]> <emph rend="bold"> The Raven and Other Poems: </emph> Electronic Edition. Poe, Edgar Allan, 1809-1849. Funding from the University of North Carolina Library supported the electronic publication of this title. Text transcribed by Apex Data Services, Inc. Images scanned by Bond Thompson and Natalia Smith Text encoded by Apex Data Services, Inc., Marisa Ramírez and Natalia Smith First edition, 2004 ca. 300K Academic Affairs Library, UNC-Chapel Hill University of North Carolina at Chapel Hill, 2004.

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 The Raven And Other Poems. Wiley and Putnam's Library of American Books. The Raven And Other Poems. Edgar A. Poe. [i]-[viii], [1]-[96]p. NEW YORK: WILEY AND PUTNAM, 161 BROADWAY. 1845. Call number C-7 P743N (Duke University Rare Book, Manuscript and Special Collections Library)

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 Library of Congress Subject Headings English French Italian Spanish German Latin Fantasy poetry, American. Ravens -- Poetry. 2004-12-08, Celine Noel and Wanda Gunther revised TEIHeader and created catalog record for the electronic edition. 2004-08-04, Natalia Smith, project manager, finished TEI-conformant encoding and final proofing. 2004-07-19, Marisa Ramírez finished TEI/SGML encoding 2004-06-25, Apex Data Services, Inc. finished transcribing the text.

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 THE RAVEN AND OTHER POEMS. BY EDGAR A. POE. NEW YORK: WILEY AND PUTNAM, 161 BROADWAY. 1845. Entered according to Act of Congress, in the year 1845, by EDGAR A. POE, In the Clerk's Office of the District Court of the United States for the Southern District of New York. T. B. SMITH, STEREOTYPER, 216 William Street.

TO THE NOBLEST OF HER SEX— TO THE AUTHOR OF “THE DRAMA OF EXILE”— TO MISS ELIZABETH BARRETT BARRETT, OF ENGLAND, I DEDICATE THIS VOLUME, WITH THE MOST ENTHUSIASTIC ADMIRATION AND WITH THE MOST SINCERE ESTEEM.

E. A. P. PREFACE.

THESE trifles are collected and republished chiefly with a view to their redemption from the many improvements to which they have been subjected while going at random “the rounds of the press.” If what I have written is to circulate at all, I am naturally anxious that it should circulate as I wrote it. In defence of my own taste, nevertheless, it is incumbent upon me to say, that I think nothing in this volume of much value to the public, or very creditable to myself. Events not to be controlled have prevented me from making, at any time, any serious effort in what, under happier circumstances, would have been the field of my choice. With me poetry has been not a purpose, but a passion; and the passions should be held in reverence; they must not—they cannot at will be excited with an eye to the paltry compensations, or the more paltry commendations, of mankind.

E. A. P. CONTENTS. The Raven . . . . . 1 The Valley of Unrest . . . . . 6 Bridal Ballad . . . . . 7 The Sleeper . . . . . 9 The Coliseum . . . . . 12 Lenore . . . . . 14 Catholic Hymn . . . . . 15 Israfel . . . . . 16 Dream-land . . . . . 18 Sonnet—to Zante . . . . . 20 The City in the Sea . . . . . 21 To One in Paradise . . . . . 23 Eulalie—A Song . . . . . 24 To F—s S. O——d . . . . . 25 To F— . . . . . 25 Sonnet—Silence . . . . . 26 The Conqueror Worm . . . . . 27 The Haunted Palace . . . . . 29 Scenes from “Politian” . . . . . 31 POEMS WRITTEN IN YOUTH. Sonnet—to Science . . . . . 55 Al Aaraaf . . . . . 56 Tamerlane . . . . . 74 A Dream . . . . . 83 Romance . . . . . 84 Fairy-land . . . . . 85 To —— . . . . . 87 To the River—— . . . . . 88 The Lake—To—— . . . . . 89 Song . . . . . 90 To Helen . . . . . 91 THE RAVEN AND OTHER POEMS. THE RAVEN. ONCE upon a midnight dreary, while I pondered, weak and weary, Over many a quaint and curious volume of forgotten lore, While I nodded, nearly napping, suddenly there came a tapping, As of some one gently rapping, rapping at my chamber door. “'Tis some visiter,” I muttered, “tapping at my chamber door— Only this, and nothing more.” Ah, distinctly I remember it was in the bleak December, And each separate dying ember wrought its ghost upon the floor. Eagerly I wished the morrow;—vainly I had sought to borrow From my books surcease of sorrow—sorrow for the lost Lenore— For the rare and radiant maiden whom the angels name Lenore— Nameless here for evermore. And the silken sad uncertain rustling of each purple curtain Thrilled me—filled me with fantastic terrors never felt before; So that now, to still the beating of my heart, I stood repeating “'Tis some visiter entreating entrance at my chamber door— Some late visiter entreating entrance at my chamber door;— This it is, and nothing more.” Presently my soul grew stronger; hesitating then no longer, “Sir,” said I, “or Madam, truly your forgiveness I implore; But the fact is I was napping, and so gently you came rapping, And so faintly you came tapping, tapping at my chamber door, That I scarce was sure I heard you”—here I opened wide the door;—— Darkness there, and nothing more. Deep into that darkness peering, long I stood there wondering, fearing, Doubting, dreaming dreams no mortal ever dared to dream before; But the silence was unbroken, and the darkness gave no token, And the only word there spoken was the whispered word, “Lenore!” This I whispered, and an echo murmured back the word, “Lenore!” Merely this, and nothing more. Back into the chamber turning, all my soul within me burning, Soon I heard again a tapping somewhat louder than before. “Surely,” said I, “surely that is something at my window lattice; Let me see, then, what thereat is, and this mystery explore— Let my heart be still a moment and this mystery explore;— 'Tis the wind and nothing more!” Open here I flung the shutter, when, with many a flirt and flutter, In there stepped a stately raven of the saintly days of yore; Not the least obeisance made he; not an instant stopped or stayed he; But, with mien of lord or lady, perched above my chamber door— Perched upon a bust of Pallas just above my chamber door— Perched, and sat, and nothing more. Then this ebony bird beguiling my sad fancy into smiling, By the grave and stern decorum of the countenance it wore, “Though thy crest be shorn and shaven, thou,” I said, “art sure no craven, Ghastly grim and ancient raven wandering from the Nightly shore— Tell me what thy lordly name is on the Night's Plutonian shore!” Quoth the raven, “Nevermore.” Much I marvelled this ungainly fowl to hear discourse so plainly, Though its answer little meaning—little relevancy bore; For we cannot help agreeing that no living human being Ever yet was blessed with seeing bird above his chamber door— Bird or beast upon the sculptured bust above his chamber door, With such name as “Nevermore.” But the raven, sitting lonely on the placid bust, spoke only That one word, as if his soul in that one word he did outpour. Nothing farther then he uttered—not a feather then he fluttered— Till I scarcely more than muttered “Other friends have flown before— On the morrow he will leave me, as my hopes have flown before.” Then the bird said “Nevermore.” Startled at the stillness broken by reply so aptly spoken, “Doubtless,” said I, “what it utters is its only stock and store Caught from some unhappy master whom unmerciful Disaster Followed fast and followed faster till his songs one burden bore— Till the dirges of his Hope that melancholy burden bore Of ‘Never—nevermore.’” But the raven still beguiling all my sad soul into smiling, Straight I wheeled a cushioned seat in front of bird, and bust and door; Then, upon the velvet sinking, I betook myself to linking Fancy unto fancy, thinking what this ominous bird of yore— What this grim, ungainly, ghastly, gaunt, and ominous bird of yore Meant in croaking “Nevermore.” This I sat engaged in guessing, but no syllable expressing To the fowl whose fiery eyes now burned into my bosom's core; This and more I sat divining, with my head at ease reclining On the cushion's velvet lining that the lamplight gloated o'er, But whose velvet violet lining with the lamplight gloating o'er, She shall press, ah, nevermore! Then, methought, the air grew denser, perfumed from an unseen censer Swung by angels whose faint foot-falls tinkled on the tufted floor. “Wretch,” I cried, “thy God hath lent thee—by these angels he hath sent thee Respite—respite and nepenthe from thy memories of Lenore! Quaff, oh quaff this kind nepenthe and forget this lost Lenore!” Quoth the raven, “Nevermore.” “Prophet!” said I, “thing of evil!—prophet still, if bird or devil!— Whether Tempter sent, or whether tempest tossed thee here ashore, Desolate yet all undaunted, on this desert land enchanted— On this home by Horror haunted—tell me truly, I implore— Is there—is there balm in Gilead?—tell me—tell me, I implore!” Quoth the raven, “Nevermore.” “Prophet!” said I, “thing of evil—prophet still, if bird or devil! By that Heaven that bends above us—by that God we both adore— Tell this soul with sorrow laden if, within the distant Aidenn, It shall clasp a sainted maiden whom the angels name Lenore— Clasp a rare and radiant maiden whom the angels name Lenore.” Quoth the raven, “Nevermore.” “Be that word our sign of parting, bird or fiend!” I shrieked, upstarting— “Get thee back into the tempest and the Night's Plutonian shore! Leave no black plume as a token of that lie thy soul hath spoken! Leave my loneliness unbroken!—quit the bust above my door! Take thy beak from out my heart, and take thy form from off my door!” Quoth the raven, “Nevermore.” And the raven, never flitting, still is sitting, still is sitting On the pallid bust of Pallas just above my chamber door; And his eyes have all the seeming of a demon's that is dreaming, And the lamp-light o'er him streaming throws his shadow on the floor; And my soul from out that shadow that lies floating on the floor Shall be lifted—nevermore! THE VALLEY OF UNREST. Once it smiled a silent dell Where the people did not dwell; They had gone unto the wars, Trusting to the mild-eyed stars, Nightly, from their azure towers, To keep watch above the flowers, In the midst of which all day The red sun-light lazily lay. Now each visiter shall confess The sad valley's restlessness. Nothing there is motionless— Nothing save the airs that brood Over the magic solitude. Ah, by no wind are stirred those trees That palpitate like the chill seas Around the misty Hebrides! Ah, by no wind those clouds are driven That rustle through the unquiet Heaven Uneasily, from morn till even, Over the violets there that lie In myriad types of the human eye— Over the lilies there that wave And weep above a nameless grave! They wave:—from out their fragrant tops Eternal dews come down in drops. They weep:—from off their delicate stems Perennial tears descend in gems. BRIDAL BALLAD. THE ring is on my hand, And the wreath is on my brow; Satins and jewels grand Are all at my command, And I am happy now. And my lord he loves me well; But, when first he breathed his vow, I felt my bosom swell— For the words rang as a knell, And the voice seemed his who fell In the battle down the dell, And who is happy now. But he spoke to re-assure me, And he kissed my pallid brow, While a reverie came o'er me, And to the church-yard bore me, And I sighed to him before me, Thinking him dead D'Elormie, “Oh, I am happy now!” And thus the words were spoken, And this the plighted vow, And, though my faith be broken, And, though my heart be broken, Behold the golden token That proves me happy now! Would God I could awaken! For I dream I know not how, And my soul is sorely shaken Lest an evil step be taken,— Lest the dead who is forsaken May not be happy now. THE SLEEPER: AT midnight, in the month of June, I stand beneath the mystic moon. An opiate vapour, dewy, dim, Exhales from out her golden rim, And, softly dripping, drop by drop, Upon the quiet mountain top, Steals drowsily and musically Into the universal valley. The rosemary nods upon the grave; The lily lolls upon the wave; Wrapping the fog about its breast, The ruin moulders into rest; Looking like Lethe, see! the lake A conscious slumber seems to take, And would not, for the world, awake. All Beauty sleeps!—and lo! where lies (Her casement open to the skies) Irene, with her Destinies! Oh, lady bright! can it be right— This window open to the night? The wanton airs, from the tree-top, Laughingly through the lattice drop— The bodiless airs, a wizard rout, Flit through thy chamber in and out, And wave the curtain canopy So fitfully—so fearfully— Above the closed and fringed lid 'Neath which thy slumb'ring soul lies hid, That, o'er the floor and down the wall, Like ghosts the shadows rise and fall! Oh, lady dear, hast thou no fear? Why and what art thou dreaming here? Sure thou art come o'er far-off seas, A wonder to these garden trees! Strange is thy pallor! strange thy dress! Strange, above all, thy length of tress, And this all solemn silentness! The lady sleeps! Oh, may her sleep, Which is enduring, so be deep! Heaven have her in its sacred keep! This chamber changed for one more holy, This bed for one more melancholy, I pray to God that she may lie Forever with unopened eye, While the dim sheeted ghosts go by! My love, she sleeps! Oh, may her sleep, As it is lasting, so be deep! Soft may the worms about her creep! Far in the forest, dim and old, For her may some tall vault unfold— Some vault that oft hath flung its black And winged pannels fluttering back, Triumphant, o'er the crested palls, Of her grand family funerals— Some sepulchre, remote, alone, Against whose portal she hath thrown, In childhood, many an idle stone— Some tomb from out whose sounding door She ne'er shall force an echo more, Thrilling to think, poor child of sin! It was the dead who groaned within. THE COLISEUM. TYPE of the antique Rome! Rich reli quary Of lofty contemplation left to Time By buried centuries of pomp and power! At length—at length—after so many days Of weary pilgrimage and burning thirst, (Thirst for the springs of lore that in thee lie,) I kneel, an altered and an humble man, Amid thy shadows, and so drink within My very soul thy grandeur, gloom, and glory! Vastness! and Age! and Memories of Eld! Silence! and Desolation! and dim Night! I feel ye now—I feel ye in your strength— O spells more sure than e'er Judæan king Taught in the gardens of Gethsemane! O charms more potent than the rapt Chaldee Ever drew down from out the quiet stars! Here, where a hero fell, a column falls! Here, where the mimic eagle glared in gold, A midnight vigil holds the swarthy bat! Here, where the dames of Rome their gilded hair Waved to the wind, now wave the reed and thistle! Here, where on golden throne the monarch lolled, Glides, spectre-like, unto his marble home, Lit by the wanlight of the hornéd moon, The swift and silent lizard of the stones! But stay! these walls—these ivy-clad arcades— These mouldering plinths—these sad and blackened shafts— These vague entablatures—this crumbling frieze— These shattered cornices—this wreck—this ruin— These stones—alas! these gray stones—are they all— All of the famed, and the colossal left By the corrosive Hours to Fate and me? “Not all”—the Echoes answer me—“not all! Prophetic sounds and loud, arise forever From us, and from all Ruin, unto the wise, As melody from Memnon to the Sun. We rule the hearts of mightiest men—we rule With a despotic sway all giant minds. We are not impotent—we pallid stones. Not all our power is gone—not all our fame— Not all the magic of our high renown— Not all the wonder that encircles us— Not all the mysteries that in us lie— Not all the memories that hang upon And cling around about us as a garment, Clothing us in a robe of more than glory.” LENORE. AH, broken is the golden bowl! the spirit flown forever! Let the bell toll!—a saintly soul floats on the Stygian river; And, Guy De Vere, hast thou no tear?—weep now or never more! See! on yon drear and rigid bier low lies thy love, Lenore! Come! let the burial rite be read—the funeral song be sung!— An anthem for the queenliest dead that ever died so young— A dirge for her the doubly dead in that she died so young. “Wretches! ye loved her for her wealth and hated her for her pride, And when she fell in feeble health, ye blessed her—that she died! How shall the ritual, then, be read?—the requiem how be sung By you—by yours, the evil eye,—by yours, the slanderous tongue That did to death the innocence that died, and died so young?” Peccavimus; but rave not thus! and let a Sabbath song Go up to God so solemnly the dead may feel no wrong! The sweet Lenore hath “gone before,” with Hope, that flew beside, Leaving thee wild for the dear child that should have been thy bride— For her, the fair and debonair, that now so lowly lies, The life upon her yellow hair but not within her eyes— The life still there, upon her hair—the death upon her eyes. Avaunt! to-night my heart is light. No dirge will I upraise, But waft the angel on her flight with a Pæan of old days! Let no bell toll!—lest her sweet soul, amid its hallowed mirth, Should catch the note, as it doth float—up from the damnéd Earth. To friends above, from fiends below, the indignant ghost is riven— From Hell unto a high estate far up within the Heaven— From grief and groan, to a golden throne, beside the King of Heaven. CATHOLIC HYMN. AT morn—at noon—at twilight dim— Maria! thou hast heard my hymn! In joy and wo—in good and ill— Mother of God, be with me still! When the Hours flew brightly by, And not a cloud obscured the sky, My soul, lest it should truant be, Thy grace did guide to thine and thee; Now, when storms of Fate o'ercast Darkly my Present and my Past, Let my Future radiant shine With sweet hopes of thee and thine! ISRAFEL.*

* And the angel Israfel, whose heart-strings are a lute, and who has the sweetest voice of all God's creatures.—KORAN.

 IN Heaven a spirit doth dwell “Whose heart-strings are a lute;” None sing so wildly well As the angel Israfel, And the giddy stars (so legends tell) Ceasing their hymns, attend the spell Of his voice, all mute. Tottering above In her highest noon, The enamoured moon Blushes with love, While, to listen, the red levin (With the rapid Pleiads, even, Which were seven,) Pauses in Heaven. And they say (the starry choir And the other listening things) That Israfeli's fire Is owing to that lyre By which he sits and sings— The trembling living wire Of those unusual strings. But the skies that angel trod, Where deep thoughts are a duty— Where Love's a grown up God— Where the Houri glances are Imbued with all the beauty Which we worship in a star. Therefore, thou art not wrong, Israfeli, who despisest An unimpassioned song; To thee the laurels belong, Best bard, because the wisest! Merrily live, and long! The ecstasies above With thy burning measures suit— Thy grief, thy joy, thy hate, thy love, With the fervour of thy lute— Well may the stars be mute! Yes, Heaven is thine; but this Is a world of sweets and sours; Our flowers are merely—flowers, And the shadow of thy perfect bliss Is the sunshine of ours. If I could dwell Where Israfel Hath dwelt, and he where I, He might not sing so wildly well A mortal melody, While a bolder note than this might swell From my lyre within the sky. DREAM-LAND. BY a route obscure and lonely, Haunted by ill angels only, Where an Eidolon, named NIGHT, On a black throne reigns upright, I have reached these lands but newly From an ultimate dim Thule— From a wild weird clime that lieth, sublime, Out of SPACE—out of TIME. Bottomless vales and boundless floods, And chasms, and caves, and Titan woods, With forms that no man can discover For the dews that drip all over; Mountains toppling evermore Into seas without a shore; Seas that restlessly aspire, Surging, unto skies of fire; Lakes that endlessly outspread Their lone waters—lone and dead,— Their still waters—still and chilly With the snows of the lolling lily. By the lakes that thus outspread Their lone waters, lone and dead,— Their sad waters, sad and chilly With the snows of the lolling lily,— By the mountains—near the river Murmuring lowly, murmuring ever,— By the grey woods,—by the swamp Where the toad and the newt encamp,— By the dismal tarns and pools Where dwell the Ghouls,— By each spot the most unholy— In each nook most melancholy,— There the traveller meets aghast Sheeted Memories of the Past— Shrouded forms that start and sigh As they pass the wanderer by— White-robed forms of friends long given, In agony, to the Earth—and Heaven. For the heart whose woes are legion 'Tis a peaceful, soothing region— For the spirit that walks in shadow 'Tis—oh 'tis an Eldorado! But the traveller, travelling through it, May not—dare not openly view it; Never its mysteries are exposed To the weak human eye unclosed; So wills its King, who hath forbid The uplifting of the fringed lid; And thus the sad Soul that here passes Beholds it but through darkened glasses. By a route obscure and lonely, Haunted by ill angels only, Where an Eidolon, named NIGHT, On a black throne reigns upright, I have wandered home but newly From this ultimate dim Thule. SONNET—TO ZANTE. FAIR, isle, that from the fairest of all flowers, Thy gentlest of all gentle names dost take! How many memories of what radiant hours At sight of thee and thine at once awake! How many scenes of what departed bliss! How many thoughts of what entombéd hopes! How many visions of a maiden that is No more—no more upon thy verdant slopes! No more! alas, that magical sad sound Transforming all! Thy charms shall please no more— Thy memory no more! Accurséd ground Henceforth I hold thy flower-enamelled shore, O hyacinthine isle! O purple Zante! “Isola d'oro! Fior di Levante!” THE CITY IN THE SEA. Lo! Death has reared himself a throne In a strange city lying alone Far down within the dim West, Where the good and the bad and the worst and the best Have gone to their eternal rest. There shrines and palaces and towers (Time-eaten towers that tremble not!) Resemble nothing that is ours. Around, by lifting winds forgot, Resignedly beneath the sky The melancholy waters lie. No rays from the holy heaven come down On the long night-time of that town; But light from out the lurid sea Streams up the turrets silently— Gleams up the pinnacles far and free— Up domes—up spires—up kingly halls— Up fanes—up Babylon-like walls— Up shadowy long-forgotten bowers Of sculptured ivy and stone flowers— Up many and many a marvellous shrine Whose wreathéd friezes intertwine The viol, the violet, and the vine. Resignedly beneath the sky The melancholy waters lie. So blend the turrets and shadows there That all seem pendulous in air, While from a proud tower in the town Death looks gigantically down. There open fanes and gaping graves Yawn level with the luminous waves; But not the riches there that lie In each idol's diamond eye— Not the gaily-jewelled dead Tempt the waters from their bed; For no ripples curl, alas! Along that wilderness of glass— No swellings tell that winds may be Upon some far-off happier sea— No heavings hint that winds have been On seas less hideously serene. But lo, a stir is in the air! The wave—there is a movement there! As if the towers had thrust aside, In slightly sinking, the dull tide— As if their tops had feebly given A void within the filmy Heaven. The waves have now a redder glow— The hours are breathing faint and low— And when, amid no earthly moans, Down, down that town shall settle hence. Hell, rising from a thousand thrones, Shall do it reverence. TO ONE IN PARADISE. THOU wast all that to me, love, For which my soul did pine— A green isle in the sea, love, A fountain and a shrine, All wreathed with fairy fruits and flowers, And all the flowers were mine. Ah, dream too bright to last! Ah, starry Hope! that didst arise But to be overcast! A voice from out the Future cries, “On! on!”—but o'er the Past (Dim gulf!) my spirit hovering lies Mute, motionless, aghast! For, alas! alas! with me The light of Life is o'er! No more—no more—no more— (Such language holds the solemn sea To the sands upon the shore) Shall bloom the thunder-blasted tree, Or the stricken eagle soar! And all my days are trances, And all my nightly dreams Are where thy dark eye glances, And where thy footstep gleams— In what ethereal dances, By what eternal streams. EULALIE—A SONG. I DWELT alone In a world of moan, And my soul was a stagnant tide, Till the fair and gentle Eulalie became my blushing bride— Till the yellow-haired young Eulalie became my smiling bride. Ah, less—less bright The stars of the night Than the eyes of the radiant girl! And never a flake That the vapour can make With the moon-tints of purple and pearl, Can vie with the modest Eulalie's most unregarded curl— Can compare with the bright-eyed Eulalie's most humble and careless curl. Now Doubt—now Pain Come never again, For her soul gives me sigh for sigh, And all day long Shines, bright and strong, Astarté within the sky, While ever to her dear Eulalie upturns her matron eye— While ever to her young Eulalie upturns her violet eye. To F—s S. O——d. THOU wouldst be loved?—then let thy heart From its present pathway part not! Being everything which now thou art, Be nothing which thou art not. So with the world thy gentle ways, Thy grace, thy more than beauty, Shall be an endless theme of praise, And love—a simple duty. To F—. BELOVED! amid the earnest woes That crowd around my earthly path— (Drear path, alas! where grows Not even one lonely rose)— My soul at least a solace hath In dreams of thee, and therein knows An Eden of bland repose. And thus thy memory is to me Like some enchanted far-off isle In some tumultuous sea— Some ocean throbbing far and free With storms—but where meanwhile Serenest skies continually Just o'er that one bright island smile. SONNET—SILENCE. THERE are some qualities—some incorporate things, That have a double life, which thus is made A type of that twin entity which springs From matter and light, evinced in solid and shade. There is a two-fold Silence—sea and shore— Body and soul. One dwells in lonely places, Newly with grass o'ergrown; some solemn graces, Some human memories and tearful lore, Render him terrorless: his name's “No More.” He is the corporate Silence: dread him not! No power hath he of evil in himself; But should some urgent fate (untimely lot!) Bring thee to meet his shadow (nameless elf, That haunteth the lone regions where hath trod No foot of man,) commend thyself to God! THE CONQUEROR WORM. Lo! 'tis a gala night Within the lonesome latter years! An angel throng, bewinged, bedight In veils, and drowned in tears, Sit in a theatre, to see A play of hopes and fears, While the orchestra breathes fitfully The music of the spheres. Mimes, in the form of God on high, Mutter and mumble low, And hither and thither fly— Mere puppets they, who come and go At bidding of vast formless things That shift the scenery to and fro, Flapping from out their Condor wings Invisible Wo! That motley drama—oh, be sure It shall not be forgot! With its Phantom chased for evermore, By a crowd that seize it not, Through a circle that ever returneth in To the self-same spot, And much of Madness, and more of Sin, And Horror the soul of the plot. But see, amid the mimic rout A crawling shape intrude! A blood-red thing that writhes from out The scenic solitude! It writhes!—it writhes!—with mortal pangs The mimes become its food, And the angels sob at vermin fangs In human gore imbued. Out—out are the lights—out all! And, over each quivering form, The curtain, a funeral pall, Comes down with the rush of a storm, And the angels, all pallid and wan, Uprising, unveiling, affirm That the play is the tragedy, “Man,” And its hero the Conqueror Worm. THE HAUNTED PALACE. IN the greenest of our valleys By good angels tenanted, Once a fair and stately palace— Radiant palace—reared its head. In the monarch Thought's dominion— It stood there! Never seraph spread a pinion Over fabric half so fair! Banners yellow, glorious, golden, On its roof did float and flow, (This—all this—was in the olden Time long ago,) And every gentle air that dallied, In that sweet day, Along the ramparts plumed and pallid, A wingéd odour went away. Wanderers in that happy valley, Through two luminous windows, saw Spirits moving musically, To a lute's well-tunéd law, Round about a throne where, sitting (Porphyrogene!) In state his glory well befitting, The ruler of the realm was seen. And all with pearl and ruby glowing Was the fair palace door, Through which came flowing, flowing, flowing, And sparkling evermore, A troop of Echoes, whose sweet duty Was but to sing, In voices of surpassing beauty, The wit and wisdom of their king. But evil things, in robes of sorrow, Assailed the monarch's high estate. (Ah, let us mourn!—for never sorrow Shall dawn upon him desolate!) And round about his home the glory That blushed and bloomed, Is but a dim-remembered story Of the old time entombed. And travellers, now, within that valley, Through the red-litten windows see Vast forms, that move fantastically To a discordant melody, While, like a ghastly rapid river, Through the pale door A hideous throng rush out forever And laugh—but smile no more. SCENES FROM “POLITIAN;” AN UNPUBLISHED DRAMA. I. ROME.—A Hall in a Palace. Alessandra and Castiglione. Alessandra. Thou art sad, Castiglione. Castiglione. Sad!—not I. Oh, I'm the happiest, happiest man in Rome! A few days more, thou knowest, my Alessandra, Will make thee mine. Oh, I am very happy! Aless. Methinks thou hast a singular way of showing Thy happiness!—what ails thee, cousin of mine? Why didst thou sigh so deeply? Cas. Did I sigh? I was not conscious of it. It is a fashion, A silly—a most silly fashion I have When I am very happy. Did I sigh? (sighing.) Aless. Thou didst. Thou art not well. Thou hast indulged Too much of late, and I am vexed to see it. Late hours and wine, Castiglione,—these Will ruin thee! thou art already altered— Thy looks are haggard—nothing so wears away The constitution as late hours and wine. Cas. (musing.) Nothing, fair cousin, nothing—not even deep sorrow— Wears it away like evil hours and wine. I will amend. Aless. Do it! I would have thee drop Thy riotous company, too—fellows low born— Ill suit the like with old Di Broglio's heir And Alessandra's husband. Cas. I will drop them. Aless. Thou wilt—thou must. Attend thou also more To thy dress and equipage—they are over plain For thy lofty rank and fashion—much depends Upon appearances. Cas. I'll see to it. Aless. Then see to it!—pay more attention, sir, To a becoming carriage—much thou wantest In dignity. Cas. Much, much, oh much I want In proper dignity. Aless. (haughtily.) Thou mockest me, sir! Cas. (abstractedly.) Sweet, gentle Lalage! Aless. Heard I aright? I speak to him—he speaks of Lalage! Sir Count! (places her hand on his shoulder) what art thou dreaming? he's not well! What ails thee, sir? Cas. (starting.) Cousin! fair cousin!—madam! I crave thy pardon—indeed I am not well— Your hand from off my shoulder, if you please. This air is most oppressive!—Madam—the Duke! Enter Di Broglio. Di Broglio. My son, I've news for thee!—hey?—what's the matter? (observing Alessandra.) I' the pouts? Kiss her, Castiglione! kiss her, You dog! and make it up, I say, this minute! I've news for you both. Politian is expected Hourly in Rome—Politian, Earl of Leicester! We'll have him at the wedding. 'Tis his first visit To the imperial city. Aless. What! Politian Of Britain, Earl of Leicester? Di Brog. The same, my love. We'll have him at the wedding. A man quite young In years, but grey in fame. I have not seen him, But Rumour speaks of him as of a prodigy Pre-eminent in arts and arms, and wealth, And high descent. We'll have him at the wedding. Aless. I have heard much of this Politian. Gay, volatile and giddy—is he not? And little given to thinking. Di Brog. Far from it, love. No branch, they say, of all philosophy So deep abstruse he has not mastered it. Learned as few are learned. Aless. 'Tis very strange! I have known men have seen Politian And sought his company. They speak of him As of one who entered madly into life, Drinking the cup of pleasure to the dregs. Cas. Ridiculous! Now I have seen Politian And know him well—nor learned nor mirthful he. He is a dreamer and a man shut out From common passions. Di Brog. Children, we disagree. Let us go forth and taste the fragrant air Of the garden. Did I dream, or did I hear Politian was a melancholy man? (exeunt.) II. ROME. A Lady's apartment, with a window open and looking into a garden. Lalage, in deep mourning, reading at a table on which lie some books and a hand mirror. In the back ground Jacinta (a servant maid) leans carelessly upon a chair. Lal. Jacinta! is it thou? Jac. (pertly.) Yes, Ma'am, I'm here. Lal. I did not know, Jacinta, you were in waiting. Sit down!—let not my presence trouble you— Sit down!—for I am humble, most humble. Jac. (aside.) 'Tis time. (Jacinta seats herself in a side-long manner upon the chair, resting her elbows upon the back, and regarding her mistress with a contemptuous look. Lalage continues to read. Lal. “It in another climate, so he said, “Bore a bright golden flower, but not i' this soil!” (pauses—turns over some leaves, and resumes.) “No lingering winters there, nor snow, nor shower— But Ocean ever to refresh mankind Breathes the shrill spirit of the western wind.” Oh, beautiful!—most beautiful!—how like To what my fevered soul doth dream of Heaven! O happy land! (pauses.) She died!—the maiden died! O still more happy maiden who couldst die! Jacinta! (Jacinta returns no answer, and Lalage presently resumes.) Again!—a similar tale Told of a beauteous dame beyond the sea! Thus speaketh one Ferdinand in the words of the play— “She died full young”—one Bossola answers him— “I think not so—her infelicity “Seemed to have years too many”—Ah luckless lady! Jacinta! (still no answer.) Here's a far sterner story But like—oh, very like in its despair— Of that Egyptian queen, winning so easily A thousand hearts—losing at length her own. She died. Thus endeth the history—and her maids Lean over her and weep—two gentle maids With gentle names—Eiros and Charmion! Rainbow and Dove!—Jacinta! Jac. (pettishly.) Madam, what is it? Lal. Wilt thou, my good Jacinta, be so kind As go down in the library and bring me The Holy Evangelists. Jac. Pshaw! (exit.) Lal. If there be balm For the wounded spirit in Gilead it is there! Dew in the night time of my bitter trouble Will there be found—“dew sweeter far than that Which hangs like chains of pearl on Hermon hill.” (re-enter Jacinta, and throws a volume on the table.) There, ma'am, 's the book. Indeed she is very troublesome. (aside.) Lal. (astonished.) What didst thou say, Jacinta? Have I done aught To grieve thee or to vex thee?—I am sorry. For thou hast served me long and ever been Trust-worthy and respectful. (resumes her reading.) Jac. I can't believe She has any more jewels—no—no—she gave me all. (aside.) Lal. What didst thou say, Jacinta? Now I bethink me Thou hast not spoken lately of thy wedding. How fares good Ugo?—and when is it to be? Can I do aught?—is there no farther aid Thou needest, Jacinta? Jac. Is there no farther aid! That's meant for me. (aside) I'm sure, Madam, you need not Be always throwing those jewels in my teeth. Lal. Jewels! Jacinta,—now indeed, Jacinta, I thought not of the jewels. Jac. Oh! perhaps not! But then I might have sworn it. After all, There's Ugo says the ring is only paste, For he's sure the Count Castiglione never Would have given a real diamond to such as you; And at the best I'm certain, Madam, you cannot Have use for jewels now. But I might have sworn it. (exit.) (Lalage bursts into tears and leans her head upon the table—after a short pause raises it.) Lal. Poor Lalage!—and is it come to this? Thy servant maid!—but courage!—'tis but a viper Whom thou hast cherished to sting thee to the soul! (taking up the mirror.) Ha! here at least's a friend—too much a friend In earlier days—a friend will not deceive thee. Fair mirror and true! now tell me (for thou canst) A tale—a pretty tale—and heed thou not Though it be rife with woe. It answers me. It speaks of sunken eyes, and wasted cheeks, And Beauty long deceased—remembers me Of Joy departed—Hope, the Seraph Hope, Inurned and entombed!—now, in a tone Low, sad, and solemn, but most audible, Whispers of early grave untimely yawning For ruined maid. Fair mirror and true!—thou liest not! Thou hast no end to gain—no heart to break— Castiglione lied who said he loved— Thou true—he false!—false!—false! (while she speaks, a monk enters her apartment, and approaches unobserved.) Monk. Refuge thou hast, Sweet daughter! in Heaven. Think of eternal things! Give up thy soul to penitence, and pray! Lal. (arising hurriedly.) I cannot pray!—My soul is at war with God! The frightful sounds of merriment below Disturb my senses—go! I cannot pray— The sweet airs from the garden worry me! Thy presence grieves me—go!—thy priestly raiment Fills me with dread—thy ebony crucifix With horror and awe! Monk. Think of thy precious soul! Lal. Think of my early days!—think of my father And mother in Heaven! think of our quiet home, And the rivulet that ran before the door! Think of my little sisters!—think of them! And think of me!—think of my trusting love And confidence—his vows—my ruin—think—think Of my unspeakable misery!—begone! Yet stay! yet stay!—what was it thou saidst of prayer And penitence? Didst thou not speak of faith And vows before the throne? Monk. I did. Lal. 'Tis well. There is a vow were fitting should be made— A sacred vow, imperative, and urgent, A solemn vow! Monk. Daughter, this zeal is well! Lal. Father, this zeal is anything but well! Hast thou a crucifix fit for this thing? A crucifix whereon to register This sacred vow? (he hands her his own.) Not that—Oh! no!—no!—no! (shuddering.) Not that! Not that!—I tell thee, holy man, Thy raiments and thy ebony cross affright me! Stand back! I have a crucifix myself,— I have a crucifix! Methinks 'twere fitting The deed—the vow—the symbol of the deed— And the deed's register should tally, father! (draws a cross-handled dagger and raises it on high.) Behold the cross wherewith a vow like mine Is written in Heaven! Monk. Thy words are madness, daughter, And speak a purpose unholy—thy lips are livid— Thine eyes are wild—tempt not the wrath divine! Pause ere too late!—oh be not—be not rash! Swear not the oath—oh swear it not! Lal. 'Tis sworn! III. An apartment in a palace. Politian and Baldazzar. Baldazzar. —Arouse thee now, Politian! Thou must not—nay indeed, indeed, thou shalt not Give way unto these humours. Be thyself! Shake off the idle fancies that beset thee, And live, for now thou diest! Politian. Not so, Baldazzar! Surely I live. Bal. Politian, it doth grieve me To see thee thus. Pol. Baldazzar, it doth grieve me To give thee cause for grief, my honoured friend. Command me, sir! what wouldst thou have me do? At thy behest I will shake off that nature Which from my forefathers I did inherit, Which with my mother's milk I did imbibe, And be no more Politian, but some other. Command me, sir! Bal. To the field then—to the field— To the senate or the field. Pol. Alas! alas! There is an imp would follow me even there! There is an imp hath followed me even there! There is—what voice was that? Bal. I heard it not. I heard not any voice except thine own, And the echo of thine own. Pol. Then I but dreamed. Bal. Give not thy soul to dreams: the camp—the court Befit thee—Fame awaits thee—Glory calls— And her the trumpet-tongued thou wilt not hear In hearkening to imaginary sounds And phantom voices. Pol. It is a phantom voice! Didst thou not hear it then? Bal. I heard it not. Pol. Thou heardst it not!—Baldazzar, speak no more To me, Politian, of thy camps and courts. Oh! I am sick, sick, sick, even unto death, Of the hollow and high-sounding vanities Of the populous Earth! Bear with me yet awhile! We have been boys together—school-fellows— And now are friends—yet shall not be so long— For in the eternal city thou shalt do me A kind and gentle office, and a Power— A Power august, benignant and supreme— Shall then absolve thee of all farther duties Unto thy friend. Bal. Thou speakest a fearful riddle I will not understand. Pol. Yet now as Fate Approaches, and the Hours are breathing low, The sands of Time are changed to golden grains, And dazzle me, Baldazzar. Alas! alas! I cannot die, having within my heart So keen a relish for the beautiful As hath been kindled within it. Methinks the air Is balmier now than it was wont to be— Rich melodies are floating in the winds— A rarer loveliness bedecks the earth— And with a holier lustre the quiet moon Sitteth in Heaven.—Hist! hist! thou canst not say Thou hearest not now, Baldazzar? Bal. Indeed I hear not. Pol. Not hear it!—listen now—listen!—the faintest sound And yet the sweetest that ear ever heard! A lady's voice!—and sorrow in the tone! Baldazzar, it oppresses me like a spell! Again!—again!—how solemnly it falls Into my heart of hearts! that eloquent voice Surely I never heard—yet it were well Had I but heard it with its thrilling tones In earlier days! Bal. I myself hear it now. Be still!—the voice, if I mistake not greatly, Proceeds from yonder lattice—which you may see Very plainly through the window—it belongs, Does it not? unto this palace of the Duke. The singer is undoubtedly beneath The roof of his Excellency—and perhaps Is even that Alessandra of whom he spoke As the betrothed of Castiglione, His son and heir. Pol. Be still!—it comes again! Voice (very faintly.) “And is thy heart so strong As for to leave me thus Who hath loved thee so long In wealth and wo among? And is thy heart so strong As for to leave me thus? Say nay—say nay!” Bal. The song is English, and I oft have heard it In merry England—never so plaintively— Hist! hist! it comes again! Voice (more loudly.) “Is it so strong As for to leave me thus Who hath loved thee so long In wealth and wo among? And is thy heart so strong As for to leave me thus? Say nay—say nay!” Bal. 'Tis hushed and all is still! Pol. All is not still. Bal. Let us go down. Pol. Go down, Baldazzar, go! Bal. The hour is growing late—the Duke awaits us,— Thy presence is expected in the hall Below. What ails thee, Earl Politian? Voice (distinctly.) “Who hath loved thee so long, In wealth and wo among, And is thy heart so strong? Say nay—say nay!” Bal. Let us descend!—'tis time. Politian, give These fancies to the wind. Remember, pray, Your bearing lately savoured much of rudeness Unto the Duke. Arouse thee! and remember! Pol. Remember? I do. Lead on! I do remember. (going.) Let us descend. Believe me I would give, Freely would give the broad lands of my earldom To look upon the face hidden by yon lattice— “To gaze upon that veiled face, and hear Once more that silent tongue.” Bal. Let me beg you, sir, Descend with me—the Duke may be offended. Let us go down, I pray you. (Voice loudly.) Say nay!—say nay! Pol. (aside.) 'Tis strange!—'tis very strange—methought the voice Chimed in with my desires and bade me stay! (approaching the window.) Sweet voice! I heed thee, and will surely stay. Now be this Fancy, by Heaven, or be it Fate, Still will I not descend. Baldazzar, make Apology unto the Duke for me; I go not down to-night. Bal. Your lordship's pleasure Shall be attended to. Good night, Politian. Pol. Good night, my friend, good night. IV. The gardens of a palace—Moonlight. Lalage and Politian. Lalage. And dost thou speak of love To me, Politian?—dost thou speak of love To Lalage?—ah wo—ah wo is me! This mockery is most cruel—most cruel indeed! Politian. Weep not! oh, sob not thus!—thy bitter tears Will madden me. Oh mourn not, Lalage— Be comforted! I know—I know it all, And still I speak of love. Look at me, brightest, And beautiful Lalage!—turn here thine eyes! Thou askest me if I could speak of love, Knowing what I know, and seeing what I have seen. Thou askest me that—and thus I answer thee— Thus on my bended knee I answer thee. (kneeling.) Sweet Lalage, I love thee—love thee—love thee; Thro' good and ill—thro' weal and wo I love thee. Not mother, with her first born on her knee, Thrills with intenser love than I for thee. Not on God's altar, in any time or clime, Burned there a holier fire than burneth now Within my spirit for thee. And do I love? (arising.) Even for thy woes I love thee—even for thy woes— Thy beauty and thy woes. Lal. Alas, proud Earl, Thou dost forget thyself, remembering me! How, in thy father's halls, among the maidens Pure and reproachless of thy princely line, Could the dishonoured Lalage abide? Thy wife, and with a tainted memory— My seared and blighted name, how would it tally With the ancestral honours of thy house, And with thy glory? Pol. Speak not to me of glory! I hate—I loathe the name; I do abhor The unsatisfactory and ideal thing. Art thou not Lalage and I Politian? Do I not love—art thou not beautiful— What need we more? Ha! glory!—now speak not of it! By all I hold most sacred and most solemn— By all my wishes now—my fears hereafter— By all I scorn on earth and hope in heaven— There is no deed I would more glory in, Than in thy cause to scoff at this same glory And trample it under foot. What matters it— What matters it, my fairest, and my best, That we go down unhonoured and forgotten Into the dust—so we descend together. Descend together—and then—and then perchance— Lal. Why dost thou pause, Politian? Pol. And then perchance Arise together, Lalage, and roam The starry and quiet dwellings of the blest, And still— Lal. Why dost thou pause, Politian? Pol. And still together—together. Lal. Now Earl of Leicester! Thou lovest me, and in my heart of hearts I feel thou lovest me truly. Pol. Oh, Lalage! (throwing himself upon his knee.) And lovest thou me? Lal. Hist! hush! within the gloom Of yonder trees methought a figure past— A spectral figure, solemn, and slow, and noiseless— Like the grim shadow Conscience, solemn and noiseless. (walks across and returns.) I was mistaken—'twas but a giant bough Stirred by the autumn wind. Politian! Pol. My Lalage—my love! why art thou moved? Why dost thou turn so pale? Not Conscience' self, Far less a shadow which thou likenest to it, Should shake the firm spirit thus. But the night wind Is chilly—and these melancholy boughs Throw over all things a gloom. Lal. Politian! Thou speakest to me of love. Knowest thou the land With which all tongues are busy—a land new found— Miraculously found by one of Genoa— A thousand leagues within the golden west? A fairy land of flowers, and fruit, and sunshine, And crystal lakes, and over-arching forests, And mountains, around whose towering summits the winds Of Heaven untrammelled flow—which air to breathe Is Happiness now, and will be Freedom hereafter In days that are to come? Pol. O, wilt thou—wilt thou Fly to that Paradise—my Lalage, wilt thou Fly thither with me? There Care shall be forgotten, And Sorrow shall be no more, and Eros be all. And life shall then be mine, for I will live For thee, and in thine eyes—and thou shalt be No more a mourner—but the radiant Joys Shall wait upon thee, and the angel Hope Attend thee ever; and I will kneel to thee And worship thee, and call thee my beloved, My own, my beautiful, my love, my wife, My all;—oh, wilt thou—wilt thou, Lalage, Fly thither with me? Lal. A need is to be done— Castiglione lives! Pol. And he shall die! (exit.) Lal. (after a pause.) And—he—shall—die!—alas! Castiglione die? Who spoke the words? Where am I?—what was it he said?—Politian! Thou art not gone—thou art not gone, Politian! I feel thou art not gone—yet dare not look, Lest I behold thee not; thou couldst not go With those words upon thy lips—O, speak to me! And let me hear thy voice—one word—one word, To say thou art not gone,—one little sentence, To say how thou dost scorn—how thou dost hate My womanly weakness. Ha! ha! thou art not gone— O speak to me! I knew thou wouldst not go! I knew thou wouldst not, couldst not, durst not go. Villain, thou art not gone—thou mockest me! And thus I clutch thee—thus!—He is gone, he is gone— Gone—gone. Where am I?—'tis well—'tis very well! So that the blade be keen—the blow be sure, 'Tis well, 'tis very well—alas! alas! (exit.) V. The suburbs. Politian alone. Politian. This weakness grows upon me. I am faint, And much I fear me ill—it will not do To die ere I have lived!—Stay—stay thy hand, O Azrael, yet awhile!—Prince of the Powers Of Darkness and the Tomb, O pity me! O pity me! let me not perish now, In the budding of my Paradisal Hope! Give me to live yet—yet a little while: 'Tis I who pray for life—I who so late Demanded but to die!—what sayeth the Count? Enter Baldazzar. Baldazzar. That knowing no cause of quarrel or of feud Between the Earl Politian and himself, He doth decline your cartel. Pol. What didst thou say? What answer was it you brought me, good Baldazzar? With what excessive fragrance the zephyr comes Laden from yonder bowers!—a fairer day, Or one more worthy Italy, methinks No mortal eyes have seen!—what said the Count? Bal. That he, Castiglione, not being aware Of any feud existing, or any cause Of quarrel between your lordship and himself Cannot accept the challenge. Pol. It is most true— All this is very true. When saw you, sir, When saw you now, Baldazzar, in the frigid Ungenial Britain which we left so lately, A heaven so calm as this—so utterly free From the evil taint of clouds?—and he did say? Bal. No more, my lord, than I have told you, sir: The Count Castiglione will not fight, Having no cause for quarrel. Pol. Now this is true— All very true. Thou art my friend, Baldazzar, And I have not forgotten it—thou'lt do me A piece of service; wilt thou go back and say Unto this man, that I, the Earl of Leicester, Hold him a villain?—thus much, I prythee, say Unto the Count—it is exceeding just He should have cause for quarrel. Bal. My lord!—my friend!— Pol. (aside.) 'Tis he—he comes himself! (aloud.) thou reasonest well. I know what thou wouldst say—not send the message— Well!—I will think of it—I will not send it. Now prythee, leave me—hither doth come a person With whom affairs of a most private nature I would adjust. Bal. I go—to-morrow we meet, Do we not?—at the Vatican. Pol. At the Vatican. (exit Bal.) Enter Castiglione. Cas. The Earl of Leicester here! Pol. I am the Earl of Leicester, and thou seest, Dost thou not? that I am here. Cas. My lord, some strange, Some singular mistake—misunderstanding— Hath without doubt arisen: thou hast been urged Thereby, in heat of anger, to address Some words most unaccountable, in writing, To me, Castiglione; the bearer being Baldazzar, Duke of Surrey. I am aware Of nothing which might warrant thee in this thing, Having given thee no offence. Ha!—am I right? 'Twas a mistake?—undoubtedly—we all Do err at times. Pol. Draw, villain, and prate no more! Cas. Ha!—draw?—and villain? have at thee then at once, Proud Earl! (draws.) Pol. (drawing.) Thus to the expiatory tomb, Untimely sepulchre, I do devote thee In the name of Lalage! Cas. (letting fall his sword and recoiling to the extremity of the stage.) Of Lalage! Hold off—thy sacred hand!—avaunt I say! Avaunt—I will not fight thee—indeed I dare not. Pol. Thou wilt not fight with me didst say, Sir Count? Shall I be baffled thus?—now this is well; Didst say thou darest not? Ha! Cas. I dare not—dare not— Hold off thy hand—with that beloved name So fresh upon thy lips I will not fight thee— I cannot—dare not. Pol. Now by my halidom I do believe thee!—coward, I do believe thee! Cas. Ha!—coward!—this may not be! (clutches his sword and staggers towards Politian, but his purpose is changed before reaching him, and he falls upon his knee at the feet of the Earl.) Alas! my lord, It is—it is—most true. In such a cause I am the veriest coward. O pity me! Pol. (greatly softened.) Alas!—I do—indeed I pity thee. Cas. And Lalage—— Pol. Scoundrel!—arise and die! Cas. It needeth not be—thus—thus—O let me die Thus on my bended knee. It were most fitting That in this deep humiliation I perish. For in the fight I will not raise a hand Against thee, Earl of Leicester. Strike thou home— (baring his bosom.) Here is no let or hindrance to thy weapon— Strike home. I will not fight thee. Pol. Now s'Death and Hell! Am I not—am I not sorely—grievously tempted To take thee at thy word? But mark me, sir! Think not to fly me thus. Do thou prepare For public insult in the streets—before The eyes of the citizens. I'll follow thee— Like an avenging spirit I'll follow thee Even unto death. Before those whom thou lovest— Before all Rome I'll taunt thee, villain,—I'll taunt thee, Dost hear? with cowardice—thou wilt not fight me? Thou liest! thou shalt! (exit.) Cas. Now this indeed is just! Most righteous, and most just, avenging Heaven! POEMS WRITTEN IN YOUTH. POEMS WRITTEN IN YOUTH.*

* Private reasons—some of which have reference to the sin of plagiarism, and others to the date of Tennyson's first poems—have induced me, after some hesitation, to re-publish these, the crude compositions of my earliest boyhood. They are printed verbatim—without alteration from the original edition—the date of which is too remote to be judiciously acknowledged.

E. A. P. SONNET—TO SCIENCE. SCIENCE! true daughter of Old Time thou art! Who alterest all things with thy peering eyes. Why preyest thou thus upon the poet's heart, Vulture, whose wings are dull realities? How should he love thee? or how deem thee wise, Who wouldst not leave him in his wandering To seek for treasure in the jewelled skies, Albeit he soared with an undaunted wing? Hast thou not dragged Diana from her car? And driven the Hamadryad from the wood To seek a shelter in some happier star? Hast thou not torn the Naiad from her flood, The Elfin from the green grass, and from me The summer dream beneath the tamarind tree? AL AARAAF.*

* A star was discovered by Tycho Brahe which appeared suddenly in the heavens—attained, in a few days, a brilliancy surpassing that of Jupiter—then as suddenly disappeared, and has never been seen since.

 PART I. O! NOTHING earthly save the ray (Thrown back from flowers) of Beauty's eye, As in those gardens where the day Springs from the gems of Circassy— O! nothing earthly save the thrill Of melody in woodland rill— Or (music of the passion-hearted) Joy's voice so peacefully departed That like the murmur in the shell, Its echo dwelleth and will dwell— Oh, nothing of the dross of ours— Yet all the beauty—all the flowers That list our Love, and deck our bowers— Adorn yon world afar, afar— The wandering star. 'Twas a sweet time for Nesace—for there Her world lay lolling on the golden air, Near four bright suns—a temporary rest— An oasis in desert of the blest. Away—away—'mid seas of rays that roll Empyrean splendor o'er th' unchained soul— The soul that scarce (the billows are so dense) Can struggle to its destin'd eminence— To distant spheres, from time to time, she rode, And late to ours, the favour'd one of God— But, now, the ruler of an anchor'd realm, She throws aside the sceptre—leaves the helm, And, amid incense and high spiritual hymns, Laves in quadruple light her angel limbs. Now happiest, loveliest in yon lovely Earth, Whence sprang the “Idea of Beauty” into birth, (Falling in wreaths thro' many a startled star, Like woman's hair 'mid pearls, until, afar, It lit on hills Achaian, and there dwelt) She look'd into Infinity—and knelt. Rich clouds, for canopies, about her curled— Fit emblems of the model of her world— Seen but in beauty—not impeding sight Of other beauty glittering thro' the light— A wreath that twined each starry form around, And all the opal'd air in color bound. All hurriedly she knelt upon a bed Of flowers: of lilies such as rear'd the head *On the fair Capo Deucato, and sprang

* On Santa Maura—olim Deucadia.

 So eagerly around about to hang Upon the flying footsteps of—deep pride— **Of her who lov'd a mortal—and so died.

** Sappho.

 The Sephalica, budding with young bees, Uprear'd its purple stem around her knees: *And gemmy flower, of Trebizond misnam'd—

* This flower is much noticed by Lewenhoeck and Tournefort. The bee, feeding upon its blossom, becomes intoxicated.

 Inmate of highest stars, where erst it sham'd All other loveliness: its honied dew (The fabled nectar that the heathen knew) Deliriously sweet, was dropp'd from Heaven, And fell on gardens of the unforgiven In Trebizond—and on a sunny flower So like its own above that, to this hour, It still remaineth, torturing the bee With madness, and unwonted reverie: In Heaven, and all its environs, the leaf And blossom of the fairy plant, in grief Disconsolate linger—grief that hangs her head, Repenting follies that full long have fled, Heaving her white breast to the balmy air, Like guilty beauty, chasten'd, and more fair: Nyctanthes too, as sacred as the light She fears to perfume, perfuming the night: **And Clytia pondering between many a sun,

** Clytia—The Chrysanthemum Peruvianum, or, to employ a better-known term, the turnsol—which turns continually towards the sun, covers itself, like Peru, the country from which it comes, with dewy clouds which cool and refresh its flowers during the most violent heat of the day.—B. de St. Pierre.

 While pettish tears adown her petals run: ***And that aspiring flower that sprang on Earth—

*** There is cultivated in the king's garden at Paris, a species of serpentine aloes without prickles, whose large and beautiful flower exhales a strong odour of the vanilla, during the time of its expansion, which is very short. It does not blow till towards the month of July—you then perceive it gradually open its petals—expand them—fade and die.—St. Pierre.

 And died, ere scarce exalted into birth, Bursting its odorous heart in spirit to wing Its way to Heaven, from garden of a king: *And Valisnerian lotus thither flown

* There is found, in the Rhone, a beautiful lily of the Valisnerian kind. Its stem will stretch to the length of three or four feet—thus preserving its head above water in the swellings of the river.

 From struggling with the waters of the Rhone: **And thy most lovely purple perfume, Zante!

** The Hyacinth.

 Isola d'oro!—Fior di Levante! ***And the Nelumbo bud that floats for ever

*** It is a fiction of the Indians, that Cupid was first seen floating in one of these down the river Ganges—and that he still loves the cradle of his childhood.

 With Indian Cupid down the holy river— Fair flowers, and fairy! to whose care is given ****To bear the Goddess' song, in odors, up to Heaven:

****And golden vials full of odors which are the prayers of the saints.—Rev St. John.

 “Spirit! that dwellest where, In the deep sky, The terrible and fair, In beauty vie! Beyond the line of blue— The boundary of the star Which turneth at the view Of thy barrier and thy bar— Of the barrier overgone By the comets who were cast From their pride, and from their throne To be drudges till the last— To be carriers of fire (The red fire of their heart) With speed that may not tire And with pain that shall not part— Who livest—that we know— In Eternity—we feel— But the shadow of whose brow What spirit shall reveal? Tho' the beings whom thy Nesace, Thy messenger hath known Have dream'd for thy Infinity *A model of their own—

* The Humanitarians held that God was to be understood as having really a human form.—Vide Clarke's Sermons, vol. 1, page 26, fol. edit.

The drift of Milton's argument, leads him to employ language which would appear, at first sight, to verge upon their doctrine; but it will be seen immediately, that he guards himself against the charge of having adopted one of the most ignorant errors of the dark ages of the church.—Dr. Sumner's Notes on Milton's Christian Doctrine.

This opinion, in spite of many testimonies to the contrary, could never have been very general. Andeus, a Syrian of Mesopotamia, was condemned for the opinion, as heretical. He lived in the beginning of the fourth century. His disciples were called Anthropmorphites.—Vide Du Pin.

Among Milton's minor poems are these lines:—

Dicite sacrorum præsides nemorum Deæ, &c.Quis ille primus eujus ex imagineNatura solers finxit humanum genus?Eternus, incorruptus, æquævus polo,Unusque et universus exemplar Dei.—And afterwards,Non cui profundum Cæcitas lumen deditDircæus augur vidit hunc alto sinu, &c. Thy will is done, Oh, God! The star hath ridden high Thro' many a tempest, but she rode Beneath thy burning eye; And here, in thought, to thee— In thought that can alone Ascend thy empire and so be A partner of thy throne— *By winged Fantasy, * Seltsamen Tochter JovisSeinem SchosskindeDer Phantasie.—Göethe. My embassy is given, Till secrecy shall knowledge be In the environs of Heaven.” She ceas'd—and buried then her burning cheek Abash'd, amid the lilies there, to seek A shelter from the fervour of His eye; For the stars trembled at the Deity. She stirr'd not—breath'd not—for a voice was there How solemnly pervading the calm air! A sound of silence on the startled ear Which dreamy poets name “the music of the sphere.” Ours is a world of words: Quiet we call “Silence”—which is the merest word of all. All Nature speaks, and ev'n ideal things Flap shadowy sounds from visionary wings— But ah! not so when, thus, in realms on high The eternal voice of God is passing by, And the red winds are withering in the sky! **“What tho' in worlds which sightless cycles run,

** Sightless—too small to be seen.—Legge.

 Link'd to a little system, and one sun— Where all my love is folly and the crowd Still think my terrors but the thunder cloud, The storm, the earthquake, and the ocean-wrath— (Ah! will they cross me in my angrier path?) What tho' in worlds which own a single sun The sands of Time grow dimmer as they run, Yet thine is my resplendency, so given To bear my secrets thro' the upper Heaven. Leave tenantless thy crystal home, and fly, With all thy train, athwart the moony sky— *Apart—like fire-flies in Sicilian night,

* I have often noticed a peculiar movement of the fire-flies;—they will collect in a body and fly off, from a common centre, into innumerable radii.

 And wing to other worlds another light! Divulge the secrets of thy embassy To the proud orbs that twinkle—and so be To ev'ry heart a barrier and a ban Lest the stars totter in the guilt of man!” Up rose the maiden in the yellow night, The single-mooned eve!—on Earth we plight Our faith to one love—and one moon adore— The birth-place of young Beauty had no more. As sprang that yellow star from downy hours Up rose the maiden from her shrine of flowers, And bent o'er sheeny mountain and dim plain **Her way—but left not yet her Therasæan reign.

** Therasæa, or Therasea, the island mentioned by Seneca, which, in a moment, arose from the sea to the eyes of astonished mariners.

 PART II. HIGH on a mountain of enamell'd head— Such as the drowsy shepherd on his bed Of giant pasturage lying at his ease, Raising his heavy eyelid, starts and sees With many a mutter'd “hope to be forgiven” What time the moon is quadrated in Heaven— Of rosy head, that towering far away Into the sunlit ether, caught the ray Of sunken suns at eve—at noon of night, While the moon danc'd with the fair stranger light— Uprear'd upon such height arose a pile Of gorgeous columns on th' unburthen'd air, Flashing from Parian marble that twin smile Far down upon the wave that sparkled there, And nursled the young mountain in its lair. *Of molten stars their pavement, such as fall * Some star which, from the ruin'd roofOf shak'd Olympus, by mischance, did fall.—Milton. Thro' the ebon air, besilvering the pall Of their own dissolution, while they die— Adorning then the dwellings of the sky. A dome, by linked light from Heaven let down, Sat gently on these columns as a crown— A window of one circular diamond, there, Look'd out above into the purple air, And rays from God shot down that meteor chain And hallow'd all the beauty twice again, Save when, between th' Empyrean and that ring, Some eager spirit flapp'd his dusky wing. But on the pillars Seraph eyes have seen The dimness of this world: that greyish green That Nature loves the best for Beauty's grave Lurk'd in each cornice, round each architrave— And every sculptur'd cherub thereabout That from his marble dwelling peeréd out, Seem'd earthly in the shadow of his niche— Achaian statues in a world so rich? *Friezes from Tadmor and Persepolis— From Balbec, and the stilly, clear abyss **Of beautiful Gomorrah! O, the wave Is now upon thee—but too late to save!

* Voltaire, in speaking of Persepolis, says, “Je connois bien l'admiration qu'inspirent ces ruines—mais un palais erigé au pied d'une chaine des rochers sterils—peut il être un chef d'œuvre des arts!”

** “Oh! the wave”—Ula Deguisi is the Turkish appellation; but, on its own shores, it is called Bahar Loth, or Almotanah. There were undoubtedly more than two cities engulphed in the “dead sea.” In the valley of Siddim were five—Adrah, Zeboin, Zoar, Sodom and Gomorrah. Stephen of Byzantium mentions eight, and Strabo thirteen, (engulphed)—but the last is out of all reason.

It is said, [Tacitus, Strabo, Josephus, Daniel of St. Saba, Nau, Maundrel!, Troilo, D'Arvieux] that after an excessive drought, the vestiges of columns, walls, &c. are seen above the surface. At any season, such remains may be discovered by looking down into the transparent lake, and at such distances as would argue the existence of many settlements in the space now usurped by the ‘Asphaltites.’

 Sound loves to revel in a summer night: Witness the murmur of the grey twilight *That stole upon the ear, in Eyraco, Of many a wild star-gazer long ago— That stealeth ever on the ear of him Who, musing, gazeth on the distance dim. And sees the darkness coming as a cloud— **Is not its form—its voice—most palpable and loud?

* Eyraco—Chaldea.

** I have often thought I could distinctly hear the sound of the darkness as it stole over the horizon.

 But what is this?—it cometh—and it brings A music with it—'tis the rush of wings— A pause—and then a sweeping, falling strain And Nesace is in her halls again. From the wild energy of wanton haste Her checks were flushing, and her lips apart; And zone that clung around her gentle waist Had burst beneath the heaving of her heart. Within the centre of that hall to breathe She paus'd and panted, Zanthe! all beneath, The fairy light that kiss'd her golden hair And long'd to rest, yet could but sparkle there! ***Young flowers were whispering in melody To happy flowers that night—and tree to tree; Fountains were gushing music as they fell In many a star-lit grove, or moon-lit dell; Yet silence came upon material things— Fair flowers, bright waterfalls and angel wings— And sound alone that from the spirit sprang Bore burthen to the charm the maiden sang:

*** Fairies use flowers for their charactery.—Merry Wives of Windsor.

 “'Neath blue-bell or streamer— Or tufted wild spray That keeps, from the dreamer, *The moonbeam away—

* In Scripture is this passage—“The sun shall not harm thee by day, nor the moon by night.” It is perhaps not generally known that the moon, in Egypt, has the effect of producing blindness to those who sleep with the face exposed to its rays, to which circumstance the passage evidently alludes.

 Bright beings! that ponder, With half closing eyes, On the stars which your wonder Hath drawn from the skies, Till they glance thro' the shade, and Come down to your brow Like—eyes of the maiden Who calls on you now— Arise! from your dreaming In violet bowers, To duty beseeming These star-litten hours— And shake from your tresses Encumber'd with dew The breath of those kisses That cumber them too— (O! how, without you, Love! Could angels be blest?) Those kisses of true love That lull'd ye to rest! Up!—shake from your wing Each hindering thing: The dew of the night— It would weigh down your flight; And true love caresses— O! leave them apart! They are light on the tresses, But lead on the heart. Ligeia! Ligeia! My beautiful one! Whose harshest idea Will to melody run, O! is it thy will On the breezes to toss? Or, capriciously still, *Like the lone Albatross, Incumbent on night (As she on the air) To keep watch with delight On the harmony there?

* The Albatross is said to sleep on the wing.

 Ligeia! wherever Thy image may be, No magic shall sever Thy music from thee. Thou hast bound many eyes In a dreamy sleep— But the strains still arise Which thy vigilance keep— The sound of the rain Which leaps down to the flower, And dances again In the rhythm of the shower— **The murmur that springs

** I met with this idea in an old English tale, which I am now unable to obtain and quote from memory:—“The verie essence and, as it were, springeheade and origine of all musiche is the verie pleasaunte sounde which the trees of the forest do make when they growe.”

 From the growing of grass Are the music of things— But are modell'd, alas!— Away, then my dearest, O! hie thee away To springs that lie clearest Beneath the moon-ray— To lone lake that smiles, In its dream of deep rest, At the many star-isles That enjewel its breast— Where wild flowers, creeping, Have mingled their shade, On its margin is sleeping Full many a maid— Some have left the cool glade, and * Have slept with the bee—

* The wild bee will not sleep in the shade if there be moonlight.

The rhyme in this verse, as in one about sixty lines before, has an appearance of affectation. It is, however, imitated from Sir W. Scott, or rather from Claud Halcro—in whose mouth I admired its effect:

O! were there an island,Tho' ever so wildWhere woman might smile, andNo man be beguil'd, &c. Arouse them my maiden, On moorland and lea— Go! breathe on their slumber, All softly in ear, The musical number They slumber'd to hear— For what can awaken An angel so soon Whose sleep hath been taken Beneath the cold moon, As the spell which no slumber Of witchery may test, The rhythmical number Which lull'd him to rest?” Spirits in wing, and angels to the view, A thousand seraphs burst th' Empyrean thro', Young dreams still hovering on their drowsy flight— Seraphs in all but “Knowledge,” the keen light That fell, refracted, thro' thy bounds, afar O Death! from eye of God upon that star: Sweet was that error—sweeter still that death— Sweet was that error—ev'n with us the breath Of Science dims the mirror of our joy— To them 'twere the Simoom, and would destroy— For what (to them) availeth it to know That Truth is Falsehood—or that Bliss is Woe? Sweet was their death—with them to die was rife With the last ecstasy of satiate life— Beyond that death no immortality— But sleep that pondereth and is not “to be”— And there—oh! may my weary spirit dwell— *Apart from Heaven's Eternity—and yet how far from Hell!

* With the Arabians there is a medium between Heaven and Hell, where men suffer no punishment, but yet do not attain that tranquil and even happiness which they suppose to be characteristic of heavenly enjoyment.

Un no rompido sueno—Un dia puro—allegre—libreQuiera—Libre de amor—de zelo—De odio—de esperanza—de rezelo.—Luis Ponce de Leon.

Sorrow is not excluded from “Al Aaraaf,” but it is that sorrow which the living love to cherish for the dead, and which, in some minds, resembles the delirium of opium. The passionate excitement of Love and the buoyancy of spirit attendant upon intoxication are its less holy pleasures—the price of which, to those souls who make choice of “Al Aaraaf” as their residence after life, is final death and annihilation.

 What guilty spirit, in what shrubbery dim, Heard not the stirring summons of that hymn? But two: they fell: for Heaven no grace imparts To those who hear not for their beating hearts. A maiden-angel and her seraph-lover— O! where (and ye may seek the wide skies over) Was Love, the blind, near sober Duty known? *Unguided Love hath fallen—'mid “tears of perfect moan.” * There be tears of perfect moan Wept for thee in Helicon.—Milton. He was a goodly spirit—he who fell: A wanderer by moss-y-mantled well— A gazer on the lights that shine above— A dreamer in the moonbeam by his love: What wonder? for each star is eye-like there, And looks so sweetly down on Beauty's hair— And they, and ev'ry mossy spring were holy To his love-haunted heart and melancholy. The night had found (to him a night of wo) Upon a mountain crag, young Angelo— Beetling it bends athwart the solemn sky, And scowls on starry worlds that down beneath it lie. Here sate he with his love—his dark eye bent With eagle gaze along the firmament: Now turn'd it upon her—but ever then It trembled to the orb of EARTH again. “Ianthe, dearest, see! how dim that ray! How lovely 'tis to look so far away! She seem'd not thus upon that autumn eve I left her gorgeous halls—nor mourn'd to leave. That eve—that eve—I should remember well— The sun-ray dropp'd, in Lemnos, with a spell On th' Arabesque carving of a gilded hall Wherein I sate, and on the draperied wall— And on my eye-lids—O the heavy light! How drowsily it weigh'd them into night! On flowers, before, and mist, and love they ran With Persian Saadi in his Gulistan: But O that light!—I slumber'd—Death, the while, Stole o'er my senses in that lovely isle So softly that no single silken hair Awoke that slept—or knew that he was there. The last spot of Earth's orb I trod upon *Was a proud temple call'd the Parthenon— More beauty clung around her column'd wall **Than ev'n thy glowing bosom beats withal, And when old Time my wing did disenthral Thence sprang I—as the eagle from his tower, And years I left behind me in an hour. What time upon her airy bounds I hung One half the garden of her globe was flung Unrolling as a chart unto my view— Tenantless cities of the desert too! Ianthe, beauty crowded on me then, And half I wish'd to be again of men.”

* It was entire in 1687—the most elevated spot in Athens.

 ** Shadowing more beauty in their airy brows Than have the white breasts of the Queen of Love.—Marlowe. “My Angelo! and why of them to be? A brighter dwelling-place is here for thee— And greener fields than in you world above, And woman's loveliness—and passionate love.” “But, list, Ianthe! when the air so soft *Fail'd, as my pennon'd spirit leapt aloft, Perhaps my brain grew dizzy—but the world I left so late was into chaos hurl'd— Sprang from her station, on the winds apart, And roll'd, a flame, the fiery Heaven athwart. Methought, my sweet one, then I ceased to soar And fell—not swiftly as I rose before, But with a downward, tremulous motion thro' Light, brazen rays, this golden star unto! Nor long the measure of my falling hours, For nearest of all stars was thine to ours— Dread star! that came, amid a night of mirth, A red Dædalion on the timid Earth. * Pennon—for pinion.—Milton. “We came—and to thy Earth—but not to us Be given our lady's bidding to discuss: We came, my love; around, above, below, Gay fire-fly of the night we come and go, Nor ask a reason save the angel-nod She grants to us, as granted by her God— But, Angelo, than thine grey Time unfurl'd Never his fairy wing o'er fairier world! Dim was its little disk, and angel eyes Alone could see the phantom in the skies, When first Al Aaraaf knew her course to be Headlong thitherward o'er the starry sea— But when its glory swell'd upon the sky, As glowing Beauty's bust beneath man's eye, We paus'd before the heritage of men, And thy star trembled—as doth Beauty then!” Thus, in discourse, the lovers whiled away The night that waned and waned and brought no day. They fell: for Heaven to them no hope imparts Who hear not for the beating of their hearts. TAMERLANE. KIND solace in a dying hour! Such, father, is not (now) my theme— I will not madly deem that power Of Earth may shrive me of the sin Unearthly pride hath revell'd in— I have no time to dote or dream: You call it hope—that fire of fire! It is but agony of desire: If I can hope—Oh God! I can— Its fount is holier—more divine— I would not call thee fool, old man, But such is not a gift of thine. Know thou the secret of a spirit Bow'd from its wild pride into shame. O yearning heart! I did inherit Thy withering portion with the fame, The searing glory which hath shone Amid the Jewels of my throne, Halo of Hell! and with a pain Not Hell shall make me fear again— O craving heart, for the lost flowers And sunshine of my summer hours! The undying voice of that dead time, With its interminable chime, Rings, in the spirit of a spell, Upon thy emptiness—a knell. I have not always been as now: The fever'd diadem on my brow I claim'd and won usurpingly— Hath not the same fierce heirdom given Rome to the Cæsar—this to me? The heritage of a kingly mind, And a proud spirit which hath striven Triumphantly with human kind. On mountain soil I first drew life: The mists of the Taglay have shed Nightly their dews upon my head, And, I believe, the winged strife And tumult of the headlong air Have nestled in my very hair. So late from Heaven—that dew—it fell ('Mid dreams of an unholy night) Upon me with the touch of Hell, While the red flashing of the light From clouds that hung, like banners, o'er, Appeared to my half-closing eye The pageantry of monarchy, And the deep trumpet-thunder's roar Came hurriedly upon me, telling Of human battle, where my voice, My own voice, silly child!—was swelling (O! how my spirit would rejoice, And leap within me at the cry) The battle-cry of Victory! The rain came down upon my head Unshelter'd—and the heavy wind Rendered me mad and deaf and blind. It was but man, I thought, who shed Laurels upon me: and the rush— The torrent of the chilly air Gurgled within my ear the crush Of empires—with the captive's prayer— The hum of suitors—and the tone Of flattery 'round a sovereign's throne. My passions, from that hapless hour, Usurp'd a tyranny which men Have deem'd, since I have reach'd to power, My innate nature—be it so: But, father, there liv'd one who, then, Then—in my boyhood—when their fire Burn'd with a still intenser glow (For passion must, with youth, expire) E'en then who knew this iron heart In woman's weakness had a part. I have no words—alas!—to tell The loveliness of loving well! Nor would I now attempt to trace The more than beauty of a face Whose lineaments, upon my mind, Are—shadows on th' unstable wind: Thus I remember having dwelt Some page of early lore upon, With loitering eye, till I have felt The letters—with their meaning—melt To fantasies—with none. O, she was worthy of all love! Love—as in infancy was mine— 'Twas such as angel minds above Might envy; her young heart the shrine On which my every hope and thought Were incense—then a goodly gift, For they were childish and upright— Pure—as her young example taught: Why did I leave it, and, adrift, Trust to the fire within, for light? We grew in age—and love—together— Roaming the forest, and the wild; My breast her shield in wintry weather— And, when the friendly sunshine smil'd, And she would mark the opening skies, I saw no Heaven—but in her eyes. Young Love's first lesson is—the heart: For 'mid that sunshine, and those smiles, When, from our little cares apart, And laughing at her girlish wiles, I'd throw me on her throbbing breast, And pour my spirit out in tears— There was no need to speak the rest— No need to quiet any fears Of her—who ask'd no reason why, But turn'd on me her quiet eye! Yet more than worthy of the love My spirit struggled with, and strove, When, on the mountain peak, alone, Ambition lent it a new tone— I had no being—but in thee: The world, and all it did contain In the earth—the air—the sea— Its joy—its little lot of pain That was new pleasure—the ideal, Dim, vanities of dreams by night— And dimmer nothings which were real— (Shadows—and a more shadowy light!) Parted upon their misty wings, And, so, confusedly, became Thine image and—a name—a name! Two separate—yet most intimate things. I was ambitious—have you known The passion, father? You have not: A cottager, I mark'd a throne Of half the world as all my own, And murmur'd at such lowly lot— But, just like any other dream, Upon the vapor of the dew My own had past, did not the beam Of beauty which did while it thro' The minute—the hour—the day—oppress My mind with double loveliness. We walk'd together on the crown Of a high mountain which look'd down Afar from its proud natural towers Of rock and forest, on the hills— The dwindled hills! begirt with bowers And shouting with a thousand rills. I spoke to her of power and pride, But mystically—in such guise That she might deem it nought beside The moment's converse; in her eyes I read, perhaps too carelessly— A mingled feeling with my own— The flush on her bright cheek, to me Seem'd to become a queenly throne Too well that I should let it be Light in the wilderness alone. I wrapp'd myself in grandeur then And donn'd a visionary crown— Yet it was not that Fantasy Had thrown her mantle over me— But that, among the rabble—men, Lion ambition is chain'd down— And crouches to a keeper's hand— Not so in deserts where the grand— The wild—the terrible conspire With their own breath to fan his fire. Look 'round thee now on Samarcand!— Is she not queen of Earth? her pride Above all cities? in her hand Their destinies? in all beside Of glory which the world hath known Stands she not nobly and alone? Falling—her veriest stepping-stone Shall form the pedestal of a throne— And who her sovereign? Timour—he Whom the astonished people saw Striding o'er empires haughtily A diadem'd outlaw! O, human love! thou spirit given, On Earth, of all we hope in Heaven! Which fall'st into the soul like rain Upon the Siroc-wither'd plain, And, failing in thy power to bless, But leav'st the heart a wilderness! Idea! which bindest life around With music of so strange a sound And beauty of so wild a birth— Farewell! for I have won the Earth. When Hope, the eagle that tower'd, could see No cliff beyond him in the sky, His pinions were bent droopingly— And homeward turn'd his soften'd eye. 'Twas sunset: when the sun will part There comes a sullenness of heart To him who still would look upon The glory of the summer sun. That soul will hate the ev'ning mist So often lovely, and will list To the sound of the coming darkness (known To those whose spirits harken) as one Who, in a dream of night, would fly But cannot from a danger nigh. What tho' the moon—the white moon Shed all the splendor of her noon, Her smile is chilly—and her beam, In that time of dreariness, will seem (So like you gather in your breath) A portrait taken after death. And boyhood is a summer sun Whose waning is the dreariest one— For all we live to know is known And all we seek to keep hath flown— Let life, then, as the day-flower, fall With the noon-day beauty—which is all. I reach'd my home—my home no more— For all had flown who made it so. I pass'd from out its mossy door, And, tho' my tread was soft and low, A voice came from the threshold stone Of one whom I had earlier known— O, I defy thee, Hell, to show On beds of fire that burn below, An humbler heart—a deeper wo. Father, I firmly do believe— I know—for Death who comes for me From regions of the blest afar, Where there is nothing to deceive, Hath left his iron gate ajar, And rays of truth you cannot see Are flashing thro' Eternity— I do believe that Eblis hath A snare in every human path— Else how, when in the holy grove I wandered of the idol, Love, Who daily scents his snowy wings With incense of burnt offerings From the most unpolluted things, Whose pleasant bowers are yet so riven Above with trellic'd rays from Heaven No mote may shun—no tiniest fly— The light'ning of his eagle eye— How was it that Ambition crept, Unseen, amid the revels there, Till growing bold, he laughed and leapt In the tangles of Love's very hair? A DREAM. IN visions of the dark night I have dreamed of joy departed— But a waking dream of life and light Hath left me broken-hearted. Ah! what is not a dream by day To him whose eyes are cast On things around him with a ray Turned back upon the past? That holy dream—that holy dream, While all the world were childing, Hath cheered me as a lovely beam A lonely spirit guiding. What though that light, thro' storm and night, So trembled from afar— What could there be more purely bright In Truth's day-star? ROMANCE. ROMANCE, who loves to nod and sing, With drowsy head and folded wing, Among the green leaves as they shake Far down within some shadowy lake, To me a painted paroquet Hath been—a most familiar bird— Taught me my alphabet to say— To lisp my very earliest word While in the wild wood I did lie, A child—with a most knowing eye. Of late, eternal Condor years So shake the very Heaven on high With tumult as they thunder by, I have no time for idle cares Through gazing on the unquiet sky. And when an hour with calmer wings Its down upon my spirit flings— That little time with lyre and rhyme To while away—forbidden things! My heart would feel to be a crime Unless it trembled with the strings. FAIRY-LAND. DIM vales—and shadowy floods— And cloudy-looking woods, Whose forms we can't discover For the tears that drip all over Huge moons there wax and wane— Again—again—again— Every moment of the night— Forever changing places— And they put out the star-light With the breath from their pale faces. About twelve by the moon-dial One more filmy than the rest (A kind which, upon trial, They have found to be the best) Comes down—still down—and down With its centre on the crown Of a mountain's eminence, While its wide circumference In easy drapery falls Over hamlets, over halls, Wherever they may be— O'er the strange woods—o'er the sea— Over spirits on the wing— Over every drowsy thing— And buries them up quite In a labyrinth of light— And then, how deep!—O, deep! Is the passion of their sleep. In the morning they arise, And their moony covering Is soaring in the skies, With the tempests as they toss, Like—almost any thing— Or a yellow Albatross. They use that moon no more For the same end as before— Videlicet a tent— Which I think extravagant: Its atomies, however, Into a shower dissever, Of which those butterflies, Of Earth, who seek the skies, And so come down again (Never-contented things!) Have brought a specimen Upon their quivering wings. TO —. THE bowers whereat, in dreams, I see The wantonest singing birds, Are lips—and all thy melody Of lip-begotten words— Thine eyes, in Heaven of heart enshrined Then desolately fall, O God! on my funereal mind Like starlight on a pall— Thy heart—thy heart!—I wake and sigh, And sleep to dream till day Of the truth that gold can never buy— Of the baubles that it may. TO THE RIVER —. FAIR river! in thy bright, clear flow Of crystal, wandering water, Thou art an emblem of the glow Of beauty—the unhidden heart— The playful maziness of art In old Alberto's daughter; But when within thy wave she looks— Which glistens then, and trembles— Why, then, the prettiest of brooks Her worshipper resembles; For in his heart, as in thy stream, Her image deeply lies— His heart which trembles at the beam Of her soul-searching eyes. THE LAKE—TO —. IN spring of youth it was my lot To haunt of the wide world a spot The which I could not love the less— So lovely was the loneliness Of a wild lake, with black rock bound, And the tall pines that towered around. But when the Night had thrown her pall Upon that spot, as upon all, And the mystic wind went by Murmuring in melody— Then—ah then I would awake To the terror of the lone lake. Yet that terror was not fright, But a tremulous delight— A feeling not the jewelled mine Could teach or bribe me to define— Nor Love—although the Love were thine. Death was in that poisonous wave, And in its gulf a fitting grave For him who thence could solace bring To his lone imagining— Whose solitary soul could make An Eden of that dim lake. SONG. I SAW thee on thy bridal day— When a burning blush came o'er thee, Though happiness around thee lay, The world all love before thee: And in thine eye a kindling light (Whatever it might be) Was all on Earth my aching sight Of Loveliness could see. That blush, perhaps, was maiden shame— As such it well may pass— Though its glow hath raised a fiercer flame In the breast of him, alas! Who saw thee on that bridal day, When that deep blush would come o'er thee, Though happiness around thee lay, The world all love before thee. TO HELEN. HELEN, thy beauty is to me Like those Nicéan barks of yore, That gently, o'er a perfumed sea, The weary, way-worn wanderer bore To his own native shore. On desperate seas long wont to roam, Thy hyacinth hair, thy classic face, Thy Naiad airs have brought me home To the glory that was Greece, And the grandeur that was Rome. Lo! in you brilliant window-niche How statue-like I see thee stand, The agate lamp within thy hand! Ah, Psyche, from the regions which Are Holy-Land! NEW AND VALUABLE BOOKS, PUBLISHED BY WILEY AND PUTNAM, 161 Broadway, N. Y. GERMAN ROMANCE.

Undine and other Tales; by the Baron de la Motte Fouqué. Translated by the Rev. Thos. Tracy. A new edition, thoroughly revised and corrected. 1 neat volume, very handsomely printed on fine paper. 37½C.

“A beautifully romantic tale of the highest excellence.”—Conversations Lexicon.

“A delightful tale, full of depth of thought and true poetic feeling.”—Sir. J Mackintosh.

“This exquisite tale is quite a literary pet in Germany.”—Thomas Carlyle.

“Fouqué's romances I always recommend, especially the wild, graceful, and touching Undine.”—Sarah Austin.

“The style and execution of this delightful romance are very graceful.”—Hawkins' Germany.

“Undine is indeed a very charming tale: it displays delicacy blended with great power, a heart-born truthfulness, and a divine spirit. Beauty and poetry disclose themselves in every page; it has, in fact, become a standard work in the department of the classical romance, and will never fall into oblivion.”—Thimm's Liter. of Germany.

 GLIMPSES OF THE WONDERFUL.

Glimpses of the Wonderful. A book of interest and instruction for the youthful mind. 1 neat vol. 12mo., with 34 engravings very handsomely printed, and neatly bound. 75c.

CONTENTS:—Ship-building—The Steam-ship—Eddystone Light-house—Comparative size of Public Buildings—The Churches of St. Peter and St. Paul—The Cave of Elephanta—Alnwick Castle—Ancient Punishment—The Chinese—Tiger Hunting—The Sperm-whale Fishery—The Narwhal—Crocodile Hunting—Pearl Diving—The Eagle—The Bat—The Flying-fish—The Lion and the Giraffe—The Boa Constrictor—Skeletons of the Boa and Elephant—The Rhinoceros—The Whale attacked by Fishes—The Greenland Whale—The Blood and Hair—The Porcupine—The Peter Botte Mountain—Icebergs—Astronomy—The Moon—Conclusion.

“The author has moulded his work into that popular form which combines, in due proportion, amusement with instruction. The engravings are original and spirited.”—Albany Argus.

“There is so much sound sense and good advice in this pretty volume that we cannot be too earnest in recommending it. The engravings are remarkably clever.”—Christian Remembrancer.

“This is a most entertaining as well as instructive work. We strongly recommend it to parents and teachers as an excellent book for their juvenile friends.”—New Haven Courier.

“An excellent little work, which must soon become a favorite with our young friends. It has been tastefully got up, and the engravings are excellent.”—N. Y. Courier.

“The style of the author is remarkably forcible, chaste, and elegant.”—N. Y. True Sun.

 TALES OF THE KINGS OF ENGLAND.

Tales of the Kings of England: Stories of Camps and Battle-Fields, Wars and Victories; from the Old Historians. By Stephen Percy. 2 very neat volumes, 18mo., with engravings. Each, 50 cents.

“These works are constructed on a plan which is novel, and we think well chosen; and we are glad to find that they are deservedly popular, for they cannot be too strongly recommended, as adapted for the perusal of youth.”—Journal of Education.

“The design of these pretty volumes is excellent.”—Atlas.

“We know of no other books which so charmingly blend amusement with instruction. No juvenile books have been published in our time more entitled to praise.”—Examiner.

“These pleasing and simple stories are well adapted to the capacity of children.”—Christ. Mag.

“As amusing as they are instructive.”—N. Y. Post.

 DOCTRINE OF THE RESURRECTION.

Anastasis: or the Doctrine of the Resurrection; in which it is shown that the Doctrine of the Resurrection of the Body is not sanctioned by Reason or Revelation. By George Bush, Professor of Hebrew, N. Y. University. SECOND EDITION. 1 thick vol. 12mo., well printed. $1 00.

CONTENTS.—Introduction.—The knowledge of revelation progressive.—Part 1. The rational argument—Objections to the common view—Distinction of personal and bodily identity—The true body of the Resurrection, as inferred by reason.—Part 2. The Scriptural argument—Preliminary remarks—The Old Testament doctrine of the Resurrection—Onomatology; definition of terms—Examination of particular passages—New-Testament doctrine of the Resurrection—Origin and import of the word “Resurrection,” as used in the New Testament—The Resurrection of Christ—Examination of particular passages—The Resurrection viewed in connection with the Judgment—The First Resurrection and the Judgment of the Dead—“The Times of the Restitution of all things”—Christ's “delivering up the kingdom”—The conclusion.

“The author occupies an important station in the University of New York, and is advantageously known as a learned commentator on some books of the Old Testament. It would be wrong to depreciate either his attainments or his general orthodoxy; and all that the most earnest and careful exertion of his powers could enable him to do, he has evidently done, to recommend the sentiments unfolded in this volume. Much patient labor and uncommon ingenuity have been brought to bear upon it. There is also a spirit that cannot fail to be attractive—a spirit of candor and modesty, combined with independence. Educated young men, fond of novel and critical disquisitions, and students of divinity who are anxious to prove all things, will wish to make themselves acquainted with its contents.”—London Baptist Magazine.

“The deep and universal interest excited by the appearance of this most able work, has already demanded the issue of a second edition. The promulgation of the theory maintained so learnedly and cogently by the author, has given birth to a sharp and somewhat bitter controversy among theologians; and we are sorry to see that the ill-will engendered has, in some instances, led to the impeachment of the motives of the writer. This can never be justifiable, and is, in this case, most unfounded and unjust. No one who knows Professor Bush, will doubt for an instant the perfect conscientiousness of all that he has written or said: and the very strong and well-considered argument by which he supports his position, will require something more, by way of answer, than the aspersions to which we have alluded.”—N. Y. Courier.

“Prof. Bush deserves the highest commendation, for giving publicity to his views of this important Scriptural truth. These views differ widely from those commonly received by the religious world; and it is rare, indeed, to meet with the boldness which has been exhibited on this occasion. We believe the author must possess, in no common degree, that rare and precious quality—fidelity to one's own convictions of truth, and we heartily commend the work to the philosophical and the pious.”—N Y. Mirror.

“What we have read convinces us that Prof. Bush is a deeply-serious believer in the Scriptures, in the soul's immortality, and in future eternal rewards and punishments, and his theories, if adopted, are not calculated to endanger any one's spiritual interests.”—Boston Recorder.

“An able and learned work.”—Christian Observer.

 GARDENING FOR LADIES.

Gardening for Ladies; and Companion to the Flower-Garden. Being an Alphabetical arrangement of all the ornamental Plants usually grown in gardens and shrubberies; with full directions for their culture. By Mrs. Loudon. First American, from the second London edition. Revised and edited by A. J. Downing. 1 thick vol. 12mo., with engravings representing the processes of grafting, budding, layering, &c., &c. $1 50.

“A truly charming work, written with simplicity and clearness. It is decidedly the best work on the subject, and we strongly recommend it to all our fair countrywomen, as a work they ought not to be without.”—N. Y. Courier.

“Mr. Downing is entitled to the thanks of the fair florists of our country for introducing to their acquaintance this comprehensive and excellent manual, which must become very popular. Besides an instructive treatment on the best modes of culture, transplanting, bedding, training, destroying insects, &c., and the management of plants in pots and green-houses, illustrated with numerous plates; the work comprises a Dictionary of the English and Botanic names of the most popular flowers, with directions for their culture. Altogether we should judge it to be the most valuable work in the department to which it belongs.”—Newark Advertiser.

“This is a full and complete manual of instruction upon the subject of which it treats. Being intended for those who have little or no previous knowledge of gardening, it presents, in a very precise and detailed manner, all that is necessary to be known upon it, and cannot fail to awaken a more general taste for these healthful and pleasant pursuits among the ladies of our country.”—N. Y. Tribune.

“This truly delightful work cannot be too highly commended to our fair countrywomen.”—N. Y. Journal of Commerce.

“We cordially welcome, and heartily commend to all our fair friends, whether living in town or country, this very excellent work.”—N. Y. Tribune.

 THE BIRDS OF LONG ISLAND.

Containing a description of the habits, plumage, &c., of all the species now known to visit that section, comprising the larger number of birds found throughout the State of New York, and the neighboring States. By T. P. Giraud, jr. 1 vol. 8vo. Price $2 00.

This work, though designed chiefly for the use of the gunners and sportsmen residing on Long Island, will still serve as a book of reference for amateurs and others collecting ornithological specimens in various sections of the United States, particularly for those persons residing on the sea-coasts of New Jersey and the Eastern States.