank you,” returned the Major.             
“Molly's waiting, and Molly doesn't like to wait, you 
know. I got dinner at Merry Oaks tavern by the way, 
and a mighty bad one, too, but the worst thing about 
it was that they actually had the
<pb id="glasgow19" n="19"/>
impudence to put me at the table with an 
abolitionist. Why, I'd as soon eat with a darkey, sir, 
and so I told him, so I told him!”</p>
            <p>The Governor laughed, his fine, brown eyes twinkling 
in the gloom. “You were always a man of your word,” 
he said; “so I must tell Julia to mend her views before 
she asks you to dine. She, has just had me draw up my 
will and free the servants. There's no withstanding 
Julia, you know, Major.”</p>
            <p>“You have an angel,” declared the other, “and 
she gets lovelier every day; my regards to her,—and 
to her aunts, sir. Ah, good night, good night,” and 
with a last cordial gesture he started rapidly upon his 
homeward way.</p>
            <p>Betty caught the Governor's hand and went with 
him into the house. As they entered the hall, Uncle 
Shadrach, the head butler, looked out to reprimand 
her. “Ef'n anybody 'cep'n Marse Peyton had cotch 
you, you'd er des been lammed,” he grumbled. “An' 
papa was real mad!” called Virginia from the table.</p>
            <p>“That's jest a story!” cried Betty. Still 
clinging to her father's hand, she entered the dining 
room; “that's jest a story, papa,” she repeated.</p>
            <p>“No, I'm not angry,” laughed the Governor.          
“There, my dear, for heaven's sake don't strangle me. 
Your mother's the one for you to hang on. Can't you 
see what a rage she's in?”</p>
            <p>“My dear Mr. Ambler,” remonstrated his wife, 
looking over the high old silver service. She was 
very frail and gentle, and her voice was hardly more 
than a clear whisper. “No, no, Betty, you must
<pb id="glasgow20" n="20"/>
go up and wash your face first,” she added 
decisively.</p>
            <p>The Governor sat down and unfolded his napkin, 
beaming hospitality upon his food and his family. He 
surveyed his wife, her two maiden aunts and his 
own elder brother with the ineffable good humour he 
bestowed upon the majestic home-cured ham fresh 
from a bath of Madeira.</p>
            <p>“I am glad to see you looking so well, my dear,” 
he remarked to his wife, with a courtliness in which 
there was less polish than personality. “Ah, Miss 
Lydia, I know whom to thank for this,” he added, 
taking up a pale tea rosebud from his plate, and 
bowing to one of the two old ladies seated beside his 
wife. “Have you noticed, Julia, that even the roses 
have become more plentiful since your aunts did us 
the honour to come to us?”</p>
            <p>“I am sure the garden ought to be grateful to Aunt 
Lydia,” said his wife, with a pleased smile, “and the 
quinces to Aunt Pussy,” she added quickly, “for 
they were never preserved so well before.”</p>
            <p>The two old ladies blushed and cast down their 
eyes, as they did every evening at the same kindly 
by-play. “You know I am very glad to be of use, my 
dear Julia,” returned Miss Pussy, with conscious 
virtue. Miss Lydia, who was tall and delicate and 
bent with the weight of potential sanctity, shook her 
silvery head and folded her exquisite old hands 
beneath the ruffles of her muslin under-sleeves. She 
wore her hair in shining folds beneath her thread-lace 
cap, and her soft brown eyes still threw a youthful 
lustre over the faded pallor of her face.</p>
            <pb id="glasgow21" n="21"/>
            <p>“Pussy has always had a wonderful talent for 
preserving,” she murmured plaintively. “It makes me 
regret my own uselessness.”</p>
            <p>“Uselessness!” warmly protested the Governor. “My 
dear Miss Lydia, your mere existence is a blessing to 
mankind. A lovely woman is never useless, eh, Brother 
Bill?”</p>
            <p>Mr. Bill, a stout and bashful gentleman, who never 
wasted words, merely bowed over his plate, and went 
on with his supper. There was a theory in the family—a 
theory romantic old Miss Lydia still hung hard 
by—that Mr. Bill's peculiar apathy was of a sentimental 
origin. Nearly thirty years before he had made a series 
of mild advances to his second cousin, Virginia 
Ambler—and her early death before their polite vows 
were plighted had, in the eyes of his friends, doomed 
the morose Mr. Bill to the position of a perpetual 
mourner.</p>
            <p>Now, as he shook his head and helped himself to 
chicken, Miss Lydia sighed in sympathy.</p>
            <p>“I am afraid Mr. Bill must find us very flippant,” she 
offered as a gentle reproof to the Governor.</p>
            <p>Mr. Bill started and cast a frightened glance across 
the table. Thirty years are not as a day, and, after all, 
his emotion had been hardly more than he would have 
felt for a prize perch that had wriggled from his line 
into the stream. The perch, indeed, would have 
represented more appropriately the passion of his 
life—though a lukewarm lover, he was an ardent 
angler.</p>
            <p>“Ah, Brother Bill understands us,” cheerfully 
interposed the Governor. His keen eyes had noted
Mr. Bill's alarm as they noted the emptiness of
<pb id="glasgow22" n="22"/>
Miss Pussy's cup. “By the way, Julia,” he went on 
with a change of the subject, “Major  Lightfoot 
found Betty in the road and brought her home. The 
little rogue had run away.”</p>
            <p>Mrs. Ambler filled Miss Pussy's cup and pressed 
Mr. Bill to take a slice of Sally Lunn. “The Major is 
so broken that it saddens me,” she said, when these 
offices of hostess were accomplished. “He has never 
been himself since his daughter ran away, and that 
was—dear me, why that was twelve years ago next 
Christmas. It was on Christmas Eve, you remember, 
he came to tell us. The house was dressed in 
evergreens, and Uncle Patrick was making punch.”</p>
            <p>“Poor Patrick was a hard drinker,” sighed Miss 
Lydia; “but he was a citizen of the world, my dear.”</p>
            <p>“Yes, yes, I perfectly recall the evening,” said the 
Governor, thoughtfully. “The young people were 
just forming for a reel and you and I were of them, 
my dear,—it was the year, I remember, that the 
mistletoe was brought home in a cart,—when the 
door opened and in came the Major. ‘Jane has run 
away with that dirty scamp Montjoy,’ he said, and 
was out again and on his horse before we caught the 
words. He rode like a madman that night. I can see 
him now, splashing through the mud with Big Abel 
after him.”</p>
            <p>Betty came running in with smiling eyes, and 
fluttered into her seat. “I got here before the 
waffles,” she cried. “Mammy said I wouldn't. Uncle 
Shadrach, I got here before you!”</p>
            <p>“Dat's so, honey,” responded Uncle Shadrach
<pb id="glasgow23" n="23"/>
from behind the Governor's chair. He was so like 
his master—commanding port, elaborate shirt-front, 
and high white stock—that the Major, in a moment 
of merry-making, had once dubbed him “the 
Governor's silhouette.”</p>
            <p>“Say your grace, dear,” remonstrated Miss 
Lydia, as the child shook out her napkin.  “It's 
always proper to offer thanks standing, you know. I 
remember your great-grandmother telling me that 
once when she dined at the White House, when her 
father was in Congress, the President forgot to say 
grace, and made them all get up again after they 
were seated. Now, for what are we about—”</p>
            <p>“Oh, papa thanked for me,” cried Betty. “Didn't 
you, papa?”</p>
            <p>The Governor smiled; but catching his wife's 
eyes, he quickly forced his benign features into a 
frowning mask.</p>
            <p>“Do as your aunt tells you, Betty,” said Mrs. 
Ambler, and Betty got up and said grace, while 
Virginia took the brownest waffle. When the 
thanksgiving was ended, she turned indignantly 
upon her sister. “That was just a sly, mean trick!” 
she cried in a flash of temper. “You saw my eye 
on that waffle!”</p>
            <p>“My dear, my dear,” murmured Miss Lydia.</p>
            <p>“She's des an out'n out fire bran', dat's w'at she 
is,” said Uncle Shadrach.</p>
            <p>“Well, the Lord oughtn't to have let her take it 
just as I was thanking Him for it!” sobbed Betty, 
and she burst into tears and left the table, upsetting 
Mr. Bill's coffee cup as she went by.</p>
            <p>The Governor looked gravely after her, “I'm
<pb id="glasgow24" n="24"/>
afraid the child is really getting spoiled, Julia,” he 
mildly suggested.</p>
            <p>“She's getting a—a vixenish,” declared Mr. Bill, 
mopping his expansive white waistcoat.</p>
            <p>“You des better lemme go atter a twig er willow, 
Marse Peyton,” muttered Uncle Shadrach in the 
Governor's ear.</p>
            <p>“Hold your tongue, Shadrach,” retorted the 
Governor, which was the harshest command he was 
ever known to give his servants.</p>
            <p>Virginia ate her waffle and said nothing. When 
she went upstairs a little later, she carried a pitcher 
of buttermilk for Betty's face.</p>
            <p>“It isn't usual for a young lady to have freckles, 
Aunt Lydia says,” she remarked, “and you must rub 
this right on and not wash it off till morning—and, 
after you've rubbed it well in, you must get down on 
your knees and ask God to mend your temper.”</p>
            <p>Betty was lying in her little trundle bed, while 
Petunia, her small black maid, pulled off her 
stockings, but she got up obediently and raved her 
face in buttermilk. “I don't reckon there's any use 
about the other,” she said. “I believe the Lord's jest 
leavin' me in sin as a warnin' to you and Petunia,” 
and she got into her trundle bed and waited for the 
lights to go out, and for the watchful Virginia to fall 
asleep.</p>
            <p>She was still waiting when the door softly 
opened and her mother came in, a lighted candle in 
her hand, the pale flame shining through her profile 
as through delicate porcelain, and illumining her 
worn and fragile figure. She moved with a slow
<pb id="glasgow25" n="25"/>
step, as if her white limbs were a burden, and her 
head, with its smoothly parted bright brown hair, 
bent like a lily that has begun to fade.</p>
            <p>She sat down upon the bedside and laid her hand on 
the child's forehead. “Poor little firebrand,” she said 
gently. “How the world will hurt you!”  Then she 
knelt down and prayed beside her, and went out 
again with the white light streaming upon her bosom. 
An hour later Betty heard her soft, slow step on the 
gravelled drive and knew that she was starting on a 
ministering errand to the quarters. Of all the souls on 
the great plantation, the mistress alone had never 
rested from her labours.</p>
            <p>The child tossed restlessly, beat her pillow, and fell 
back to wait more patiently. At last the yellow strip 
under the door grew dark, and from the other 
trundle bed there came a muffled breathing. With a 
sigh, Betty sat up and listened; then she drew the 
frog's skin from beneath her pillow and crept on 
bare feet to the door. It was black there, and black 
all down the wide, old staircase. The great hall 
below was like a cavern underground. Trembling 
when a board creaked under her, she cautiously felt 
her way with her hands on the balustrade. The front 
door was fastened with an iron chain that rattled as 
she touched it, so she stole into the dining room, 
unbarred one of the long windows, and slipped 
noiselessly out. It was almost like sliding into 
sunshine, the moon was so large and bright.</p>
            <p>From the wide stone portico, the great white 
columns, looking grim and ghostly, went upward to 
the roof, and beyond the steps the gravelled drive
<pb id="glasgow26" n="26"/>
shone hard as silver. As the child went between the 
lilac bushes, the moving shadows crawled under her 
bare feet like living things.</p>
            <p>At the foot of the drive ran the big road, and when 
she came out upon it her trailing gown caught in a 
fallen branch, and she fell on her face. Picking 
herself up again, she sat on a loosened rock and 
looked about her.</p>
            <p>The strong night wind blew on her flesh, and she 
shivered in the moonlight, which felt cold and 
brazen. Before her stretched the turnpike, darkened 
by shadows that bore no likeness to the objects from 
which they borrowed shape. Far as eye could see, 
they stirred ceaselessly back and forth like an 
encamped army of grotesques.</p>
            <p>She got up from the rock and slipped the frog's 
skin into the earth beneath it. As she settled it in 
place, her pulses gave a startled leap, and she stood 
terror-stricken beside the stone. A thud of footsteps 
was coming along the road.</p>
            <p>For an instant she trembled in silence; then her 
sturdy little heart took courage, and she held up her 
hand.</p>
            <p>“If you'll wait a minute, Mr. Devil, I'm goin' in,” 
she cried.</p>
            <p>From the shadows a voice laughed at her, and a 
boy came forward into the light—a half-starved boy, 
with a white, pinched face and a dusty bundle 
swinging from the stick upon his shoulder.</p>
            <p>“What are you doing here?” he snapped out.</p>
            <p>Betty gave back a defiant stare. She might have 
been a tiny ghost in the moonlight, with her trailing 
gown and her flaming curls.</p>
            <pb id="glasgow27" n="27"/>
            <p>“I live here,” she answered simply. “Where do you 
live?”</p>
            <p>“Nowhere.” He looked her over with a laugh.</p>
            <p>“Nowhere?”</p>
            <p>“I did live somewhere, but I ran away a week 
ago.”</p>
            <p>“Did they beat you? Old Rainy-day Jones beat 
one of his servants and he ran away.”</p>
            <p>“There wasn't anybody,” said the boy. “My 
mother died, and my father went off—I hope he'll 
stay off. I hate him!”</p>
            <p>He sent the words out so sharply that Betty's lids 
flinched.</p>
            <p>“Why did you come by here?” she questioned.      
“Are you looking for the devil, too?”</p>
            <p>The boy laughed again. “I am looking for my 
grandfather. He lives somewhere on this road, at a 
place named Chericoke. It has a lot of elms in the 
yard; I'll know it by that.”</p>
            <p>Betty caught his arm and drew him nearer. “Why, 
that's where Champe lives!” she cried. “I don't like 
Champe much, do you?”</p>
            <p>“I never saw him,” replied the boy; “but I don't 
like him—”</p>
            <p>“He's mighty good,” said Betty, honestly; then, as 
she looked at the boy again, she caught her breath 
quickly. “You do look terribly hungry,” she added.</p>
            <p>“I haven't had anything since—since yesterday.”</p>
            <p>The little girl thoughtfully tapped her toes on 
the road. “There's a currant pie in the safe,” 
she said. “I saw Uncle Shadrach put it there. Are 
you fond of currant pie?—then you just wait!” </p>
            <pb id="glasgow28" n="28"/>
            <p>She ran up the carriage way to the dining-room 
window, and the boy sat down on the rock and buried 
his face in his hands. His feet were set stubbornly in 
the road, and the bundle lay beside them. He was 
dumb, yet disdainful, like a high-bred dog that has 
been beaten and turned adrift.</p>
            <p>As the returning patter of Betty's feet sounded in 
the drive, he looked up and held out his hands. When 
she gave him the pie, he ate almost wolfishly, licking 
the crumbs from his fingers, and even picking up a 
bit of crust that had fallen to the ground.</p>
            <p>“I'm sorry there isn't any more,” said the little 
girl. It had seemed a very large pie when she took it 
from the safe.</p>
            <p>The boy rose, shook himself, and swung his 
bundle across his arm.</p>
            <p>“Will you tell me the way?” he asked, and she 
gave him a few childish directions. “You go past the 
wheat field an' past the maple spring, an' at the dead 
tree by Aunt Ailsey's cabin you turn into the road 
with the chestnuts. Then you just keep on till you get 
there—an' if you don't ever get there, come back to 
breakfast.”</p>
            <p>The boy had started off, but as she ended, he 
turned and lifted his hat.</p>
            <p>“I am very much obliged to you,” he said, with 
a quaint little bow; and Betty bobbed a courtesy in 
her nightgown before she fled back into the house.</p>
          </div2>
          <pb id="glasgow29" n="29"/>
          <div2>
            <head>III</head>
            <head>THE COMING OF THE BOY</head>
            <p>THE boy trudged on bravely, his stick sounding the 
road. Sharp pains ran through his feet where his shoes 
had worn away, and his head was swimming like a top. 
The only pleasant fact of which he had consciousness 
was that the taste of the currants still lingered in his 
mouth.</p>
            <p>When he reached the maple spring, he swung himself 
over the stone wall and knelt down for a drink, dipping 
the water in his hand. The spring was low and damp 
and fragrant with the breath of mint which grew in 
patches in the little stream. Overhead a wild grapevine 
was festooned, and he plucked a leaf and bent it into a 
cup from which he drank. Then he climbed the wall 
again and went on his way.</p>
            <p>He was wondering if his mother had ever walked 
along this road on so brilliant a night. There was 
not a tree beside it of which she had not told him 
—not a shrub of sassafras or sumach that she had 
not carried in her thoughts. The clump of cedars, 
the wild cherry, flowering in the spring like snow, 
the blasted oak that stood where the branch roads 
met, the perfume of the grape blossoms on the wall 
—these were as familiar to him as the streets of the 
little crowded town in which he had lived. It was as 
if nature had stood still here for twelve long 
<pb id="glasgow30" n="30"/>											
summers, or as if he were walking, ghostlike, amid 
the ever present memories of his mother's heart.</p>
            <p>His mother! He drew his sleeve across his eyes 
and went on more slowly. She was beside him on 
the road, and he saw her clearly, as he had seen her 
every day until last year—a bright, dark woman, 
with slender, blue-veined hands and merry eyes that 
all her tears had not saddened. He saw her in a long, 
black dress, with upraised arm, putting back a crepe 
veil from her merry eyes, and smiling as his father 
struck her. She had always smiled when she was 
hurt—even when the blow was heavier than usual, 
and the blood gushed from her temple, she had fallen 
with a smile. And when, at last, he had seen her 
Iying in her coffin with her baby under her clasped 
hands, that same smile had been fixed upon her face, 
which had the brightness and the chill repose of 
marble.</p>
            <p>Of all that she had thrown away in her foolish
 marriage, she had retained one thing only—her pride. 
To the end she had faced her fate with all the 
insolence with which she faced her husband. And 
yet—“the Lightfoots were never proud, my son,” 
she used to say; “they have no false pride, but they 
know their place, and in England, between you and 
me, they were more important than the Washingtons. 
Not that the General wasn't a great man, dear, he 
was a very great soldier, of course—and in his 
youth, you know, he was an admirer of your 
Great-great-aunt Emmeline. But she—why, she was 
the beauty and belle of two continents—there's an 
ottoman at home covered with a piece of her 
wedding dress.”</p>
            <pb id="glasgow31" n="31"/>
            <p>And the house? Was the house still as she had left 
it on that Christmas Eve?“ A simple gentleman's 
home, my child—not so imposing as Uplands, with 
its pillars reaching to the roof, but older, oh, much 
older, and built of brick that was brought all the 
way from England, and over the fireplace in the 
panelled parlour you will find the Lightfoot arms.</p>
            <p>“It was in that parlour, dear, that grandmamma 
danced a minuet with General Lafayette; it looks out, 
you know, upon a white thorn planted by the General 
himself, and one of the windows has not been opened 
for fifty years, because the spray of English ivy your 
Great-aunt Emmeline set out with her own hands has 
grown across the sash. Now the window is quite dark 
with leaves, though you can still read the words Aunt 
Emmeline cut with her diamond ring in one of the tiny 
panes, when young Harry Fitzhugh came in upon her 
just as she had written a refusal to an English earl. She 
was sitting in the window seat with the letter in her 
hand, and, when your Great-uncle Harry—she 
afterwards married him, you know—fell on his knees 
and cried out that others might offer her fame and 
wealth, but that he had nothing except love, she turned, 
with a smile, and wrote upon the pane  ‘Love is best.’ 
You can still see the words, very faint against the ivy 
that she planted on her wedding day—”</p>
            <p>Oh, yes, he knew it all—Great-aunt Emmeline 
was but the abiding presence of the place. He 
knew the lawn with its grove of elms that overtopped 
the peaked roof, the hall, with its shining
<pb id="glasgow32" n="32"/>
floor and detached staircase that crooked itself in the 
centre where the tall clock stood, and, best of all, the 
white panels of the parlour where hung the portrait 
of that same fascinating great-aunt, painted, in 
amber brocade, as Venus with the apple in her hand.</p>
            <p>And his grandmother, herself, in her stiff black 
silk, with a square of lace turned back from her thin 
throat and a fluted cap above her corkscrew curls 
—her daguerreotype, taken in all her pride and her 
precision, was tied up in the bundle swinging on his 
arm.</p>
            <p>He passed Aunt Ailsey's cabin, and turned into the 
road with the chestnuts. A mile farther he came 
suddenly upon the house, standing amid the grove of 
elms, dwarfed by the giant trees that arched above it. 
A dog's bark sounded snappily from a kennel, but he 
paid no heed. He went up the broad white walk, 
climbed the steps to the square front porch, and 
lifted the great brass knocker. When he let it fall, the 
sound echoed through the shuttered house.</p>
            <p>The Major, who was sitting in his library with a 
volume of Mr. Addison open before him and a 
decanter of Burgundy at his right hand, heard the 
knock, and started to his feet. “Something's gone 
wrong at Uplands,” he said aloud; “there's an 
illness—or the brandy is out.” He closed the book, 
pushed aside the bedroom candle which he had been 
about to light, and went out into the hall. As he 
unbarred the door and flung it open, he began at 
once:—</p>
            <p>“I hope there's no ill news,” he exclaimed.</p>
            <pb id="glasgow33" n="33"/>
            <p>The boy came into the hall, where he stood 
blinking from the glare of the lamplight. His head 
whirled, and he reached out to steady himself 
against the door. Then he carefully laid down his 
bundle and looked up with his mother's smile.</p>
            <p>“You're my grandfather, and I'm very hungry,” 
he said.</p>
            <p>The Major caught the child's shoulders and drew 
him, almost roughly, under the light. As he towered 
there above him, he gulped down something in his 
throat, and his wide nostrils twitched.</p>
            <p>“So you're poor Jane's boy?” he said at last.</p>
            <p>The boy nodded. He felt suddenly afraid of the 
spare old man with his long Roman nose and his 
fierce black eyebrows. A mist gathered before his 
eyes and the lamp shone like a great moon in a 
cloudy circle.</p>
            <p>The Major looked at the bundle on the floor, and 
again he swallowed. Then he stooped and picked up 
the thing and turned away.</p>
            <p>“Come in, sir, come in,” he said in a knotty voice. 
“You are at home.”</p>
            <p>The boy followed him, and they passed the 
panelled parlour, from which he caught a glimpse of 
the painting of Great-aunt Emmeline, and went into 
the dining room, where his grandfather pulled out a 
chair and bade him to be seated. As the old man 
opened the huge mahogany sideboard and brought 
out a shoulder of cold lamb and a plate of bread and 
butter, he questioned him with a quaint courtesy 
about his life in town and the details of his journey. 
“Why, bless my soul, you've walked two hundred 
miles,” he cried, stopping on his way from
<pb id="glasgow34" n="34"/>
the pantry, with the ham held out. “And no money! 
Why, bless my soul!”</p>
            <p>“I had fifty cents,” said the boy, “that was left 
from my steamboat fare, you know.”</p>
            <p>The Major put the ham on the table and attacked 
it grimly with the carving-knife.</p>
            <p>“Fifty cents,” he whistled, and then, “you 
begged, I reckon?”</p>
            <p>The boy flushed. “I asked for bread,” he replied, 
stung to the defensive. “They always gave me bread 
and sometimes meat, and they let me sleep in the 
barns where the straw was, and once a woman took 
me into her house and offered me money, but I 
would not take it. I—I think I'd like to send her a 
present, if you please, sir.”</p>
            <p>“She shall have a dozen bottles of my best 
Madeira,” cried the Major. The word recalled him to 
himself, and he got up and raised the lid of the 
cellaret, lovingly running his hand over the rows of 
bottles.</p>
            <p>“A pig would be better, I think,” said the boy, 
doubtfully, “or a cow, if you could afford it. She is 
a poor woman, you know.”</p>
            <p>“Afford it!” chuckled the Major.—“Why, I'll sell 
your grandmother's silver, but I'll afford it, sir.”</p>
            <p>He took out a bottle, held it against the light, and 
filled a wine glass. “This is the finest port in 
Virginia,” he declared; “there is life in every drop of 
it. Drink it down,” and, when the boy had taken it, he 
filled his own glass and tossed it off, not lingering, 
as usual, for the priceless flavour. “Two hundred 
miles!” he gasped, as he looked at the child
<pb id="glasgow35" n="35"/>											
with moist eyes over which his red lids half closed.  
“Ah, you're a Lightfoot,” he said slowly. “I should know 
you were a Lightfoot if I passed you in the road.” He 
carved a slice of ham and held it out on the end of the 
knife. “It's long since you've tasted a ham like 
this—browned in bread crumbs,” he added temptingly, 
but the boy gravely shook his head.</p>
            <p>“I've had quite enough, thank you, sir,” he answered 
with a quaint dignity, not unlike his grandfather's and 
as the Major rose, he stood up also, lifting his black 
head to look in the old man's face with his keen gray 
eyes.</p>
            <p>The Major took up the bundle and moved toward the 
door. “You must see your grandmother,” he said as 
they went out, and he led the way up the crooked stair 
past the old clock in the bend. On the first landing he 
opened a door and stopped upon the threshold. “Molly, 
here is poor Jane's boy,” he said.</p>
            <p>In the centre of a big four-post bed, curtained in 
white dimity, a little old lady was lying between 
lavender-scented sheets. On her breast stood a tall silver 
candlestick which supported a well-worn volume of  
“The Mysteries of Udolpho,” held open by a pair of 
silver snuffers. The old lady's face was sharp and 
wizened, and beneath her starched white nightcap rose 
the knots of her red flannel curlers. Her eyes, which 
were very small and black, held a flickering brightness 
like that in live embers.</p>
            <p>“Whose boy, Mr. Lightfoot?” she asked sharply.</p>
            <p>Holding the child by the hand, the Major went into 
the room.</p>
            <pb id="glasgow36" n="36"/>
            <p>“It's poor Jane's boy, Molly,” he repeated huskily.</p>
            <p>The old lady raised her head upon her high pillows, 
and looked at him by the light of the candle on her 
breast. “Are you Jane's boy?” she questioned in 
suspicion, and at the child's “Yes, ma'am,” she said,  
“Come nearer. There, stand between the curtains. Yes, 
you are Jane's boy, I see.” She gave the decision flatly, as 
if his parentage were a matter of her pleasure. “And 
what is your name?” she added, as she snuffed the 
candle.</p>
            <p>The boy looked from her stiff white nightcap to the  
“log-cabin” quilt on the bed, and then at her steel hoops 
which were hanging from a chair back. He had always 
thought of her as in her rich black silk, with the tight 
gray curls about her ears, and at this revelation of her 
inner mysteries, his fancy received a checkmate.</p>
            <p>But he met her eyes again and answered simply,  
“Dandridge—they call me Dan—Dan Montjoy.”</p>
            <p>“And he has walked two hundred miles, Molly,” 
gasped the Major.</p>
            <p>“Then he must be tired,” was the old lady's rejoinder, 
and she added with spirit: “Mr. Lightfoot, will you 
show Dan to Jane's old room, and see that he has a 
blanket on his bed. He should have been asleep hours 
ago—good night, child, be sure and say your prayers,” 
and as they crossed the threshold, she laid aside her 
book and blew out her light.</p>
            <p>The Major led the way to “Jane's old room” at the 
end of the hall, and fetched a candle from somewhere 
outside. “I think you'll find everything you
<pb id="glasgow37" n="37"/>											
need,” he said, stooping to feel the covering on the 
bed. “Your grandmother always keeps the rooms 
ready. God bless you, my son,” and he went out, 
softly closing the door after him.</p>
            <p>The boy sat down on the steps of the tester bed, 
and looked anxiously round the three-cornered 
room, with its sloping windows filled with small, 
square panes of glass. By the candlelight, flickering 
on the plain, white walls and simple furniture, he 
tried to conjure back the figure of his mother,—
handsome Jane Lightfoot. Over the mantel hung two 
crude drawings from her hand, and on the table at 
the bedside there were several books with her name 
written in pale ink on the fly leaves. The mirror to 
the high old bureau seemed still to hold the outlines 
of her figure, very shadowy against the greenish 
glass. He saw her in her full white skirts—she had 
worn nine petticoats, he knew, on grand 
occasions—fastening her coral necklace about her 
stately throat, the bands of her black hair drawn like 
a veil above her merry eyes. Had she lingered on 
that last Christmas Eve, he wondered, when her 
candlestick held its sprig of mistletoe and her room 
was dressed in holly? Did she look back at the 
cheerful walls and the stately furniture before she 
blew out her light and went downstairs to ride madly 
off, wrapped in his father's coat? And the old people 
drank their eggnog and watched the Virginia reel, 
and, when they found her gone, shut her out forever.</p>
            <p>Now, as he sat on the bed-steps, it seemed to 
him that he had come home for the first time in his 
life. All this was his own by right,—the queer
<pb id="glasgow38" n="38"/>										
old house, his mother's room, and beyond the sloping 
windows, the meadows with their annual yield of 
grain. He felt the pride of it swelling within him; he 
waited breathlessly for the daybreak when he might 
go out and lord it over the fields and the cattle and 
the servants that were his also. And at last—his head 
big with his first day's vanity—he climbed between 
the dimity curtains and fell asleep.</p>
            <p>When he awaked next morning, the sun was 
shining through the small square panes, and outside 
were the waving elm boughs and a clear sky. He was 
aroused by a knock on his door, and, as he jumped 
out of bed, Big Abel, the Major's driver and 
confidential servant, came in with the warm water. 
He was a strong, finely-formed negro, black as the 
ace of spades (so the Major put it), and of a 
singularly open countenance.</p>
            <p>“Hi! ain't you up yit, young Marster?” he 
exclaimed. “Sis Rhody, she sez she done save you 
de bes' puffovers you ever tase, en ef'n you don' 
come 'long down, dey'll fall right flat.”</p>
            <p>“Who is Sis Rhody?” inquired the boy, as he 
splashed the water on his face.</p>
            <p>“Who she? Why, she de cook.”</p>
            <p>“All right, tell her I'm coming,” and he dressed 
hurriedly and ran down into the hall where he found 
Champe Lightfoot, the Major's great-nephew, who 
lived at Chericoke.</p>
            <p>“Hello!” called Champe at once, plunging his 
hands into his pockets and presenting an expression 
of eager interest.  “When did you get here?”</p>
            <p>“Last night,” Dan replied, and they stood staring 
at each other with two pairs of the Lightfoot
gray eyes.</p>
            <pb id="glasgow39" n="39"/>
            <p>“How'd you come?”</p>
            <p>“I walked some and I came part the way on a 
steamboat. Did you ever see a steamboat?”</p>
            <p>“Oh, shucks! A steamboat ain't anything. I've 
seen George Washington's sword. Do you like to 
fish?”</p>
            <p>“I never fished. I lived in a city.”</p>
            <p>Zeke came in with a can of worms, and Champe 
gave them the greater share of his attention. “I tell 
you what, you'd better learn,” he said at last, 
returning the can to Zeke and taking up his 
fishing-rod. “There're a lot of perch down yonder in 
the river,” and he strode out, followed by the small 
negro.</p>
            <p>Dan looked after him a moment, and then went 
into the dining room, where his grandmother was 
sitting at the head of her table, washing her pink 
teases in a basin of soapsuds. She wore her stiff, 
black silk this morning with its dainty undersleeves 
of muslin, and her gray curls fell beneath her cap 
of delicate yellowed lace. “Come and kiss me, 
child,” she said as he entered. “Did you sleep well?”</p>
            <p>“I didn't wake once,” answered the boy, kissing 
her wrinkled cheek.</p>
            <p>“Then you must eat a good breakfast and go to 
your grandfather in the library. Your grandfather is 
a very learned man, Dan, he reads Latin every 
morning in the library.—Cupid, has Rhody a freshly 
broiled chicken for your young master?”</p>
            <p>She got up and rustled about the room, arranging 
the pink teases behind the glass doors of the 
corner press.  Then she slipped her key basket over
<pb id="glasgow40" n="40"/>										
her arm and fluttered in and out of the storeroom, 
stopping at intervals to scold the stream of servants 
that poured in at the dining-room door. “Ef'n you 
don' min',  Ole Miss, Paisley, she done got de colick 
f'om a hull pa'cel er green apples,” and “Abram he's 
des a-shakin' wid a chill en he say he cyarn go ter de 
co'n field.”</p>
            <p>“Wait a minute and be quiet,” the old lady 
responded briskly, for, as the boy soon learned, she 
prided herself upon her healing powers, and suffered 
no outsider to doctor her husband or her slaves.        
“Hush, Silas, don't say a word until I tell you. 
Cupid—you are the only one with any sense—
measure Paisley a dose of Jamaica ginger from the 
bottle on the desk in the office, and send Abram a 
drink of the bitters in the brown jug—why, Car'line, 
what do you mean by coming into the house with a 
slit in your apron?”</p>
            <p>“Fo' de Lawd, Ole Miss, hit's des done cotch on 
de fence. All de ducks Aun' Meeley been fattenin' up 
fur you done got loose en gone ter water.”</p>
            <p>“Well, you go, too, every one of you!” and she 
dismissed them with waves of her withered, little 
hands. “Send them out, Cupid. No, Car'line, not a 
word. Don't ' Ole Miss ' me, I tell you!” and the 
servants streamed out again as they had come.</p>
            <p>When he had finished his breakfast the boy went 
back into the hall where Big Abel was taking down 
the Major's guns from the rack, and, as he caught 
sight of the strapping figure and kindly black face, 
he smiled for the first time since his home-coming. 
With a lordly manner, he went over and held out 
his hand.</p>
            <pb id="glasgow41" n="41"/>
            <p>“I like <hi rend="italics">you</hi>, Big Abel,” he said gravely, and he 
followed him out into the yard.</p>
            <p>For the next few weeks he did not let Big Abel out 
of his sight. He rode with him to the pasture, he sat 
with him on his doorstep of a fine evening, and he 
drove beside him on the box when the old coach 
went out. “Big Abel says a gentleman doesn't go 
barefooted,” he said to Champe when he found him 
without his shoes in the meadow, “and I'm a 
gentleman.”</p>
            <p>“I'd like to know what Big Abel knows about it,” 
promptly retorted Champe, and Dan grew white 
with rage and proceeded to roll up his sleeves. “I'll 
whip any man who says Big Abel doesn't know a 
gentleman!” he cried, making a lunge at his cousin. 
In point of truth, it was Champe who did the 
whipping in such free fights; but bruises and a 
bleeding nose had never scared the savage out of 
Dan. He would spring up from his last tumble as 
from his first, and let fly at his opponent until Big 
Abel rushed, in tears, between them.</p>
            <p>From the garrulous negro, the boy soon learned 
the history of his family—learned, indeed, much 
about his grandfather of which the Major himself 
was quite unconscious. He heard of that kindly, 
rollicking early life, half wild and wholly 
good-humoured, in which the eldest male Lightfoot 
had squandered his time and his fortune. Why, was 
not the old coach itself but an existing proof of Big 
Abel's stories?“ 'Twan' mo'n twenty years back dat 
Ole Miss had de fines' car'ige in de county,” he 
began one evening on the doorstep, and the boy 
drove away a brood of half-fledged chickens and
<pb id="glasgow42" n="42"/>										
settled himself to listen. “Hadn't you better light 
your pipe, Big Abel?” he inquired courteously.</p>
            <p>Big Abel shuffled into the cabin and came back 
with his corncob pipe and a lighted taper. “We all 
ain' rid in de ole coach den,” he said with a sigh, as 
he sucked at the long stem, and threw the taper at the 
chickens. “De ole coach hit uz th'owed away in de 
out'ouse, en I 'uz des stiddyin' 'bout splittin' it up fer 
kindlin' wood—en de new car'ige hit cos' mos' a mint 
er money. Ole Miss she uz dat sot up dat she ain' let 
de hosses git no sleep—nor me nurr. Ef'n she spy out 
a speck er dus' on dem ar wheels, somebody gwine 
year f'om it, sho's you bo'n—en dat somebody wuz 
me. Yes, Lawd, Ole Miss she 'low dat dey ain' never 
been nuttin' like dat ar car'ige in Varginny sence 
befo' de flood.”</p>
            <p>“But where is it, Big Abel?”</p>
            <p>“You des wait, young Marster, you des wait twel 
I git dar. I'se gwine git dar w'en I come ter de day 
me an Ole Marster rid in ter git his gol' f'om Mars 
Tom Braxton. De car'ige hit sutney did look spick en 
span dat day, en I done shine up my hosses twel you 
could 'mos' see yo' face in dey sides. Well, we rid 
inter town en we got de gol' f'om Marse Braxton,—
all tied up in a bag wid a string roun' de neck er 
it,—en we start out agin (en Ole Miss she settin' 
up at home en plannin' w'at she gwine buy), w'en 
we come ter de tave'n whar we all use ter git our 
supper, en meet Marse Plaintain Dudley right face 
to face. Lawd! Lawd! I'se done knowed Marse Plaintain 
Dudley afo' den, so I des tech up my hosses 
en wuz a-sailin' 'long by, w'en he shake his han' en 
holler out, ‘Is yer wife done tied you ter 'er ap'on,
<pb id="glasgow43" n="43"/>											
Maje?’ (He knowed Ole Miss don' w'ar no ap'on des 
es well es I knowed hit—dat's Marse Plaintain all 
over agin); but w'en he holler out dat, Ole Marster 
sez,‘Stop, Abel,’en I 'bleeged ter stop, you know, I 
wuz w'en Ole Marster tell me ter.</p>
            <p>“‘I ain' tied, Plaintain, I'm tired,’ sez Ole Marster, 
‘I'm tired losin' money.’ Den Marse Plaintain he 
laugh like a devil. ‘Oh, come in, suh, come in en 
win, den,’ he sez, en Ole Marster step out en walk 
right in wid Marse Plaintain behint 'im—en I set 
dar all night,—yes, suh, I set dar all night a-hol'n' 
de hosses' haids.</p>
            <p>“Den w'en de sun up out come Ole Marster, white 
es a sheet, with his han's a-trem'lin', en de bag er 
gol' gone. I look at 'im fur a minute, en den I let 
right out, ‘Ole Marster, whar de gol?’ en he stan' 
still en ketch his breff befo' he say, ‘Hit's all gone, 
Abel, en de car'ige en de hosses dey's gone, too.’ En 
w'en I bust out cryin' en ax 'im, ‘My hosses gone, 
Ole Marster?’ he kinder sob en beckon me fer ter 
git down f'om my box, en den we put out ter walk 
all de way home.</p>
            <p>“W'en we git yer 'bout'n dinner time, dar wuz 
Ole Miss at de do' wid de sun in her eyes, en soon 
es she ketch sight er Ole Marster, she put up her 
han' en holler out, ‘Marse Lightfoot, whar de 
car'ige?’ But Ole Marster, he des hang down his 
haid, same es a dawg dat's done been whupped fur 
rabbit runnin', en he sob, ‘Hit's gone, Molly en de 
bag er gol' en de hosses, dey's gone, too, I done loss 
'em all cep'n Abel—en I'm a bad man, Molly.’ Dat's 
w'at Ole Marster say, ‘I'm a bad man, Molly,’ en I 
stiddy 'bout my hosses en Ole Miss' car'ige en shet 
my mouf right tight.”</p>
            <pb id="glasgow44" n="44"/>
            <p>“And Grandma? Did she cry?” asked the boy, 
breathlessly.</p>
            <p>“Who cry? Ole Miss? Huh! She des th'ow up her 
haid en low, ‘Well, Marse Lightfoot, I'm glad you 
kep' Abel—en we'll use de ole coach agin',’ sez 
she—en den she tu'n en strut right in ter dinner.”</p>
            <p>“Was that all she ever said about it, Big Abel?”</p>
            <p>“Dat's all I ever hyern, honey, en I b'lieve hit's all 
Ole Marster ever hyern eeder, case w'en I tuck his 
gun out er de rack de nex' day, he was settin' up des 
es prim in de parlour a-sippin' a julep wid Marse 
Peyton Ambler, en I hyern 'im kinder whisper, 
‘Molly, she's en angel, Peyton—’ en he ain' never call 
Ole Miss en angel twel he loss 'er car'ige.”</p>
          </div2>
          <pb id="glasgow45" n="45"/>
          <div2>
            <head>IV</head>
            <head>A HOUSE WITH AN OPEN DOOR</head>
            <p>THE master of Uplands was standing upon his portico 
behind the Doric columns, looking complacently over 
the fat lands upon which his fathers had sown and 
harvested for generations. Beyond the lane of lilacs and 
the two silver poplars at the gate, his eyes wandered 
leisurely across the blue green strip of grass-land to the 
tawny wheat field, where the slaves were singing as they 
swung their cradles. The day was fine, and the outlying 
meadows seemed to reflect his gaze with a smile as 
beneficent as his own. He had cast his bread upon the 
soil, and it had returned to him threefold.</p>
            <p>As he stood there, a small, yet imposing figure, 
in his white duck suit, holding his broad slouch hat 
in his hand, he presented something of the genial aspect
of the country—as if the light that touched the pleasant 
hills and valleys was aglow in his clear brown eyes and 
comely features. Even the smooth white hand in which 
he held his hat and riding-whip had about it a certain 
plump kindliness which would best become a careless 
gesture of concession. And, after all, he looked but 
what he was -a bland and generous gentleman, whose 
heart was as open as his wine cellar.</p>
            <pb id="glasgow46" n="46"/>
            <p>A catbird was singing in one of the silver poplars, 
and he waited, with upraised head, for the song to 
end. Then he stooped beside a column and carefully 
examined a newly planted coral honeysuckle before 
he went into the wide hall, where his wife was seated 
at her work-table.</p>
            <p>From the rear door, which stood open until frost, a 
glow of sunshine entered, brightening the white walls 
with their rows of antlers and gunracks, and rippling 
over the well-waxed floor upon which no drop of 
water had ever fallen. A faint sweetness was in the 
air from the honeysuckle arbour outside, which led 
into the box-bordered walks of the garden.</p>
            <p>As the Governor hung up his hat, he began at once 
with his daily news of the farm. “I hope they'll get 
that wheat field done to-day,” he said; “but it doesn't 
look much like it—they've been dawdling over it for 
the last three days. I am afraid Wilson isn't much of 
a manager, after all; if I take my eyes off him, he 
seems to lose his head.”</p>
            <p>“I think everything is that way,” returned his wife, 
looking up from one of the elaborately tucked and 
hemstitched shirt fronts which served to gratify the 
Governor's single vanity. “I'm sure Aunt Pussy says 
she can't trust Judy for three days in the dairy 
without finding that the cream has stood too long for 
butter—and Judy has been churning for twenty 
years.” She cut off her thread and held the linen out 
for the Governor's inspection. “I really believe that 
is the prettiest one I've made. How do you like this 
new stitch?”</p>
            <pb id="glasgow47" n="47"/>
            <p>“Exquisite!” exclaimed her husband, as he took 
the shirt front in his hand. “Simply exquisite, my 
love. There isn't a woman in Virginia who can do 
such needlework; but it should go upon a younger 
and handsomer man, Julia.”</p>
            <p>His wife blushed and looked up at him, the colour 
rising to her beautiful brow and giving a youthful 
radiance to her nunlike face. “It could certainly go 
upon a younger man, Mr. Ambler,” she rejoined, 
with a touch of the coquetry for which she had once 
been noted; “but I should like to know where I'd 
find a handsomer one.”</p>
            <p>A pleased smile broadened the Governor's face, 
and he settled his waistcoat with an approving pat.  
“Ah, you're a partial witness, my dear,” he said
“but I've an error to confess, so I mustn't forego 
your favour—I—I bought several of Mr. Willis's 
servants, my love.”</p>
            <p>“Why, Mr. Ambler!” remonstrated his wife, 
reproach softening her voice until it fell like a 
caress. “Why, Mr. Ambler, you bought six of 
Colonel Blake's last year, you know and one of the 
house servants has been nursing them ever since. 
The quarters are filled with infirm darkies.”</p>
            <p>“But I couldn't help it, Julia, I really couldn't,” 
pleaded the Governor. “You'd have done it yourself, 
my dear. They were sold to a dealer going south, 
and one of them wants to marry that Mandy of 
yours.”</p>
            <p>“Oh, if it's Mandy's lover,” broke in Mrs. 
Ambler, with rising interest, “of course you had to 
buy him, and you did right about the others—you 
always do right.” She put out her delicate blue
<pb id="glasgow48" n="48"/>										
veined hand and touched his arm. “I shall see them 
to-day,” she added, “and Mandy may as well be 
making her wedding dress.”</p>
            <p>“What an eye to things you have,” said the 
Governor, proudly. “You might have been 
President, had you been a man, my dear.”</p>
            <p>His wife rose and took up her work-box with a 
laugh of protest. “I am quite content with the 
mission of my sex, sir,” she returned, half in jest, 
half in wifely humility. “I'm sure I'd much rather 
make shirt fronts for you than wear them—myself.” 
Then she nodded to him and went, with her stately 
step, up the broad staircase, her white hand flitting 
over the mahogany balustrade.</p>
            <p>As he looked after her, the Governor's face 
clouded, and he sighed beneath his breath. The cares 
she met with such serenity had been too heavy for 
her strength; they had driven the bloom from her 
cheeks and the lustre from her eyes; and, though she 
had not faltered at her task, she had drooped daily 
and grown older than her years. The master might 
live with a lavish disregard of the morrow, not the 
master's wife. For him were the open house, the 
shining table, the well-stocked wine cellar and the 
morning rides over the dewy fields; for her the cares 
of her home and children, and of the souls and 
bodies of the black people that had been given into 
her hands. In her gentle heart it seemed to her that 
she had a charge to keep before her God; and she 
went her way humbly, her thoughts filled with things 
so vital as the uses of her medicine chest and the 
unexpounded mysteries of salvation.</p>
            <pb id="glasgow49" n="49"/>
            <p>Now, as she reached the upper landing, she met 
Betty running to look for her.</p>
            <p>“O, mamma, may I go to fish with Champe and 
the new boy and Big Abel? And Virginia wants to 
go, too, she says.”</p>
            <p>“Wait a moment, child,” said Mrs. Ambler.      
“You have torn the trimming on your frock. Stand 
still and I'll mend it for you,” and she got out her 
needle and sewed up the rent, while Betty hopped 
impatiently from foot to foot.</p>
            <p>“I think the new boy's a heap nicer than Champe, 
mamma,” she remarked as she waited.</p>
            <p>“Do you, dear?”</p>
            <p>“An' he says I'm nicer than Champe, too. He 
fought Champe 'cause he said I didn't have as much 
sense as he had—an' I have, haven't I, mamma?”</p>
            <p>“Women do not need as much sense as men, my 
dear,” replied Mrs. Ambler, taking a dainty stitch.</p>
            <p>“Well, anyway, Dan fought Champe about it,” 
said Betty, with pride. “He'll fight about 'most 
anything, he says, if he jest gets roused—an' that 
cert'n'y did rouse him. His nose bled a long time, 
too, and Champe whipped him, you know. But, 
when it was over, I asked him if I had as much sense 
as he had, and he said, ‘Psha! you're just a girl.’
Wasn't that funny, mamma?”</p>
            <p>“There, there, Betty,” was Mrs. Ambler's 
rejoinder. “I'm afraid he's a wicked boy, and you 
mustn't get such foolish thoughts into your head. If 
the Lord had wanted you to be clever, He would 
have made you a man. Now, run away, and don't 
get your feet wet; and if you see Aunt Lydia in
<pb id="glasgow50" n="50"/>											
the garden, you may tell her that the bonnet has 
come for her to look at.”</p>
            <p>Betty bounded away and gave the message to Aunt 
Lydia over the whitewashed fence of the garden.  
“They've sent a bonnet from New York for you to 
look at, Aunt Lydia,” she cried. “It came all 
wrapped up in tissue paper, with mamma's gray 
silk, and it's got flowers on it—a lot of them!” 
with which parting shot, she turned her back upon 
the startled old lady and dashed off to join the boys 
and Big Abel, who, with their fishing-poles, had 
gathered in the cattle pasture.</p>
            <p>Miss Lydia, who was lovingly bending over a bed 
of thyme, raised her eyes and looked after the child, 
all in a gentle wonder. Then she went slowly up and 
down the box-bordered walks, the full skirt of her     
“old lady's gown” trailing stiffly over the white 
gravel, her delicate face rising against the 
blossomless shrubs of snowball and bridal-wreath, 
like a faintly tinted flower that had been blighted 
before it—fully bloomed. Around her the garden was 
fragrant as a rose-jar with the lid left off, and the 
very paths beneath were red and white with fallen 
petals. Hardy cabbage roses, single pink and white 
dailies, yellow-centred damask, and the last 
splendours of the giant of battle, all dipped their
 colours to her as she passed, while the little rustic 
summer-house where the walks branched off was 
but a flowering bank of maiden's blush and 
microphylla.</p>
            <p>Amid them all, Miss Lydia wandered in her full 
black gown, putting aside her filmy ruffles as she 
tied back a hanging spray or pruned a broken stalk,
<pb id="glasgow51" n="51"/>											
sometimes even lowering her thread lace cap as 
she weeded the tangle of sweet Williams and 
touch-me-not. Since her gentle girlhood she had 
tended bountiful gardens, and dreamed her virgin 
dreams in the purity of their box-trimmed walks. 
In a kind of worldly piety she had bound her 
prayer book in satin and offered to her Maker the 
incense of flowers. She regarded heaven with 
something of the respectful fervour with which she 
regarded the world—that great world she had never 
seen; for “the proper place for a spinster is her 
father's house,” she would say with her conventional 
primness, and send, despite herself, a mild 
imagination in pursuit of the follies from which 
she so earnestly prayed to be delivered—she, to 
whom New York was as the terror of a modern 
Babylon, and a Jezebel but a woman with paint 
upon her cheeks. “They tell me that other women 
have painted since,” she had once said, with a 
wistful curiosity. “Your grandmamma, my dear 
Julia, had even seen one with an artificial colour. 
She would not have mentioned it to me, of course,
—an unmarried lady,—but I was in the next room 
when she spoke of it to old Mrs. Fitzhugh. She 
was a woman of the world, was your grandmamma, 
my dear, and the most finished dancer of her day.” 
The last was said with a timid pride, though to 
Miss Lydia herself the dance was the devil's own 
device, and the teaching of the catechism to 
small black slaves the chief end of existence. But 
the blood of the “most finished dancer of her day” 
still circulated beneath the old lady's gown and 
the religious life, and in her attenuated 
romances she forever held the sinner
<pb id="glasgow52" n="52"/>											
above the saint, unless, indeed, the sinner chanced to 
be of her own sex, when, probably, the book would 
never have reached her hands. For the purely 
masculine improprieties, her charity was as 
boundless as her innocence. She had even dipped 
into Shakespeare and brought away the memory of 
Mercutio; she had read Scott, and enshrined in her 
pious heart the bold Rob Roy. “Men are very 
wicked, I fear,” she would gently offer, “but they 
are very a—a—engaging, too.”</p>
            <p>To-day, when Betty came with the message, she 
lingered a moment to convince herself that the 
bonnet was not in her thoughts, and then swept her 
trailing bombazine into the house. “I have come to 
tell you that you may as well send the bonnet back, 
Julia,” she began at once. “Flowers are much too 
fine for me, my dear. I need only a plain black 
poke.”</p>
            <p>“Come up and try it on,” was Mrs. Ambler's 
cheerful response. “You have no idea how lovely it 
will look on you.”</p>
            <p>Miss Lydia went up and took the bonnet out of its 
wrapping of tissue paper. “No, you must send it 
back, my love,” she said in a resigned voice. “It 
does not become me to dress as a married woman. It 
may as well go back, Julia.”</p>
            <p>“But do look in the glass, Aunt Lydia—there, let 
me put it straight for you. Why, it suits you 
perfectly. It makes you look at least ten years 
younger.”</p>
            <p>“A plain black poke, my dear,” insisted Aunt 
Lydia, as she carefully swathed the flowers in the 
tissue paper. “And, besides, I have my old one,
<pb id="glasgow53" n="53"/>											
which is quite good enough for me, my love. It was 
very sweet of you to think of it, but it may as well 
go back.” She pensively gazed at the mirror for a 
moment, and then went to her chamber and took out 
her Bible to read Saint Paul on Woman.</p>
            <p>When she came down a few hours later, her face 
wore an angelic meekness. “I have been thinking of 
that poor Mrs. Brown who was here last week,” she 
said softly, “and I remember her telling me that she 
had no bonnet to wear to church. What a loss it 
must he to her not to attend divine service.”</p>
            <p>Mrs. Ambler quickly looked up from her 
needlework. “Why, Aunt Lydia, it would be really a 
charity to give her your old one!” she exclaimed. “It 
does seem a shame that she should be kept away 
from church because of a bonnet. And, then, you 
might as well keep the new one, you know, since it 
is in the house; I hate the trouble of sending it back.”</p>
            <p>“It would be a charity,” murmured Miss Lydia, 
and the bonnet was brought down and tried On 
again. They were still looking at it when Betty 
rushed in and threw herself upon her mother. “O, 
mamma, I can't help it!” she cried in tears, “an' I 
wish I hadn't done it! Oh, I wish I hadn't; but I set 
fire to the Major's woodpile, and he's whippin' Dan!”</p>
            <p>“Betty!” exclaimed Mrs. Ambler. She took the 
child by her shoulders and drew her toward her.        
“Betty, did you set fire to the Major's woodpile?” she 
questioned sternly.</p>
            <pb id="glasgow54" n="54"/>
            <p>Betty was sobbing aloud, but she stopped long 
enough to gasp out an answer.</p>
            <p>“We were playin' Injuns, mamma, an' we couldn't 
make believe 'twas real,” she said, “an' it isn't any 
fun unless you can make believe, so I lit the 
woodpile and pretended it was a fort, an' Big Abel, 
he was an Injun with the axe for a tomahawk; but 
the woodpile blazed right up, an' the Major came 
runnin' out. He asked Dan who did it, an' Dan 
wouldn't say 'twas me,—an' I wouldn't say, either, -
so he took Dan in to whip him. Oh, I wish I'd told! I 
wish I'd told!”</p>
            <p>“Hush, Betty,” said Mrs. Ambler, and she called 
to the Governor in the hall, “Mr. Ambler, Betty has 
set fire to the Major's woodpile!” Her voice was 
hopeless, and she looked up blankly at her husband 
as he entered.</p>
            <p>“Set fire to the woodpile!” whistled the 
Governor. “Why, bless my soul, we aren't safe in 
our beds!”</p>
            <p>“He whipped Dan,” wailed Betty.</p>
            <p>“We aren't safe in our beds,” repeated the 
Governor, indignantly. “Julia, this is really too 
much.”</p>
            <p>“Well, you will have to ride right over there,” 
said his wife, decisively. “Petunia, run down and tell 
Hosea to saddle his master's horse. Betty, I hope this 
will be a lesson to you. You shan't have any 
preserves for supper for a week.”</p>
            <p>“I don't want any preserves,” sobbed Betty, her 
apron to her eyes.</p>
            <p>“Then you mustn't go fishing for two weeks.
Mr. Ambler you'd better be starting at  once, and
<pb id="glasgow55" n="55"/>											
don't forget to tell the Major that Betty is in great 
distress—you are, aren't you, Betty?”</p>
            <p>“Yes, ma'am,” wept Betty.</p>
            <p>The Governor went out into the hall and took 
down his hat and riding-whip.</p>
            <p>“The sins of the children are visited upon the 
fathers,” he remarked gloomily as he mounted his 
horse and rode away from his supper.</p>
          </div2>
          <pb id="glasgow56" n="56"/>
          <div2 type="chapter">
            <head>V</head>
            <head>THE SCHOOL FOR GENTLEMEN</head>
            <p>THE Governor rode up too late to avert the 
punishment. Dan had taken his whipping and was 
sitting on a footstool in the library, facing the Major 
and a couple of the Major's cronies. His face wore 
an expression in which there was more resentment 
than resignation; for, though he took blows 
doggedly, he bore the memory of them long after the 
smart had ceased—long, indeed, after light-handed 
justice, in the Major's person, had forgotten alike the 
sin and the expiation. For the Major's hand was not 
steady at the rod, and he had often regretted a 
weakness of heart which interfered with a physical 
interpretation of the wisdom of Solomon. “If you get 
your deserts, you'd get fifty  lashes,” was his 
habitual reproof to his servants, though, as a matter 
of fact, he had never been known to order one. His 
anger was sometimes of the kind that appalls, but it 
usually vented itself in a heightened redness of face 
or a single thundering oath; and a woman's sob 
would melt his stoniest mood. It was only because 
his daughter had kept out of his sight that he had 
never forgiven her, people said; but there was, 
perhaps, something characteristic in the proof that he 
was most relentless where he had most loved.</p>
            <pb id="glasgow57" n="57"/>
            <p>As for Dan's chastisement, he had struck him 
twice across the shoulders, and when the boy had 
turned to him with the bitter smile which was Jane 
Lightfoot's own, the Major had choked in his wrath, 
and, a moment later, flung the whip aside. “I'll be 
damned,—I beg your pardon, sir,—I'll be ashamed of 
myself if I give you another lick,” he said. “You are 
a gentleman, and I shall trust you.”</p>
            <p>He held out his hand, but he had not counted on 
the Montjoy blood. The boy looked at him and 
stubbornly shook his head. “I can't shake hands yet 
because I am hating you just now,” he answered. 
“ Will you wait awhile, sir?” and the Major choked 
again, half in awe, half in amusement.</p>
            <p>“You don't bear malice, I reckon?” he ventured 
cautiously.</p>
            <p>“I am not sure,” replied the boy, “I rather think I 
do.”</p>
            <p>Then he put on his coat, and they went out to meet 
Mr. Blake and Dr. Crump, two hale and jolly 
gentlemen who rode over every Thursday to spend 
the night.</p>
            <p>As the visitors came panting up the steps, the 
Major stood in the doorway with outstretched 
hands.</p>
            <p>“You are late, gentlemen, you are late,” was his 
weekly greeting, to which they as regularly 
responded, “We could never come too early for our 
pleasure, my dear Major: but there are professional 
duties, you know, professional duties.”</p>
            <p>After this interchange of courtesies, they would 
enter the house and settle themselves, winter or summer, 
in their favourite chairs upon the hearth-rug,
<pb id="glasgow58" n="58"/>
when it was the custom of Mrs. Lightfoot to send in 
a fluttering maid to ask if Mrs. Blake had done her 
the honour to accompany her husband. As Mrs. 
Blake was never known to leave her children and her 
pet poultry, this was merely a conventionalism by 
which the elder lady meant to imply a standing 
welcome for the younger.</p>
            <p>On this evening, Mr. Blake—the rector of the 
largest church in Leicesterburg—straightened his fat 
legs and folded his hands as he did at the ending of 
his sermons, and the others sat before him with the 
strained and reverential faces which they put on like 
a veil in church and took off when the service was 
over. That it was not a prayer, but a pleasantry of 
which he was about to deliver himself, they quite 
understood; but he had a habit of speaking on week 
days in his Sunday tones, which gave, as it were, an 
official weight to his remarks. He was a fleshy 
wide-girthed gentleman, with a bald head, and a face 
as radiant as the full moon.</p>
            <p>“I was just asking the doctor when I was to have the 
honour of making the little widow Mrs. Crump?” he 
threw out at last, with a laugh that shook him from 
head to foot. “It is not good for man to live alone, 
eh, Major?”</p>
            <p>“That sentence is sufficient to prove the divine 
inspiration of the Scriptures,” returned the Major, 
warmly, while the doctor blushed and stammered, as 
he always did, at the rector's mild matrimonial jokes. 
It was twenty years since Mr. Blake began teasing 
Dr. Crump about his bachelorship, and to them both 
the subject was as fresh as in its beginning.</p>
            <pb id="glasgow59" n="59"/>
            <p>“I—I declare I haven't seen the lady for a week,” 
protested the doctor, “and then she sent for me.”</p>
            <p>“Sent for you?” roared Mr. Blake. “Ah, doctor, 
doctor!”</p>
            <p>“She sent for me because she had heart trouble,” 
returned the doctor, indignantly. The lady's name 
was never mentioned between them.</p>
            <p>The rector laughed until the tears started.</p>
            <p>“Ah, you're a success with the ladies,” he 
exclaimed, as he drew out a neatly ironed 
handkerchief and shook it free from its folds, “and 
no wonder—no wonder! We'll be having an 
epidemic of heart trouble next.” Then, as he saw the 
doctor wince beneath his jest, his kindly heart 
reproached him, and he gravely turned to politics 
and the dignity of nations.</p>
            <p>The two friends were faithful Democrats, though 
the rector always began his very forcible remarks 
with: “A minister knows nothing of politics, and I 
am but a minister of the Gospel. If you care, 
however, for the opinion of an outsider—”</p>
            <p>As for the Major, he had other leanings which 
were a source of unending interest to them all. “I 
am a Whig, not from principle, but from prejudice, 
sir,” he declared. “The Whig is the gentleman's 
party.  I never saw a Whig that didn't wear 
broadcloth.”</p>
            <p>“And some Democrats,” politely protested the 
doctor, with a glance at his coat.</p>
            <p>The Major bowed.</p>
            <p>“And many Democrats, sir; but the Whig party, 
if I may say so, is the broadcloth party—the cloth
<pb id="glasgow60" n="60"/>										
stamps it; and besides this, sir, I think its ‘parts are 
solid and will wear well.’”</p>
            <p>Now when the Major began to quote Mr. Addison, 
even the rector was silent, save for an occasional 
prompting, as, “I was reading the <hi rend="italics">Spectator</hi> until 
eleven last night, sir,” or “I have been trying to 
recall the lines in <hi rend="italics">The Campaign</hi> before  ”Twas then 
great Marlborough's mighty soul was proved.”</p>
            <p>This was the best of the day to Dan, and, as he 
turned on his footstool, he did not even glare at 
Champe, who, from the window seat, was regarding 
him with the triumphant eye with which the young 
behold the downfall of a brother. For a moment he 
had forgotten the whipping, but Champe had not; he 
was thinking of it in the window seat.</p>
            <p>But the Major was standing on the hearth-rug, and 
the boy's gaze went to him. Tossing back his long 
white hair, and fixing his eagle glance on his friends, 
the old gentleman, with a free sweep of his arm, 
thundered his favourite lines: -</p>
            <lg>
              <l> “So, when an angel by divine command </l>
              <l>With rising tempests shakes a guilty land </l>
              <l>(Such as of late o'er pale Britannia passed), </l>
              <l>Calm and serene he drives the furious blast; </l>
              <l>And, pleased the Almighty's orders to perform, </l>
              <l>Rides in the whirlwind and directs the storm.”</l>
            </lg>
            <p>He had got so far when the door opened and the 
Governor entered—a little hurriedly, for he was 
thinking of his supper.</p>
            <p>“I am the bearer of an apology, my dear Major,” 
he said, when he had heartily shaken hands all round. 
“It seems that Betty—I assure you she is in great 
distress—set fire to your woodpile this afternoon,
<pb id="glasgow61" n="61"/>										
and that your grandson was punished for her 
mischief. My dear boy,” he laid his hand on Dan's 
shoulder and looked into his face with the winning 
smile which had made him the most popular man in 
his State, “my dear boy, you are young to be such a 
gentleman.”</p>
            <p>A hot flush overspread Dan's face; he forgot the 
smart and the wounded pride—he forgot even 
Champe staring from the window seat. The 
Governor's voice was like salve to his hurt; the 
upright little man with the warm brown eyes seemed 
to lift him at once to the plane of his own chivalry.</p>
            <p>“Oh, I couldn't tell on a girl, sir,” he answered, 
and then his smothered injury burst forth; “but she 
ought to be ashamed of herself,” he added bluntly.</p>
            <p>“She is,” said the Governor with a smile; then he 
turned to the others. “Major, the boy is a 
Lightfoot!” he exclaimed.</p>
            <p>“Ah, so I said, so I said!” cried the Major, 
clapping his hand on Dan's head in a racial 
benediction. “‘I'd  know you were a Lightfoot if I 
met you in the road’ was what I said the first 
evening.”</p>
            <p>“And a Virginian,” added Mr. Blake, folding his 
hands on his stomach and smiling upon the group.  
“My daughter in New York wrote to me last week for 
advice about the education of her son. ‘Shall I send 
him to the school of learning at Cambridge, papa?’
she asked; and I answered, ‘Send him there, if you 
will, but, when he has finished with his books, by all 
means let him come to Virginia—the school for 
gentlemen.’”</p>
            <pb id="glasgow62" n="62"/>
            <p>“The school for gentlemen!” cried the doctor, 
delightedly. “It is a prouder title than the ‘Mother of 
Presidents.’”</p>
            <p>“And as honourably earned,” added the rector. 
“If you want polish, come to Virginia; if you want 
chivalry, come to Virginia. When I see these two 
things combined, I say to myself, ‘The blood of the 
Mother of Presidents is here.’”</p>
            <p>“You are right, sir, you are right!” cried the Major, 
shaking back his hair, as he did when he was about 
to begin the lines from <hi rend="italics">The Campaign</hi>. “Nothing 
gives so fine a finish to a man as a few years spent 
with the influences that moulded Washington. Why, 
some foreigners are perfected by them, sir. When I 
met General Lafayette in Richmond upon his second 
visit, I remember being agreeably impressed with his 
dignity and ease, which, I have no doubt, sir, he 
acquired by his association, in early years, with the 
Virginia gentlemen.”</p>
            <p>The Governor looked at them with a twinkle in his 
eye. He was aware of the humorous traits of his 
friends, but, in the peculiar sweetness of his temper, 
he loved them not the less because he laughed at 
them—perhaps the more. In the rector's fat body and 
the Major's lean one, he knew that there beat hearts 
as chivalrous as their words. He had seen the Major 
doff his hat to a beggar in the road, and the rector 
ride forty miles in a snowstorm to read a prayer at 
the burial of a slave. So he said with a pleasant 
laugh, “We are surely the best judges, my dear 
sirs,” and then, as Mrs. Lightfoot rustled in, they 
rose and fell back until she had taken her seat, and 
found her knitting.</p>
            <pb id="glasgow63" n="63"/>
            <p>“I am so sorry not to see Mrs. Blake,” she said to 
the rector. “I have a new recipe for yellow pickle 
which I must write out and send to her.” And, as 
the Governor rose to go, she stood up and begged 
him to stay to supper. “Mr. Lightfoot, can't you 
persuade him to sit down with us?” she asked.</p>
            <p>“Where you have failed, Molly, it is useless for 
me to try,” gallantly responded the Major, picking 
up her ball of yarn.</p>
            <p>“But I must bear your pardon to my little girl, I 
really must,” insisted the Governor. “By the way, 
Major,” he added, turning at the door, “what do you 
think of the scheme to let the Government buy the 
slaves and ship them back to Africa? I was talking 
to a Congressman about it last week.”</p>
            <p>“Sell the servants to the Government!” cried the 
Major, hotly. “Nonsense! nonsense! Why, you are 
striking at the very foundation of our society! 
Without slavery, where is our aristocracy, sir?”</p>
            <p>“Oh, I beg your pardon,” said the Governor 
lightly. “Well, we shall keep them a while longer, I 
expect. Good night, madam, good night, gentlemen,” 
and he went out to where his horse was 
standing.</p>
            <p>The Major looked after him with a sigh. “When I 
hear a man talking about the abolition of slavery,” 
he remarked gloomily, “I always expect him to 
want to do away with marriage next—”he checked 
himself and coloured, as if an improper speech had 
slipped out in the presence of Mrs. Lightfoot. The 
old lady rose primly and, taking the rector's arm, led 
the way to supper.</p>
            <pb id="glasgow64" n="64"/>
            <p>Dan was not noticed at the table,—it was a part 
of his grandmother's social training to ignore 
children before visitors,—but when he went upstairs 
that night, the Major came to the boy's room and 
took him in his arms.</p>
            <p>“I am proud of you, my child,” he said. “You are 
my grandson, every inch of you, and you shall have 
the finest riding horse in the stables on your 
birthday.”</p>
            <p>“I'd rather have Big Abel, if you please, sir,” 
returned Dan. “I think Big Abel would like to 
belong to me, grandpa.”</p>
            <p>“Bless my soul!” cried the Major. “Why, you 
shall have Big Abel and his whole family, if you 
like. I'll give you every darky on the place, if you 
want them—and the horses to boot,” for the old 
gentleman was as unwise in his generosity as in his 
wrath.</p>
            <p>“Big Abel will do, thank you,” responded the 
boy; “and I'd like to shake hands now, grandpa,” he 
added gravely; but before the Major left that night 
he had won not only the child's hand, but his heart. 
It was the beginning of the great love between them.</p>
            <p>For from that day Dan was as the light of his 
grandfather's eyes. As the boy strode manfully 
across the farm, his head thrown back, his hands 
clasped behind him, the old man followed, in wondering 
pride, on his footsteps. To see him stand amid 
the swinging cradles in the wheat field, ordering the 
slaves and arguing with the overseer, was sufficient 
delight unto the Major's day. “Nonsense, Molly,” he 
would reply half angrily to his wife's 
<pb id="glasgow65" n="65"/>
remonstrances. “The child can't be spoiled. I tell 
you he's too fine a boy. I couldn't spoil him if I 
tried,” and once out of his grandmother's sight, 
Dan's arrogance was laughed at, and his 
recklessness was worshipped. “Ah, you will make a 
man, you will make a man!” the Major had 
exclaimed when he found him swearing at the 
overseer, “but you mustn't curse, you really mustn't, 
you know. Why, your grandmother won't let me do 
it.”</p>
            <p>“But I told him to leave that haystack for me to 
slide on,” complained the boy, “and he said he 
wouldn't, and began to pull it down. I wish you'd 
send him away, grandpa.”</p>
            <p>“Send Harris away!” whistled the Major.           
“Why, where could I get another, Dan? He has been 
with me for twenty years.”</p>
            <p>“Hi, young Marster, who gwine min' de han's?” 
cried Big Abel, from behind.</p>
            <p>“Do you like him, Big Abel?” asked the child, for 
the opinion of Big Abel was the only one for which 
he ever showed respect. “It's because he's not free, 
grandpa,” he had once explained at the Major's 
jealous questioning. “I wouldn't hurt his feelings 
because he's not free, you know, and he couldn't 
answer back,” and the Major had said nothing more.</p>
            <p>Now “Do you like him, Big Abel?” he inquired; 
and to the negro's “He's done use me moughty well, 
suh,” he said gravely, “Then he shall stay, 
grandpa—and I'm sorry I cursed you, Harris,” he 
added before he left the field. He would always own 
that he was as wrong, if he could once be made to 
see it, which rarely happened.</p>
            <pb id="glasgow66" n="66"/>
            <p>“The boy's kind heart will save him, or he is 
lost,” said the Governor, sadly, as Dan tore by on his 
little pony, his black hair blown from his face, his 
gray eyes shining.</p>
            <p>“He has a kind heart, I know,” returned Mrs. 
Ambler, gently; “the servants and the animals adore 
him—but—but do you think it well for Betty to be 
thrown so much with him? He is very wild, and 
they deny him nothing. I wish she went with Champe 
instead—but what do you think?”</p>
            <p>“I don't know, I don't know,” answered the 
Governor, uneasily. “He told the doctor to mind his 
own business, yesterday—and that is not unlike 
Betty, herself, I am sorry to say—but this morning I 
saw him give his month's pocket money to that poor 
free negro, Levi. I can't say, I really do not know,” 
his eyes followed Betty as she flew out to climb 
behind Dan on the pony's back. “I wish it were 
Champe, myself,” he added doubtfully.</p>
            <p>For Betty—independent Betty—had become Dan's 
slave. Ever since the afternoon of the burning 
woodpile, she had bent her stubborn little knees to 
him in hero-worship. She followed closer than a 
shadow on his footsteps; no tortures could wring his 
secrets from her lips. Once, when he hid himself in 
the mountains for a day and night and played Indian, 
she kept silence, though she knew his hiding-place, 
and a search party was out with lanterns until dawn.</p>
            <p>“I didn't tell,” she said triumphantly, when he 
came down again.</p>
            <p>“No, you didn't tell,” he frankly acknowledged.</p>
            <pb id="glasgow67" n="67"/>
            <p>“So I can keep a secret,” she declared at last.</p>
            <p>“Oh, yes, you can keep a secret—for a girl,” he 
returned, and added, “I tell you what, I like you 
better than anybody about here, except grandpa and 
Big Abel.”</p>
            <p>She shone upon him, her eyes narrowing; then her 
face darkened. “Not better than Big Abel?” she 
questioned plaintively.</p>
            <p>“Why, I have to like Big Abel best,” he replied,    
“because he belongs to me, you know—you ought to 
love the thing that belongs to you.”</p>
            <p>“But I might belong to you,” suggested Betty. 
She smiled again, and, smiling or grave, she always 
looked as if she were standing in a patch of 
sunshine, her hair made such a brightness about 
her.</p>
            <p>“Oh, you couldn't, you're white,” said Dan;         
“and, besides, I reckon Big Abel and the pony are 
as much as I can manage. It's a dreadful weight, 
having people belong to you.”</p>
            <p>Then he loaded his gun, and Betty ran away with 
her fingers in her ears, because she couldn't bear to 
have things killed.</p>
            <p>A month later Dan and Champe settled down to 
study. The new tutor came—a serious young man 
from the North, who wore spectacles, and read the 
Bible to the slaves on the half-holidays. He was 
kindly and conscientious, and, though the boys 
found him unduly weighed down by responsibility 
for the souls of his fellows, they soon loved him in a 
light-hearted fashion. In a society where even the 
rector harvested alike the true grain and the tares, 
and left the Almighty to do His own winnowing, 
Mr. Bennett's free-handed fight with the
<pb id="glasgow68" n="68"/>
flesh and the devil was looked upon with smiling 
tolerance, as if he were charging a windmill with a 
wooden sword.</p>
            <p>On Saturdays he would ride over to Uplands, and 
discuss his schemes for the uplifting of the negroes 
with the Governor and Mrs. Ambler; and once he 
even went so far as to knock at Rainy-day Jones's 
door and hand him a pamphlet entitled “The Duties 
of the Slaveholder.” Old Rainy-day, who was the 
biggest bully in the county, set the dogs on him, and 
lit his pipe with the pamphlet; but the Major, when 
he heard the story, laughed, and called the young 
man “a second David.”</p>
            <p>Mr. Bennett looked at him seriously through his 
glasses, and then his eyes wandered to the small 
slave, Mitty, whose chief end in life was the finding 
of Mrs. Lightfoot's spectacles. He was an earnest 
young man, but he could not keep his eyes away 
from Mitty when she was in the room; and at the old 
lady's, “Mitty, my girl, find me my glasses,” he felt 
like jumping from his seat and calling upon her to 
halt. It seemed a survival of the dark ages that one 
immortal soul should spend her life hunting for the 
spectacles of another. To Mr. Bennett, a soul was a 
soul in any colour; to the Major the sons of Ham 
were under a curse which the Lord would lighten in 
His own good time.</p>
            <p>But before many months, the young man had won 
the affection of the boys and the respect of their 
grandfather, whose candid lack of logic was 
overpowered by the reasons which Mr. Bennett 
carried at every finger tip. He not only believed 
things, he knew why he believed them; and to the
<pb id="glasgow69" n="69"/>
Major, with whom feelings were convictions, this 
was more remarkable than the courage with which 
he had handed his tract to old Rainy-day Jones.</p>
            <p>As for Mr. Bennett, he found the Major a riddle 
that he could not read; but the Governor's first smile 
had melted his reserve, and he declared Mrs. Ambler 
to be “a Madonna by Perugino.”</p>
            <p>Mrs. Ambler had never heard of Perugino, and the 
word “Madonna” suggested to her vague Romanist 
snares, but her heart went out to the stranger when 
she found that he was in mourning for his mother. 
She was not a clever woman in a worldly sense, yet 
her sympathy, from the hourly appeals to it, had 
grown as fine as intellect. She was hopelessly 
ignorant of ancient history and the Italian 
Renaissance; but she had a genius for the affections, 
and where a greater mind would have blundered over 
a wound, her soft hand went by intuition to the spot. 
It was very pleasant to sit in a rosewood chair in her 
parlour, to hear her gray silk rustle as she crossed 
her feet, and to watch her long white fingers 
interlace.</p>
            <p>So she talked to the young man of his mother, and 
he showed her the daguerrotype of the girl he loved; 
and at last she confided to him her anxieties for 
Betty's manners and the Governor's health, and her 
timid wonder that the Bible “countenanced” slavery. 
She was rare and elegant like a piece of fine point 
lace; her hands had known no harder work than the 
delicate hemstitching, and her mind had never 
wandered over the nearer hills.</p>
            <p>As time went on, Betty was given over to the
<pb id="glasgow70" n="70"/>
care of her governess, and she was allowed to run 
wild no more in the meadows. Virginia, a pretty 
prim little girl, already carried her prayer book in 
her hands when she drove to church, and wore Swiss 
muslin frocks in the evenings; but Betty when she 
was made to hem tablecloths on sunny mornings, 
would weep until her needle rusted.</p>
            <p>On cloudy days she would sometimes have her 
ambitions to be ladylike, and once, when she had 
gone to a party in town and seen Virginia dancing 
while she sat against the wall, she had come home to 
throw herself upon the floor.</p>
            <p>“It's not that I care for boys, mamma,” she 
wailed, “for I despise them; but they oughtn't to 
have let me sit against the wall. And none of them 
asked me to dance—not even Dan.”</p>
            <p>“Why, you are nothing but a child, Betty,” said 
Mrs. Ambler, in dismay. “What on earth does it 
matter to you whether the boys notice you or not?”</p>
            <p>“It doesn't,” sobbed Betty; “but you wouldn't like 
to sit against the wall, mamma.”</p>
            <p>“You can make them suffer for it six years hence, 
daughter,” suggested the Governor, revengefully.</p>
            <p>“But suppose they don't have anything to do with 
me then,” cried Betty, and wept afresh.</p>
            <p>In the end, it was Uncle Bill who brought her to 
her feet, and, in doing so, he proved himself to be the 
philosopher that he was.</p>
            <p>“I tell you what, Betty,” he exclaimed, “if you get 
up and stop crying, I'll give you fifty cents. I reckon 
fifty cents will make up for any boy, eh?”</p>
            <p>Betty lay still and looked up from the floor.</p>
            <pb id="glasgow71" n="71"/>
            <p>“I—I reckon a dol-lar m-i-g-h-t,” she gasped,
and caught a sob before it burst out.</p>
            <p>“Well, you get up and I'll give you a dollar. There ain't 
many boys worth a dollar, I can tell you.”</p>
            <p>Betty got up and held out one hand as she wiped her 
eyes with the other.</p>
            <p>“I shall never speak to a boy again,” she declared, as 
she took the money.</p>
            <p>That was when she was thirteen, and a year later 
Dan went away to college.</p>
          </div2>
          <pb id="glasgow72" n="72"/>
          <div2>
            <head>VI</head>
            <head>COLLEGE DAYS</head>
            <div3 type="letter">
              <p>“MY dear grandpa,” wrote Dan during his first 
weeks at college,  “I think I am going to like it pretty 
well here after I get used to the professors. The 
professors are a great nuisance. They seem to forget 
that a fellow of seventeen isn't a baby any longer.</p>
              <p>“The Arcades are very nice, and the maples on the 
lawn remind me of those at Uplands, only they aren't 
nearly so fine. My room is rather small, but Big 
Abel keeps everything put away, so I manage to get 
along. Champe sleeps next to me, and we are always 
shouting through the wall for Big Abel. I tell you, he 
has to step lively now.</p>
              <p>“The night after we came, we went to supper at 
Professor Ball's. There was a Miss Ball there who 
had a pair of big eyes, but girls are so silly. Champe 
talked to her all the evening and walked out to the 
graveyard with her the next afternoon. I don't see 
why he wants to spend so much of his time with 
young ladies. It's because they think him 
good-looking, I reckon. </p>
              <p>“We are the only men who have horses here, so I am 
glad you made me bring Prince Rupert, after all. 
When I ride him into town, everybody turns to look 
at him, and Batt Horsford, the stableman, says
											
<pb id="glasgow73" n="73"/>
his trot is as clean as a razor. At first I wished I'd 
brought my hunter instead, they made such a fuss 
over Champe's, and I tell you he's a regular 
timber-topper.</p>
              <p>“A week ago I rode to the grave of Mr. Jefferson, 
as I promised you, but I couldn't carry the wreath 
for grandma because it would have looked silly—
Champe said so. However, I made Big Abel get 
down and pull a few flowers on the way.</p>
              <p>“You know, I had always thought that only 
gentlemen came to the University, but whom do you 
think I met the first evening?—why, the son of old 
Rainy-day Jones. What do you think of that? He 
actually had the impudence to pass himself off as 
one of the real Joneses, and he was going with all 
the men. Of course, I refused to shake hands with 
him—so did Champe—and, when he wanted to fight 
me, I said I fought only gentlemen. I wish you could 
have seen his face. He looked as old Rainy-day did 
when he hit the free negro Levi, and I knocked him 
down.</p>
              <p>“By the way, I wish you would please send me 
my half-year's pocket money in a lump, if you can 
conveniently do so. There is a man here who is 
working his way through Law, and his mother has 
just lost all her money, so, unless some one helps 
him, he'll have to go out and work before he takes 
his degree. I've promised to lend him my half-year's 
allowance—I said ‘lend’ because it might hurt 
his feelings; but, of course, I don't want him to 
pay it back. He's a great fellow, but I can't tell 
you his name—I shouldn't like it in his place, you 
know.</p>
              <pb id="glasgow74" n="74"/>
              <p>“The worst thing about college life is having to 
go to classes. If it wasn't for that I should be all 
right, and, anyway, I am solid on my Greek and Latin—
but I can't get on with the higher mathematics. Mr. 
Bennett couldn't drive them into my head as he did 
into Champe's.</p>
              <p>“I hope grandma has entirely recovered from her 
lumbago. Tell her Mrs. Ball says she was cured by 
using red pepper plasters.</p>
              <p>“Do you know, by the way, that I left my 
half-dozen best waistcoats—the embroidered 
ones—in the bottom drawer of my bureau, at least 
Big Abel swears that's where he put them. I should 
be very much obliged if grandma would have them 
fixed up and sent to me—I can't do without them. A 
great many gentlemen here are wearing coloured 
cravats, and Charlie Morson's brother, who came up 
from Richmond for a week, has a pair of side 
whiskers. He says they are fashionable down there, 
but I don't like them.</p>
              <p>“With affectionate greeting to grandma and 
yourself, </p>
              <closer>“Your dutiful grandson,<signed>“DANDRIDGE MONTJOY.”</signed></closer>
              <closer>“P.S. I am using my full name now—it will look 
better if I am ever President. I wonder if Mr. 
Jefferson was ever called plain Tom. <signed>“DAN.”</signed></closer>
              <closer>“N.B. Give my love to the little girls at Uplands,
<signed>“D.”</signed></closer>
            </div3>
            <pb id="glasgow75" n="75"/>
            <div3 type="subchapter">
              <p>The Major read the letter aloud to his wife while she 
sat knitting by the fireside, with Mitty holding the ball 
of yarn on a footstool at her feet.</p>
              <p>“What do you think of that, Molly?” he asked when 
he had finished, his voice quivering with excitem