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<emph rend="bold">FREE JOE</emph>AND OTHER
GEORGIAN SKETCHES</title>
        <author>Harris, Joel Chandler, 1848-1908</author>
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        <pubPlace>University of North Carolina at
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        <date>1998.</date>
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<title>FREE JOE AND OTHER GEORGIAN SKETCHES</title>
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<date>1887</date>
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    <front>
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        <p>
          <figure id="spine" entity="harrissp">
            <p>[Spine Image]</p>
          </figure>
        </p>
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      <div1 type="title page image" org="uniform" sample="complete" part="N">
        <p>
          <figure id="title" entity="harristp">
            <p>[Title Page Image]</p>
          </figure>
        </p>
      </div1>
      <titlePage>
        <docTitle>
          <titlePart type="main">FREE JOE</titlePart>
          <lb/>
          <titlePart type="main">AND<lb/>
OTHER GEORGIAN SKETCHES</titlePart>
        </docTitle>
        <byline>BY</byline>
        <docAuthor>
<emph>JOEL CHANDLER HARRIS</emph>
<lb/>
AUTHOR OF “UNCLE REMUS,” ETC., ETC.</docAuthor>
        <docImprint>
<pubPlace>NEW YORK</pubPlace>
<publisher>CHARLES SCRIBNER'S SONS</publisher>
<docDate>1887</docDate>
</docImprint>
        <titlePart type="verso">COPYRIGHT, 1887,<lb/>
BY CHARLES SCRIBNER'S SONS.<lb/>
RAND AVERY COMPANY,
<lb/>
ELECTROTYPERS AND PRINTERS,
<lb/>
BOSTON.
</titlePart>
      </titlePage>
      <div1 type="contents" org="uniform" sample="complete" part="N">
        <head>CONTENTS.</head>
        <list type="simple">
          <item>FREE JOE . . . . 
<ref target="harr1" targOrder="U"> 1</ref>
</item>
          <item>LITTLE COMPTON   . . . . 
<ref target="harr21" targOrder="U">21</ref>
</item>
          <item>AUNT FOUNTAIN'S PRISONER . . . . 
<ref target="harr72" targOrder="U">72</ref>
</item>
          <item>TROUBLE ON LOST MOUNTAIN . . . . 
<ref target="harr99" targOrder="U">99</ref>
</item>
          <item>AZALIA  . . . . 
<ref target="harr138" targOrder="U">138</ref>
</item>
        </list>
      </div1>
    </front>
    <body>
      <pb id="harr1" n="1"/>
      <div1 type="chapter" org="uniform" sample="complete" part="N">
        <head>FREE JOE AND THE REST OF THE
WORLD.</head>
        <p>THE name of Free Joe strikes humorously upon
the ear of memory. It is impossible to say
why, for he was the humblest, the simplest, and the
most serious of all God's living creatures, sadly lacking
in all those elements that suggest the humorous.
It is certain, moreover, that in 1850 the sober-minded
citizens of the little Georgian village of Hillsborough
were not inclined to take a humorous view of Free
Joe, and neither his name nor his presence provoked
a smile. He was a black atom, drifting hither and
thither without an owner, blown about by all the
winds of circumstance, and given over to shiftlessness.</p>
        <p>The problems of one generation are the paradoxes
of a succeeding one, particularly if war, or some such
incident, intervenes to clarify the atmosphere and
strengthen the understanding. Thus, in 1850, Free
Joe represented not only a problem of large concern,
but, in the watchful eyes of Hillsborough, he was the
embodiment of that vague and mysterious
danger that seemed to be forever lurking on the outskirts
of slavery, ready to sound a shrill and ghostly
<pb id="harr2" n="2"/>
signal in the impenetrable swamps, and steal forth
under the midnight stars to murder, rapine, and
pillage,—a danger always threatening, and yet never
assuming shape; intangible, and yet real; impossible,
and yet not improbable. Across the serene and
smiling front of safety, the pale outlines of the awful
shadow of insurrection sometimes fell. With this
invisible panorama as a background, it was natural
that the figure of Free Joe, simple and humble as it
was, should assume undue proportions. Go where
he would, do what he might, he could not escape the
finger of observation and the kindling eye of suspicion.
His lightest words were noted, his slightest
actions marked.</p>
        <p>Under all the circumstances it was natural that his
peculiar condition should reflect itself in his habits
and manners. The slaves laughed loudly day by
day, but Free Joe rarely laughed. The slaves sang
at their work and danced at their frolics, but no one
ever heard Free Joe sing or saw him dance. There
was something painfully plaintive and appealing in
his attitude, something touching in his anxiety to
please. He was of the friendliest nature, and seemed
to be delighted when he could amuse the little children
who had made a playground of the public
square. At times he would please them by making
his little dog Dan perform all sorts of curious tricks,
or he would tell them quaint stories of the beasts of
the field and birds of the air; and frequently he was
<pb id="harr3" n="3"/>
coaxed into relating the story of his own freedom.
That story was brief, but tragical.</p>
        <p>In the year of our Lord 1840, when a negro-speculator
of a sportive turn of mind reached the little
village of Hillsborough on his way to the Mississippi
region, with a caravan of likely negroes of both
sexes, he found much to interest him. In that day
and at that time there were a number of young men
in the village who had not bound themselves over to
repentance for the various misdeeds of the flesh. To
these young men the negro-speculator (Major Frampton
was his name) proceeded to address himself.
He was a Virginian, he declared; and, to prove the
statement, he referred all the festively inclined young
men of Hillsborough to a barrel of peach-brandy in
one of his covered wagons. In the minds of these
young men there was less doubt in regard to the age
and quality of the brandy than there was in regard
to the negro-trader's birthplace. Major Frampton
might or might not have been born in the Old
Dominion,—that was a matter for consideration and
inquiry,—but there could be no question as to the
mellow pungency of the peach-brandy.</p>
        <p>In his own estimation, Major Frampton was one of
the most accomplished of men. He had summered
at the Virginia Springs; he had been to Philadelphia,
to Washington, to Richmond, to Lynchburg, and to
Charleston, and had accumulated a great deal of
experience which he found useful. Hillsborough was
<pb id="harr4" n="4"/>
hid in the woods of Middle Georgia, and its general
aspect of innocence impressed him. He looked on
the young men who had shown their readiness to test
his peach-brandy, as overgrown country boys who
needed to be introduced to some of the arts and
sciences he had at his command. Thereupon the
major pitched his tents, figuratively speaking, and
became, for the time being, a part and parcel of the
innocence that characterized Hillsborough. A wiser
man would doubtless have made the same mistake.</p>
        <p>The little village possessed advantages that seemed
to be providentially arranged to fit the various
enterprises that Major Frampton had in view. There was
the auction-block in front of the stuccoed court-house,
if he desired to dispose of a few of his negroes; there
was a quarter-track, laid out to his hand and in excellent
order, if he chose to enjoy the pleasures of
horse-racing; there were secluded pine thickets
within easy reach, if he desired to indulge in the
exciting pastime of cock-fighting; and various lonely
and unoccupied rooms in the second story of the
tavern, if he cared to challenge the chances of dice
or cards.</p>
        <p>Major Frampton tried them all with varying luck,
until he began his famous game of poker with Judge
Alfred Wellington, a stately gentleman with a flowing
white beard and mild blue eyes that gave him the
appearance of a benevolent patriarch. The history of
the game in which Major Frampton and Judge Alfred
<pb id="harr5" n="5"/>
Wellington took part is something more than a tradition
in Hillsborough, for there are still living three
or four men who sat around the table and watched
its progress. It is said that at various stages of the
game Major Frampton would destroy the cards with
which they were playing, and send for a new pack,
but the result was always the same. The mild blue
eyes of Judge Wellington, with few exceptions, continued
to overlook “hands” that were invincible—a habit they had acquired during a long and arduous
course of training from Saratoga to New Orleans.
Major Frampton lost his money, his horses, his
wagons, and all his negroes but one, his body-servant.
When his misfortune had reached this limit,
the major adjourned the game. The sun was shining
brightly, and all nature was cheerful. It is said that
the major also seemed to be cheerful. However this
may be, he visited the court-house, and executed the
papers that gave his body-servant his freedom. This
being done, Major Frampton sauntered into a convenient
pine thicket, and blew out his brains.</p>
        <p>The negro thus freed came to be known as Free
Joe. Compelled, under the law, to choose a guardian,
he chose Judge Wellington, chiefly because his
wife Lucinda was among the negroes won from
Major Frampton. For several years Free Joe had
what may be called a jovial time. His wife Lucinda
was well provided for, and he found it a comparatively
easy matter to provide for himself; so that,
<pb id="harr6" n="6"/>
taking all the circumstances into consideration, it is
not matter for astonishment that he became somewhat
shiftless.</p>
        <p>When Judge Wellington died, Free Joe's troubles
began. The judge's negroes, including, Lucinda,
went to his half-brother, a man named Calderwood,
who was a hard master and a rough customer generally,—a man of many eccentricities of mind and
character. His neighbors had a habit of alluding to
him as “Old Spite;” and the name seemed to fit him
so completely, that he was known far and near as
“Spite” Calderwood. He probably 
enjoyed the distinction
the name gave him, at any rate, he never
resented it, and it was not often that he missed an
opportunity to show that he deserved it. Calderwood's
place was two or three miles from the village
of Hillsborough, and Free Joe visited his wife twice
a week, Wednesday and Saturday nights.</p>
        <p>One Sunday he was sitting in front of Lucinda's
cabin, when Calderwood happened to pass that way.</p>
        <p>“Howdy, marster?” said Free Joe, taking off his
hat.</p>
        <p>“Who are you?” exclaimed Calderwood abruptly,
halting and staring at the negro.</p>
        <p>“I'm name' Joe, marster.  I'm Lucindy's ole
man.”</p>
        <p>“Who do you belong to?”</p>
        <p>“Marse John Evans is my gyardeen, marster.”</p>
        <p>“Big name—gyardeen. Show your pass.”</p>
        <pb id="harr7" n="7"/>
        <p>Free Joe produced that document, and Calderwood
read it aloud slowly, as if he found it difficult to get
at the meaning:—</p>
        <p>
          <hi rend="italics">“To whom it may concern:
This is to certify that
the boy Joe Frampton has my permission to visit his
wife Lucinda.”</hi>
        </p>
        <p>This was dated at Hillsborough, and signed
<hi rend="italics"> “John
W. Evans.”</hi>
</p>
        <p>Calderwood read it twice, and then looked at Free
Joe, elevating his eyebrows, and showing his discolored
teeth.</p>
        <p>“Some mighty big words in that there. Evans
owns this place, I reckon. When's he comin' down
to take hold?”</p>
        <p>Free Joe fumbled with his hat. He was badly
frightened.</p>
        <p>“Lucindy say she speck you wouldn't min' my
comin', long ez I behave, marster.”</p>
        <p>Calderwood tore the pass in pieces and flung it
away.</p>
        <p>“Don't want no free niggers 'round here,” he
exclaimed. “There's the big road. It'll carry you to
town. Don't let me catch you here no more. Now,
mind what I tell you.”</p>
        <p>Free Joe presented a shabby spectacle as he moved
off with his little dog Dan slinking at his heels. It
should be said in behalf of Dan, however, that his
bristles were up, and that he looked back and
growled. It may be that the dog had the advantage
<pb id="harr8" n="8"/>
of insignificance, but it is difficult to conceive how a
dog bold enough to raise his bristles under
Calderwood's very eyes could be as insignificant as Free
Joe. But both the negro and his little dog seemed
to give a new and more dismal aspect to forlornness
as they turned into the road and went toward
Hillsborough.</p>
        <p>After this incident Free Joe appeared to have
clearer ideas concerning his peculiar condition. He
realized the fact that though he was free he was
more helpless than any slave. Having no owner,
every man was his master. He knew that he was
the object of suspicion, and therefore all his slender
resources (ah! how pitifully slender they were!)
were devoted to winning, not kindness and appreciation,
but toleration; all his efforts were in the direction
of mitigating the circumstances that tended to
make his condition so much worse than that of the
negroes around him,—negroes who had friends
because they had masters.</p>
        <p>So far as his own race was concerned, Free Joe
was an exile. If the slaves secretly envied him his
freedom (which is to be doubted, considering his
miserable condition), they openly despised him, and lost
no opportunity to treat him with contumely. Perhaps
this was in some measure the result of the attitude
which Free Joe chose to maintain toward them.
No doubt his instinct taught him that to hold himself
aloof from the slaves would be to invite from the
<pb id="harr9" n="9"/>
whites the toleration which he coveted, and without
which even his miserable condition would be rendered
more miserable still.</p>
        <p>His greatest trouble was the fact that he was not
allowed to visit his wife; but he soon found a way
out of this difficulty. After he had been ordered
away from the Calderwood place, he was in the habit
of wandering as far in that direction as prudence
would permit. Near the Calderwood place, but not
on Calderwood's land, lived an old man named Micajah
Staley and his sister Becky Staley. These people
were old and very poor. Old Micajah had a palsied
arm and hand; but, in spite of this, he managed to
earn a precarious living with his turning-lathe.</p>
        <p>When he was a slave Free Joe would have scorned
these representatives of a class known as poor white
trash, but now he found them sympathetic and helpful
in various ways. From the back door of their
cabin he could hear the Calderwood negroes singing
at night, and he sometimes fancied he could distinguish
Lucinda's shrill treble rising above the other
voices. A large poplar grew in the woods some distance
from the Staley cabin, and at the foot of this
tree Free Joe would sit for hours with his face turned
toward Calderwood's.  His little dog Dan would curl
up in the leaves near by, and the two seemed to be
as comfortable as possible.</p>
        <p>One Saturday afternoon Free Joe, sitting at the
foot of this friendly poplar, fell asleep. How long
<pb id="harr10" n="10"/>
he slept, he could not tell; but when he awoke little,
Dan was licking his face, the moon was shining
brightly, and Lucinda his wife stood before him
laughing. The dog, seeing that Free Joe was asleep,
had grown somewhat impatient, and he concluded to
make an excursion to the Calderwood place on his
own account. Lucinda was inclined to give the
incident a twist in the direction of superstition.</p>
        <p>“I 'uz settin' down front er de fireplace,” she said,
“cookin' me some meat, w'en all of a sudden I year
sumpin at de do'—scratch, scratch. I tuck'n tu'n
de meat over, en make out I aint year it. Bimeby it
come dar 'gin—scratch, scratch. I up en open de
do', I did, en, bless de Lord! dar wuz little Dan, en
it look like ter me dat his ribs done grow tergeer.
I gin 'im some bread, en den, w'en he start out, I
tuck'n foller 'im, kaze, I say ter myse'f, maybe my
nigger man mought be some'rs 'roun'. Dat ar little
dog got sense, mon.”</p>
        <p>Free Joe laughed and dropped his hand lightly on
Dan's head. For a long time after that he had no
difficulty in seeing his wife. He had only to sit by
the poplar-tree until little Dan could run and fetch
her. But after a while the other negroes discovered
that Lucinda was meeting Free Joe in the woods,
and information of the fact soon reached Calderwood's
ears. Calderwood was what is called a man
of action. He said nothing; but one day he put
Lucinda in his buggy, and carried her to Macon, sixty
<pb id="harr11" n="11"/>
miles away. He carried her to Macon, and came
back without her; and nobody in or around Hillsborough,
or in that section, ever saw her again.</p>
        <p>For many a night after that Free Joe sat in the
woods and waited. Little Dan would run merrily off
and be gone a long time, but he always came back
without Lucinda. This happened over and over
again. The “willis-whistlers” would call and call,
like phantom huntsmen wandering on a far-off shore;
the screech-owl would shake and shiver in the depths
of the woods; the night-hawks, sweeping by on
noiseless wings, would snap their beaks as though
they enjoyed the huge joke of which Free Joe and
little Dan were the victims; and the whip-poor-wills
would cry to each other through the gloom. Each
night seemed to be lonelier than the preceding, but
Free Joe's patience was proof against loneliness.
There came a time, however, when little Dan refused
to go after Lucinda. When Free Joe motioned him
in the direction of the Calderwood place, he would
simply move about uneasily and whine; then he
would curl up in the leaves and make himself
comfortable.</p>
        <p>One night, instead of going to the poplar-tree to
wait for Lucinda, Free Joe went to the Staley cabin,
and, in order to make his welcome good, as he expressed
it, he carried with him an armful of fat-pine
splinters. Miss Becky Staley had a great reputation
in those parts as a fortune-teller, and the schoolgirls,
<pb id="harr12" n="12"/>
as well as older people, often tested her powers in
this direction, some in jest and some in earnest.
Free Joe placed his humble offering of light-wood in
the chimney-corner, and then seated himself on the
steps, dropping his hat on the ground outside.</p>
        <p>“Miss Becky,” he said presently, 
“whar in de
name er gracious you reckon Lucindy is?”</p>
        <p>“Well, the Lord he'p the nigger!” 
exclaimed Miss
Becky, in a tone that seemed to reproduce, by some
curious agreement of sight with sound, her general
aspect of peakedness. “Well, the Lord he'p the
nigger! haint you been a-seein' her all this blessed
time? She's over at old Spite Calderwood's, if she's
anywheres, I reckon.”</p>
        <p>“No'm, dat I aint, Miss Becky.  I aint seen
Lucindy in now gwine on mighty nigh a mont'.”</p>
        <p>“Well, it haint a-gwine to hurt you,” said Miss
Becky, somewhat sharply. “In my day an' time it
wuz allers took to be a bad sign when niggers got to
honeyin' 'roun' an' gwine on.”</p>
        <p>“Yessum,” said Free Joe, cheerfully
assenting to
the proposition—“yessum, dat's so, but me an' my
ole 'oman, we 'uz raise tergeer, en dey aint bin many
days w'en we 'uz 'way fum one 'n'er like we is now.”</p>
        <p>“Maybe she's up an' took up wi' some un else,”
said Micajah Staley from the corner. “You 
know
what the sayin' is, ‘New master, new nigger.’
”</p>
        <p>“Dat's so, dat's de sayin', but tain't wid my ole
'oman like 'tis wid yuther niggers. Me en her wuz
<pb id="harr13" n="13"/>
des natally raise up tergeer. Dey's lots likelier
niggers den w'at I is,” said Free Joe, viewing his
shabbiness with a critical eye, “but I knows Lucindy
mos' good ez I does little Dan dar—dat I does.”</p>
        <p>There was no reply to this, and Free Joe
continued,—</p>
        <p>“Miss Becky, I wish you please, ma'am, take en
run yo' kyards en see sump'n n'er 'bout Lucindy;
kaze ef she sick, I'm gwine dar. Dey ken take en
take me up en gimme a stroppin', but I'm gwine
dar.”</p>
        <p>Miss Becky got her cards, but first she picked up
a cup, in the bottom of which were some
coffee-grounds. These she whirled slowly round and
round, ending finally by turning the cup upside down
on the hearth and allowing it to remain in that
position.</p>
        <p>“I'll turn the cup first,” said
Miss Becky, “and
then I'll run the cards and see what they
say.”</p>
        <p>As she shuffled the cards the fire on the hearth
burned low, and in its fitful light the gray-haired,
thin-featured woman seemed to deserve the weird
reputation which rumor and gossip had given her.
She shuffled the cards for some moments, gazing
intently in the dying fire; then, throwing a piece of
pine on the coals, she made three divisions of the
pack, disposing them about in her lap. Then she
took the first pile, ran the cards slowly through her
fingers, and studied them carefully. To the first she
<pb id="harr14" n="14"/>
added the second pile. The study of these was
evidently not satisfactory. She said nothing, but
frowned heavily; and the frown deepened as she
added the rest of the cards until the entire fifty-two
had passed in review before her. Though she
frowned, she seemed to be deeply interested. Without
changing the relative position of the cards, she
ran them all over again. Then she threw a larger
piece of pine on the fire, shuffled the cards afresh,
divided them into three piles, and subjected them to
the same careful and critical examination.</p>
        <p>“I can't tell the day when I've seed the cards run
this a-way,” she said after a while. “What is an'
what aint, I'll never tell you; but I know what the
cards sez.”</p>
        <p>“W'at does dey say, Miss Becky?” the negro
inquired, in a tone the solemnity of which was
heightened by its eagerness.</p>
        <p>“They er runnin' quare. These here that I'm
a-lookin' at,” said Miss Becky,
“they stan' for the
past. Them there, they er the present; and the
t'others, they er the future. Here's a bundle,”—tapping the ace of clubs with her thumb,—“an'
here's a journey as plain as the nose on a man's face.
Here's Lucinda”—</p>
        <p>“Whar she, Miss Becky?”</p>
        <p>“Here she is—the queen of spades.”</p>
        <p>Free Joe grinned. The idea seemed to please him
immensely.</p>
        <pb id="harr15" n="15"/>
        <p>“Well, well, well!” he exclaimed.
“Ef dat don't
beat my time! De queen er spades! W'en Lucindy
year dat hit'll tickle 'er, sho'!”</p>
        <p>Miss Becky continued to run the cards back and
forth through her fingers.</p>
        <p>“Here's a bundle an' a journey, and here's
Lucinda. An' here's ole Spite Calderwood.”</p>
        <p>She held the cards toward the negro and touched
the king of clubs.</p>
        <p>“De Lord he'p my soul!” exclaimed Free Joe
with a chuckle. “De faver's dar. Yesser, dat's
him! W'at de matter 'long wid all un um, Miss
Becky?”</p>
        <p>The old woman added the second pile of cards to
the first, and then the third, still running them
through her fingers slowly and critically. By this
time the piece of pine in the fireplace had wrapped
itself in a mantle of flame, illuminating the cabin
and throwing into strange relief the figure of Miss
Becky as she sat studying the cards. She frowned
ominously at the cards and mumbled a few words to
herself. Then she dropped her hands in her lap and
gazed once more into the fire. Her shadow danced
and capered on the wall and floor behind her, as if,
looking over her shoulder into the future, it could
behold a rare spectacle. After a while she picked
up the cup that had been turned on the hearth.
The coffee-grounds, shaken around, presented what
seemed to be a most intricate map.</p>
        <pb id="harr16" n="16"/>
        <p>“Here's the journey,” said Miss
Becky, presently;
“here's the big road, here's rivers
to cross, here's
the bundle to tote.” She paused and sighed.
“They haint no names writ here, an'
what it all
means I'll never tell you. Cajy, I wish you'd be so
good as to han' me my pipe.”</p>
        <p>“I haint no hand wi' the kyards,”
said Cajy, as he
handed the pipe, “but I reckon I can patch out your
misinformation, Becky, bekaze the other day, whiles
I was a-finishin' up Mizzers Perdue's rollin'-pin, I
hearn a rattlin' in the road. I looked out, an' Spite
Calderwood was a-drivin' by in his buggy, an' thar
sot Lucinda by him. It'd in-about drapt out er my
min'.”</p>
        <p>Free Joe sat on the door-sill and fumbled at his
hat, flinging it from one hand to the other.</p>
        <p>“You aint see um gwine back, is you,
 Mars Cajy?”
he asked after a while.</p>
        <p>“Ef they went back by this road,”
said Mr. Staley,
with the air of one who is accustomed to weigh well
his words, “it must 'a' bin endurin' of the time
whiles I was asleep, bekaze I haint bin no furder
from my shop than to yon bed.”</p>
        <p>“Well, sir!” exclaimed Free Joe
in an awed tone,
which Mr. Staley seemed to regard as a tribute to
his extraordinary powers of statement.</p>
        <p>“Ef it's my beliefs you want,”
continued the old
man, “I'll pitch 'em at you fair and free.
My beliefs
is that Spite Calderwood is gone an' took Lucindy
<pb id="harr17" n="17"/>
outen the county. Bless your heart and soul! when
Spite Calderwood meets the Old Boy in the road
they'll be a turrible scuffle. You mark what I tell
you.”</p>
        <p>Free Joe, still fumbling with his hat, rose and
leaned against the door-facing. He seemed to be
embarrassed.  Presently he said,—</p>
        <p>“I speck I better be gittin' 'long. Nex' time
I see Lucindy, I'm gwine tell 'er w'at Miss Becky
say 'bout de queen er spades—dat I is. Ef dat
don't tickle 'er, dey ain't no nigger 'oman never
bin tickle'.”</p>
        <p>He paused a moment, as though waiting for some
remark or comment, some confirmation of misfortune,
or, at the very least, some indorsement of his
suggestion that Lucinda would be greatly pleased to know
that she had figured as the queen of spades; but
neither Miss Becky nor her brother said any thing.</p>
        <p>“One minnit ridin' in the buggy 'longside er Mars
Spite, en de nex' highfalutin' 'roun' playin' de queen
er spades. Mon, deze yer nigger gals gittin' up in
de pictur's; dey sholy is.”</p>
        <p>With a brief “Good-night, Miss Becky, Mars
Cajy,” Free Joe went out into the darkness, followed
by little Dan. He made his way to the poplar,
where Lucinda had been in the habit of meeting
him, and sat down. He sat there a long time; he
sat there until little Dan, growing restless, trotted
off in the direction of the Calderwood place. Dozing
<pb id="harr18" n="18"/>
against the poplar, in the gray dawn of the morning,
Free Joe heard Spite Calderwood's fox-hounds in
full cry a mile away.</p>
        <p>“Shoo!” he exclaimed, 
scratching his head, and
laughing to himself, “dem ar dogs is 
des a-warmin'
dat old fox up.”</p>
        <p>But it was Dan the hounds were after, and the
little dog came back no more. Free Joe waited and
waited, until he grew tired of waiting. He went
back the next night and waited, and for many nights
thereafter. His waiting was in vain, and yet he
never regarded it as in vain. Careless and shabby
as he was, Free Joe was thoughtful enough to have
his theory. He was convinced that little Dan had
found Lucinda, and that some night when the moon
was shining brightly through the trees, the dog
would rouse him from his dreams as he sat sleeping
at the foot of the poplar-tree, and he would open his
eyes and behold Lucinda standing over him, laughing
merrily as of old; and then he thought what fun
they would have about the queen of spades.</p>
        <p>How many long nights Free Joe waited at the
foot of the poplar-tree for Lucinda and little Dan,
no one can ever know. He kept no account of
them, and they were not recorded by Micajah Staley
nor by Miss Becky. The season ran into summer
and then into fall. One night he went to the Staley
cabin, cut the two old people an armful of wood,
and seated himself on the door-steps, where he
<pb id="harr19" n="19"/>
rested. He was always thankful—and proud, as it
seemed—when Miss Becky gave him a cup of coffee,
which she was sometimes thoughtful enough to do. He
was especially thankful on this particular night.</p>
        <p>“You er still layin' off for to strike
up wi' Lucindy
out thar in the woods, I reckon,” said Micajah Staley,
smiling grimly. The situation was not without its
humorous aspects.</p>
        <p>“Oh, dey er comin', Mars Cajy, dey er
comin', sho,”
Free Joe replied. “I boun' you dey'll come; en w'en
dey does come, I'll des take en fetch um yer, whar you
kin see um wid you own eyes, you en Miss Becky.”</p>
        <p>“No,” said Mr. Staley, with a quick and emphatic
gesture of disapproval. “Don't! don't fetch 'em
anywheres. Stay right wi' 'em as long as may be.”</p>
        <p>Free Joe chuckled, and slipped away into the night,
while the two old people sat gazing in the fire. Finally
Micajah spoke.</p>
        <p>“Look at that nigger; look at 'im. He's
pine-blank as
happy now as a killdee by a mill-race. You can't 'faze
'em. I'd in-about give up my t'other hand ef I could
stan' flat-footed, an' grin at trouble like that there
nigger.”</p>
        <p>“Niggers is niggers,” said Miss Becky,
smiling grimly,
“an' you can't rub it out; yit I lay I've
seed a heap of
white people lots meaner'n Free Joe. He grins,—an'
that's nigger,—but I've ketched his under jaw
a-trimblin' when Lucindy's name uz brung
<pb id="harr20" n="20"/>
up. An' I tell you,” she went on, bridling
up a little, and
speaking with almost fierce emphasis, “the Old Boy's
done sharpened his claws for Spite Calderwood. You'll
see it.”</p>
        <p>“Me, Rebecca?” said Mr. Staley, hugging his
palsied arm; “me ? I hope not.”</p>
        <p>“Well, you'll know it then,” said Miss Becky,
laughing heartily at her brother's look of alarm.</p>
        <p>The next morning Micajah Staley had occasion to go
into the woods after a piece of timber. He saw Free
Joe sitting at the foot of the poplar, and the sight vexed
him somewhat.</p>
        <p>“Git up from there,” he cried,
“an' go an' arn your
livin'. A mighty purty pass it's come to,
when great big
buck niggers can lie a-snorin' in the woods all day,
when t'other folks is got to be up an' a-gwine. Git up
from there!”</p>
        <p>Receiving no response, Mr. Staley went to Free Joe,
and shook him by the shoulder; but the negro made no
response. He was dead. His hat was off, his head was
bent, and a smile was on his face. It was as if he had
bowed and smiled when death stood before him,
humble to the last. His clothes were ragged; his hands
were rough and callous; his shoes were literally tied
together with strings; he was shabby in the extreme. A
passer-by, glancing at him, could have no idea that
such a humble creature had been summoned as a
witness before the Lord God of Hosts.</p>
      </div1>
      <pb id="harr21" n="21"/>
      <div1 type="chapter" org="uniform" sample="complete" part="N">
        <head>LITTLE COMPTON.</head>
        <p>VERY few Southern country towns have been
more profitably influenced by the new order of
things than Hillsborough in Middle Georgia. At
various intervals since the war it has had what the
local weekly calls “a business boom.” The old
tavern has been torn down, and in its place stands
a new three-story brick hotel, managed by a very
brisk young man, who is shrewd enough to advertise
in the newspapers of the neighboring towns that he
has “special accommodations and special rates for
commercial travellers.” Although Hillsborough is
comparatively a small town, it is the centre of a very
productive region, and its trade is somewhat important.
Consequently, the commercial travellers, with
characteristic energy, lose no opportunity of taking
advantage of the hospitable invitation of the landlord
of the Hillsborough hotel.</p>
        <p>Not many years ago a representative of this class
visited the old town. He was from the North, and,
being much interested in what he saw, was duly
inquisitive. Among other things that attracted his
attention was a little one-armed man who seemed to
be the life of the place. He was here, there, and
<pb id="harr22" n="22"/>
everywhere; and wherever he went the atmosphere
seemed to lighten and brighten. Sometimes he was
flying around town in a buggy; at such times he
was driven by a sweet-faced lady, whose smiling air
of proprietorship proclaimed her to be his wife: but
more often he was on foot. His cheerfulness and
good humor were infectious. The old men sitting
at Perdue's Corner, where they had been gathering
for forty years and more, looked up and laughed as
he passed; the ladies shopping in the streets paused
to chat with him; and even the dry-goods clerks and
lawyers, playing chess or draughts under the China-trees
that shaded the sidewalks, were willing to be
interrupted long enough to exchange jokes with him.</p>
        <p>“Rather a lively chap that,” said the observant
commercial traveller.</p>
        <p>“Well, I reckon you won't find no livelier in these
diggin's,” replied the landlord, to whom the remark
was addressed. There was a suggestion of suppressed
local pride in his tones. “He's a little
chunk of a man, but he's monst'us peart.”</p>
        <p>“A colonel, I guess,” said the
stranger, smiling.</p>
        <p>“Oh, no,” the other rejoined.
“He ain't no
colonel, but he'd 'a' made a prime one. It's mighty
curious to me,” he went on, “that
them Yankees up
there didn't make him one.”</p>
        <p>“The Yankees?” inquired the commercial
traveller.</p>
        <p>“Why, yes,” said the landlord.
“He's a Yankee;
<pb id="harr23" n="23"/>
and that lady you seen drivin' him around, she's a
Yankee. He courted her here and he married her
here. Major Jimmy Bass wanted him to marry
her in his house, but Capt. Jack Walthall put his foot
down and said the weddin' had to be in <hi> his </hi> house;
and there's where it was, in that big white house
over yander with the hip roof. Yes, sir.”</p>
        <p>“Oh,” said the commercial traveller,
with a cynical
smile, “he staid down here to keep out of the
army. He was a lucky fellow.”</p>
        <p>“Well, I reckon he was lucky not to
get killed,”
said the landlord, laughing. “He fought with the
Yankees, and they do say that Little Compton was
a rattler.”</p>
        <p>The commercial traveller gave a long, low whistle,
expressive of his profound astonishment. And yet,
under all the circumstances, there was nothing to
create astonishment. The lively little man had a
history.</p>
        <p>Among the genial and popular citizens of
Hillsborough, in the days before the war, none were
more genial or more popular than Little Compton.
He was popular with all classes, with old and
with young, with whites and with blacks. He was
sober, discreet, sympathetic, and generous. He was
neither handsome nor magnetic. He was awkward
and somewhat bashful, but his manners and his
conversation had the rare merit of spontaneity. His
sallow face was unrelieved by either mustache or
<pb id="harr24" n="24"/>
whiskers, and his eyes were black and very small,
but they listened with good-humor and sociability.
He was somewhat small in stature, and for that
reason the young men about Hillsborough had given
him the name of Little Compton.</p>
        <p>Little Compton's introduction to Hillsborough was
not wholly without suggestive incidents. He made
his appearance there in 1850, and opened a small
grocery store. Thereupon the young men of the
town, with nothing better to do than to seek such
amusement as they could find in so small a community,
promptly proceeded to make him the victim of
their pranks and practical jokes. Little Compton's
forbearance was wonderful. He laughed heartily
when he found his modest signboard hanging over
an adjacent bar-room, and smiled good-humoredly
when he found the sidewalk in front of his door
barricaded with barrels and dry-goods boxes.
An impatient man would have looked on these things as
in the nature of indignities, but Little Compton was
not an impatient man.</p>
        <p>This went on at odd intervals, until at last the
fun-loving young men began to appreciate Little
Compton's admirable temper; and then for a season
they played their jokes on other citizens, leaving
Little Compton entirely unmolested. These young
men were boisterous, but good-natured, and they
had their own ideas of what constituted fair play.
They were ready to fight or to have fun, but in
<pb id="harr25" n="25"/>
neither case would they willingly take what they
considered a mean advantage of a man.</p>
        <p>By degrees they warmed to Little Compton. His
gentleness won upon them; his patient good-humor
attracted them. Without taking account of the
matter, the most of them became his friends. This
was demonstrated one day when one of the Pulliam
boys, from Jasper County, made some slurring remark
about “the little Yankee.” As Pulliam was
somewhat in his cups, no attention was paid to his
remark; whereupon he followed it up with others of
a more seriously abusive character. Little Compton
was waiting on a customer; but Pulliam was standing
in front of his door, and he could not fail to
hear the abuse. Young Jack Walthall was sitting
in a chair near the door, whittling a piece of white
pine. He put his knife in his pocket, and, whistling
softly, looked at Little Compton curiously. Then
he walked to where Pulliam was standing.</p>
        <p>“If I were you, Pulliam,” he said, “and wanted
to abuse anybody, I'd pick out a bigger man than
that.”</p>
        <p>“I don't see anybody,” said Pulliam.</p>
        <p>“Well, d— you!” exclaimed Walthall,
“if you
are that blind, I'll open your eyes for you!”</p>
        <p>Whereupon he knocked Pulliam down. At this
Little Compton ran out excitedly, and it was the
impression of the spectators that he intended to
attack the man who had been abusing him; but,
<pb id="harr26" n="26"/>
instead of that, he knelt over the prostrate bully,
wiped the blood from his eyes, and finally succeeded
in getting him to his feet. Then Little Compton
assisted him into the store, placed him in a chair,
and proceeded to bandage his wounded eye. Walthall,
looking on with an air of supreme indifference,
uttered an exclamation of astonishment, and sauntered
carelessly away.</p>
        <p>Sauntering back an hour or so afterward, he found
that Pulliam was still in Little Compton's store.
He would have passed on, but Little Compton called
to him. He went in prepared to be attacked, for he
knew Pulliam to be one of the most dangerous men
in that region, and the most revengeful; but, instead
of making an attack, Pulliam offered his hand.</p>
        <p>“Let's call it square, Jack. Your mother and my
father are blood cousins, and I don't want any bad
feelings to grow out of this racket. I've apologized
to Mr. Compton here, and now I'm ready to apologize
to you.”</p>
        <p>Walthall looked at Pulliam and at his proffered
hand, and then looked at Little Compton. The
latter was smiling pleasantly. This appeared to be
satisfactory, and Walthall seized his kinsman's hand,
and exclaimed,—</p>
        <p>“Well, by George, Miles Pulliam! if you've
apologized to Little Compton, then it's my turn to
apologize to you. Maybe I was too quick with my
hands, but that chap there is such a d— clever
<pb id="harr27" n="27"/>
little rascal, that it works me up to see anybody
pester him.”</p>
        <p>“Why, Jack,” said Compton, his little eyes
glistening, “I'm not such a scrap as you make out. It's
just your temper, Jack. Your temper runs clean
away with your judgment.”</p>
        <p>“My temper! Why, good Lord, man! don't I
just sit right down, and let folks run over me
whenever they want to? Would I have done any thing
if Miles Pulliam had abused <hi rend="italics">me</hi>?”</p>
        <p>“Why, the gilded Queen of Sheba!” exclaimed
Miles Pulliam, laughing loudly, in spite of his
bruises; “only last sale-day you mighty nigh jolted
the life out of Bill-Tom Saunders, with the big end
of a hickory stick.”</p>
        <p>“That's so,” said Walthall
reflectively; “but did
I follow him up to do it? Wasn't he dogging after
me all day, and strutting around bragging about
what he was going to do? Didn't I play the little
stray lamb till he rubbed his fist in my face?”</p>
        <p>The others laughed. They knew that Jack Walthall
wasn't at all lamblike in his disposition. He
was tall and strong and handsome, with pale classic
features, jet-black curling hair, and beautiful white
hands that never knew what labor was. He was
something of a dandy in Hillsborough, but in a
large, manly generous way. With his perfect manners,
stately and stiff, or genial and engaging, as
occasion might demand, Mr. Walthall was just such
<pb id="harr28" n="28"/>
a romantic figure as one reads about in books, or as
one expects to see step from behind the wings of
the stage with a guitar or a long dagger. Indeed,
he was the veritable original of Cyrille Brandon, the
hero of Miss Amelia Baxter's elegant novel entitled
“The Haunted Manor; or, Souvenirs of the Sunny
Southland.” If those who are fortunate enough to
possess a copy of this graphic book, which was
printed in Charleston for the author, will turn to
the description of Cyrille Brandon, they will get
a much better idea of Mr. Walthall than they can
hope to get in this brief and imperfect chronicle.
It is true, the picture there drawn is somewhat
exaggerated to suit the purposes of fictive art, but it
shows perfectly the serious impression Mr. Walthall
made on the ladies who were his contemporaries.</p>
        <p>It is only fair to say, however, that the real Mr.
Walthall was altogether different from the ideal
Cyrille Brandon of Miss Baxter's powerfully written
book. He was by no means ignorant of the impression
he made on the fair sex, and he was somewhat
proud of it; but he had no romantic ideas of his
own. He was, in fact, a very practical young man.
When the Walthall estate, composed of thousands
of acres of land and several hundred healthy, well-fed
negroes, was divided up, he chose to take his
portion in money; and this he loaned out at a fair
interest to those who were in need of ready cash.
This gave him large leisure; and, as was the custom
<pb id="harr29" n="29"/>
among the young men of leisure, he gambled a little
when the humor was on him, having the judgment
and the nerve to make the game of poker exceedingly
interesting to those who sat with him at table.</p>
        <p>No one could ever explain why the handsome and
gallant Jack Walthall should go so far as to stand
between his own cousin and Little Compton; indeed,
no one tried to explain it. The fact was accepted
for what it was worth, and it was a great deal to
Little Compton in a social and business way. After
the row which has just been described, Mr. Walthall
was usually to be found at Compton's store,—in the
summer sitting in front of the door under the grateful
shade of the China-trees, and in the winter sitting
by the comfortable fire that Compton kept burning
in his back room. As Mr. Walthall was the recognized
leader of the young men, Little Compton's
store soon became the headquarters for all of them.
They met there, and they made themselves at home
there, introducing their affable host to many queer
antics and capers peculiar to the youth of that day
and time, and to the social organism of which that
youth was the outcome.</p>
        <p>That Little Compton enjoyed their company, is
certain; but it is doubtful if he entered heartily
into the plans of their escapades, which they freely
discussed around his hearth. Perhaps it was because
he had outlived the folly of youth. Though
his face was smooth and round, and his eye bright,
<pb id="harr30" n="30"/>
Little Compton bore the marks of maturity and
experience. He used to laugh, and say that he was
born in New Jersey, and died there when he was
young. What significance this statement possessed,
no one ever knew; probably no one in Hillsborough
cared to know. The people of that town had their
own notions and their own opinions. They were not
unduly inquisitive, save when their inquisitiveness
seemed to take a political shape; and then it was
somewhat aggressive.</p>
        <p>There were a great many things in Hillsborough
likely to puzzle a stranger. Little Compton observed
that the young men, no matter how young they
might be, were absorbed in politics. They had the
political history of the country at their tongues'
ends, and the discussions they carried on were interminable.
This interest extended to all classes: the
planters discussed politics with their overseers; and
lawyers, merchants, tradesmen, and gentlemen of
elegant leisure, discussed politics with each other.
Schoolboys knew all about the Missouri Compromise,
the fugitive-slave law, and States rights. Sometimes
the arguments used were more substantial than
mere words, but this was only when some old feud
was back of the discussion. There was one question,
as Little Compton discovered, in regard to
which there was no discussion. That question was
slavery. It loomed up everywhere and in every
thing, and was the basis of all the arguments, and
<pb id="harr31" n="31"/>
yet it was not discussed: there was no room for
discussion. There was but one idea, and that was
that slavery must be defended at all hazards, and
against all enemies. That was the temper of the
time, and Little Compton was not long in discovering
that of all dangerous issues slavery was the
most dangerous.</p>
        <p>The young men, in their free-and-easy way, told
him the story of a wayfarer who once came through
that region preaching abolitionism to the negroes.
The negroes themselves betrayed him, and he was
promptly taken in charge. His body was found
afterward hanging in the woods, and he was buried
at the expense of the county. Even his name had
been forgotten, and his grave was all but obliterated.
All these things made an impression on Little
Compton's mind. The tragedy itself was recalled by one
of the pranks of the young men, that was conceived
and carried out under his eyes. It happened after
he had become well used to the ways of Hillsborough.
There came a stranger to the town, whose
queer acts excited the suspicions of a naturally
suspicious community. Professedly he was a colporteur;
but, instead of trying to dispose of books and
tracts, of which he had a visible supply, he devoted
himself to arguing with the village politicians under
the shade of the trees. It was observed, also, that
he would frequently note down observations in a
memorandum-book. Just about that time the controversy
<pb id="harr32" n="32"/>
between the slaveholders and the abolitionists
was at its height. John Brown had made his
raid on Harper's Ferry, and there was a good deal of
excitement throughout the South. It was rumored
that Brown had emissaries travelling from State to
State, preparing the negroes for insurrection; and
every community, even Hillsborough, was on the
alert, watching, waiting, suspecting.</p>
        <p>The time assuredly was not auspicious for the
stranger with the ready memorandum-book. Sitting
in front of Compton's store, he fell into conversation
one day with Uncle Abner Lazenberry, a patriarch
who lived in the country, and who had a habit of
coming to Hillsborough at least once a week to “talk
with the boys.” Uncle Abner belonged to the poorer
class of planters; that is to say, he had a small farm
and not more than half a dozen negroes. But he
was decidedly popular, and his conversation—somewhat
caustic at times—was thoroughly enjoyed by
the younger generation. On this occasion he had
been talking to Jack Walthall, when the stranger
drew a chair within hearing distance.</p>
        <p>“You take all your men,” Uncle Abner was
saying—“take all un 'em, but gimme Hennery Clay.
Them abolishioners, they may come an' git all six er
my niggers, if they'll jess but lemme keep
 the ginny-wine
ole Whig docterin'. That's me up an' down—that's wher' your Uncle Abner Lazenberry stan's,
boys.” By this time the stranger 
had taken out his
<pb id="harr33" n="33"/>
inevitable note-book, and Uncle Abner went on:
“Yes, siree! You may jess mark me down that
away.‘Come,’ sez I, 
‘an' take all my niggers an'
the ole gray mar',’ sez I, 
‘but lemme keep my Whig
docterin',’ sez I. Lord, I've seed sights wi' them
niggers. They hain't no manner account. They
won't work, an' I'm ablidge to feed 'em, else they'd
whirl in an' steal from the neighbors. 
Hit's in-about
broke me for to maintain 'em in the'r laziness. Bless
your soul, little childern! I'm in a turrible fix—a
turrible fix. I'm that bankruptured that when I
come to town, ef I fine a thrip in my britches-pocket
for to buy me a dram I'm the happiest mortal in the
county. Yes, siree! hit's got down to that.”</p>
        <p>Here Uncle Abner Lazenberry paused and eyed
the stranger shrewdly, to whom, presently, he
addressed himself in a very insinuating tone:—</p>
        <p>“What mought be your name, mister?”</p>
        <p>“Oh,” said the stranger,
 taken somewhat aback by
the suddenness of the question, “my 
name might be
Jones, but it happens to be Davies.”</p>
        <p>Uncle Abner Lazenberry stared at Davies a
moment as if amazed, and then exclaimed,—</p>
        <p>“Jesso! Well, dog my cats of times hain't
a-changin' an' a-changin' tell bimeby the natchul
world an' all the hummysp'eres 'll make the'r
disappearance een'-uppermost. Yit, whiles they er
changin' an' a-disappearin', I hope they'll leave me
my ole Whig docterin', an' my name, which the fust
<pb id="harr34" n="34"/>
an' last un it is Abner Lazenberry. An' more'n
that,” the old man went on, with severe emphasis,—“an' more'n that, they hain't never been a day sence
the creation of the world an' the hummysp'eres when
my name mought er been any thing else under the
shinin' sun but Abner Lazenberry; an' ef the time's
done come when any mortal name mought er been
any thing but what hit reely is, then we jess better
turn the nation an' the federation over to demockeracy
an' giner'l damnation. Now that's me, right
pine-plank.”</p>
        <p>By way of emphasizing his remarks, Uncle Abner
brought the end of his hickory cane down upon the
ground with a tremendous thump. The stranger
reddened a little at the unexpected criticism, and was
evidently ill at ease, but he remarked politely,—</p>
        <p>“This is just a saying I've picked up somewhere
in my travels. My name is Davies, and I am traveling
through the country selling a few choice books,
and picking up information as I go.”</p>
        <p>“I know a mighty heap of Davises,” 
said Uncle
Abner, “but I disremember of anybody name
Davies.”</p>
        <p>“Well, sir,” said Mr. Davies, 
“the name is not
uncommon in my part of the country. I am from
Vermont.”</p>
        <p>“Well, well!” said Uncle Abner, tapping the
ground thoughtfully with his cane. “A mighty fur
ways Vermont is, tooby shore. In my day an' time
<pb id="harr35" n="35"/>
I've seed as many as three men folks from Vermont,
en' one un 'em, he wuz a wheelwright, an' one wuz
a tin-peddler, an' the yuther one wuz a clock-maker.
But that wuz a long time ago. How is the abolishioners
gittin' on up that away, an' when in the name
er patience is they a-comin' arter my niggers? Lord!
if them niggers wuz free, I wouldn't have to slave for
'em.”</p>
        <p>“Well, sir,” said Mr. Davies, 
“I take little or no
interest in those things. I have to make a humble
living, and I leave political questions to the
politicians.”</p>
        <p>The conversation was carried on at some length,
the younger men joining in occasionally to ask questions;
and nothing could have been friendlier than
their attitude toward Mr. Davies. They treated him
with the greatest consideration. His manner and
speech were those of an educated man, and he
seemed to make himself thoroughly agreeable. But
that night, as Mr. Jack Walthall was about to
go to bed, his body-servant, a negro named Jake, began
to question him about the abolitionists.</p>
        <p>“What do you know about abolitionists?” Mr
Walthall asked with some degree of severity.</p>
        <p>“Nothin' 'tall, Marse Jack, 'cep'in' w'at dish yer
new w'ite man down dar at de tavern say.”</p>
        <p>“And what did he say?” Mr. Walthall inquired.</p>
        <p>“ I ax 'im, I say, ‘Marse Boss, is dese 
yer bobolitionists
got horns en huffs?’ en he 'low, he did, dat
<pb id="harr36" n="36"/>
dey ain't no bobolitionists, kaze dey er babolitionists,
an' dey ain't got needer horns ner huffs.”</p>
        <p>“What else did he say?”</p>
        <p>Jake laughed. It was a hearty and humorous laugh.</p>
        <p>“Well, sir,” he replied, “dat 
man des preached.
He sholy did. He ax me ef de riggers 'roun' yer
wouldn' all like ter be free, en I tole 'im I don't speck
dey would, kase all de free niggers w'at I ever seed
is de mos' no-'countes' niggers in de lan'.”</p>
        <p>Mr. Walthall dismissed the negro somewhat curtly.
He had prepared to retire for the night, but apparently
thought better of it, for he resumed his coat
and vest, and went out into the cool moonlight. He
walked around the public square, and finally perched
himself on the stile that led over the court-house
enclosure. He sat there a long time. Little Compton
passed by, escorting Miss Lizzie Fairleigh, the
schoolmistress, home from some social gathering;
and finally the lights in the village went out one by
one—all save the one that shone in the window of
the room occupied by Mr. Davies. Watching this
window somewhat closely, Mr. Jack Walthall observed
that there was movement in the room. Shadows
played on the white window-curtains—human
shadows passing to and fro. The curtains, quivering
in the night wind, distorted these shadows, and made
confusion of them; but the wind died away for a
moment, and, outlined on the curtains, the patient
<pb id="harr37" n="37"/>
watcher saw a silhouette of Jake, his body-servant.
Mr. Walthall beheld the spectacle with amazement.
It never occurred to him that the picture he saw was
part—the beginning indeed—of a tremendous
panorama which would shortly engage the attention of
the civilized world, but he gazed at it with a feeling
of vague uneasiness.</p>
        <p>The next morning Little Compton was somewhat
surprised at the absence of the young men who were
in the habit of gathering in front of his store. Even
Mr. Jack Walthall, who could be depended on to tilt
his chair against the China-tree and sit there for
an hour or more after breakfast, failed to put in an
appearance. After putting his store to rights, and
posting up some accounts left over from the day
before, Little Compton came out on the sidewalk,
and walked up and down in front of the door. He
was in excellent humor, and as he walked he hummed
a tune. He did not lack for companionship, for his
cat, Tommy Tinktums, an extraordinarily large one,
followed him back and forth, rubbing against him
and running between his legs; but somehow he felt
lonely. The town was very quiet. It was quiet at
all times, but on this particular morning it seemed to
Little Compton that there was less stir than usual.
There was no sign of life anywhere around the
public square save at Perdue's Corner. Shading his
eyes with his hand, Little Compton observed a group
of citizens apparently engaged in a very interesting
<pb id="harr38" n="38"/>
discussion. Among them he recognized the tall
form of Mr. Jack Walthall and the somewhat ponderous
presence of Major Jimmy Bass. Little Compton
watched the group because he had nothing better to
do. He saw Major Jimmy Bass bring the end of his
cane down upon the ground with a tremendous thump,
and gesticulate like a man laboring under strong
excitement; but this was nothing out of the ordinary,
for Major Jimmy had been known to get excited
over the most trivial discussion; on one occasion,
indeed, he had even mounted a dry-goods box, and,
as the boys expressed it, “cussed out
the town.”</p>
        <p>Still watching the group, Little Compton saw
Mr. Jack Walthall take Buck Ransome by the arm,
and walk across the public square in the direction
of the court-house. They were followed by Mr.
Alvin Cozart, Major Jimmy Bass, and young Rowan
Wornum. They went to the court-house stile, and
formed a little group, while Mr. Walthall appeared
to be explaining something, pointing frequently in
the direction of the tavern. In a little while they
returned to those they had left at Perdue's Corner,
where they were presently joined by a number of
other citizens. Once Little Compton thought he
would lock his door and join them, but by the time
he had made up his mind the group had dispersed.</p>
        <p>A little later on, Compton's curiosity was more
than satisfied. One of the young men, Buck Ransome,
came into Compton's store, bringing a queer-looking
<pb id="harr39" n="39"/>
bundle. Unwrapping it, Mr. Ransom
brought to view two large pillows. Whistling a gay
tune, he ran his keen knife into one of these, and felt
of the feathers. His manner was that of an expert.
The examination seemed to satisfy him; for he rolled
the pillows into a bundle again, and deposited them
in the back part of the store.</p>
        <p>“You'd be a nice housekeeper, Buck, if you did all
your pillows that way,” said Compton.</p>
        <p>“Why, bless your great big soul, 
Compy,” said
Mr. Ransome, striking an attitude, “I'm the finest in
the land.”</p>
        <p>Just then Mr. Alvin Cozart came in, bearing a
small bucket, which he handled very carefully. Little
Compton thought he detected the odor of tar.</p>
        <p>“Stick her in the back room there,” 
said Mr.
Ransome; “she'll keep.”</p>
        <p>Compton was somewhat mystified by these
proceedings; but every thing was made clear when, an
hour later, the young men of the town, re-enforced
by Major Jimmy Bass, marched into his store, bringing
with them Mr. Davies, the Vermont colporteur,
who had been flourishing his note-book in the faces
of the inhabitants. Jake, Mr. Walthall's body-servant,
was prominent in the crowd by reason of his
color and his frightened appearance. The colporteur
was very pale, but he seemed to be cool. As
the last one filed in, Mr. Walthall stepped to the
front door and shut and locked it. Compton was
<pb id="harr40" n="40"/>
too amazed to say any thing. The faces before him,
always so full of humor and fun, were serious enough
now. As the key turned in the lock, the colporteur
found his voice.</p>
        <p>“Gentlemen!” he exclaimed 
with some show of
indignation, “what is the meaning of this? What
would you do?”</p>
        <p>“You know mighty well, sir, what we ought to
do,” cried Major Bass. “We ought to hang you,
you imperdent scounderl! A-comin' down here
a-pesterin' an' a-meddlin' with t'other people's
business.”</p>
        <p>“Why, gentlemen,” said Davies, 
“I'm a peaceable
citizen; I trouble nobody. I am simply travelling
through the country selling books to those who are
able to buy, and giving them away to those who
are not.”</p>
        <p>“Mr. Davies,” said Mr. Jack Walthall, leaning
gracefullyy against the counter, “what kind of books
are you selling?”</p>
        <p>“Religious books, sir.”</p>
        <p>“Jake!” exclaimed Mr. Walthall somewhat sharply,
so sharply, indeed, that the negro jumped as though
he had been shot. “Jake! stand out there. Hold
up your head, sir!—Mr. Davies, how many religious
books did you sell to that nigger there last night?”</p>
        <p>“I sold him none, sir; I”—</p>
        <p>“How many did ou<hi rend="italics"> try </hi>
to sell him?”</p>
        <p>“I made no attempt to sell him any books; I
<pb id="harr41" n="41"/>
knew he couldn't read. I merely asked him to give
me some information.”</p>
        <p>Major Jimmy Bass scowled dreadfully, but Mr.
Jack Walthall smiled pleasantly, and turned to the
negro.</p>
        <p>“Jake! do you know this man?”</p>
        <p>“I seed 'im, Marse Jack; I des seed 'im; dat's all
I know 'bout 'im.”</p>
        <p>“What were you doing sasshaying around in his
room last night?”</p>
        <p>Jake scratched his head, dropped his eyes, and
shuffled about on the floor with his feet. All eyes
were turned on him. He made so long a pause that
Alvin Cozart remarked in his drawling tone,—</p>
        <p>“Jack, hadn't we better take this nigger over to
the calaboose?”</p>
        <p>“Not yet,” said Mr. Walthall pleasantly.
“If I
have to take him over there I'll not bring him back
in a hurry.”</p>
        <p>“I wuz des up in his room kaze he tole
me fer ter
come back en see 'im. Name er God, Marse Jack,
w'at ail' you all w'ite folks now?”</p>
        <p>“What did he say to you?” 
asked Mr. Walthall.</p>
        <p>“He ax me w'at make de niggers stay
in slave'y,”
said the frightened negro; “he ax me
w'at de reason
dey don't git free deyse'f.”</p>
        <p>“He was warm after information,” 
Mr. Walthall
suggested.</p>
        <p>“Call it what you please,”
said the Vermont
<pb id="harr42" n="42"/>
colporteur. “I asked him those questions
 and more.”
He was pale, but he no longer acted like a man
troubled with fear.</p>
        <p>“Oh, we know that, mister,”
said Buck Ransome.
“We know what you come for, and we know what
you're goin' away for. We'll excuse you if you'll
excuse us, and then there'll be no hard feelin's—
that is, not many; none to growl about.—Jake, hand
me that bundle there on the barrel, and fetch that
tar-bucket.—You've got the makin' of a mighty fine
bird in you, mister,” Ransome went on, addressing
the colporteur; “all you lack's the feathers, and
we've got oodles of 'em right here. Now, will you
shuck them duds?”</p>
        <p>For the first time the fact dawned on Little
Compton's mind, that the young men were about to
administer a coat of tar and feathers to the stranger
from Vermont; and he immediately began to protest.</p>
        <p>“Why, Jack,” said he, “what 
has the man done?”</p>
        <p>“Well,” replied Mr. Walthall, 
“you heard what
the nigger said. We can't afford to have these
abolitionists preaching insurrection right in our back
yards. We just can't afford it, that's the long and
short of it. Maybe you don't understand it; maybe
you don't feel as we do; but that's the way the
matter stands. We are in a sort of a corner, and
we are compelled to protect ourselves.”</p>
        <p>“I don't believe in no tar and feathers for this
chap,” remarked Major Jimmy Bass, assuming a
<pb id="harr43" n="43"/>
judicial air. “He'll just go out here to the town
branch and wash 'em off, and then he'll go on through
the plantations raising h— among the niggers.
That'll be the upshot of it—now, you mark my
words. He ought to be hung.”</p>
        <p>“Now, boys,” said Little Compton,
still protesting,
“what is the use? This man hasn't done any real
harm. He might preach insurrection around here
for a thousand years, and the niggers wouldn't listen
to him. Now, you know that yourselves. Turn the
poor devil loose, and let him get out of town. Why,
haven't you got any confidence in the niggers you've
raised yourselves?”</p>
        <p>“My dear sir,” said Rowan Wornum, in his most
insinuating tone, “we've got all the confidence in
the world in the niggers, but we can't afford to take
any risks. Why, my dear sir,” he went on, “if we
let this chap go, it won't be six months before the
whole country'll be full of this kind. Look at that
Harper's Ferry business.”</p>
        <p>“Well,” said Compton somewhat hotly, “look at
it. What harm has been done? Has there been
any nigger insurrection?”</p>
        <p>Jack Walthall laughed good-naturedly. “Little
Compton is a quick talker, boys. Let's give the man
the benefit of all the arguments.”</p>
        <p>“Great God! You don't mean to let this d— 
rascal go, do you, Jack?” exclaimed Major Jimmy
Bass.</p>
        <pb id="harr44" n="44"/>
        <p>“No, no, sweet uncle; but I've got a nicer dose
than tar and feathers.”</p>
        <p>The result was that the stranger's face and hands
were given a coat of lampblack, his arms were tied
to his body, and a large placard was fastened to his
back. The placard bore this inscription:</p>
        <lg type="placard" org="uniform" sample="complete" part="N">
          <l part="N">ABOLITIONIST!</l>
          <l part="N">PASS HIM ON, BOYS.</l>
        </lg>
        <p>Mr. Davies was a pitiful-looking object after the
young men had plastered his face and hands with
lampblack and oil, and yet his appearance bore a
certain queer relation to the humorous exhibitions
one sees on the negro minstrel stage. Particularly
was this the case when he smiled at Compton.</p>
        <p>“By George, boys!” exclaimed Mr. Buck Ransome,
“this chap could play Old Bob Ridley
at the circus.”</p>
        <p>When every thing was arranged to suit them, the
young men formed a procession, and marched the
blackened stranger from Little Compton's door into
the public street. Little Compton seemed to be very
much interested in the proceeding. It was remarked
afterward, that he seemed to be very much agitated,
and that he took a position very near the placarded
abolitionist. The procession, as it moved up the
street, attracted considerable attention. Rumors
that an abolitionist was to be dealt with had
<pb id="harr45" n="45"/>
apparently been circulated, and a majority of the male
inhabitants of the town were out to view the spectacle.
The procession passed entirely around the public
square, of which the court-house was the centre, and
then across the square to the park-like enclosure
that surrounded the temple of justice.</p>
        <p>As the young men and their prisoner crossed this
open space, Major Jimmy Bass, fat as he was, grew
so hilarious that he straddled his cane as children do
broomsticks, and pretended that he had as much as
he could do to hold his fiery wooden steed. He
waddled and pranced out in front of the abolitionist,
and turned and faced him, whereat his steed showed
the most violent symptoms of running away. The
young men roared with laughter, and the spectators
roared with them, and even the abolitionist laughed.
All laughed but Little Compton. The procession
was marched to the court-house enclosure, and there
the prisoner was made to stand on the sale-block
so that all might have a fair view of him. He was
kept there until the stage was ready to go; and
then he was given a seat on that swaying vehicle,
and forwarded to Rockville, where, presumably, the
“boys” placed him on the train and
“passed him
on” to the “boys” in other towns.</p>
        <p>For months thereafter there was peace in Hillsborough,
so far as the abolitionists were concerned;
and then came the secession movement.  A majority
of the citizens of the little town were strong Union
<pb id="harr46" n="46"/>
men; but the secession movement seemed to take
even the oldest off their feet, and by the time the
Republican President was inaugurated, the Union
sentiment that had marked Hillsborough had practically
disappeared. In South Carolina companies of
minute-men had been formed, and the entire white
male population was wearing blue cockades. With
some modifications, these symptoms were reproduced
in Hillsborough. The modifications were that a few
of the old men still stood up for the Union, and that
some of the young men, though they wore the blue
cockade, did not align themselves with the minute-men.</p>
        <p>Little Compton took no part in these proceedings.
He was discreetly quiet. He tended his store, and
smoked his pipe, and watched events. One morning
he was aroused from his slumbers by a tremendous
crash,—a crash that rattled the windows of his store
and shook its very walls. He lay quiet a while, thinking
that a small earthquake had been turned loose on
the town. Then the crash was repeated; and he
knew that Hillsborough was firing a salute from its
little six-pounder, a relic of the Revolution, that had
often served the purpose of celebrating the nation's
birthday in a noisily becoming manner.</p>
        <p>Little Compton arose, and dressed himself, and
prepared to put his store in order. Issuing forth into
the street, he saw that the town was in considerable
commotion. A citizen who had been in attendance
<pb id="harr47" n="47"/>
on the convention at Milledgeville had arrived during
the night, bringing the information that the ordinance
of secession had been adopted, and that Georgia was
now a sovereign and independent government. The
original secessionists were in high feather, and their
hilarious enthusiasm had its effect on all save a few
of the Union men.</p>
        <p>Early as it was, Little Compton saw two flags
floating from an improvised flagstaff on top of the
court-house. One was the flag of the State, with its
pillars, its sentinel, and its legend of “Wisdom,
Justice, and Moderation.” The design of the other was
entirely new to Little Compton. It was a pine-tree on
a field of white, with a rattlesnake coiled at its roots,
and the inscription, “DON'T TREAD ON ME!”
A few hours later Uncle Abner Lazenberry made his
appearance in front of Compton's store. He had just
hitched his horse to the rack near the court-house.</p>
        <p>“Merciful heavens!” 
he exclaimed, wiping his red
face with a red handkerchief, “is 
the Ole Boy done
gone an' turned hisself loose? I hearn the racket,
an' I sez to the ole woman, sez I, 
‘I'll fling the saddle
on the gray mar' an' canter to town an' see what in
the dingnation the matter is. An' ef the worl's about
to fetch a lurch, I'll git me another dram an' die
happy,’ sez I. Whar's Jack Walthall? 
He can tell
his Uncle Abner all about it.”</p>
        <p>“Well, sir,” said Little Compton. 
“the State has
seceded, and the boys are celebrating.”</p>
        <pb id="harr48" n="48"/>
        <p>“I know'd it,” cried the old man 
angrily. “My
min' tole me so.” Then he turned and looked at the
flags flying from the top of the court-house. 
“Is
them rags the things they er gwine to fly out'n the
Union with?” he exclaimed scornfully. 
“Why, bless
your soul an' body, hit'll take bigger wings than
them! Well, sir, I'm sick; I am that away. I wuz
born in the Union, an' I'd like mighty well to die
thar. Ain't it mine? ain't it our'n? Jess as shore
as you're born, thar's trouble ahead—big trouble.
You're from the North, ain't you?” Uncle Abner
asked, looking curiously at Little Compton.</p>
        <p>“Yes, sir, I am,” Compton replied; 
“that is, I am
from New Jersey, but they say New Jersey is out of
the Union.”</p>
        <p>Uncle Abner did not respond to Compton's smile.
He continued to gaze at him significantly.</p>
        <p>“Well,” the old man remarked 
somewhat bluntly,
“you better go back where you come from. You
ain't got nothin' in the roun' worl' to do with all
this hellabaloo. When the pinch comes, as come it
must, I'm jes gwine to swap a nigger for a sack er
flour an' settle down; but you had better go back
where you come from.”</p>
        <p>Little Compton knew the old man was friendly;
but his words, so solemnly and significantly uttered,
made a deep impression. The words recalled to
Compton's mind the spectacle of the man from
Vermont who had been paraded through the streets
<pb id="harr49" n="49"/>
of Hillsborough, with his face blackened and a placard
on his back. The little Jerseyman also recalled
other incidents, some of them trifling enough, but
all of them together going to show the hot temper
of the people around him; and for a day or two he
brooded rather seriously over the situation. He
knew that the times were critical.</p>
        <p>For several weeks the excitement in Hillsborough,
as elsewhere in the South, continued to run high.
The blood of the people was at fever heat. The air
was full of the portents and premonitions of war.
Drums were beating, flags were flying, and military
companies were parading. Jack Walthall had raised
a company, and it had gone into camp in an old field
near the town. The tents shone snowy white in the
sun, the uniforms of the men were bright and gay,
and the boys thought this was war. But, instead of
that, they were merely enjoying a holiday. The
ladies of the town sent them wagon-loads of provisions
every day, and the occasion was a veritable
picnic,—a picnic that some of the young men
remembered a year or two later when they were trudging
ragged, barefooted, and hungry, through the
snow and slush of a Virginian winter.</p>
        <p>But, with all their drilling and parading in the
peaceful camp at Hillsborough, the young men had
many idle hours, and they devoted these to various
forms of amusements. On one occasion, after they
had exhausted their ingenuity in search of entertainment,
<pb id="harr50" n="50"/>
one of them, Lieut. Buck Ransome, suggested
that it might be interesting to get up a joke on
Little Compton.</p>
        <p>“But how?” asked Lieut. Cozart.</p>
        <p>“Why, the easiest in the world,” said Lieut.
Ransome. “Write him a note, and tell him that
the time has come for an English-speaking people to
take sides, and fling in a kind of side-wiper about
New Jersey.”</p>
        <p>Capt. Jack Walthall, leaning comfortably against
a huge box that was supposed to bear some relation
to a camp-chest, blew a cloud of smoke through his
sensitive nostrils and laughed. “Why stuff, boys!”
he exclaimed somewhat impatiently, “you can't scare
Little Compton. He's got grit, and it's the right
kind of grit. Why, I'll tell you what's a fact,—the
sand in that man's gizzard would make enough
mortar to build a fort.”</p>
        <p>“Well, I'll tell you what we'll do,” said Lieut.
Ransome. “We'll sling him a line or two, and if it
don't stir him up, all right; but if it does, we'll have
some tall fun.”</p>
        <p>Whereupon, Lieut. Ransome fished around in the
chest, and drew forth pen and ink and paper. With
some aid from his brother officers he managed to
compose the following:—</p>
        <div2 type="letter" org="uniform" sample="complete" part="N">
          <p>“LITTLE MR. COMPTON. Dear Sir,—The time has arrived
when every man should show his colors. Those who are not
for us are against us. Your best friends, when asked where
<pb id="harr51" n="51"/>
you stand, do not know what to say. If you are for the North
in this struggle, your place is at the North. If you are for the
South, your place is with those who are preparing to defend
the rights and liberties of the South. A word to the wise is
sufficient. You will hear from me again in due time.</p>
          <closer>
            <signed>“NEMESIS.”</signed>
          </closer>
        </div2>
        <div2 type="text" org="uniform" sample="complete" part="N">
          <p>This was duly sealed and dropped in the Hillsborough
post-office, and Little Compton received it
the same afternoon. He smiled as he broke the
seal, but ceased to smile when he read the note. It
happened to fit a certain vague feeling of uneasiness
that possessed him. He laid it down on his desk,
walked up and down behind his counter, and then
returned and read it again. The sprawling words
seemed to possess a fascination for him. He read
them again and again, and turned them over and
over in his mind. It was characteristic of his simple
nature, that he never once attributed the origin of
the note to the humor of the young men with whom
he was so familiar. He regarded it seriously.
Looking up from the note, he could see in the corner of
his store the brush and pot that had been used as
arguments on the Vermont abolitionist. He vividly
recalled the time when that unfortunate person was
brought up before the self-constituted tribunal that
assembled in his store.</p>
          <p>Little Compton thought he had gauged accurately
the temper of the people about him; and he had, but
his modesty prevented him from accurately gauging,
<pb id="harr52" n="52"/>
or even thinking about, the impression he had made
on them. The note troubled him a good deal more
than he would at first confess to himself. He seated
himself on a low box behind his counter to think it
over, resting his face in his hands. A little boy who
wanted to buy a thrip's worth of candy went slowly
out again after trying in vain to attract the attention
of the hitherto prompt and friendly store-keeper.
Tommy Tinktums, the cat, seeing that his master
was sitting down, came forward with the expectation
of being told to perform his famous “bouncing”
trick, a feat that was at once the wonder and delight
of the youngsters around Hillsborough. But Tommy
Tinktums was not commanded to bounce; and so
he contented himself with washing his face, pausing
every now and then to watch his master with half-closed
eyes.</p>
          <p>While sitting thus reflecting, it suddenly occurred
to Little Compton that he had had very few customers
during the past several days; and it seemed
to him, as he continued to think the matter over,
that the people; especially the young men, had been
less cordial lately than they had ever been before.
It never occurred to him that the threatened war,
and the excitement of the period, occupied their
entire attention. He simply remembered that the
young men who had made his modest little store
their headquarters met there no more. Little Compton
sat behind his counter a long time thinking.
<pb id="harr53" n="53"/>
The sun went down, and the dusk fell, and the night
came on and found him there.</p>
          <p>After a while he lit a candle, spread the communication
out on his desk, and read it again. To his
mind, there was no mistaking its meaning. It meant
that he must either fight against the Union, or array
against himself all the bitter and aggressive
suspicion of the period. He sighed heavily, closed his
store, and went out into the darkness. He made
his way to the residence of Major Jimmy Bass,
where Miss Lizzie Fairleigh boarded. The major
himself was sitting on the veranda; and he welcomed
Little Compton with effusive hospitality,—a
hospitality that possessed an old-fashioned flavor.</p>
          <p>“I'm mighty glad you come,—yes, sir, I am. It
looks like the whole world's out at the camps, and
it makes me feel sorter lonesome. Yes, sir; it does
that. If I wasn't so plump I'd be out there too.
It's a mighty good place to be about this time of the
year. I tell you what, sir, them boys is got the devil
in 'em. Yes, sir; there ain't no two ways about
that. When they turn themselves loose, somebody
or something will git hurt. Now, you mark what I
tell you. It's a tough lot,—a mighty tough lot.
Lord! wouldn't I hate to be a Yankee, and fall in
their hands! I'd be glad if I had time for to say my
prayers. Yes, sir; I would that.”</p>
          <p>Thus spoke the cheerful Major Bass; and every
word he said seemed to rhyme with Little Compton's
<pb id="harr54" n="54"/>
own thoughts, and to confirm the fears that had
been aroused by the note. After he had listened to
the major a while, Little Compton asked for Miss
Fairleigh.</p>
          <p>“Oho!” said the Major. Then he called to a
negro who happened to be passing through the hall,
“Jesse, tell Miss Lizzie that Mr. Compton is in the
parlor.” Then he turned to Compton. “I tell you
what, sir, that gal looks mighty puny. She's from
the North, and I reckon she's homesick. And then
there's all this talk about war. She knows our
boys'll eat the Yankees plum up, and I don't blame
her for being sorter down-hearted. I wish you'd try
to cheer her up. She's a good gal if there ever was
one on the face of the earth.”</p>
          <p>Little Compton went into the parlor, where he
was presently joined by Miss Fairleigh. They talked
a long time together, but what they said no one ever
knew. They conversed in low tones; and once or
twice the hospitable major, sitting on the veranda,
detected himself trying, to hear what they said. He
could see them from where he sat, and he observed
that both appeared to be profoundly dejected. Not
once did they laugh, or, so far as the major could
see, even smile. Occasionally Little Compton arose
and walked the length of the parlor, but Miss
Fairleigh sat with bowed head. It may have been a
trick of the lamp, but it seemed to the major that
they were both very pale.</p>
          <pb id="harr55" n="55"/>
          <p>Finally Little Compton rose to go. The major
observed with a chuckle that he held Miss Fairleigh's
hand a little longer than was strictly necessary
under the circumstances. He held it so long,
indeed, that Miss Fairleigh half averted her face,
but the major noted that she was still pale. “We
shall have a wedding, in this house before the war
opens,” he thought to himself; and his mind was
dwelling on such a contingency when Little Compton
came out on the veranda.</p>
          <p>“Don't tear yourself away in the heat 
of the day,”
said Major Bass jocularly.</p>
          <p>“I must go,” replied Compton. 
“Good-by!”
He seized the major's hand and wrung it.</p>
          <p>“Good-night,” said the major, 
“and God bless
you!”</p>
          <p>The next day was Sunday. But on Monday it
was observed that Compton's store was closed.
Nothing was said and little thought of it. People's
minds were busy with other matters. The drums
were beating, the flags flying, and the citizen
soldiery parading. It was a noisy and an exciting time,
and a larger store than Little Compton's might have
remained closed for several days without attracting
attention. But one day, when the young men from
the camp were in the village, it occurred to them to
inquire what effect the anonymous note had had on
Little Compton; whereupon they went in a body
to his store but the door was closed, and they found
<pb id="harr56" n="56"/>
it had been closed a week or more. They also
discovered that Compton had disappeared.</p>
          <p>This had a very peculiar effect upon Capt. Jack
Walthall. He took off his uniform, put on his citizen's
clothes, and proceeded to investigate Compton's
disappearance. He sought in vain for a clew. He
interested others to such an extent that a great
many people in Hillsborough forgot all about the
military situation. But there was no trace of Little
Compton. His store was entered from a rear window,
and every thing found to be intact. Nothing
had been removed. The jars of striped candy that
had proved so attractive to the youngsters of
Hillsborough stood in long rows on the shelves, flanked
by the thousand and one notions that make up the
stock of a country grocery store. Little Compton's
disappearance was a mysterious one, and under ordinary
circumstances would have created intense excitement
in the community; but at that particular
time the most sensational event would have seemed
tame and commonplace alongside the preparations
for war.</p>
          <p>Owing probably to a lack of the faculty of
organization at Richmond,—a lack which, if we are to
believe the various historians who have tried to
describe and account for some of the results of that
period, was the cause of many bitter controversies,
and of many disastrous failures in the field,—a
month or more passed away before the Hillsborough
<pb id="harr57" n="57"/>
company received orders to go to the front. Fort
Sumter had been fired on, troops from all parts of
the South had gathered in Virginia, and the war was
beginning in earnest. Capt. Jack Walthall of the
Hillsborough Guards chafed at the delay that kept
his men resting on their arms, so to speak; but he
had ample opportunity, meanwhile, to wonder what
had become of Little Compton. In his leisure
moments he often found himself sitting on the dry-goods
boxes in the neighborhood of Little Compton's
store. Sitting thus one day, he was approached by
his body-servant. Jake had his hat in his hand, and
showed by his manner that he had something to say.
He shuffled around, looked first one way and then
another, and scratched his head.</p>
          <p>“Marse Jack,” he began.</p>
          <p>“Well, what is it?” said the other, somewhat
sharply.</p>
          <p>“Marse Jack, I hope ter de Lord you ain't gwine
ter git mad wid me; yit I mos' knows you is, kaze I
oughter done tole you a long time ago.”</p>
          <p>“You ought to have told me what?”</p>
          <p>“Bout my drivin' yo' hoss en buggy over ter
Rockville dat time,—dat time what I ain't never
tole you 'bout. But I 'uz mos' 'blige' ter do it. I
'low ter myse'f, I did, dat I oughter come tell you
right den, but I 'uz skeer'd you mought git mad, en
den you wuz out dar at de camps, 'long wid dem
milliumterry folks.”</p>
          <pb id="harr58" n="58"/>
          <p>“What have you got to tell?”</p>
          <p>“Well, Marse Jack, des 'bout takin' yo' hoss en
buggy. Marse Compton 'lowed you wouldn't keer,
en w'en he say dat, I des went en hitch up de hoss
en kyar'd 'im over ter Rockville.”</p>
          <p>“What under heaven did you want to go to
Rockville for?”</p>
          <p>“Who? me, Marse Jack? 'Twa'n't me wanter go.
Hit 'uz Marse Compton.”</p>
          <p>“Little Compton?” exclaimed Walthall.</p>
          <p>“Yes, sir, dat ve'y same man.”</p>
          <p>“What did you carry Little Compton to Rockville
for?”</p>
          <p>“Fo' de Lord, Marse Jack, I dunno w'at Marsh
Compton wanter go fer. I des know'd I 'uz doin'
wrong, but he tuck'n 'low' dat hit'd be all right wid
you, kaze you bin knowin' him so monst'us well.
En den he up'n ax me not to tell you twell he done
plum out'n yearin'.”</p>
          <p>“Didn't he say any thing? Didn't he tell you
where he was going? Didn't he send any word
back?”</p>
          <p>This seemed to remind Jake of something. He
clapped his hand to his head, and exclaimed,—</p>
          <p>“Well, de Lord he'p my soul! Ef I ain't de
beatenest nigger on de top side er de yeth! Marse
Compton gun me a letter, en I tuck'n shove it un' de
buggy seat, en it's right dar yit ef somebody ain't
tored it up.”</p>
          <pb id="harr59" n="59"/>
          <p>By certain well-known signs Jake knew that his
Marse Jack was very mad, and he was hurrying out.
But Walthall called him.</p>
          <p>“Come here, sir!” The tone made Jake tremble.
“Do you stand up there, sir, and tell me all this, and
think I am going to put up with it?”</p>
          <p>“I'm gwine after dat note, Marse Jack, des ez
hard ez ever I kin.”</p>
          <p>Jake managed to find the note after some little
search, and carried it to Jack Walthall. It was
crumpled and soiled. It had evidently seen rough
service under the buggy seat. Walthall took it from
the negro, turned it over and looked at it. It was
sealed, and addressed to Miss Lizzie Fairleigh.</p>
          <p>Jack Walthall arrayed himself in his best, and
made his way to Major Jimmy Bass's, where he
inquired for Miss Fairleigh. That young lady
promptly made her appearance. She was pale and
seemed to be troubled. Walthall explained his
errand, and handed her the note. He thought her
hand trembled, but he may have been mistaken, as
he afterward confessed. She read it, and handed it
to Capt. Walthall with a vague little smile that
would have told him volumes if he had been able to
read the feminine mind.</p>
          <p>Major Jimmy Bass was a wiser man than Walthall,
and he remarked long afterward that he knew by the
way the poor girl looked that she was in trouble, and
it is not to be denied, at least, it is not to be denied
<pb id="harr60" n="60"/>
in Hillsborough, where he was known and respected—that Major Bass's impressions were as important
as the average man's convictions. This is what
Capt. Jack Walthall read:—</p>
        </div2>
        <div2 type="letter" org="uniform" sample="complete" part="N">
          <p>“DEAR MISS FAIRLEIGH,—
When you see this I shall be
on my way home. My eyes have recently been opened to the
fact that there is to be a war for and against the Union. I have
strong friendships here, but I feel that I owe a duty to the old
flag. When I bade you good-by last night, it was good-by forever.
I had hoped—I had desired—to say more than I did;
but perhaps it is better so. Perhaps it is better that I should
carry with me a fond dream of what might have been, than to
have been told by you that such a dream could never come true.
I had intended to give you the highest evidence of my respect
and esteem that man can give to woman, but I have been over-ruled
by fate or circumstance. I shall love you as long as I
live. One thing more: should you ever find yourself in need
of the services of a friend,—a friend in whom you may place
the most implicit confidence,—send for Mr. Jack Walthall.
Say to him that Little Compton commended you to his care and
attention, and give him my love.”</p>
        </div2>
        <div2 type="text" org="uniform" sample="complete" part="N">
          <p>Walthall drew a long breath and threw his head
back as he finished reading this. Whatever emotion
he may have felt, he managed to conceal, but there
was a little color in his usually pale face, and his
dark eyes shone with a new light.</p>
          <p>“This is a very unfortunate mistake,” he
exclaimed. “What is to be done?”</p>
          <p>Miss Fairleigh smiled.</p>
          <p>“There is no mistake, Mr. Walthall,” 
she replied.
<pb id="harr61" n="61"/>
“Mr. Compton is a Northern man, and he has gone
to join the Northern army. I think he is right.”</p>
          <p>“Well,” said Walthall, 
“he will do what he thinks
is right, but I wish he was here to-night.”</p>
          <p>“Oh, so do I!” exclaimed 
Miss Fairleigh, and
then she blushed; seeing which, Mr. Jack Walthall
drew his own conclusions.</p>
          <p>“If I could get through the lines,” she went on,
“I would go home.” Whereupon Walthall offered
her all the assistance in his power, and offered to
escort her to the Potomac. But before arrangements
for the journey could be made, there came the news
of the first battle of Manassas, and the conflict was
begun in earnest; so earnest, indeed, that it changed
the course of a great many lives, and gave even a
new direction to American history.</p>
          <p>Miss Fairleigh's friends in Hillsborough would not
permit her to risk the journey through the lines; and
Capt. Walthall's company was ordered to the front,
where the young men composing it entered headlong
into the hurly-burly that goes by the name of war.</p>
          <p>There was one little episode growing out of Jack
Walthall's visit to Miss Fairleigh that ought to be
told. When that young gentleman bade her good-evening,
and passed out of the parlor, Miss Fairleigh
placed her hands to her face and fell to weeping, as
women will.</p>
          <p>Major Bass, sitting on the veranda, had been an
interested spectator of the conference in the parlor,
<pb id="harr62" n="62"/>
but it was in the nature of a pantomine. He could
hear nothing that was said, but he could see that
Miss Fairleigh and Walthall were both laboring
under some strong excitement. When, therefore,
he saw Walthall pass hurriedly out, leaving Miss
Fairleigh in tears in the parlor, it occurred to him
that, as the head of the household and the natural
protector of the women under his roof, he was bound
to take some action. He called Jesse, the negro
house-servant, who was on duty in the dining-room.</p>
          <p>“Jess! Jess! Oh, Jess!” 
There was an insinuating
sweetness in his voice, as it echoed through
the hall. Jesse, doubtless recognizing the velvety
quality of the tone, made his appearance promptly.
“Jess,” said the major softly, 
“I wish you'd please
fetch me my shot-gun. Make 'aste, Jess, and don't
make no furse.”</p>
          <p>Jesse went after the shot-gun, and the major
waddled into the parlor. He cleared his throat at
the door, and Miss Fairleigh looked up.</p>
          <p>“Miss Lizzie, did Jack Walthall insult you here in
my house?”</p>
          <p>“Insult me, sir! Why, he's the noblest gentleman
alive.”</p>
          <p>The major drew a deep breath of relief, and
smiled.</p>
          <p>“Well, I'm mighty glad to hear you say so!” he
exclaimed. “I couldn't tell, to save my life, what
put it into my mind. Why, I might 'a' know'd that
<pb id="harr63" n="63"/>
Jack Walthall ain't that kind of a chap. Lord! I
reckon I must be getting old and weak-minded.
Don't cry no more, honey. Go right along and go
to bed.” As he turned to go out of the parlor, he
was confronted by Jesse with the shot-gun. 
“Oh,
go put her up, Jess,” he said apologetically; 
“go put
her up, boy. I wanted to blaze away at a dog out
there trying to scratch under the palings; but the
dog's done gone. Go put her up, Jess.”</p>
          <p>When Jess carried the gun back, he remarked
casually to his mistress,—</p>
          <p>“Miss Sa'h, you better keep yo' eye on Marse
Maje. He talkin' mighty funny, en he doin' mighty
quare.”</p>
          <p>Thereafter, for many a long day, the genial major
sat in his cool veranda, and thought of Jack Walthall
and the boys in Virginia. Sometimes between dozes
he would make his way to Perdue's Corner, and discuss
the various campaigns. How many desperate
campaigns were fought on that Corner! All the
older citizens, who found it convenient or necessary
to stay at home, had in them the instinct and emotions
of great commanders. They knew how victory
could be wrung from defeat, and how success could
be made more overwhelming. At Perdue's Corner,
Washington City was taken not less than a dozen
times a week, and occasionally both New York and
Boston were captured and sacked. Of all the generals
who fought their battles at the Corner, Major
<pb id="harr64" n="64"/>
Jimmy Bass was the most energetic, the most daring,
and the most skilful. As a strategist he had no
superior. He had a way of illustrating the feasibility
of his plans by drawing them in the sand with
his cane. Fat as he was, the major had a way of
“surroundering” the enemy so that no avenue was
left for his escape. At Perdue's Corner he captured
Scott, and McClellan, and Joe Hooker, and John
Pope, and held their entire forces as prisoners of
war.</p>
          <p>In spite of all this, however, the war went on.
Sometimes word would come that one of the
Hillsborough boys had been shot to death. Now and
then one would come home with an arm or a leg
missing; so that, before many months had passed,
even the generals conducting their campaigns at
Perdue's Corner managed to discover that war was
a very serious business.</p>
          <p>It happened that one day in July, Capt. Jack
Walthall and his men, together with quite an imposing
array of comrades, were called upon to breast
the sultry thunder of Gettysburg. They bore themselves
like men; they went forward with a shout
and a rush, facing the deadly slaughter of the guns;
they ran up the hill and to the rock wall. With
others, Capt. Walthall leaped over the wall. They
were met by a murderous fire that mowed down the
men like grass. The line in the rear wavered, fell
back, and went forward again. Capt. Walthall heard
<pb id="harr65" n="65"/>
his name called in his front, and then some one
cried, “Don't shoot!” and Little Compton, his face
blackened with powder, and his eyes glistening with
excitement, rushed into Walthall's arms. The order
not to shoot—if it was an order—came too late.
There was another volley. As the Confederates
rushed forward, the Federal line retreated a little
way, and Walthall found himself surrounded by the
small remnant of his men. The Confederates made
one more effort to advance, but it was useless.
The line was borne back, and finally retreated; but
when it went down the slope, Walthall and Lieut.
Ransome had Little Compton between them. He
was a prisoner. Just how it all happened, no one of
the three could describe, but Little Compton was
carried into the Confederate lines. He was wounded
in the shoulder and in the arm, and the ball that
shattered his arm shattered Walthall's arm.</p>
          <p>They were carried to the field hospital, where
Walthall insisted that Little Compton's wounds
should be looked after first. The result was, that
Walthall lost his left arm and Compton his right;
and then, when by some special interposition of
Providence they escaped gangrene and other results
of imperfect surgery and bad nursing, they went to
Richmond, where Walthall's money and influence
secured them comfortable quarters.</p>
          <p>Hillsborough had heard of all this in a vague way,—indeed, a rumor of it had been printed in the
<pb id="harr66" n="66"/>
Rockville “Vade Mecum,”—but the generals and
commanders in consultation at Perdue's Corner were
astonished one day when the stage-coach set down
at the door of the tavern a tall, one-armed gentleman
in gray, and a short, one-armed gentleman in
blue.</p>
          <p>“By the livin' Lord!” exclaimed Major Jimmy
Bass, “if that ain't Jack Walthall! And you may
put out my two eyes if that ain't Little Compton!
Why, shucks, boys!” he exclaimed, as he waddled
across the street, “I'd 'a' know'd you anywheres.
I'm a little short-sighted, and I'm mighty nigh took
off wi' the dropsy, but I'd 'a' know'd you anywheres.”</p>
          <p>There were handshakings and congratulations from
everybody in the town. The clerks and the merchants
deserted their stores to greet the new-comers,
and there seemed to be a general jubilee. For
weeks Capt. Jack Walthall was compelled to tell his
Gettysburg story over and over again, frequently to
the same hearers; and, curiously enough, there was
never a murmur of dissent when he told how Little
Compton had insisted on wearing his Federal uniform.</p>
          <p>“Greet Jiminy Craminy!” Major Jimmy Bass
would exclaim; “don't we all know Little Compton
like a book? And ain't he got a right to wear his
own duds?”</p>
          <p>Rockville, like every other railroad town in the
<pb id="harr67" n="67"/>
South at that period, had become the site of a
Confederate hospital; and sometimes the hangers-on
and convalescents paid brief visits of inspection to the
neighboring villages. On one occasion a little squad
of them made their appearance on the streets of
Hillsborough, and made a good-natured attempt to
fraternize with the honest citizens who gathered
daily at Perdue s Corner. While they were thus
engaged, Little Compton, arrayed in his blue uniform,
passed down the street. The visitors made
some inquiries, and Major Bass gave them a very
sympathetic history of Little Compton. Evidently
they failed to appreciate the situation; for one of
them, a tall Mississippian, stretched himself and
remarked to his companions,—</p>
          <p>“Boys, when we go, we'll just about lift that feller
and take him along. He belongs in Andersonville,
that's where he belongs.”</p>
          <p>Major Bass looked at the tall Mississippian and
smiled.</p>
          <p>“I reckon you must 'a' been mighty sick over
yander,” said the major, indicating Rockville.</p>
          <p>“Well, yes,” said the Mississippian; “I've had
a pretty tough time.”</p>
          <p>“And you ain't strong yet,”
the major went on.</p>
          <p>“Well, I'm able to get about right
lively,” said the
other.</p>
          <p>“Strong enough to go to war?”</p>
          <p>“Oh, well, not—not just yet.”</p>
          <pb id="harr68" n="68"/>
          <p>“Well, then,” said the major in his bluntest tone,
“you better be mighty keerful of yourself in this
town. If you ain't strong enough to go to war, you
better let Little Compton alone.”</p>
          <p>The tall Mississippian and his friends took the
hint, and Little Cornpton continued to wear his blue
uniform unmolested. About this time Atlanta fell;
and there were vague rumors in the air, chiefly among
the negroes, that Sherman's army would march down
and capture Hillsborough, which, by the assembly
of generals at Perdue's Corner, was regarded as a
strategic point. These vague rumors proved to be
correct; and by the time the first frosts fell, Perdue's
Corner had reason to believe that Gen. Sherman
was marching down on Hillsborough. Dire rumors
of fire, rapine, and pillage preceded the approach of
the Federal army, and it may well be supposed that
these rumors spread consternation in the air. Major
Bass professed to believe that Gen. Sherman would
be “surroundered” and captured before his troops
reached Middle Georgia; but the three columns,
miles apart, continued their march unopposed.</p>
          <p>It was observed that during this period of doubt,
anxiety, and terror, Little Compton was on the alert.
He appeared to be nervous and restless. His conduct
was so peculiar that some of the more suspicious
citizens of the region predicted that he had been
playing the part of a spy, and that he was merely
waiting for the advent of Sherman's army in order
<pb id="harr69" n="69"/>
to point out where his acquaintances had concealed
their treasures.</p>
          <p>One fine morning a company of Federal troopers
rode into Hillsborough. They were met by Little
Compton who had borrowed one of Jack Walthall's
horses for just such an occasion. The cavalcade
paused in the public square, and, after a somewhat
prolonged consultation with Little Compton, rode on
in the direction of Rockville. During the day small
parties of foragers made their appearance. Little
Compton had some trouble with these; but, by hurrying
hither and thither, he managed to prevent any
depredations. He even succeeded in convincing the
majority of them that they owed some sort of respect
to that small town. There was one obstinate fellow,
however, who seemed determined to prosecute his
search for valuables. He was a German who evidently
did not understand English.</p>
          <p>In the confusion Little Compton lost sight of the
German, though he had determined to keep an eye
on him. It was not long before he heard of him
again; for one of the Walthall negroes came running
across the public square, showing by voice and gesture
that he was very much alarmed.</p>
          <p>“Marse Compton! Marse Compton!” he cried,
“you better run up ter Marse Jack's, kaze one er dem
mens is gwine in dar whar ole Miss is, en ef he do dat
he gwine ter git hurted!”</p>
          <p>Little Compton hurried to the Walthall place, and
<pb id="harr70" n="70"/>
he was just in time to see Jack rushing the German
down the wide flight of steps that led to the veranda.
What might have happened, no one can say; what
did happen may be briefly told. The German, his
face inflamed with passion, had seized his gun, which
had been left outside, and was aiming at Jack Walthall,
who stood on the steps, cool and erect. An
exclamation of mingled horror and indignation from
Little Compton attracted the German's attention, and
caused him to turn his head. This delay probably
saved Jack Walthall's life; for the German, thinking
that a comrade was coming to his aid, levelled his
gun again and fired. But Little Compton had seized
the weapon near the muzzle and wrested it around.
The bullet, instead of reaching its target, tore its way
through Compton's empty sleeve. In another instant
the German was covered by Compton's revolver.
The hand that held it was steady, and the eyes that
glanced along its shining barrel fairly blazed. The
German dropped his gun. All trace of passion
disappeared from his face; and presently seeing that
the crisis had passed, so far as he was concerned, he
wheeled in his tracks, gravely saluted Little Compton,
and made off at a double-quick.</p>
          <p>“You musn't think hard of the boys, Jack, on
account of that chap. They understand the whole
business, and they are going to take care of this
town.”</p>
          <p>And they did. The army came marching along
<pb id="harr71" n="71"/>
presently, and the stragglers found Hillsborough
patrolled by a detachment of cavalry. Walthall and
Little Compton stood on the wide steps, and reviewed
this imposing array as it passed before them. The
tall Confederate, in his uniform of gray, rested his
one hand affectionately on the shoulder of the stout
little man in blue, and on the bosom of each was
pinned an empty sleeve. Unconsciously, they made
an impressive picture. The Commander, grim, gray,
and resolute, observed it with sparkling eyes. The
spectacle was so unusual—so utterly opposed to the
logic of events—that he stopped with his staff long
enough to hear Little Compton tell his story. He
was a grizzled, aggressive man, this Commander, but
his face lighted up wonderfully at the recital.</p>
          <p>“Well, you know this sort of thing doesn't end
the war, boys,” he said, as he shook hands with
Walthall and Little Compton; 
“but I shall sleep
better to-night.”</p>
          <p>Perhaps he did. Perhaps he dreamed that what
he had seen and heard was prophetic of the days to
come, when peace and fraternity should seize upon
the land, and bring unity, happiness, and prosperity
to the people.</p>
        </div2>
      </div1>
      <pb id="harr72" n="72"/>
      <div1 type="chapter" org="uniform" sample="complete" part="N">
        <head>AUNT FOUNTAIN'S PRISONER.</head>
        <p>IT is curious how the smallest incident, the most
unimportant circumstance, will recall old friends
and old associations. An old gentleman, who is
noted far and near for his prodigious memory of
dates and events, once told me that his memory,
so astonishing to his friends and acquaintances,
consisted not so much in remembering names and dates
and facts, as in associating each of these with some
special group of facts and events; so that he always
had at command a series of associations to which he
could refer instantly and confidently. This is an
explanation of the system of employing facts, but not
of the method by which they are accumulated and
stored away.</p>
        <p>I was reminded of  this some years ago by a paragraph
in one of the county newspapers that sometimes
come under my observation. It was a very
commonplace paragraph; indeed, it was in the nature
of an advertisement,—an announcement of the fact
that orders for “gilt-edged butter” from the Jersey
farm on the Tomlinson Place should be left at the
drug-store in Rockville, where the first that came
would be the first served. This business-like notice
<pb id="harr73" n="73"/>
was signed by Ferris Trunion. The name was not
only peculiar, but new to me; but this was of no
importance at all. The fact that struck me was the
bald and bold announcement that the Tomlinson
Place was the site and centre of trading and other
commercial transactions in butter. I can only imagine
what effect this announcement would have had
on my grandmother, who died years ago, and on some
other old people I used to know. Certainly they
would have been horrified; and no wonder, for when
they were in their prime the Tomlinson Place was
the seat of all that was high, and mighty, and grand,
in the social world in the neighborhood of Rockville.
I remember that everybody stood in awe of the Tomlinsons.
Just why this was so, I never could make
out. They were very rich; the Place embraced several
thousand acres; but if the impressions made on
me when a child are worth any thing, they were
extremely simple in their ways. Though, no doubt,
they could be formal and conventional enough when
occasion required.</p>
        <p>I have no distinct recollection of Judge Addison
Tomlinson, except that he was a very tall old
gentleman, much older than his wife, who went about the
streets of Rockville carrying a tremendous
gold-headed cane carved in a curious manner. In those
days I knew more of Mrs. Tomlinson than I did of
the judge, mainly because I heard a great deal more
about her. Some of the women called her Mrs.
<pb id="harr74" n="74"/>
Judge Tomlinson; but my grandmother never called
her any thing else but Harriet Bledsoe, which was
her maiden name. It was a name, too, that seemed
to suit her, so that when you once heard her called
Harriet Bledsoe, you never forgot it afterward. I do
not know now, any more than I did when a child,
why this particular name should fit her so exactly;
but, as I have often been told, a lack of knowledge
does not alter facts.</p>
        <p>I think my grandmother used to go to church to
see what kind of clothes Harriet Bledsoe wore; for
I have often heard her say, after the sermon was
over, that Harriet's bonnet, or Harriet's dress,
was perfectly charming. Certainly Mrs. Tomlinson
was always dressed in the height of fashion, though
it was a very simple fashion when compared with the
flounces and furbelows of her neighbors. I remember
this distinctly, that she seemed to be perfectly
cool the hottest Sunday in summer, and comfortably
warm the coldest Sunday in winter; and I am convinced
that this impression, made on the mind of
a child, must bear some definite relation to Mrs.
Tomlinson's good taste.</p>
        <p>Certainly my grandmother was never tired of telling
me that Harriet Bledsoe was blessed with exceptionally
good taste and fine manners; and I remember
that she told me often how she wished I was a girl,
so that I might one day be in a position to take
advantage of the opportunities I had had of profiting by
<pb id="harr75" n="75"/>
Harriet Bledsoe's example. I think there was some
sort of attachment between my grandmother and
Mrs. Tomlinson, formed when they were at school
together, though my grandmother was much the
older of the two. But there was no intimacy. The
gulf that money sometimes makes between those
who have it and those who lack it lay between them.
Though I think my grandmother was more sensitive
about crossing this gulf than Mrs. Tomlinson.</p>
        <p>I was never in the Tomlinson house but once
when a child. Whether it was because it was two
or three miles away from Rockville, or whether it
was because I stood in awe of my grandmother's
Harriet Bledsoe, I do not know. But I have a very
vivid recollection of the only time I went there as
a boy. One of my playmates, a rough-and-tumble
little fellow, was sent by his mother, a poor sick
woman, to ask Mrs. Tomlinson for some preserves.
I think this woman and her little boy were in some
way related to the Tomlinsons. The richest and
most powerful people, I have heard it said, are not
so rich and powerful but they are pestered by poor
kin, and the Tomlinsons were no exception to the
rule.</p>
        <p>I went with this little boy I spoke of, and I was
afraid afterward that I was in some way responsible
for his boldness. He walked right into the presence
of Mrs Tomlinson, and, without waiting to return
the lady's salutation, he said in a loud voice,—</p>
        <pb id="harr76" n="76"/>
        <p>“Aunt Harriet, ma says send her some of your
nicest preserves.”</p>
        <p>“<hi rend="italics">Aunt Harriet</hi>, indeed!” she exclaimed, and then
she gave him a look that was cold enough to freeze
him, and hard enough to send him through the
floor.</p>
        <p>I think she relented a little, for she went to one
of the windows, bigger than any door you see
nowadays, and looked out over the blooming orchard;
and then after a while she came back to us, and was
very gracious. She patted me on the head; and I
must have shrunk from her touch, for she laughed
and said she never bit nice little boys. Then she
asked me my name; and when I told her, she said
my grandmother was the dearest woman in the
world. Moreover, she told my companion that it
would spoil preserves to carry them about in a tin
bucket; and then she fetched a big basket, and had
it filled with preserves, and jelly, and cake. There
were some ginger-preserves among the rest, and I
remember that I appreciated them very highly; the
more so, since my companion had a theory of his
own that ginger-preserves and fruit-cake were not
good for sick people.</p>
        <p>I remember, too, that Mrs. Tomlinson had a little
daughter about my own age. She had long yellow
hair and very black eyes. She rode around in the
Tomlinson carriage a great deal, and everybody said
she was remarkably pretty, with a style and a spirit
<pb id="harr77" n="77"/>
all her own. The negroes used to say that she was
as affectionate as she was wilful, which was saying
a good deal. It was characteristic of Harriet
Bledsoe, my grandmother said, that her little girl should
be named Lady.</p>
        <p>I heard a great many of the facts I have stated
from old Aunt Fountain, one of the Tomlinson
negroes, who, for some reason or other, was permitted
to sell ginger-cakes and persimmon-beer under
the wide-spreading China-trees in Rockville on public
days and during court-week. There was a theory
among certain envious people in Rockville,—there
are envious people everywhere,—that the Tomlinsons,
notwithstanding the extent of their landed
estate and the number of their negroes, were sometimes
short of ready cash; and it was hinted that
they pocketed the proceeds of Aunt Fountain's
persimmon-beer and ginger-cakes. Undoubtedly such
stories as these were the outcome of pure envy.
When my grandmother heard such gossip as this,
she sighed, and said that people who would talk about
Harriet Bledsoe in that way would talk about
anybody under the sun. My own opinion is, that
Aunt Fountain got the money and kept it;
otherwise she would not have been so fond of her master
and mistress, nor so proud of the family and its
position. I spent many an hour near Aunt Fountain's
cake and beer stand, for I liked to hear her
talk. Besides, she had a very funny name, and I
<pb id="harr78" n="78"/>
thought there was always a probability that she
would explain how she got it. But she never did.</p>
        <p>I had forgotten all about the Tomlinsons until the
advertisement I have mentioned was accidentally
brought to my notice, whereupon memory suddenly
became wonderfully active. I am keenly alive to
the happier results of the war, and I hope I appreciate
at their full value the emancipation of both
whites and blacks from the deadly effects of negro
slavery, and the wonderful development of our material
resources that the war has rendered possible;
but I must confess it was with a feeling of regret that
I learned that the Tomlinson Place had been turned
into a dairy-farm. Moreover, the name of Ferris
Trunion had a foreign and an unfamiliar sound.
His bluntly worded advertisement appeared to come
from the mind of a man who would not hesitate to
sweep away both romance and tradition if they happened
to stand in the way of a profitable bargain.</p>
        <p>I was therefore much gratified, some time after
reading Trunion's advertisement, to receive a note
from a friend who deals in real estate, telling me
that some land near the Tomlinson Place had been
placed in his hands for sale, and asking me to go to
Rockville to see if the land and the situation were
all they were described to be. I lost no time in
undertaking this part of the business, for I was
anxious to see how the old place looked in the hands
of strangers, and unsympathetic strangers at that.</p>
        <pb id="harr79" n="79"/>
        <p>It is not far from Atlanta to Rockville,—a day
and a night,—and the journey is not fatiguing; so
that a few hours after receiving my friend's request
I was sitting in the veranda of the Rockville Hotel,
observing, with some degree of wonder, the vast
changes that had taken place—the most of them for
the better. There were new faces and new enterprises
all around me, and there was a bustle about
the town that must have caused queer sensations
in the minds of the few old citizens who still gathered
at the post-office for the purpose of carrying on
ancient political controversies with each other.</p>
        <p>Among the few familiar figures that attracted my
attention was that of Aunt Fountain. The old
China-tree in the shade of which she used to sit had
been blasted by lightning or fire; but she still had
her stand there, and she was keeping the flies and
dust away with the same old turkey-tail fan. I
could see no change. If her hair was grayer, it was
covered and concealed from view by the snow-white
handkerchief tied around her head. From my place
I could hear her humming a tune,—the tune I had
heard her sing in precisely the same way years ago.
I heard her scolding a little boy. The gesture, the
voice, the words, were the same she had employed
in trying to convince me that my room was much
better than my company, especially in the neighborhood
of her cake-stand. To see and hear her thus
gave me a peculiar feeling of homesickness. I
<pb id="harr80" n="80"/>
approached and saluted her. She bowed with
old-fashioned politeness, but without looking up.</p>
        <p>“De biggest uns, dee er ten cent,” 
she said, pointing
to her cakes; “en de littlest, dee er fi' cent. I
make um all myse'f, suh. En de beer in dat jug—dat beer got body, suh.”</p>
        <p>“I have eaten many a one of your cakes, Aunt
Fountain,” said I, “and drank many 
a glass of your
beer; but you have forgotten me.”</p>
        <p>“My eye weak, suh, but dee ain' weak nuff fer
dat.” She shaded her eyes with her fan, and looked
at me. Then she rose briskly from her chair. “De
Lord he'p my soul!” she exclaimed enthusiastically.
“W'y, I know you w'en you little boy. W'at make
I ain' know you w'en you big man? My eye weak,
suh, but dee ain' weak nuff fer dat. Well, suh, you
mus' eat some my ginger-cake. De Lord know you
has make way wid um w'en you wuz little boy.”</p>
        <p>The invitation was accepted, but somehow the
ginger-cakes had lost their old-time relish; in me
the taste and spirit of youth were lacking.</p>
        <p>We talked of old times and old friends, and I told
Aunt Fountain that I had come to Rockville for
the purpose of visiting in the neighborhood of the
Tomlinson Place.</p>
        <p>“Den I gwine wid you, suh,” she cried, shaking
her head vigorously. “I gwine wid you.” And go
she did.</p>
        <p>“I been layin' off ter go see my young mistiss dis
<pb id="harr81" n="81"/>
long time,” said Aunt Fountain, the next day, after
we had started. “I glad I gwine deer in style. De
niggers won' know me skacely, ridin' in de buggy
dis away.”</p>
        <p>“Your young mistress?” I inquired.</p>
        <p>“Yes, suh. You know Miss Lady w'en she little
gal. She grown oman now.”</p>
        <p>“Well, who is this Trunion I have heard of?”</p>
        <p>“He monst'ous nice w'ite man, suh. He married
my young mistiss. He monst'ous nice w'ite man.”</p>
        <p>“But who is he? Where did he come from?”</p>
        <p>Aunt Fountain chuckled convulsively as I asked
these questions.</p>
        <p>“We-all des pick 'im up, suh. Yes, suh; we-all
des pick 'im up. Ain' you year talk 'bout dat, suh?
I dunner whar you bin at ef you ain' never is year
talk 'bout dat. He de fus' w'ite man w'at I ever
pick up, suh. Yes, suh; de ve'y fus' one.”</p>
        <p>“I don't understand you,” said I;
“tell me about
it.”</p>
        <p>At this Aunt Fountain laughed long and loudly.
She evidently enjoyed my ignorance keenly.</p>
        <p>“De Lord know I oughtn' be laughin' like dis.
I ain' laugh so hearty sence I wuz little gal mos', en
dat wuz de time w'en Marse Rowan Tomlinson come
'long en ax me my name, I tell 'im, I did, ‘I'm
name Flew Ellen, suh.’ Marse Rowan he deaf ez
any dead hoss. He 'low, ‘Hey?’ I say,
‘I'm
name Flew Ellen, suh.’ Marse Rowan say,
<pb id="harr82" n="82"/>
‘Fountain! Huh! he quare name.’ I holler
en laugh, en
w'en de folks ax me w'at I hollerin' 'bout, I tell um
dat Marse Rowan say I'm name Fountain. Well,
suh, fum dat day down ter dis, stedder Flew Ellen,
I'm bin name Fountain. I laugh hearty den en my
name got change, en I feared ef I laugh now de
hoss'll run away en turn de buggy upperside down
right spang on top er me.”</p>
        <p>“But about this Mr. Trunion?” said I.</p>
        <p>“Name er de Lord!” exclaimed Aunt Fountain,
“ain' you never is bin year 'bout dat? You bin
mighty fur ways, suh, kaze we all bin knowin' 'bout
it fum de jump.”</p>
        <p>“No doubt. Now tell me about it.”</p>
        <p>Aunt Fountain shook her head, and her face
assumed a serious expression.</p>
        <p>“I dunno 'bout dat, suh. I year tell dat niggers
ain' got no business fer go talkin' 'bout fambly
doin's. Yit dar wuz yo' gran'mammy. My mistiss
sot lots by her, en you been bornded right yer 'long
wid um. I don't speck it'll be gwine so mighty fur
out'n de fambly ef I tell you 'bout it.”</p>
        <p>I made no attempt to coax Aunt Fountain to tell
me about Trunion, for I knew it would be difficult to
bribe her not to talk about him. She waited a while,
evidently to tease my curiosity; but as I betrayed
none, and even made an effort to talk about something
else, she began:—</p>
        <p>“Well, suh, you ax me 'bout Marse Fess Trunion.
<pb id="harr83" n="83"/>
I know you bleeze ter like dat man. He ain' b'long
ter we-all folks, no furder dan he my young mistiss
ole man, but dee ain' no finer w'ite man dan him.
No, suh; dee ain'. I tell you dat p'intedly. De
niggers, dee say he mighty close en pinchin', but
deze is mighty pinchin' times—you know dat
yo'se'f, suh. Ef a man don' fa'rly fling 'way he
money, dem Tomlinson niggers, dee'll say he mighty
pinchin'. I hatter be pinchin' myse'f, suh, kaze I
know time I sell my ginger-cakes dat ef I don't grip
onter de money, dee won' be none lef' fer buy flour
en 'lasses fer make mo'. It de Lord's trufe, suh,
kaze I done had trouble dat way many's de time. I
say dis 'bout Marse Fess Trunion, ef he ain' got
de blood, he got de breedin'. Ef he ain' good ez de
Tomlinsons, he lots better den some folks w'at I
know.”</p>
        <p>I gathered from all this that Trunion was a
foreigner of some kind, but I found out my mistake
later.</p>
        <p>“I pick dat man up myse'f, en I knows 'im 'most
good ez ef he wuz one er we-all.”</p>
        <p>“What do you mean when you say ‘you picked
him up’?” I asked, unable to restrain
my impatience.</p>
        <p>“Well, suh, de fus' time I see Marse Fess
Trunion wuz terreckerly atter de Sherman army
come 'long. Dem wuz hot times, suh, col' ez de
wedder wuz. Dee wuz in-about er million un um
<pb id="harr84" n="84"/>
look like ter me, en dee des ravage de face er de
yeth. Dee tuck all de hosses, en all de cows, en all
de chickens. Yes, suh; dee cert'n'y did. Man
come 'long, en 'low, ‘Aunty, you free now,’ en den
he tuck all my ginger-cakes w'at I bin bakin' 'g'inst
Chris'mus; en den I say, ‘Ef I wuz free ez you is,
suh, I'd fling you down en take dem ginger-cakes
'way fum you.’ Yes, suh. I tole 'im dat. It make
me mad fer see de way dat man walk off wid my
ginger-cakes.</p>
        <p>“I got so mad, suh, dat I foller 'long atter him
little ways; but dat ain' do no good, kaze he come
ter whar dee wuz some yuther men, en dee 'vide up
dem cakes till dee want no cake lef'. Den I struck
'cross de plan'ation, en walked 'bout in de drizzlin'
rain tell I cool off my madness, suh, kaze de flour
dat went in dem cakes cos' me mos' a hunderd dollars
in good Confederick money. Yes, suh; it did
dat. En I work for dat money mighty hard.</p>
        <p>“ Well, suh, I ain' walk fur 'fo' it seem like I year
some un talkin'. I stop, I did, en lissen, en still I
year um. I ain' see nobody, suh, but still I year
um. I walk fus' dis away en den dat away, en den
I walk 'roun' en 'roun', en den it pop in my min'
'bout de big gully. It ain' dar now, suh, but in dem
days we call it de big gully, kaze it wuz wide en deep.
Well, suh,' fo' I git dar I see hoss-tracks, en dee led
right up ter de brink. I look in, I did, en down dar
dee wuz a man en a hoss. Yes, suh; dee wuz bofe
<pb id="harr85" n="85"/>
down dar. De man wuz layin' out flat on he back,
en de hoss he wuz layin' sorter up en down de
gully en right on top er one er de man legs, en
eve'y time de hoss'd scrample en try fer git up de
man 'ud talk at 'im. I know dat hoss mus' des
nata'lly a groun' dat man legs in de yeth, suh. Yes,
suh. It make my flesh crawl w'en I look at um.
Yit de man ain' talk like he mad. No, suh, he
ain'; en it make me feel like somebody done gone
en hit me on de funny-bone w'en I year him talkin'
dat away. Eve'y time de hoss scuffle, de man he
'low, ‘Hol' up, ole fel, you er mashin' all de shape
out'n me.’ Dat w'at he say, suh. En den he 'low,
‘Ef you know how you hurtin', ole fel, I des know
you'd be still.’ Yes, suh. Dem he ve'y words.</p>
        <p>“All dis time de rain wuz a-siftin' down. It fall
mighty saft, but 'twuz monst'ous wet, suh. Bimeby
I crope up nigher de aidge, en w'en de man see me
he holler out, ‘Hol' on, aunty; don't you fall down
yer!’</p>
        <p>“I ax 'im, I say, ‘Marster, is you hurted much?’
Kaze time I look at 'im I know he ain' de villyun
w'at make off wid my ginger-cakes. Den he 'low,
‘I speck I hurt purty bad, aunty, en de wuss un it is
dat my hoss keep hurtin' me mo'.’</p>
        <p>“Den nex' time de hoss move it errortate me so,
suh, dat I holler at 'im loud ez I ken,‘Wo dar, you
scan'lous villyun! Wo!’ Well, suh, I speck dat
hoss mus a-bin use'n ter niggers, kaze time I holler
<pb id="harr86" n="86"/>
at 'im he lay right still, suh. I slid down dat bank,
en I kotch holter dat bridle—I don't look like I'm
mighty strong, does I, suh?” said Aunt Fountain,
pausing suddenly in her narrative to ask the
question.</p>
        <p>“Well, no,” said I, humoring her as much as
possible. “You don't seem to be as strong as some
people I've seen.”</p>
        <p>“Dat's it, suh!” she exclaimed. “Dat w'at
worry me. I slid down dat bank,