<!DOCTYPE TEI.2 SYSTEM "http://docsouth.unc.edu/dtds/teixlite.dtd" [
<!ENTITY % external-entities SYSTEM "./extEntities.dtf">
<!ENTITY % internal-entities SYSTEM "./intEntities.dtf">
<!ENTITY glasgowcv SYSTEM "glasgowcv.gif" NDATA gif>
<!ENTITY glasgowfp SYSTEM "glasgowfp.gif" NDATA gif>
<!ENTITY glasgow168 SYSTEM "glasgow168.gif" NDATA gif>
<!ENTITY glasgow342 SYSTEM "glasgow342.gif" NDATA gif>
<!ENTITY glasgow52 SYSTEM "glasgow52.gif" NDATA gif>
<!ENTITY glasgowtp SYSTEM "glasgowtp.gif" NDATA gif>
]>
<TEI.2>
  <teiHeader type="" status="new">
    <fileDesc>
      <titleStmt>
        <title><emph rend="bold">The Deliverance</emph>
A Romance of the Virginia Tobacco Fields:
Electronic Edition</title>
        <author>Glasgow, Ellen</author>
        <respStmt>
          <resp>Text scanned (OCR) by</resp>
          <name id="cg">Carlene Hempel</name>
        </respStmt>
        <respStmt>
          <resp>Images scanned by</resp>
          <name>Carlene Hempel</name>
        </respStmt>
        <respStmt>
          <resp>Text encoded by </resp>
          <name id="ns">Jeremy Jones and Natalia Smith</name>
        </respStmt>
      </titleStmt>
      <editionStmt>
        <edition>First edition,
<date>1998</date></edition>
      </editionStmt>
      <extent>ca. 1 MB</extent>
      <publicationStmt>
        <publisher>Academic Affairs Library, UNC-CH</publisher>
        <pubPlace>University of North Carolina at
Chapel Hill, </pubPlace>
        <date>1998.</date>
        <availability status="unknown">
          <p>© This work is the
property of the University of North Carolina
at Chapel Hill. It may be used freely by
individuals for research, teaching
and personal use as long as this statement of
availability is included in the text.</p>
        </availability>
      </publicationStmt>
      <notesStmt>
        <note anchored="yes">Call number  PS3513 .L34 D4   (Davis Library, 
UNC-CH)</note>
      </notesStmt>
      <sourceDesc>
        <bibl><title><emph rend="bold">The Deliverance:</emph> a
Romance of the Virginia Tobacco Fields</title>
<author>Glasgow, Ellen</author><imprint><pubPlace>New York, NY</pubPlace><publisher>Doubleday
Page &amp;  Co.</publisher><date>1904</date></imprint></bibl>
      </sourceDesc>
    </fileDesc>
    <encodingDesc>
      <projectDesc>
        <p>The electronic edition
is a part of the UNC-CH
digitization project, <hi rend="italics">Documenting
the American South, or,  The Southern Experience in
19th-century America.</hi></p>
      </projectDesc>
      <editorialDecl>
        <p>Any hyphens occurring in line breaks have been removed, 
and the trailing part of a word has been joined to the preceding line.</p>
        <p>All quotation marks and ampersand have been transcribed as
entity references.</p>
        <p>All double right and left quotation marks are
encoded as ” and “
respectively.</p>
        <p>All single right and left quotation marks are
encoded as ’ and ‘ respectively.</p>
        <p>Indentation in lines has not been preserved.</p>
        <p>Running titles have not been preserved.</p>
        <p>Spell-check and verification made against printed
text using Author/Editor
(SoftQuad) and Microsoft Word spell check programs.</p>
      </editorialDecl>
      <classDecl>
        <taxonomy id="lcsh">
          <bibl><title>Library of Congress Subject Headings, </title>
<edition>21st edition, 1998</edition></bibl>
        </taxonomy>
      </classDecl>
    </encodingDesc>
    <profileDesc>
      <langUsage>
        <language id="fr">French</language>
        <language id="la">Latin</language>
      </langUsage>
      <textClass>
        <keywords scheme="lcsh">
          <list type="simple">
            <item>Virginia -- Social life and customs -- Fiction.</item>
            <item>Tobacco farms -- Virginia -- Fiction.</item>
            <item>Tobacco workers -- Virginia -- Fiction.</item>
            <item>Dialect literature, American -- Virginia.</item>
          </list>
        </keywords>
      </textClass>
    </profileDesc>
    <revisionDesc>
      <change>
        <date>1998-06-02, </date>
        <respStmt>
          <name>Natalia
Smith, </name>
          <resp>project manager, </resp>
        </respStmt>
        <item>finished TEI-conformant encoding
and final proofing.</item>
      </change>
      <change>
        <date>1998-04-21, </date>
        <respStmt>
          <name>Jeremy Jones </name>
          <resp/>
        </respStmt>
        <item>finished TEI/SGML
encoding</item>
      </change>
      <change>
        <date>1998-04-01, </date>
        <respStmt>
          <name>Carlene Hempel</name>
          <resp/>
        </respStmt>
        <item>finished scanning (OCR) and proofing.</item>
      </change>
    </revisionDesc>
  </teiHeader>
  <text>
    <front>
      <div1 type="cover image">
        <p>
          <figure id="cover" entity="glasgowcv">
            <p>[Cover Image]</p>
          </figure>
        </p>
      </div1>
      <div1 type="frontispiece image">
        <p>
          <figure id="frontis" entity="glasgowfp">
            <p>“‘Read yourself—this once,’ he pleaded, ‘and let me listen.’” See page 435<lb/>[Frontispiece Image]</p>
          </figure>
        </p>
      </div1>
      <titlePage>
        <docTitle>
          <titlePart type="main">
            <emph rend="bold">The
Deliverance</emph>
          </titlePart>
        </docTitle>
        <byline>By</byline>
        <docAuthor> ELLEN GLASGOW </docAuthor>
        <titlePart type="subtitle">A Romance of the Virginia <lb/>
Tobacco Fields.</titlePart>
        <docEdition>With Illustrations by<lb/>
Frank E Schoonover</docEdition>
        <docImprint><pubPlace>New York</pubPlace>
<publisher>Doubleday Page &amp;  Co.</publisher>
<docDate>1904</docDate></docImprint>
        <titlePart type="verso">Copyright, 1904, by<lb/>
Doubleday, Page &amp; Company<lb/>
Published, January, 1904</titlePart>
      </titlePage>
      <div1 type="title page image">
        <p>
          <figure id="title" entity="glasgowtp">
            <p>[Title Page Image]</p>
          </figure>
        </p>
      </div1>
      <div1 type="Dedication">
        <p>To Dr. Holbrook Curtis
<lb/>WITH APPRECIATION OF HIS SKILL AND
<lb/>GRATITUDE FOR HIS SYMPATHY</p>
      </div1>
      <pb id="glasgowv" n="v"/>
      <div1 type="contents">
        <head>CONTENTS</head>
        <list type="simple">
          <head>Book I. The Inheritance</head>
          <item>I. The  Man in the Field . . . . .
<ref targOrder="U" target="glasgow3">3</ref></item>
          <item>II. The Owner of Blake Hall . . . . .
<ref targOrder="U" target="glasgow15">15</ref></item>
          <item>III. Showing That a Little Culture Entails Great Care . . . . .
<ref targOrder="U" target="glasgow23">23</ref></item>
          <item>IV. Of Human Nature in the Raw State . . . . .
<ref targOrder="U" target="glasgow35">35</ref></item>
          <item>V. The Wreck of the Blakes . . . . .
<ref targOrder="U" target="glasgow47">47</ref></item>
          <item>VI. Carraway Plays Courtier . . . . .
<ref targOrder="U" target="glasgow65">65</ref></item>
          <item>VII. In Which a Stand Is Made . . . . .
<ref targOrder="U" target="glasgow75">75</ref></item>
          <item>VIII. Treats of a Passion That Is Not Love . . . . .
<ref targOrder="U" target="glasgow87">87</ref></item>
          <item>IX. Cynthia . . . . . <ref targOrder="U" target="glasgow97">97</ref></item>
          <item>X. Sentimental and Otherwise . . . . .
<ref targOrder="U" target="glasgow109">109</ref></item>
        </list>
        <list type="simple">
          <head>Book II. The Temptation</head>
          <item>I. The Romance That Might Have Been . . . . .
<ref targOrder="U" target="glasgow125">125</ref></item>
          <item>II. The Romance That Was . . . . .
<ref targOrder="U" target="glasgow135">135</ref></item>
          <item>III. Fletcher's Move and Christopher's Counterstroke . . . . .
<ref targOrder="U" target="glasgow143">143</ref></item>
          <item>IV. A Gallant Deed That Leads to Evil . . . . .
<ref targOrder="U" target="glasgow151">151</ref></item>
          <item>V. The Glimpse of a Bride . . . . .
<ref targOrder="U" target="glasgow165">165</ref></item>
          <item>VI. Shows Fletcher in a New Light . . . . .
<ref targOrder="U" target="glasgow175">175</ref></item>
          <item>VII. In Which Hero and Villain Appear as One . . . . .
<ref targOrder="U" target="glasgow187">187</ref></item>
          <item>VIII. Between the Devil and the Deep Sea . . . . .
<ref targOrder="U" target="glasgow197">197</ref></item>
          <item>IX. As the Twig Is Bent . . . . .
<ref targOrder="U" target="glasgow207">207</ref></item>
          <item>X. Powers of Darkness . . . . .
<ref targOrder="U" target="glasgow219">219</ref></item>
        </list>
        <pb id="glasgowvi" n="vi"/>
        <list type="simple">
          <head>Book III. The Revenge</head>
          <item>I. In Which Tobacco Is Hero . . . . .
<ref targOrder="U" target="glasgow235">235</ref></item>
          <item>II. Between Christopher and Will . . . . .
<ref targOrder="U" target="glasgow247">247</ref></item>
          <item>III. Mrs. Blake Speaks Her Mind on Several Matters . . . . .
<ref targOrder="U" target="glasgow263">263</ref></item>
          <item>IV. In Which Christopher Hesitates . . . . .
<ref targOrder="U" target="glasgow275">275</ref></item>
          <item>V. The Happiness of Tucker . . . . .
<ref targOrder="U" target="glasgow291">291</ref></item>
          <item>VI. The Wages of Folly . . . . .
<ref targOrder="U" target="glasgow305">305</ref></item>
          <item>VII. The Toss of a Coin . . . . .
<ref targOrder="U" target="glasgow315">315</ref></item>
          <item>VIII. In Which Christopher Triumphs . . . . .
<ref targOrder="U" target="glasgow325">325</ref></item>
        </list>
        <list type="simple">
          <head>Book IV. The Awakening</head>
          <item>I. The Unforeseen . . . . .
<ref targOrder="U" target="glasgow337">337</ref></item>
          <item>II. Maria Returns to the Hall . . . . .
<ref targOrder="U" target="glasgow351">351</ref></item>
          <item>III. The Day Afterward . . . . .
<ref targOrder="U" target="glasgow365">365</ref></item>
          <item>IV. The Meeting in the Night . . . . .
<ref targOrder="U" target="glasgow375">375</ref></item>
          <item>V. Maria Stands on Christopher's Ground . . . . .
<ref targOrder="U" target="glasgow385">385</ref></item>
          <item>VI. The Growing Light . . . . .
<ref targOrder="U" target="glasgow395">395</ref></item>
          <item>VII. In which Carraway Speaks the Truth to Maria . . . . .
<ref targOrder="U" target="glasgow403">403</ref></item>
          <item>VIII. Between Maria and Christopher . . . . .
 <ref targOrder="U" target="glasgow415">415</ref></item>
          <item>IX. Christopher Faces Himself . . . . .
<ref targOrder="U" target="glasgow423">423</ref></item>
          <item>X. By the Poplar Spring . . . . .
<ref targOrder="U" target="glasgow429">429</ref></item>
        </list>
        <list type="simple">
          <head>Book V. The Ancient Law</head>
          <item>I. Christopher Seeks an Escape . . . . .
<ref targOrder="U" target="glasgow441">441</ref></item>
          <item>II. The Measure of Maria . . . . .
<ref targOrder="U" target="glasgow449">449</ref></item>
          <item>III. Will's Ruin . . . . .
<ref targOrder="U" target="glasgow461">461</ref></item>
          <item>IV. In Which Mrs. Blake's Eyes are Opened . . . . .
 <ref targOrder="U" target="glasgow471">471</ref></item>
          <item>V. Christopher Plants by Moonlight . . . . .
<ref targOrder="U" target="glasgow483">483</ref></item>
          <item>VI. Treats of the Tragedy Which Wears a Comic Mask . . . . .
<ref targOrder="U" target="glasgow493">493</ref></item>
          <pb id="glasgowvii" n="vii"/>
          <item>VII. Will Faces Desperation and Stands at Bay . . . . .
 <ref targOrder="U" target="glasgow503">503</ref></item>
          <item>VIII. How Christopher Comes into His Revenge . . . . .
 <ref targOrder="U" target="glasgow515">515</ref></item>
          <item>IX. The Fulfilling of the Law . . . . .
 <ref targOrder="U" target="glasgow525">525</ref></item>
          <item>X. The Wheel of Life . . . . .
<ref targOrder="U" target="glasgow535">535</ref></item>
        </list>
      </div1>
      <pb id="glasgowix" n="ix"/>
      <div1 type="List of Characters">
        <head>List of Characters </head>
        <list type="simple">
          <item>CHRISTOPHER BLAKE, a tobacco-grower</item>
          <item>MRS. BLAKE, his mother</item>
          <item>TUCKER CORBIN, an old soldier</item>
          <item>CYNTHIA and LILA BLAKE, sisters of Christopher</item>
          <item>CARRAWAY, a lawyer</item>
          <item>BILL FLETCHER, a wealthy farmer</item>
          <item>MARIA FLETCHER, his granddaughter</item>
          <item>WILL FLETCHER, his grandson</item>
          <item>“MISS SAIDIE,” sister of Fletcher</item>
          <item>JACOB WEATHERBY, a tobacco-grower</item>
          <item>JIM WEATHERBY, his son</item>
          <item>SOL PETERKIN, another tobacco-grower</item>
          <item>MOLLY PETERKIN, daughter of Sol</item>
          <item>TOM SPADE, a country storekeeper</item>
          <item>SUSAN, his wife</item>
          <item>UNCLE BOAZ, a Negro</item>
        </list>
      </div1>
      <pb id="glasgowxi" n="xi"/>
      <div1 type="List of Illustrations">
        <head>LIST OF ILLUSTRATIONS</head>
        <list type="simple">
          <item>“ ‘Read yourself—this once,’ 
he pleaded, ‘and
let me listen.’ ” . . . . .
<ref targOrder="U" target="frontis"><hi rend="italics">Frontispiece</hi></ref> FACING PAGE</item>
          <item>“In a massive Elizabethan chair of blackened
oak a stately old lady was sitting straight
and stiff.” . . . . . <ref targOrder="U" target="ill1">52</ref></item>
          <item>“ . . . stood, bareheaded, gazing over the
broad field.” . . . . . <ref targOrder="U" target="ill2">168</ref></item>
          <item>“ . . . waited for the oxen to reach the
summit of the hill.” . . . . . <ref targOrder="U" target="ill3">342</ref></item>
        </list>
      </div1>
    </front>
    <body>
      <pb id="glasgow1" n="1"/>
      <div1 type="book">
        <head>BOOK I
<lb/>THE INHERITANCE</head>
        <pb id="glasgow3" n="3"/>
        <head>THE INHERITANCE</head>
        <div2 type="chapter">
          <head>CHAPTER I
<lb/>THE MAN IN THE FIELD</head>
          <p>WHEN the Tusquehanna stage
  came to the
daily halt beneath the blasted pine at the
cross-roads, an elderly man, wearing a
flapping frock coat and a soft slouch hat, stepped
gingerly over one of the muddy wheels, and threw a
doubtful glance across the level tobacco fields, where
the young plants were drooping in the June sunshine.</p>
          <p>“So this is my way, is it?” he asked, with a jerk of
his thumb toward a cloud of blue-and-yellow butterflies
drifting over a shining puddle—”five miles as
the crow flies, and through a bog?”</p>
          <p>For a moment he hung suspended above the
encrusted axle, peering with blinking pale-gray eyes
over a pair of gold-rimmed spectacles. In his
appearance there was the hint of a scholarly intention
unfulfilled, and his dress, despite its general
carelessness, bespoke a different standard of taste from
that of the isolated dwellers in the surrounding fields.
A casual observer might have classified him as one of
the Virginian landowners impoverished by the war;
in reality, he was a successful lawyer in a neighbouring
<pb id="glasgow4" n="4"/>
town, who, amid the overthrow of the slave-holding
gentry some twenty years before, had risen
into a provincial prominence.</p>
          <p>His humour met with a slow response from the
driver, who sat playfully flicking at a horsefly on the
flank of a tall, raw-boned sorrel. “Wall, thar's been
a sight of rain lately,” he observed, with good-natured
acquiescence, “but I don't reckon the mud's
more'n waist deep, an' if you do happen to git clean
down, thar's Sol Peterkin along to pull you out.
Whar're you hidin', Sol? Why, bless my boots, if
he ain't gone fast asleep!”</p>
          <p>At this a lean and high-featured matron, encased
in the rigidity of her Sunday bombazine, gave a prim
poke with her umbrella in the ribs of a sparrow-like
little man, with a discoloured, scraggy beard, who
nodded in one corner of the long seat.</p>
          <p>“I'd wake up if I was you,“ she remarked in the
voice her sex assumes when virtue lapses into severity.</p>
          <p>Starting from his doze, the little man straightened
his wiry, sunburned neck and mechanically raised
his hand to wipe away a thin stream of tobacco juice
which trickled from his half-open mouth.</p>
          <p>“Hi! we ain't got here a'ready!” he exclaimed, as
he spat energetically into the mud. “I d'clar if it
don't beat all—one minute we're thar an' the next
we're here. It's a movin' world we live in, ain't that
so, mum?” Then, as the severe matron still stared
unbendingly before her, he descended between the
wheels, and stood nervously scraping his feet in the
long grass by the roadside.</p>
          <p>“This here's Sol Peterkin, Mr. Carraway,” said
the driver, bowing his introduction as he leaned
<pb id="glasgow5" n="5"/>
forward to disentangle the reins from the sorrel's
tail, “an' I reckon he kin p'int out Blake Hall to you
as well as another, seein' as he was under-overseer
thar for eighteen years befo' the war. Now you'd
better climb in agin, folks; it's time we were off.”</p>
          <p>He gave an insinuating cluck to the horses, while
several passengers, who had alighted to gather
blackberries from the ditch, scrambled hurriedly into their
places. With a single clanking wrench the stage
rolled on, plodding clumsily over the miry road.</p>
          <p>As the spattering mud-drops fell round him, Carraway
lifted his head and sniffed the air like a pointer
that has been just turned afield. For the moment
his professional errand escaped him as his chest
expanded in the light wind which blew over the
radiant stillness of the Virginian June. From the
cloudless sky to its pure reflection in the rain-washed
roads there was barely a descending shade, and the
tufts of dandelion blooming against the rotting rail
fence seemed but patches of the clearer sunshine.</p>
          <p>“Bless my soul, it's like a day out of Scripture!” he
exclaimed in a tone that was half-apologetic; then
raising his walking-stick he leisurely swept it into
space. “There's hardly another crop, I reckon
between here and the Hall?“</p>
          <p>Sol Peterkin was busily cutting a fresh quid of
tobacco from the plug he carried in his pocket, and
there was a brief pause before he answered. Then, as
he carefully wiped the blade of his knife on the leg of
his blue jean overalls, he looked up with a curious
facial contortion.</p>
          <p>“Oh, you'll find a corn field or two somewhar
along,” he replied, “but it's a lanky, slipshod kind of
<pb id="glasgow6" n="6"/>
crop at best, for tobaccy's king down here, an' no
mistake. We've a sayin' that the man that ain't partial
to the weed can't sleep sound even in the churchyard,
an' thar's some as 'ill swar to this day that Willie
Moreen never rested in his grave because he didn't
chaw, an' the soil smelt jest like a plug. Oh, it's a
great plant, I tell you, suh. Look over that at them
fields; they've all been set out sence the spell o' rain.”</p>
          <p>The road they followed crawled like a leisurely river
between the freshly ploughed ridges, where the earth
was slowly settling around the transplanted crop.
In the distance, labourers were still at work, passing
in dull-blue blotches between the rows of bright-green
leaves that hung limply on their slender stalks.</p>
          <p>“You've lived at the Hall, I hear,” said Carraway,
suddenly turning to look at his companion over
his lowered glasses.</p>
          <p>“When it was the Hall, suh,” replied Sol, with a
tinge of bitterness in his chuckle. “Why, in my day,
an' that was up to the very close of the war, you
might stand at the big gate an' look in any direction
you pleased till yo' eyes bulged fit to bu'st, but you
couldn't look past the Blake land for all yo' tryin'.
These same fields here we're passin' through I've seen
set out in Blake tobaccy time an' agin, an' the farm
I live on three miles beyond the Hall belonged to
the old gentleman, God bless him! up to the day he
died. Lord save my soul! three hunnard as likely
niggers as you ever clap sight on, an' that not countin'
a good fifty that was too far gone to work.”</p>
          <p>“All scattered now, I suppose?”</p>
          <p>“See them little cabins over yonder?” With a
dirty forefinger he pointed to the tiny trails of smoke
<pb id="glasgow7" n="7"/>
hanging low above the distant tree-tops. “The
county's right speckled with 'em an' with thar
children—all named Blake arter old marster, as they
called him, or Corbin arter old miss. When leetle
Mr. Christopher got turned out of the Hall jest befo'
his pa died, an' was shuffled into the house of the
overseer, whar Bill Fletcher used to live himself
the darkies all bought bits o' land here an' thar
an' settled down to do some farmin' on a free scale.
Stuck up, suh! Why, Zebbadee Blake passed me
yestiddy drivin' his own mule-team, an' I heard
him swar he wouldn't turn out o' the road for anybody
less'n God A'mighty or Marse Christopher!”</p>
          <p>“A—ahem!” exclaimed Carraway, with relish;
“and in the meantime, the heir to all this high-handed
authority is no better than an illiterate day-labourer.”</p>
          <p>Peterkin snorted. “Who? Mr. Christopher? Well,
he warn't more'n ten years old when his pa went
doty an' died, an' I don't reckon he's had much
larnin' sence. I've leant on the gate myself
an' watched the nigger children traipsin' by to the
Yankee woman's school, an' he drivin' the plough
when he didn't reach much higher than the handle.
He used to be the darndest leetle brat, too, till his
sperits got all freezed out o' him. Lord! Lord! thar's
such a sight of meanness in this here world that it
makes a body b'lieve in Providence whether or no.”</p>
          <p>Carraway meditatively twirled his walking-stick.
“Raises tobacco now like the rest, doesn't he?”</p>
          <p>“Not like the rest—bless you, no, suh. Why,
the weed thrives under his very touch, though he
can't abide the smell of it, an' thar's not a farmer
in the county that wouldn't ruther have him to plant,
<pb id="glasgow8" n="8"/>
cut, or cure than any ten men round about. They do
say that his pa went clean crazy about tobaccy jest
befo' he died, an' that Mr. Christopher gets dead
sick when he smells it smokin' in the barn, but he
kin pick up a leaf blindfold an' tell you the quality
of it at his first touch.”</p>
          <p>For a moment the lawyer was silent, pondering a
thought he evidently did not care to utter. When
at last he spoke it was in the measured tones of one
who overcomes an impediment in his speech.</p>
          <p>“Do you happen to have heard, I wonder, anything
of his attitude toward the present owner of
the Hall?”</p>
          <p>“Happen to have heard!” Peterkin threw back his
head and gasped. “Why, the whole county has
happened to hear of it, I reckon. It's been common
talk sence the day he got his first bird-gun, an' his
nigger, Uncle Boaz, found him hidin' in the bushes to
shoot old Fletcher when he came in sight. I tell you,
if Bill Fletcher lay dyin' in the road, Mr. Christopher
would sooner ride right over him than not. You
ask some folks, suh, an' they'll tell you a Blake kin
hate twice as long as most men kin love.”</p>
          <p>“Ah, is it so bad as that?” muttered Carraway.</p>
          <p>“Well, he ain't much of a Christian, as the lights
go,” continued Sol, “but I ain't sartain, accordin' to
my way of thinkin', that he ain't got a better showin'
on his side than a good many of 'em that gits thar
befo' the preacher. He's a Blake, skin an' bone,
anyhow, an' you ain't goin' to git this here county
to go agin him—not if he was to turn an' spit at
Satin himself. Old Bill Fletcher stole his house an'
his land an' his money, law or no law—that's how I
<pb id="glasgow9" n="9"/>
look at it—but he couldn't steal his name, an' that's
what counts among the niggers, an' the po' whites,
too. Why, I've seen a whole parcel o' darkies stand
stock still when Fletcher drove up to the bars with
his spankin' pair of bays, an' then mos' break thar
necks lettin' 'em down as soon as Mr. Christopher
comes along with his team of oxen. You kin fool the
quality 'bout the quality, but I'll be blamned if you
kin fool the niggers.”</p>
          <p>Ahead of them there was a scattered group of log
cabins, surrounded by little whitewashed palings,
and at their approach a decrepit old Negro, followed
by a slinking black-and-tan foxhound, came beneath
the straggling hopvine over one of the doors and
through the open gate out into the road. His bent
old figure was huddled within his carefully patched
clothes of coarse brown homespun.</p>
          <p>“Howdy, marsters,” he muttered, in answer to the
lawyer's greeting, raising a trembling hand to his
wrinkled forehead. “Y'all ain' seen nuttin' er ole
miss's yaller cat, Beulah, I reckon?”</p>
          <p>Peterkin, who had eyed him with the peculiar
disfavour felt for the black man by the low-born
white, evinced a sudden interest out of all proportion
to Carraway's conception of the loss.</p>
          <p>“Ain't she done come back yet, Uncle Boaz?” he
inquired.</p>
          <p>“Naw, suh, dat she aint, en ole miss she ain' gwine
git a wink er sleep dis blessed night. Me en Spy we
is done been traipsin' roun' atter dat ar low-lifeted
Beulah sence befo' de dinner-bell.”</p>
          <p>“When did you miss her first?” asked Peterkin
with concern.</p>
          <pb id="glasgow10" n="10"/>
          <p>“I dunno, suh, dat I don't, caze she ain' no better'n
one er dese yer wish-wishys,<ref targOrder="U" id="ref1" n="1" rend="sc" target="note1">*</ref> an' I ain' mek out yit
ef'n twuz her er her hant. Las' night 'bout sundown
dar she wuz a-lappin' her sasser er milk right at ole
miss feet, en dis mawnin' at sunup dar she warn't.
Dat's all I know, suh, ef'n you lay me out.”</p>
          <p>“Well, I reckon she'll turn up agin,” said Peterkin
consolingly. “Cats air jest like gals, anyway—they
ain't never happy unless they're eternally gallyvantin'.
Why, that big white Tom of mine knows more about
this here county than I do myself.”</p>
          <p>“Dat's so, suh; dat's de gospel trufe; but I'se kinder
flustered 'bout dat yaller cat caze ole miss sutney do
set a heap er sto' by 'er. She ain' never let de dawgs
come in de 'oom, nohow, caze once she done feel
Beulah rar 'er back at Spy. She's des stone blin', is
ole miss, but I d'clar she kin smell pow'ful keen, an'
'tain' no use tryin' ter fool her wid one houn' er de
hull pack. Lawd! Lawd! I wunner ef dat ar cat kin
be layin' close over yonder at Sis Daphne's?”</p>
          <p>He branched off into a little path which ran like a
white thread across the field, grumbling querulously
to the black-and-tan foxhound that ambled at his
heels.</p>
          <p>“Dar's a wallopin' ahaid er you, sho's you bo'n,“
he muttered, as he limped on toward a small log hut
from which floated an inviting fragrance of bacon
frying in fat. “I reckon you lay dat you kin cut
yo' mulatter capers wid me all you please, but you'd
better look out sharp 'fo' you begin foolin' 'long er
Marse Christopher. Dar you go agin, now. Ain' dat
<note id="note1" n="1" rend="sc" place="foot" anchored="yes" target="ref1">Will-o'-the-wisp.</note>
<pb id="glasgow11" n="11"/>
des like you? Wat you wanter go sickin' atter dat
ole hyar fer, anyhow?”</p>
          <p>“So that is one of young Blake's hangers-on?”
observed Carraway, with a slight inflection of inquiry.</p>
          <p>“Uncle Boaz, you mean? Oh, he was the old
gentleman's body-servant befo' the war. He used
to wear his marster's cast-off ruffles an' high hat.
A mighty likely nigger he was, too, till he got all bent
up with the rheumatics.”</p>
          <p>The lawyer had lifted his walking-stick and was
pointing straight ahead to a group of old brick
chimneys huddled in the sunset above a grove of
giant oaks.</p>
          <p>“That must be Blake Hall over there,” he said;
“there's not another house like it in the three
counties.”</p>
          <p>“We'll be at the big gate in a minute, suh,” Peterkin
returned. “This is the first view of the Hall you git,
an' they say the old gentleman used to raise his hat
whenever he passed by it.” Then as they swung open
the great iron gate, with its new coat of red, he
touched Carraway's sleeve and spoke in a hoarse
whisper. “Thar's Mr. Christopher himself over
yonder,” he said, “an' Lord bless my soul, if he ain't
settin' out old Fletcher's plants. Thar! he's standin'
up now—the big young fellow with the basket. The
old gentleman was the biggest man twixt here an'
Fredericksburg, but I d'clar Mr. Christopher is a good
half-head taller!”</p>
          <p>At his words Carraway stopped short in the road,
raising his useless glasses upon his brow. The sun
had just gone down in a blaze of light, and the great
bare field was slowly darkening against the west.
<pb id="glasgow12" n="12"/>
Nearer at hand there were the long road, already in
twilight, the rail fence wrapped in creepers, and a
solitary chestnut tree in full bloom. Farther away
swept the freshly ploughed ground over which passed
the moving figures of the labourers transplanting the
young crop. Of them all, Carraway saw but a single
worker—in reality, only one among the daily toilers
in the field, moulded physically perhaps in a finer
shape than they, and limned in the lawyer's mental
vision against a century of the brilliant if tragic history
of his race. As he moved slowly along between the
even rows, dropping from time to time a plant into
one of the small holes dug before him, and pausing
with the basket on his arm to settle the earth carefully
with his foot, he seemed, indeed, as much the
product of the soil upon which he stood as did the
great white chestnut growing beside the road. In
his pose, in his walk, in the careless carriage of
his head, there was something of the large freedom
of the elements.</p>
          <p>“A dangerous young giant,” observed the lawyer
slowly, letting his glasses fall before his eyes. “A
monumental Blake, as it were. Well, as I have
remarked before upon occasions, blood will tell, even
at the dregs.”</p>
          <p>“He's the very spit of his pa, that's so,” replied
Peterkin, “an' though it's no business of mine, I'm
afeared he's got the old gentleman's dry throat along
with it. Lord! Lord! I've always stood it out that
it's better to water yo' mouth with tobaccy than to
burn it up with sperits.” He checked himself
and fell back hastily, for young Blake, after a
single glance at the west, had tossed his basket
<pb id="glasgow13" n="13"/>
carelessly aside, and was striding vigorously across
the field.</p>
          <p>“Not another plant will I set out, and that's an
end of it!” he was saying angrily. “I agreed to do
a day's work and I've been at it steadily since
sunrise. Is it any concern of mine, I'd like to know, if
he can't put in his crop to-night? Do you think I
care whether his tobacco rots in the ground or
out of it?”</p>
          <p>As he came on, Carraway measured him coolly,
with an appreciation tempered by his native sense of
humour. He perceived at once a certain coarseness
of finish which, despite the deep-rooted veneration
for an idle ancestry, is found most often in the
descendants of a long line of generous livers. A
moment later he weighed the keen gray flash of the
eyes beneath the thick fair hair, the coating of dust and
sweat over the high-bred curve from brow to nose,
and the <sic corr="fullness">fulness</sic> of the jaw which bore with a suggestion
of sheer brutality upon the general impression of
a fine racial type. Taken from the mouth up, the
face might have passed as a pure, fleshly copy of the
antique idea; seen downward, it became almost
repelling in its massive power.</p>
          <p>Stooping beside the fence for a common harvest hat,
the young man placed it on his head, and gave a
careless nod to Peterkin. He had thrown one leg
over the rails, and was about to swing himself into
the road, when Sol spoke a little timidly.</p>
          <p>“I hear yo' ma's done lost her yaller cat, Mr
Christopher.”</p>
          <p>For an instant Christopher hung midway of the
fence.</p>
          <pb id="glasgow14" n="14"/>
          <p>“Isn't the beast back yet?” he asked irritably,
scraping the mud from his boot upon the rail. “I've
had Uncle Boaz scouring the county half the day.”</p>
          <p>A pack of hounds that had been sleeping under
the sassafras bushes across the road came fawning
to his feet, and he pushed them impatiently aside.</p>
          <p>“I was thinkin',” began Peterkin, with an uncertain
cough, “that I might manage to send over my
big white Tom, an', bein' blind, maybe she wouldn't
know the difference.”</p>
          <p>Christopher shook his head.</p>
          <p>“Oh, it's no use,” he replied, speaking with an air
of superiority. “She could pick out that cat among
a million, I believe, with a single touch. Well,
there's no help for it. Down, Spot—down, I say,
sir!”</p>
          <p>With a leisurely movement he swung himself from
the fence, stopping to wipe his brow with his blue
cotton sleeve. Then he went whistling defiantly
down the way to the Hall, turning at last into a sunken
road that trailed by an abandoned ice-pond where
bullfrogs were croaking hoarsely in the rushes.</p>
        </div2>
        <pb id="glasgow15" n="15"/>
        <div2 type="chapter">
          <head>CHAPTER II
<lb/>
THE OWNER OF BLAKE HALL</head>
          <p>AS THEY followed the descending road between
flowering chestnuts, Blake Hall rose gradually into
fuller view, its great oaks browned by the approaching
twilight and the fading after-glow reflected in
a single visible pane. Seen close at hand, the house
presented a cheerful spaciousness of front—a surety
of light and air—produced in part by the clean white
Doric columns of the portico and in part by the
ample slope of shaven lawn studded with beds of
brightly blooming flowers. From the smoking chimneys
presiding over the ancient roof to the hospitable
steps leading from the box-bordered walk below, the
outward form of the dwelling spoke to the imaginative
mind of that inner spirit which had moulded it
into a lasting expression of a racial sentiment, as if
the Virginia creeper covering the old brick walls had
wreathed them in memories as tenacious as itself.</p>
          <p>For more than two hundred years Blake Hall had
stood as the one great house in the county—a
manifestation in brick and mortar of the hereditary
greatness of the Blakes. To Carraway, impersonal as
his interest was, the acknowledgment brought a sudden
vague resentment, and for an instant he bit his lip and
hung irresolute, as if more than half-inclined to retrace
his steps. A slight thing decided him—the gaiety of a
<pb id="glasgow16" n="16"/>
boy's laugh that floated from one of the lower rooms
—and swinging his stick briskly to add weight to his
determination, he ascended the broad steps and lifted
the old brass knocker. A moment later the door
was opened by a large mulatto woman, in a soiled
apron, who took his small hand-bag from him and,
when he asked for Mr. Fletcher, led him across the
great hall into the unused drawing-room.</p>
          <p>The shutters were closed, and as she flung them
back on their rusty hinges the pale June twilight
entered with the breath of mycrophylla roses. In
the scented dusk Carraway stared about the desolate,
crudely furnished room, which gave back to his
troubled fancy the face of a pitiable, dishonoured
corpse. The soul of it was gone forever—that
peculiar spirit of place which makes every old house
the guardian of an inner life—the keeper of a family's
ghost. What remained was but the outer husk, the
disfigured frame, upon which the newer imprint
seemed only a passing insult.</p>
          <p>On the high wainscoted walls he could still trace
the vacant dust-marked squares where the Blake
portraits had once hung—lines that the successive
scrubbings of fifteen years had not utterly effaced.
A massive mahogany sofa, carved to represent a
horn of plenty, had been purchased, perhaps at a
general sale of the old furniture, with several quaint
rosewood chairs and a rare cabinet of inlaid woods.
For the rest, the later additions were uniformly
cheap and ill-chosen—a blue plush “set,” bought,
possibly, at a village store, a walnut table with a
sallow marble top, and several hard engravings of
historic subjects.</p>
          <pb id="glasgow17" n="17"/>
          <p>When the lawyer turned from a curious inspection
of these works of art, he saw that only a curtain of
flimsy chintz, stretched between a pair of fluted
columns, separated him from the adjoining room
where a lamp, with lowered wick, was burning under
a bright red shade. After a moment's hesitation
he drew the curtain aside and entered what he
took at once to be the common living-room of the
Fletcher family.</p>
          <p>Here the effect was less depressing, though equally
uninteresting—a paper novel or two on the big
Bible upon the table combined, indeed, with a
costly piano in one corner, to strike a note that was
entirely modern. The white crocheted tidies on the
chair-backs, elaborated with endless patience out of
innumerable spools of darning cotton, lent a feminine
touch to the furniture, which for an instant distracted
Carraway's mental vision from the impending
personality of Fletcher himself. He remembered
now that there was a sister whom he had heard
vaguely described by the women of his family as
“quite too hopeless,” and a granddaughter of whom
he knew merely that she had for years attended an
expensive school somewhere in the North. The
grandson he recalled, after a moment, more distinctly,
as a pretty, undeveloped boy in white pinafores, who
had once accompanied Fletcher upon a hurried visit
to the town. The gay laugh had awakened the
incident in his mind, and he saw again the little
cleanly clad figure perched upon his desk, nibbling
bakers' buns, while he transacted a tedious piece of
business with the vulgar grandfather.</p>
          <p>He was toying impatiently with these recollections
<pb id="glasgow18" n="18"/>
when his attention was momentarily attracted by the
sound of Fletcher's burly tones on the rear porch
just beyond the open window.</p>
          <p>“I tell you, you've set all the niggers agin me,
and I can't get hands to work the crops.”</p>
          <p>“That's your lookout, of course,” replied a voice,
which he associated at once with young Blake. “I
told you I'd work three days because I wanted the
ready money; I've got it, and my time is my own
again.”</p>
          <p>“But I say my tobacco's got to get into the ground
this week—it's too big for the plant-bed a'ready,
and with three days of this sun the earth'll be dried
as hard as a rock.”</p>
          <p>“There's no doubt of it, I think.”</p>
          <p>“And it's all your blamed fault,” burst out the
other angrily; “you've gone and turned them all
agin me—white and black alike. Why, it's as
much as I can do to get a stroke of honest labour in
this nigger-ridden country.”</p>
          <p>Christopher laughed shortly.</p>
          <p>“There is no use blaming the Negroes,” he said,
and his pronunciation of the single word would have
stamped him in Virginia as of a different class from
Fletcher; “they're usually ready enough to work if
you treat them decently.”</p>
          <p>“Treat them!” began Fletcher, and Carraway
was about to fling open the shutters, when light steps
passed quickly along the hall and he heard the rustle
of a woman's silk dress against the wainscoting.</p>
          <p>“There's a stranger to see you, grandfather,” called
a girl's even voice from the house; “finish paying
off the hands and come in at once.”</p>
          <pb id="glasgow19" n="19"/>
          <p>“Well, of all the impudence!” exclaimed the young
man, with a saving dash of humour. Then, without
so much as a parting word, he ran quickly down the
steps and started rapidly in the direction of the
darkening road, while the silk dress rustled upon the
porch and at the garden gate as the latch was lifted.</p>
          <p>“Go in, grandfather!“ called the girl's voice from
the garden, to which Fletcher responded as decisively.</p>
          <p>“For Heaven's sake, let me manage my own
affairs, Maria. You seem to have inherited your
poor mother's pesky habit of meddling.”</p>
          <p>“Well, I told you a gentleman was waiting,” returned
the girl stubbornly. “You didn't let us know
he was coming, either, and Lindy says there isn't a
thing fit to eat for supper.”</p>
          <p>Fletcher snorted, and then, before entering the
house, stopped to haggle with an old Negro woman
for a pair of spring chickens hanging dejectedly from
her outstretched hand, their feet tied together with
a strip of faded calico.</p>
          <p>“How much you gwine gimme fer dese, marster?”
she inquired anxiously, deftly twirling them about,
until they swung with heads aloft.</p>
          <p>Rising to the huckster's instinct, Fletcher poked
the offerings suspiciously beneath their flapping
wings.</p>
          <p>“Thirty cents for the pair—not a copper more,”
he responded promptly; “they're as poor as Job's
turkey, both of 'em.“</p>
          <p>“Lawdy, marster, you know better'n dat.”</p>
          <p>“They're skin and bones, I tell you; feel 'em yourself.
Well, take it or leave it, thirty cents is all I'll give.”</p>
          <pb id="glasgow20" n="20"/>
          <p>“Go 'way f'om yere, suh; dese yer chickings ain' no
po' w'ite trash—dey's been riz on de bes' er de lan',
dey is—en de aigs dey wuz hatched right dar in de
middle er de bald whar me en my ole man en de
chillun sleep. De hull time dat black hen wuz a-settin',
Cephus he was bleeged ter lay right spang on de bar'
flo' caze we'uz afeared de aigs 'ould addle. Lawd!
Lawd! dey wuz plum three weeks a-hatchin', en de
weather des freeze thoo en thoo. Cephus he's been
crippled up wid de rheumatics ever sence. Go 'way
f'om yer, marster. I warn't bo'n yestiddy. Thirty
cents!”</p>
          <p>“Not a copper more, I tell you. Let me go, my
good woman; I can't stand here all night.”</p>
          <p>“Des a minute, marster. Dese yer chickings ain'
never sot dey feet on de yearth, caze dey's been riz
right in de cabin, en dey's done et dar vittles outer de
same plate wid me en Cephus. Ef'n dey spy a chice
bit er bacon on de een er de knife hit 'uz moughty
likely ter fin' hits way down dir throat instid er
down me en Cephus'.”</p>
          <p>“Let me go, I say—I don't want your blamed
chickens; take 'em home again.”</p>
          <p>“Hi! marster, I'se Mehitable. You ain't fergot
how peart I use ter wuk w'en you wuz over me in ole
marster's day. You know you ain' fergot Mehitable,
suh. Ain't you recollect de time ole marster gimme
a dollar wid his own han' caze I foun' de biggest
wum in de hull 'baccy patch? Lawd! dey wuz times,
sho's you bo'n. I kin see ole marster now es plain
es ef twuz yestiddy, so big en shiny like satin, wid
his skin des es tight es a watermillion's.”</p>
          <p>“Shut up, confound you!” cut in Fletcher sharply.</p>
          <pb id="glasgow21" n="21"/>
          <p>“If you don't stop your chatter I'll set the dogs on
you. Shut up, I say!”</p>
          <p>He strode into the house, slamming the heavy
door behind him, and a moment afterward Carraway
heard him scolding brutally at the servants across
the hall.</p>
          <p>The old Negress had gone muttering from the
porch with her unsold chickens, when the door
softly opened again, and the girl, who had entered
through the front with her basket of flowers, came
out into the growing moonlight.</p>
          <p>“Wait a moment, Aunt Mehitable,” she said. “I
want to speak to you.”</p>
          <p>Aunt Mehitable turned slowly, putting a feeble
hand to her dazed eyes. “You ain' ole miss come
back agin, is you, honey?” she questioned doubtfully.</p>
          <p>“I don't know who your old miss was,” replied
the girl, “but I am not she, whoever she may have
been. I am Maria Fletcher. You don't remember
me—yet you used to bake me ash-cakes when I was
a little girl.”</p>
          <p>The old woman shook her head. “You ain' Marse
Fletcher's chile?”</p>
          <p>“His granddaughter—but I must go in to supper.
Here is the money for your chickens—grandpa was
only joking; you know he loves to joke. Take the
chickens to the hen-house and get something hot to
eat in the kitchen before you start out again.”</p>
          <p>She ran hurriedly up the steps and entered the
hall just as Fletcher was shaking hands with his guest.</p>
        </div2>
        <pb id="glasgow23" n="23"/>
        <div2 type="chapter">
          <head>CHAPTER III
<lb/>
SHOWING THAT A LITTLE CULTURE ENTAILS GREAT CARE</head>
          <p>CARRAWAY had risen to meet his host in a flutter
that was almost one of dread. In the eight years
since their last interview it seemed to him that his
mental image of his great client had magnified in
proportions—that Fletcher had “out-Fletchered” himself,
as he felt inclined to put it. The old betrayal of his
employer's dependence, which at first had been
merely a suspicion in the lawyer's mind, had begun
gradually, as time went on, to bristle with the points of
significant details. In looking back, half-hinted
things became clear to him at last, and he gathered,
bit by bit, the whole clever, hopeless villainy of the
scheme—the crime hedged about by law with all the
prating protection of a virtue. He knew now that
Fletcher—the old overseer of the Blake slaves—had
defrauded the innocent as surely as if he had plunged
his great red fist into the little pocket of a child—
had defrauded, indeed, with so strong a blow that the
very consciousness of his victim had been stunned.
There had been about his act all the damning hypocrisy
of a great theft—all the air of stern morality
which makes for the popular triumph of the heroic swindler.</p>
          <pb id="glasgow24" n="24"/>
          <p>These things Carraway understood, yet as the man
strode into the room with open palm and a general
air of bluff hospitality—as if he had just been blown
by some fresh strong wind across his tobacco fields—
the lawyer experienced a relief so great that the breath
he drew seemed a fit measure of his earlier foreboding.
For Fletcher outwardly was but the common
type of farmer, after all, with a trifle more
intelligence, perhaps, than is met with in the average
Southerner of his class. “A plain man but honest,
sir,” was what one expected him to utter at every
turn. It was written in the coarse open lines of his
face, half-hidden by a bushy gray beard; in his small
sparkling eyes, now blue, now brown; in his
loose-limbed, shambling movements as he crossed
the room. His very clothes spoke, to an acute observer, of a
masculine sincerity naked and unashamed—as if his
large coffee-spotted cravat would not alter the
smallest fold to conceal the stains it bore. Hale,
hairy, vehement, not without a quality of Rabelaisian
humour, he appeared the last of all men with
whom one would associate the burden of a troubled
conscience.</p>
          <p>“Sorry to have kept you—on my word I am,” he
began heartily; “but to tell the truth, I thought
thar'd be somebody in the house with sense enough
to show you to a bedroom. Like to run up now for
a wash before supper?”</p>
          <p>It was what one expected of him, such a speech
blurted in so offhand a manner, and the lawyer could
barely suppress a threatening laugh.</p>
          <p>“Oh, it was a short trip,” he returned, “and a
walk of five miles on a day like this is one of the
<pb id="glasgow25" n="25"/>
most delightful things in life. I've been looking
out at your garden, by the way, and—I may as
well confess it—overhearing a little of your
conversation.”</p>
          <p>“Is that so?” chuckled Fletcher, his great eyebrows
overhanging his eyes like a mustache grown out of
place. “Well, you didn't hear anything to tickle
your ears, I reckon. I've been having a row
with that cantankerous fool, Blake. The queer
thing about these people is that they seem to think
I'm to blame every time they see a spot on
their tablecloths. Mark my words, it ain't been two
years since I found that nigger Boaz digging in my
asparagus bed, and he told me he was looking for
some shoots for ole miss's dinner.”</p>
          <p>“The property idea is very strong in these rural
counties, you see,” remarked the lawyer gravely.
“They feel that every year adds a value to the
hereditary possession of land, and that when an estate has
borne a single name for a century there has been a
veritable impress placed upon it. Your asparagus
bed is merely an item; you find, I fancy, other
instances.”</p>
          <p>Fletcher turned in his chair.</p>
          <p>“That's the whole blamed rotten truth,” he admitted,
waving his great red hand toward the door;
“but let's have supper first and settle down to talk on
a full stomach. Thar's no hurry with all night
before us, and that, to come to facts, is why I sent
for you. No lawyer's office for me when I want to
talk business, but an easy-chair by my own table and
a cup of coffee beforehand.”</p>
          <p>As he finished, a bell jangled in the hall, and the
<pb id="glasgow26" n="26"/>
door opened to admit the girl whom Carraway had
seen a little earlier upon the porch.</p>
          <p>“Supper's a good hour late, Maria,” grumbled
Fletcher, looking at his heavy silver watch, “and I
smelt the bacon frying at six o'clock.”</p>
          <p>For an instant the girl looked as if she had more
than half an intention to slap his face; then quickly
recovering her self-possession, she smiled at Carraway
and held out a small white hand with an air of
quiet elegance which was the most noticeable thing
in her appearance.</p>
          <p>“I am quite a stranger to you, Mr. Carraway,”
she said, with a laugh, “but if you had only known it,
I had a doll named after you when I was very small.
Guy Carraway!—it seemed to me all that was needed
to make a fairy tale.”</p>
          <p>The lawyer joined in her laugh, which never rose
above a carefully modulated minor. “I confess that
I once took the same view of it, my dear young
lady,” he returned, “so I ended by dropping the name
and keeping only the initial. Your grandfather
will tell you that I am now G. Carraway and nothing
more. I couldn't afford, as things were, to make a
fairy tale of my life, you see.”</p>
          <p>“Oh, if one only could!” said the girl, lowering her
full dark eyes, which gave a piteous lie to her sullen mouth.</p>
          <p>She was artificial, Carraway told himself with
emphasis, and yet the distinction of manner—the
elegance—was certainly the point at which her
training had not failed. He felt it in her tall, straight
figure, absurdly overdressed for a granddaughter of
Fletcher's; in her smooth white hands, with their
<pb id="glasgow27" n="27"/>
finely polished nails; in her pale, repressed face, which
he called plain while admitting that it might become
interesting; in her shapely head even with its heavy
cable of coal-black hair. What she was her education
had made of her—the look of serene distinction, the
repose of her thin-featured, colourless face, refined
beyond the point of prettiness—these things her
training had given her, and these were the things
which Carraway, with his old-fashioned loyalty to a
strong class prejudice, found himself almost resenting.
Bill Fletcher's granddaughter had, he felt, no right
to this rare security of breeding which revealed
itself in every graceful fold of the dress she wore, for
with Fletcher an honest man she would have been,
perhaps, but one of the sallow, over-driven drudges
who stare like helpless effigies from the little
tumbled-down cabins along country roadsides.</p>
          <p>Fletcher, meanwhile, had filled in the pause with
one of his sudden burly dashes into speech.</p>
          <p>“Maria has been so long at her high-and-mighty
boarding-school,” he said, “that I reckon her head's
as full of fancies as a cheese is of maggots. She's
even got a notion that she wants to turn out all
this new stuff—to haul the old rubbish back again—
but I say wait till the boy comes on—then we'll see
we'll see.”</p>
          <p>“And in the meantime we'll go in to supper,” put
in the girl with a kind of hopeless patience, though
Carraway could see that she smarted as from a blow.
“This is Will, Mr. Carraway,” she added almost
gaily, <sic corr="skillfully">skilfully</sic> sweeping her train from about the
feet of a pretty, undersized boy of fourteen years,
who had burst into the room with his mouth full of
<pb id="glasgow28" n="28"/>
bread and jam. “He's quite the pride of the family,
you know, because he's just taken all the honours of
his school.”</p>
          <p>“History, 'rithmatic, Latin—all the languages,”
rolled out Fletcher in a voice that sounded like a
tattoo. “I can't keep up with 'em, but they're all
thar, ain't they, sonny?”</p>
          <p>“Oh, you could never say 'em off straight, grandpa,”
retorted the boy, with the pertness of a spoiled girl,
at which, to Carraway's surprise, Fletcher fairly
chuckled with delight.</p>
          <p>“That's so; I'm a plain man, the Lord knows,”
he admitted, his coarse face crinkling like a
sundried leaf of tobacco.</p>
          <p>“We've got chickens for supper—broiled,” the
boy chattered on, putting out his tongue at his
sister; “that's why Lindy's havin' it an hour late—
she's been picking 'em, with Aunt Mehitable helping
her for the feathers. Now don't shake your head at
me, Maria, because it's no use pretending we have 'em
every night, like old Mrs. Blake.”</p>
          <p>“Bless my soul!” gasped Fletcher, nettled by the
last remark. “Do you mean to tell me those Blakes
are fools enough to eat spring chicken when they could
get forty cents apiece for 'em in the open market?”</p>
          <p>“The old lady does,” corrected the boy glibly.
“The one who wears the queer lace cap and sits in the
big chair by the hearth all day—and all night, too,
Tommy Spade says, 'cause he peeped through once at
midnight and she was still there, sitting so stiff that
it scared him and he ran away. Well, Aunt Mehitable
sold her a dozen, and she got a side of bacon and a
bag of meal.”</p>
          <pb id="glasgow29" n="29"/>
          <p>“Grandfather, you've forgotten Aunt Saidie,”
broke in Maria, as Fletcher was about to begin his
grace without waiting for a dumpy little woman, in
purple calico, who waddled with an embarrassed
air from her hasty preparations in the pantry. At
first Carraway had mistaken her for an upper servant,
but as she came forward Maria laid her hand
playfully upon her arm and introduced her with a
sad little gaiety of manner. “I believe she has met
one of your sisters in Fredericksburg,” she added
after a moment. Clearly she had determined to
accept the family in the lump, with a resolution that
—had it borne less resemblance to a passive rage—
could not have failed to glorify a nobler martyrdom.
It was not affection that fortified her—beyond her
first gently tolerant glance at the boy there had been
only indifference in her pale, composed face—and
the lawyer was at last brought to the surprising
conclusion that Fletcher's granddaughter was seeking
to build herself a fetish of the mere idle bond of
blood. The hopeless gallantry of the girl moved him
to a vague feeling of pity, and he spoke presently
with a chivalrous desire of making her failure easy.</p>
          <p>“It was Susan, I think,” he said pleasantly, shaking
hands with the squat little figure in front of him,
“I remember her speaking of it afterward.”</p>
          <p>“I met her at a church festival one Christmas
Eve,” responded Aunt Saidie, in a high-pitched
rasping voice. “The same evening that I got this
pink crochetted nuby.” She touched a small
pointed shawl about her shoulders. “Miss Belinda
Beale worked it and it was raffled off for ten cents
a chance.”</p>
          <pb id="glasgow30" n="30"/>
          <p>Her large, plump face, overflushed about the nose,
had a natural kindliness of expression which Carraway
found almost appealing; and he concluded that as a
girl she might have possessed a common prettiness
of feature. Above her clear blue eyes a widening
parting divided her tightly crimped bands of hair,
which still showed a bright chestnut tint in the gray
ripples.</p>
          <p>“Thar, thar, Saidie,” Fletcher interrupted with a
frank brutality, which the <sic corr="lawyer">laywer</sic> found more repelling 
than the memory of his stolen fortune. “Mr.
Carraway doesn't want to hear about your fascinator.
He'd a long ways rather have you make his coffee.”</p>
          <p>The little woman flushed purple and drew back
her chair with an ugly noise from the head of the
lavishly spread table.</p>
          <p>“Set down right thar, suh,” she stammered, her
poor little pretense of ease gone from her, “right thar
between Brother Bill and me.”</p>
          <p>“You did say it, Aunt Saidie, I told you you
would,” screamed the pert boy, beginning an assault
upon an enormous dish of batterbread.</p>
          <p>Maria flinched visibly. “Be silent, Will,” she
ordered. “Grandfather, you must really make Will
learn to be polite.”</p>
          <p>“Now, now, Maria, you're too hard on us,” protested
Fletcher, flinging himself bodily into the
breach, “boys will be boys, you know—they warn't
born gals.”</p>
          <p>“But she did say it, Maria,” insisted the boy, “and
she bet me a whole dish of doughnuts she wouldn't.
She did say ‘set’; I heard her.” Maria bit her lip,
and her flashing eyes filled with angry tears, while
<pb id="glasgow31" n="31"/>
Carraway, as he began talking hurriedly about the
promise of tobacco, resisted valiantly an impulse to
kick the pretty boy beneath the table. As his eyes
travelled about the fine old room, marking its mellow
wainscoting and the whitened silver handles on the
heavy doors, he found himself wondering with
implacable approval if this might not be the beginning
of a great atonement.</p>
          <p>The boy's mood had varied at the sight of his
sister's tears, and he fell to patting penitently the
hand that quivered on the table. “You needn't
give me the doughnuts, Aunt Saidie; I'll make believe
you didn't say it,” he whispered at last.</p>
          <p>“Do you take sugar, Mr. Carraway?” asked Miss
Saidie, flushed and tremulous at the head of the
overcrowded table, with its massive modern silver
service. Poor little woman, thought the lawyer
with his first positive feeling of sympathy, she would
have been happier frying her own bacon amid bouncing
children in a labourer's cabin. He leaned toward
her, speaking with a grave courtesy, which she met
with the frightened, questioning eyes of a child.
She was “quite too hopeless,” he reluctantly admitted
—yet, despite himself, he felt a sudden stir of honest
human tenderness—the tenderness he had certainly
not felt for Fletcher, nor for the pretty, pert boy, nor
even for the elegant Maria herself.</p>
          <p>“I was looking out at the dear old garden awhile
ago,” he said, “and I gathered from it that you must
be fond of flowers—since your niece tells me she
has been away so long.”</p>
          <p>She brightened into animation, her broad, capable
hands fumbling with the big green-and-gold teacups.</p>
          <pb id="glasgow32" n="32"/>
          <p>“Yes, I raise 'em,“ she answered. “Did you happen
to notice the bed of heartsease? I worked every
inch of that myself last spring—and now I'm planting
zinnias, and touch-me-nots, and sweet-williams—
they'll all come along later.”</p>
          <p>“And prince's-feather,” added the lawyer,
reminiscently; “that used to be a favourite of mine, I
remember, when I was a country lad.”</p>
          <p>“I've got a whole border of 'em out at the back—
large, fine plants, too—but Maria wants to root 'em
up. She says they're vulgar because they grow in all
the niggers' yards.”</p>
          <p>“Vulgar!” So this was the measure of Maria,
Carraway told himself, as he fell into his pleasant
ridicule. “Why, if God Almighty ever created a
vulgar flower, my dear young lady, I have yet to
see it.”</p>
          <p>“But don't you think it just a little gaudy
for a lawn,” suggested the girl, easily stung to the
defensive.</p>
          <p>“It looks cheerful and I like it,” insisted Aunt
Saidie, emboldened by a rare feeling of support.
“Ma used to have two big green tubs of it on either
side the front door when we were children, and we
used to stick it in our hats and play we was real fine
folks. Don't you recollect it, Brother Bill?”</p>
          <p>“Good Lord, Saidie, the things you do recollect!”
exclaimed Fletcher, who, beneath the agonised eyes
of Maria, was drinking his coffee from his saucer in
great spluttering gulps.</p>
          <p>The girl was in absolute torture: this Carraway
saw in the white, strained, nervous intensity of her
look; yet the knowledge served only to irritate him, so
<pb id="glasgow33" n="33"/>
futile appeared any attempt to soften the effect of
Fletcher's grossness. Before the man's colossal
vulgarity of soul, mere brutishness of manner seemed
but a trifling phase.</p>
        </div2>
        <pb id="glasgow35" n="35"/>
        <div2 type="chapter">
          <head>CHAPTER IV
<lb/>
OF HUMAN NATURE IN THE RAW STATE</head>
          <p>WHEN at last the pickles and preserved watermelon
rind had been presented with a finishing flourish,
and Carraway had successfully resisted Miss Saidie's
final passionate insistence in the matter of the big
blackberry roll before her, Fletcher noisily pushed
back his chair, and, with a careless jerk of his thumb
in the direction of his guest, stamped across the hall
into the family sitting-room.</p>
          <p>“Now we'll make ourselves easy and fall to threshing
things out,” he remarked, filling a blackened
brier-root pipe, into the bowl of which he packed
the tobacco with his stubby forefinger. “Yes, I'm
a lover of the weed, you see—don't you smoke or
chew, suh?”</p>
          <p>Carraway shook his head. “When I was young
and wanted to I couldn't,” he explained, “and now
that I am old and can I have unfortunately ceased to
want to. I've passed the time of life when a man
begins a habit merely for the sake of its being a
habit.”</p>
          <p>“Well, I reckon you're wise as things go, though
for my part I believe I took to the weed before I did
to my mother's breast. I cut my first tooth on a plug,
she used to say.”</p>
          <pb id="glasgow36" n="36"/>
          <p>He threw himself into a capacious cretonne-covered
chair, and, kicking his carpet slippers from him, sat
swinging one massive foot in its gray yarn sock.
Through the thickening smoke Carraway watched the
complacency settle over his great hairy face.</p>
          <p>“And now, to begin with the beginning, what do
you think of my grandchildren?” he demanded
abruptly, taking his pipe from his mouth after a long,
sucking breath, and leading forward with his elbow
on the arm of his chair.</p>
          <p>The other hesitated. “You've done well by them,
I should say.”</p>
          <p>“A fine pair, eh?”</p>
          <p>“The admission is easy.”</p>
          <p>“Look at the gal, now,” burst out Fletcher impulsively.
“Would you fancy, to see her stepping by,
that her grandfather used to crack the whip over a
lot of dirty niggers?” He drove the fact in squarely
with big, sure blows of his fist, surveying it with an
enthusiasm the other found amazing. “Would you
fancy, even,“ he continued after a moment, ”that her
father warn't as good as I am—that he left overseeing
to jine the army, and came out to turn blacksmith if
I hadn't kept him till he drank himself to death?
His wife? Why, the woman couldn't read her own
name unless you printed it in letters as long as your
finger—and now jest turn and look at Maria!” he
wound up in a puff of smoke.</p>
          <p>“The girl's wonderful,” admitted Carraway. “She's
like a dressed-up doll-baby, too; all the natural thing
has been squeezed out of her, and she's stuffed with
sawdust.”</p>
          <p>“It's a pity she ain't a little better looking in the
<pb id="glasgow37" n="37"/>
face,” pursued Fletcher, waving the criticism aside.
“She's a plagued sight too pale and squinched-up for
my taste—for all her fine air. I like 'em red and
juicy, and though you won't believe me, most likely
she can't hold a tallow candle to what Saidie was
when she was young. But then, Saidie never had
her chance, and Maria's had 'em doubled over.
Why, she left home as soon as she'd done sucking, and
she hasn't spent a single summer here since she was
eight years old. Small thanks I'll get for it, I reckon
but I've done a fair turn by Maria—”</p>
          <p>“The boy comes next, I suppose?” Carraway
broke in, watching the other's face broaden into a
big, purple smile.</p>
          <p>“Ah, thar you're right—it's the boy I've got my
eye on now. His name's the same as mine, you know
and I reckon one day William Fletcher 'll make his
mark among the quality. He'll have it all, too—the
house, the land, everything, except a share of the
money which goes to the gal. It'll make her
childbearing easier, I reckon, and for my part, that's the
only thing a woman's fit for. Don't talk to me about
a childless woman! Why, I'd as soon keep a cow
that wouldn't calve—”</p>
          <p>“You were speaking of the boy, I believe,” coolly
interrupted Carraway. To a man of his old-fashioned
chivalric ideal the brutal allusion to the girl was like a
deliberate blow in the face.</p>
          <p>“So I was—so I was. Well, he's to have it all, I
say—every mite, and welcome. I've had a pretty
tough life in my time—you can tell it from my hands,
suh—but I ain't begrudging it if it leaves the boy a
bit better off. Lord, thar's many and many a night,
<pb id="glasgow38" n="38"/>
when I was little and my stepfather kicked me out of
doors without a bite, that I used to steal into somebody
or other's cow-shed and snuggle for warmth
into the straw—yes, and suck the udders of the cows
for food, too. Oh, I've had a hard enough life, for
all the way it looks now—and I'm not saying that if
the choice was mine I'd go over it agin even as it
stands to-day. We're set here for better or for
worse, that's my way of thinking, and if thar's any
harm comes of it Providence has got to take a share
of the blame.”</p>
          <p>“Hardly the preacher's view of the matter, is it?”</p>
          <p>“Maybe not; and I ain't got a quarrel with 'em,
the Lord knows. I go to church like clockwork,
and pay my pew-rent, too, which is more than some
do that gabble the most about salvation. If I pay for
the preacher's keep it's only fair that I should get
some of the good that comes to him hereafter; that's
how it looks to me; so I don't trouble my head much
about the ins and the outs of getting saved or damned.
I've never puled in this world, thank God, and let
come what will, I ain't going to begin puling in the
next. But to go back to whar I started from, it all
makes in the end for that pretty little chap over
yonder in the dining-room. Rather puny for his
years now, but as sound as a nut, and he'll grow—
he'll grow. When his mother—poor, worthless drab
—gave birth to him and died, I told her it was the
best day's work she'd ever done.”</p>
          <p>Carraway's humour rippled over. “It's easy to
imagine what her answer must have been to such a
pleasantry,” he observed.</p>
          <p>“Oh, she was a fool, that woman—a born fool!
<pb id="glasgow39" n="39"/>
Her answer was that it would be the best day for
her only when I came to call it the worst. She
hated me a long sight more than she hated the devil,
and if she was to rise out of her grave to-day she'd
probably start right in scrubbing for those darned
Blakes.”</p>
          <p>“Ah!” said Carraway.</p>
          <p>“It's the plain truth, but I don't visit it on the
little lad. Why should I? He's got my name—I saw
to that—and mark my word, he'll grow up yet to
marry among the quality.”</p>
          <p>The secret was out at last—Fletcher's purpose was
disclosed, and even in the strong light of his past
misdeeds it showed not without a hint of pathos.
The very renouncement of any personal ambition
served to invest the racial one with a kind of grandeur.</p>
          <p>“There's evidently an enviable career before him,”
said the lawyer at the end of a long pause, “and this
brings me, by the way, to the question I wish to ask
—had your desire to see me any connection with the
prospects of your grandson?”</p>
          <p>“In a way, yes; though, to tell the truth, it has
more to do with that young Blake's. He's been
bothering me a good deal of late, and I mean to have
it square with him before Bill Fletcher's a year
older.”</p>
          <p>“No difficulty about your title to the estate, I
presume?”</p>
          <p>“Oh, Lord, no; that's all fair and square, suh. I
bought the place, you know, when it went at auction
jest a few years after the war. I bought and paid
for it right down, and that settled things for good
and all.”</p>
          <pb id="glasgow40" n="40"/>
          <p>Carraway considered the fact for a moment. “If
I remember correctly—I mean unless gossip went very
far afield—the place brought exactly seven thousand
dollars.” His gaze plunged into the moonlight
beyond the open window and followed the clear
sweep of the distant fields. “Seven thousand dollars,”
he added softly; “and there's not a finer in
Virginia.”</p>
          <p>“Thar was nobody to bid agin me, you see,”
explained Fletcher easily. “The old gentleman was
as poor as Job's turkey then, besides going doty
mighty fast.”</p>
          <p>“The common report was, I believe,” pursued the
lawyer, “that the old man himself did not know of
the place being for sale until he heard the auctioneer's
hammer on the lawn, and that his mind left him from
the moment—this was, of course, mere idle talk.”</p>
          <p>“Oh, you'll hear anything,” snorted Fletcher.
“The old gentleman hadn't a red copper to his name,
and if he couldn't pay the mortgages, how under
heaven could he have bought in the place? As a
plain man I put the question.”</p>
          <p>“But his friends? Where were his friends, I
wonder? In his youth he was one of the most popular
men in the State—a high liver and good toaster,
you remember—and later on he stood well in the
Confederate Government. That he should have
fallen into abject poverty seems really
incomprehensible.”</p>
          <p>Fletcher twisted in his chair. “Why, that was jest
three years after the war, I tell you,” he said with
irritable emphasis; “he hadn't a friend this side of
Jordan, I reckon, who could have raised fifty cents
<pb id="glasgow41" n="41"/>
to save his soul. The quality were as bad off as
thar own niggers.”</p>
          <p>“True—true,” admitted Carraway; “but the
surprising thing is—I don't hesitate to say—that you
who had been overseer to the Blakes for twenty years
should have been able in those destitute times and
on the spot, as it were, to put down seven thousand
dollars.”</p>
          <p>He faced the fact unflinchingly, dragging it from
the long obscurity full into the red glare of the
lamplight. Here was the main thing, he knew, in Fletcher's
history—here was the supreme offense. For twenty
years the man had been the trusted servant of his
feeble employer, and when the final crash came he had
risen with full hands from the wreck. The prodigal
Blakes—burning the candle at both ends, people
said—had squandered a double fortune before the
war, and in an equally stupendous fashion Fletcher
had amassed one.</p>
          <p>“Oh, thar're ways and ways of putting by a penny,”
he now protested, “and I turned over a bit during the
war, I may as well own up, though folks had only
black looks for speculators then.”</p>
          <p>“We used to call them ‘bloodsuckers,’ I remember.”</p>
          <p>“Well, that's neither here nor thar, suh. When
the place went for seven thousand I paid it down, and
I've managed one way and another—and in spite of
the pesky niggers—to make a pretty bit out of the
tobacco crop, hard as times have been. The Hall
is mine now, thar's no going agin that, and, so help
me God, it'll belong to a William Fletcher long after
I am dead.”</p>
          <p>“Ah, that brings us directly to the point.”</p>
          <pb id="glasgow42" n="42"/>
          <p>Fletcher squared himself about in his chair while
his pipe went out slowly.</p>
          <p>“The point, if you'll have it straight,” he said,
“is jest this—I want the whole place—every inch of
it—and I'll die or git it, as sure's my name's my own.
Thar's still that old frame house and the piece of land
tacked to it, whar the overseers used to live, cutting
straight into the heart of my tobacco fields—in
clear view of the Hall, too—right in the middle of
my land, I tell you!”</p>
          <p>“Oh, I see—I see,” muttered Carraway; “that's
the little farm in the midst of the estate which the old
gentleman—bless his weak head and strong heart—
gave his wife's brother, Colonel Corbin, who came
back crippled from the war. Yes, I remember now,
there was a joke at the time about his saying that
land was the cheapest present he could give.”</p>
          <p>“It was all his besotted foolishness, you know—
to think of a sane man deeding away seventy acres
right in the heart of his tract of two thousand. He
meant it for a joke, of course. Mr. Tucker or Colonel
Corbin, if you choose, was like one of the family, but
he was as sensitive as a kid about his wounds, and he
wanted to live off somewhar, shut up by himself.
Well, he's got enough folks about him now, the Lord
knows. Thar's the old lady, and the two gals, and
Mr. Christopher, to say nothing of Uncle Boaz and a
whole troop of worthless niggers that are eating him
out of house and home. Tom Spade has a deed of
trust on the place for three hundred dollars; he told
me so himself.”</p>
          <p>“So I understand; and all this is a serious
inconvenience to you, I may suppose.”</p>
          <pb id="glasgow43" n="43"/>
          <p>“Inconvenience! Blood and thunder! It takes
the heart right out of my land, I tell you. Why,
the very road I cut to save myself half a mile of
mudholes came to a dead stop because Mr. Christopher
wouldn't let it cross his blamed pasture.”</p>
          <p>Carraway thoughtfully regarded his finger nails.
“Then, bless my soul!—seeing it's your private
affair—what are you going to do about it?” he
inquired.</p>
          <p>“Git it. The devil knows how—I don't; but git
it I will. I brought you down here to talk those
fools over, and I mean you to do it. It's all spite—
pure, rotten spite, that's what it is. Look here,
I'll gladly give 'em three thousand dollars for that
strip of land, and it wouldn't bring nine hundred, on
my oath!”</p>
          <p>“Have you made the offer?”</p>
          <p>“Made it? Why, if I set foot on the tip edge of
that land I'd have every lean hound in the pack
snapping at my heels. As for that young rascal, he'd
knock me down if I so much as scented the matter.”</p>
          <p>He rapped his pipe sharply on the wood of his
chair and a little pile of ashes settled upon the floor.
With a laugh, the other waved his hand in protest.</p>
          <p>“So you prefer to make the proposition by proxy.
My dear sir—I'm not a rubber ball.”</p>
          <p>“Oh, he won't hurt you. It would spoil the sport
to punch anybody's head but mine, you know.
Come, now, isn't it a fair offer I'm making?”</p>
          <p>“It appears so, certainly—and I really do not
see why he should wish to hold the place. It isn't
worth much, I fancy, to anybody but the owner of
the Hall, and with the three thousand clear he could
<pb id="glasgow44" n="44"/>
probably get a much better one at a little distance
—with the additional value of putting a few square
miles between himself and you—whom, I may
presume, he doesn't love.”</p>
          <p>“Oh, you may presume he hates me if you'll
only work it;” snorted Fletcher. “Go over thar
boldly—no slinking, mind you—to-morrow morning,
and talk them into reason. Lord, man, you ought to
be able to do it—don't you know Greek?”</p>
          <p>Carraway nodded. “Not that it ever availed me
much in an argument,” he confessed frankly.
”It's a good thing to stop a mouth with,
anyway. Thar's many and many a time, I tell you,
I've lost a bargain for the lack of a few rags of Latin
or Greek. Drag it in; stuff it down 'em; gag thar
mouths—it's better than all the swearing under
heaven. Why, taking the Lord's name in vain ain't
nothing to a line of poetry spurted of a sudden in one
of them dead-and-gone languages. It's been done at
me, suh, and I know how it works—that's why I've
put the boy upstairs on 'em from the start. 'Tain't
much matter whether he goes far in his own tongue or
not, that's what I said, but dose him well with
something his neighbours haven't learnt.”</p>
          <p>He rose with a lurch, laid his pipe on the mantel,
and drew out his big silver watch.</p>
          <p>“Great Jehosaphat! it's eleven and after,” he
exclaimed. “Well, it's time for us to turn in, I
reckon, and dream of breakfast. If you'll hold
the lamp while I bolt up, I'll show you to your
room.”</p>
          <p>Carraway picked up the lamp, and, cautiously
following his host into the darkened hall, waited
<pb id="glasgow45" n="45"/>
until he had fastened the night-chains and shot the
heavy bolts.</p>
          <p>“If you want a drink of water thar's a bucket in
the porch,” said Fletcher, as he opened the back
door and reached out into the moonlight. “Wait
thar a second and I'll hand you the dipper.”</p>
          <p>He stepped out upon the porch, and a moment
later Carraway heard a heavy stumble followed by a
muttered oath.</p>
          <p>“Why, blast the varmints! I've upset the boy's
cage of white mice and they're skedaddling about
my legs. Here! hold the lamp, will you—I'm
squashing a couple of 'em under each of my hands.”</p>
          <p>Carraway, leaning out with the lamp, which drew
a brilliant circle on the porch, saw Fletcher floundering
helplessly upon his hands and knees in the midst
of the fleeing family of mice.</p>
          <p>“They're a plagued mess of beasts, that's what
they are,” he exclaimed, “but the little lad sets a
heap of store by 'em, and when he comes down
to-morrow he'll find that I got some of 'em back,
anyway.”</p>
          <p>He fastened the cage and placed it carefully beneath
the bench. Then, closing and bolting the door, he
took the lamp from Carraway and motioned him up
the dusky staircase to the spare chamber at the top.</p>
        </div2>
        <pb id="glasgow47" n="47"/>
        <div2 type="chapter">
          <head>CHAPTER V<lb/>
THE WRECK OF THE BLAKES</head>
          <p>WHEN Christopher left Blake Hall, he swung
vigorously in the twilight across the newly ploughed
fields, until, at the end of a few minutes' walk, he
reached the sunken road that branched off by the
abandoned ice-pond. Here the bullfrogs were still
croaking hoarsely, and far away over the gray-green
rushes a dim moon was mounting the steep slope
of bluish sky.</p>
          <p>The air was fresh with the scent of the upturned
earth, and the closing day refined into a tranquil
beauty; but the young man, as he passed briskly,
did not so much as draw a lengthened breath, and
when presently the cry of a whip-poor-will floated
from the old rail fence, he fell into a whistling mockery
of the plaintive notes. The dogs at his heels
started a rabbit once from the close cover of the
underbrush, and he called them to order in a sharp,
peremptory tone. Not until he reached the long,
whitewashed gate opening before the frame house
of the former overseers did he break the easy swing
of his accustomed stride.</p>
          <p>The house, a common country dwelling of the sort
used by the poorer class of farmers, lost something of
its angularity beneath the moonlight, and even the
<pb id="glasgow48" n="48"/>
half-dried garments, spread after the day's washing
on the bent old rose-bushes, shone in soft white patches
amid the grass, which looked thick and fine under
the heavy dew. In one corner of the yard there was
a spreading peach-tree, on which the shrivelled
little peaches ripened out of season, and against the
narrow porch sprawled a gray and crippled aspen,
where a flock of turkeys had settled to roost along
its twisted boughs.</p>
          <p>In one of the lower rooms a lamp was burning, and
as Christopher crunched heavily along the pebbled
path, a woman with a piece of sewing in her hand
came into the hall and spoke his name.</p>
          <p>“Christopher, you are late.”</p>
          <p>Her voice was deep and musical, with a richness of
volume which raised deluding hopes of an impassioned
beauty in the speaker—who, as she crossed the
illumined square of the window-frame, showed as a
tall, thin woman of forty years, with squinting eyes,
and a face whose misshapen features stood out like
the hasty drawing for a grotesque. When she
reached him Christopher turned from the porch, and
they walked together slowly out into the moonlight,
passing under the aspen where the turkeys stirred
and fluttered in their sleep.</p>
          <p>“Has her cat come home, Cynthia?” were the
young man's first anxious words.</p>
          <p>“About sunset. Uncle Boaz found her over at
Aunt Daphne's, hunting mice under the joists.
Mother had fretted terribly over the loss.”</p>
          <p>“Is she easier now?”</p>
          <p>“Much more so, but she still asks for the port. We
pretend that Uncle Boaz has mislaid the key of the
<pb id="glasgow49" n="49"/>
wine-cellar. She upbraided him, and he bore it so
patiently, poor old soul!”</p>
          <p>Christopher quickly reached into the deep pocket
of his overalls and drew out the scanty wages of his
last three days' labour.</p>
          <p>“Send this by somebody down to Tompkins,” he
said, “and get the wine he ordered. He refuses to
sell on credit any longer, so I had to find the money.”</p>
          <p>She looked up, startled.</p>
          <p>“Oh, Christopher, you have worked for Fletcher?”</p>
          <p>Tears shone in her eyes and her mouth quivered.
“Oh, Christopher!” she repeated, and the emotional
quality in her voice rang strong and true. He fell
back, angered, while the hand she had stretched
out dropped limply to her side.</p>
          <p>“For God's sake, don't snivel,” he retorted harshly.
“Send the money and give her the wine, but dole it
out like a miser, for where the next will come from
is more than I can tell.”</p>
          <p>“The pay for my sewing is due in three days,” said
Cynthia, raising her roughened hand on which the
needle-scars showed even in the moonlight. “Mother
has worried so to-day that I couldn't work except at
odd moments, but I can easily manage to sit up
to-night and get it done. She thinks I'm embroidering
an ottoman, you see, and this evening she asked
to feel the silks.”</p>
          <p>He uttered a savage exclamation.</p>
          <p>“Oh, I gave her some ravellings from an old tidy,”
she hastened to assure him. “She played with them
awhile and knew no better, as I told her the colours
one by one. Afterward she planned all kinds of
samplers and fire-screens that I might work. Her
<pb id="glasgow50" n="50"/>
own knitting has wearied her of late, so we haven't
been obliged to buy the yarn.”</p>
          <p>“She doesn't suspect, you think?”</p>
          <p>Cynthia shook her head. “After fifteen years of
deception there's no danger of my telling the truth
to-day. I only wish I could,” she added, with that
patient dignity which is the outward expression
of complete renouncement. When she lifted her
tragic face the tears on her cheeks softened the
painful hollows, as the moonbeams, playing over her gown
of patched and faded silk, revived for a moment the
freshness of its discoloured flowers.</p>
          <p>“The truth would be the death of her,” said the
young man, in a bitter passion of anxiety. “Tell
her that Fletcher owns the Hall, and that for fifteen
years she has lived, blind and paralysed, in the
overseer's house! Why, I'd rather stick a knife into her
heart myself!”</p>
          <p>“Her terrible pride would kill her—yes, you're
right. We'll keep it up to the end at any cost.”</p>
          <p>He turned to her with a sudden terror in his face.
“She isn't worse, is she?”</p>
          <p>“Worse? Oh, no; I only meant the cost to us—
the cost of never speaking the truth within the house.”</p>
          <p>“Well, I'm not afraid of lying, God knows,” he
answered, in the tone of one from whom a burden
has been removed. “I'm only wondering how much
longer I'll be able to afford the luxury.”</p>
          <p>“But we're no worse off than usual, that's one
comfort. Mother is quite happy now since Beulah
has been found, and the only added worry is that
Aunt Dinah is laid up in her cabin and we've had to
send her soup. Uncle Isam has come to see you,
<pb id="glasgow51" n="51"/>
by the way. I believe he wants you to give him
some advice about his little hut up in the woods,
and to look up his birth in the servants' age-book,
too. He lives five miles away, you know, and works
across the river at Farrar's Mills.”</p>
          <p>“Uncle Isam!” exclaimed Christopher,
wonderingly; “why, what do I know about the man?
I haven't laid eyes on him for the last ten years.”</p>
          <p>“But he wants help now, so of course he's come
to you, and as he's walked all the distance—equally
of course—he'll stay to supper. Mother has her
young chicken, and there's bacon and cornbread
for the rest of us, so I hope the poor man won't go
back hungry. Ever since Aunt Polly's chimney
blew down she has had to fry the middling in the
kitchen, and mother complains so of the smell. She
can't understand why we have it three times a day
and when I told her that Uncle Tucker acquired the
habit in the army, she remarked that it was very
inconsiderate of him to insist upon gratifying so
extraordinary a taste.”</p>
          <p>Christopher laughed shortly.</p>
          <p>“Well, it's a muck of a world,” he declared
cheerfully, taking off his coarse harvest hat and running
his hand through his clustering fair hair. In the
mellow light the almost brutal strength of his jaw
was softened, and his sunburned face paled to the
beauty of some ancient ivory carving. Cynthia,
gazing up at him, caught her breath with a sob.</p>
          <p>“How big you are, and strong! How fit for any
life in the world but this!”</p>
          <p>“Don't whimper,” he responded roughly, adding,
after a moment, “Precious fit for anything but the
<pb id="glasgow52" n="52"/>
stable or the tobacco field! Why, I couldn't so
much as write a decently spelled letter to save my
soul. A darky asked me yesterday to read a postbill
for him down at the store, and I had to skip a
big word in the first line.”
 </p>
          <p>He made his confession defiantly, with a certain
boorish pride in his ignorance and his degradation.</p>
          <p>“My dear, my dear, I wanted to teach you—I
will teach you now. We will read together.”</p>
          <p>“And let mother and Uncle Tucker plough the
field, and plant the crop, and cut the wood. No, it
won't answer; your learning would do me no good,
and I don't want it—I told you that when you first
took me from my study and put me to do all the
chores upon the place.”
 </p>
          <p>“I take you! Oh, Christopher, what could we do?
Uncle Tucker was a hopeless cripple, there wasn't a
servant strong enough to spade the garden, and there
were only Lila and you and I.”</p>
          <p>“And I was ten. Well, I'm not blaming you,
and I've done what I was forced to—but keep your
confounded books out of my sight, that's all I ask.
Is that mother calling?”
 </p>
          <p>Cynthia bent her ear. “I thought Lila was with
her, but I'll go at once. Be sure to change your
clothes, dear, before she touches you.”</p>
          <p>“Hadn't I better chop a little kindling-wood
before supper?”</p>
          <p>“No—no, not to-night. Go and dress, while I
send Uncle Boaz for the wine.”</p>
          <p>She entered the house with a hurried step, and
Christopher, after an instant's hesitation, passed to
the back, and, taking off his clumsy boots, crept
<figure id="ill1" entity="glasgow52"><p>“In a massive Elizabethan chair of blackened oak a stately old lady was sitting straight and stiff.”</p></figure>
<pb id="glasgow53" n="53"/>
softly up the creaking staircase to his little garret
room in the loft.</p>
          <p>Ten minutes later he came down again, wearing
a decent suit of country-made clothes, with the dust
washed from his face, and his hair smoothly brushed
across his forehead. In the front hall he took a
white rosebud from a little vase of Bohemian glass
and pinned it carefully in the lapel of his coat.
Then, before entering, he stood for a moment silent
upon the threshold of the lamplighted room.</p>
          <p>In a massive Elizabethan chair of blackened oak
a stately old lady was sitting straight and stiff, with
her useless legs stretched out upon an elaborately
embroidered ottoman. She wore a dress of rich black
brocade, made very full in the skirt, and sleeves
after an earlier fashion, and her beautiful snow-white
hair was piled over a high cushion and ornamented
by a cap of fine thread lace. In her face, which she
turned at the first footstep with a pitiable, blind
look, there were the faint traces of a proud, though
almost extinguished, beauty—traces which were
visible in the impetuous flash of her sightless eyes,
in the noble arch of her brows, and in the transparent
quality of her now yellowed skin, which still kept the
look of rare porcelain held against the sunlight.
On a dainty, rose-decked tray beside her chair there
were the half of a broiled chicken, a thin glass of port,
and a plate of buttered waffles; and near her high
footstool a big yellow cat was busily lapping a saucer
of new milk.</p>
          <p>As Christopher went up to her, she stretched out
her hand and touched his face with her sensitive
fingers. “Oh, if I could only see you,” she said, a
<pb id="glasgow54" n="54"/>
little peevishly. “It is twenty years since I looked
at you, and now you are taller than your father was,
you say. I can feel that your hair is light, like his—
and like Lila's, too, since you are twins.”</p>
          <p>A pretty, fragile woman, who was wrapping a strawl
about the old lady's feet, rose to her full height and
passed behind the Elizabethan chair. “Just a shade
lighter than mine, mother,” she responded; “the sun
makes a difference, you know; he is in the sun so
much without a hat.” As she stood with her delicate
hands clasped above the fancifully carved grotesques
upon the chair-back, her beauty shone like a lamp
against the smoke-stained walls.</p>
          <p>“Ah, if you could but have seen his father when he
was young, Lila,” sighed her mother, falling into one
of the easy reveries of old age. “I met him at a fancy
ball, you know, where he went as Achilles in full
Grecian dress. Oh! the sight he was, my dear, one
of the few fair men among us, and taller even than
old Colonel Fitzhugh, who was considered one of the
finest figures of his time. That was a wild night for
me, Christopher, as I've told you often before—it
was love at first sight on both sides, and so marked
were your father's attentions that they were the talk
of the ball. Edward Morris—the greatest wit of his
day, you know—remarked at supper that the weak
point of Achilles was proved at last to be not his
heel, but his heart.”</p>
          <p>She laughed with pleasure at the memory, and
returned in a half-hearted fashion to her plate of
buttered waffles. “Have you been riding again,
Christopher?” she asked after a moment, as if
remembering a grievance. “I haven't had so much
<pb id="glasgow55" n="55"/>
as a word from you to-day, but when one is
chained to a chair like this it is useless to ask even
to be thought of amid your pleasures.”</p>
          <p>“I always think of you, mother.”</p>
          <p>“Well, I'm glad to hear it, my dear, though I'm
sure I should never imagine that you do. Have you
heard, by the way, that Boaz lost the key of the 
wine-cellar, and that I had to go two whole days without
my port? I declare, he is getting so careless that
I'm afraid we'll have to put another butler over
him.”</p>
          <p>“Lawd, ole miss, you ain' gwine do dat, is you?”
anxiously questioned Uncle Boaz as he filled her
glass.</p>
          <p>She lifted the wine to her lips, her stern face
softening. Like many a high-spirited woman doomed
to perpetual inaction, her dominion over her servants
had grown to represent the larger share of life.</p>
          <p>“Then be more careful in future, Boaz,” she cautioned.
“Tell me, Lila, what has become of Nathan,
the son of Phyllis? He used to be a very bright little
darkey twenty years ago, and I always intended putting
him in the dining-room, but things escape me so. 
His mother, Phyllis, I remember, got some ridiculous 
idea about freedom in her head, and ran away with
the Yankee soldiers before we whipped them.”</p>
          <p>Lila's face flushed, for since the war Nathan had
grown into one of the most respectable of freedmen,
but Uncle Boaz, with a glib tongue, started valiantly
to her support.</p>
          <p>“Go 'way, ole miss; dat ar Natan is de mos'
ornery un er de hull bunch,” he declared. “Wen
<pb id="glasgow56" n="56"/>
he comes inter my dinin'-'oom, out I'se gwine, an'
dat's sho.”</p>
          <p>The old lady passed a hand slowly across her brow.
“I can't remember—I can't remember,” she murmured;
“but I dare say you're right, Boaz—and that
reminds me that this bottle of port is not so good as
the last. Have you tried it, Christopher?”</p>
          <p>“Not yet, mother. Where did you find it, Uncle
Boaz?”</p>
          <p>“Hit's des de same, suh,” protested Uncle Boaz.
“Dey wuz bofe un um layin' right side by side, des
like dey 'uz bo'n blood kin, en I done dus' de cobwebs
off'n um wid de same duster, dat I is.”</p>
          <p>“Well, well, that will do. Now go in to supper,
children, and send Docia to take my tray. Dear me,
I do wish that Tucker could be persuaded to give up
that vulgar bacon. I'm not so unreasonable, I hope,
as to expect a man to make any sacrifices in this
world—that's the woman's part, and I've tried to take
my share of it—but to conceive of a passion for a
thing like bacon—I declare is quite beyond me.”</p>
          <p>“Come, now, Lucy, don't begin to meddle with my
whims,” protested the cheerful tones of Tucker, as
he entered on his crutches, one of which was strapped
to the stump of his right arm. “Allow me my
dissipations, my dear, and I'll not interfere with yours.”</p>
          <p>“Dissipations!” promptly took up the old lady,
from the hearth. “Why, if it were such a
gentlemanly thing as a dissipation, Tucker, I shouldn't
say a word—not a single word. A taste for wine
is entirely proper, I'm sure, and even a little
intoxication is permissible on occasions—such as
christenings, weddings, and Christmas Eve gatherings.
<pb id="glasgow57" n="57"/>
Your father used to say, Christopher, that
the proof of a gentleman was in the way he
held his wine. But to fall a deliberate victim
to so low-born a vice as a love of bacon is
something that no member of our family has ever
done before.”</p>
          <p>“That's true, Lucy,” pleasantly assented Tucker;
“but then, you see, no member of our family had ever
fought three years for his State—to say nothing of
losing a leg and an arm in her service.”</p>
          <p>His fine face was ploughed with the marks of
suffering, but the heartiness had not left his voice,
and his smile still shone bright and strong. From
a proud position as the straightest shot and the
gayest liver of his day, he had been reduced at a single
blow to the couch of a hopeless cripple. Poverty
had come a little later, but the second shock had only
served to steady his nerves from the vibration of the
first, and the courage which had drooped within
him for a time was revived in the form of a rare and
gentle humour. Nothing was so terrible but Tucker
could get a laugh out of it, people said—not knowing
that since he had learned to smile at his own ghastly
failure it was an easy matter to turn the jest on
universal joy or woe.</p>
          <p>The old lady's humour melted at his words, and
she hastened to offer proof of her contrition. “You're
perfectly right, brother,” she said; “and I know I'm
an ungrateful creature, so you needn't take the
trouble to tell me. As long as you do me the honour
to live beneath my roof, you shall eat the whole hog
or none to your heart's content.”</p>
          <p>Then, as Docia, a large black woman, with brass
<pb id="glasgow58" n="58"/>
hoops in her ears, appeared to bear away the supper
tray, Mrs. Blake folded her hands and settled herself
for a nap upon her cushions, while the yellow cat
purred blissfully on her knees.</p>
          <p>Beyond the adjoining bedroom, through which
Christopher passed, a rude plank platform led
to a long, unceiled room which served as kitchen
and dining-room in one. Here a cheerful blaze made
merry about an ancient crane, on which a
coffee-boiler swung slowly back and forth with a
bubbling noise. In the red firelight a plain pine table
was spread with a scant supper of cornbread and bacon
and a cracked Wedgewood pitcher filled with
buttermilk. There was no silver; the china consisted
of some odd, broken pieces of old willow-ware;
and beyond a bunch of damask roses stuck in a quaint
glass vase, there was no visible attempt to lighten
the effect of extreme poverty. An aged Negress, in
a dress of linsey-woolsey which resembled a
patchwork quilt, was pouring hot, thin coffee into a
row of cups with chipped or missing saucers.</p>
          <p>Cynthia was already at the table, and when
Christopher came in she served him with an anxious
haste like that of a stricken mother. To Tucker and
herself the coarse fare was unbearable even after the
custom of fifteen years, and time had not lessened the
surprise with which they watched the young man's
healthful enjoyment of his food. Even Lila, whose
glowing face in its nimbus of curls lent an almost
festive air to her end of the white pine board, ate
with a heartiness which Cynthia, with her outgrown
standard for her sex, could not but find a trifle vulgar.
The elder sister had been born to a
<pb id="glasgow59" n="59"/>
different heritage—to one of restricted views and
mincing manners for a woman—and, despite herself,
she could but drift aimlessly on the widening current
of the times.</p>
          <p>“Christopher, will you have some coffee—it is
stronger now?” she asked presently, reaching for his
emptied cup.</p>
          <p>“Dis yer stuff ain' no cawfy,” grumbled Aunt
Polly, taking the boiler from the crane; “hit ain'
nuttin' but dishwater, I don' cyar who done made
hit.” Then, as the door opened to admit Uncle
Isam with a bucket from the spring, she divided her
scorn equally between him and the coffee-pot.</p>
          <p>“You needn't be a-castin' er you nets into dese yer
pairts,” she observed cynically.</p>
          <p>Uncle Isam, a dried old Negro of seventy years,
shambled in patiently and placed the bucket carefully
upon the stones, to be shrilly scolded by Aunt Polly
for spilling a few drops on the floor. “I reckon you
is steddyin' ter outdo Marse Noah,” she remarked
with scorn.</p>
          <p>“Howdy, Marse Christopher? Howdy, Marse
Tuck?” Uncle Isam inquired politely, as he seated
himself in a low chair on the hearth and dropped
his clasped hands between his open knees.</p>
          <p>Christopher nodded carelessly. “Glad to see you
Isam,” Tucker cordially responded. “Times have
changed since you used to live over here.”</p>
          <p>“Dat's so, suh, dat's so. Times dey's done change,
but I ain't—I'se des de same. Dat's de tribble wid
dis yer worl'; w'en hit change yo' fortune hit don'
look ter changin' yo' skin es well.”</p>
          <p>“That's true; but you're doing all right, I hope?”</p>
          <pb id="glasgow60" n="60"/>
          <p>“I dunno, Marse Tuck,” replied Uncle Isam,
coughing as a sudden spurt of smoke issued from
the old stone chimney. “I dunno 'bout dat. Times
dey's right peart, but I ain't. De vittles dey's ready
ter do dar tu'n, but de belly, hit ain't.”</p>
          <p>“What are you sick?” asked Cynthia, with interest,
rising from the table.</p>
          <p>Uncle Isam sighed. “I'se got a tur'able peskey
feelin', Miss Cynthy, dat's de gospel trufe,” he
returned. “I dunno whur hit's de lungs er de liver,
but one un um done got moughty sassy ter de yuther
'en he done flung de reins right loose. Hit looks
pow'ful like dey wuz gwine ter run twel dey bofe drap
down daid, so I done come all dis way atter a dose er
dem bitters ole miss use ter gin us befo' de wah.”</p>
          <p>“Well, I never!” said Cynthia, laughing. “I
believe he means the brown bitters mother used to
make for chills and fever. I'm very sorry, Uncle Isam,
but we haven't any. We don't keep it any longer.”</p>
          <p>Leaning over his gnarled palms, the old man shook
his head <sic corr="in">is</sic> sober reverie.</p>
          <p>“Dar ain' nuttin' like dem bitters in dese yer days,”
he reflected sadly, “ 'caze de smell er dem use ter mos'
knock you flat 'fo' you done taste 'em, en all de way
ter de belly dey use ter keep a-wukin' fur dey livin'.
Lawd! Lawd! I'se done bought de biggest bottle er
sto' stuff in de sto', en hit slid right spang down 'fo'
I got a grip er de taste er hit. ”</p>
          <p>“I'll tell you how to mix it,” said Cynthia
sympathetically. “It's very easy; I know Aunt Eve
can brew it.”</p>
          <p>“Go 'way, Miss Cynthy; huccome you don' know
better'n dat? Dar ain' no Eve. She's done gone.”</p>
          <pb id="glasgow61" n="61"/>
          <p>“Gone! Is she dead?”</p>
          <p>“Naw'm, she ain' daid dat I knows—she's des gone.
Hit all come along er dem highfalutin' notions dat's
struttin' roun' dese days 'bout prancin' up de chu'ch
aisle en bein' mah'ed by de preacher, sledder des
totin' all yo' belongin's f'om one cabin ter anurr, en
roas'in' yo' ash-cake in de same pile er ashes. You
see, me en Eve we hed done 'sperunce mah'age gwine
on fifty years, but we ain' nuver 'sperunce de ceremony
twel las' watermillion time.”</p>
          <p>“Why, Uncle Isam, did she leave you because of
that? Here, draw up to the table and eat your
supper, while I get down the age-book and find
your birth.”</p>
          <p>She reached for a dusty account book on one of the
kitchen shelves, and, bringing it to the table, began
slowly turning the yellowed leaves. For more than
two hundred years the births of all the Blake slaves
had been entered in the big volume.</p>
          <p>“You des wait, Miss Cynthy, you des wait twel I
git dar,” remonstrated Uncle Isam, as he stirred his
coffee. “I ain' got no use fur dese yer newfangle
fashions, dat's w'at I tell de chillun w'en dey begin
a-pesterin' me ter mah'y Eve—I ain' got no use
fur dem no way hit's put—I ain' got no use fur dis
yer struttin' up de aisle bus'ness, ner fur dis yer
w'arin' er sto'-made shoes, ner fur dis yer leavin' er
de hyar unwropped, needer. Hit looks pisonous
tickly ter me, dat's w'at I sez, but w'en dey keep up
dey naggin' day in en day out, en I carn' git shunt er
um, I hop right up en put on my Sunday bes' en go
'long wid 'em ter de chutch—me en Eve bofe a-mincin'
des like peacocks. ‘You des pay de preacher,’ dat's
<pb id="glasgow62" n="62"/>
wat I tell 'em, ‘en I'se gwine do all de mah'yin' dat's
ter be done’; en w'en de preacher done got thoo wid
me en Eve, I stood right up in de chu'ch an axed ef
dey wus any udder nigger 'ooman es 'ud like ter do a
little mah'yin'? ‘Hit's es easy ter mah'y a dozen es
ter mah'y one,’ I holler out.”</p>
          <p>“Oh, Uncle Isam! No wonder Aunt Eve was
angry. Here we are—‘Isam, son of Docia, born
August 12, 18-.”</p>
          <p>“Lawd, Miss Cynthy, 'twan' me dat mek Eve
mad—twuz de preacher, 'caze atter we got back ter
de cabin en eat de watermillion ter de rin', she up en
tied her bonnet on tight es a chestnut burr en made
right fur de do'. De preacher done tole 'er, she sez,
dat Eve 'uz in subjection ter her husban', en she'd let
'im see she warn' gwine be subjected unner no man,
she warn't. 'Fo' de Lawd, Miss Cynthy, dat ar Eve
sutney wuz a high-sperited 'ooman!”</p>
          <p>“But, Uncle Isam, it was so silly. Why, she'd
been married to you already for a lifetime.”</p>
          <p>“Dat's so, Miss Cynthy, dat's so, 'caze 'twuz dem
ar wuds dat rile 'er mos'. She 'low she done been in
subjection fur gwine on fifty years widout knowin'
hit.”</p>
          <p>He finished his coffee at a gulp and leaned back in
his chair.</p>
          <p>“En now des lemme hyear how ole I is,” he
wound up sorrowfully.</p>
          <p>“The twelfth of August, 18- (that's the date of
your birth), makes you—let me see—you'll be
seventy years old next summer. There, now, since
you've found out what you wanted, you'd better
spend the night with Uncle Boaz.”</p>
          <pb id="glasgow63" n="63"/>
          <p>“Thanky, ma'am, but I mus' be gwine back agin,”
responded Uncle Isam, shuffling to his feet, “en ef
you don' min', Marse Christopher, I'd like a wud wid
you outside de do'.”</p>
          <p>Laughing, Christopher rose from his chair and,
with a patriarchal dignity of manner, followed the
old man into the moonlight.</p>
        </div2>
        <pb id="glasgow65" n="65"/>
        <div2 type="chapter">
          <head>CHAPTER VI
<lb/>
CARRAWAY PLAYS COURTIER</head>
          <p>AT TWELVE o'clock the next day, Carraway, walking
in the June brightness along the road to the Blake
cottage, came suddenly, at the bend of the old ice-pond,
upon Maria Fletcher returning from a morning
ride. The glow of summer was in her eyes, and though
her face was still pale, she seemed to him a different
creature from the grave, repressed girl of the night
before. He noticed at once that she sat her horse
superbly, and in her long black habit all the sinuous
lines of her figure moved in rhythm with the rapid
pace.</p>
          <p>As she neared him, and apparently before she had
noticed his approach, he saw her draw rein quickly,
and, screened by the overhanging boughs of a blossoming
chestnut, send her glance like a hooded falcon
across the neighbouring field. Following the aim of
her look, he saw Christopher Blake walking idly
among the heavy furrows, watching, with the interest
of a born agriculturist, the busy transplanting of
Fletcher's crop. He still wore his jean clothes,
which, hanging loosely upon his impressive figure,
blended harmoniously with the dull-purple tones of
the upturned soil. Beyond him there was a background
of distant wood, still young in leaf, and his
<pb id="glasgow66" n="66"/>
bared head, with the strong, sunburned line of his
profile, stood out as distinctly as a portrait done in
early Roman gold.</p>
          <p>That Maria had seen in him some higher possibility
than that of a field labourer was soon evident to
Carraway, for her horse was still standing on the
slight incline, and as he reached her side she turned
with a frank question on her lips.</p>
          <p>“Is that one of the labourers—the young giant by
the fence?”</p>
          <p>“Well, I dare say he labours, if that's what you
mean. He's young Blake, you know.”</p>
          <p>“Young Blake?” She bent her brows, and it was
clear that the name suggested only a trivial
recollection to her mind. “There used to be some Blake
children in the old overseer's house—is this one of
them.”</p>
          <p>“Possibly; they live in the overseer's house.”</p>
          <p>She leaned over, fastening her heavy gauntlet.
“They wouldn't play with me, I remember; I couldn't
understand why. Once I carried my dolls over to
their yard, and the boy set a pack of hounds on me.
I screamed so that an old Negro ran out and drove
them off, and all the time the boy stood by, laughing
and calling me names. Is that he, do you think?”</p>
          <p>“I dare say. It sounds like him.”</p>
          <p>“Is he so cruel?” she asked a little wistfully.</p>
          <p>“I don't know about that—but he doesn't like
your people. Your grandfather had some trouble
with him a long time ago.”</p>
          <p>“And he wanted to punish me?—how cowardly.”</p>
          <p>“It does sound rather savage, but it isn't an ordinary
case, you know. He's the kind of person to
<pb id="glasgow67" n="67"/>
curse ‘root and branch,’ from all I hear, in the good
old Biblical fashion.”</p>
          <p>“Oh, well, he's certainly very large, isn't he?”</p>
          <p>“He's superb,” said Carraway, with conviction.</p>
          <p>“At a distance—so is that great pine over there,”
she lifted her whip and pointed across the field; then
as Carraway made no answer, she smiled slightly and
rode rapidly toward the Hall.</p>
          <p>For a few minutes the lawyer stood where she had
left him, watching in puzzled thought her swaying
figure on the handsome horse. The girl fretted
him, and yet he felt that he liked her almost in spite
of himself—liked something fine and fearless he found
in her dark eyes; liked, too, even while he sneered,
her peculiar grace of manner. There was the making
of a woman in her after all, he told himself, as he
turned into the sunken road, where he saw
Christopher already moving homeward. He had meant
to catch up with him and join company on the way,
but the young man covered ground so quickly with
his great strides that at last Carraway, losing sight
of him entirely, resigned himself to going leisurely
about his errand.</p>
          <p>When, a little later, he opened the unhinged whitewashed
gate before the cottage, the place, as he found
it, seemed to be tenanted solely by a family of young
turkeys scratching beneath the damask rose-bushes
in the yard. From a rear chimney a dark streak
of smoke was rising, but the front of the house
gave no outward sign of life, and as there came no
answer to his insistent knocks he at last ventured
to open the door and pass into the narrow hall.
From the first room on the right a voice spoke at
<pb id="glasgow68" n="68"/>
his entrance, and following the sound he found
himself face to face with Mrs. Blake in her massive
Elizabethan chair.</p>
          <p>“There is a stranger in the room,” she said rigidly,
turning her sightless eyes; “speak at once.”</p>
          <p>“I beg pardon most humbly for my intrusion,”
replied Carraway, conscious of stammering like an
offending schoolboy, “but as no one answered my
knock, I committed the indiscretion of opening a
closed door.”</p>
          <p>Awed as much by the stricken pallor of her
appearance as by the inappropriate grandeur of her
black brocade and her thread lace cap, he advanced
slowly and stood awaiting his dismissal.</p>
          <p>“What door?” she demanded sharply, much to his
surprise.</p>
          <p>“Yours, madam.”</p>
          <p>“Not answer your knock?” she pursued, with
indignation. “So that was the noise I heard, and no
wonder that you entered. Why, what is the matter
with the place? Where are the servants?”</p>
          <p>He humbly replied that he had seen none, to be
taken up with her accustomed quickness of touch.</p>
          <p>“Seen none! Why, there are three hundred of
them, sir. Well, well, this is really too much. I
shall put a butler over Boaz this very day.”</p>
          <p>For an instant Carraway felt strangely tempted to
turn and run as fast as he could along the sunken
road—remembering, as he struggled with the impulse,
that he had once been caught at the age of ten and
whipped for stealing apples. Recovering with an
effort his sense of dignity, he offered the suggestion
that Boaz, instead of being seriously in fault, might
<pb id="glasgow69" n="69"/>
merely have been engaged in useful occupations
“somewhere at the back.”</p>
          <p>“What on earth can he have to do at the back
sir?” inquired the irrepressible old lady; “but since
you were so kind as to overlook our inhospitable
reception, will you not be equally good and tell me
your name?”</p>
          <p>“I fear it won't enlighten you much,” replied the
lawyer modestly, “but my name happens to be Guy
Carraway.”</p>
          <p>“Guy—Guy Carraway,” repeated Mrs. Blake, as if
weighing each separate letter in some remote social
scales. “I've known many a Guy in my day—and that
part, at least, of your name is quite familiar. There
was Guy Nelson, and Guy Blair, and Guy Marshall,
the greatest beau of his time—but I don't think I
ever had the pleasure of meeting a Carraway before.”</p>
          <p>“That is more than probable, ma'am, but I have
the advantage of you, since, as a child, I was once
taken out upon the street corner merely to see you go
by on your way to a fancy ball, where you appeared
as Diana.”</p>
          <p>Mrs. Blake yielded gracefully to the skilful thrust.</p>
          <p>“Ah, I was Lucy Corbin then,” she sighed. “You
find few traces of her in me now, sir.”</p>
          <p>“Unfortunately, your mirror cannot speak for me.”</p>
          <p>She shook her head.</p>
          <p>“You're a flatterer—a sad flatterer, I see,” she
returned, a little wistfully;  “but it does no harm, as
I tell my son, to flatter the old. It is well to strew
the passage to the grave with flowers.”</p>
          <p>“How well I remember that day,” said Carraway,
speaking softly. “There was a crowd about the door,
<pb id="glasgow70" n="70"/>
waiting to see you come out, and a carpenter lifted
me upon his shoulder. Your hair was as black as
night, and there was a circle round your head—”</p>
          <p>“A silver fillet,” she corrected, with a smile in
which there was a gentle archness.</p>
          <p>“A fillet, yes; and you carried a bow and a quiver
full of arrows. I declare, it seems but yesterday.”</p>
          <p>“It was more than fifty years ago,” murmured the
old lady. “Well, well, I've had my day, sir, and it
was a merry one. I am almost seventy years old—
I'm half dead, and stone blind into the bargain, but I
can say to you that this is a cheerful world in spite of
the darkness in which I linger on. I'd take it over
again and gladly any day—the pleasure and the pain,
the light and the darkness. Why, I sometimes think
that my present blindness was given me in order that
I might view the past more clearly. There's not a
ball of my youth, nor a face I knew, nor even a dress
I wore, that I don't see more distinctly every day.
The present is a very little part of life, sir; it's the past
in which we store our treasures.”</p>
          <p>“You're right, you're right,” replied Carraway,
drawing his chair nearer the embroidered ottoman
and leaning over to stroke the yellow cat; “and I'm
glad to hear so cheerful a philosophy from your lips.”</p>
          <p>“It is based on a cheerful experience—I've been as
you see me now only twenty years.”</p>
          <p>Only twenty years! He looked mutely round the
soiled whitewashed walls, where hung a noble gathering
of Blake portraits in massive old gilt frames.
Among them he saw the remembered face of Lucy
Corbin herself, painted under a rose-garland held by
smiling Loves.</p>
          <pb id="glasgow71" n="71"/>
          <p>“Life has its trials, of course,” pursued Mrs. Blake,
as if speaking to herself. “I can't look out upon
the June flowers, you know, and though the pink
crepe-myrtle at my window is in full bloom I cannot
see it.”</p>
          <p>Following her gesture, Carraway glanced out into
the little yard; no myrtle was there, but he remembered
vaguely that he had seen one in blossom at the Hall.</p>
          <p>“You keep flowers about you, though,” he said,
alluding to the scattered vases of June roses.</p>
          <p>“Not my crepe-myrtle. I planted it myself when
I first came home with Mr. Blake, and I have never
allowed so much as a spray of it to be plucked.”</p>
          <p>Forgetting his presence, she lapsed for a time into
one of the pathetic day-dreams of old age. Then
recalling herself suddenly, her tone took on a
sprightliness like that of youth.</p>
          <p>“It's not often that we have the pleasure of entertaining
a stranger in our out-of-the-way house, sir—
so may I ask where you are staying—or perhaps you
will do us the honour to sleep beneath our roof. It
has had the privilege of sheltering General
Washington.”</p>
          <p>“You are very kind,” replied Carraway, with a
gratitude that was from his heart, “but to tell the
truth, I feel that I am sailing under false colours.
The real object of my visit is to ask a business
interview with your son. I bring what seems to me
a very fair offer for the place.”</p>
          <p>Grasping the carved arms of her chair, Mrs. Blake
turned the wonder in her blind eyes upon him.
“An offer for the place! Why, you must be dreaming
<pb id="glasgow72" n="72"/>
sir! A Blake owned it more than a hundred
years before the Revolution.”</p>
          <p>At the instant, understanding broke upon Carraway
like a thundercloud, and as he rose from his seat it
seemed to him that he had missed by a single step
the yawning gulf before him. Blind terror gripped
him for the moment, and when his brain steadied he
looked up to meet, from the threshold of the adjoining
room, the enraged flash of Christopher's eyes. So
tempestuous was the glance that Carraway, impulsively
falling back, squared himself to receive a
physical blow; but the young man, without so much
as the expected oath, came in quietly and took his
stand behind the Elizabethan chair.</p>
          <p>“Why, what a joke, mother,” he said, laughing;
“he means the old Weatherby farm, of course. The
one I wanted to sell last year, you know.”</p>
          <p>“I thought you'd sold it to the Weatherbys,
Christopher.”</p>
          <p>“Not a bit of it—they backed out at the last; but
don't begin to bother your head about such things;
they aren't worth it. And now, sir,” he turned upon
Carraway, “since your business is with me, perhaps
you will have the goodness to step outside.”</p>
          <p>With the feeling that he was asked out for a beating,
Carraway turned for a farewell with Mrs. Blake,
but the imperious old lady was not to be so lightly
defrauded of a listener.</p>
          <p>“Business may come later, my son,” she said,
detaining them by a gesture of her heavily ringed
hand. “After dinner you may take Mr. Carraway
with you into the library and discuss your affairs
over a bottle of burgundy, as was your grandfather's
<pb id="glasgow73" n="73"/>
custom before you; meanwhile, he and I will resume
our very pleasant talk which you interrupted. He
remembers seeing me in the old days when we were
all in the United States, my dear.”</p>
          <p>Christopher's brow grew black, and he threw a
sharp and malignant glance of sullen suspicion at
Carraway, who summoned to meet it his most frank
and open look.</p>
          <p>“I saw your mother in the height of her fame,”
he said, smiling, “so I may count myself one of her
oldest admirers, I believe. You may assure yourself,”
he added softly, “that I have her welfare very
decidedly at heart.”</p>
          <p>At this Christopher smiled back at him, and there
was something of the June brightness in his look.</p>
          <p>“Well, take care, sir,” he answered, and went out,
closing the door carefully behind him, while Carraway
applied himself to a determined entertaining of
Mrs. Blake.</p>
          <p>To accomplish this he found that he had only to
leave her free, guiding her thoughts with his lightest
touch into newer channels. The talk had grown
merrier now, and he soon discovered that she
possessed a sharpened wit as well as a ready tongue.
From subject to subject she passed with amazing
swiftness, bearing down upon her favourite themes
with the delightful audacity of the talker who is
born, not made. She spoke of her own youth, of
historic flirtations in the early twenties, of great
<hi rend="italics"><foreign lang="fr">beaux</foreign></hi> she had known, and of famous recipes that
had been handed down for generations. Everywhere
he felt her wonderful keenness of perception—
that intuitive understanding of men and manners
<pb id="glasgow74" n="74"/>
which had kept her for so long the reigning belle
among her younger rivals.</p>
          <p>As she went on he found that her world was as
different from his own as if she dwelt upon some
undiscovered planet—a world peopled with shades
and governed by an ideal group of abstract laws.
She lived upon lies, he saw, and thrived upon the
sweetness she extracted from them. For her the
Confederacy had never fallen, the quiet of her
dreamland had been disturbed by no invading army,
and the three hundred slaves, who had in reality scattered
like chaff before the wind, she still saw in her cheerful
visions tilling her familiar fields. It was as if she had
fallen asleep with the great blow that had wrecked
her body, and had dreamed on steadily throughout
the years. Of real changes she was as ignorant as a
new-born child. Events had shaken the world to its
centre, and she, by her obscure hearth, had not felt
so much as a sympathetic tremor. In her memory
there was no Appomattox, news of the death of
Lincoln had never reached her ears, and president
had peacefully succeeded president in the secure
Confederacy in which she lived. Wonderful as it all
was, to Carraway the most wonderful thing was the
intricate tissue of lies woven around her chair. Lies
—lies—there had been nothing but lies spoken
within her hearing for twenty years.</p>
        </div2>
        <pb id="glasgow75" n="75"/>
        <div2 type="chapter">
          <head>CHAPTER VII
<lb/>
IN WHICH A STAND IS MADE</head>
          <p>THE wonder was still upon him when Docia appeared
bearing her mistress's dinner-tray, and a moment
later Cynthia came in and paused uncertainly near
the threshold.</p>
          <p>“Do you wish anything, mother?”</p>
          <p>“Only to present Mr. Carraway, my child. He
will be with us at dinner.”</p>
          <p>Cynthia came forward smiling and held out her
hand with the cordial hospitality which she had
inherited with the family portraits and the good old
name. She wore this morning a dress of cheap black
calico, shrunken from many washings, and beneath
the scant sleeves Carraway saw her thin red wrists,
which looked as if they had been soaking in harsh
soapsuds. Except for a certain ease of manner which
she had not lost in the drudgery of her life, she
might have been sister to the toilworn slattern he
had noticed in one of the hovels across the country.</p>
          <p>“We shall be very glad to have you,” she said, with
quiet dignity. “It is ready now, I think.”</p>
          <p>“Be sure to make him try the port, Cynthia,”
called Mrs. Blake, as Carraway followed the daughter
across the threshold.</p>
          <p>In the kitchen they found Tucker and Lila and a   
<pb id="glasgow76" n="76"/>
strange young man in overalls, who was introduced
as “one of the Weatherbys who live just up the
road.” He was evidently one of their plainer neighbours,
for Carraway detected at once a constraint in
Cynthia's manner which Lila did not appear to share.
The girl, dressed daintily in a faded muslin, with an
organdy kerchief crossed over her swelling bosom,
flashed upon Carraway's delighted vision like one of
the maidens hanging, gilt-framed, in the old lady's
parlour. That she was the particular pride of the
family—the one luxury they allowed themselves
besides their costly mother—the lawyer realised upon
the instant. Her small white hands were unsoiled by
any work, and her beautiful, kindly face had none of
the nervous dread which seemed always lying behind
Cynthia's tired eyes. With the high devotion of a
martyr, the elder sister must have offered herself a
willing sacrifice, winning for the younger an existence
which, despite its gray monotony, showed fairly
rose-coloured in comparison with her own. She
herself had sunk to the level of a servant, but through
it all Lila had remained “the lady,” preserving an
equable loveliness to which Jim Weatherby hardly
dared lift his wistful gaze.</p>
          <p>As for the young man himself, he had a blithe, open
look which Carraway found singularly attractive—
the kind of look it warms one's heart to meet in the
long road on a winter's day. Leaning idly against
the lintel of the door, and fingering a bright axe which
he was apparently anxious that they should retain,
he presented a pleasant enough picture to the
attentive eyes within the kitchen.</p>
          <p>“You'd as well keep this axe as long as you want it,”
<pb id="glasgow77" n="77"/>
he protested earnestly. “It's an old one, anyway,
that I sharpened when you asked for it, and we've
another at home; that's all we need.”</p>
          <p>“It's very kind of you, Jim, but ours is mended
now,” replied Cynthia, a trifle stiffly.</p>
          <p>“If we need one again, we'll certainly borrow
yours,” added Lila, smiling as she looked up from the
glasses she was filling with fresh buttermilk.</p>
          <p>“Sit down, Jim, and have dinner with us; there's
no hurry,” urged Tucker hospitably, with a genial
wave toward the meagerly spread table. “Jim's a
great fellow, Mr. Carraway; you ought to know him.
He can manage anything from a Sunday-school to
the digging of a well. I've always said that if he'd
had charge of the children of Israel's journey to the
promised land he'd have had them there, flesh-pots
and all, before the week was up.”</p>
          <p>“I can see he is a useful neighbour,” observed
Carraway, glancing at the axe.</p>
          <p>“Well, I'm glad I come handy,” replied Jim in his
hearty way; “and are you sure you don't want me
to split up that big oak log at the woodpile? I can
do it in a twinkling.”</p>
          <p>Cynthia declined his knightly offer, to be overruled
again by Lila's smiling lips.</p>
          <p>“Christopher will have to do it when he comes in,”
she said; “poor Christopher, he never has a single
moment of his own.”</p>
          <p>Jim Weatherby looked at her eagerly, his blue eyes
full of sparkle. “Why, I can do it in no time,” he
declared, shouldering his axe, and a moment afterward
they heard his merry strokes from the woodpile.</p>
          <p>“Are you interested in tobacco, Mr. Carraway?”
<pb id="glasgow78" n="78"/>
inquired Tucker, as they seated themselves at the
pine table without so much as an apology for the
coarseness of the fare or an allusion to their fallen
fortunes. “If so, you've struck us at the time when
every man about here is setting out his next winter's
chew. Sol Peterkin, by the way, has planted every
square inch of his land in tobacco, and when I
asked him what market he expected to send it to he
answered that he only raised a little for his own use.”</p>
          <p>“Is that the Peterkin who has the pretty daughter?”
asked Cynthia, slicing a piece of bacon. “May I
help you to turnip salad, Mr. Carraway?” Uncle
Boaz, hobbling with rheumatism, held out a quaint
old tray of inlaid woods; and the lawyer, as he placed
his plate upon it, heaved a sigh of gratitude for the
utter absence of vulgarity. He could fancy dear old
Miss Saidie puffing apologies over the fat bacon, and
Fletcher profanely deploring the sloppy coffee.</p>
          <p>“The half-grown girl with the bunch of flaxen curls
tied with a blue ribbon?” returned Tucker, while
Lila cut up his food as if he were a child. “Yes,
that's Molly Peterkin, though it's hard to believe she's
any kin to Sol. I shouldn't wonder if she turned
into a bouncing beauty a few years further on.”</p>
          <p>“It was her father, then, that I walked over with
from the cross-roads,” said Carraway. “He struck
me as 