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        <title>Poems: Descriptive, Dramatic, Legendary and Contemplative, by William Gilmore Simms, Esq.  In Two Volumes:  Vol. I.  I. Norman Maurice, a Tragedy; II. Atalantis, a Tale of the Sea; III. Tales and Traditions of the South; IV. The City of the Silent:
Electronic Edition.</title>
        <author>Simms, William Gilmore, 1806-1870</author>
        <funder>Funding from the University of North Carolina Library supported the electronic publication of this title.</funder>
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        <publisher>University Library, UNC-Chapel Hill</publisher>
        <pubPlace>University of North Carolina at Chapel Hill, </pubPlace>
        <date>2006.</date>
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          <p>© This work is the property of the University of North Carolina at Chapel Hill. It may be used freely by individuals for research, teaching and personal use as long as this statement of availability is included in the text.</p>
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            <title type="title page"> Poems: Descriptive, Dramatic, Legendary and Contemplative, by William Gilmore Simms, Esq.  In Two Volumes:  Vol. I.  I. Norman Maurice, a Tragedy; II. Atalantis, a Tale of the Sea; III. Tales and Traditions of the South; IV. The City of the Silent</title>
            <title type="spine"> Simms' Poetical Works Vol. I </title>
            <author> William Gilmore Simms, Esq. </author>
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          <extent>[1], 348 p., ill.</extent>
          <publicationStmt>
            <pubPlace>Charleston, S.C.</pubPlace>
            <publisher>John Russell</publisher>
            <date>1853</date>
            <authority/>
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            <note anchored="yes">Call number PS2845 .P6 (Rare Book Collection, University of North Carolina at Chapel Hill)</note>
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        <p>In the original used for this electronic edition pages 121-144 are missing and pages 145-168 repeat. The electronic content of pages 121-144 has been created by Optical Character Recognition (OCR) from an original on loan from Duke University, Perkins Library (New York: Redfield, 1853; call number 811.39 S592). OCR-ed text has been compared against the original document and corrected.</p>
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  <text>
    <front>
      <div1 type="title page image">
        <p>
          <figure id="cover" entity="simmscv">
            <p>[Cover Image]</p>
          </figure>
        </p>
      </div1>
      <div1 type="spine image">
        <p>
          <figure id="spine" entity="simmssp">
            <p>[Spine Image]</p>
          </figure>
        </p>
      </div1>
      <div1 type="frontispiece image">
        <p>
          <figure id="frontis" entity="simmsfp">
            <p>[Frontispiece Image] <lb/>[Signed] Very faithfully yr<lb/>W. Gilmore Simms</p>
          </figure>
        </p>
      </div1>
      <div1 type="title page image">
        <p>
          <figure id="title" entity="simmstp">
            <p>[Title Page Image]</p>
          </figure>
        </p>
      </div1>
      <div1 type="title page verso image">
        <p>
          <figure id="verso" entity="simmsvs">
            <p>[Title Page Verso Image]</p>
          </figure>
        </p>
      </div1>
      <titlePage>
        <docTitle>
          <titlePart type="main"><hi rend="bold">POEMS</hi>
<lb/> DESCRIPTIVE, DRAMATIC, LEGENDARY <lb/> AND <lb/> CONTEMPLATIVE<lb/>BY<lb/>WILLIAM GILMORE SIMMS, ESQ.
<lb/>IN TWO VOLUMES <lb/> VOL. I. <lb/> I. NORMAN MAURICE, A TRAGEDY <lb/> II. ATALANTIS, A TALE OF THE SEA <lb/> III. TALES AND TRADITIONS OF THE SOUTH <lb/> IV. THE CITY OF THE SILENT</titlePart>
        </docTitle>
        <docImprint><pubPlace>CHARLESTON, S. C.</pubPlace>
<publisher>PUBLISHED BY JOHN RUSSELL</publisher>
<docDate>1853</docDate></docImprint>
        <pb id="pverso" n="verso"/>
        <docImprint>ENTERED, according to Act of Congress, in the year 1853, <lb/> By W. GILMORE SIMMS. <lb/> in the Clerk's Office of the District Court for the Southern District of New York.</docImprint>
      </titlePage>
    </front>
    <body>
      <div1 type="play">
        <pb id="p3" n="3"/>
        <head>NORMAN MAURICE; <lb/> OR, <lb/> THE MAN OF THE PEOPLE.</head>
        <p/>
        <div2 type="list of characters">
          <pb id="p4" n="4"/>
          <head>DRAMATIS PERSONÆ.</head>
          <p>
            <table rows="16" cols="2">
              <row role="data">
                <cell role="data" rows="1" cols="1">NORMAN MAURICE.</cell>
                <cell role="data" rows="1" cols="1"> </cell>
              </row>
              <row role="data">
                <cell role="data" rows="1" cols="1">ROBERT WARREN,</cell>
                <cell role="data" rows="1" cols="1">
                  <hi rend="italics">his kinsman and enemy.</hi>
                </cell>
              </row>
              <row role="data">
                <cell role="data" rows="1" cols="1">RICHARD OSBORNE,</cell>
                <cell role="data" rows="1" cols="1">
                  <hi rend="italics">an attorney and creature of Warren.</hi>
                </cell>
              </row>
              <row role="data">
                <cell role="data" rows="1" cols="1">HARRY MATTHEWS,</cell>
                <cell role="data" rows="1" cols="1">
                  <hi rend="italics">a friend of Warren.</hi>
                </cell>
              </row>
              <row role="data">
                <cell role="data" rows="1" cols="1">COL. BLASINGHAME,</cell>
                <cell role="data" rows="1" cols="1">
                  <hi rend="italics">a fire-eater.</hi>
                </cell>
              </row>
              <row role="data">
                <cell role="data" rows="1" cols="1">BEN FERGUSON,</cell>
                <cell role="data" rows="1" cols="1">
                  <hi rend="italics">a leading politician.</hi>
                </cell>
              </row>
              <row role="data">
                <cell role="data" rows="1" cols="1">COL. MERCER,</cell>
                <cell role="data" rows="2" cols="1">
                  <hi rend="italics">Politicians of opposite party.</hi>
                </cell>
              </row>
              <row role="data">
                <cell role="data" rows="1" cols="1">COL. BROOKS,</cell>
              </row>
              <row role="data">
                <cell role="data" rows="1" cols="1">MAJOR SAVAGE,</cell>
                <cell role="data" rows="1" cols="1">
                  <hi rend="italics">a friend of Blasinghame.</hi>
                </cell>
              </row>
              <row role="data">
                <cell role="data" rows="1" cols="1">CAPT. CATESBY, U. S. A.,</cell>
                <cell role="data" rows="1" cols="1">
                  <hi rend="italics">friend of Maurice.</hi>
                </cell>
              </row>
              <row role="data">
                <cell role="data" rows="1" cols="2"> <hi rend="italics">Citizens, Lawyers, &amp;c.</hi></cell>
              </row>
              <row role="data">
                <cell role="data" rows="1" cols="1">MRS. JERVAS,</cell>
                <cell role="data" rows="1" cols="1">
                  <hi rend="italics">a widow.</hi>
                </cell>
              </row>
              <row role="data">
                <cell role="data" rows="1" cols="1">CLARICE DELANCY,</cell>
                <cell role="data" rows="1" cols="1">
                  <hi rend="italics">her niece, afterwards wife to Maurice.</hi>
                </cell>
              </row>
              <row role="data">
                <cell role="data" rows="1" cols="1">WIDOW PRESSLEY,</cell>
                <cell role="data" rows="1" cols="1">
                  <hi rend="italics">a client of Maurice</hi>
                </cell>
              </row>
              <row role="data">
                <cell role="data" rows="1" cols="1">KATE PRESSLEY,</cell>
                <cell role="data" rows="1" cols="1">
                  <hi rend="italics">her grand-daughter.</hi>
                </cell>
              </row>
              <row role="data">
                <cell role="data" rows="1" cols="1">BIDDY,</cell>
                <cell role="data" rows="1" cols="1">
                  <hi rend="italics">a servant girl.</hi>
                </cell>
              </row>
            </table>
          </p>
          <stage>SCENE—First, in Philadelphia; afterwards, in Missouri.</stage>
        </div2>
        <div2 type="play">
          <pb id="p5" n="5"/>
          <head>NORMAN MAURICE.</head>
          <div3 type="act">
            <head>ACT I.—SCENE 1.</head>
            <div4 type="scene">
              <stage>
                <hi rend="italics">A parlor in the house of Mrs. Jervas, in Walnut-street, Philadelphia. Mrs. Jervas and Robert Warren discovered—the latter entering hastily and with discomposure.</hi>
              </stage>
              <sp>
                <speaker>MRS. JERVAS,</speaker>
                <stage>[<hi rend="italics">eagerly.</hi>]</stage>
                <l>Well?</l>
              </sp>
              <sp>
                <speaker>WARREN.</speaker>
                <l>It is <hi rend="italics">not</hi> well! 'Tis ill! She has refused me!</l>
              </sp>
              <sp>
                <speaker>MRS. J.</speaker>
                <l>Has she then dared?</l>
              </sp>
              <sp>
                <speaker>WARREN.</speaker>
                <l>Ay, has she! Something farther—</l>
                <l>She does not scruple to avow her passion</l>
                <l>For my most worthy cousin, Norman Maurice.</l>
              </sp>
              <sp>
                <speaker>MRS. J.</speaker>
                <l>She shall repent it—she shall <hi rend="italics">dis</hi>avow it,</l>
                <l>Or she shall know!—I'll teach her!—</l>
              </sp>
              <sp>
                <speaker>WARREN.</speaker>
                <l>She's a pupil</l>
                <l>With will enough of her own to vex a master!</l>
              </sp>
              <sp>
                <speaker>MRS. J.</speaker>
                <l>I have a will too, which shall master her!</l>
                <l>Is she not mine?—my sister's child?—a beggar,</l>
                <l>That breathes but by my charity! I'll teach her,</l>
                <l>And she shall learn the lesson set for her,</l>
                <l>Or I will turn her naked into the streets,</l>
                <l>As pennyless as she came. But, wait and see,—</l>
                <l>You shall behold—</l>
              </sp>
              <sp>
                <speaker>WARREN.</speaker>
                <l>Nay, wait till I am gone,</l>
                <pb id="p6" n="6"/>
                <l>Then use your best severity. She needs it—</l>
                <l>Has no sufficient notion of her duty,</l>
                <l>And—</l>
              </sp>
              <sp>
                <speaker>MRS. J.</speaker>
                <l>No, indeed!</l>
              </sp>
              <sp>
                <speaker>WARREN.</speaker>
                <l>But you must make her wiser.</l>
              </sp>
              <sp>
                <speaker>MRS. J.</speaker>
                <l>I will!</l>
                <l>I've treated her too tenderly!</l>
              </sp>
              <sp>
                <speaker>WARREN.</speaker>
                <l>But show her</l>
                <l>Some little glimpse of the danger in her path,—</l>
                <l>Shame and starvation—</l>
              </sp>
              <sp>
                <speaker>MRS. J.</speaker>
                <l>She deserves them both.</l>
              </sp>
              <sp>
                <speaker>WARREN.</speaker>
                <l>And keep my worthy cousin from her presence.</l>
              </sp>
              <sp>
                <speaker>MRS. J.</speaker>
                <l>He darks these doors no more! The girl, already,</l>
                <l>Has orders to deny him.</l>
              </sp>
              <sp>
                <speaker>WARREN.</speaker>
                <l>You've done wisely.</l>
                <l>A little time,—but keep them separate,—</l>
                <l>And we shall conquer her;—ay, conquer <hi rend="italics">him</hi> too,</l>
                <l>For I've a little snare within whose meshes</l>
                <l>His feet are sure to fall.</l>
              </sp>
              <sp>
                <speaker>MRS. J.</speaker>
                <l>What snare?</l>
              </sp>
              <sp>
                <speaker>WARREN.</speaker>
                <l>No matter!</l>
                <l>Be ignorant of the mischief till it's over,</l>
                <l>And we enjoy its fruits! Meanwhile, be busy,—</l>
                <l>Pursue the plan you purpose, and to-morrow,</l>
                <l>We shall know farther. I shall use the moments,</l>
                <l>'Twixt this and then, in labors which must profit,</l>
                <l>Or fortune grows perverse. See you to <hi rend="italics">her,</hi></l>
                <l>While I take care of <hi rend="italics">him.</hi></l>
              </sp>
              <sp>
                <speaker>MRS. J.</speaker>
                <l>Oh, never fear me—</l>
                <l>I'll summon her the moment you are gone,</l>
                <l>And she shall know—</l>
              </sp>
              <sp>
                <speaker>WARREN.</speaker>
                <l>That you may summon her—</l>
                <l>For we must lose no time—I take my leave.</l>
              </sp>
              <stage>[<hi rend="italics">Ex. Warren.</hi></stage>
              <pb id="p7" n="7"/>
              <sp>
                <speaker>MRS. J.</speaker>
                <l>The pert and insolent baggage! But I'll teach her!</l>
                <l>I'll let her know from whose benevolent hand</l>
                <l>She eats the bread of charity—whose mercy</l>
                <l>It is, that clothes her nakedness with warmth.</l>
                <stage>[<hi rend="italics">Rings. Enter Biddy.</hi></stage>
                <l>Go, Biddy!—send my niece to me. <stage>[<hi rend="italics">Ex. Biddy.</hi>]</stage> A beggar,</l>
                <l>That fain would be a chooser!—So, Miss!</l>
              </sp>
              <stage>
                <hi rend="italics">Enter Clarice.</hi>
              </stage>
              <sp>
                <speaker>CLARICE.</speaker>
                <l>Dear Aunt!</l>
              </sp>
              <sp>
                <speaker>MRS. J.</speaker>
                <l>Ay, you would <hi rend="italics">dare</hi> me in another fashion,</l>
                <l>But you have met your match; and now I tell you,</l>
                <l>Clarice Delancy, 'tis in vain you struggle—</l>
              </sp>
              <sp>
                <speaker>CLARICE.</speaker>
                <l>What <hi rend="italics">have</hi> I done?</l>
              </sp>
              <sp>
                <speaker>MRS. J.</speaker>
                <l>Oh! you are ignorant,</l>
                <l>And innocent seeming as the babe unborn,</l>
                <l>If tongue and face could speak for secret conscience,</l>
                <l>That harbors what it should not. So, you dare</l>
                <l>Avow a passion for that beggarly Maurice,</l>
                <l>Whom I've forbid the house!</l>
              </sp>
              <sp>
                <speaker>CLARICE.</speaker>
                <l>Forbidden Maurice!</l>
              </sp>
              <sp>
                <speaker>MRS. J.</speaker>
                <l>Ay, indeed! forbid!</l>
              </sp>
              <sp>
                <speaker>CLARICE.</speaker>
                <l>In what has he offended?</l>
              </sp>
              <sp>
                <speaker>MRS. J.</speaker>
                <l>His poverty offends me—his presumption.</l>
              </sp>
              <sp>
                <speaker>CLARICE.</speaker>
                <l>Presumption!</l>
              </sp>
              <sp>
                <speaker>MRS. J.</speaker>
                <l>He has the audacity to think of you</l>
                <l>In marriage—he would heir my property;—</l>
                <l>The miserable beggar! who, but lately—</l>
              </sp>
              <sp>
                <speaker>CLARICE.</speaker>
                <l>And, if the humble Clarice might presume,</l>
                <l>There were no fitter husband! From the Fates</l>
                <l>I do entreat no happier destiny</l>
                <l>Than but to share, o'er all that wealth may proffer,</l>
                <l>The beggary that he brings!</l>
              </sp>
              <sp>
                <speaker>MRS. J.</speaker>
                <l>But you shall never!</l>
                <pb id="p8" n="8"/>
                <l>I am your guardian, in the place of mother,</l>
                <l>And I will turn you naked from these doors</l>
                <l>If you but dare—</l>
              </sp>
              <sp>
                <speaker>CLARICE.</speaker>
                <l>Ah! that <hi rend="italics">were</hi> guardianship,</l>
                <l>Becoming the dear sister of a mother,</l>
                <l>Who, when she left her hapless child to earth,</l>
                <l>Ne'er dream'd of such remembrance, in the future,</l>
                <l>Of what beseem'd the past. I've anger'd you,</l>
                <l>But cannot chide myself, because my nature</l>
                <l>Does not revolt at homage of a being</l>
                <l>In whom no virtue starves. Suppose him poor!</l>
                <l>Wealth makes no certain happiness to hope,</l>
                <l>Nor poverty its loss. In Norman Maurice</l>
                <l>I see a nobleness that still atones for</l>
                <l>The lowly fortunes that offend your pride.</l>
                <l>None richer lives in rarest qualities,—</l>
                <l>More precious to the soul that feeds on worth,</l>
                <l>Than all your city glitter. Do you think</l>
                <l>To win me from a feast of such delights,</l>
                <l>To the poor fare on common things that make</l>
                <l>The wealth of Robert Warren? Madam—my aunt,—</l>
                <l>I thank you for the bounty you have shown me!</l>
                <l>It had been precious o'er most earthly things,</l>
                <l>But that it hath its price, at perilous cost</l>
                <l>To things more precious still. Your charity,</l>
                <l>That found a shelter for this humble person,</l>
                <l>Were all too costly, if it claims in turn</l>
                <l>This poor heart's sacrifice. I <hi rend="italics">cannot</hi> make it!</l>
                <l>I will <hi rend="italics">not</hi> wed this Warren,—for I <hi rend="italics">know</hi> him—</l>
                <l>And, if it be that I shall ever wed,</l>
                <l><hi rend="italics">Will</hi> wed with Norman Maurice—as a man,</l>
                <l>Whom most it glads me that I also know.</l>
              </sp>
              <sp>
                <speaker>MRS. J.</speaker>
                <l>Never shall you wed with <hi rend="italics">him</hi> while I have power</l>
                <l>To keep you from such folly. You're an infant,</l>
                <pb id="p9" n="9"/>
                <l>That knows not what is needful for your safety,</l>
                <l>Or precious for your heart. Be ruled by me,</l>
                <l>Or forth you pack. I cut you off forever,</l>
                <l>From fortune as from favor.</l>
              </sp>
              <sp>
                <speaker>CLARICE.</speaker>
                <l>Welcome death,</l>
                <l>Sooner than bonds like these!</l>
              </sp>
              <sp>
                <speaker>MRS. J.</speaker>
                <l>Ungrateful girl!</l>
                <l>And this is the return for all my bounty?</l>
                <l>But you shall not achieve your own destruction,</l>
                <l>If I can help it. This Maurice never darkens</l>
                <l>My dwelling with his shadow. He hath made you</l>
                <l>Perverse and disobedient—but he shall not</l>
                <l>Thrive by your ruin. See that you prepare</l>
                <l>To marry Robert Warren.</l>
              </sp>
              <sp>
                <speaker>CLARICE.</speaker>
                <l>With the grave first!—</l>
                <l>Its cold and silence, and its crawling things,</l>
                <l>Loathsome, that make us shudder but to think on,</l>
                <l>Sooner than he!—a base, unworthy creature,</l>
                <l>Who steals between his kinsman and the friend,</l>
                <l>That gave him highest trust and held him faithful,</l>
                <l>To rob him of the treasure he most values.</l>
                <l>The reptile that keeps empire in the grave</l>
                <l>Sooner than he, shall glide into this bosom,</l>
                <l>And make it all his own.</l>
              </sp>
              <sp>
                <speaker>MRS. J.</speaker>
                <l>Silence, I say!—</l>
                <l>Before I madden with your insolence,</l>
                <l>And lose the memory of that sainted sister</l>
                <l>That left you in my trust.</l>
              </sp>
              <sp>
                <speaker>CLARICE.</speaker>
                <l>My poor, dear mother!</l>
                <l>She never dream'd of this, in that dark hour</l>
                <l>That lost me to her own!</l>
              </sp>
              <sp>
                <speaker>MRS. J.</speaker>
                <l>I'm in her place,</l>
                <l>To sway your foolish fancies with a prudence</l>
                <l>You will not know yourself. Once more I tell you,</l>
                <pb id="p10" n="10"/>
                <l>You wed with Warren—Robert Warren, only!</l>
                <l>This Maurice— <stage>[<hi rend="italics">noise without</hi>]</stage> Ha! That noise?—</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <stage>[<hi rend="italics">in the hall without.</hi>]</stage>
                <l>I <hi rend="italics">must,</hi> my girl!</l>
              </sp>
              <sp>
                <speaker>CLARICE.</speaker>
                <l>'Tis Maurice now.</l>
              </sp>
              <sp>
                <speaker>MRS. J.</speaker>
                <l>The insolent! will he dare!</l>
              </sp>
              <sp>
                <speaker>BIDDY.</speaker>
                <stage>[<hi rend="italics">in the hall without.</hi>]</stage>
                <l>Mrs. Jervas says, sir—</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <stage>[<hi rend="italics">without.</hi>]</stage>
                <l>Ay! ay! she <hi rend="italics">says!</hi>—</l>
                <l>But when a lady means civilities,</l>
                <l>'Tis still my custom to do justice to her,</l>
                <l>By seeking them in person. There, my girl,</l>
                <l>You've done your duty as you should. Now, please you,</l>
                <l>I will do mine. <stage>[<hi rend="italics">Entering the room.</hi>]</stage> Madam—</l>
              </sp>
              <sp>
                <speaker>MRS. J.</speaker>
                <l>Was ever insolence—</l>
              </sp>
              <sp>
                <speaker>BIDDY.</speaker>
                <stage>[<hi rend="italics">entering.</hi>]</stage>
                <l>Mr. Maurice <hi rend="italics">would,</hi> ma'am.</l>
              </sp>
              <sp>
                <speaker>MRS. J.</speaker>
                <l>This conduct, sir—</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>Would be without its plea at common seasons,—</l>
                <l>And he whose purpose was a morning visit,</l>
                <l>The simply social object of the idler,</l>
                <l>Who finds in his own time and company</l>
                <l>The very worst offence, could offer nothing,</l>
                <l>To plead for his intrusion on that presence,</l>
                <l>Which, so politely, shuts the door against him.</l>
              </sp>
              <sp>
                <speaker>MRS. J.</speaker>
                <l>Well, sir?</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>But I am none of these.</l>
              </sp>
              <sp>
                <speaker>MRS<corr sic="missing punctuation">.</corr> J.</speaker>
                <l>What plea, sir?—</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>Some natures have their privilege—some passions</l>
                <l><hi rend="italics">Demand</hi> a hearing. There are rights of feeling,</l>
                <l>That art can never stifle—griefs, affections,</l>
                <l>That never hear the civil “Not at home!”</l>
                <l>When home itself is perill'd by submission.</l>
                <l>He's but a haggard that obeys the check,</l>
                <l>When all that's precious to his stake of life</l>
                <l>Is fasten'd on the string. Necessity</l>
                <l>Makes bold to ope the door which fashion's portress</l>
                <pb id="p11" n="11"/>
                <l>Would bolt and bar against him. 'Tis <hi rend="italics">my</hi> fate,</l>
                <l>That prompts me to a rudeness, which my nurture</l>
                <l>Would else have shrunk from. But that I have rights</l>
                <l>Which move me to defiance of all custom,</l>
                <l>I had not vex'd your presence.</l>
              </sp>
              <sp>
                <speaker>MRS. J.</speaker>
                <l>Rights, sir—rights?</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>Ay, madam, the most precious to the mortal!</l>
                <l>Rights of the heart, which make the heart immortal</l>
                <l>In those affections which still show to earth,</l>
                <l>The only glimpses we have left of Eden.</l>
                <l>Behold in her, <stage>[<hi rend="italics">pointing to Clarice,</hi>]</stage> my best apology—</l>
                <l>One, whom to gaze on silences complaint,</l>
                <l>And justifies the audacity that proves</l>
                <l>Its manhood in its error. Clarice, my love,</l>
                <l>Is there from any corner of your heart</l>
                <l>An echo to the will that says to Maurice,</l>
                <l>Your presence here is hateful?</l>
                <stage>[<hi rend="italics">Takes her hand.</hi>]</stage>
              </sp>
              <sp>
                <speaker>CLARICE.</speaker>
                <l>Can you ask?</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>Enough!—</l>
              </sp>
              <sp>
                <speaker>MRS. J.</speaker>
                <l>Too much, I say. Let go her hand,</l>
                <l>And leave this dwelling, sir! I'm mistress here;</l>
                <l>And shall take measures for security</l>
                <l>Against this lawless insolence.</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>Awhile! awhile!</l>
                <l>You <hi rend="italics">are</hi> the mistress here;—I <hi rend="italics">will</hi> obey you;—</l>
                <l><hi rend="italics">Will</hi> leave your presence, madam, never more</l>
                <l>To trouble you with mine. You now deny me</l>
                <l>The privilege, that never act of mine</l>
                <l>Hath properly made forfeit. You behold me</l>
                <l>The suitor to your niece. You hear her language,—</l>
                <l>How different from your own—that, with its bounty</l>
                <l>Makes rich my heart with all the gifts in hers!</l>
                <l>Sternly, you wrest authority from judgment,</l>
                <l>To exercise a will that puts to scorn</l>
                <pb id="p12" n="12"/>
                <l>Her hopes no less than mine! I would have pleaded</l>
                <l>Your calm return to judgment;—would entreat you</l>
                <l>To thoughts of better favor, that might sanction,</l>
                <l>With the sweet blessing of maternal love,</l>
                <l>The mutual passion living in our hearts;</l>
                <l>But that I know how profitless the pleading,</l>
                <l>Which, in the ear of prejudice, would soften</l>
                <l>The incorrigible wax that deafens pride.</l>
                <l>I plead not for indulgence—will <hi rend="italics">not</hi> argue</l>
                <l>The cruelty that finds in charity</l>
                <l>Commission for that matchless tyranny</l>
                <l>That claims the right to break the orphan's heart</l>
                <l>Because it finds her bread.</l>
              </sp>
              <sp>
                <speaker>CLARICE,</speaker>
                <stage>[<hi rend="italics">aside to Norman.</hi>] </stage>
                <l>Spare her, Norman.</l>
              </sp>
              <sp>
                <speaker>MAURICE,</speaker>
                <stage>[<hi rend="italics">aside to Clarice.</hi>]</stage>
                <l>Oh! will I not! Yet wherefore need I spare,</l>
                <l>When, if the Holy Law be not a mock,</l>
                <l>The justice which must break this heart of stone,</l>
                <l>Will send her howling through eternity.</l>
                <l>'Twere mercy, which in season speaks the truth,</l>
                <l>That, in the foretaste of sure penalties,</l>
                <l>May terrify the offender from his path,</l>
                <l>And send him to his knees.</l>
              </sp>
              <sp>
                <speaker>CLARICE,</speaker>
                <stage>[<hi rend="italics">aside to Maurice.</hi>]</stage>
                <l>For my sake, Norman.</l>
              </sp>
              <sp>
                <speaker>MAURICE,</speaker>
                <stage>[<hi rend="italics">to Mrs. J.</hi>]</stage>
                <l>Yet, madam, in this freest use of power,</l>
                <l>Which drives me hence, be merciful awhile,</l>
                <l>And, if this heart, so dearly link'd with mine,</l>
                <l>Through love and faith unperishing, must turn</l>
                <l>Its fountains from that precious overflow</l>
                <l>That kept my flowers in bloom—yet, ere the word,</l>
                <l>That leaves me sterile ever thence, be said,</l>
                <l>Suffer us, apart awhile, to speak of parting!</l>
                <l>Words of such import still ask fewest ears,</l>
                <l>And words of grief and hopelessness like ours,</l>
                <pb id="p13" n="13"/>
                <l>Must needs have utterance in such lowly tones,</l>
                <l>As best declare the condition of the heart,</l>
                <l>That's muffled for despair. But a few moments</l>
                <l>We'll walk apart together.</l>
              </sp>
              <sp>
                <speaker>MRS. J.</speaker>
                <l>It is useless!</l>
                <l>What needs—</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>What need of sorrow ever! Could earth speak,</l>
                <l>Prescribing laws to that Divinity,</l>
                <l>That still smites rock to water, we should hear,</l>
                <l>The universal voice of that one plea,</l>
                <l>That claims for man immunity from troubles</l>
                <l>Which make proud eyes o'erflow. Who should persuade</l>
                <l>His fellow to opinion of the uses</l>
                <l>That follow from his tears? What school, or teacher,</l>
                <l>Would seek to show that chemistry had art,</l>
                <l>To fix and harden the dilating drops</l>
                <l>To brilliants as they fall,—such as no crown</l>
                <l>In Europe might affect? One finds no succor,</l>
                <l>Sovereign to break the chain about his wrist,</l>
                <l>From all the fountains that o'ersluice the heart;</l>
                <l>Yet will he weep, though useless. He who stands,</l>
                <l>Waiting upon the scaffold for the signal,</l>
                <l>That flings him down the abyss, still hoards each minute</l>
                <l>That niggard fate allows. That single minute</l>
                <l>Still shrines a hope;—if not a hope, a feeling,</l>
                <l>That finds a something precious even in pain,</l>
                <l>And will not lose the anxiety that racks him,</l>
                <l>Lest he make forfeit of a something better</l>
                <l>Which yet he cannot name. And, at the last,</l>
                <l>I, whom you doom to loss of more than life,</l>
                <l>May well implore the respite of a moment,</l>
                <l>If but to suffer me to count once more,</l>
                <l>The treasure that I lose. A moment, madam?</l>
              </sp>
              <sp>
                <speaker>MRS. J.</speaker>
                <stage>[<hi rend="italics">walks up the stage.</hi>]</stage>
                <l>A single moment, then.</l>
              </sp>
              <pb id="p14" n="14"/>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>Oh! you are gracious!</l>
                <l>A single moment is a boundless blessing</l>
                <l>To him you rob of time! Clarice, my love.</l>
              </sp>
              <sp>
                <speaker>CLARICE.</speaker>
                <l>My Norman!</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>Oh! is it thus, my Clarice—is it thus?</l>
              </sp>
              <sp>
                <speaker>CLARICE.</speaker>
                <l>We have been children, Norman, in our dreams</l>
                <l>We are the sport of fate!</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>And shall be ever,</l>
                <l>If that there be no courage in our hearts</l>
                <l>To shape the fates to favor by our will.</l>
              </sp>
              <sp>
                <speaker>CLARICE.</speaker>
                <l>What mean you, Norman</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>What should Norman mean,</l>
                <l>But, if he can, to grapple with his fortune,</l>
                <l>And, like a sturdy wrestler in the ring,</l>
                <l>Throw heart and hope into the perilous struggle?</l>
                <l>What should I mean but happiness for thee,—</l>
                <l>Thou willing, as myself? Who strives with fate,</l>
                <l>Must still, like him, the mighty Macedonian,</l>
                <l>Seize the coy priestess by the wrist, and lead her</l>
                <l>Where yet she would not go! Suppose me faithful</l>
                <l>To the sweet passion I have tender'd you,</l>
                <l>And what remains in this necessity,</l>
                <l>But that, made resolute by grim denial,</l>
                <l>I challenge from your love sufficient courage,</l>
                <l>To take the risks of mine!</l>
              </sp>
              <sp>
                <speaker>CLARICE.</speaker>
                <l>Within your eye</l>
                <l>A meaning more significant than your words,</l>
                <l>Would teach me still to tremble. That I love you,</l>
                <l>You doubt not, Norman! That my heart hath courage</l>
                <l>To match the love it feels for you—</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>It hath—it hath!</l>
                <l>If that the love be there, as I believe it,</l>
                <l>That love will bring, to nourish needful strength,</l>
                <l>A virtue that makes love a thing of soul,</l>
                <pb id="p15" n="15"/>
                <l>And arms its will with wings. Oh! read you not,</l>
                <l>My meaning—</l>
              </sp>
              <sp>
                <speaker>MRS. J.</speaker>
                <stage>[<hi rend="italics">approaching.</hi>]</stage>
                <l>Your moment is a long one, sir.</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>Ah, madam!</l>
                <l>Who chides the executioner when he suffers</l>
                <l>The victim his last words—though still he lingers</l>
                <l>Ere he would reach the last? But a few moments,</l>
                <l>And I have spoken all that my full heart</l>
                <l>Might not contain with safety.</l>
              </sp>
              <sp>
                <speaker>MRS. J.</speaker>
                <stage>[<hi rend="italics">retiring up the stage.</hi>]</stage>
                <l>Be it so, sir.</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>You hear, my Clarice. We've another moment:</l>
                <l>But one, it seems, unless your resolution</l>
                <l>Takes its complexion from the fate that threatens</l>
                <l>And shows an equal will. If then, in truth,</l>
                <l>You love me—</l>
              </sp>
              <sp>
                <speaker>CLARICE.</speaker>
                <l>Oh! look not thus!</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>I doubt not;—</l>
                <l>And yet, dear Clarice, if indeed you love me,</l>
                <l>The single moment that this woman gives us,</l>
                <l>Becomes a life;—to me, of happiness,—</l>
                <l>To thee, as full of happiness as thou</l>
                <l>Might hope to gain from me. She would deny us,—</l>
                <l>Would wed thee to that subtle Robert Warren—</l>
              </sp>
              <sp>
                <speaker>CLARICE.</speaker>
                <l>I'll perish first!</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>No need of perishing</l>
                <l>When I can bring thee to security.</l>
                <l>I knew thy straits—the tyranny which thou suffer'st</l>
                <l>Because of thy dependence; and my struggle,</l>
                <l>Since this conviction reached me—day and night—</l>
                <l>Was, that I might from this condition snatch thee,</l>
                <l>And, in thy happier fortunes, find mine own!</l>
                <l>I have prepared for this.</l>
              </sp>
              <sp>
                <speaker>CLARICE.</speaker>
                <l>What would'st thou, Norman?</l>
              </sp>
              <sp>
                <speaker>MRS. J.</speaker>
                <stage>[<hi rend="italics">approaching.</hi>]</stage>
                <l>Your moments fly.</l>
              </sp>
              <pb id="p16" n="16"/>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>I soon shall follow them.</l>
              </sp>
              <sp>
                <speaker>MRS. J.</speaker>
                <stage>[<hi rend="italics">retiring again.</hi>]</stage>
                <l>The sooner, sir, the better.</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>She would spare me,</l>
                <l>The argument which shows thee what is needful.</l>
              </sp>
              <sp>
                <speaker>CLARICE.</speaker>
                <l>Speak! I have courage equal to my love!</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>I try thee though I doubt not! If thou lov'st m<gap reason="illegible" extent="one character"/></l>
                <l>Thou'lt yield, without a question, to my purpose,</l>
                <l>And give me all thy trust.</l>
              </sp>
              <sp>
                <speaker>CLARICE.</speaker>
                <l>Will I not, Norman?</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>Then, with the night, I make thee mine, Clarice!</l>
                <l>Steal forth at evening. There shall be a carriage,</l>
                <l>And my good hostess, whom thou know'st, in waiting.</l>
                <l>Our future home is ready.</l>
              </sp>
              <sp>
                <speaker>CLARICE.</speaker>
                <l>Let me think, Norman.</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>That's as your excellent aunt, who now approaches,</l>
                <l>May please:—but, surely, when to my fond pleading</l>
                <l>You sweetly vow'd yourself as mine alone,</l>
                <l>The proper thought that sanctions my entreaty</l>
                <l>Was all complete and perfect.</l>
              </sp>
              <sp>
                <speaker>CLARICE.</speaker>
                <l>But Norman, how—</l>
                <l>How should I, in your poverty, encumber</l>
                <l>Your cares with a new burden?</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>There is no poverty,</l>
                <l>Which the true courage, and the bold endeavor,</l>
                <l>The honest purpose, the enduring heart,</l>
                <l>Crowned with a love that blesses while it burdens,</l>
                <l>May not defy in such a land as ours!</l>
                <l>We'll have but few wants having one another!—</l>
                <l>And for these wants, some dawning smiles of fortune</l>
                <l>Already have prepared me. Trust me, Clarice,</l>
                <l>I will not take thee to a worse condition,</l>
                <l>In one whose charities shall never peril</l>
                <l>The affections they should foster.</l>
              </sp>
              <sp>
                <speaker>MRS. J.</speaker>
                <stage>[<hi rend="italics">approaching.</hi>]</stage>
                <l>Sir,—again!</l>
              </sp>
              <pb id="p17" n="17"/>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>Yes, yes—most excellent madam—yes—again!</l>
                <l>There's but a single syllable between us,</l>
                <l>Your niece hath left unspoken.—My Clarice!</l>
              </sp>
              <sp>
                <speaker>CLARICE.</speaker>
                <l>I'm thine!</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>
                  <hi rend="italics">'Tis spoken!</hi>
                </l>
                <l>And now I live again!</l>
              </sp>
              <sp>
                <speaker>MRS. J.</speaker>
                <l>Well, sir—art done at last?</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>Done! Ay, madam—done!</l>
                <l>You've held me narrowly to a strict account—</l>
                <l>And yet, I thank you. You've been merciful</l>
                <l>After a fashion which invokes no justice,</l>
                <l>And yet may find it, madam. Yet—I thank you!</l>
                <l>The word <hi rend="italics">is</hi> said that's needful to our parting;</l>
                <l>And that I do not in despair depart,</l>
                <l>Is due to these last moments. Fare you well!</l>
                <l>Be you as safe, henceforth, from all instrusion,</l>
                <l>As you shall be from mine. Clarice—farewell!</l>
              </sp>
              <sp>
                <speaker>CLARICE.</speaker>
                <l>Norman.</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <stage>[<hi rend="italics">embracing her.</hi>]</stage>
                <l>But one embrace!</l>
              </sp>
              <sp>
                <speaker>MRS. J.</speaker>
                <l>Away, sir.</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>In earnest of those pleasant bonds hereafter,</l>
                <l>That none shall dare gainsay. Clarice—Remember!</l>
                <stage>[<hi rend="italics">Exit Maurice.</hi></stage>
              </sp>
              <sp>
                <speaker>CLARICE.</speaker>
                <l>Go, Norman, and believe me.</l>
              </sp>
              <sp>
                <speaker>MRS. J.</speaker>
                <l>Get you in!</l>
                <stage>[<hi rend="italics">Exeunt.</hi></stage>
              </sp>
            </div4>
            <div4 type="scene">
              <pb id="p18" n="18"/>
              <head>SCENE II.</head>
              <stage>
                <hi rend="italics">A Lawyer's office in Philadelphia. Richard Osborne at a desk writing.</hi>
              </stage>
              <stage>
                <hi rend="italics">Enter Robert Warren.</hi>
              </stage>
              <sp>
                <speaker>WARREN,</speaker>
                <stage>[<hi rend="italics">eagerly.</hi>]</stage>
                <l>Hast drawn the paper, Osborne?</l>
              </sp>
              <sp>
                <speaker>OSBORNE.</speaker>
                <l>It is here.</l>
              </sp>
              <sp>
                <speaker>WARREN.</speaker>
                <l>The copy this?—</l>
              </sp>
              <sp>
                <speaker>OSBORNE.</speaker>
                <l>And this the original.</l>
              </sp>
              <sp>
                <speaker>WARREN,</speaker>
                <stage>[<hi rend="italics">examining papers.</hi>]</stage>
                <l>'Tis very like! You've done it famously:</l>
                <l>One knows not which is which; and Norman Maurice,</l>
                <l>Himself, would struggle vainly to discover</l>
                <l>The difference 'twixt the words himself hath written,</l>
                <l>And these your skill hath copied to a hair.</l>
                <l>We shall deceive him.</l>
              </sp>
              <sp>
                <speaker>OSBORNE.</speaker>
                <l>Why would you deceive him?</l>
              </sp>
              <sp>
                <speaker>WARREN.</speaker>
                <l>Eh! Why? It is my instinct! Are you answer'd?</l>
                <l>I hate him! Would you have a better answer?</l>
              </sp>
              <sp>
                <speaker>OSBORNE.</speaker>
                <l>Why hate him when his kindness still have served you?</l>
                <l>This very obligation which hath bound him,</l>
                <l>And given us cruel power o'er his fortunes,—</l>
                <l>His purse—perhaps his honor—</l>
              </sp>
              <sp>
                <speaker>WARREN.</speaker>
                <l>Why, perhaps?</l>
                <l>Is it doubtful, think you, that this fatal writing,</l>
                <l>Made public,—will disgrace him?</l>
              </sp>
              <sp>
                <speaker>OSBORNE.</speaker>
                <l>An error only,—</l>
                <l>The thoughtless sport of boyhood—wholly guiltless</l>
                <l>Of all dishonest purpose. We have used it,—</l>
                <l>You rather—and the profit has been ours!—</l>
                <pb id="p19" n="19"/>
                <l>Why, if he pays the money as he proffers,</l>
                <l>Why treasure still this paper? More—why hate him?</l>
              </sp>
              <sp>
                <speaker>WARREN.</speaker>
                <l>Let it suffice you that I have my reasons!—</l>
                <l>And let me tell you, Osborne, that I love not</l>
                <l>This sympathy which you show for Norman Maurice.</l>
                <l>Beware! who goes not with me is against me!</l>
              </sp>
              <sp>
                <speaker>OSBORNE.</speaker>
                <l>I'm in your power, I know—</l>
              </sp>
              <sp>
                <speaker>WARREN.</speaker>
                <l>Then let your wisdom</l>
                <l>Abate its fond pretension as my teacher!</l>
                <l>I'm better pleased with service than tuition;</l>
                <l>Will hold you as my ally, not my master!</l>
                <l>I have remarked, of late, that you discover</l>
                <l>Rare virtues in my cousin! He hath fee'd you;</l>
                <l>Employed you as attorney in his cases—</l>
              </sp>
              <sp>
                <speaker>OSBORNE.</speaker>
                <l>Not more than other counsellors.</l>
              </sp>
              <sp>
                <speaker>WARREN.</speaker>
                <l>No matter!</l>
                <l>It is enough that you are mine!</l>
              </sp>
              <sp>
                <speaker>OSBORNE.</speaker>
                <l>This jealousy—</l>
              </sp>
              <sp>
                <speaker>WARREN.</speaker>
                <l>Is only vigilance! Each look of favor,</l>
                <l>Bestow'd on him I loathe, is disaffection</l>
                <l>In him that's bound to me.</l>
              </sp>
              <sp>
                <speaker>OSBORNE.</speaker>
                <l>This document?—</l>
              </sp>
              <sp>
                <speaker>WARREN.</speaker>
                <l>The <hi rend="italics">real</hi> one,—the <hi rend="italics">original</hi>—is mine;</l>
                <l>The <hi rend="italics">copy</hi> you will yield him when he pays you;—</l>
                <l>That he will do so, now, I make no question,</l>
                <l>Though where his money comes from is my wonder.</l>
              </sp>
              <sp>
                <speaker>OSBORNE.</speaker>
                <l>The case of Jones &amp; Peters, just determined,</l>
                <l>Brings him large fees. Another action,</l>
                <l>The insurance case of Ferguson &amp; Brooks,</l>
                <l>Secures him handsome profits. Other cases,</l>
                <l>Have lately brought him, with new reputation,</l>
                <l>Liberal returns of money.</l>
              </sp>
              <sp>
                <speaker>WARREN.</speaker>
                <l>We'll have all!</l>
                <l>See that you pile the costs—crowd interest—</l>
                <pb id="p20" n="20"/>
                <l>Expense of service; tax to the uttermost</l>
                <l>The value of your silence and forbearance—</l>
                <l>Leave nothing you have done without full charges,</l>
                <l>While, what has been forborne, more highly rated,</l>
                <l>Shall sweep the remaining eagles from his pure.</l>
              </sp>
              <sp>
                <speaker>OSBORNE.</speaker>
                <l>What bitterness is yours!</l>
              </sp>
              <sp>
                <speaker>WARREN.</speaker>
                <l>Oh! quite ungracious,</l>
                <l>Contrasted with the sweetness of your moods!</l>
                <l>Once more, beware! Do as I bid you, Osborne,</l>
                <l>Or you shall feel me. Yield him up this <hi rend="italics">copy,</hi></l>
                <l>Which we shall see him, with delirious rapture,</l>
                <l>Thrust in the blazing furnace,—little dreaming,</l>
                <l>That still the damning scrawl that blasts his honor,</l>
                <l>Lies here, in the possession of his foe!</l>
              </sp>
              <sp>
                <speaker>OSBORNE.</speaker>
                <l>Will nothing move you, Warren?</l>
              </sp>
              <sp>
                <speaker>WARREN.</speaker>
                <l>His funeral only,—</l>
                <l>To follow—while above his burial place,</l>
                <l>I show this fatal paper,—still lamenting</l>
                <l>That one with so much talent should have falter'd,</l>
                <l>When virtue cried “Be firm!”—Oh! I will sorrow,</l>
                <l>So deeply o'er his sad infirmity,</l>
                <l>That they who come to weep above his grave,</l>
                <l>Will turn from it in scorn. But, get you ready;—</l>
                <l>You'll sup with me; and afterwards we'll seek him.</l>
                <l>We must look smiling then as summer flowers,</l>
                <l>Nor show the serpent crouching in the leaves.</l>
              </sp>
              <stage>[<hi rend="italics">Exeunt.</hi></stage>
            </div4>
            <div4 type="scene">
              <head>SCENE III.</head>
              <stage>
                <hi rend="italics">Evening: Chestnut-street. Enter Maurice with Clarice.</hi>
              </stage>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>Thou'rt mine, my Clarice.</l>
              </sp>
              <sp>
                <speaker>CLARICE.</speaker>
                <l>Wholly thine, my husband.</l>
              </sp>
              <pb id="p21" n="21"/>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>Now let the furies clamor as they may,</l>
                <l>That the capricious fortune which had mock'd</l>
                <l>Our blessings with denial, has been baffled</l>
                <l>By the true nobleness of that human will,</l>
                <l>Which, when the grim necessity looks worst,</l>
                <l>Can fearlessly resolve to brave its fate.</l>
                <l>Thou'rt mine, and all grows suppliant in my path</l>
                <l>That lately looked defiance. We are one!—</l>
                <l>This is our dwelling, Clarice:—let us in.</l>
              </sp>
              <stage>[<hi rend="italics">They enter the house of Maurice.</hi></stage>
            </div4>
            <div4 type="scene">
              <head>SCENE IV.</head>
              <stage>
                <hi rend="italics">The parlor of a dwelling in the residence of Maurice, handsomely and newly furnished. Enter Warren and Osborne.</hi>
              </stage>
              <sp>
                <speaker>WARREN.</speaker>
                <l>I am amazed.</l>
              </sp>
              <sp>
                <speaker>OSBORNE.</speaker>
                <l>'Tis certainly a change</l>
                <l>From his old lodging-house in Cedar-street.</l>
              </sp>
              <sp>
                <speaker>WARREN.</speaker>
                <l>His run of luck hath crazed him, and he fancies</l>
                <l>The world is in his string.</l>
              </sp>
              <sp>
                <speaker>OSBORNE.</speaker>
                <l>He's not far wrong!</l>
                <l>His arguments have made a great impression;</l>
                <l>Their subtlety and closeness, and the power</l>
                <l>Of clear and forcible development,</l>
                <l>Which seems most native to his faculty!</l>
                <l>He was born an orator! With such a person—</l>
                <l>A voice to glide from thunder into music,</l>
                <l>A form and face so full of majesty,</l>
                <l>Yet, with such frankness and simplicity,—</l>
                <l>So much to please, and so commanding—</l>
              </sp>
              <sp>
                <speaker>WARREN.</speaker>
                <l>Pshaw!—</l>
                <l>You prate as do the newspapers, with a jargon</l>
                <pb id="p22" n="22"/>
                <l>Of wretched common-place, bestuffed with phrases,</l>
                <l>That, weighed against the ballad of an idiot,</l>
                <l>Would show less burden and significance.</l>
                <l>We'll spoil his fortune—</l>
              </sp>
              <sp>
                <speaker>OSBORNE.</speaker>
                <l>Hark! He comes.</l>
              </sp>
              <sp>
                <speaker>WARREN.</speaker>
                <l>Be firm now!</l>
                <l>See that you do it manfully—no halting.—</l>
              </sp>
              <sp>
                <speaker>OSBORNE.</speaker>
                <l>You still persist, then?</l>
              </sp>
              <sp>
                <speaker>WARREN.</speaker>
                <l>Ay! when I have him here.</l>
                <stage>[<hi rend="italics">touching his breast.</hi>]</stage>
              </sp>
              <stage>
                <hi rend="italics">Enter Norman Maurice.</hi>
              </stage>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>Be seated, sirs.</l>
                <l>You bring with you the paper?</l>
                <stage>[<hi rend="italics">To Osborne.</hi></stage>
              </sp>
              <sp>
                <speaker>OSBORNE.</speaker>
                <l>It is here, sir.</l>
                <stage>[<hi rend="italics">Giving copy of document.</hi></stage>
                <l>And here the separate claim—the costs and charges.</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>'Tis well! This first!—I pay this money, sir,</l>
                <l>In liquidation of this wretched paper,</l>
                <l>To which my hand appears, and, for which writing,</l>
                <l>The world, unconscious of the facts, might hold me</l>
                <l>A most unhappy criminal. Your knowledge</l>
                <l>Includes this person's agency—my cousin—</l>
                <l>As still, in moments of insidious fondness,</l>
                <l>It is his wont to call me.</l>
              </sp>
              <sp>
                <speaker>WARREN.</speaker>
                <l>Norman, nay!</l>
              </sp>
              <sp>
                <speaker>MAURICE,</speaker>
                <stage>[<hi rend="italics">impatiently to Warren.</hi>]</stage>
                <l>Awhile, awhile, sir! we shall deal directly!—</l>
                <l>I said <stage>[<hi rend="italics">to Osborne,</hi>]</stage> your knowledge of this boyish error,</l>
                <l>Betrayed the agency of Robert Warren,</l>
                <l>Which does not here appear. He made <hi rend="italics">that</hi> guilty</l>
                <l>Which in itself was innocent. These moneys,</l>
                <l>Procured by him upon this document,</l>
                <l>Were all by him consumed. You were his agent,</l>
                <l>Perhaps as ignorant of his vicious deed,</l>
                <l>As I, who am its victim. Was it so, sir?</l>
              </sp>
              <pb id="p23" n="23"/>
              <sp>
                <speaker>OSBORNE.</speaker>
                <l>I sold for him the bill, sir, knowing nothing,</l>
                <l>And still believed it genuine.</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>He will tell you,</l>
                <l>That, what I utter of his agency,</l>
                <l>In this insane and inconsiderate act,</l>
                <l>Is true as Holy Writ! Speak, Robert Warren!</l>
              </sp>
              <sp>
                <speaker>WARREN.</speaker>
                <l>I have admitted it already, Norman.</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <stage>[<hi rend="italics">To Osborne.</hi>]</stage>
                <l>Be you the witness of his words hereafter.</l>
                <l>Here is your money,—and I take this paper,</l>
                <l>The proof of boyish error and misfortune,</l>
                <l>But not of crime, in me. Thus, let it perish,</l>
                <l>With that confiding and believing nature,</l>
                <l>Which gave me to the power of one so base!</l>
                <stage>[<hi rend="italics">putting it in the fire, and placing his foot on it while it burns.</hi></stage>
              </sp>
              <sp>
                <speaker>WARREN.</speaker>
                <l>Norman! Cousin!</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>You cozen me no more!</l>
                <l>And if your agent has the wit to gather</l>
                <l>A lesson from your faithlessness to me,</l>
                <l>You will not cozen him. Take counsel, sir,</l>
                <l>And never trust this man!</l>
                <stage>[<hi rend="italics">To Osborne.</hi></stage>
              </sp>
              <sp>
                <speaker>WARREN.</speaker>
                <l>Norman Maurice!</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <stage>[<hi rend="italics">To Osborne.</hi>]</stage>
                <l>Our business ends! Will it please you, leave us now!</l>
              </sp>
              <stage>[<hi rend="italics">Exit Osborne: Warren is about to follow when Maurice lays his hand on his shoulder.</hi></stage>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>Stay <hi rend="italics">you!</hi> There must be other words before we part,</l>
                <l>Not many, but most needful.</l>
              </sp>
              <sp>
                <speaker>WARREN.</speaker>
                <l>Let me pray you,</l>
                <l>To fashion them in less offensive spirit.</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>Why, so I should, could I suppose one virtue,</l>
                <l>A life to leaven a dense mass of vices,</l>
                <l>Remain'd within your bosom. You <hi rend="italics">shall</hi> listen</l>
                <l>Though every syllable should be a sting!</l>
                <pb id="p24" n="24"/>
                <l>'Twould not offend me greatly, Robert Warren,</l>
                <l>If, as I brand thy baseness on thy forehead,</l>
                <l>Thy heart, with courage born of just resentment,</l>
                <l>Should move thee to defiance! It would glad me,</l>
                <l>In sudden strife, to put a proper finish</l>
                <l>To thy deep, secret, foul, hostility.</l>
              </sp>
              <sp>
                <speaker>WARREN.</speaker>
                <l>You have no reason for this cruel language.</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>Look on me as thou say'st the monstrous falsehood;</l>
                <l>But lift thine eye to mine—and, if thy glance</l>
                <l>Can brazen out the loathing in mine own,</l>
                <l>I will forgive thee all! Thou dar'st not do it!</l>
                <l>No reason, say'st thou?—Thou, whose arrant cunning,</l>
                <l>Hath taken the profits of three toilsome years</l>
                <l>To pay thy wage of sin,—and smutch'd my garments,</l>
                <l>That else had known no stain!</l>
              </sp>
              <sp>
                <speaker>WARREN.</speaker>
                <l>Have I not</l>
                <l>Confess'd that wrong and folly?—</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>Wert repentant,</l>
                <l>When making thy confession—</l>
              </sp>
              <sp>
                <speaker>WARREN.</speaker>
                <l>So I am!</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>Traitor! I know thee better! Thy confession</l>
                <l>But followed on detection! While thou mad'st it,</l>
                <l>The busy devil, dwelling in thy heart,</l>
                <l>Was framing other schemes of crime and hatred,</l>
                <l>Outbraving all the past. Ev'n while my pity</l>
                <l>Was taking thee to mercy, thou wast planning</l>
                <l>New evil to my fortunes!</l>
              </sp>
              <sp>
                <speaker>WARREN.</speaker>
                <l>Never, Norman!</l>
                <l>By heaven! you do me wrong.</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>Pure Innocent,</l>
                <l>The very angels look on thee with sorrow,</l>
                <l>To see such virtue suffer such injustice!—</l>
                <l>But hearken, while I paint another picture:</l>
                <l>The fiends exulting in thy ready service,</l>
                <pb id="p25" n="25"/>
                <l>A voluntary minister of evil,</l>
                <l>As, with a spirit born of hell and hatred,</l>
                <l>Thou pluck'st the flower of hope from happiness,</l>
                <l>To plant the thorn instead.</l>
              </sp>
              <sp>
                <speaker>WARREN.</speaker>
                <l>What crime is this?</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>I heard thy plea for mercy! I believed thee,</l>
                <l>And, as thou wert the child of that dear woman</l>
                <l>Who called my mother, sister, I forgave thee,</l>
                <l>Most glad to listen to thy deep assurance</l>
                <l>Of shame for each sad error. So, I took thee,</l>
                <l>Once more, to confidence—my bosom open'd,</l>
                <l>And show'd thee, shrined within its holiest chamber,</l>
                <l>The image of the being that I loved!—</l>
                <l>I led thee to her—taught her to behold thee,</l>
                <l>My friend and kinsman; and, misdoubting never,</l>
                <l>Still saw thee bend thy footsteps to her dwelling,</l>
                <l>Nor dream'd that to the flowers that made my Eden,</l>
                <l>Myself had brought the serpent!</l>
              </sp>
              <sp>
                <speaker>WARREN.</speaker>
                <l>What means this?</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>What! Thou know'st nothing? Thou hast no conjecture</l>
                <l>Of what the serpent sought within the garden!</l>
                <l>Why, man, he whispered in Eve's innocent ears,</l>
                <l>The oiliest nothings,—mingled with such slander</l>
                <l>Of him who sought to make himself her Adam,</l>
                <l>That—</l>
              </sp>
              <sp>
                <speaker>WARREN.</speaker>
                <l>'Tis false!—I swear! I never did this mischief!</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>Liar! The oath thou tak'st is thy perdition!</l>
                <l>Behold the evidence that proves thy blackness,</l>
                <l>In contrast with its purity and truth!</l>
                <l>Clarice! Come forth! My wife, sir!</l>
              </sp>
              <stage>
                <hi rend="italics">Enter Clarice from within.</hi>
              </stage>
              <sp>
                <speaker>WARREN.</speaker>
                <l>Damnation!</l>
                <stage>[<hi rend="italics">Warren rushes out.</hi></stage>
              </sp>
              <pb id="p26" n="26"/>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>Thus fled the fiend, touch'd by Ithuriel's spear,</l>
                <l>Even from the reptile rising to the fiend,</l>
                <l>And speeding from the Eden that his presence</l>
                <l>Shall never trouble more. Henceforth, dear wife,</l>
                <l>Our paradise shall still be free from taint;</l>
                <l>A realm of sweetness unobscured by shadow,</l>
                <l>And freshening still with flow'rs that take their beauty,</l>
                <l>As favor'd still by thine. From this blest moment,</l>
                <l>Our peace shall be secure!</l>
              </sp>
              <sp>
                <speaker>CLARICE.</speaker>
                <l>And yet I fear,</l>
                <l>This bold, bad man.</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>Bad, but not bold! Fear nothing!</l>
                <l>I've pluck'd his sting! Thou know'st the cruel story;</l>
                <l>I told thee all,—suppressed no syllable—</l>
                <l>Of his perversion of a simple paper,</l>
                <l>Wherein, in vain display of penmanship,</l>
                <l>I gave him power for practice which he seized on,</l>
                <l>Exposing me to ruin. In those embers,</l>
                <l>The fatal proof lies buried. I am free;—</l>
                <l>And in the freedom I have won from him,</l>
                <l>And in the bondage I have sworn to thee,</l>
                <l>I write the record of my happiness!</l>
                <l>This day I feel triumphant as the hunter,</l>
                <l>Who, on the wild steed that his skill hath captured,</l>
                <l>Rifle in grasp, and bridle rein flung loose,</l>
                <l>Darts forth upon the prairie's waste of empire,</l>
                <l>And feels it all his own!</l>
              </sp>
              <sp>
                <speaker>CLARICE.</speaker>
                <l>I share thy triumph—</l>
                <l>Would share that waste with thee and feel no sorrow,</l>
                <l>For all that love foregoes.</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>I take thy promise—</l>
                <l>Will try thy strength, thy courage and thy heart,</l>
                <l>As little thou hast fancied! Clarice, dear wife,</l>
                <l>With dawn we leave this city.</l>
              </sp>
              <pb id="p27" n="27"/>
              <sp>
                <speaker>CLARICE.</speaker>
                <l>How! to-morrow?</l>
                <l>And leave this city, Norman?</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>Dost thou fail me?</l>
              </sp>
              <sp>
                <speaker>CLARICE.</speaker>
                <l>No! I am thine! My world is in thy love;</l>
                <l>I wish no dearer dwelling-place—would ask</l>
                <l>No sweeter realm of home! Go, where thou wilt,</l>
                <l>I cling to thee as did the Hebrew woman</l>
                <l>To him who had his empire in her heart.</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>I bless thee for this proof of thy affection!</l>
                <l>This is the city of thy birth and mine,</l>
                <l>But that's our native land alone which suffers</l>
                <l>That we take root and flourish;—those alone,</l>
                <l>Our kindred, who will gladden in our growth,</l>
                <l>And succor till we triumph. Here, it may be,</l>
                <l>That, after weary toil, and matchless struggle,</l>
                <l>When strength subsides in age, they will acknowledge,</l>
                <l>That I am worthy of my bread,—may bid me,</l>
                <l>Look up and be an alderman or mayor!—</l>
                <l>And this were of their favor. The near neighbors,</l>
                <l>Who grew with us, and saw our gradual progress,</l>
                <l>Who knew the boy, and all his sports and follies,</l>
                <l>Have seldom faith that he will grow the man</l>
                <l>To cast them into shadow. We'll go hence!—</l>
              </sp>
              <sp>
                <speaker>CLARICE.</speaker>
                <l>Whither, dear Norman?</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>Whither! Dost thou ask?</l>
                <l>Both in God's keeping, Clarice—thou in mine!</l>
                <l>I'll tender thee as the most precious treasure,</l>
                <l>That city ever yielded wilderness.</l>
              </sp>
              <sp>
                <speaker>CLARICE.</speaker>
                <l>I know thou wilt;—but what thy means, my husband</l>
                <l>Thou told'st me thou wast poor.</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>Means! I have manhood!</l>
                <l>Youth, strength, and men say, intellect—</l>
              </sp>
              <sp>
                <speaker>CLARICE.</speaker>
                <l>You have! You have!</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>A heart at ease, secure in its affections,</l>
                <pb id="p28" n="28"/>
                <l>And still the soul to seek each manly struggle!</l>
                <l>Wide is the world before me—a great people,</l>
                <l>Spread o'er a realm, along whose verdant meadows</l>
                <l>The sun can never set. I know this people—</l>
                <l>Love them—would make them mine! I have ambition</l>
                <l>To serve them in high places, and do battle</l>
                <l>With the arch-tyrannies, in various guises,</l>
                <l>That still from freedom pluck its panoply,</l>
                <l>Degrade its precious rites, and, with vain shadows,</l>
                <l>Mock the fond hopes that fasten on their words.</l>
              </sp>
              <sp>
                <speaker>CLARICE.</speaker>
                <l>Could you not serve them <hi rend="italics">here?</hi></l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>No! No!</l>
              </sp>
              <sp>
                <speaker>CLARICE.</speaker>
                <l>Wherefore not?—</l>
                <l>And oh! they need some saviour here, methinks!</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>Ay! They do need! But I am one of them,—</l>
                <l>Sprung from themselves—have neither friends nor fortune,</l>
                <l>And will not stoop, entreating as for favor,</l>
                <l>When I would serve to save! They lack all faith</l>
                <l>In him who scorns to flatter their delusions,</l>
                <l>And lie them to self-worship. In the West,</l>
                <l>There is a simpler and a hardier nature,</l>
                <l>That proves men's values, not by wealth and title,</l>
                <l>But mind and manhood. There, no ancient stocks,</l>
                <l>Claim power from precedence. Patrician people,</l>
                <l>That boast of virtues in their grandmothers,</l>
                <l>Are challenged for their own. With them it answers,</l>
                <l>If each man founds his family, and stands</l>
                <l>The father of a race of future men!</l>
                <l>Mere parchment, and the vain parade of title,</l>
                <l>Lift no man into stature. Such a region</l>
                <l>Yields all that I demand—an open field,</l>
                <l>And freedom to all comers. So, the virtues</l>
                <l>Flourish according to their proper nature;</l>
                <l>And each man, as he works with will and courage,</l>
                <pb id="p29" n="29"/>
                <l>Reaps the good fruitage proper to his claim;—</l>
                <l>Thither, dear wife!</l>
              </sp>
              <sp>
                <speaker>CLARICE.</speaker>
                <l>I'm thine!</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>Thy ready answer,</l>
                <l>Completes my triumph! Wings are at my shoulders,</l>
                <l>And more than eagle empires woo my flight!</l>
                <l>Yet, do I something fear,—Clarice—</l>
              </sp>
              <sp>
                <speaker>CLARICE.</speaker>
                <l>What fear?</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l><hi rend="italics">Thou</hi>'rt not ambitious.</l>
              </sp>
              <sp>
                <speaker>CLARICE.</speaker>
                <l>But for thee, Norman;</l>
                <l>If that, in service at thy shrine of glory,</l>
                <l>Thou dost not lose the love—</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>Be satisfied</l>
                <l>That, when my state is proudest, thou shalt be</l>
                <l>The one, whom, most of all, these eyes shall look for,</l>
                <l>This heart still follow with devoted service.</l>
                <l>But, to thy preparations: I will follow;—</l>
                <l>Before the dawn we shall have left this city.</l>
                <stage>[<hi rend="italics">Clarice going.</hi></stage>
                <l>That reptile—</l>
                <stage>[<hi rend="italics">musingly.</hi>]</stage>
              </sp>
              <sp>
                <speaker>CLARICE.</speaker>
                <stage>[<hi rend="italics">returning.</hi>]</stage>
                <l>Norman!</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>My Clarice!</l>
                <stage>[<hi rend="italics">embracing her.</hi></stage>
                <stage>[<hi rend="italics">Exit Clarice.</hi></stage>
                <l>His fangs are drawn!—</l>
                <l>Yet, somehow, he is present to my thoughts,</l>
                <l>As if he still had power. But, let him dare,</l>
                <l>Once more to cross my path, and he shall feel</l>
                <l>His serpent head grow flat beneath my heel.</l>
                <stage>[<hi rend="italics">Exit within.</hi></stage>
              </sp>
              <stage>END OF ACT FIRST.</stage>
            </div4>
          </div3>
          <div3 type="act">
            <pb id="p30" n="30"/>
            <head>ACT II.—SCENE I.</head>
            <div4 type="scene">
              <stage>
                <hi rend="italics">Scene: Missouri. A room in the cottage of Norman Maurice. Enter Maurice and Clarice.</hi>
              </stage>
              <sp>
                <speaker>CLARICE.</speaker>
                <l>Oh! Norman, this is happiness.</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>'Tis more,—</l>
                <l>Security in happiness. Our blossoms</l>
                <l>Fear not the spoiler. On your cheek the roses</l>
                <l>Declare a joyous presence in the heart,</l>
                <l>That makes our cottage bloom.</l>
              </sp>
              <sp>
                <speaker>CLARICE.</speaker>
                <l>You triumph too,</l>
                <l>In favor as in fortune. On all sides</l>
                <l>I hear your name reëchoed with a plaudit,</l>
                <l>That fills my bosom with exulting raptures</l>
                <l>I never knew before.</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>Ah! this is nothing,</l>
                <l>Dear heart, to the sweet peace that crowns our dwelling,</l>
                <l>And tells us, though the tempest growls afar,</l>
                <l>Its thunders strike not here. The fame I covet</l>
                <l>Is still in tribute subject to your joys;</l>
                <l>And, these secure—you, happy in my bosom—</l>
                <l>My pride forgets its aim! Ambition slumbers</l>
                <l>Nor makes me once forgetful of the rapture,</l>
                <l>That follows your embrace.</l>
              </sp>
              <stage>[<hi rend="italics">Knock without.</hi></stage>
              <sp>
                <speaker>CLARICE.</speaker>
                <l>The widow Pressley.</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>Quick, welcome her.—Poor woman, we will save her.</l>
              </sp>
              <sp>
                <speaker>CLARICE.</speaker>
                <l>I joy to hear you say so.—Come in, madam.</l>
              </sp>
              <stage>
                <hi rend="italics">Enter Widow Pressley and Kate.</hi>
              </stage>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>Welcome, dear madam; you must needs be anxious;</l>
                <l>But still be hopeful. I have brought the action,</l>
                <pb id="p31" n="31"/>
                <l>And doubt not, from my study of your case,</l>
                <l>That we shall gain it—put the usurper out,</l>
                <l>And win you back some portion of your wealth.</l>
                <l>The truth is on our side,—the evidence</l>
                <l>Sustains your claim most amply. We shall gain it!</l>
              </sp>
              <sp>
                <speaker>WIDOW.</speaker>
                <l>Alas! sir, but the power of this bad man—</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>Need not be powerful here.</l>
              </sp>
              <sp>
                <speaker>WIDOW.</speaker>
                <l>You know it not;—</l>
                <l>His wealth, his violence—</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>Will scarce prevail.</l>
              </sp>
              <sp>
                <speaker>WIDOW.</speaker>
                <l>He buys or bullies justice at his pleasure;</l>
                <l>No lawyer here would undertake my case</l>
                <l>Lest he should lose a friend or make a foe;</l>
                <l>And thus, for fifteen years—</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>He buys not me,</l>
                <l>And scarce will profit by an insolence,</l>
                <l>That hopes to bully here.</l>
              </sp>
              <sp>
                <speaker>WIDOW.</speaker>
                <l>Oh! sir, I tremble,</l>
                <l>And cannot help but doubt. I know your talents;</l>
                <l>All people speak of them,—and yet I fear!</l>
                <l>With hopes so often lifted and defeated,</l>
                <l>How should I dream of better fortune now?</l>
                <l>The widow and the orphan find small favor,</l>
                <l>In struggle with the strong and selfish man;</l>
                <l>And this success you promise—</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>None may take</l>
                <l>The sovereign accent from the lip of Fate</l>
                <l>And say—this thing is written certainly—</l>
                <l>But, if I err not, madam, better promise,</l>
                <l>Of the clear dawn and the unclouded sunshine,</l>
                <l>Ne'er waited on the night. I trust the Jury.</l>
                <l>They have no fears to nurse, and seek no favors,</l>
                <l>As do that class of men, the mean ambitious,</l>
                <l>Who, for the lowly greed of appetite,</l>
                <pb id="p32" n="32"/>
                <l>Or hungering for a state they never merit,</l>
                <l>Cringe with a servile zeal to wealth and numbers,</l>
                <l>And nothing show but baseness when they rise.</l>
                <l>My faith is in the people.</l>
              </sp>
              <sp>
                <speaker>WIDOW.</speaker>
                <l>Mine in you, sir.</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>I will deserve your confidence. This person,</l>
                <l>Who robb'd you of your fortune, would but vainly</l>
                <l>Attempt to bully me. I am no bully,</l>
                <l>But something have I in my soul which strengthens</l>
                <l>Its courage, when the insolent would dare</l>
                <l>Usurp the rights that I am set to guard.</l>
                <l>Be hopeful, madam. Take no care for the morrow,</l>
                <l>Though, with the morrow, our great trial comes!</l>
                <l>God and his angels keep the innocent,</l>
                <l>And, in his own good season, will redress</l>
                <l>Their many wrongs with triumph.</l>
              </sp>
              <sp>
                <speaker>WIDOW.</speaker>
                <l>Sir, I thank you;—</l>
                <l>And this poor child, the child of bitterness,</l>
                <l>If not of wrath, shall bless you in her prayers,</l>
                <l>That nightly seek her mother in the heavens!</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <stage>[<hi rend="italics">kissing the child.</hi>]</stage>
                <l>Your name is Kate, they tell me—</l>
                <l>a sweet name!</l>
                <l>You'll pray for us to-night, Kate. With the morrow,</l>
                <l>If my heart's hope do not deceive my heart,</l>
                <l>Your prayers shall all be answer'd.—I'll think of her,</l>
                <l>And of her sweet and innocent face to-morrow,</l>
                <l>When striving with her enemy.</l>
              </sp>
              <sp>
                <speaker>KATE.</speaker>
                <l>I'll pray, sir,</l>
                <l>As if you were my father.</l>
              </sp>
              <sp>
                <speaker>WIDOW.</speaker>
                <l>She has none, sir.</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>Losing or winning, daughter, still in me,</l>
                <l>Look for a father who will cherish you.</l>
              </sp>
              <sp>
                <speaker>WIDOW.</speaker>
                <l>Farewell, good sir, I have not words to thank you.</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>You have a heart that overflows with speech,</l>
                <pb id="p33" n="33"/>
                <l>And swells into your eyes! No more, dear madam:</l>
                <l>Be hopeful and be happy. [<hi rend="italics">Exeunt widow and child.</hi></l>
                <l>We must gain it.</l>
                <l>The proofs are clear—I cannot doubt the issue,—</l>
                <l>And still a prescient something at my heart,</l>
                <l>Awakes its triumph with assuring accents</l>
                <l>That never spoke in vain. But, who are these?</l>
                <stage>[<hi rend="italics">Enter Col. Mercer and Brooks.</hi></stage>
                <l>Welcome, gentlemen.</l>
              </sp>
              <sp>
                <speaker>MERCER.</speaker>
                <l>We trust, sir, that you see in us your friends.</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>Such, since our brief acquaintance, you have seemed, sir,</l>
                <l>And mine's a heart preferring to confide;</l>
                <l>That still would rather suffer wrong of faith,</l>
                <l>Than not believe in man.</l>
              </sp>
              <sp>
                <speaker>MERCER.</speaker>
                <l>You'll find us true;—</l>
                <l>And thus it is, that, sure of our good purpose,</l>
                <l>We come to counsel with you as a friend.</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>As friends, I welcome you. Be seated, sirs.</l>
              </sp>
              <sp>
                <speaker>BROOKS.</speaker>
                <l>We do regard you, sir, as one to help us,—</l>
                <l>In public matters. From our knowledge of you,</l>
                <l>We've said among our friends, this is our man;</l>
                <l>And, looking still to you to serve our people,</l>
                <l>We hear with grief that you are in a peril</l>
                <l>Whose straits, perchance, you know not.</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>Peril, sir?</l>
              </sp>
              <sp>
                <speaker>BROOKS.</speaker>
                <l>You have brought action for the widow Pressley,</l>
                <l>For the recovery of a large possession,</l>
                <l>Withheld by Colonel Blasinghame—</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>'Tis true, sir,</l>
              </sp>
              <sp>
                <speaker>MERCER.</speaker>
                <l>You do not know this man.</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>I've heard of him.</l>
              </sp>
              <sp>
                <speaker>MERCER.</speaker>
                <l>But not that he is one whom men find prudent</l>
                <l>To pass with civil aspect, nor confront</l>
                <pb id="p34" n="34"/>
                <l>With wrath or opposition. He has power,</l>
                <l>Such as few men possess, or dare contend with—</l>
                <l>Has wealth in great abundance—is a person,</l>
                <l>Most fearless and most desperate in battle,</l>
                <l>Who better loves the conflict with his fellow</l>
                <l>Than any gifts that peaceful life can bring;</l>
                <l>Endow'd with giant strength and resolution,</l>
                <l>And such a shot, from five to fifteen paces,</l>
                <l>As still to shatter, wavering in the wind,</l>
                <l>The slenderest wand of willow.</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>Famous shooting!</l>
              </sp>
              <sp>
                <speaker>BROOKS.</speaker>
                <l>It were not wise to wake his enmity!</l>
                <l>We look to you to serve our cause in Congress—</l>
                <l>Make him your foe, and he opposes you;</l>
                <l>His wealth—his popularity—the terrors,</l>
                <l>His very name provokes,—all leagued against you—</l>
                <l>You still a stranger.</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>Patiently, I hear;</l>
                <l>And though I feel not like solicitude</l>
                <l>With that you show for me, am grateful for it!</l>
                <l>And now, sirs, let us understand each other.</l>
                <l>I am a man who, in pursuit of duty,</l>
                <l>Will hold no parley with that week day prudence</l>
                <l>Which teaches still how much a virtue costs.</l>
                <l>Of this man, Blasinghame, I've heard already,—</l>
                <l>Even as you both describe him. It would seem,</l>
                <l>Lest I should fail in utter ignorance,</l>
                <l>He took a patient trouble on himself,</l>
                <l>To school me in his virtues. Read this letter.</l>
                <stage>[<hi rend="italics">gives letter.</hi></stage>
              </sp>
              <sp>
                <speaker>MERCER. BROOKS.</speaker>
                <l>His hand!—his signature!</l>
                <stage>[<hi rend="italics">they read.</hi></stage>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>Well, gentlemen, you see it written there,</l>
                <l>What are my dangers if I dare to venture</l>
                <l>This widow's cause against him. Favor me,</l>
                <pb id="p35" n="35"/>
                <l>And read the answer which has just been written.</l>
              </sp>
              <sp>
                <speaker>MERCER.</speaker>
                <stage>[<hi rend="italics">reads aloud.</hi>]</stage>
                <l>Sir:—The suit of Pressley <hi rend="italics">vs.</hi> Blasinghame will be prosecuted to conclusion, without regard to consequences, with the best strength and abilities of</l>
                <l>NORMAN MAURICE.</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>It is brief, sir.</l>
              </sp>
              <sp>
                <speaker>BROOKS.</speaker>
                <l>'Tis a defiance, Maurice!</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>'Twas meant so, gentlemen. I am a man,</l>
                <l>Or I am nothing! This poor widow's cause,</l>
                <l>The very insolence of this Blasinghame,</l>
                <l>Hath made my own! I'll die for it if need be.</l>
              </sp>
              <sp>
                <speaker>MERCER.</speaker>
                <l>Art principled 'gainst the duel?</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>Rather ask,</l>
                <l>If, when my enemy takes me by the throat,</l>
                <l>I do oppose him with an homily.</l>
                <l>No man shall drive me from society!—</l>
                <l>I take the laws I find of force, and use them,</l>
                <l>For my protection and defence, as others</l>
                <l>Employ them for assault.</l>
              </sp>
              <sp>
                <speaker>MERCER.</speaker>
                <l>You've practised then?</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>Never shot pistol.</l>
              </sp>
              <sp>
                <speaker>BROOKS.</speaker>
                <l>Nor rifle?</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>Scarcely!</l>
              </sp>
              <sp>
                <speaker>MERCER.</speaker>
                <l>You are very rash, sir!</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>Ay! but rashness, sir,</l>
                <l>Becomes a virtue in a case like this;</l>
                <l>And the brave heart, untaught in human practice,</l>
                <l>Finds good assurance from another source</l>
                <l>That prompts its action right. This letter's written,</l>
                <l>And goes within the hour. Let Blasinghame</l>
                <l>Chafe as he may, and thunder to the terror,</l>
                <l>Of those who have no manhood in themselves;—</l>
                <l>He thunders at these portals still in vain!</l>
                <l>To-morrow comes the trial—after that!—</l>
                <pb id="p36" n="36"/>
                <l>But let the future wear what look it may,</l>
                <l>I'll find the heart to meet it—as a man!</l>
              </sp>
              <sp>
                <speaker>MERCER.</speaker>
                <l>Then you are firm?</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>As are the rocks,</l>
                <l>In conflict with the sea.</l>
              </sp>
              <sp>
                <speaker>MERCER.</speaker>
                <l>We joy to find you thus!</l>
                <l>We'll stand by you through danger to the last.</l>
              </sp>
              <sp>
                <speaker>BROOKS.</speaker>
                <l>Ay, Maurice, we are with you.</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>Friends, your hands!—</l>
                <l>I am not used to friendship, but I love it,</l>
                <l>As still a precious gift, vouchsafed by heaven,</l>
                <l>Next best to love of woman! For this danger,—</l>
                <l>Fear nothing! we shall 'scape it! Nay, 'twill give us,</l>
                <l>Or truth is not of God, new plumes for triumph!</l>
              </sp>
            </div4>
            <div4 type="scene">
              <head>SCENE II.</head>
              <stage>
                <hi rend="italics">The law office of Richard Osborne. Osborne discovered writing. Enter Warren.</hi>
              </stage>
              <sp>
                <speaker>WARREN.</speaker>
                <l>We're on the track at last, Look at that letter;</l>
                <l>It comes from our old comrade, Harry Matthews,</l>
                <l>And tells us miracles of Norman Maurice!—</l>
                <l>Our worthy cousin has the run of fortune;—</l>
                <l>She seems to crown him with her richest favors,</l>
                <l>As some old bawd, grown hackney'd in the market,</l>
                <l>Adopts a virgin passion in her dotage,</l>
                <l>And yields to her late folly, all the profits</l>
                <l>That follow'd the old vice. He's growing finely;</l>
                <l>But I shall dock his feathers.</l>
              </sp>
              <sp>
                <speaker>OSBORNE.</speaker>
                <stage>[<hi rend="italics">reading.</hi>]</stage>
                <l>In Missouri.</l>
              </sp>
              <sp>
                <speaker>WARREN.</speaker>
                <l>Ay, in St. Louis, that great western city,</l>
                <pb id="p37" n="37"/>
                <l>Our worthy cousin, Norman, has grown famous!</l>
                <l>You read what Matthews writes. In one short twelvemonth</l>
                <l>He springs above all shoulders.</l>
              </sp>
              <sp>
                <speaker>OSBORNE.</speaker>
                <l>I look'd for it!</l>
                <l>He's not the man whom fortune can keep under.</l>
              </sp>
              <sp>
                <speaker>WARREN.</speaker>
                <l>What! you forget our precious document?</l>
              </sp>
              <sp>
                <speaker>OSBORNE.</speaker>
                <l>You will not use it <hi rend="italics">now?</hi></l>
              </sp>
              <sp>
                <speaker>WARREN.</speaker>
                <l>Ah, will I not then?</l>
                <l>If ever useful, <hi rend="italics">now's</hi> the right time for it!</l>
                <l>See you not that he rises like an eagle,</l>
                <l>Already is in practice with the ablest,</l>
                <l>Wins popular favor without working for it,</l>
                <l>And stands i' the way of better politicians?</l>
                <l>They fit his name to music for bad singers,</l>
                <l>To whom none listen save at suffrage time.—</l>
                <l>We'll spoil the song for him.</l>
              </sp>
              <sp>
                <speaker>OSBORNE.</speaker>
                <l>What would you do?</l>
              </sp>
              <sp>
                <speaker>WARREN.</speaker>
                <l>You are dull, Dick Osborne! Have I yet to tell you</l>
                <l>That, over all, conspicuous in my hate,</l>
                <l>This minion of Fortune stands. His better luck</l>
                <l>Hath robb'd me of the prize which most I treasured—</l>
                <l>His better genius trampled mine to dust,—</l>
                <l>Humbled my pride when at its height, and crush'd me,</l>
                <l>Until I learn'd to loathe myself, as being</l>
                <l>So feeble in his grasp.</l>
              </sp>
              <sp>
                <speaker>OSBORNE.</speaker>
                <l>He crushes you no longer!</l>
              </sp>
              <sp>
                <speaker>WARREN.</speaker>
                <l>Can I forget the past? This memory</l>
                <l>Becomes a part of the nature o' the man,</l>
                <l>And of his future makes a fearful aspect,</l>
                <l>Unless he cures its hurts. My path is where</l>
                <l>My enemy treads in triumph! I shall seek it,</l>
                <l>And 'twill be hard if hate, well leagued with cunning,</l>
                <l>Is baffled of his toil. I seek St. Louis!</l>
              </sp>
              <sp>
                <speaker>OSBORNE.</speaker>
                <l>Beware! You'll make him desperate!</l>
              </sp>
              <pb id="p38" n="38"/>
              <sp>
                <speaker>WARREN.</speaker>
                <l>I hope so!</l>
              </sp>
              <sp>
                <speaker>OSBORNE.</speaker>
                <l>It brings its perils with it! Norman Maurice Will rend his hunter!—</l>
              </sp>
              <sp>
                <speaker>WARREN.</speaker>
                <l>If he be not wary!</l>
                <l>But, fear you nothing. You shall go with me,</l>
                <l>And see how deftly, with what happy art,</l>
                <l>I shall prepare the meshes for my captive.</l>
              </sp>
              <sp>
                <speaker>OSBORNE.</speaker>
                <l>Me! go with you?—and wherefore?</l>
              </sp>
              <sp>
                <speaker>WARREN.</speaker>
                <l>A small matter!—</l>
                <l>While I shall drive the nail, you'll clinch the rivet.</l>
                <l>I'd have you there to prove this document!</l>
              </sp>
              <sp>
                <speaker>OSBORNE.</speaker>
                <l>Spare me this, Warren!</l>
              </sp>
              <sp>
                <speaker>WARREN.</speaker>
                <l>I can spare you nothing.</l>
              </sp>
              <sp>
                <speaker>OSBORNE.</speaker>
                <l>I do not hate this man! He hath not wrong'd me,</l>
                <l>Cross'd not my path, nor, with a better fortune,</l>
                <l>Won from me aught I cherish'd.</l>
              </sp>
              <sp>
                <speaker>WARREN.</speaker>
                <l>Enough! Enough!—</l>
                <l><hi rend="italics">Me</hi> hath he robb'd and wrong'd—<hi rend="italics">me</hi> hath he cross'd—</l>
                <l>His better fortune still a fate to mine!—</l>
                <l>My injury is yours! You love me, Osborne,—</l>
                <l>Will do the thing that I regard as needful,</l>
                <l>The more especially as you have secrets,</l>
                <l>No less than Norman Maurice. We shall go,</l>
                <l>Together, as I fancy, to St. Louis!</l>
              </sp>
              <sp>
                <speaker>OSBORNE.</speaker>
                <l>This is mere tyranny, Warren.</l>
              </sp>
              <sp>
                <speaker>WARREN.</speaker>
                <l>Very like it!</l>
                <l>Guilt ever finds its tyrant in its secret,</l>
                <l>And, twinn'd with every crime, the accuser stands,</l>
                <l>Its own grim shadow, with the scourge and torture.</l>
              </sp>
              <sp>
                <speaker>OSBORNE.</speaker>
                <l>A dark and damnable truth! Would I had perish'd</l>
                <l>Ere I had fallen, and follow'd, as you bade me!</l>
              </sp>
              <sp>
                <speaker>WARREN.</speaker>
                <l>Spare the vain toil to cheat a troubled conscience,</l>
                <l>And to your preparations. By the morrow,</l>
                <l>We'll be upon the road.</l>
              </sp>
              <pb id="p39" n="39"/>
              <sp>
                <speaker>OSBORNE.</speaker>
                <l>But, for these papers?</l>
              </sp>
              <sp>
                <speaker>WARREN.</speaker>
                <l>Confound the papers! They will wait for us,</l>
                <l>But opportunity never! Get you ready,</l>
                <l>And hush all vain excuses. If my sway</l>
                <l>Be somewhat tyrannous, still it hath its profits:—</l>
                <l>Be you but true, and from the Egyptian spoil,</l>
                <l>There shall be still sufficient for your toil.</l>
                <stage>[<hi rend="italics">Exit Warren.</hi></stage>
              </sp>
              <sp>
                <speaker>OSBORNE.</speaker>
                <l>I'm chain'd to the stake! He hath me in his power!—</l>
                <l>How truly hath he pictured my estate!—</l>
                <l>Thus he who doth a deed of ill in youth,</l>
                <l>Raises a ghost no seventy years can lay!</l>
                <l>I must submit; yet, following still his lead,</l>
                <l>Pray Providence for rescue, ere too late:—</l>
                <l>'Tis Providence, alone, may baffle Fate!</l>
                <stage>[<hi rend="italics">Exit Osborne.</hi></stage>
              </sp>
            </div4>
            <div4 type="scene">
              <head>SCENE III.</head>
              <stage>
                <hi rend="italics">The house of Mrs. Jervas in Walnut-street. Enter Mrs. J. and Robert Warren.</hi>
              </stage>
              <sp>
                <speaker>MRS. J.</speaker>
                <l>Art sure of what you tell me?</l>
              </sp>
              <sp>
                <speaker>WARREN.</speaker>
                <l>Never doubt it!—</l>
                <l>Matthews, who writes me, is an ancient friend</l>
                <l>Who knows this Maurice well. He sees him often,</l>
                <l>Though it would seem that Maurice knows not him.</l>
                <l>His rising fortunes favor you! 'Twere well</l>
                <l>You sought your niece. You are her kinswoman,—</l>
                <l>The nearest,—and the loss of all your fortune,</l>
                <l>By failure of the bank—</l>
              </sp>
              <sp>
                <speaker>MRS. J.</speaker>
                <l>But Maurice likes me not!</l>
              </sp>
              <sp>
                <speaker>WARREN.</speaker>
                <l>Natural enough! You still opposed his passion;</l>
                <l>But things are alter'd now. You've but to show him</l>
                <pb id="p40" n="40"/>
                <l>'Twas for your niece's good, in your best judgment,</l>
                <l>That you denied his suit. But, go to her;—</l>
                <l>He's doing well—is popular—grows wealthy;</l>
                <l>And now that Fortune looks with smiles on him,</l>
                <l>He well may smile on you! You'll live with them,</l>
                <l>And we shall meet there.</l>
              </sp>
              <sp>
                <speaker>MRS. J.</speaker>
                <l>We? Meet?</l>
              </sp>
              <sp>
                <speaker>WARREN.</speaker>
                <l>Did I not love her?</l>
              </sp>
              <sp>
                <speaker>MRS. J.</speaker>
                <l>Ah!—</l>
              </sp>
              <sp>
                <speaker>WARREN.</speaker>
                <l>And should <hi rend="italics">he</hi> die?—Should accident, or—</l>
              </sp>
              <sp>
                <speaker>MRS. J.</speaker>
                <l>I see! I see!</l>
              </sp>
              <sp>
                <speaker>WARREN.</speaker>
                <l>You are my friend, and you will show her—</l>
              </sp>
              <sp>
                <speaker>MRS. J.</speaker>
                <l>Ah! trust me, Robert Warren—</l>
              </sp>
              <sp>
                <speaker>WARREN.</speaker>
                <l>That's enough!</l>
                <l>We understand each other. You will go,—</l>
                <l>Her only kinswoman—to seek her out.</l>
                <l>You have but her in the world! Say you have err'd;</l>
                <l>It was because you loved her that you strove,</l>
                <l>'Gainst one, who, whatsoe'er his worth and talent,</l>
                <l>Was not o'erbless'd by Fortune! He may frown,</l>
                <l>But cannot well deny you; and, for Clarice—</l>
                <l>She will not, sure, repel her mother's sister.</l>
              </sp>
              <sp>
                <speaker>MRS. J.</speaker>
                <l>I'll go! I need the succor of my kindred.</l>
              </sp>
              <sp>
                <speaker>WARREN.</speaker>
                <l>We'll meet then; but you must not know me there!</l>
                <l>'Tis not my policy to vex my rival,</l>
                <l>Provoke suspicion, move his jealousy,</l>
                <l>Or startle her by any bold renewal,</l>
                <l>Of pleadings late denied. Should you discover</l>
                <l>That he who, in their presence, stands before you,</l>
                <l>Is other than he seems, you will know nothing;</l>
                <l>Since that may spoil your game as well as mine.</l>
              </sp>
              <sp>
                <speaker>MRS. J.</speaker>
                <l>You are a deep one!</l>
              </sp>
              <sp>
                <speaker>WARREN.</speaker>
                <l>When I have your counsel!</l>
                <l>This Maurice thought but humbly of your judgment.</l>
                <pb id="p41" n="41"/>
                <l>He knew you not as I do. He was blinded</l>
                <l>By his own proud conceit and arrogance,</l>
                <l>And held himself an oracle. 'Twere wise</l>
                <l>If still you suffer'd him to fancy thus—</l>
                <l>Check'd him in nothing—never counsell'd him—</l>
                <l>For still I know he holds your wisdom cheaply,</l>
                <l>And scorns the experience which might rise against</l>
                <l>His own assured opinion. Such a person</l>
                <l>Needs but sufficient cord—</l>
              </sp>
              <sp>
                <speaker>MRS. J.</speaker>
                <l>And he shall have it!</l>
              </sp>
              <sp>
                <speaker>WARREN.</speaker>
                <l>I'll seek your counsel soon, and you shall teach me</l>
                <l>What is our proper action. You will find me</l>
                <l>More ready to confide in your experience,</l>
                <l>Than him whose cunning seem'd to baffle it.</l>
                <l>Farewell then, madam, till we meet again.</l>
                <stage>[<hi rend="italics">Exit Warren.</hi></stage>
              </sp>
              <sp>
                <speaker>MRS. J.</speaker>
                <l>Farewell, sir! A most excellent young man!</l>
                <l>This Maurice shall not carry it at will,—</l>
                <l>He scorns me,—does he? He shall feel me still!</l>
                <stage>[<hi rend="italics">Exit.</hi></stage>
              </sp>
            </div4>
            <div4 type="scene">
              <head>SCENE IV.</head>
              <stage>
                <hi rend="italics">The hall in the cottage of Norman Maurice. Time—midnight. Enter Maurice in night-gown, as just started from his couch. His hair dishevelled—his manner wild and agitated—his whole appearance that of a man painfully excited and distressed.</hi>
              </stage>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>That I should be unmann'd! That a mere dream,</l>
                <l>The blear and frightful aspects of a vision,</l>
                <l>Should rouse me to such terror,—shake my soul</l>
                <l>From the strong moorings of a steadfast will,</l>
                <l>And drive it, a mere wreck, upon the seas,</l>
                <l>No hand upon the helm! Ah! my Clarice.</l>
              </sp>
              <stage>[<hi rend="italics">Enter Clarice.</hi></stage>
              <pb id="p42" n="42"/>
              <sp>
                <speaker>CLARICE.</speaker>
                <l>My husband—</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>I would thou had'st not seen me thus, Clarice.</l>
              </sp>
              <sp>
                <speaker>CLARICE.</speaker>
                <l>What means this terror—wherefore did you cry?</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>Surely I did not.</l>
              </sp>
              <sp>
                <speaker>CLARICE.</speaker>
                <l>Yes, a terrible shriek,</l>
                <l>As one who rushes desperate on his foe!</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>No mortal foe has ever from my lips,</l>
                <l>Sleeping or waking, forced acknowledgment,</l>
                <l>That humbles me like this—</l>
              </sp>
              <sp>
                <speaker>CLARICE.</speaker>
                <l>What dost thou mean?</l>
                <l>What fear?</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>What answer shall I make to thee?—</l>
                <l>How tell thee, my Clarice, 'twas a mere dream,</l>
                <l>That filled me with that agonizing fear,</l>
                <l>Whose shriek thou heard'st. Yet, such a dream, my wife,</l>
                <l>As still pursues me with its hideous forms,</l>
                <l>And shakes me yet with terror. That a man,</l>
                <l>Conscious of strength and will, with conscience free,</l>
                <l>Should, in a mere disorder of his blood,</l>
                <l>In midnight sleep, feel all his soul unsinew'd,</l>
                <l>And sink into the coward!</l>
              </sp>
              <sp>
                <speaker>CLARICE.</speaker>
                <l>Thou art none!</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>Yet such a vision—and methinks I see!—</l>
                <l>Hist,—is there nothing crawling by the hearth,</l>
                <l>Crouching and winding, and with serpent folds,</l>
                <l>Preparing its dread venom?</l>
              </sp>
              <sp>
                <speaker>CLARICE.</speaker>
                <l>There is nothing, husband—</l>
                <l>The hearth holds only the small jar of flowers.</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>The reptile ever seeks such crouching place,</l>
                <l>And garbs his spotty hide with heedless blossoms,</l>
                <l>That know not what they harbor. Fling it hence!</l>
                <l>'Twas on the hearth it crouch'd. But, hear me, wife;</l>
                <l>That dream! 'Twas of a serpent on our hearth,</l>
                <l>Thou heedless, with thy hand upon the flowers,</l>
                <pb id="p43" n="43"/>
                <l>Disposing them for show. Unseen and soft—</l>
                <l>It wound about thee its insidious coil,</l>
                <l>And, at the moment when I first beheld,</l>
                <l>Its brazen head was lifted, its sharp fang</l>
                <l>Was darting at thy heart! 'Twas then I shriek'd</l>
                <l>And rush'd upon the monster thus, and smote!—</l>
                <stage>[<hi rend="italics">Dashing the vase to pieces.</hi></stage>
                <l>Heedless of every sting, I trampled it;</l>
                <l>But, even as it writhed beneath my heel,</l>
                <l>Methought, it lifted up a human face</l>
                <l>That look'd like Robert Warren!</l>
              </sp>
              <sp>
                <speaker>CLARICE.</speaker>
                <l>What a dream!</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>I cannot shake it off. Did'st hear a sound Most like a hiss?</l>
              </sp>
              <sp>
                <speaker>CLARICE.</speaker>
                <l>Nay, nay! 'twas but a dream!</l>
                <l>Come—come to bed.</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>Why should I dream of him?</l>
              </sp>
              <sp>
                <speaker>CLARICE.</speaker>
                <l>You think of him, perchance.</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>And, as a reptile!</l>
                <l>The terrible image still before me crawls—</l>
                <l>Oh! that I might, with but a bound and struggle,</l>
                <l>Though still at life's worst peril, trample him!</l>
              </sp>
              <sp>
                <speaker>CLARICE.</speaker>
                <l>Yet wherefore?</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>There are instincts of the soul,</l>
                <l>That have a deep and true significance,</l>
                <l>And, though no more in danger from his malice,</l>
                <l>I feel within me that he works unsleeping,</l>
                <l>In venomous toils against me.</l>
              </sp>
              <sp>
                <speaker>CLARICE.</speaker>
                <l>But, in vain.</l>
                <l>Come, Norman, come to bed. You frighten me.</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>Forgive me! There! I have thee at my lips,</l>
                <l>I strain thee to my bosom with a joy</l>
                <l>That leaves no rapture wanting—yet, methinks,</l>
                <l>I hear a sound of hissing, and still see</l>
                <pb id="p44" n="44"/>
                <l>Glimpses of folding serpents that, behind,</l>
                <l>Crawl after us—</l>
              </sp>
              <sp>
                <speaker>CLARICE.</speaker>
                <l>My Norman!</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>I grieve thee!</l>
                <l>I will forget this vision in the blessing</l>
                <l>This grasp makes real to rapture. Let us in.</l>
              </sp>
              <stage>[<hi rend="italics">He folds his arm about her, and they leave the apartment, he still looking behind him suspiciously—she looking up to him.</hi></stage>
            </div4>
            <div4 type="scene">
              <head>SCENE V.</head>
              <stage>
                <hi rend="italics">The edge of a wood. A cottage in the distance. Enter Robert Warren, Osborne, and Harry Matthews. The former disguised with false hair, whiskers, &amp;c.</hi>
              </stage>
              <sp>
                <speaker>MATTHEWS.</speaker>
                <stage>[<hi rend="italics">pointing to cottage.</hi>]</stage>
                <l>Look!—you may see it now!</l>
              </sp>
              <sp>
                <speaker>WARREN.</speaker>
                <l>There, then, he harbors?</l>
                <l>A goodly cottage—he's a man of taste,</l>
                <l>Not yet too old for sentiment, it seems;</l>
                <l>Loves flowers and shade trees, and around his porches</l>
                <l>I fancy that we see some gadding tendrils,</l>
                <l>That wanton, with full censers, in his homage!</l>
                <l>He should be happy there!</l>
              </sp>
              <sp>
                <speaker>MATTHEWS.</speaker>
                <l>Why, so he is.</l>
              </sp>
              <sp>
                <speaker>WARREN.</speaker>
                <l>You think so?</l>
              </sp>
              <sp>
                <speaker>MATTHEWS.</speaker>
                <l>There's every thing to make him so. He's young—</l>
                <l>Is on the road to fortune and to fame,</l>
                <l>And has a handsome wife.</l>
              </sp>
              <sp>
                <speaker>WARREN.</speaker>
                <l>The landscape's fair,—</l>
                <l>Looks bright beneath the sunshine and exhales</l>
                <l>A thousand delicate odors rich in life;</l>
                <l>But, sometimes, there's a tempest in the night,</l>
                <l>And where's your landscape then?</l>
              </sp>
              <pb id="p45" n="45"/>
              <sp>
                <speaker>MATTHEWS.</speaker>
                <l>Be this his case,</l>
                <l>It shall not cost me one poor hour of sleep,</l>
                <l>For all the coil it makes. This man's our foe,—</l>
                <l>Goes with our enemies in polities,</l>
                <l>And will, though now he knows it not himself,</l>
                <l>Be run, against our crack man, for the Senate.</l>
              </sp>
              <sp>
                <speaker>WARREN.</speaker>
                <l>Who's he?</l>
              </sp>
              <sp>
                <speaker>MATTHEWS.</speaker>
                <l>Ben Ferguson.</l>
              </sp>
              <sp>
                <speaker>WARREN.</speaker>
                <l>Plain Ben?</l>
              </sp>
              <sp>
                <speaker>MATTHEWS.</speaker>
                <l>Colonel Ben!</l>
                <l>'Tis only when the man's a favorite,</l>
                <l>We take the formal handle from his name</l>
                <l>And sing it short for sweetness.</l>
              </sp>
              <sp>
                <speaker>WARREN.</speaker>
                <l>Is he able?</l>
              </sp>
              <sp>
                <speaker>MATTHEWS.</speaker>
                <l>We thought him so till this your Maurice came;—</l>
                <l>Since then our favorite loses in the race.</l>
                <l>Ben is a lawyer in first practice here</l>
                <l>And had the field to himself since I have known him,</l>
                <l>Till now—</l>
              </sp>
              <sp>
                <speaker>OSBORNE.</speaker>
                <l>Maurice and he have grappled then?</l>
              </sp>
              <sp>
                <speaker>MATTHEWS.</speaker>
                <l>To Ferguson's defeat.</l>
              </sp>
              <sp>
                <speaker>OSBORNE.</speaker>
                <l>Before the jury?</l>
              </sp>
              <sp>
                <speaker>MATTHEWS.</speaker>
                <l>Ay, every way—before the judge and jury,—</l>
                <l>In court and out of court. At public meetings</l>
                <l>They were in opposite ranks, and, with each issue,</l>
                <l>Maurice hath risen still in popular favor,</l>
                <l>While Ferguson declines. It will rejoice us,</l>
                <l>If, as you say, you have some history</l>
                <l>To floor this powerful foe!</l>
              </sp>
              <sp>
                <speaker>WARREN.</speaker>
                <l>You need not doubt it.</l>
                <l>But who are friends to Maurice, here,—the people?</l>
              </sp>
              <sp>
                <speaker>MATTHEWS.</speaker>
                <l>Were it the people only, it were nothing.</l>
                <l>They have not yet arisen to self-esteem,</l>
                <l>And, kept full fed on vanity, are heedless,</l>
                <pb id="p46" n="46"/>
                <l>Hugging their shadows, how they lose the substance.</l>
                <l>Here, all their sympathies are held by others;</l>
                <l>Men of much wealth and some ability,</l>
                <l>Who, gladly, in this Maurice find an ally,</l>
                <l>And join with him to use him. There's a party</l>
                <l>Who long have lacked a leader. Norman Maurice</l>
                <l>Brings them the head they seek. He guides their councils,</l>
                <l>And, with such prudent skill and policy,</l>
                <l>That still they fancy he is but their mouth-piece,</l>
                <l>Even while he gives the breath of life to them.</l>
                <l>I know that they will run him for the Senate.</l>
              </sp>
              <sp>
                <speaker>WARREN.</speaker>
                <l>Can they elect him?</l>
              </sp>
              <sp>
                <speaker>MATTHEWS.</speaker>
                <l>It is somewhat doubtful.</l>
                <l>They never yet succeeded with their man,</l>
                <l>Not having had the man to make success.</l>
                <l>What they can do <hi rend="italics">for him</hi> is not the question,</l>
                <l>So much as what he may achieve <hi rend="italics">for them.</hi></l>
                <l>I tell you, though not fearful for the issue,</l>
                <l>It makes us something anxious. Now,—this secret—</l>
                <l>If it be true, indeed, that,—</l>
              </sp>
              <sp>
                <speaker>WARREN.</speaker>
                <l>Be you ready;—</l>
                <l>I'll see your friends to-morrow. We'll sleep on it.</l>
                <l>To-night, I'll fathom Maurice if I can,</l>
                <l>And see how he enjoys his Western life.</l>
                <l>Enough! I have him in my power! To-morrow!—</l>
              </sp>
              <sp>
                <speaker>MATTHEWS.</speaker>
                <l>But what's the secret?</l>
              </sp>
              <sp>
                <speaker>WARREN.</speaker>
                <l>It will keep till then.</l>
                <l>Be sure, that when your game is to be play'd—</l>
                <l>When Norman Maurice, at the height of favor,</l>
                <l>Waits but the will to rise up Senator—</l>
                <l>A single word shall damn him down to ruin,</l>
                <l>And stifle every voice that shouts his name.</l>
              </sp>
              <sp>
                <speaker>OSBORNE.</speaker>
                <l>Yet, once more, Warren, ere it be too late,</l>
                <l>Let me entreat and counsel—</l>
              </sp>
              <pb id="p47" n="47"/>
              <sp>
                <speaker>WARREN.</speaker>
                <l>You are doting!</l>
                <l>Go you with Matthews, and, should I be missing,</l>
                <l>You both can tell whither my steps were bent,</l>
                <l>And what my power upon him.</l>
              </sp>
              <sp>
                <speaker>OSBORNE.</speaker>
                <stage>[<hi rend="italics">aside to W.</hi>]</stage>
                <l>Why incur</l>
                <l>This danger,—for you too must see the danger,—</l>
                <l>To feed this foolish malice?</l>
              </sp>
              <sp>
                <speaker>WARREN.</speaker>
                <stage>[<hi rend="italics">aside to O.</hi>]</stage>
                <l>Is it foolish?—</l>
                <l>Not when the profit's yours, the pleasure mine;—</l>
                <l>And I, if fortune mocks me not with fancies,</l>
                <l>Shall find a pleasure in the game I play at,</l>
                <l>That you may never dream of! Be you easy—</l>
                <l>There's little danger! I've securities</l>
                <l>'Gainst <hi rend="italics">him</hi> in <hi rend="italics">you,</hi> and in his secret fears,</l>
                <l>Not less than in the policy I use;</l>
                <l>Besides, my habit, does it not disguise me?</l>
              </sp>
              <sp>
                <speaker>OSBORNE.</speaker>
                <l>He has the eye of an eagle!</l>
              </sp>
              <sp>
                <speaker>WARREN.</speaker>
                <l>Pshaw!</l>
              </sp>
              <sp>
                <speaker>OSBORNE.</speaker>
                <l>Beware!—</l>
                <l>His genius—you yourself confess it, Warren—</l>
                <l>Hath always, when the final issue came,</l>
                <l>Soar'd over you triumphant!</l>
              </sp>
              <sp>
                <speaker>WARREN.</speaker>
                <l>Oh! Good night.</l>
                <l>We'll meet again to-morrow!</l>
                <stage>[<hi rend="italics">Exit Warren.</hi></stage>
              </sp>
              <sp>
                <speaker>OSBORNE.</speaker>
                <l>He'll pay for it!</l>
                <l>He runs on ruin!</l>
              </sp>
              <sp>
                <speaker>MATTHEWS.</speaker>
                <l>Not his own, methinks!</l>
              </sp>
              <sp>
                <speaker>OSBORNE.</speaker>
                <l>His own, though now it seems not. I've an instinct</l>
                <l>That tells me Maurice cannot be o'erthrown.</l>
                <l>Baffled he may be;—you may torture him—</l>
                <l>Deny him his just place and high position,</l>
                <l>One or more seasons; but he'll rise at last,</l>
                <l>So firmly, that the very hands that struggle</l>
                <l>To tear him from his throne, will help to build it.</l>
                <pb id="p48" n="48"/>
                <l>There are some men to whom the fates decree</l>
                <l>Performance,—and this man is one of them!</l>
                <l>What was his prospect when I knew him first?</l>
                <l>He had no friends,—he had no fellowships,</l>
                <l>No heedful care of parents—no tuition;—</l>
                <l>He stood alone i' the world—unknown, unhonor'd—</l>
                <l>Nay, something hated, as I hap to know,</l>
                <l>For that he had some innate qualities,</l>
                <l>Of pride, of strength, of soul and character,</l>
                <l>That would not let him stoop! In spite of all,</l>
                <l>He hath struggled through the strife and the obstruction;</l>
                <l>Won friends; won homage; high position won;</l>
                <l>And still hath grown, the more erect and noble,</l>
                <l>At each assault upon his pride and fortune!</l>
                <l>I <hi rend="italics">feel</hi> that he <hi rend="italics">must</hi> triumph!</l>
              </sp>
              <sp>
                <speaker>MATTHEWS.</speaker>
                <l>You speak well,</l>
                <l>The promise of our enemy! You differ,</l>
                <l>Somewhat, from Robert Warren; yet, you know</l>
                <l>This secret.</l>
              </sp>
              <sp>
                <speaker>OSBORNE.</speaker>
                <l>Ay—as Warren's; and I know,</l>
                <l>The rise of Maurice is his overthrow!</l>
              </sp>
              <stage>[<hi rend="italics">Exeunt.</hi></stage>
            </div4>
            <div4 type="scene">
              <head>SCENE VI.</head>
              <stage>
                <hi rend="italics">The interior of the cottage of Norman Maurice. A table spread as if supper were just concluded. Maurice and Clarice discovered seated. Maurice balances a spoon upon the cup. Clarice watches him.</hi>
              </stage>
              <sp>
                <speaker>CLARICE.</speaker>
                <l>You muse, my husband.</l>
              </sp>
              <sp>
                <speaker>MAURICE,</speaker>
                <stage>[<hi rend="italics">pushing away the cup.</hi>]</stage>
                <l>'Tis with happiness!</l>
                <l>Know you, Clarice, that fifteen months have pass'd</l>
                <l>Since we were married?</l>
              </sp>
              <pb id="p49" n="49"/>
              <sp>
                <speaker>CLARICE.</speaker>
                <l>Is it possible!</l>
                <l>I had not thought it!</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>Time is wing'd with pleasure,</l>
                <l>When that the heart, reposing where it loves,</l>
                <l>Finds strength for fresher love in faith secure!</l>
                <l>The world would seem to smile on me at last!</l>
                <l>'Till we were wedded, such had been my fortune,</l>
                <l>I question'd still the sunshine when it came;</l>
                <l>And, in its sudden and capricious beauty,</l>
                <l>Still dreaded something sinister and hostile.</l>
                <l>But now I feel secure! With you beside me,</l>
                <l>A fair, free world before me, and employment,</l>
                <l>Grateful at once to intellect and feeling,</l>
                <l>Affording thought due exercise for triumph,</l>
                <l>Methinks, I have from fate a guaranty,</l>
                <l>That she foregoes at last her ancient grudges;</l>
                <l>And, it may be, despising our ambition,</l>
                <l>Thus easily satisfied with love and quiet,</l>
                <l>Turns her sharp arrows on some nobler victim,</l>
                <l>Whose young audacity offends her pride!</l>
                <l>Sure, Clarice, this is happiness.</l>
              </sp>
              <sp>
                <speaker>CLARICE.</speaker>
                <l>It is more!</l>
                <l>Such happiness as well might task the fancy,</l>
                <l>To wing with words of sweetest poesy.</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>Then sing for me. I'm in the mood for music;</l>
                <l>My heart is glad; my thoughts would wander freely;</l>
                <l>Commercing with the indistinct, but sweet.</l>
              </sp>
              <sp>
                <speaker>CLARICE.</speaker>
                <l>Nay, Norman, nay: I'm selfish in my gladness;</l>
                <l>You sing not; but a something more than music</l>
                <l>Swells in the verse that gathers on your lips;—</l>
                <l>And this reminds me of the little ballad</l>
                <l>You promised me,—once half recited me,</l>
                <l>And fain would have me think your heart conceived it</l>
                <l>When first it grew to mine!</l>
              </sp>
              <pb id="p50" n="50"/>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>And I said truly!</l>
                <l>Thoughts passing fair had floated through my fancy—</l>
                <l>Thoughts born of warmest tastes and pure affections,</l>
                <l>Which yet had found no name! I had strange visions</l>
                <l>Of grace and feminine beauty, such as never</l>
                <l>The world had shown me living. Then I met thee,</l>
                <l>And, on the instant, did they take thy image;—</l>
                <l>And thus I first knew how, and whom, to love!</l>
                <l>These fancies did I body forth in verses,</l>
                <l>As one records a vision of the midnight,</l>
                <l>That fills his soul with marvels; and the hour,</l>
                <l>That brought me first acquainted with thy beauties,</l>
                <l>Taught me what name to write above my record,</l>
                <l>Which, until then, had none.</l>
              </sp>
              <sp>
                <speaker>CLARICE.</speaker>
                <l>Norman—<hi rend="italics">was</hi> it mine?</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>Thine, only, my beloved one!</l>
              </sp>
              <sp>
                <speaker>CLARICE.</speaker>
                <l>Now, the verses,</l>
                <l>In thy best manner, Norman.</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>What! repeat them?—</l>
                <l>Wouldst ruin me, Clarice, in public favor;</l>
                <l>Sap my distinction, lose me my profession,</l>
                <l>Draw down the vulgar laughter on my head,</l>
                <l>And make grave senators and learned statesmen</l>
                <l>Shake reverend brows in sorrow at my folly?</l>
              </sp>
              <sp>
                <speaker>CLARICE.</speaker>
                <l>Nay, you mock me now?</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>Wouldst have a lawyer,—</l>
                <l>Subtle, and stern, and disputatious, still,—</l>
                <l>Full of retorts and strange philosophies;</l>
                <l>Whose dreams by night are of the close encounter</l>
                <l>With rival wits and wary adversaries,—</l>
                <l>Whose thoughts by day are still upon indictments,</l>
                <l>Flaws, fees, exceptions, old authorities,</l>
                <l>And worldly arguments, and stubborn juries,—</l>
                <l>And all the thousand small details that gather,</l>
                <pb id="p51" n="51"/>
                <l>Like strings about the giant Gulliver,</l>
                <l>Dragging and fettering down to lowly earth</l>
                <l>The upsoaring mind that else might scale the heavens!—</l>
                <l>Wouldst have him in the vagrancy of fancy,</l>
                <l>Possess his soul with spells of poesy;</l>
                <l>Having no fear that, lurking at his threshold,</l>
                <l>His neighbor Jones or Jenkins, Smith or Thompson,</l>
                <l>Some round and fat, but most suspicious client,</l>
                <l>Bringing great fees,—his heart upon his action,—</l>
                <l>Seeking the sourest aspect in his lawyer,—</l>
                <l>Stands, rooted, with strange horror, as he listens</l>
                <l>To most ridiculous rhymes, and talk of flowers,</l>
                <l>Moonbeams, and zephyrs—all that staple sweetness,</l>
                <l>That makes the fancies of young thoughtless bosoms;—</l>
                <l>When most he hoped to hear of <hi rend="italics">Chose in action,</hi></l>
                <l>
                  <hi rend="italics">Trespass, assumpsit, action on the case,</hi>
                </l>
                <l>And other phrases, silly as the rhymester's,—</l>
                <l>But that they sound in money, not in music!</l>
                <l>No! No!—no poesy! 'Twere loss of client!</l>
              </sp>
              <sp>
                <speaker>CLARICE.</speaker>
                <l>Nay, Norman, but you jest now! Speak the verses,</l>
                <l>If need be, in low accents.</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>Lest Jones or Jenkins</l>
                <l>Should turn about, possess'd with holy horror,</l>
                <l>And seek some other lawyer! You shall have them!</l>
                <l>They are yours, Clarice, for, truly, they embody</l>
                <l>What still meseem'd the virtues of your nature;—</l>
                <l>Tastes, sweet and delicate as evening glories</l>
                <l>That tend upon the passage of the day,</l>
                <l>And, twinn'd with gleam and shadows, through the twilight,</l>
                <l>Betoken, as it were, the unknown beauties,</l>
                <l>That make a happier future in the far.</l>
              </sp>
              <sp>
                <speaker>CLARICE.</speaker>
                <l>You describe the verses!</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>It needs I should!</l>
                <l>They take a mystic tone and character,</l>
                <pb id="p52" n="52"/>
                <l>And ask the key-note. You will hardly like them:</l>
                <l>Thoughtful, not lyrical, nor passionate,</l>
                <l>They need that you should pause upon each accent,</l>
                <l>Or they will lose their due significance!</l>
                <l>But, next to the grave folly of such doing,</l>
                <l>Is the grave preface that still pleads for it.</l>
                <l>You lead me erring, Clarice, to these trifles—</l>
                <l>You, and the exulting feeling at my heart,</l>
                <l>That deems this happiness sure!—Ha! That knock!</l>
                <stage>[<hi rend="italics">Knock at the door—he starts.</hi></stage>
                <l>Methinks it hath a meaning! A sharp instinct</l>
                <l>Tells me that evil at our threshold lurks.</l>
                <stage>[<hi rend="italics">Whispers.</hi></stage>
              </sp>
              <sp>
                <speaker>CLARICE.</speaker>
                <l>Evil, my husband! Let me open it!</l>
                <stage>[<hi rend="italics">Goes toward the door.</hi></stage>
              </sp>
              <sp>
                <speaker>MAURICE,</speaker>
                <stage>[<hi rend="italics">interposing.</hi>]</stage>
                <l>You, Clarice! You mistake me.—</l>
                <l>There's an instinct,</l>
                <l>That, though it speaks of evil, hath no fear!—</l>
                <l>Who's there?</l>
                <stage>[<hi rend="italics">Aloud.</hi>]</stage>
              </sp>
              <sp>
                <stage>
                  <hi rend="italics">Voice without.</hi>
                </stage>
                <l>A friend!</l>
              </sp>
              <sp>
                <speaker>MAURICE,</speaker>
                <stage>[<hi rend="italics">throwing open the door.</hi>]</stage>
                <l>Enter, friend!</l>
              </sp>
              <stage>
                <hi rend="italics">Enter Robert Warren as before, with valise in his hand.</hi>
              </stage>
              <sp>
                <speaker>WARREN.</speaker>
                <l>Pardon me this intrusion, but I'm wearied,—</l>
                <l>I've travell'd far,—the last seven miles afoot,</l>
                <l>Having lost my horse by the way.</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>You're welcome, sir,</l>
                <l>To our poor fare, and shelter of our dwelling</l>
                <l>'Till you recover. Clarice, see to it.</l>
                <stage>[<hi rend="italics">Maurice points her to the supper table. She turns and leaves the room,—Warren follows her with his eye, while that of Maurice observes him.</hi></stage>
              </sp>
              <sp>
                <speaker>WARREN.</speaker>
                <l>I thank you, sir.</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>Meanwhile, sit down and rest.</l>
                <l>Give me your burden. 'Twill require some minutes</l>
                <pb id="p53" n="53"/>
                <l>To get your supper, make your chamber ready;</l>
                <l>'Till then, forget your travel.</l>
              </sp>
              <sp>
                <speaker>WARREN.</speaker>
                <l>You are kind!</l>
                <l>How far, sir, are we from St. Louis, here?</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>Four miles only.</l>
              </sp>
              <sp>
                <speaker>WARREN.</speaker>
                <l>You, perhaps, can tell me</l>
                <l>Something of persons living in St. Louis;</l>
                <l>I'm a collector from an Eastern city,</l>
                <l>And have a claim upon one Harry Matthews.</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <stage>[<hi rend="italics">His brow slightly contracts.</hi>]</stage>
                <l><hi rend="italics">Harry</hi> Matthews!</l>
              </sp>
              <sp>
                <speaker>WARREN.</speaker>
                <l>Or <hi rend="italics">Henry</hi> Matthews: is he good, sir?</l>
              </sp>
              <sp>
                <speaker>MAURICE,</speaker>
                <stage>[<hi rend="italics">coldly.</hi>]</stage>
                <l>It may be, sir; I know not!</l>
              </sp>
              <sp>
                <speaker>WARREN.</speaker>
                <l>You know the man?</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>I have seen him often, sir, but know him <gap reason="illegible" extent="four or more characters"/></l>
              </sp>
              <sp>
                <speaker>WARREN.</speaker>
                <l>The house I represent has had suspicions;—</l>
                <l>A Philadelphia house.</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>Of Philadelphia!</l>
              </sp>
              <sp>
                <speaker>WARREN.</speaker>
                <l>A famous city, sir; but you have seen it?</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>I know it well, sir.</l>
                <stage>[<hi rend="italics">Catches the eye of Warren, which suddenly drops at the encounter.</hi></stage>
              </sp>
              <sp>
                <speaker>WARREN.</speaker>
                <l>Ah! you've travell'd thither?</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>Have <hi rend="italics">lived</hi> there, sir; and, now I think of it,</l>
                <l>It may be you can answer <hi rend="italics">me</hi> of persons,</l>
                <l>Whom once I knew there;—there was Mrs. Jervas—</l>
              </sp>
              <sp>
                <speaker>WARREN.</speaker>
                <l>A widow, sir, who lived in Walnut-street?</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>The same!—</l>
              </sp>
              <sp>
                <speaker>WARREN.</speaker>
                <l>I've heard of her. She lost her fortune lately</l>
                <l>By failure of the bank.</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>Indeed!</l>
              </sp>
              <sp>
                <speaker>WARREN.</speaker>
                <l>And has left the city,</l>
                <l>'Twas said, to seek her kindred in the West.</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <stage>[<hi rend="italics">To Clarice, who reënters.</hi>]</stage>
                <l>Hear you that, Clarice?</l>
              </sp>
              <sp>
                <speaker>CLARICE.</speaker>
                <l>Is it possible?</l>
                <l>It cannot be she means—</l>
              </sp>
              <pb id="p54" n="54"/>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>Perhaps. 'Tis like.</l>
              </sp>
              <sp>
                <speaker>WARREN.</speaker>
                <l>She has a niece and nephew in the West—</l>
                <l>'Twas so reported—who have sent for her,</l>
                <l>They being very wealthy, she in want.</l>
              </sp>
              <sp>
                <speaker>MAURICE,</speaker>
                <stage>[<hi rend="italics">with a smile.</hi>]</stage>
                <l>Indeed!</l>
              </sp>
              <sp>
                <speaker>CLARICE.</speaker>
                <l>She has no nephew living, sir.</l>
              </sp>
              <sp>
                <speaker>WARREN.</speaker>
                <stage>[<hi rend="italics">smiles.</hi>]</stage>
                <l>Ah! you know her, then?</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>She is this lady's aunt, sir;</l>
                <l>And, it may be, this excellent Mrs. Jervas</l>
                <l>Comes hither to her niece, who is my wife, sir.</l>
                <l>I suppose, that, as the husband of the one,</l>
                <l>I may be held a nephew to the other;</l>
                <l>And loving, too, makes kindred. Well, Clarice,</l>
                <l>You'll make the good lady welcome if she comes,</l>
                <l>Which, <hi rend="italics">now,</hi> I scarcely question.—Tell me, sir,</l>
                <l>Of other persons in that goodly city;—</l>
                <l>There was a mute, I knew, one Nicholas Foster,</l>
                <l>Whom much I fancied—</l>
              </sp>
              <sp>
                <speaker>WARREN.</speaker>
                <l>A rare machinist,</l>
                <l>Though few conceived his talent.</l>
              </sp>
              <sp>
                <speaker>MAURICE,</speaker>
                <stage>[<hi rend="italics">aside.</hi>]</stage>
                <l>Yet, <hi rend="italics">you</hi> knew it!</l>
              </sp>
              <sp>
                <speaker>WARREN.</speaker>
                <l>He's well as ever.</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>Sully, the master-painter,</l>
                <l>A pure, good man, whose exquisite art endows</l>
                <l>The beauty with a charm beyond her own,</l>
                <l>Caught from his delicate fancy.</l>
              </sp>
              <sp>
                <speaker>WARREN.</speaker>
                <l>He's still famous.</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>I would you could say fortunate as famous,</l>
                <l>As still his art deserves.—I know not why,</l>
                <l>But these inquiries sadden me, and yet—</l>
                <l>There was one Richard Osborne—</l>
              </sp>
              <sp>
                <speaker>WARREN.</speaker>
                <l>An attorney—</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>A most obscure one, though of certain merits,</l>
                <l>Who might have been distinguish'd, having powers</l>
                <pb id="p55" n="55"/>
                <l>To raise him into something high and worthy,</l>
                <l>But for his evil genius—</l>
              </sp>
              <sp>
                <speaker>WARREN,</speaker>
                <stage>[<hi rend="italics">quickly.</hi>]</stage>
                <l>Ah! sir! He?—</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>Were you a student—an anatomist</l>
                <l>Of character—instead of a collector;—</l>
                <l>But—</l>
              </sp>
              <sp>
                <speaker>WARREN.</speaker>
                <l>Yet would I hear, sir.</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l><hi rend="italics">He,</hi> sir, I mean,</l>
                <l>Were one whom it were well to analyze,</l>
                <l>Did one design a new philosophy,</l>
                <l>And sought in strange anomalies to embrace</l>
                <l>The opposite things in nature. Fancy a creature,</l>
                <l>Having the external attributes of man,—</l>
                <l>The capacious brow—the clear, transparent eye—</l>
                <l>The form erect—the voice most musical—</l>
                <l>Quick talent, ready art, and specious language,</l>
                <l>And something winning in his natural manner,</l>
                <l>Beguiling still the unwary to belief—</l>
                <l>Yet, as if made in mock of heaven's own purpose,</l>
                <l>Having, in place of heart, a nest of vipers;</l>
                <l>Whose secret venom, mastering all his powers,</l>
                <l>Taints ever his performance—makes his doings,</l>
                <l>When most they favor virtue, tend to vice—</l>
                <l>Corrupts the word he utters, makes him false,</l>
                <l>When most the truth should be his policy,—</l>
                <l>And keeps him ever lothely in pursuit</l>
                <l>Of purposes most loathsome. Know you, sir,</l>
                <l>One Robert Warren?</l>
                <stage>[<hi rend="italics">Laying his hand on Warren's shoulder, and eyeing him closely.</hi></stage>
              </sp>
              <sp>
                <speaker>WARREN,</speaker>
                <stage>[<hi rend="italics">shrinking and stammering.</hi>]</stage>
                <l>Me, sir—Warren? No!</l>
              </sp>
              <sp>
                <speaker>MAURICE,</speaker>
                <stage>[<hi rend="italics">flinging him away and rising.</hi>]</stage>
                <l>Liar and reptile, as thou still hast been,</l>
                <l>'Twere thousand times more hopeful to endow</l>
                <l>The serpent with the nature of the dove,</l>
                <pb id="p56" n="56"/>
                <l>To graft the fruit of Eden on the tree,</l>
                <l>That, with its bitter, blights the Dead Sea shore—</l>
                <l>Appease the tiger's thirst—the leopard's spots</l>
                <l>Pluck from his side, and bind him with a straw—</l>
                <l>Than change the designing devil at thy heart!</l>
              </sp>
              <sp>
                <speaker>WARREN.</speaker>
                <l>What mean you, sir?</l>
              </sp>
              <sp>
                <speaker>CLARICE,</speaker>
                <stage>[<hi rend="italics">seizing his arm.</hi>]</stage>
                <l>Oh! Norman, wherefore this?</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>What! See you not? Hath sense of happiness</l>
                <l>So totally obscured the sense of wrong,</l>
                <l>That memory lacks each faculty, and nature,</l>
                <l>Losing the subtle instinct which still counsels</l>
                <l>The innocent of his peril, stoops to wanton</l>
                <l>With the fang'd viper in his villainous coil.</l>
                <l>The dream! the dream! my Clarice. Get thee hence!</l>
                <l>Leave me to deal with him. Away!</l>
              </sp>
              <sp>
                <speaker>CLARICE.</speaker>
                <l>What's he?</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>What! do his looks not answer as the reptile's,</l>
                <l>That speak his subtle snare and silent venom!</l>
                <l>Doth not his coward crouching show his nature,</l>
                <l>As now I stretch the arm of vengeance o'er him?</l>
                <l>Must I confer a name upon the victim,</l>
                <l>Even in the moment when I strike the blow,</l>
                <l>Lest, in their ignorant blindness, men should fancy</l>
                <l>This were a kinsman whom in wrath I slew!</l>
              </sp>
              <sp>
                <speaker>WARREN.</speaker>
                <l>Beware!—this violence!</l>
                <stage>[<hi rend="italics">Snatches a knife from the table.</hi>]</stage>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>Is justice only—</l>
              </sp>
              <sp>
                <speaker>CLARICE,</speaker>
                <stage>[<hi rend="italics">interposing.</hi>]</stage>
                <l>Norman! Husband!</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>What! See'st not still!</l>
              </sp>
              <sp>
                <speaker>CLARICE.</speaker>
                <l>I see! I know!—and yet—</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>And yet, and yet, and yet! is the child's wisdom!</l>
                <l>Shall we not be secure—never find refuge!</l>
                <l>Shall hate pursue, and vengeance turn not on him!</l>
                <l>Must we be driven from each world of peace,</l>
                <pb id="p57" n="57"/>
                <l>To burrow with the hill fox and the wolf,</l>
                <l>When but a stroke is needful—</l>
              </sp>
              <sp>
                <speaker>CLARICE.</speaker>
                <l>Oh! thou must not:</l>
                <l>He shares our hospitality—our shelter!</l>
              </sp>
              <sp>
                <speaker>MAURICE,</speaker>
                <stage>[<hi rend="italics">hurling the table over.</hi>]</stage>
                <l>He hath not touch'd the bread and sacred salt,</l>
                <l>He shall not claim the Arab's privilege,—</l>
                <l>He dies!—</l>
              </sp>
              <sp>
                <speaker>CLARICE.</speaker>
                <l>For my sake, Norman, spare him!</l>
                <l>Let him go hence; the past is over now.</l>
              </sp>
              <sp>
                <speaker>WARREN.</speaker>
                <l>She counsels wisely, Norman. Lift no hand</l>
                <l>Against me, for I come to you in peace.</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>In peace! In peace! And wherefore this disguise?</l>
                <l>Thy fraudulent tale of travel—this false semblance,</l>
                <l>False hair, false speech—unless with heart and purpose</l>
                <l>False as of old! Didst think, that I, who knew thee,</l>
                <l>By such damn'd treachery as thou still hast shown me,</l>
                <l>Could be deceived by wretched arts like these?—</l>
                <l>My blindness and my confidence so perfect,</l>
                <l>That I should sleep and dream, while at my pillow</l>
                <l>Thou crep'st at midnight, from the hearth that warm'd thee,</l>
                <l>To fasten on my heart! Thou com'st, an outlaw!—</l>
                <l>What hinders that I slay thee?—that I take thee,</l>
                <l>Thus, by the throat, and, stifling fear and feeling,</l>
                <l>Slaughter thee, as a bullock at the altar,</l>
                <l>Thy blood would still profane!</l>
              </sp>
              <sp>
                <speaker>CLARICE,</speaker>
                <stage>[<hi rend="italics">interposing.</hi>]</stage>
                <l>Norman! Norman!</l>
                <l>Oh! must thy Clarice plead to thee in vain?</l>
                <l>Spare him, if but in gratitude to heaven,</l>
                <l>For that we prosper in his hate's despite.</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>'Tis for that very reason I should slay him!</l>
                <l>He comes to blight our brief prosperity,</l>
                <l>To compass all our sunshine with his cloud,</l>
                <l>And taint our flowers with poison.</l>
              </sp>
              <pb id="p58" n="58"/>
              <sp>
                <speaker>WARREN.</speaker>
                <l>Yet, beware!</l>
                <l>She counsels thee with wisdom, Norman Maurice;</l>
                <l>I am not friendless here. Did aught befall me,</l>
                <l>Here, in thy dwelling, to my mortal hurt,</l>
                <l>'Tis known that I came hither—'tis known farther,</l>
                <l>That I have that to speak against thy fame,</l>
                <l>Shall blacken it forever.</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>Ha, say'st thou that!</l>
                <l>Well thou wouldst something more!</l>
              </sp>
              <sp>
                <speaker>WARREN.</speaker>
                <l>Only a word—</l>
                <l>And lest thy prudence should not check thy passion,</l>
                <l>My providence—</l>
                <stage>[<hi rend="italics">showing pistol.</hi>]</stage>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>What! thou hast weapons then!</l>
                <l>Now, by my hopes—if it were possible,</l>
                <l>To find thee but one moment flush with manhood!—</l>
                <l>Look on me, villain, as I now confront thee,</l>
                <l>But, lift thine eye to mine, and let thy aim</l>
                <l>Be deadly as thy malice! Wretched coward—</l>
                <l>Thus do I mock thy impotence.</l>
                <stage>[<hi rend="italics">Rushes upon him and wrests the weapon from his hand.</hi></stage>
              </sp>
              <sp>
                <speaker>WARREN.</speaker>
                <l>Spare me, Norman!</l>
              </sp>
              <sp>
                <speaker>CLARICE.</speaker>
                <l>Husband, let him live!</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>Outlaw! that masks him with deliberate purpose—</l>
                <stage>[<hi rend="italics">Takes Warren by the throat.</hi></stage>
              </sp>
              <sp>
                <speaker>WARREN.</speaker>
                <l>Mercy, Norman!</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>That seeks by night my dwelling with a lie!—</l>
              </sp>
              <sp>
                <speaker>CLARICE.</speaker>
                <l>Husband—dear husband!</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>That lifts his deadly weapon 'gainst my bosom—</l>
              </sp>
              <sp>
                <speaker>WARREN.</speaker>
                <l>Thou stranglest me!</l>
              </sp>
              <sp>
                <speaker>CLARICE.</speaker>
                <l>Have pity, Norman!</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>For thy sake, I spare him!—</l>
              </sp>
              <sp>
                <speaker>WARREN.</speaker>
                <l>Thanks—oh, thanks!</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>Yet feel how better 'twere to crush him now,</l>
                <l>Than suffer him—</l>
              </sp>
              <pb id="p59" n="59"/>
              <sp>
                <speaker>WARREN.</speaker>
                <l>I swear!</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>Oh!—if thou durst</l>
                <l>Take name of God in vain to do hell service,—</l>
                <l>I'll slay thee with a certainty of vengeance</l>
                <l>That leaves no limb unhurt. For well I know</l>
                <l>Thy heart is never then less free from malice,</l>
                <l>Than when thy lips declare thy innocence.</l>
                <l>Hence, ere I change my purpose. I will spare thee,</l>
                <l>And fling thee from my threshold, but to show thee</l>
                <l>How much I still forbear.</l>
                <stage>[<hi rend="italics">Hurls him out headlong.</hi></stage>
              </sp>
              <sp>
                <speaker>CLARICE.</speaker>
                <l>Oh, how I thank thee!</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>If evil follows on this mercy, Clarice,</l>
                <l>Thine is the fault.</l>
              </sp>
              <sp>
                <speaker>CLARICE.</speaker>
                <l>Oh, Norman, this man's hate—</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>While we can tear the falsehood from his brow,</l>
                <l>Is nothing, but—</l>
              </sp>
              <sp>
                <speaker>CLARICE.</speaker>
                <l>Why should he follow us?</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>Oh! for some hellish purpose. But go in;</l>
                <l>Leave me awhile.</l>
              </sp>
              <sp>
                <speaker>CLARICE.</speaker>
                <l>Wilt thou not close the door?</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>Let it stay wide all night.</l>
              </sp>
              <sp>
                <speaker>CLARICE.</speaker>
                <l>You go not forth?</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>One sleeps not when the wolf is in his close,</l>
                <l>Lest that his howl should scare his infant's sleep—</l>
                <l>And when I doubt if ill is at my threshold,</l>
                <l>'Twere base to sleep upon the pillow of doubt.</l>
                <l>But, go you in, dear wife!—you must not hear</l>
                <l>The voice in anger you have heard in love.</l>
                <l>Leave me awhile. This thing still troubles me,</l>
                <l>But should not trouble you. Go to your prayers,</l>
                <l>And leave the watches of the night to me.</l>
                <l>God still presides o'er all. I see not yet,</l>
                <l>The evil that this evil spirit brings,</l>
                <l>But trust that we shall lack no help of angel,</l>
                <pb id="p60" n="60"/>
                <l>Whene'er the struggle comes.</l>
              </sp>
              <sp>
                <speaker>CLARICE.</speaker>
                <l>Norman.</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>Dear wife!</l>
              </sp>
              <sp>
                <speaker>CLARICE.</speaker>
                <l>Forget not that my life is in thy hands.</l>
                <l>Oh, do not rashly purpose.</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>Never fear!</l>
                <stage>[<hi rend="italics">Embrace. Ex. Clarice within.</hi></stage>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>What can he mean! That paper is destroy'd;—</l>
                <l>Why should I fear his malice? Yet, so truly,</l>
                <l>I know his equal baseness and design,</l>
                <l>I feel that he hath purposes of mischief,</l>
                <l>Which, if he lack'd the agencies of evil,</l>
                <l>He ne'er had underta'en. No sleep for me,</l>
                <l>When that the dark suspicions in my soul,</l>
                <l>Engender still the foe. I must go forth!—</l>
                <stage>[<hi rend="italics">Looks out.</hi></stage>
                <l>Oh! God, how beautiful the calm o'er earth,—</l>
                <l>How soft the night, that, with a veil of brightness</l>
                <l>Wraps all the subject creatures—peace and sleep,</l>
                <l>Sharing the dreamy blessing, as if evil,</l>
                <l>Sped not malignant spirits through the air,</l>
                <l>And never flower of earth had cover'd reptile!</l>
                <stage>[<hi rend="italics">Goes forth.</hi></stage>
              </sp>
              <stage>END OF ACT SECOND.</stage>
            </div4>
          </div3>
          <div3 type="act">
            <pb id="p61" n="61"/>
            <head>ACT III.—SCENE I.</head>
            <div4 type="scene">
              <stage>
                <hi rend="italics">A chamber in the dwelling of Harry Matthews, in St. Lo</hi>
                <gap reason="illegible" extent="four characters"/>
                <hi rend="italics">Robert Warren and Richard Osborne discovered.</hi>
              </stage>
              <sp>
                <speaker>OSBORNE.</speaker>
                <l>I warn'd you of the peril.</l>
              </sp>
              <sp>
                <speaker>WARREN.</speaker>
                <l>Yet your wisdom</l>
                <l>Had scarcely fancied that his glance could fathom</l>
                <l>Disguise so good as mine!</l>
              </sp>
              <sp>
                <speaker>OSBORNE.</speaker>
                <l>I said his eye</l>
                <l>Was like an eagle's. It were hard to say,</l>
                <l>What, with his mind once roused into suspicion,</l>
                <l>It could not penetrate.</l>
              </sp>
              <sp>
                <speaker>WARREN.</speaker>
                <l>'Twould better please me,</l>
                <l>If one, who should be in my service only,</l>
                <l>Could find my foe less perfect.</l>
              </sp>
              <sp>
                <speaker>OSBORNE.</speaker>
                <l>And, to do so,</l>
                <l>Should prove himself less true.</l>
              </sp>
              <sp>
                <speaker>WARREN.</speaker>
                <l>Oh! your truth,</l>
                <l>Were better shown in service than opinion!</l>
                <l>My habit was good; and I had been secure,</l>
                <l>But that, to sound him, I unseal'd myself;</l>
                <l>And, like a witling, answered all his questions,</l>
                <l>Of persons whom we once had known together.</l>
              </sp>
              <sp>
                <speaker>OSBORNE.</speaker>
                <l>Be sure, he first suspected ere he question'd.</l>
              </sp>
              <sp>
                <speaker>WARREN.</speaker>
                <l>'Tis like enough! At all events he floor'd n<gap reason="illegible" extent="two or more characters"/></l>
                <l>Disgraced me as he still hath done before</l>
                <l>In frequent strife. The mask is thrown aside;</l>
                <l>He knows me, here, his enemy; and now—</l>
                <l>The open conflict!</l>
              </sp>
              <sp>
                <speaker>OSBORNE.</speaker>
                <l>What is now the game?</l>
                <pb id="p62" n="62"/>
                <l>The open conflict he would never shrink from!</l>
                <l>Why, when his hand was fix'd upon your throat,</l>
                <l>Did you forbear the weapon?</l>
              </sp>
              <sp>
                <speaker>WARREN.</speaker>
                <l>Ask me rather,</l>
                <l>Why one is still superior to his fellow;</l>
                <l>Why one is brave, another impotent;</l>
                <l>Why I am feeble just where he is strong;—</l>
                <l>And why, with will to compass his destruction,</l>
                <l>My heart still fails me in the final effort!</l>
                <l>Such still hath been the sequel of our issues!</l>
                <l>He still hath master'd me with such a will,</l>
                <l>My spirit droops before him, and I shudder,</l>
                <l>To feel, that, with a hate so fix'd and fearful,</l>
                <l>I lack the heart to drive the weapon home!—</l>
                <l>But I shall do it yet!</l>
              </sp>
              <sp>
                <speaker>OSBORNE.</speaker>
                <l>And why the conflict,</l>
                <l>Thus ever urged with fate so full of peril?</l>
                <l>Now, while you may forbear, and pause in safety,</l>
                <l>Forego the struggle, which hath still been hopeless;</l>
                <l>Give him repose, and leave yourself at peace.</l>
              </sp>
              <sp>
                <speaker>WARREN.</speaker>
                <l>Peace! with these passions!</l>
              </sp>
              <sp>
                <speaker>OSBORNE.</speaker>
                <l>They will wreck your own!</l>
                <l>A something tells me such must be the issue,</l>
                <l>In any strife with Maurice.</l>
              </sp>
              <sp>
                <speaker>WARREN.</speaker>
                <l>Vain the counsel—</l>
                <l>I cannot leave the conflict!</l>
              </sp>
              <sp>
                <speaker>OSBORNE.</speaker>
                <l>Why?</l>
              </sp>
              <sp>
                <speaker>WARREN.</speaker>
                <l><hi rend="italics">Will</hi> not do so!</l>
                <l>While still my hate must go unsatisfied—</l>
                <l>My pride,—to say no more of other passions.</l>
              </sp>
              <sp>
                <speaker>OSBORNE.</speaker>
                <l>This woman—</l>
              </sp>
              <sp>
                <speaker>WARREN.</speaker>
                <l>Not a word of her!</l>
              </sp>
              <sp>
                <speaker>OSBORNE.</speaker>
                <l>Smiles she,</l>
                <l>That still you prosecute this doubtful struggle?</l>
              </sp>
              <pb id="p63" n="63"/>
              <sp>
                <speaker>WARREN.</speaker>
                <l>She may, perchance, when she is duly tutor'd,</l>
                <l>That, on my whisper, hangs her husband's honor.</l>
              </sp>
              <sp>
                <speaker>OSBORNE.</speaker>
                <l>This is your purpose, then?</l>
              </sp>
              <sp>
                <speaker>WARREN.</speaker>
                <l>You do not like it?</l>
              </sp>
              <sp>
                <speaker>OSBORNE.</speaker>
                <l>I am your slave,—the creature of your mood,</l>
                <l>More at your mercy far than Norman Maurice,</l>
                <l>Since he is innocent and I am guilty;—</l>
                <l>What matter what I like?</l>
              </sp>
              <sp>
                <speaker>WARREN.</speaker>
                <l>Why, that's well said!—</l>
                <l>Enough for you I must pursue my victims,</l>
                <l>While hate conceives a hell for him, or passion</l>
                <l>Dreams still of heaven from her! This day, when Maurice</l>
                <l>Leaves for the city, I shall seek his dwelling.</l>
              </sp>
              <sp>
                <speaker>OSBORNE.</speaker>
                <l>Again! untaught by late experience!</l>
                <l>You seek his wife then?</l>
              </sp>
              <sp>
                <speaker>WARREN.</speaker>
                <l>Why, not exactly.—</l>
                <l>Perhaps you do not know that Mrs. Jervas</l>
                <l>Arrived last night at midnight.</l>
              </sp>
              <sp>
                <speaker>OSBORNE.</speaker>
                <l>How can she</l>
                <l>Assist you in this mad pursuit? You tell me</l>
                <l>That Maurice still suspects her.</l>
              </sp>
              <sp>
                <speaker>WARREN.</speaker>
                <l>Never matter—</l>
                <l>She is my ally;—but, here's Harry Matthews:</l>
                <l>He comes to take me to the secret council,</l>
                <l>Where other plans mature against our foeman.</l>
              </sp>
              <sp>
                <speaker>OSBORNE.</speaker>
                <l>You will not breathe this secret to these people?</l>
              </sp>
              <sp>
                <speaker>WARREN.</speaker>
                <l>I will <hi rend="italics">but</hi> breathe it.</l>
              </sp>
              <sp>
                <speaker>OSBORNE.</speaker>
                <l>And withhold the proof?</l>
              </sp>
              <sp>
                <speaker>WARREN.</speaker>
                <l>As suits my purpose. It is very likely,</l>
                <l>I shall not call on you till the last hour,</l>
                <l>When all is ready for his overthrow!</l>
                <l>Of this be sure, Dick Osborne: I will pamper</l>
                <l>My several passions as I can, and stint them,</l>
                <l>In nothing, that may gratify their rage.</l>
              </sp>
              <pb id="p64" n="64"/>
              <stage>
                <hi rend="italics">Enter Harry Matthews.</hi>
              </stage>
              <sp>
                <speaker>MATTHEWS.</speaker>
                <l>Art ready, Warren?</l>
              </sp>
              <sp>
                <speaker>WARREN.</speaker>
                <l>Will be in a moment!</l>
              </sp>
              <sp>
                <speaker>MATTHEWS,</speaker>
                <stage>[<hi rend="italics">to Osborne.</hi>]</stage>
                <l>You'll go with us?</l>
              </sp>
              <sp>
                <speaker>OSBORNE.</speaker>
                <l>Excuse me.</l>
              </sp>
              <sp>
                <speaker>WARREN,</speaker>
                <stage>[<hi rend="italics">aside to Osborne.</hi>]</stage>
                <l>Why not go?</l>
              </sp>
              <sp>
                <speaker>OSBORNE,</speaker>
                <stage>[<hi rend="italics">aside to W.</hi>]</stage>
                <l>Sufficient, as they tell us, for the day</l>
                <l>Its evil; when I can no longer 'scape it,</l>
                <l>I'll mix in this conspiracy;—till then,</l>
                <l>Let me go idle.</l>
              </sp>
              <sp>
                <speaker>WARREN,</speaker>
                <stage>[<hi rend="italics">aside to Osborne.</hi>]</stage>
                <l>Hark you, Richard Osborne,</l>
                <l>No faltering when the moment comes to speak;</l>
                <l>The rod that does not yield to me, I break!</l>
              </sp>
              <stage>[<hi rend="italics">Ex. Matthews and Warren,</hi></stage>
              <sp>
                <speaker>OSBORNE.</speaker>
                <l>And no escape! I dare not run on ruin,</l>
                <l>And face the shame with which he threatens me;</l>
                <l>Yet, with a tyranny so terrible,</l>
                <l>That plies me with its torture night and day,</l>
                <l>'Twere better throw increase of weight on conscience,</l>
                <l>And, by embrace with deeds of deadlier aspect,</l>
                <l>At least secure escape from sway like this!</l>
                <l>Had I the heart for it! Could I find the courage!</l>
                <l>'Twere but a blow!—a blow! I'll ponder it.</l>
                <stage>[<hi rend="italics">Ex. Osborne.</hi></stage>
              </sp>
            </div4>
            <div4 type="scene">
              <head>SCENE II.</head>
              <stage>
                <hi rend="italics">An apartment in the house of Col. Ferguson. Ferguson, Blasinghame, Matthews, Warren, and persons discovered.</hi>
              </stage>
              <sp>
                <speaker>BLASINGHAME.</speaker>
                <l>The matter then resolves itself to this—</l>
                <l>We know for certain, now, that this man, Maurice,</l>
                <pb id="p65" n="65"/>
                <l>Will be the opposition candidate:—</l>
                <l>Ben Ferguson is ours.</l>
              </sp>
              <sp>
                <speaker>FERGUSON.</speaker>
                <l>And why not you?</l>
              </sp>
              <sp>
                <speaker>BLASINGHAME.</speaker>
                <l>For the best reasons. No! my private business</l>
                <l>Needs careful nursing now. This woman, Pressley,</l>
                <l>Is like to give me trouble.</l>
              </sp>
              <sp>
                <speaker>MATTHEWS.</speaker>
                <l>Her new lawyer</l>
                <l>Is stubborn, then?</l>
              </sp>
              <sp>
                <speaker>BLASINGHAME.</speaker>
                <l>He seems to be a man;</l>
                <l>And we shall suffer him to prove his manhood!</l>
                <l>I wrote him of the merits of my case,</l>
                <l>Concluding, with a civil exhortation,</l>
                <l>As he was young, and but a stranger here,</l>
                <l>That he should spare his teeth, nor peril them,</l>
                <l>On nuts too hard to crack.</l>
              </sp>
              <sp>
                <speaker>MATTHEWS.</speaker>
                <l>What said he then?</l>
              </sp>
              <sp>
                <speaker>BLASINGHAME.</speaker>
                <l>Oh! with an answer bold enough, I warrant.</l>
              </sp>
              <sp>
                <speaker>MATTHEWS.</speaker>
                <l>He did not know his customer, I fancy.</l>
              </sp>
              <sp>
                <speaker>BLASINGHAME.</speaker>
                <l>I think not; and to lesson him a little,</l>
                <l>One of my lambs was sent to him this morning—</l>
                <l>Joe Savage!</l>
              </sp>
              <sp>
                <speaker>FERGUSON.</speaker>
                <l>Joe's a rough teacher, colonel.</l>
              </sp>
              <sp>
                <speaker>BLASINGHAME.</speaker>
                <l>As God has made him, Joe. He'll do our business</l>
                <l>As tenderly as if it were his own.</l>
              </sp>
              <sp>
                <speaker>FERGUSON.</speaker>
                <l>But was there not some whisper of a secret</l>
                <l>Touching this Norman Maurice, which, if true,</l>
                <l>Would render any messages of honor,</l>
                <l>Impossible, to him!</l>
              </sp>
              <sp>
                <speaker>BLASINGHAME.</speaker>
                <l>I did not hear;—</l>
                <l>Unfold your budget.</l>
              </sp>
              <sp>
                <speaker>FERGUSON.</speaker>
                <l>Harry Matthews, there,</l>
                <l>Speaks of a secret in his friend's possession,</l>
                <l>That's fatal to this man!</l>
              </sp>
              <pb id="p66" n="66"/>
              <sp>
                <speaker>BLASINGHAME.</speaker>
                <l>Ha! out with it!</l>
                <l>'Twill save a monstrous trouble in our wigwam;</l>
                <l>For, to say truth, this man is popular,</l>
                <l>Grows every day in strength in the assembly,</l>
                <l>And, I confess to you, I have my fears,</l>
                <l>Touching the game before us. Our new members</l>
                <l>Are not what I would have them; and old Mercer,</l>
                <l>Catesby and Brooks, gain daily influence,</l>
                <l>Under the cunning counsel of this Maurice.</l>
                <l>If we can crush this fellow, who has talent,</l>
                <l>And shows more stubbornness than I can relish,</l>
                <l>'Twere better done before we lose our headway.</l>
                <l>This man disposed of, they can find no other</l>
                <l>To take the field with Ferguson.</l>
              </sp>
              <sp>
                <speaker>MATTHEWS.</speaker>
                <l>Speak, Warren!</l>
              </sp>
              <sp>
                <speaker>WARREN.</speaker>
                <l>There <hi rend="italics">is</hi> a secret, gentlemen; a dark one</l>
                <l>Which, told, <hi rend="italics">were</hi> fatal to this Norman Maurice!</l>
                <l>I will <hi rend="italics">not</hi> tell it <hi rend="italics">now;</hi> but wait the moment,</l>
                <l>When, over all, conspicuous most, he stands,</l>
                <l>With triumph in his prospect, and his spirit,</l>
                <l>Exulting in the state he deems secure!</l>
                <l>Then will I come between his hope and triumph;</l>
                <l>Then show the guilty secret that degrades him,</l>
                <l>Confound him with the proofs which now are ready,</l>
                <l>And hurl him down to ruin, the more fatal,</l>
                <l>For that I suffer'd him to rise so high.</l>
              </sp>
              <sp>
                <speaker>BLASINGHAME.</speaker>
                <l>But why not now? The man is high enough!</l>
              </sp>
              <sp>
                <speaker>WARREN.</speaker>
                <l>The secret's mine, sir. When I'm done with it,</l>
                <l>I'll bury it as did the Phrygian barber,</l>
                <l>Where every reed that whistles in the wind</l>
                <l>Shall make it into music for his ear.</l>
                <l>Be sure of this, I'll yield it you in season,</l>
                <l>Ere Maurice sits a Senator in Congress!</l>
              </sp>
              <sp>
                <speaker>MATTHEWS.</speaker>
                <l>Well—that's sufficient!</l>
              </sp>
              <pb id="p67" n="67"/>
              <sp>
                <speaker>BLASINGHAME.</speaker>
                <l>Yes! Let him do that!</l>
                <l>Meanwhile, there is a way to save himself.</l>
                <l>This Maurice has my message—</l>
              </sp>
              <sp>
                <speaker>MATTHEWS.</speaker>
                <l>He'll not fight!</l>
              </sp>
              <sp>
                <speaker>BLASINGHAME.</speaker>
                <l>If he would—</l>
              </sp>
              <sp>
                <speaker>MATTHEWS.</speaker>
                <l>His honor would be rescued by his death?</l>
              </sp>
              <sp>
                <speaker>WARREN.</speaker>
                <l>Scarcely; since 'tis for me to keep the secret,</l>
                <l>Or free it, if I please! But, let me tell you,</l>
                <l>That Maurice will not shrink from any combat!</l>
                <l>I know him well. He is mine enemy,</l>
                <l>But let me do him justice. He will fight,</l>
                <l>Though all the devils of hell stood up against him.</l>
                <l>Look to it, sir; <stage>[<hi rend="italics">to Blasing.,</hi>]</stage> your reputation's great,</l>
                <l>But Maurice is no common opponent;</l>
                <l>And you will need your utmost excellence,</l>
                <l>To conquer him when once he takes the field!</l>
              </sp>
              <sp>
                <speaker>BLASINGHAME.</speaker>
                <l>Well! that's good news! My lamb is with him now;</l>
                <l>We'll hear from him by noon.</l>
              </sp>
              <sp>
                <speaker>FERGUSON.</speaker>
                <l>Before we part,</l>
                <l>'Tis understood we put our troops in motion;</l>
                <l>The strife will be a close one! Blasinghame</l>
                <l>Hath truly spoken of this new assembly;</l>
                <l>It puzzles me to fathom it. This Maurice,</l>
                <l>Is, questionless, a man of wondrous power;</l>
                <l>And, though I much prefer that we should beat him,</l>
                <l>In a fair wrestle, with the usual agents,</l>
                <l>Yet this is not so certainly our prospect,</l>
                <l>As that we should forego this fatal secret,</l>
                <l>That makes our game secure.</l>
              </sp>
              <sp>
                <speaker>WARREN.</speaker>
                <l>You shall have it.</l>
              </sp>
              <sp>
                <speaker>BLASINGHAME.</speaker>
                <l>We meet to-night at Baylor's.</l>
              </sp>
              <sp>
                <speaker>MATTHEWS,</speaker>
                <stage>[<hi rend="italics">to Warren.</hi>]</stage>
                <l>You'll be with us?</l>
                <l>It may be that your fruit will then be ripe.</l>
              </sp>
              <pb id="p68" n="68"/>
              <sp>
                <speaker>BLASINGHAME.</speaker>
                <l>Ay, come, sir, with your friend.</l>
              </sp>
              <sp>
                <speaker>WARREN,</speaker>
                <stage>[<hi rend="italics">to Matthews.</hi>]</stage>
                <l>Perhaps! We'll see;—</l>
                <l>There may be other fruits upon that tree.</l>
              </sp>
              <stage>[<hi rend="italics">Exeunt several ways.</hi></stage>
            </div4>
            <div4 type="scene">
              <head>SCENE III.</head>
              <stage>
                <hi rend="italics">An apartment in the house of Norman Maurice. He appears seated at a table with books and papers before him. After a pause, he closes his books, folds and ties the papers in a bundle, pushes them from before him and rises.</hi>
              </stage>
              <sp>
                <speaker>MAURICE,</speaker>
                <stage>[<hi rend="italics">solus.</hi>]</stage>
                <l>It is the curse of insecurity,</l>
                <l>That cruel doubt that hangs upon possession</l>
                <l>Glides with the midnight to the sleepless pillow,</l>
                <l>And, with the laurel wreath that crowns the triumph,</l>
                <l>Sows thick the thorns that make the brow to ache!</l>
                <l>Did the endowment not imply the service,</l>
                <l>Were we not each enjoin'd with a commission,</l>
                <l>The task decreed, the struggle thrust upon us,</l>
                <l>Making it manhood to comply with duty;</l>
                <l>How better far—the treasure in our keeping,</l>
                <l>Love at our bosom, peace upon our threshold,</l>
                <l>When bliss can never hope increase of rapture,</l>
                <l>And fear begins to dream of unknown danger,—</l>
                <l>To fly the world—the conflict,—nay, the triumph,</l>
                <l>And, bearing off the trophy we have won,</l>
                <l>Hush the ambitious spirit in our hearts</l>
                <l>That whispers, “Life hath more!” Have I won nothing,</l>
                <l>That I should toil, as unrequited Labor</l>
                <l>Still hoping yet to win? Am I a beggar,</l>
                <l>Who, perilling nothing in each fearful venture,</l>
                <l>Stakes all his hopes on change? With goods so precious,</l>
                <pb id="p69" n="69"/>
                <l>Should I still venture in the common market,</l>
                <l>Where Malice stands, with gibe of cruel slander,</l>
                <l>And Envy lurks in readiness to steal?—</l>
                <l>When the still shelter of the wilderness</l>
                <l>The depth of shadow, the great solitudes,</l>
                <l>Beckon the heart with promise of their own,</l>
                <l>Still singing, “Here is refuge!”</l>
                <l>Wretched folly!—</l>
                <l>As if the serpent could not find the garden;</l>
                <l>As if the malicious Hate, by hell engendered,</l>
                <l>Had not an equal instinct, how to fathom</l>
                <l>The secret haunt where rapture hopes to hide!</l>
                <l>Hate bears a will as resolute as love,</l>
                <l>A wing as swift, an eye as vigilant,</l>
                <l>And instincts, that, as still they keep it sleepless,</l>
                <l>Prompt the keen search when Rapture stops for rest!</l>
                <l>A sad presentiment of coming evil</l>
                <l>Stifles each generous impulse at my heart,</l>
                <l>That ever spoke in confidence. This Warren</l>
                <l>Is here for mischief; with what hope to prosper—</l>
                <l>That single proof destroy'd—I now divine not.</l>
                <l>This woman, coming close upon his footsteps,</l>
                <l>Confirms my apprehensions. They are allies—</l>
                <l>She false as he, but feeble—his mere creature,</l>
                <l>To beat the bush, while he secures the game!</l>
                <l>Well! I must watch them with a vigilance</l>
                <l>Due to the precious treasure in my trust;</l>
                <l>And, swift as justice in avenging mission,</l>
                <l>With the first show of evil in their purpose,</l>
                <l>Crush them to earth, and—Well?</l>
              </sp>
              <stage>[<hi rend="italics">Enter servant.</hi></stage>
              <sp>
                <speaker>SERVANT.</speaker>
                <l>Major Savage, sir.</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>Show him in.</l>
              </sp>
              <stage>[<hi rend="italics">Enter Savage</hi></stage>
              <sp>
                <speaker>SAVAGE.</speaker>
                <l>Your name is Maurice?</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>'Tis sir. Yours?</l>
              </sp>
              <pb id="p70" n="70"/>
              <sp>
                <speaker>SAVAGE.</speaker>
                <l>Mine is Joe Savage,—Major of militia.</l>
                <l>You got a letter, sir, a week ago,</l>
                <l>From Colonel Blasinghame.</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>And answer'd it!</l>
              </sp>
              <sp>
                <speaker>SAVAGE.</speaker>
                <l>That answer did not please him, Blasinghame.</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>I'm sorry for it, sir; but you'll believe me,</l>
                <l>When I assure you, that, in penning it,</l>
                <l>I never once conceived it necessary</l>
                <l>To ask what were his tastes.</l>
              </sp>
              <sp>
                <speaker>SAVAGE.</speaker>
                <l>Eh, sir: you did not!</l>
                <l>Well, let me tell you, those who know him better,</l>
                <l>Are something curious never to offend him.</l>
                <l>But you, sir, are a stranger—do not know him</l>
                <l>So well as others, born here in Missouri—</l>
                <l>And so, he sends me to enlighten you.</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>I thank him, sir.</l>
              </sp>
              <sp>
                <speaker>SAVAGE.</speaker>
                <l>Well, you have need to do so;</l>
                <l>He does not use such courtesy in common,</l>
                <l>But usually the blow before the word!</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>I'm lucky in his new-born courtesy.</l>
              </sp>
              <sp>
                <speaker>SAVAGE.</speaker>
                <l>You are, sir! He's a rough colt, Blasinghame.</l>
              </sp>
              <sp>
                <speaker>Maurice.</speaker>
                <l>Kicks, does he?</l>
              </sp>
              <sp>
                <speaker>SAVAGE.</speaker>
                <l>Kicks, sir! Why do you say kicks?</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>Surely, no act more proper to a colt.</l>
              </sp>
              <sp>
                <speaker>SAVAGE.</speaker>
                <l>You are something literal, sir. I'm glad of it,</l>
                <l>Since 'twill be easier to be understood!</l>
                <l>Well, sir, I come to you from Blasinghame.</l>
                <l>You know not, sir, in taking up this case</l>
                <l>Of mother Pressley's, sir, that you are doing</l>
                <l>That which, until your coming, not a lawyer</l>
                <l>Had done here in Missouri.</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>Shame upon them!</l>
              </sp>
              <sp>
                <speaker>SAVAGE.</speaker>
                <l>Shame, say you? Wherefore, when the right of it</l>
                <l>Is all with Blasinghame!</l>
              </sp>
              <pb id="p71" n="71"/>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>Or with his cudgel!</l>
              </sp>
              <sp>
                <speaker>SAVAGE,</speaker>
                <stage>[<hi rend="italics">laughs.</hi>]</stage>
                <l>Something in that, too. Well, sir,—I say!—</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>Well, sir!</l>
              </sp>
              <sp>
                <speaker>SAVAGE.</speaker>
                <l>Now, as you something seem to know already</l>
                <l>Of my friend's mode of managing his case,</l>
                <l>I need not dwell upon the policy</l>
                <l>Of stopping all proceedings ere the trial;—</l>
                <l>In which event I'm authorized to tell you</l>
                <l>That Blasinghame forgives your insolent letter,</l>
                <l>And spares you as a stranger.</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>Merciful,</l>
                <l>As he is powerful! But what if—having</l>
                <l>No such afflicting terror of this person,</l>
                <l>So terrible to his neighbors, in mine eyes—</l>
                <l>I do reject this liberal grant of mercy.</l>
              </sp>
              <sp>
                <speaker>SAVAGE.</speaker>
                <l>Then, sir, I bear his peremptory challenge,</l>
                <l>Which leaves you, sir, without alternative,</l>
                <l>Takes no apology, no explanation,</l>
                <l>And only seeks atonement in your blood.</l>
                <stage>[<hi rend="italics">Gives challenge.</hi></stage>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>Or his!</l>
              </sp>
              <sp>
                <speaker>SAVAGE.</speaker>
                <l>Or his! But that's no easy matter, sir;</l>
                <l>He's fought some thirty duels in his time,</l>
                <l>Wing'd nineteen combatants, and slew the rest,</l>
                <l>Nor had a scratch himself.</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>Why, we may say,</l>
                <l>As Thumb, in the great tragedy—“Enter Thumb,</l>
                <l>And slays them all!”</l>
              </sp>
              <sp>
                <speaker>SAVAGE.</speaker>
                <l>You mock, sir!—</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>Not a bit, sir!</l>
                <l>I marvel only, after hearing you,</l>
                <l>That still I have the courage to resist.</l>
              </sp>
              <sp>
                <speaker>SAVAGE.</speaker>
                <l>You will not, sir?</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>I fear me that I shall!</l>
              </sp>
              <sp>
                <speaker>SAVAGE.</speaker>
                <l>What! you accept the challenge, then?</l>
              </sp>
              <pb id="p72" n="72"/>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>I'll keep it, sir, until this trial's over.</l>
              </sp>
              <sp>
                <speaker>SAVAGE.</speaker>
                <l>Beware, sir, of evasion.</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>You, in turn, sir,</l>
                <l>Beware of insolence. You have my answer;</l>
                <l>When I have gain'd this suit of Widow Pressley.</l>
                <l>I'll see to that of Colonel Blasinghame.</l>
              </sp>
              <sp>
                <speaker>SAVAGE.</speaker>
                <l>I must have your answer now, or—</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>The door, sir,—</l>
                <l>Unless, indeed, you should prefer the window.</l>
              </sp>
              <sp>
                <speaker>SAVAGE.</speaker>
                <l>Well! You're a man, that's certain! Give us hand.</l>
                <l>I'm a rough beast, and like you not the less,</l>
                <l>Because you keep a muzzle for the bear;</l>
                <l>I <hi rend="italics">feel</hi> that you will meet with Blasinghame,</l>
                <l>And I shall see it.</l>
                <stage>[<hi rend="italics">Shakes hands.</hi></stage>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>Very like you will!</l>
                <stage>[<hi rend="italics">Exit Savage.</hi></stage>
                <l>The game becomes of interest!</l>
                <stage>[<hi rend="italics">tap within.</hi></stage>
                <l>Clarice!</l>
                <stage>[<hi rend="italics">Opens to her, she enters.</hi></stage>
              </sp>
              <sp>
                <speaker>CLARICE.</speaker>
                <l>Art busy, Norman?</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>Have been. But,—this lady?—</l>
              </sp>
              <sp>
                <speaker>CLARICE.</speaker>
                <l>Will you not see her?</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>Not if I can help it.</l>
              </sp>
              <sp>
                <speaker>CLARICE.</speaker>
                <l>She is my only kinswoman, my husband—</l>
                <l>You will not drive her from me?</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>Your only!—</l>
                <l>You were <hi rend="italics">my</hi> only, Clarice—I <hi rend="italics">your</hi> only,</l>
                <l>Until her coming! <hi rend="italics">Only</hi> to each other,</l>
                <l>Was the o'erprecious bond that most endear'd you</l>
                <l>To my affections, wife. I cannot suffer</l>
                <l>That she should pass between your heart and mine—</l>
                <l>She who loves neither.</l>
              </sp>
              <sp>
                <speaker>CLARICE.</speaker>
                <l>Nay, Norman!</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>Nay, Clarice!</l>
                <l>This cold, coarse, selfish, this dishonest woman,</l>
                <pb id="p73" n="73"/>
                <l>Who strove to keep us separate—</l>
              </sp>
              <sp>
                <speaker>CLARICE.</speaker>
                <l>Her error,</l>
                <l>She pleads, was but, in a mistaken fondness,</l>
                <l>To find a suitor, for her favorite niece,</l>
                <l>With better hope of fortune than yourself.</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>Who broke the sacred seal upon our letters,</l>
                <l>Mine read,—yours hurried to the flames, unsent—</l>
                <l>And would have sold you to this Robert Warren,</l>
                <l>My enemy—</l>
              </sp>
              <sp>
                <speaker>CLARICE.</speaker>
                <l>She confesses all, and weeps!</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>Tears of the crocodile! Believe them not.</l>
                <l>Plead for her nothing more! I tell you, Clarice,</l>
                <l>I cannot hold my table sure and sacred,</l>
                <l>With one so false beside me at the board!—</l>
                <l>I cannot yield my home, now pure and peaceful,</l>
                <l>To such a treacherous heart as that she carries.</l>
                <l>My home is not my home, when doubts of safety</l>
                <l>Haunt still my thoughts by day, my dreams by night.</l>
                <l>She must go hence!</l>
              </sp>
              <sp>
                <speaker>CLARICE.</speaker>
                <l>Oh! husband, pardon her!</l>
                <l>She urges abject poverty!</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>More falsehood still!</l>
                <l>But we'll provide her;—she shall never suffer,</l>
                <l>From cold, or thirst, or hunger, my Clarice.</l>
                <l>I will to-day seek lodgings in St. Louis;</l>
                <l>To-morrow—</l>
              </sp>
              <sp>
                <speaker>CLARICE.</speaker>
                <l>But, should her pride?—</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>She has no right</l>
                <l>To nurse her pride at peril of our peace!</l>
                <l>No more! I will not mock her poverty,</l>
                <l>Offend her pride, reproach her evil doing—</l>
                <l>Will speak her kindly, and will care for her,</l>
                <l>So long as I have strength for any care;—</l>
                <l>But will not suffer, for a single moment,</l>
                <pb id="p74" n="74"/>
                <l>Her shadow on the sunshine of my house.</l>
                <stage>[<hi rend="italics">Knock without.</hi></stage>
                <l>Come in!</l>
                <stage>
                  <hi rend="italics">Enter Cols. Mercer and Brooks.</hi>
                </stage>
                <l>Friends, welcome!</l>
              </sp>
              <stage>[<hi rend="italics">Clarice curtsies as they bow, and is about to retire.</hi></stage>
              <sp>
                <speaker>MERCER.</speaker>
                <l>If we be welcome,</l>
                <l>Your lady need not leave us.</l>
              </sp>
              <sp>
                <speaker>BROOKS.</speaker>
                <l>That which brings us,</l>
                <l>Is business of your own, no less than ours,—</l>
                <l>A grateful business still, we trust, to you—</l>
                <l>Which, doing honor to your worth and virtue,</l>
                <l>It may be grateful to your wife to hear.</l>
              </sp>
              <sp>
                <speaker>CLARICE.</speaker>
                <l>If such its burden, I were glad to linger.</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>Do so, Clarice!—we, gentlemen, are one!</l>
                <l>Marriage, with us, fulfils its ample mission,</l>
                <l>Making a mutual need for both our hearts;</l>
                <l>Whose sweet dependence knows no other refuge,</l>
                <l>Than that which each bestows. It is our fortune,</l>
                <l>To have no kindred which may pass between us,</l>
                <l>To take from either heart the sweet possession</l>
                <l>We hold in one another. But, be seated.</l>
              </sp>
              <sp>
                <speaker>MERCER.</speaker>
                <l>Court now in session, sir, your time is precious,</l>
                <l>And this great case of yours, 'gainst Blasinghame,</l>
                <l>Comes on to-day?</l>
                <l>MAURICE. It does.</l>
              </sp>
              <sp>
                <speaker>MERCER.</speaker>
                <l>A moment then?</l>
                <l>Our friends, sir, conscious of your great endowment,</l>
                <l>Assured of your just principles and conduct,</l>
                <l>Your sense of public trust and public duty,</l>
                <l>Have, with unanimous voice, in a full caucus,</l>
                <l>Deputed us to bear you their request,</l>
                <l>That you will be our candidate for Senator,</l>
                <l>In the next Congress.</l>
              </sp>
              <pb id="p75" n="75"/>
              <sp>
                <speaker>BROOKS.</speaker>
                <l>And we now entreat you,</l>
                <l>Suffer this nomination.</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>Friends, believe me,</l>
                <l>I feel with proper sense, this compliment;</l>
                <l>And, if my own desire, my young ambition,</l>
                <l>Were the sole arbiter to shape my conduct,</l>
                <l>Then would I say to you, with hearty frankness,</l>
                <l>My wing and eye are set upon the station,</l>
                <l>To which your accents now implore my flight.</l>
                <l>But, though 'twould give me pride to serve our people,</l>
                <l>In any station where their rights are vested,</l>
                <l>I have some scruples—</l>
              </sp>
              <sp>
                <speaker>MERCER.</speaker>
                <l>Pray deliver them.</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>To be a candidate in common usage,</l>
                <l>To take the field and canvass with the voter,</l>
                <l>To use or sanction fraud—to buy with money,</l>
                <l>Or other bribe, the suffrage of the people—</l>
                <l>Is to dishonor them—degrade myself!</l>
              </sp>
              <sp>
                <speaker>BROOKS.</speaker>
                <l>We ask not this.</l>
              </sp>
              <sp>
                <speaker>MERCER.</speaker>
                <l>It needs not.</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>Hear me, sirs.</l>
                <l>Our liberties are in the popular vote,</l>
                <l>Their best security, the popular heart,</l>
                <l>Their noblest triumph in the popular will,—</l>
                <l>And this can never be expressed with safety,</l>
                <l>Until the unbias'd voice of public judgment,</l>
                <l>Flinging aside each intermediate agent,</l>
                <l>Rises, with proper knowledge of its person,</l>
                <l>And cries—“Behold our man!”</l>
              </sp>
              <sp>
                <speaker>MERCER.</speaker>
                <l>You are our man!</l>
                <l>Such is already what is spoken loudly</l>
                <l>By thousands in Missouri.</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>I'll not deny it—</l>
                <l>If I had one ambition o'er another,</l>
                <pb id="p76" n="76"/>
                <l>One passion, prompting still a search for power,</l>
                <l>'Twas for a station such as this you show me,</l>
                <l>Where, standing on the platform of the nation,</l>
                <l>I might stand up for man! And so, my studies,</l>
                <l>The books I read, the maxims I examined,—</l>
                <l>The laws I conn'd—the models set before me,—</l>
                <l>All had some eminence like this in view,</l>
                <l>That, with my training, should the occasion offer,</l>
                <l>I might be ready still! But, in my progress,—</l>
                <l>The better knowledge I have learn'd from men—</l>
                <l>My doubts increase—my scruples grow—and now,</l>
                <l>A sense of duty prompts me to declare,</l>
                <l>Though each fond idol of the ambitious nature,</l>
                <l>Be, from its pedestal, forever thrown,</l>
                <l>I will not seek for office on conditions</l>
                <l>Adverse to right and manhood. I will never</l>
                <l>Become the creature of a selfish party—</l>
                <l>Never use wealth or fraud to rise to power,—</l>
                <l>Never use power itself to keep in power,</l>
                <l>Nor see in him who favor'd my ascent,</l>
                <l>A virtue not his own! Nor can I offer</l>
                <l>One tribute to the vulgar vanity!</l>
                <l>I will not bow, nor smile, nor deference yield,</l>
                <l>Where justice still withholds acknowledgment.</l>
              </sp>
              <sp>
                <speaker>MERCER.</speaker>
                <l>We feel the justice of your sentiments.</l>
              </sp>
              <sp>
                <speaker>BROOKS.</speaker>
                <l>They're needful to us now, when all's corruption.</l>
                <l>Oh! could we but inform the popular mind.</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>This can be done where virtue is the teacher,</l>
                <l>No students learn so quickly as the people.</l>
                <l>They have no cliques to foster—no professions,</l>
                <l>Whose narrow boundaries, and scholastic rules,</l>
                <l>Frown on each novel truth and principle,</l>
                <l>And, where they can, still hunt them down to ruin.</l>
                <l>They take a truth in secret to their hearts,</l>
                <pb id="p77" n="77"/>
                <l>And nurse it, till it rises to a law,</l>
                <l>Thenceforth to live forever!</l>
              </sp>
              <sp>
                <speaker>BROOKS.</speaker>
                <l>We are agreed—</l>
                <l>The people must be taught—what should we teach them?</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>In politics, to know the proper value</l>
                <l>Of the high trusts, the sacred privileges,</l>
                <l>They do confide their statesmen. Show to them,</l>
                <l>On these depend their liberties and lives,</l>
                <l>The safety of their children, and the future!</l>
                <l>To yield such trusts to smiling sycophants,</l>
                <l>Who flatter still the voter's vanity,</l>
                <l>At the expense of his most precious fortunes,</l>
                <l>Is to betray the land's security;</l>
                <l>To sell the wealth most precious in our keeping,</l>
                <l>And, for the thing most worthless, yield to fortune,</l>
                <l>What fortune cannot purchase! We must teach,</l>
                <l>That he who cringes meanly for the station,</l>
                <l>Will meanly hold him in the nation's eye;</l>
                <l>That he who buys the vote will sell his own;—</l>
                <l>That he, alone, is worthy of the trust,</l>
                <l>Who, with the faculty to use it nobly,</l>
                <l>Will never sacrifice his manhood for it.</l>
                <l>If, with these principles and these resolves,</l>
                <l>Thus freely shown you, and invincible,</l>
                <l>Our people, through their representatives,</l>
                <l>Demand my poor abilities,—'twill glad me,</l>
                <l>To yield me at their summons. This implies not</l>
                <l>One effort of my own. You, sirs, may make me</l>
                <l>A Senator, but not a Candidate.</l>
              </sp>
              <sp>
                <speaker>MERCER.</speaker>
                <l>This suits us well. On your own terms we take you;</l>
                <l>We feel with you, a stern necessity</l>
                <l>To check the abuse of the elective franchise!</l>
              </sp>
              <sp>
                <speaker>BROOKS.</speaker>
                <l>But should we call a meeting to enlighten</l>
                <l>The people, in respect to public measures,</l>
                <pb id="p78" n="78"/>
                <l>You'll not refuse to meet them?</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>No, sir, surely!</l>
                <l>I still have done so, upon all occasions,</l>
                <l>Whene'er a novel principle demanded</l>
                <l>Discussion.</l>
              </sp>
              <sp>
                <speaker>MERCER.</speaker>
                <l>Thanks, sir! There will be to-morrow</l>
                <l>A general meeting at the Capitol,</l>
                <l>Without respect to party.</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>I will be there!</l>
              </sp>
              <sp>
                <speaker>BROOKS.</speaker>
                <l>Our quest is satisfied to our desire.</l>
              </sp>
              <sp>
                <speaker>MERCER.</speaker>
                <l>We will no longer trespass. Farewell, madam,</l>
                <l>Farewell, sir. We shall meet again at court.</l>
              </sp>
              <stage>[<hi rend="italics">Exeunt Mercer and Brooks.</hi></stage>
              <sp>
                <speaker>CLARICE,</speaker>
                <stage>[<hi rend="italics">embracing him.</hi>]</stage>
                <l>Husband, you triumph! There</l>
                <l>should be no care</l>
                <l>Upon your forehead now! Last night, you slept not.</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>And now, <hi rend="italics">you</hi> dream! But clouds <hi rend="italics">will</hi> come, Clarice,</l>
                <l>Still, with the morrow! Care that flies the forehead,</l>
                <l>Still finds a secret shelter in the heart!—</l>
                <l>That timid knock!</l>
                <stage>[<hi rend="italics">Knock without.</hi></stage>
              </sp>
              <sp>
                <speaker>CLARICE.</speaker>
                <l>It is the widow Pressley.</l>
              </sp>
              <sp>
                <speaker>MAURICE,</speaker>
                <stage>[<hi rend="italics">opening.</hi>]</stage>
                <l>Come in, madam!</l>
              </sp>
              <stage>
                <hi rend="italics">Enter Widow Pressley and Kate.</hi>
              </stage>
              <sp>
                <speaker>WIDOW.</speaker>
                <l>Oh! sir, the day has come!</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>That brings you back your property, I trust.</l>
              </sp>
              <sp>
                <speaker>WIDOW.</speaker>
                <l>Alas! sir! You encourage me to hope,—</l>
                <l>And yet I fear!</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>It is that we are liable to fear,</l>
                <l>That we must hope. If judgment be not erring</l>
                <l>No less than justice, madam, mine's a hope</l>
                <l>That grows the bolder with each hour of thought.</l>
                <l>Be of good heart, dear madam. Check these sorrows,</l>
                <l>That wear such needless furrows in your cheeks.</l>
              </sp>
              <pb id="p79" n="79"/>
              <sp>
                <speaker>WIDOW.</speaker>
                <l>They're old ones, sir, plough'd twenty years ago.</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>Renew them not!</l>
              </sp>
              <sp>
                <speaker>WIDOW.</speaker>
                <l>And yet, if what I hear!—</l>
                <l>Oh, sir! they tell me that this cruel man</l>
                <l>Hath sworn a horrible oath against your life,</l>
                <l>If he should lose his case.</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>Ah! swears he then!</l>
                <l>That looks as if he felt some cause of fear!</l>
              </sp>
              <sp>
                <speaker>WIDOW.</speaker>
                <l>Do not make light of it, I do entreat you!</l>
                <l>He's a most desperate ruffian when he's thwarted,</l>
                <l>And has the blood of many on his hands!</l>
                <l>'Twas said he left the army for his murders,</l>
                <l>And in his duels—</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>Let me see,—“of thirty,</l>
                <l>Wing'd nineteen combatants, and slew the rest!”</l>
              </sp>
              <sp>
                <speaker>CLARICE.</speaker>
                <l>Oh! horrible! How can you jest upon it?</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>I jest!</l>
              </sp>
              <sp>
                <speaker>CLARICE.</speaker>
                <l>In truth, you smile not!</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>Do not fear!</l>
                <l>I do not think that he will murder me.</l>
              </sp>
              <sp>
                <speaker>CLARICE.</speaker>
                <l>Yet be not rash, my husband; take precautions,</l>
                <l>This weapon—</l>
                <stage>[<hi rend="italics">hands him a small dagger.</hi></stage>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>What! your dagger, my Clarice,</l>
                <l>This pretty Turkish trifle from your bodice,</l>
                <l>The blade mosaic—handle wrought in pearl—</l>
                <l>The sheath of exquisite morocco, dropp'd</l>
                <l>In gold and green! This ornament for masking,</l>
                <l>Were a frail weapon for a man's defence!</l>
                <l>Nay, keep your dagger, child, I shall not need it.</l>
              </sp>
              <sp>
                <speaker>CLARICE.</speaker>
                <l>Be not so confident.</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>Be not so timid!</l>
                <l>Who looks for danger surely happens on it!</l>
                <l>My papers there! You go with me, dear madam.</l>
                <stage>[<hi rend="italics">To widow.</hi></stage>
              </sp>
              <sp>
                <speaker>WIDOW.</speaker>
                <l>Thanks, sir!</l>
                <pb id="p80" n="80"/>
                <l>There was a time I kept <hi rend="italics">my</hi> carriage!</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>Be hopeful: you shall keep it once a <gap reason="illegible" extent="several characters"/></l>
                <l><stage>[<hi rend="italics">Aside to Clarice.</hi>]</stage> I feed this hapless woman with <gap reason="illegible" extent="several characters"/></l>
                <l>Such as it glads me to indulge myself,—</l>
                <l>Yet, should I err in judgment!</l>
              </sp>
              <sp>
                <speaker>CLARICE,</speaker>
                <stage>[<hi rend="italics">aside.</hi>]</stage>
                <l>Oh! should you fail!</l>
                <l>'Twould break her heart.</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>'Twere something worse than death!</l>
                <stage>[<hi rend="italics">Aside to Clarice.</hi></stage>
                <l><hi rend="italics">But we'll not fail!</hi><stage> [<hi rend="italics">aloud.</hi>]</stage> The courage born of virtue</l>
                <l>Hath still a holy sanction for its hope;</l>
                <l>And he who strives with justice on his side,</l>
                <l>May boldly challenge fortune for success,</l>
                <l>If he be true himself!—<hi rend="italics">We will not fail!</hi></l>
                <l>The carriage there! Come, madam—for the Court-house!</l>
              </sp>
              <stage>[<hi rend="italics">Exeunt.</hi></stage>
              <stage>END OF ACT THIRD.</stage>
            </div4>
          </div3>
          <div3 type="act">
            <pb id="p81" n="81"/>
            <head>ACT IV.—SCENE I.</head>
            <div4 type="scene">
              <stage>
                <hi rend="italics">A garden in the rear of the house of Norman Maurice. Walk through a thick shrubbery. Enter Robert Warren and Mrs. Jervas.</hi>
              </stage>
              <sp>
                <speaker>WARREN.</speaker>
                <l>So! So! You heard it all, then?</l>
              </sp>
              <sp>
                <speaker>MRS. J.</speaker>
                <l>Every syllable.</l>
              </sp>
              <sp>
                <speaker>WARREN.</speaker>
                <l>Glorious! But how did you conceal yourself?</l>
              </sp>
              <sp>
                <speaker>MRS. J.</speaker>
                <l>An ante-room conducts us to the hall</l>
                <l>Where they were secretly at conference;</l>
                <l>Thither, when she descended from my chamber,</l>
                <l>I softly follow'd. The convenient key-hole</l>
                <l>Gave me the means, at once to hear and see them.</l>
              </sp>
              <sp>
                <speaker>WARREN.</speaker>
                <l>Your foresight shames my thought! And so, this Maurice,</l>
                <l>Denies that you shall harbor in his dwelling?</l>
                <l>But this you must do! Your security</l>
                <l>Lies in his household only! He might promise you</l>
                <l>Your lodging in St. Louis,—board and clothing—</l>
                <l>Ample provision for your state in future—</l>
                <l>But once you free his household of your presence,</l>
                <l>He whistles you down the wind. No obligation</l>
                <l>Would bind him to the care of you hereafter!</l>
              </sp>
              <sp>
                <speaker>MRS. J.</speaker>
                <l>What then? He's very stubborn in his spirit!</l>
              </sp>
              <sp>
                <speaker>WARREN.</speaker>
                <l>Why, to be sure! The very thing, dear madam—</l>
                <l>Your sickness will not suffer your removal:</l>
                <l>Fatigue of travel, grief, anxiety,</l>
                <l>Will have their penalties; and your prostration</l>
                <l>Is such, that all the world would say 'twas monstrous</l>
                <l>To drive you,—you, a stranger in the country,—</l>
                <pb id="p82" n="82"/>
                <l>The home of the one kinswoman that's left you!</l>
                <l>Your notion is a good one! Norman Maurice</l>
                <l>Is not the man to urge the matter on you—</l>
                <l>An invalid,—with feeble frame,—hot fever—</l>
                <l>Confined to bed,—mind somewhat wandering!—</l>
                <l>You're right! Methinks you need no counsel, madam.</l>
              </sp>
              <sp>
                <speaker>MRS. J.</speaker>
                <l>I see! 'Twill do!</l>
              </sp>
              <sp>
                <speaker>WARREN.</speaker>
                <l>'Tis excellent! So, Maurice</l>
                <l>Accepts the Senatorial nomination,</l>
                <l>Though still his pride revolts at working for it.</l>
                <l>Well! He's not Senator yet. The widow's case</l>
                <l>Will bring its perils too; and, at the finish,</l>
                <l>I'll interpose to blight his growing glories,</l>
                <l>And show him—Hark! a footstep—</l>
              </sp>
              <sp>
                <speaker>MRS. J.</speaker>
                <l>Here she comes!</l>
              </sp>
              <sp>
                <speaker>WARREN.</speaker>
                <l>Auspicious! Here, away; and, while you leave us,</l>
                <l>I'll open a brief conference with her.</l>
                <l>Meanwhile, 'tis well, you put your scheme in progress;</l>
                <l>Take to your bed, and get your nostrums ready;</l>
                <l>Spare not your groans and sighs—a little faintness</l>
                <l>Might well arrest you suddenly in your speech!</l>
                <l>And—but enough. The thicket! Here, away!</l>
              </sp>
              <stage>[<hi rend="italics">They retire behind the copse.</hi></stage>
              <stage>
                <hi rend="italics">Enter Clarice.</hi>
              </stage>
              <sp>
                <speaker>CLARICE.</speaker>
                <l>Now all my sorrows sink into the sea,</l>
                <l>Since Norman rises to such noble height,</l>
                <l>The first in his desert and his desire!</l>
                <l>Methinks, till now, I doubted of his fortune,</l>
                <l>Nor ever felt secure from sad mischance;</l>
                <l>The gibe of envious tongues, the jeer of malice,</l>
                <l>The snares of bitter foes, and those dark meshes,</l>
                <l>That still the treacherous hands of Warren spread!</l>
                <l>These do not fright me now, and, though his presence,</l>
                <pb id="p83" n="83"/>
                <l>So apt with coming hither of my aunt,</l>
                <l>Would seem to shadow forth some evil purpose,</l>
                <l>Yet can I not esteem it cause of fear,</l>
                <l>Since it were vain for such as he to struggle</l>
                <l>Against the noble fortunes of my husband.</l>
              </sp>
              <sp>
                <speaker>WARREN,</speaker>
                <stage>[<hi rend="italics">coming out behind her.</hi>]</stage>
                <l>Indeed! and yet the shaft that slew the lion,</l>
                <l>Was but a reed beside the sedgy stream!</l>
              </sp>
              <sp>
                <speaker>CLARICE,</speaker>
                <stage>[<hi rend="italics">seeing him and starting.</hi>]</stage>
                <l>Ah!</l>
              </sp>
              <sp>
                <speaker>WARREN.</speaker>
                <l>The little scorpion issuing from the rock,</l>
                <l>First slew the steed whose skull he 'habited.</l>
              </sp>
              <sp>
                <speaker>CLARICE.</speaker>
                <l>Thou here again!</l>
              </sp>
              <sp>
                <speaker>WARREN.</speaker>
                <l>If but to teach thee in philosophy!—</l>
                <l>A pebble in the hand of shepherd slinger,</l>
                <l>Smote, so we learn from Sacred History,</l>
                <l>The proudest giant in Philistia's ranks.</l>
              </sp>
              <sp>
                <speaker>CLARICE.</speaker>
                <l>And he whose presence still offends a woman,</l>
                <l>But little dreams what champion she may call.</l>
              </sp>
              <sp>
                <speaker>WARREN.</speaker>
                <l>I knew <hi rend="italics">your</hi> champion absent ere I ventured.</l>
                <l>Your highest pitch of voice, and greatest need,</l>
                <l>Would never bring him timely to your succor.</l>
              </sp>
              <sp>
                <speaker>CLARICE.</speaker>
                <l>What means this threat?</l>
              </sp>
              <sp>
                <speaker>WARREN.</speaker>
                <l>It is no threat, Clarice;—</l>
                <l>You will not need a champion when I'm near you.</l>
              </sp>
              <sp>
                <speaker>CLARICE.</speaker>
                <l>And if I did, methinks, in Robert Warren</l>
                <l>I should be loth to seek one! Why come hither,</l>
                <l>My husband's foe, pursuing still his fortunes,</l>
                <l>And mine, with bitter malice!</l>
              </sp>
              <sp>
                <speaker>WARREN.</speaker>
                <l><hi rend="italics">Thee</hi> with love!</l>
              </sp>
              <sp>
                <speaker>CLARICE.</speaker>
                <l>Who wrongs the husband, cannot love the wife!</l>
              </sp>
              <sp>
                <speaker>WARREN.</speaker>
                <l>Clarice, 'twas in my passionate love for thee,</l>
                <l>First grew the passionate hate I bear thy husband!</l>
                <l>'Till thou, with fatal beauty, came between us,</l>
                <l>He was the twin companion of my pleasures.—</l>
                <pb id="p84" n="84"/>
                <l>My first associate in each boyish frolic,</l>
                <l>We still together went, by hill and valley,</l>
                <l>Beside the stream, and through th' untrodden forest,</l>
                <l>Having no faith but in our youthful friendship,</l>
                <l>No joy, but in the practice shared together.</l>
                <l>'Twas thou that changed my kinsman to a rival—</l>
                <l>'Twas thou that changed our friendship into hate;</l>
                <l>We fell apart, suspecting both, and loathing,</l>
                <l>When first our mutual hearts inclined to thee!</l>
              </sp>
              <sp>
                <speaker>CLARICE.</speaker>
                <l>He did not hate thee—had no jealousy,</l>
                <l>But still confided to thee, even his passion;</l>
                <l>And thou—alas! audacious that thou art,</l>
                <l>How canst thou still forget that I too know thee,</l>
                <l>A traitor to his trust!</l>
              </sp>
              <sp>
                <speaker>WARREN.</speaker>
                <l>Have I denied it?</l>
                <l>I would have won thee from my dearest kinsman.</l>
                <l>My treachery to him was truth to thee!</l>
              </sp>
              <sp>
                <speaker>CLARICE.</speaker>
                <l>And yet 'twas fruitless! Was it not enough</l>
                <l>That thou shouldst fail? Why now—</l>
              </sp>
              <sp>
                <speaker>WARREN.</speaker>
                <l>Enough!</l>
                <l>Was every passion to be wreck'd forever,</l>
                <l>In that which had denial in thy scorn?</l>
                <l>With love denied, was vengeance—</l>
              </sp>
              <sp>
                <speaker>CLARICE.</speaker>
                <l>Vengeance! Ha!</l>
                <l>Is it his life thou aim'st at now, or mine!</l>
              </sp>
              <sp>
                <speaker>WARREN.</speaker>
                <l>Neither!</l>
              </sp>
              <sp>
                <speaker>CLARICE.</speaker>
                <l>What then? We're separate forever,—</l>
                <l>Our lots are cast apart,—our lives divided,—</l>
                <l>Why, when no profit comes to thee—no pleasure,</l>
                <l>To us, at this dark crossing of our footsteps—</l>
                <l>Why art thou here?—Why vex us with thy presence,</l>
                <l>To thy own deep defeat?</l>
              </sp>
              <sp>
                <speaker>WARREN.</speaker>
                <l>In your own thoughts,</l>
                <l>Look for the answer to this teeming question.</l>
                <pb id="p85" n="85"/>
                <l>You know me well—enough of me to know,</l>
                <l>Whate'er my vices or deficiencies,</l>
                <l>I am no simpleton, but have a cunning</l>
                <l>That scarce would keep me profitlessly working,</l>
                <l>Still drawing fruitless waters in a sieve!</l>
                <l>That I should press upon your husband's footsteps,</l>
                <l>Would prove I still had hope of my revenge!</l>
                <l>That I should seek thee in thy secret bower,</l>
                <l>Would show me still not hopeless of thy love!</l>
              </sp>
              <sp>
                <speaker>CLARICE.</speaker>
                <l>Oh! vain and insolent man!</l>
              </sp>
              <sp>
                <speaker>WARREN.</speaker>
                <l>Hold, a little!</l>
                <l>If hopeful still of you, 'tis through the prospect</l>
                <l>Of vengeance on your husband.</l>
              </sp>
              <sp>
                <speaker>CLARICE.</speaker>
                <l>Face <hi rend="italics">him</hi> then!</l>
              </sp>
              <sp>
                <speaker>WARREN.</speaker>
                <l>You but increase my eager thirst for vengeance,</l>
                <l>When you remind me of the frequent struggle,</l>
                <l>Which ended in my overthrow and shame.</l>
              </sp>
              <sp>
                <speaker>CLARICE.</speaker>
                <l>Is't not enough, thus baffled and defeated?—</l>
                <l>Why thus encounter still the shame and danger?</l>
              </sp>
              <sp>
                <speaker>WARREN.</speaker>
                <l>And if my hope lay only in my fortune—</l>
                <l>If still my triumph waited on my strength,</l>
                <l>And, to the skill and vigor of mine arm,</l>
                <l>I looked to win the vengeance that I covet—</l>
                <l>I should forego the conflict, as you counsel,</l>
                <l>And leave your world in peace, concealing mine!</l>
              </sp>
              <sp>
                <speaker>CLARICE.</speaker>
                <l>Well, sir—you pause!</l>
              </sp>
              <sp>
                <speaker>WARREN.</speaker>
                <l>I would have had your thought</l>
                <l>Supply the words of mine; but, as it does not—</l>
                <l>Know that I look to other means of vengeance;</l>
                <l>Not through my strength, but in his feebleness—</l>
                <l>Not in my virtue, but your husband's vices!</l>
              </sp>
              <sp>
                <speaker>CLARICE.</speaker>
                <l>Oh! hence!</l>
              </sp>
              <sp>
                <speaker>WARREN.</speaker>
                <l>Yet, hear me! at this very moment</l>
                <l>Your husband seeks the pinnacle of power;</l>
                <pb id="p86" n="86"/>
                <l>He stands conspicuous in the public eye;</l>
                <l>The highest place awaits him in the state—</l>
                <l>The highest in the nation! At a word,</l>
                <l>I can o'erthrow him from his eminence,</l>
                <l>Can make his name a by-word and a mock,</l>
                <l>Degrade him from his rank, and, with a secret—</l>
              </sp>
              <sp>
                <speaker>CLARICE.</speaker>
                <l>Shallow and impotent, as base and worthless!—</l>
                <l>Hence with your secret! Me can you delude not,</l>
                <l>Though you delude yourself. I know this secret!</l>
              </sp>
              <sp>
                <speaker>WARREN.</speaker>
                <l>What! Your husband's forgery?</l>
              </sp>
              <sp>
                <speaker>CLARICE.</speaker>
                <l><hi rend="italics">Your</hi> forgery?</l>
                <l>Think not to cheat me with your foul contrivance.</l>
                <l>You prated of his skill in penmanship—</l>
                <l>Defied it,—placed examples in his eye—</l>
                <l>And he, confiding—dreaming not that one,</l>
                <l>The kinsman who had shared his home and bosom,</l>
                <l>Could meditate a falsehood or a crime—</l>
                <l>Wrote, at your bidding, sundry names of persons;</l>
                <l>And, with these names, without his privity,</l>
                <l>Your hand devised the drafts which got the money—</l>
                <l>Your hand expended what your guilt procured,</l>
                <l>On your own pleasures, in his grievous wrong—</l>
                <l>And he hath paid the debt. The fatal papers,</l>
                <l>Which might have been a means of his undoing,</l>
                <l>Were burned before mine eyes!</l>
              </sp>
              <sp>
                <speaker>WARREN.</speaker>
                <l>Your eyes deceived you.</l>
                <l>I'll not deny your story of the fraud;</l>
                <l>But, for the papers—let me whisper you—</l>
                <l>They were <hi rend="italics">not</hi> burn'd—they live for evidence—</l>
                <l>Are now in my possession—damning proofs,</l>
                <l>For the conviction still of Norman Maurice.</l>
              </sp>
              <sp>
                <speaker>CLARICE.</speaker>
                <l>Oh, false as hell! These eyes beheld them burning.</l>
              </sp>
              <sp>
                <speaker>WARREN.</speaker>
                <l>Hark, in your ear! What you beheld destroyed,</l>
                <l>Were but the copies of originals,</l>
                <pb id="p87" n="87"/>
                <l>The neatly written forgeries of forgeries:</l>
                <l>The originals are mine!</l>
              </sp>
              <sp>
                <speaker>CLARICE.</speaker>
                <l>Have mercy, heaven!</l>
                <l>What will you do with them?</l>
              </sp>
              <sp>
                <speaker>WARREN.</speaker>
                <l>What you determine.</l>
              </sp>
              <sp>
                <speaker>CLARICE.</speaker>
                <l>What mean you?</l>
              </sp>
              <sp>
                <speaker>WARREN.</speaker>
                <l>What! can you not conjecture?</l>
              </sp>
              <sp>
                <speaker>CLARICE.</speaker>
                <l>No, as I live!</l>
              </sp>
              <sp>
                <speaker>WARREN.</speaker>
                <l>What should I do with them?</l>
                <l>Appease my hatred, pacify my vengeance,—</l>
                <l>Wait till this still triumphant enemy</l>
                <l>Puts foot upon the topmost ring of the ladder,</l>
                <l>Then cut away the lofty props that raise him,</l>
                <l>And let him down to scorn and infamy.</l>
                <l>Another day would make him senator,</l>
                <l>But that I step between, and show these papers,</l>
                <l>And then the thousand voices in his honor,</l>
                <l>Pursue him with their hiss!</l>
              </sp>
              <sp>
                <speaker>CLARICE.</speaker>
                <l>Hellish malice!</l>
                <l>Oh, if there be a human nature in thee,</l>
                <l>Forbear this vengeance.</l>
              </sp>
              <sp>
                <speaker>WARREN.</speaker>
                <l>If it pleases thee!</l>
              </sp>
              <sp>
                <speaker>CLARICE.</speaker>
                <l>How, if it pleases me?</l>
              </sp>
              <sp>
                <speaker>WARREN.</speaker>
                <l>See you not yet?</l>
                <l>The alternative is yours to let him perish,</l>
                <l>Or win the eminence that still he seeks.</l>
              </sp>
              <sp>
                <speaker>CLARICE.</speaker>
                <l>Tell me!</l>
              </sp>
              <sp>
                <speaker>WARREN.</speaker>
                <l>Be mine!</l>
              </sp>
              <sp>
                <speaker>CLARICE,</speaker>
                <stage>[<hi rend="italics">recoiling.</hi>]</stage>
                <l>Thine!</l>
              </sp>
              <sp>
                <speaker>WARREN.</speaker>
                <l>Ay! for nothing less</l>
                <l>Than the sweet honey dew that lines thy lips,</l>
                <l>The heaven that heaves in thy embracing bosom,</l>
                <l>Will I forego this vengeance.</l>
              </sp>
              <sp>
                <speaker>CLARICE.</speaker>
                <l>God have mercy!</l>
                <pb id="p88" n="88"/>
                <l>Yet no! I'll not believe this cruel story;</l>
                <l>Thou hast no papers! I must see—</l>
              </sp>
              <sp>
                <speaker>WARREN.</speaker>
                <l>Thou shalt!</l>
                <l>Meet me, Clarice, at sunset, in you thicket.</l>
              </sp>
              <sp>
                <speaker>CLARICE.</speaker>
                <l>I dare not. In you thicket—</l>
              </sp>
              <sp>
                <speaker>WARREN.</speaker>
                <l>Dare you, then,</l>
                <l>Behold your husband perish?</l>
              </sp>
              <sp>
                <speaker>CLARICE.</speaker>
                <l>You but mock.</l>
              </sp>
              <sp>
                <speaker>WARREN.</speaker>
                <l>Wilt have me swear?</l>
              </sp>
              <sp>
                <speaker>CLARICE.</speaker>
                <l>What oath would bind a wretch</l>
                <l>So profligate in sin? I will not come!</l>
                <l>My husband's honor still defies your arts,</l>
                <l>And mine defies your passion.</l>
              </sp>
              <sp>
                <speaker>WARREN.</speaker>
                <l>You have doom'd him!</l>
              </sp>
              <sp>
                <speaker>CLARICE.</speaker>
                <l>Oh, say not so! You would not have me madden.</l>
              </sp>
              <sp>
                <speaker>WARREN.</speaker>
                <l>I swear it! what I tell you is the truth.—</l>
                <l>I have these papers, own this fearful power</l>
                <l>Upon his fame and fortune, and <hi rend="italics">will</hi> use it—</l>
              </sp>
              <sp>
                <speaker>CLARICE.</speaker>
                <l>And—if I come?</l>
                <stage>[<hi rend="italics">Looking vacantly.</hi></stage>
              </sp>
              <sp>
                <speaker>WARREN.</speaker>
                <l>And yield you to my passion,</l>
                <l>The papers, with the fatal evidence,</l>
                <l>Shall all be yours.</l>
              </sp>
              <sp>
                <speaker>CLARICE,</speaker>
                <stage>[<hi rend="italics">aside.</hi>]</stage>
                <l>Be resolute, my soul!</l>
                <l>Heaven help me in this strait and give me courage.</l>
                <l><stage>[<hi rend="italics">Aloud.</hi>]</stage> Bring you the papers, Robert Warren; and—</l>
              </sp>
              <sp>
                <speaker>WARREN,</speaker>
                <stage>[<hi rend="italics">eagerly.</hi>]</stage>
                <l>You'll come?</l>
              </sp>
              <sp>
                <speaker>CLARICE.</speaker>
                <l>If I have strength and courage, I will come.</l>
                <stage>[<hi rend="italics">Exit Clarice, slowly.</hi></stage>
              </sp>
              <sp>
                <speaker>WARREN.</speaker>
                <l>Then mine's a double triumph! Fool!—these papers</l>
                <l>Shall serve a twofold purpose: win the treasure,</l>
                <l>And yet confound the keeper when he wakes!</l>
                <stage>[<hi rend="italics">Exit Warren.</hi></stage>
              </sp>
            </div4>
            <div4 type="scene">
              <pb id="p89" n="89"/>
              <head>SCENE II.</head>
              <stage>
                <hi rend="italics">The porch of the Court-house of St. Louis. Norman Maurice about to enter, accompanied by the Widow Pressley and Kate, is detained by Mercer upon the threshold.</hi>
              </stage>
              <sp>
                <speaker>MERCER.</speaker>
                <l>A word with you, if you please.</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>Go in, madam,</l>
                <l>And find yourself a seat until I come:</l>
                <l>I'll follow soon.</l>
              </sp>
              <stage>[<hi rend="italics">Widow and child enter.</hi></stage>
              <sp>
                <speaker>MERCER.</speaker>
                <l>This case will keep you late,</l>
                <l>And we this evening hold a conference,</l>
                <l>Touching the course of the debate to-morrow;—</l>
                <l>Were it not better you took bed with us,</l>
                <l>And, in the mean while, lest your wife grows anxious,</l>
                <l>Advise her, by a billet, of your purpose?</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>Well thought of. I will do so.</l>
                <stage>[<hi rend="italics">going.</hi></stage>
              </sp>
              <sp>
                <speaker>MERCER.</speaker>
                <l>Something farther:</l>
                <l>Catesby here tells me—but he comes: here, Catesby.</l>
                <l>What's this of Savage?</l>
              </sp>
              <stage>[<hi rend="italics">Enter Catesby.</hi></stage>
              <sp>
                <speaker>CATESBY,</speaker>
                <stage>[<hi rend="italics">to Maurice.</hi>]</stage>
                <l>You've won the Savage heart.</l>
                <l>It seems that Blasinghame misdoubts your courage,</l>
                <l>And, as you gave no reference on his challenge,</l>
                <l>Inclines to violence; and has bid his lambs</l>
                <l>Gather about him to behold the sport.</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>Ah, sport!</l>
              </sp>
              <sp>
                <speaker>CATESBY.</speaker>
                <l>And this in utter scorn of Savage,</l>
                <l>Who counsell'd patience till the time is over,</l>
                <l>Fix'd by you for your answer. Blasinghame</l>
                <l>Growls sullen, and shows Savage a cold shoulder:</l>
                <l>'Twas he himself advised that you be watchful.</l>
              </sp>
              <pb id="p90" n="90"/>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>I thank him, and feel grateful to the Savage.</l>
                <l>As for this Blasinghame, he'll have need to growl,</l>
                <l>When we have done with him. But farther—Catesby—</l>
                <l>Be you convenient, and, when court is over,</l>
                <l>Meet us at Mercer's.</l>
              </sp>
              <sp>
                <speaker>CATESBY.</speaker>
                <l>I shall stay the trial.</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>Good. Let us in then.</l>
                <stage>[<hi rend="italics">Exeunt within.</hi></stage>
              </sp>
              <stage>
                <hi rend="italics">Enter Blasinghame, Savage, and others.</hi>
              </stage>
              <sp>
                <speaker>BLASINGHAME.</speaker>
                <l>That's enough, Joe Savage.</l>
              </sp>
              <sp>
                <speaker>SAVAGE.</speaker>
                <l>Ay, if it answers.</l>
              </sp>
              <sp>
                <speaker>BLASINGHAME.</speaker>
                <l>Answers or not, I tell you, still enough.</l>
                <l>Your counsel's something quite unlike yourself.</l>
              </sp>
              <sp>
                <speaker>SAVAGE.</speaker>
                <l>And, for that very reason, may be wisdom.</l>
              </sp>
              <sp>
                <speaker>BLASINGHAME.</speaker>
                <l>Perhaps!—but I'm not used to sudden changes<gap reason="illegible" extent="one or more characters"/></l>
                <l>I will take farther counsel with myself.</l>
              </sp>
              <sp>
                <speaker>SAVAGE.</speaker>
                <l>Doubtless, to find the way to wise conclusions.</l>
                <l>I wash my hands of the business.</l>
              </sp>
              <sp>
                <speaker>BLASINGHAME.</speaker>
                <l>Pray do so!</l>
                <l>But, see you Ferguson?</l>
              </sp>
              <sp>
                <speaker>SAVAGE.</speaker>
                <l>He follows us,</l>
                <l>Yonder, with Matthews and the stranger, Warren.</l>
              </sp>
              <sp>
                <speaker>BLASINGHAME.</speaker>
                <l>Well, if all fails to bring this Maurice down,</l>
                <l>That fellow hath a secret.</l>
              </sp>
              <sp>
                <speaker>SAVAGE.</speaker>
                <l>What is it?</l>
              </sp>
              <sp>
                <speaker>BLASINGHAME.</speaker>
                <l>Why, something that should please you,—quite</l>
                <l>pacific—</l>
                <l>For final overthrow of this man, Maurice;</l>
                <l>But let us in. I should be rather anxious,</l>
                <l>Having at stake a fortune on this trial.</l>
                <stage>[<hi rend="italics">Exeunt within.</hi></stage>
              </sp>
              <stage>
                <hi rend="italics">Enter Ferguson with books and papers, accompanied by Warren.</hi>
              </stage>
              <sp>
                <speaker>WARREN.</speaker>
                <l>You have it all, sir. At the public meeting</l>
                <l>You boldly challenge him with forgery,</l>
                <pb id="p91" n="91"/>
                <l>Call on me to produce the fatal papers,</l>
                <l>And summon Richard Osborne to confirm them.</l>
              </sp>
              <sp>
                <speaker>FERGUSON.</speaker>
                <l>We'll crush him at a blow.</l>
              </sp>
              <sp>
                <speaker>WARREN.</speaker>
                <l>'Till then, nothing!</l>
                <l>The shame must be complete, beyond recovery.</l>
                <l>Let him stretch forth his hand to gain the station,</l>
                <l>In sight of all, then, in remediless ruin,</l>
                <l>Hurl him down headlong.</l>
              </sp>
              <sp>
                <speaker>FERGUSON.</speaker>
                <l>You are sure of him—</l>
                <l>Your facts—your proofs, your persons?</l>
              </sp>
              <sp>
                <speaker>WARREN.</speaker>
                <l>Sure as fate!</l>
              </sp>
              <sp>
                <speaker>FERGUSON.</speaker>
                <l>You will not fail us?</l>
              </sp>
              <sp>
                <speaker>WARREN.</speaker>
                <l>Would you have me swear?</l>
                <l>Have I been wrong'd, and do I hate this Maurice?</l>
                <l>Will hate forego the prospect of revenge?</l>
                <l>Revenge reject the draught that quenches thirst,</l>
                <l>And he who long has dream'd of hidden treasure,</l>
                <l>Turn from the golden prize, at last his own?</l>
                <l>Not, if the hell that feeds this passion fiercely,</l>
                <l>Bestow the needful resolution for it!</l>
              </sp>
              <sp>
                <speaker>FERGUSON.</speaker>
                <l>And this man, Osborne?</l>
              </sp>
              <sp>
                <speaker>WARREN.</speaker>
                <l>He has had his lesson—</l>
                <l>He'll answer when you call him.</l>
              </sp>
              <sp>
                <speaker>FERGUSON.</speaker>
                <l>All then is true?</l>
              </sp>
              <sp>
                <speaker>WARREN.</speaker>
                <l>As true as need be for a lawyer's purpose,</l>
                <l>As for a foe's.</l>
              </sp>
              <sp>
                <speaker>FERGUSON.</speaker>
                <l>'Tis very pitiful—</l>
                <l>For, though I like him not, this Norman Maurice</l>
                <l>Is still a man of wondrous qualities;—</l>
                <l>But for this lapse from virtue he had been</l>
                <l>Most perfect.</l>
              </sp>
              <sp>
                <speaker>WARREN.</speaker>
                <l>It is well he is not perfect,</l>
                <l>Or he had put humanity to the blush,</l>
                <l>By showing, in rough contrast, to her shame.</l>
                <pb id="p92" n="92"/>
                <l>The meaner value of the coin she carries.</l>
              </sp>
              <sp>
                <speaker>FERGUSON.</speaker>
                <l>I do not like this business, but our need</l>
                <l>Will not permit that we discuss its merits;—</l>
                <l>We'll see you with the morrow.</l>
              </sp>
              <sp>
                <speaker>WARREN.</speaker>
                <l>With the hour,</l>
                <l>That hears your accusation!</l>
              </sp>
              <sp>
                <speaker>FERGUSON.</speaker>
                <l>Good!</l>
                <stage>[<hi rend="italics">Exit Ferguson within.</hi></stage>
              </sp>
              <sp>
                <speaker>WARREN.</speaker>
                <l>Ay, good!</l>
                <l>It could not well be better for our purpose.</l>
                <l>The mine is sprung, the victim still approaches,</l>
                <l>Unconscious, and my hand must fire the train!</l>
                <l>But here comes Osborne. I must speak him sternly;</l>
                <l>He cannot silence me with womanish scruples,—</l>
                <l>He shall not!—Well, our scheme works famously.</l>
              </sp>
              <stage>
                <hi rend="italics">Enter Osborne.</hi>
              </stage>
              <sp>
                <speaker>OSBORNE.</speaker>
                <l><hi rend="italics">Your</hi> scheme; not mine!</l>
              </sp>
              <sp>
                <speaker>WARREN.</speaker>
                <l>When will your wisdom, Osborne,</l>
                <l>Conceive that scheme of mine is scheme of yours,—</l>
                <l>Or should be? Now, then, hear our present purpose.</l>
                <l>Ferguson brings the charge!</l>
              </sp>
              <sp>
                <speaker>OSBORNE.</speaker>
                <l>What! you have told it?</l>
              </sp>
              <sp>
                <speaker>WARREN.</speaker>
                <l>Only to him; and he will keep it safely,</l>
                <l>'Till comes the proper moment for explosion.</l>
                <l>When our young senator, in public meeting,</l>
                <l>Rises to answer to the public summons,</l>
                <l>And take the coveted laurel to his brow,</l>
                <l>Then will we loose our thunderbolt, whose bursting</l>
                <l>Tears him to atoms.</l>
              </sp>
              <sp>
                <speaker>OSBORNE.</speaker>
                <l>What am I to do, then?</l>
                <l>What wretched part must I play in this business?</l>
              </sp>
              <sp>
                <speaker>WARREN.</speaker>
                <l>A minor one, 'tis true, but quite important.</l>
                <l>You'll be my echo. When I give the signal,</l>
                <l>Confirm my statement and complete our proofs.</l>
              </sp>
              <pb id="p93" n="93"/>
              <sp>
                <speaker>OSBORNE.</speaker>
                <l>Are you not under pledges to his wife,</l>
                <l>To yield her up these proofs?</l>
              </sp>
              <sp>
                <speaker>WARREN.</speaker>
                <l>Ay, on conditions.</l>
              </sp>
              <sp>
                <speaker>OSBORNE.</speaker>
                <l>Well!</l>
              </sp>
              <sp>
                <speaker>WARREN.</speaker>
                <l>What of that? Another means of vengeance!</l>
                <l>See you not that I strike him, through her virtue,</l>
                <l>But not the less denounce him to the public.</l>
                <l>I'll wheedle <hi rend="italics">her</hi> with a promise to my arms,</l>
                <l>Then mock the easy confidence that listen'd</l>
                <l>To one she dared despise.</l>
              </sp>
              <sp>
                <speaker>OSBORNE.</speaker>
                <l>Oh, Warren! Warren!</l>
                <l>Whither would you carry me—where go yourself?</l>
              </sp>
              <sp>
                <speaker>WARREN.</speaker>
                <l>To hell, if need be, so I gain my object!—</l>
                <l>Achieve the conquest that to me is heaven,</l>
                <l>Comprising, as it must, in equal measure,</l>
                <l>At once the joys of passion and of hate!</l>
                <l>For you—remember, Osborne—no more scruples!</l>
                <l>You are mine—soul, body, thought and feeling, mine—</l>
                <l>And these shall ply as still my passions counsel,</l>
                <l>Or woe betide the rebel.</l>
              </sp>
              <sp>
                <speaker>OSBORNE.</speaker>
                <l>Better slay me!</l>
              </sp>
              <sp>
                <speaker>WARREN.</speaker>
                <l>Nay, you're not fit to die yet; nor could serve me</l>
                <l>Hereafter, half so usefully as now.</l>
                <l>At dusk, I keep the meeting with our beauty,</l>
                <l>And thence with Matthews to a secret meeting.</l>
                <l>Look for me home at midnight; and to-morrow—</l>
                <l>Remember! no evasion. Fix'd as fatal,</l>
                <l>My will nor brooks dissuasion nor defeat.</l>
                <stage>[<hi rend="italics">Exit Warren.</hi></stage>
              </sp>
              <sp>
                <speaker>OSBORNE.</speaker>
                <l>Had I the heart to perish, 'twere less pain,</l>
                <l>Than bend beneath this scourge and bear this chain.</l>
              </sp>
              <stage>[<hi rend="italics">Scene closes.</hi></stage>
            </div4>
            <div4 type="scene">
              <pb id="p94" n="94"/>
              <head>SCENE III.</head>
              <stage>
                <hi rend="italics">An apartment in the dwelling of Norman Maurice. Enter Clarice, reading a note.</hi>
              </stage>
              <sp>
                <speaker>CLARICE.</speaker>
                <l>Not with me till to-morrow! 'Tis an age!</l>
                <l>The first night separate since we were married.</l>
                <l>Yet better thus. How could I meet my Norman,</l>
                <l>Having this deep concealment in my heart,</l>
                <l>Nor shudder with a weight of shame, whose crimson</l>
                <l>Would set my cheeks on flame! How stifle feeling,</l>
                <l>To cling in fondness to his manly bosom,</l>
                <l>Nor speak the terrible purpose in my heart,</l>
                <l>That said, would stifle his! 'Tis better thus!</l>
                <l>Enough, that when I meet him—meet him—yes!—</l>
                <l>When his dear voice is sounding in mine ears,</l>
                <l>Full of the conscious triumphs that await him,</l>
                <l>I then may fling myself upon his breast,</l>
                <l>And show the dire necessity that made me</l>
                <l>The thing I dare not name,—and plead with him,</l>
                <l>For each prompt sacrifice of feminine feeling;</l>
                <l>The nerve that rose above the woman weakness,</l>
                <l>As still the tribute to his fame and safety.</l>
                <l>He will forgive—will bless;—and if he does not!—</l>
                <l>Should he recoil from my embrace, and show me</l>
                <l>The crimson proof of shame upon my garments,</l>
                <l>And cry, “thy hands, that once were white and spotless,</l>
                <l>Are red with guilt:”—but no—I dare not think it.</l>
                <l>Let me not look that way. Impossible!</l>
                <l>Shall I not, while they threaten, steel my heart,</l>
                <l>Against this dread necessity, nor tremble,</l>
                <pb id="p95" n="95"/>
                <l>Though on the altars of his fame and glory,</l>
                <l>I bathe this white and innocent hand in crime!</l>
                <l>I shudder, yet I shrink not. Give the power,</l>
                <l>God, to this heart, against the coming hour!</l>
              </sp>
            </div4>
            <div4 type="scene">
              <head>SCENE IV.</head>
              <stage>
                <hi rend="italics">Open space before the Court-house of St. Louis. Groups of Lawyers and Citizens.</hi>
              </stage>
              <sp>
                <speaker>1ST LAWYER.</speaker>
                <l>Didst hear the speech of Maurice in this case?</l>
              </sp>
              <sp>
                <speaker>2D LAWYER.</speaker>
                <l>'Twas terrible!</l>
              </sp>
              <sp>
                <speaker>1ST LAWYER.</speaker>
                <l>I never heard the like!</l>
                <l>And when he did discourse of Blasinghame,—</l>
                <l>His first wrong to the widow—his denial</l>
                <l>Of the poor orphan's right—his violence</l>
                <l>To those who strove to serve her interests—</l>
                <l>The picture that he painted was so monstrous,</l>
                <l>That every heart grew cold.</l>
              </sp>
              <sp>
                <speaker>3D LAWYER.</speaker>
                <l>And Blasinghame,</l>
                <l>Himself—didst note him?</l>
              </sp>
              <sp>
                <speaker>2D LAWYER.</speaker>
                <l>'Twas another picture!</l>
              </sp>
              <sp>
                <speaker>1ST LAWYER.</speaker>
                <l>He sat a spectacle of ghastly fury,</l>
                <l>That had moved pity, could we have forgotten</l>
                <l>His looks at the beginning of the case.</l>
                <l>At first, how bold he seem'd—with what defiance;</l>
                <l>Next, with what doubt; then follow'd his dismay—</l>
                <l>And last, his fury; while, with impotent rage,</l>
                <l>And something, as it seem'd, of shame and horror,</l>
                <l>In his own spite at what the other drew,</l>
                <l>He crouch'd at last beneath the terrible scourging,</l>
                <l>And half escaped from sight.</l>
              </sp>
              <pb id="p96" n="96"/>
              <sp>
                <speaker>2D LAWYER.</speaker>
                <l>I saw him clutching</l>
                <l>The panel that he lean'd on, as for help,</l>
                <l>While, beaded on his forehead, the big sweat</l>
                <l>Still gather'd as it fell; and, on his lips</l>
                <l>The stain of red that mingled with the foam,</l>
                <l>Show'd how he had even bitten through his lips,</l>
                <l>In his great agony, and knew it not.</l>
              </sp>
              <sp>
                <speaker>1ST LAWYER.</speaker>
                <l>The judge has charged the jury?</l>
              </sp>
              <sp>
                <speaker>2D LAWYER.</speaker>
                <l>He was charging</l>
                <l>Just when I left. I could not stand it longer—</l>
                <l>As much exhausted at the stern excitement,</l>
                <l>As Blasinghame himself.</l>
              </sp>
              <sp>
                <speaker>1ST LAWYER.</speaker>
                <l>For Ferguson,</l>
                <l>The up-hill work was pitiful. To follow,</l>
                <l>With such a case, a speaker such as Maurice,</l>
                <l>Was quite as killing to himself as client.</l>
                <l>Nobody heard, or cared to hear, his pleading—</l>
                <l>Not even the jury.</l>
              </sp>
              <sp>
                <speaker>2D LAWYER.</speaker>
                <l>What will be the verdict?</l>
              </sp>
              <sp>
                <speaker>1ST LAWYER.</speaker>
                <l>Why, who can doubt? The insuppressible groan,</l>
                <l>That broke from every breast—the gaze of fury</l>
                <l>That blazed in every eye, when, pointing slowly,</l>
                <l>And shaking with such dire significance,</l>
                <l>The hand of Maurice fix'd on Blasinghame,</l>
                <l>As still, with holy horror in his accents,</l>
                <l>He spoke his wonder, that, with guilt so hideous,</l>
                <l>He still could brave the gaze of man and justice!—</l>
                <l>That groan and glance declared the popular judgment,</l>
                <l>And such will be the verdict.</l>
              </sp>
              <sp>
                <speaker>2D LAWYER.</speaker>
                <l>Hark! that cry—</l>
              </sp>
              <sp>
                <speaker>1ST LAWYER.</speaker>
                <l>Declares it.</l>
              </sp>
              <stage>[<hi rend="italics">Shouts in the porch as the people rush out of the Court-house.</hi>]</stage>
              <sp>
                <speaker>1ST CITIZEN.</speaker>
                <l>Hurrah for Norman Maurice!</l>
              </sp>
              <sp>
                <speaker>2D CITIZEN.</speaker>
                <l>The widow's friend!</l>
              </sp>
              <pb id="p97" n="97"/>
              <sp>
                <speaker>3D CITIZEN.</speaker>
                <l>The people's man forever!</l>
              </sp>
              <sp>
                <speaker>2D LAWYER.</speaker>
                <l>There speaks the popular heart.</l>
              </sp>
              <sp>
                <speaker>1ST LAWYER.</speaker>
                <l>A glorious voice,</l>
                <l>That makes him senator.</l>
              </sp>
              <sp>
                <speaker>2D LAWYER.</speaker>
                <l>Hark! he comes forth.</l>
              </sp>
              <stage>
                <hi rend="italics">Enter Maurice, with widow Pressley and Kate, followed by Mercer, Brooks, Catesby, and others. Shouts.</hi>
              </stage>
              <sp>
                <speaker>WIDOW.</speaker>
                <l>Ah! sir. God's blessing on you,—make us happy,</l>
                <l>And take the half of all you've got for us!</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>Not for the world, dear madam! I'll not forfeit</l>
                <l>The pure delight I feel in serving virtue</l>
                <l>For its own sake! In lifting the down-trodden,</l>
                <l>For sake of wrong'd humanity! No more.</l>
              </sp>
              <stage>[<hi rend="italics">People shout.</hi></stage>
              <sp>
                <speaker>1ST VOICE.</speaker>
                <l>Hurrah for Norman Maurice!</l>
              </sp>
              <sp>
                <speaker>2D VOICE.</speaker>
                <l>The widow's friend!</l>
              </sp>
              <sp>
                <speaker>3D VOICE.</speaker>
                <l>The people's man forever!</l>
              </sp>
              <sp>
                <speaker>MAURICE,</speaker>
                <stage>[<hi rend="italics">to Mercer.</hi>]</stage>
                <l>Let us get hence.</l>
                <l>Dear madam, take my carriage,</l>
                <l>And bear the grateful tidings to my wife;</l>
                <l>Remain with her to-day while I am absent;—</l>
                <l>To-night, as still it's like, I shall be absent,</l>
                <l>Rejoice her with our triumph. She expects you!</l>
              </sp>
              <sp>
                <speaker>WIDOW.</speaker>
                <l>I have no thanks—no words,—my tongue is frozen.</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>'Tis that the thaw is wholly at your heart!</l>
                <l>Go hence. Escort her, Mercer, to the carriage.</l>
              </sp>
              <stage>[<hi rend="italics">Exeunt Widow, Kate, and Mercer.</hi></stage>
              <sp>
                <speaker>CATESBY,</speaker>
                <stage>[<hi rend="italics">whispering to Maurice.</hi>]</stage>
                <l>Look to it, Maurice—here comes Blasinghame!</l>
              </sp>
              <stage>
                <hi rend="italics">Enter Blasinghame with others.</hi>
              </stage>
              <sp>
                <speaker>BLASINGHAME.</speaker>
                <l>Where is he! Let me see! Ha, give me way!</l>
                <stage>[<hi rend="italics">Forces through the crowd, rushes upon Maurice, striking him with a stick.</hi></stage>
                <pb id="p98" n="98"/>
                <l>Villain, my blows make answer to thy speech!</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>A blow—and I no weapon! But it needs none—</l>
                <l>When, with such powerful passions in my heart,</l>
                <l>I feel my sinews fortified with strength,</l>
                <l>To drag a thousand tigers to my feet.</l>
                <l>Thus, monster, that hast trampled on a people,</l>
                <l>Defied their virtues—at their sufferings mock'd—</l>
                <l>Thus, with my foot upon thy stubborn neck,</l>
                <l>I trample—I degrade thee to the dust!</l>
                <stage>[<hi rend="italics">Seizes Blasinghame by the throat, hurls him to the ground, and stands upon his neck. Shouts of the people.</hi></stage>
              </sp>
              <sp>
                <speaker>1ST CITIZEN.</speaker>
                <l>Hurrah for Norman Maurice!</l>
              </sp>
              <sp>
                <speaker>2D CITIZEN.</speaker>
                <l>The people's friend!</l>
              </sp>
              <sp>
                <speaker>3D CITIZEN.</speaker>
                <l>The champion of the widow!</l>
              </sp>
              <sp>
                <speaker>CATESBY,</speaker>
                <stage>[<hi rend="italics">interposing.</hi>]</stage>
                <l>Enough, sir. Let him rise. I'll whisper <gap reason="illegible" extent="two or more characters"/>him</l>
                <l>Where he can find us.</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>Now, within the hour!</l>
              </sp>
              <stage>[<hi rend="italics">Catesby and Savage lift Blasinghame.</hi></stage>
              <sp>
                <speaker>CATESBY.</speaker>
                <l>Colonel Blasinghame!</l>
              </sp>
              <sp>
                <speaker>BLASINGHAME.</speaker>
                <l>Where is he? Give me way!</l>
              </sp>
              <sp>
                <speaker>MAURICE,</speaker>
                <stage>[<hi rend="italics">confronting him.</hi>]</stage>
                <l>Here!</l>
              </sp>
              <sp>
                <speaker>SAVAGE,</speaker>
                <stage>[<hi rend="italics">interposing.</hi>]</stage>
                <l>Enough of this!</l>
                <l>I see! You'll be at Mercer's.</l>
                <stage>[<hi rend="italics">To M.</hi>]</stage>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>Ay, now!</l>
              </sp>
              <sp>
                <speaker>SAVAGE.</speaker>
                <l>No more! Come, Blasinghame.</l>
              </sp>
              <sp>
                <speaker>BLASINGHAME.</speaker>
                <l>You, Joe!</l>
                <l>Well, you are true, boy, and I did you wrong.</l>
                <l>Forgive me! You will see to this. This man</l>
                <l>Hath had his cursed foot upon my neck!</l>
                <l>You saw it!—ha! You saw it!</l>
              </sp>
              <sp>
                <speaker>SAVAGE.</speaker>
                <l>He will meet you!</l>
              </sp>
              <sp>
                <speaker>BLASINGHAME.</speaker>
                <l>Ha, Joe! Your hand. But when?</l>
              </sp>
              <sp>
                <speaker>SAVAGE.</speaker>
                <l>Within the hour!</l>
              </sp>
              <pb id="p99" n="99"/>
              <sp>
                <speaker>BLASINGHAME.</speaker>
                <l>Good! See to it. Ha, ha. Methinks—</l>
              </sp>
              <sp>
                <speaker>SAVAGE.</speaker>
                <l>No more!—</l>
                <l>Away with me at once; you must not linger.</l>
              </sp>
              <sp>
                <speaker>BLASINGHAME.</speaker>
                <l>Methinks I could drink blood. I'm very thirsty.</l>
              </sp>
              <stage>[<hi rend="italics">Exeunt Blasinghame and Savage.</hi></stage>
              <sp>
                <speaker>CATESBY.</speaker>
                <l>Come, let us get in trim. Are you a shot?</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>No!</l>
              </sp>
              <sp>
                <speaker>CATESBY.</speaker>
                <l>Ah! that's unfortunate!</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>You think so?—</l>
                <l>Never you matter, Catesby: I will kill him!</l>
              </sp>
              <stage>END OF ACT FOURTH.</stage>
            </div4>
          </div3>
          <div3 type="act">
            <pb id="p100" n="100"/>
            <head>ACT V.—SCENE I.</head>
            <div4 type="scene">
              <stage>
                <hi rend="italics">A chamber in the house of Col. Mercer. Norman Maurice and  Catesby discovered.</hi>
              </stage>
              <sp>
                <speaker>CATESBY.</speaker>
                <l>The challenge comes from Blasinghame. This gives us</l>
                <l>Advantages, which we should rightly use,</l>
                <l>'Gainst one so old in practice.</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>We shall use them:—</l>
                <l>The weapon for example. Mine's the small sword.</l>
              </sp>
              <sp>
                <speaker>CATESBY.</speaker>
                <l>The small sword! Blasinghame expects the pistol.</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>We have the right in this and other matters;—</l>
                <l>I waive the rest; but this we must insist on.</l>
                <l>'Twas still my fancy, upward from my boyhood,</l>
                <l>That, next to lance and spear, the proper weapon</l>
                <l>For honorable combat is the sword;—</l>
                <l>Admitting grace of movement and decision,</l>
                <l>Allowing still discretion to the champion,—</l>
                <l>Obeying all the changes of his temper,</l>
                <l>And, as the enemy betrayed his purpose,</l>
                <l>Giving him power to spare or slay at pleasure,</l>
                <l>Or simply to draw blood and to disarm.</l>
              </sp>
              <sp>
                <speaker>CATESBY.</speaker>
                <l>You've learn'd to use the weapon?</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>But a little!</l>
                <l>Some confidence, at least, in eye and motion,</l>
                <l>Grew from my youthful practice; and a passage,</l>
                <l>With the bright rapiers flashing in the sunlight,</l>
                <l>Was ever such a pleasure to my spirit,</l>
                <l>That I am half content to risk the duel,</l>
                <l>For the excitement of the keen dispute!</l>
                <l>'Tis long since I have exercised, but nature</l>
                <pb id="p101" n="101"/>
                <l>Hath so endow'd me, that a play acquired,</l>
                <l>I never yet have lost. 'Tis fortunate,</l>
                <l>That I have made provision for this practice,</l>
                <l>And have with me two reeds of Milan steel,</l>
                <l>In all respects so equal, that a swordsman</l>
                <l>Would linger long to choose.—But here comes Savage!</l>
              </sp>
              <stage>
                <hi rend="italics">Enter Savage.</hi>
              </stage>
              <sp>
                <speaker>SAVAGE.</speaker>
                <l>Save you, gentlemen.</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>Your hand, sir. We are ready:</l>
                <l>We know your business. Here is Captain Catesby,</l>
                <l>Who will discuss with you the needful matters.</l>
              </sp>
              <sp>
                <speaker>CATESBY.</speaker>
                <l>Our policy demands the immediate issue,</l>
                <l>Lest friends or officers should interpose.</l>
                <l>Within the hour,—or, at the least, by sunset,</l>
                <l>This meeting should be had.</l>
              </sp>
              <sp>
                <speaker>SAVAGE.</speaker>
                <l>You cannot have it</l>
                <l>Too soon for Blasinghame. You know the man!</l>
                <l>Well! what the weapon?</l>
              </sp>
              <sp>
                <speaker>CATESBY.</speaker>
                <l>We shall choose the small sword.</l>
              </sp>
              <sp>
                <speaker>SAVAGE.</speaker>
                <l>The small sword! Why—'tis not the usual weapon.</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>As much as any other. France and Poland—</l>
                <l>Indeed, most countries of the continent,</l>
                <l>Where'er society allows the duel,—</l>
                <l>Employ it—</l>
              </sp>
              <sp>
                <speaker>CATESBY.</speaker>
                <l>And, you know, in Louisiana?—</l>
              </sp>
              <sp>
                <speaker>SAVAGE.</speaker>
                <l>The pistol's the more equal.</l>
              </sp>
              <sp>
                <speaker>CATESBY.</speaker>
                <l>Were Blasinghame,</l>
                <l>Or Maurice, feeble, and the other strong,</l>
                <l>That were, perhaps, an argument, but—</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>And, if the question's courage, Major Savage,</l>
                <l>As I am told your friend is pleased to make it,</l>
                <l>Somewhat at my expense, then, let me tell you,</l>
                <l>Cold steel will better try the manly bosom,</l>
                <pb id="p102" n="102"/>
                <l>Than any decent distance with the pop-gun.</l>
                <l>If I remember, Colonel Blasinghame</l>
                <l>Hath served in the army, worn the soldier's weapon,</l>
                <l>And will not scruple at its use in season.</l>
              </sp>
              <sp>
                <speaker>SAVAGE.</speaker>
                <l>Your words decide it:</l>
                <l>You have the right—the small sword be it then.</l>
              </sp>
              <sp>
                <speaker>MAURICE,</speaker>
                <stage>[<hi rend="italics">giving swords.</hi>]</stage>
                <l>Here are two noble weapons—better never</l>
                <l>Play'd in the spiral and conflicting circle,</l>
                <l>Above the head whose life was made the forfeit</l>
                <l>In the delirious conflict. Take them with you;</l>
                <l>Your friend can choose from them, or note the measure</l>
                <l>Of that which I employ.</l>
              </sp>
              <sp>
                <speaker>SAVAGE.</speaker>
                <l>At sunset, then.</l>
              </sp>
              <sp>
                <speaker>CATESBY.</speaker>
                <l>The place?—</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>If you will suffer me—there is,</l>
                <l>By Baynton's meadow, a sweet bit of copse,</l>
                <l>East of it, through which runs an Indian trail:—</l>
                <l>It leads us to a patch of open lawn,</l>
                <l>Level, and smooth, and grassy—a fit place</l>
                <l>For one to fight, or sleep on!</l>
              </sp>
              <sp>
                <speaker>SAVAGE.</speaker>
                <l>Be it there, then.</l>
                <l>And now I leave you, gentlemen: an hour</l>
                <l>Remains for preparation ere we meet!</l>
                <stage>[<hi rend="italics">Exit Savage.</hi></stage>
              </sp>
              <sp>
                <speaker>CATESBY.</speaker>
                <l>You are the coolest person—for a person</l>
                <l>That never was in combat. You will kill him!</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>Not if I'm cool enough! I fain would spare him,</l>
                <l>Now, that I see him not. But when before me,</l>
                <l>And I behold in him the insulting tyrant,</l>
                <l>That robs the feeble and defies the strong</l>
                <l>I feel a passionate anger in my heart,</l>
                <l>That makes me long to trample him to dust!</l>
              </sp>
              <sp>
                <speaker>CATESBY.</speaker>
                <l>What more, but seek the surgeon and the carriage!</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>I'm ready when you please.</l>
              </sp>
              <pb id="p103" n="103"/>
              <sp>
                <speaker>CATESBY.</speaker>
                <l>Within the hour!</l>
                <stage>[<hi rend="italics">Exit Catesby.</hi></stage>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>My poor Clarice! she sits beside the window,</l>
                <l>And with a vacant spirit still looks forth,</l>
                <l>Unthinking, yet still dreaming that I come.</l>
                <l>What a long night to both—and that to-morrow!</l>
                <l>Well! it will chide her tears, and soothe my sorrow.</l>
              </sp>
              <stage>[<hi rend="italics">Scene closes.</hi></stage>
            </div4>
            <div4 type="scene">
              <head>SCENE II.</head>
              <stage>
                <hi rend="italics">The entrance of a thick wood near the dwelling of Norman Maurice. Sunset. Robert Warren discovered.</hi>
              </stage>
              <sp>
                <speaker>WARREN.</speaker>
                <l>The sun is at its set, and yet she comes not.</l>
                <l>Can she have faltered—what doth she suspect,—</l>
                <l>What fear! It sinks, and hark—her footstep.</l>
                <l>Now comes our triumph—now!</l>
                <stage>[<hi rend="italics">Retires into the wood.</hi></stage>
              </sp>
              <stage>
                <hi rend="italics">Enter Clarice.</hi>
              </stage>
              <sp>
                <speaker>CLARICE.</speaker>
                <l>Oh, if I err,</l>
                <l>I that am feeble, and though feeble, loving,—</l>
                <l>Devoted, where the sacrifice is needful,—</l>
                <l>Willing to die for him whose dear devotion,</l>
                <l>Hath made it my religion still to love him—</l>
                <l>Oh, God have mercy on the hapless error,</l>
                <l>That grows from love's necessities alone!</l>
                <l>If in my death his triumph may be certain,</l>
                <l>My breast is ready for the knife. I need</l>
                <l>No prayer, no prompting to the sacrifice,</l>
                <l>That saves him from the wreck of all his hopes,</l>
                <l>And honor with them. Let me now not falter!</l>
                <l>Forgive me, Heaven, in pity to the weakness</l>
                <l>That knows not how to 'scape. If it be crime,—</l>
                <l>The deed, which I have brooded o'er, until</l>
                <pb id="p104" n="104"/>
                <l>My shuddering fancy almost deems it done—</l>
                <l>By which I do avoid the loathlier crime;</l>
                <l>Let not the guilt lie heavy on my soul,</l>
                <l>As solemnly I do profess myself,</l>
                <l>Most free from evil purpose, and most hating</l>
                <l>That which meseems the dread necessity</l>
                <l>That shadows all my fortune! God have pity,</l>
                <l>And show the way, that still unseen before me,</l>
                <l>Lies open for my rescue! Ha, 'tis he!</l>
              </sp>
              <sp>
                <speaker>WARREN,</speaker>
                <stage>[<hi rend="italics">reënters.</hi>]</stage>
                <l>Methinks, Clarice, you come reluctantly.</l>
                <l>Your husband's fate—the dangers that await him,</l>
                <l>That do appear so terrible to me,</l>
                <l>Would seem to touch you not.</l>
              </sp>
              <sp>
                <speaker>CLARICE.</speaker>
                <l>I'll not believe it!</l>
                <l>I tell you I must see these fatal papers—</l>
                <l>Must feel them—spell and weigh each syllable,</l>
                <l>Ere I believe you!</l>
              </sp>
              <sp>
                <speaker>WARREN.</speaker>
                <l>Said I not you should?</l>
              </sp>
              <sp>
                <speaker>CLARICE.</speaker>
                <l>Show me them. I'm here.</l>
              </sp>
              <sp>
                <speaker>WARREN.</speaker>
                <l>Come hither, then.</l>
              </sp>
              <sp>
                <speaker>CLARICE.</speaker>
                <l>What! in the deeper darkness of the wood?</l>
                <l>No! Here!</l>
              </sp>
              <sp>
                <speaker>WARREN.</speaker>
                <l>What! dost forget my recompense?</l>
                <l>Wouldst thou the naked heaven behold our pleasures?</l>
              </sp>
              <sp>
                <speaker>CLARICE.</speaker>
                <l>Oh, Heaven! sustain me! Let me not go mad;</l>
                <l>That I may hear unmoved this foul assailant,</l>
                <l>Nor show, to baffling of my hope and purpose,</l>
                <l>The loathing that I feel!</l>
                <stage>[<hi rend="italics">Aside.</hi></stage>
              </sp>
              <sp>
                <speaker>WARREN.</speaker>
                <l>The proof is ready—</l>
                <l>Wherefore dost thou linger?</l>
              </sp>
              <sp>
                <speaker>CLARICE,</speaker>
                <stage>[<hi rend="italics">eagerly.</hi>]</stage>
                <l>Ha! then thou hast it—</l>
                <l>Here, in thy bosom—here, in yonder wood.</l>
              </sp>
              <sp>
                <speaker>WARREN.</speaker>
                <l>Even as thou sayest—here, within my bosom;</l>
                <l>But 'tis in yonder wood that thou shalt see it.</l>
                <pb id="p105" n="105"/>
                <l>Behold!</l>
                <stage>[<hi rend="italics">Takes the papers from his bosom and waves her to the wood.</hi></stage>
              </sp>
              <sp>
                <speaker>CLARICE.</speaker>
                <l>Give me to see them.</l>
              </sp>
              <sp>
                <speaker>WARREN.</speaker>
                <l>Yes!</l>
              </sp>
              <sp>
                <speaker>CLARICE.</speaker>
                <l>But here!</l>
              </sp>
              <sp>
                <speaker>WARREN.</speaker>
                <l>No—there!</l>
                <stage>[<hi rend="italics">Waving papers and retiring.</hi></stage>
              </sp>
              <sp>
                <speaker>CLARICE.</speaker>
                <l>Show me! I come!</l>
                <stage>[<hi rend="italics">Following.</hi></stage>
              </sp>
              <sp>
                <speaker>WARREN.</speaker>
                <l>Yet farther. Follow me!</l>
                <l>By yon red oak, where the dark thicket spreads,</l>
                <l>Where silence, and her twin, security,</l>
                <l>Brood ever, and declare for loving hearts</l>
                <l>Their meet protection in this lonely shade.—</l>
                <l>Thither, Clarice!</l>
                <stage>[<hi rend="italics">Retires from sight, beckoning with the papers.</hi></stage>
              </sp>
              <sp>
                <speaker>CLARICE.</speaker>
                <l>Thither, then; I follow thee!</l>
                <l>Thou dost implore thy fate! I follow thee</l>
                <l>Where shadow and silence both invoke with speech,</l>
                <l>Too potent for my feeble prayer and plaint,</l>
                <l>A shadow and a silence yet more deep!</l>
                <l>They awfully declare a hideous worship</l>
                <l>Where Horror sits supreme, and summons me</l>
                <l>To make befitting sacrifice. My soul,</l>
                <l>Be firm of purpose now. Nerves, do not falter,</l>
                <l>When that I do demand your resolute office.</l>
                <l>I dare not call on Heaven to help my weakness,</l>
                <l>But from the indulgent mercy, born of Heaven,</l>
                <l>Implore the saving grace I may not merit.</l>
              </sp>
              <sp>
                <speaker>WARREN,</speaker>
                <stage>[<hi rend="italics">within.</hi>]</stage>
                <l>Clarice!</l>
              </sp>
              <sp>
                <speaker>CLARICE.</speaker>
                <l>Ha, then, I come to thee.</l>
                <l>Fool! thou entreat'st a Fury to thy arms,</l>
                <l>And not a woman. Thou wouldst have my love—</l>
                <l>Partake of my embrace—my kiss—thou shalt!</l>
                <l>My husband—'tis for thee!</l>
              </sp>
              <sp>
                <speaker>WARREN,</speaker>
                <stage>[<hi rend="italics">within.</hi>]</stage>
                <l>Clarice!</l>
              </sp>
              <sp>
                <speaker>CLARICE.</speaker>
                <l>He calls me!</l>
                <pb id="p106" n="106"/>
                <l>I do but answer to his summons! Ha!</l>
                <l>Another voice is sounding in mine ears,—</l>
                <l>And many voices! One of them is Norman's,—</l>
                <l>He calls!—he, too, implores me to the wood!</l>
                <l>There will he meet with Warren. If he meets him,</l>
                <l>I know what then must happen. I must thither.</l>
                <l>His voice again. It sinks into a murmur—</l>
                <l>Mix'd murmurs follow of a crowd! What is it,</l>
                <l>That rolls so dully in my brain, and makes me</l>
                <l>Uncertain of my footstep? Oh! the horror</l>
                <l>Of this strange weakness! Ha!</l>
              </sp>
              <sp>
                <speaker>WARREN,</speaker>
                <stage>[<hi rend="italics">within the wood.</hi>]</stage>
                <l>Clarice!</l>
              </sp>
              <sp>
                <speaker>CLARICE.</speaker>
                <l>He calls!</l>
                <l>Thrice! Thrice! It is decreed. I come—I come!</l>
                <stage>[<hi rend="italics">Exit within: a moment after a cry of agony, and then a sound as of a falling body. Reënter Clarice with papers in her hand, and garments all bloody.</hi></stage>
              </sp>
              <sp>
                <speaker>CLARICE.</speaker>
                <l>Ha, ha, I have them! I could laugh! Ha! ha!—</l>
                <l>But for this horrible silence. Yet, I have them!</l>
                <l>He would have kept them from me—he. Ha, ha!</l>
                <l>But would I suffer him when he threaten'd Norman,</l>
                <l>My husband, with dishonor—my brave husband,</l>
                <l>That even now is rising in the nation,</l>
                <l>Among the great, in the high places of power,</l>
                <l>Rank'd with the men most eminent. Dear Norman!</l>
                <l>Ha!—ha! I'm very happy now. I have the papers,</l>
                <l>The proof, and Norman is made Senator,</l>
                <l>Spite of this wretched liar! He'll lie no more.</l>
                <l>He wish'd for my embrace, and sure he had it!</l>
                <l>Such close embrace, so sharp, so sudden, sweet,</l>
                <l>It made him shriek and shrink with such a pleasure,</l>
                <l>As men endure not twice.</l>
                <stage>[<hi rend="italics">Groan within.</hi></stage>
                <l>God! what is that!</l>
                <l>A footstep! He pursues me for the papers.</l>
                <stage>[<hi rend="italics">Thrusts them into her bosom.</hi></stage>
                <pb id="p107" n="107"/>
                <l>He shall not have them. No—I have no papers.</l>
                <l>He comes! Home—Norman—Home! Home! Home! my Norman!</l>
                <stage>[<hi rend="italics">Exit wildly, looking behind her as she departs.</hi></stage>
              </sp>
            </div4>
            <div4 type="scene">
              <head>SCENE III.</head>
              <stage>
                <hi rend="italics">The wood behind Baynton's meadow. Enter from opposite sides, Norman Maurice, Catesby, Surgeon; and Colonel Blasinghame Savage, Surgeon.</hi>
              </stage>
              <sp>
                <speaker>SAVAGE.</speaker>
                <l>Can nothing reconcile our parties, Catesby?</l>
              </sp>
              <sp>
                <speaker>CATESBY.</speaker>
                <l>The invitation to the field is yours:</l>
                <l>Yours still must be each overture for peace.</l>
              </sp>
              <sp>
                <speaker>SAVAGE.</speaker>
                <l>What will content you, Blasinghame?</l>
              </sp>
              <sp>
                <speaker>BLASINGHAME.</speaker>
                <l>His blood!</l>
              </sp>
              <sp>
                <speaker>SAVAGE,</speaker>
                <stage>[<hi rend="italics">to Catesby.</hi>]</stage>
                <l>I'm sorry, but you hear?</l>
              </sp>
              <sp>
                <speaker>CATESBY.</speaker>
                <l>To business, then!</l>
                <l>Maurice is at his post; so, place your man.</l>
              </sp>
              <stage>[<hi rend="italics">Maurice and Blasinghame confront each other.</hi></stage>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>Art ready, sir?</l>
              </sp>
              <sp>
                <speaker>BLASINGHAME.</speaker>
                <l>For vengeance! You have foil'd me—</l>
                <l>Disgraced me in the eyes of all our people,</l>
                <l>So, look to it, for by the God that made me,</l>
                <l>I'll write my living tortures on your heart!</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>Your blood upon your head!</l>
              </sp>
              <stage>[<hi rend="italics">They fight. Maurice disarms him.</hi></stage>
              <sp>
                <speaker>BLASINGHAME.</speaker>
                <l>Curse on the weapon!</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>Curse not the weapon!—curse the hand, the heart—</l>
                <l>The cause,—which have betrayed you;—not the weapon!</l>
                <l>Your life is at my mercy!</l>
              </sp>
              <sp>
                <speaker>BLASINGHAME,</speaker>
                <stage>[<hi rend="italics">folding his arms.</hi>]</stage>
                <l>Take it, then!</l>
                <l>I would not live dishonor'd. You may slay me,</l>
                <pb id="p108" n="108"/>
                <l>But cannot conquer me.—My breast is open!</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>I will not slay you. I <hi rend="italics">will</hi> conquer you.</l>
                <l>Your life is mine. I give it you. Live on,</l>
                <l>A wiser and a better man hereafter.</l>
              </sp>
              <sp>
                <speaker>BLASINGHAME,</speaker>
                <stage>[<hi rend="italics">tottering and turning away.</hi>]</stage>
                <l>My strength is gone from me; my heart is crush'd.</l>
                <l>Look, Savage,—these are tears, and not of blood.</l>
                <l>Come with me, for I falter.</l>
                <stage>[<hi rend="italics">Going.</hi></stage>
              </sp>
              <sp>
                <speaker>SAVAGE,</speaker>
                <stage>[<hi rend="italics">to Maurice.</hi>]</stage>
                <l>You're a man</l>
                <l>Among ten thousand, Maurice. Now, forgive him.</l>
                <l>He weeps. The strong man weeps.—I must go with him,</l>
                <l>But know me for your friend.</l>
                <stage>[<hi rend="italics">Exit Savage following Blasinghame.</hi></stage>
              </sp>
              <sp>
                <speaker>CATESBY.</speaker>
                <l>'Twas nobly done.</l>
                <l>When I consider Blasinghame's career,</l>
                <l>His brutal murders, his long tyrannies,</l>
                <l>The provocation you have had to slay him—</l>
                <l>I marvel that you spared him. Sir, your triumph</l>
                <l>Is now without alloy.</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>I'm glad you think so,</l>
                <l>Yet deem the merit of forbearance small.</l>
                <l>Had he been bolder, I had never spared him;</l>
                <l>But could not strike him when, with folded arms,</l>
                <l>He stood to meet the stroke. But—let's to Mercer.</l>
              </sp>
              <stage>[<hi rend="italics">Exeunt.</hi></stage>
            </div4>
            <div4 type="scene">
              <head>SCENE IV.</head>
              <stage>
                <hi rend="italics">The chamber of Richard Osborne. Enter to him Harry Matthews.</hi>
              </stage>
              <sp>
                <speaker>MATTHEWS.</speaker>
                <l>Where's Warren?</l>
              </sp>
              <sp>
                <speaker>OSBORNE.</speaker>
                <l>I've not seen him.</l>
              </sp>
              <sp>
                <speaker>MATTHEWS.</speaker>
                <l>Not since when?</l>
              </sp>
              <pb id="p109" n="109"/>
              <sp>
                <speaker>OSBORNE.</speaker>
                <l>Noon yesterday.</l>
              </sp>
              <sp>
                <speaker>MATTHEWS.</speaker>
                <l>Indeed. 'Twas then we parted.</l>
                <l>He promised to meet with me last night at Baylor's.</l>
              </sp>
              <sp>
                <speaker>OSBORNE.</speaker>
                <l>And came not?</l>
              </sp>
              <sp>
                <speaker>MATTHEWS.</speaker>
                <l>No. 'Twas probable his business—</l>
                <l>For you must know his hands are full at present—</l>
                <l>Was quite too grateful and too full of profit,</l>
                <l>To make him leave it soon. I marvell'd not</l>
                <l>That he should fail us <hi rend="italics">then;</hi> but now, this morning,</l>
                <l>When, by agreement, he should breakfast with us—</l>
                <l>And here's the hour—that he should still be absent,</l>
                <l>Seems something strange. He must be at the meeting,</l>
                <l>Or we are done forever.</l>
              </sp>
              <sp>
                <speaker>OSBORNE.</speaker>
                <l>What's the meeting?</l>
              </sp>
              <sp>
                <speaker>MATTHEWS.</speaker>
                <l>One of both parties, meant for caucussing,</l>
                <l>Popular wholly in its character,</l>
                <l>Whose temper will determine our Assembly</l>
                <l>As to its choice of Senator in Congress.</l>
              </sp>
              <sp>
                <speaker>OSBORNE.</speaker>
                <l>Ay,—indeed.</l>
              </sp>
              <sp>
                <speaker>MATTHEWS.</speaker>
                <l>You'll be there?</l>
              </sp>
              <sp>
                <speaker>OSBORNE.</speaker>
                <l>Yes; I promised him.</l>
              </sp>
              <sp>
                <speaker>MATTHEWS.</speaker>
                <l>Who? Warren?</l>
              </sp>
              <sp>
                <speaker>OSBORNE.</speaker>
                <l>Yes.</l>
              </sp>
              <sp>
                <speaker>MATTHEWS.</speaker>
                <l>I must go look for him.</l>
                <l>We must not risk our fortunes by delay.</l>
                <l>His voice may help to make our Senator.</l>
                <stage>[<hi rend="italics">Exit Matt.</hi></stage>
              </sp>
              <sp>
                <speaker>OSBORNE.</speaker>
                <l>Would he were dumb or I! Alas! these murmurs,</l>
                <l>How feeble—since the fetters are about me,</l>
                <l>And but one way remains—to curse and perish.</l>
                <stage>[<hi rend="italics">Exit.</hi></stage>
              </sp>
            </div4>
            <div4 type="scene">
              <pb id="p110" n="110"/>
              <head>SCENE V.</head>
              <stage>
                <hi rend="italics">The open street. Ferguson and Matthews.</hi>
              </stage>
              <sp>
                <speaker>FERGUSON.</speaker>
                <l>What quest was that, I pray?</l>
              </sp>
              <sp>
                <speaker>MATTHEWS,</speaker>
                <stage>[<hi rend="italics">smiling.</hi>]</stage>
                <l>I must not tell it—</l>
                <l>A lady's in the secret.</l>
              </sp>
              <sp>
                <speaker>FERGUSON.</speaker>
                <l>Keep it then.</l>
                <l>But give yourself no farther care for Warren.</l>
                <l>His last words, when we parted yesterday,</l>
                <l>Implied his absence till the latest moment.</l>
                <l>He'll be with us to-day, when we are ready.</l>
              </sp>
              <sp>
                <speaker>MATTHEWS.</speaker>
                <l>'Twill do no harm at least to hurry him.</l>
              </sp>
              <sp>
                <speaker>FERGUSON.</speaker>
                <l>Have you seen Blasinghame?</l>
              </sp>
              <sp>
                <speaker>MATTHEWS.</speaker>
                <l>This morning? No.</l>
              </sp>
              <sp>
                <speaker>FERGUSON.</speaker>
                <l>You know not he and Maurice fought at sunset?</l>
              </sp>
              <sp>
                <speaker>MATTHEWS.</speaker>
                <l>Indeed! How did they fight?</l>
              </sp>
              <sp>
                <speaker>FERGUSON.</speaker>
                <l>With swords.</l>
              </sp>
              <sp>
                <speaker>MATTHEWS.</speaker>
                <l>What then?</l>
              </sp>
              <sp>
                <speaker>FERGUSON.</speaker>
                <l>Why, Maurice had him at his mercy!</l>
              </sp>
              <sp>
                <speaker>MATTHEWS.</speaker>
                <l>And spared his life?</l>
              </sp>
              <sp>
                <speaker>FERGUSON.</speaker>
                <l>He did, but had been much more merciful</l>
                <l>To have taken it,—for he has crush'd the other!</l>
              </sp>
              <sp>
                <speaker>MATTHEWS.</speaker>
                <l>How! Blasinghame!</l>
              </sp>
              <sp>
                <speaker>FERGUSON.</speaker>
                <l>Has wither'd in a night.</l>
              </sp>
              <sp>
                <speaker>MATTHEWS.</speaker>
                <l>Good Heaven! Impossible! What! Imbecile!</l>
              </sp>
              <sp>
                <speaker>FERGUSON.</speaker>
                <l>He stares in vacancy—his hair's grown white,—</l>
                <l>He trembles as with palsy, and he weeps,</l>
                <l>Even as an infant!</l>
              </sp>
              <sp>
                <speaker>MATTHEWS.</speaker>
                <l>What a change is this!</l>
              </sp>
              <pb id="p111" n="111"/>
              <sp>
                <speaker>FERGUSON.</speaker>
                <l>He's useless to us now; and Savage grows</l>
                <l>More friendly now to Maurice than to me.</l>
              </sp>
              <sp>
                <speaker>MATTHEWS.</speaker>
                <l>This Maurice wrecks us all.</l>
              </sp>
              <sp>
                <speaker>FERGUSON.</speaker>
                <l>But, in an hour,—</l>
                <l>Let Warren be but faithful to his pledges,</l>
                <l>And we shall see his vessel in a tempest,</l>
                <l>Such as no bark can weather.</l>
              </sp>
              <sp>
                <speaker>MATTHEWS.</speaker>
                <l>Be it so—</l>
                <l>My breath shall not be wanting to the blow!</l>
              </sp>
              <stage>[<hi rend="italics">Exeunt.</hi></stage>
            </div4>
            <div4 type="scene">
              <head>SCENE VI.</head>
              <stage>
                <hi rend="italics">The interior of the City Hall of St. Louis. A raised platform in the centre. Citizens crowding about it. Chairman presiding and seated with other distinguished men. On one hand, Ferguson and others—opposite, Norman Maurice, Mercer, Brooks, &amp;c. Norman Maurice discovered speaking.</hi>
              </stage>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>Thus have we, sir, discuss'd the several questions</l>
                <l>Involved in this upon the Constitution—</l>
                <l>I trust that, on this instrument, I speak</l>
                <l>The doctrines of Missouri. I would have it</l>
                <l>A ligament of fix'd, unchanging value,</l>
                <l>Maintain'd by strict construction,—neither warp'd,</l>
                <l>Nor stretch'd, nor lopt of its now fair proportions,</l>
                <l>By the ambitious demagogue or statesman,</l>
                <l>Who, with the baits of station in their eyes,</l>
                <l>Still sacrifice the State! Our policy,</l>
                <l>Should hold ours as a linkéd realm of nations</l>
                <l>Where each one sits secure, however feeble,</l>
                <l>And, pointing to the sacred written record,</l>
                <pb id="p112" n="112"/>
                <l>Finds in it her Palladium. Government,</l>
                <l>We hold to be the creature of our need,</l>
                <l>Having no power but where necessity,</l>
                <l>Still under guidance of the Charter, gives it.</l>
                <l>Our taxes raised to meet our exigence,</l>
                <l>And not for waste or favorites—our people</l>
                <l>Left free to share the commerce of the world,</l>
                <l>Without one needless barrier on their prows!</l>
                <l>Our industry at liberty for venture,</l>
                <l>Neither abridged, nor pamper'd; and no calling</l>
                <l>Preferr'd before another, to the ruin,</l>
                <l>Or wrong of either. These, sir, are my doctrines!</l>
                <l>They are the only doctrines which shall keep us</l>
                <l>From anarchy, and that worst peril yet,</l>
                <l>That threatens to dissever, in the tempest,</l>
                <l>That married harmony of hope with power,</l>
                <l>Which keeps our starry Union o'er the storm,</l>
                <l>And, in the sacred bond that links our fortunes,</l>
                <l>Makes us defy its thunders!—Thus, in one,—</l>
                <l>The foreign despot threatens us in vain.</l>
                <l>Guizot and Palmerston may fret to see us</l>
                <l>Grasping the empires which they vainly covet,</l>
                <l>And stretching forth our trident o'er the seas,</l>
                <l>In rivalry with Britain. They may chafe,</l>
                <l>But cannot chain us. Balances of power,</l>
                <l>Framed by corrupt and cunning monarchists,</l>
                <l>Weigh none of our possessions; and the seasons</l>
                <l>That mark our mighty progress, East and West,</l>
                <l>Show Europe's struggling millions, fondly seeking,</l>
                <l>The better shores and shelters that are ours.</l>
                <l>Enough, sir—I have yielded my opinions,</l>
                <l>Freely deliver'd, frankly argued, fairly,</l>
                <l>With deference to the learning and the wisdom,</l>
                <pb id="p113" n="113"/>
                <l>Shown by my opponent! The rest is yours.</l>
              </sp>
              <sp>
                <speaker>CHAIRMAN.</speaker>
                <l>You have heard, citizens; what farther order</l>
                <l>Is it your pleasure, that we—</l>
              </sp>
              <sp>
                <speaker>MERCER.</speaker>
                <l>Sir, it needs not!—</l>
                <l>The ample range that this debate hath taken,</l>
                <l>The spacious grasp of argument upon it—</l>
                <l>How well discuss'd the questions—how complete</l>
                <l>And clear, the several reasons which concluded,—</l>
                <l>Leave none in doubt of what should be our judgment.</l>
                <l>Methinks there's but one matter now before us,</l>
                <l>And this decided, stays the whole discussion,—</l>
                <l>By showing, in our preference for the man,</l>
                <l>What still hath been our thoughts upon his measures.</l>
                <l>Well have the advocates on both sides spoken,</l>
                <l>Not equally, but well! For Ferguson,</l>
                <l>His eloquence honors his experience past,</l>
                <l>And ancient reputation;—but, methinks,</l>
                <l>That none who listen'd to the speech of Maurice,</l>
                <l>But must have yielded to his clear opinions;—</l>
                <l>Enforced by illustrations near and foreign,</l>
                <l>Such full analysis, such profound research—</l>
                <l>Statements so fairly made,—objections battled</l>
                <l>So fearlessly—and arguments sustain'd</l>
                <l>With so much equal truth and eloquence!</l>
                <l>His views are mine—are those of this assembly!</l>
                <l>Nay more—I boldly challenge in their favor</l>
                <l>The voices of Missouri! What remains—</l>
                <l>But that we speak to her assembled wisdom?</l>
                <l>This day they choose a Senator in Congress—</l>
                <l>Whom shall we name to them of all our people?</l>
              </sp>
              <sp>
                <speaker>1ST VOICE.</speaker>
                <l>Why, Norman Maurice!</l>
              </sp>
              <sp>
                <speaker>2D VOICE.</speaker>
                <l>Who but Norman Maurice?</l>
              </sp>
              <sp>
                <speaker>3D VOICE.</speaker>
                <l>The widow's friend—the champion of the people!</l>
              </sp>
              <pb id="p114" n="114"/>
              <sp>
                <speaker>BROOKS.</speaker>
                <l>Such is the popular will!</l>
              </sp>
              <sp>
                <speaker>FERGUSON.</speaker>
                <l>A moment, sir!</l>
                <l>If eloquence and talent, just opinion,</l>
                <l>Were the sole requisite, for this high station,</l>
                <l>I should be silent here, or probably,</l>
                <l>Join with you in the shout for Norman Maurice.</l>
                <l>But truth and virtue claim a place with talent,</l>
                <l>And he who serves, our Senator in Congress,</l>
                <l>Must know no smutch of shame upon his garments.</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>Ha! shame, sir?</l>
              </sp>
              <sp>
                <speaker>FERGUSON.</speaker>
                <l>That was the word, sir.</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>Shame of mine?</l>
              </sp>
              <sp>
                <speaker>FERGUSON.</speaker>
                <l>Of thine!</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>Speak, sir; I listen.</l>
              </sp>
              <sp>
                <speaker>FERGUSON.</speaker>
                <l>It is charged, sir,</l>
                <l>That Norman Maurice, ere he sought St. Louis,</l>
                <l>Was once a resident of Philadelphia;</l>
                <l>That there he forged a paper on a merchant,</l>
                <l>Well known, by which he gain'd two thousand dollars!</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>A falsehood! false as hell! As God's in heaven,</l>
                <l>I never did this thing!</l>
              </sp>
              <sp>
                <speaker>FERGUSON.</speaker>
                <l>The proof is here!</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>The proof! What proof?</l>
              </sp>
              <sp>
                <speaker>FERGUSON.</speaker>
                <l>Know you one Robert Warren?</l>
                <l>Ha! you are silent, sir—you start, you redden!—</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>With scorn and indignation, not with terror!</l>
                <l>I do know Robert Warren; that base reptile</l>
                <l>Whom thrice I spared the scourge. Set him before me,</l>
                <l>And you shall see whose tremors speak the guilty,</l>
                <l>And whose the innocent, aroused to vengeance!</l>
              </sp>
              <sp>
                <speaker>FERGUSON.</speaker>
                <l>Have then your wish! Accuser! Robert Warren!</l>
                <l>Stand forth and answer!</l>
                <stage>[<hi rend="italics">Pause.</hi></stage>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>He dare not!</l>
              </sp>
              <pb id="p115" n="115"/>
              <sp>
                <speaker>FERGUSON.</speaker>
                <l>He will!</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>Shout for your man again. Set him before me.</l>
              </sp>
              <sp>
                <speaker>FERGUSON.</speaker>
                <l>Call at the door, there—call for Robert Warren.</l>
              </sp>
              <sp>
                <speaker>VOICE WITHOUT.</speaker>
                <l>Ho! Robert Warren, Robert Warren! Ho!</l>
              </sp>
              <stage>
                <hi rend="italics">Enter Harry Matthews hastily, and in great agitation.</hi>
              </stage>
              <sp>
                <speaker>MATTHEWS.</speaker>
                <l>Who calls for Robert Warren? He is murder'd,—</l>
                <l>Stabb'd with a dagger, and was found a corse,</l>
                <l>Within the wood behind the house of Maurice.</l>
                <l>Here is the dagger, found upon the body,</l>
                <l>And crusted with his blood.</l>
                <stage>[<hi rend="italics">Showing dagger.</hi></stage>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>Murder'd! Give it me!</l>
                <stage>[<hi rend="italics">Seizes the dagger, looks at and drops it.</hi></stage>
                <l>Great God! 'tis hers!</l>
                <stage>[<hi rend="italics">Aside.</hi>]</stage>
              </sp>
              <sp>
                <speaker>MATTHEWS.</speaker>
                <l>Behold the murderer!</l>
                <l>He staggers! It is he hath done the deed!</l>
              </sp>
              <sp>
                <speaker>FERGUSON.</speaker>
                <l>Ay, truly,—who so like to do the deed,</l>
                <l>As one who needs to silence such a witness.</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>Thy bitter jealousy and hate delude thee,</l>
                <l>And make thee but a liar. I convict thee,</l>
                <l>Out of the mouths of thine own witnesses.—</l>
                <l>When saw you Warren last?</l>
                <stage>[<hi rend="italics">To Matthews.</hi>]</stage>
              </sp>
              <sp>
                <speaker>MATTHEWS.</speaker>
                <l>Noon yesterday:</l>
                <l>He left me then to seek <hi rend="italics">your</hi> house.</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>
                  <hi rend="italics">My house!</hi>
                </l>
                <l>What would he at my house?</l>
              </sp>
              <sp>
                <speaker>MATTHEWS.</speaker>
                <l>I do not know.</l>
                <l>But know that from that hour until the present,</l>
                <l>When now we find him by your house a corse,</l>
                <l>He has no more been seen.</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>'Tis fortunate,</l>
                <l>That we may get the truth from fraud and cunning,</l>
                <l>Even when it makes against them. Noon yesterday</l>
                <pb id="p116" n="116"/>
                <l>Found me in public court-house, on a trial,</l>
                <l>Before a thousand eyes, till four o'clock!</l>
              </sp>
              <sp>
                <speaker>FERGUSON.</speaker>
                <l>But after that?</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>My witness here is Mercer.</l>
              </sp>
              <sp>
                <speaker>MERCER.</speaker>
                <l>From that hour</l>
                <l>Till sunset, he continued at my house,</l>
                <l>Then left with Captain Catesby, to return</l>
                <l>With dark, and to remain with us all night,</l>
                <l>Most part in consultation with our friends,</l>
                <l>Who did not separate until near the dawn.</l>
              </sp>
              <sp>
                <speaker>FERGUSON.</speaker>
                <l>Then, till this hour?</l>
              </sp>
              <sp>
                <speaker>CATESBY.</speaker>
                <l>With me! We slept together!</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>Man of a bitter malice, art thou answer'd?</l>
              </sp>
              <sp>
                <speaker>FERGUSON.</speaker>
                <l>Thou 'scapest the murder, not the forgery.</l>
                <l>Warren was not the only evidence;</l>
                <l>Where's Richard Osborne?</l>
              </sp>
              <sp>
                <speaker>OSBORNE,</speaker>
                <stage>[<hi rend="italics">coming forward.</hi>]</stage>
                <l>Here!</l>
              </sp>
              <sp>
                <speaker>FERGUSON.</speaker>
                <l>All do not fail us!</l>
                <l>Your name is Richard Osborne! You know Maurice,</l>
                <l>And know the crime which Warren charged upon him?</l>
                <l>He named you as his witness.</l>
              </sp>
              <sp>
                <speaker>OSBORNE.</speaker>
                <l>He did wrong, then!</l>
                <l>I know of no offence of Norman Maurice—</l>
                <l>Yet know him well, and all I know of him,</l>
                <l>Hath still approved him, to my sense and judgment,</l>
                <l>The noblest, as he is the first of men!</l>
              </sp>
              <sp>
                <speaker>1. PEOPLE SHOUT.</speaker>
                <l>Hurrah for that!</l>
              </sp>
              <sp>
                <speaker>2. PEOPLE SHOUT.</speaker>
                <l>Hurrah for Norman Maurice!</l>
              </sp>
              <sp>
                <speaker>FERGUSON.</speaker>
                <l>Confusion!</l>
              </sp>
              <sp>
                <speaker>MATTHEWS.</speaker>
                <l>I'm off.</l>
                <stage>[<hi rend="italics">Exeunt Matthews and Ferg</hi><gap reason="illegible" extent="one to five characters"/></stage>
              </sp>
              <sp>
                <speaker>PEOPLE,</speaker>
                <stage>[<hi rend="italics">with cries and hisses.</hi>]</stage>
                <l>Away with Ferguson.</l>
              </sp>
              <sp>
                <speaker>MERCER,</speaker>
                <stage>[<hi rend="italics">to Maurice.</hi>]</stage>
                <l>Your triumph is complete!</l>
              </sp>
              <sp>
                <speaker>BROOKS.</speaker>
                <l>All's well!</l>
              </sp>
              <pb id="p117" n="117"/>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>Tell me that!—</l>
                <l>All's well!—You spoke! Did you not say, my wife?</l>
                <l>What of her—speak!</l>
              </sp>
              <sp>
                <speaker>MERCER.</speaker>
                <l>You're ill! Your lips are very pale!</l>
                <l>But courage, all your trial's over now.</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>Art sure of that? Let me but understand it!—</l>
              </sp>
              <sp>
                <speaker>MERCER.</speaker>
                <l>'Twould seem so!—What a foul conspiracy,</l>
                <l>So fatally arrested. For this murder—</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>What of it?</l>
              </sp>
              <sp>
                <speaker>MERCER.</speaker>
                <l>'Tis very strange!</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>Very strange indeed!</l>
              </sp>
              <sp>
                <speaker>MERCER.</speaker>
                <l>But stranger still the audacious charge against you.</l>
                <l>Who was this Warren?</l>
              </sp>
              <sp>
                <speaker>MAURICE,</speaker>
                <stage>[<hi rend="italics">with an effort.</hi>]</stage>
                <l>Who? but here is one,</l>
                <l>To put you in possession of the story.</l>
                <l>He knows how dexterously a lie was founded,</l>
                <l>Most monstrous, on the basis of a truth,</l>
                <l>By this same Warren, to my injury.</l>
                <stage>[<hi rend="italics">Osborne comes forward.</hi></stage>
                <l>Osborne, I thank you for your ready answer,</l>
                <l>And good opinion.</l>
              </sp>
              <sp>
                <speaker>OSBORNE.</speaker>
                <l>It was but your right.</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>What is that cry? my fears—</l>
                <stage>[<hi rend="italics">Noise without.</hi></stage>
              </sp>
              <stage>
                <hi rend="italics">Enter Kate, followed by Mrs. Jervas.</hi>
              </stage>
              <sp>
                <speaker>KATE.</speaker>
                <l>Oh! Sir! Your wife!</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>My wife! Be still my heart. What of my wife?</l>
              </sp>
              <sp>
                <speaker>KATE.</speaker>
                <l>She's sick! Oh! very sick!</l>
              </sp>
              <sp>
                <speaker>MRS. JERVAS.</speaker>
                <l>She's broke <gap reason="illegible" extent="one character"/>blood-vessel!</l>
              </sp>
              <sp>
                <speaker>MAURICE,</speaker>
                <stage>[<hi rend="italics">with a cry.</hi>]</stage>
                <l>God! thou hast sent</l>
                <l>This Terror, like a fate into my house,</l>
                <l>And wreck'd the hope that nestled there in peace!—</l>
                <l>Hence, woman, from my sight!</l>
                <l>My wife! My wife!</l>
                <stage>[<hi rend="italics">Rushes out.</hi></stage>
              </sp>
              <pb id="p118" n="118"/>
              <sp>
                <speaker>MERCER,</speaker>
                <stage>[<hi rend="italics">to Catesby.</hi>]</stage>
                <l>Follow him with a surgeon.</l>
              </sp>
              <sp>
                <speaker>BROOKS.</speaker>
                <l>What a day's history of storm and sorrow!</l>
                <l>There is some cruel mystery in these doings,</l>
                <l>Which we must fathom! This conspiracy,</l>
                <l>For such it clearly shows, makes for our party;</l>
                <l>Let's hasten to the use of it. They'll never</l>
                <l>Hold up their heads again. The people's with us,</l>
                <l>The assembly waits us and will crown our triumph!</l>
              </sp>
            </div4>
            <div4 type="scene">
              <head>SCENE VII.</head>
              <stage>
                <hi rend="italics">A chamber in the house of Norman Maurice. Clarice reclines upon a couch. The widow Pressley stands at a little distance watching her.</hi>
              </stage>
              <sp>
                <speaker>WIDOW.</speaker>
                <l>Dear lady, you will die.</l>
              </sp>
              <sp>
                <speaker>CLARICE.</speaker>
                <l>Do not come near me!</l>
              </sp>
              <sp>
                <speaker>WIDOW.</speaker>
                <l>You bleed! You suffocate!</l>
              </sp>
              <sp>
                <speaker>CLARICE.</speaker>
                <l>And still he comes not.</l>
                <l>You promised me to send for him. Oh, God—</l>
                <l>Should they behold these papers. Ha! I hear him.</l>
                <l>Do you hear nothing?</l>
              </sp>
              <sp>
                <speaker>WIDOW.</speaker>
                <l>Nothing!</l>
              </sp>
              <sp>
                <speaker>CLARICE.</speaker>
                <l>I hear! 'Tis he!</l>
              </sp>
              <sp>
                <speaker>MAURICE,</speaker>
                <stage>[<hi rend="italics">without.</hi>]</stage>
                <l>Clarice! my wife!</l>
              </sp>
              <stage>
                <hi rend="italics">Enter Norman Maurice.</hi>
              </stage>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>Speak! Tell me! Where!—Clarice.</l>
                <stage>[<hi rend="italics">Seeing her.</hi></stage>
              </sp>
              <sp>
                <speaker>CLARICE.</speaker>
                <l>Oh! now you come! Heaven bless! I'm dying,</l>
                <l>Norman!</l>
                <stage>[<hi rend="italics">Raises herself feebly to his arms.</hi></stage>
              </sp>
              <pb id="p119" n="119"/>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>Dying!</l>
              </sp>
              <sp>
                <speaker>CLARICE.</speaker>
                <l>I feel it; but——</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>The surgeon! God of heaven!—</l>
              </sp>
              <sp>
                <speaker>CLARICE.</speaker>
                <l>He cannot help me now. Too late! no succor,—</l>
                <l>I've but the words for blessing and farewell!—</l>
                <l>I'm sinking;—but you're safe! Safe! Oh! the rapture,</l>
                <l>To know it, and to whisper in your ears,</l>
                <l>With the last loving words. He would have crush'd you—</l>
                <l>Made infamous your name, my noble husband;</l>
                <l>But stoop,—your ear—he'll trouble us no more.</l>
                <l>He's silent—and I have the fatal papers;—</l>
                <l>No copies—all the originals.—Ha! Ha!—</l>
                <l>They're here—now take me,—closer—to your heart;</l>
                <l>I leave you—lose you—Norman. Ah! your lips,—</l>
                <l>How cold, but sweet, my Norman—cold—sweet—Norman!</l>
                <stage>[<hi rend="italics">Dies.</hi></stage>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>Now sink my soul!—since the bright star is gone,</l>
                <l>That made thy life and glory from the heavens—</l>
                <l>That stored thee with all blessings. I am crush'd!</l>
                <l>Ha! what are these!</l>
                <stage>(<hi rend="italics">lays her down gently—the papers fall from her bosom.</hi></stage>
                <l>Oh, God! I see it all.</l>
                <l>Oh, bloody wretch, whose nature was a lie,</l>
                <l>This was thy work,—not hers. 'Tis plain before me.</l>
                <l>My poor Clarice! how faithful unto death,</l>
                <l>Shielding me at the peril of thyself,</l>
                <l>And, in the seeming dread necessity,</l>
                <l>Doing the deed that from its delicate props,</l>
                <l>Shook the fair fabric of thy innocent life!</l>
                <l>My wife! My wife!</l>
                <stage>[<hi rend="italics">Sinks down.</hi></stage>
              </sp>
              <stage>[<hi rend="italics">Noise and voices without.</hi>]</stage>
              <sp>
                <speaker>PEOPLE.</speaker>
                <l>Hurrah for Norman Maurice!</l>
              </sp>
              <stage>
                <hi rend="italics">Enter Mercer, Brooks, and others.</hi>
              </stage>
              <sp>
                <speaker>MERCER.</speaker>
                <l>Maurice, my friend, we triumph. You are Senator</l>
                <pb id="p120" n="120"/>
                <l>For the next term, in Congress, from Missouri.</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>Couldst wake her with thy tidings!</l>
              </sp>
              <sp>
                <speaker>MERCER.</speaker>
                <l>God! This is death!</l>
              </sp>
              <sp>
                <speaker>MAURICE.</speaker>
                <l>It lies upon her silent lips like snow.</l>
                <l>Oh! do not speak—she hears not! why should I?</l>
                <l>Nor sorrow, nor joy shall fill these frozen eyes,</l>
                <l>That see not me. She would have listen'd once,</l>
                <l>How gladly,—and found music in the triumph,</l>
                <l><gap reason="illegible" extent="two words"/>  can bring me none. My wife! My wife!</l>
              </sp>
              <trailer>THE END</trailer>
            </div4>
          </div3>
        </div2>
      </div1>
      <div1 type="play">
        <pb id="p121" n="121"/>
        <head>ATALANTIS;<lb/>
A STORY OF THE SEA.</head>
        <epigraph>
          <lg type="verse">
            <l>“'Tis not vain or fabulous,—</l>
            <l>Though so esteem'd by shallow ignorance,—</l>
            <l>What the sage Poets, taught by th' heavenly Muse,—</l>
            <l>Storied of old in high immortal verse,—</l>
            <l>Of dire chimeras and enchanted isles,—</l>
            <l>And rifted rocks.”<bibl>—MILTON.</bibl></l>
          </lg>
        </epigraph>
        <p>THE first edition of “Atalantis” was published in 1832. It has been subsequently revised, and, I trust, amended. I am not satisfied that the dramatic
form was appropriately adopted, since it leads to expectations which 
the character of the poem will scarcely satisfy. The advantage of the dialogue 
consists simply in permitting that diversification of the descriptive 
portions, which, in a work so purely fanciful, would seem necessary to prevent 
monotony.—This poem, with those pieces which follow it, belongs to a
class, the standards of which are almost entirely imaginative. The reader 
who looks here for the merely human sentiment, will find himself at fault. 
The province of poetry is too various for the application of laws derived 
wholly from individual tastes; and he who opens the pages of an author
must always be prepared to ascend that mount of vision from which he has
made his survey. The highest regions of the ideal, are unquestionably such
as belong to the spiritual nature. To this nature, exclusively, verse which
is solely imaginative must commend itself. It is not the less human, though
it may be more remote and foreign, than that which simply appeals to mortal
passions, and the more earthly purposes of man and life.</p>
        <div2 type="list of characters">
          <pb id="p122" n="122"/>
          <head>PERSONS OF THE POEM.</head>
          <p><table rows="4" cols="2"><row role="data"><cell role="data" rows="1" cols="1">ONESIMARCHUS,</cell><cell role="data" rows="1" cols="1"><hi rend="italics">a King of Sea-Demons. </hi></cell></row><row role="data"><cell role="data" rows="1" cols="1">COUNT LEON,</cell><cell role="data" rows="1" cols="1"><hi rend="italics">a noble Spanish Knight.</hi></cell></row><row role="data"><cell role="data" rows="1" cols="1">MENDEZ CELER,</cell><cell role="data" rows="1" cols="1"><hi rend="italics">Captain of the Arragon.</hi></cell></row><row role="data"><cell role="data" rows="1" cols="1">OGRÉ,</cell><cell role="data" rows="1" cols="1"><hi rend="italics">a slave of Onesimarchus.
Mariners, Demons, &amp;c., &amp;c.</hi></cell></row></table>
<table rows="3" cols="2"><row role="data"><cell role="data" rows="1" cols="1">ATALANTIS,</cell><cell role="data" rows="1" cols="1"><hi rend="italics">a Princess of the Nereids.</hi></cell></row><row role="data"><cell role="data" rows="1" cols="1">NEA,</cell><cell role="data" rows="1" cols="1"><hi rend="italics">her attendant.</hi></cell></row><row role="data"><cell role="data" rows="1" cols="1">LADY ISABEL,</cell><cell role="data" rows="1" cols="1"><hi rend="italics">sister to Count Leon.</hi></cell></row></table>
<table rows="5" cols="2"><row role="data"><cell role="data" rows="1" cols="1">ZEPHYR-SPIRIT.</cell><cell role="data" rows="1" cols="1"> </cell></row><row role="data"><cell role="data" rows="1" cols="1">TININA,</cell><cell role="data" rows="4" cols="1"><hi rend="italics">Fairies.</hi></cell></row><row role="data"><cell role="data" rows="1" cols="1">CARETA,</cell></row><row role="data"><cell role="data" rows="1" cols="1">NANITA,</cell></row><row role="data"><cell role="data" rows="1" cols="1">LOLINE,</cell></row></table></p>
        </div2>
        <pb id="p123" n="123"/>
        <div2 type="play">
          <head>ATALANTIS. </head>
          <div3 type="act">
            <head>ACT I.—SCENE I.</head>
            <div4 type="scene">
              <stage>
                <hi rend="italics">An Islet of the Atlantic Ocean.</hi>
              </stage>
              <stage>ATALANTIS AND ONESIMARCHUS. </stage>
              <sp>
                <speaker>ATAL. </speaker>
                <l>Get thee hence, monster, I defy thee now,</l>
                <l>As late I scorn'd thee. Thy base threats are vain,</l>
                <l>And thy lures idle. All in vain thy prayer,—</l>
                <l>And, in thy promise, do I nothing see</l>
                <l>To move my spirit;—nothing to misguide</l>
                <l>My firm persuasion, that so foul a thing </l>
                <l>Should have no thought of mine.</l>
              </sp>
              <sp>
                <speaker>ONESI.</speaker>
                <l>I prithee, hold!</l>
                <l>Be charier of thy feelings;—have a care,</l>
                <l>If thou dost love thyself and wouldst be free!</l>
                <l>Beseems thee not this proud authority,</l>
                <l>In such condition as I hold thee now.</l>
                <l>Look round thee, lovely Atalant!—Survey</l>
                <l>My wondrous power, and heed the prison house,</l>
                <l>Most fit for thee to flutter in,—not fly!</l>
                <l>Thou art my captive, maiden, bound by spells,</l>
                <l>Potent as night, that, struggle as thou mayst,</l>
                <l>Mock thy best effort, and defy thy hopes. </l>
              </sp>
              <sp>
                <speaker>ATAL.</speaker>
                <l>Foul tyrant, I despise thee and thy power,</l>
                <l>And laugh at all thy threats. I know thee well,</l>
                <pb id="p124" n="124"/>
                <l>Thy strength, thy spells, thy hatefulness, and all</l>
                <l>That makes thee what thou art!—</l>
              </sp>
              <sp>
                <speaker>ONESI.</speaker>
                <l>Dost know thyself?</l>
              </sp>
              <sp>
                <speaker>ATAL.</speaker>
                <l>Ay, my own weakness, now,—yet nothing fear</l>
                <l>Thy greater strength in this my overthrow.</l>
              </sp>
              <sp>
                <speaker>ONESI.</speaker>
                <l>Thou fear'dst not this?</l>
              </sp>
              <sp>
                <speaker>ATAL.</speaker>
                <l>I did not; yet I knew,</l>
                <l>Even ere the moment of captivity,</l>
                <l>That thou hadst power for this. 'Twas in my scorn,—</l>
                <l>In the full feeling of my pride and strength,</l>
                <l>Mocking thy gross dominion,—that I grew</l>
                <l>Improvident of caution.</l>
              </sp>
              <sp>
                <speaker>ONESI.</speaker>
                <l>Yet, beware!</l>
                <l>Lest a new lesson counsel thee to fears</l>
                <l>Thy scorn believes not now.</l>
              </sp>
              <sp>
                <speaker>ATAL.</speaker>
                <l>Oh! get thee hence!</l>
                <l>Think'st thou I am so shallow, not to know</l>
                <l>Thy close impassable limit? Am I not,</l>
                <l>Thrice guarded in myself, with power mine own,</l>
                <l>Match'd unto thine, and know I not that thou—</l>
                <l>Howe'er in captive bound thou keep'st me now,</l>
                <l>Having robb'd me of the wand that serves my will,</l>
                <l>By a foul trickery worthy of thyself,—</l>
                <l>Hast not the might—unless I do forget</l>
                <l>My better nature and give way to thine—</l>
                <l>A wretched madness, most impossible!—</l>
                <l>To graze with licensed breath the idlest hair,</l>
                <l>That wantons from my shoulder. Get thee hence,—</l>
                <l>I dread thee not, thou monstrous impotence!</l>
              </sp>
              <sp>
                <speaker>ONESI.</speaker>
                <l>Hold! or thou wilt impel me unto wrath,</l>
                <l>When I would love thee!</l>
              </sp>
              <sp>
                <speaker>ATAL.</speaker>
                <l>Do I fear thy wrath?</l>
                <l>And prat'st thou of thy love, thou crooked game-make,</l>
                <l>Thou gross deformity!—how I could laugh</l>
                <pb id="p125" n="125"/>
                <l>At thy rough gambols in an element</l>
                <l>Made for pure spirits, and the delicate grace</l>
                <l>Of the angelic youth and morning beauty,—</l>
                <l>But that a prison laugh is seemly sad,</l>
                <l>And turns into a sorrow.</l>
              </sp>
              <sp>
                <speaker>ONESI.</speaker>
                <l>So shall thine,</l>
                <l>If thou bethink not oft'ner of thy bound!</l>
                <l>Thou art a sprightly and most pleasant child,</l>
                <l>But all unlearn'd by crude adversity,</l>
                <l>Else wouldst thou teach thyself another mood,</l>
                <l>And reason in the guise of circumstance.</l>
                <l>Wert thou array'd in panoply of war,</l>
                <l>With all thy armies on the equal field,</l>
                <l>Naught wanting to thy might, the spoken taunt</l>
                <l>Were not unseemly;—now it hath an air</l>
                <l>That ill becomes thy lip and present state.</l>
              </sp>
              <sp>
                <speaker>ATAL.</speaker>
                <l>And wouldst thou teach, oh! rare philosopher,</l>
                <l>The prudence of compliance with the law,</l>
                <l>Of that worst fate, a base necessity?</l>
                <l>Why, thou'dst disfigure truth, and all distort</l>
                <l>The fairer argument into the foul,</l>
                <l>Make right a truckler to expediency</l>
                <l>And conjure virtue with the spells of fear,</l>
                <l>Till she grows common, a base thing of time,</l>
                <l>Having but present office. Thou hast err'd,—</l>
                <l>For, but suppose me ignorant of good,</l>
                <l>Untutor'd in truth's excellence, and all</l>
                <l>That virtue wills to beauty,—<hi rend="italics">thee</hi> I know,</l>
                <l>And know to hate the lesson thou wouldst teach.</l>
              </sp>
              <sp>
                <speaker>ONESI.</speaker>
                <l>Thou'rt rash, fair damsel, rash and ill advised!</l>
                <l>Beware of what thou say'st—to prudence hold;</l>
                <l>Remember, when thy spirit would offend,</l>
                <l>Thou art the captive to my greater power.</l>
              </sp>
              <sp>
                <speaker>ATAL.</speaker>
                <l>Thy greater cunning —thy dishonest guile!</l>
              </sp>
              <pb id="p126" n="126"/>
              <sp>
                <speaker>ONESI.</speaker>
                <l>And that is greater power, thou simple child;—</l>
                <l>And, as thou art a captive, let thy speech</l>
                <l>Mate with thy fortunes. I deny thee now</l>
                <l>A farther range than suits my jealous mood;</l>
                <l>And I shall guard thee well, and watch thy steps,</l>
                <l>And check thee when thou trippest. On thy paths,</l>
                <l>My slaves, that never close the eye, attend,</l>
                <l>And, though thou seest them not——</l>
              </sp>
              <sp>
                <speaker>ATAL.</speaker>
                <l>I see them not !—</l>
                <l>Thou dost forget my nature and my power;—</l>
                <l>Let me but wave my hand thus, with a will!—</l>
                <l>What call you this blear imp?</l>
                <stage>[<hi rend="italics">She waves her hand, and Ogré becomes visible.</hi></stage>
              </sp>
              <sp>
                <speaker>ONESI.</speaker>
                <l>Ha! thou base whelp?</l>
                <l>Did I not warn thee?—wherefore didst thou lurk,</l>
                <l>Thus nigh, to feel her spells?—but thou shalt learn.</l>
                <l>Shall I not have obedience where I rule?</l>
                <l>Ho! Runa! Merla! take this sodden slave</l>
                <l>And bind him to his pits against the rock,</l>
                <l>Till midnight—let the scourge be well applied,</l>
                <l>While his shrieks wake the drowsy mariner,</l>
                <l>Filling his head with storms, for which they make</l>
                <l>Fit music, and foretell!</l>
              </sp>
              <sp>
                <speaker>OGRE.</speaker>
                <l>Master, oh, spare!</l>
                <l>The day grows dark, and the night rushes on,</l>
                <l>Long ere the accustomed hour. The cruel scourge</l>
                <l>Will torture, and the wrath upon the wave,</l>
                <l>Will dash me into madness 'gainst the rocks. </l>
              </sp>
              <sp>
                <speaker>ONESI.</speaker>
                <l>Take him hence! away!</l>
              </sp>
              <sp>
                <speaker>OGRE.</speaker>
                <l>Spare me,—'twas my zeal</l>
                <l>To serve thee, that o'erstepp'd. But pardon now,</l>
                <l>I err not thus again. Be pitiful!</l>
                <l>Merla doth own for me a silent grudge,</l>
                <l>And will outstretch thy order. He will bind</l>
                <pb id="p127" n="127"/>
                <l>Both hands and feet, and, with a double thong,</l>
                <l>Will tear my flesh, then mock me with keen gibes,</l>
                <l>Until I faint, while the cold cavern waves</l>
                <l>Do creep about and wrap me!</l>
              </sp>
              <sp>
                <speaker>ONESI.</speaker>
                <l>Not in vain:</l>
                <l>Though he doth punish thee as thou hast said,</l>
                <l>Thou shalt not perish. Hence with him. Ye stand</l>
                <l>As if ye did delight in his discourse,</l>
                <l>Insolent with himself.</l>
              </sp>
              <sp>
                <speaker>ATAL.</speaker>
                <l>Oh! thou art stern—</l>
                <l>A tyrant 'gainst all nature, that will spurn</l>
                <l>The kneeling wretch, but for excess of zeal</l>
                <l>Doing thy bidding truly.</l>
              </sp>
              <sp>
                <speaker>ONESI.</speaker>
                <l>'Tis for thee</l>
                <l>I punish him, fair Atalant.</l>
              </sp>
              <sp>
                <speaker>ATAL.</speaker>
                <l>For me!</l>
              </sp>
              <sp>
                <speaker>ONESI.</speaker>
                <l>Hath he not hung too closely on thy steps,</l>
                <l>Intrusive, watching thee most narrowly</l>
                <l>Beyond my will? Shalt thou not be secure</l>
                <l>From what offends thee?</l>
              </sp>
              <sp>
                <speaker>ATAL.</speaker>
                <l>'Tis thou offend'st me!</l>
                <l>Make me secure from thee, and 'gainst thy slave</l>
                <l>I shall have instant remedy.</l>
              </sp>
              <sp>
                <speaker>ONESI.</speaker>
                <l>Still thus!</l>
              </sp>
              <sp>
                <speaker>ATAL.</speaker>
                <l>Ay, ever !—while the light lasts of my life,</l>
                <l>Thought, feeling, best affection. 'Tis for me</l>
                <l>That thou wouldst punish him?—then set him free;—</l>
                <l>The wrong that he has done is done to me,</l>
                <l>And I forgive it him.</l>
              </sp>
              <sp>
                <speaker>ONESI.</speaker>
                <l>It fits thee well,</l>
                <l>This ready spirit of mercy which conceives,</l>
                <l>And grants the boon ere spoken. Not so me,</l>
                <l>'Twere a poor state, and brief the power, if thus,</l>
                <l>O'er-zealous though it be, each slave should leap,</l>
                <pb id="p128" n="128"/>
                <l>His bound unchasten'd. Hence with him, away!</l>
                <l>The scourge shall lessen his o'er-ready zeal,</l>
                <l>And midnight seas, and colds, and biting airs</l>
                <l>Shall teach him penitence.</l>
              </sp>
              <stage>[<hi rend="italics">Ogré is led off.</hi></stage>
              <sp>
                <speaker>ATAL.</speaker>
                <l>Thou cruel king!</l>
                <l>Hadst thou by other qualities of grace</l>
                <l>Master'd the heart that feels for thee but scorn, </l>
                <l>This merciless act of thine had set it free;</l>
                <l>Had robb'd it of persuasion of thy worth</l>
                <l>In every office; and, from virtuous meed,</l>
                <l>Had pluck'd all fair deserving, that had else</l>
                <l>Been yielded by just tribute.</l>
              </sp>
              <sp>
                <speaker>ONESI.</speaker>
                <l>Thou wrong'st me;—</l>
                <l>And chid'st too harshly the o'ercoming sway,</l>
                <l>Which keeps dominion safe; and makes it strong.</l>
                <l>Wouldst thou not master? Is the woman heart</l>
                <l>Unfriendly to the pleasant tastes of power?</l>
                <l>I know thee better,—better know thy sex—</l>
                <l>Esteem thee as the rest,—born with the love</l>
                <l>Of measureless rule,—the will to reach afar,</l>
                <l>Plucking down station, putting strength aside,</l>
                <l>Till, in the midst, alone, o'er all thou stand'st,</l>
                <l>All fearing, all adoring!</l>
              </sp>
              <sp>
                <speaker>ATAL.</speaker>
                <l>How thou soar'st!</l>
                <l>And this thy aim, how fruitlessly thy rule</l>
                <l>Is wasted on the wretched slave that cowers,</l>
                <l>Hopeless and still submissive, to his lord.</l>
                <l>Onesimarchus, I despise thee more,</l>
                <l>That I have seen thee in the wid'st extent</l>
                <l>Of thy dominion.</l>
              </sp>
              <sp>
                <speaker>ONESI.</speaker>
                <l>'Tis well! But thou shalt feel,—</l>
                <l>So shalt thou better know,—how great the power</l>
                <l>Thou mock'st at, in thy ignorance and pride!</l>
                <l>And though, unless by wanton will of thine,</l>
                <pb id="p129" n="129"/>
                <l>I may not gain possession of thy form,</l>
                <l>Yet shall I so constrain thee by my arts,</l>
                <l>So work upon thy weakness—so forbid</l>
                <l>All bent of inclination,—all desire,—</l>
                <l>Curtailing every thought that does not tend</l>
                <l>To the fierce satisfaction of my want,—</l>
                <l>That thou shalt yield thyself in very dread,</l>
                <l>Though thy heart loathe me in its secret mood,</l>
                <l>And every sense grow outraged at the fate</l>
                <l>To which thou still submit'st.</l>
              </sp>
              <sp>
                <speaker>ATAL.</speaker>
                <l>Oh! shallow slave!</l>
                <l>This is thy precious scheme! And there thou stand'st,</l>
                <l>With thy red gloating eye stretch'd 'yond its sphere,</l>
                <l>Glaring with foul and fiend imaginings—</l>
                <l>Thy lip, that quivers with voluptuous rage,</l>
                <l>Thicken'd with vicious fury,—thy scant brows,</l>
                <l>Retreating wide and back, with wool o'erhung,</l>
                <l>That links thee with the sooty African</l>
                <l>Who wallows in thy worship;—there thou stand'st,</l>
                <l>Blinded with beastly hope, that thou canst will</l>
                <l>A spirit so pure as mine to leave its sphere,</l>
                <l>And come, untended and unlighted, down,</l>
                <l>From its bright mansions, to thy pool and cave!</l>
                <l>Till now, my thought had been that, with thy power,</l>
                <l>There was a sense to give it dignity,</l>
                <l>And marshal thy gross attributes with state</l>
                <l>Into considerate order. But not now,—</l>
                <l>When I look on thee, so incapable,—</l>
                <l>So wanting in that art, which, when it lacks,</l>
                <l>Strength is a toiling giant up the hills</l>
                <l>That never wins the summit—all my hate</l>
                <l>Subsides into a feeling less than scorn,</l>
                <l>Which cannot yet be pity. Prithee, go,—</l>
                <l>Thou dost but move me to unseemly mirth,</l>
                <pb id="p130" n="130"/>
                <l>Which yet I would not.</l>
              </sp>
              <sp>
                <speaker>ONESI.</speaker>
                <l>Nay! give it vent and words!</l>
                <l>Thy wit is lively; thou hast eloquence;</l>
                <l>I feel that thou might'st chafe me, were it not</l>
                <l>That there will be a season too for me,</l>
                <l>When I may answer thee.</l>
              </sp>
              <sp>
                <speaker>ATAL.</speaker>
                <l>What canst thou more?</l>
                <l>Thou hast done all in stealing me away</l>
                <l>From mine own kingdom with thy felon arts:</l>
                <l>And this shall find its punishment ere long,</l>
                <l>For, even now, in Mergevan, my town,</l>
                <l>I do, by precious instincts, see the array</l>
                <l>Of thousands, whom my brothers, to the war,</l>
                <l>Will haste with meet decision. Thou, methinks,</l>
                <l>Hast proved their arms before;—a little while,</l>
                <l>The proofs shall be renew'd,—and what shall then</l>
                <l>Be thy fond refuge, when their mighty powers</l>
                <l>Descend on thee to battle?</l>
              </sp>
              <sp>
                <speaker>ONESI.</speaker>
                <l>Let them come!</l>
                <l>I shall be ready then—am ready now!</l>
                <l>Thou speak'st with a rare confidence, but know,</l>
                <l>I took thee not, thus boldly, from thy realms,</l>
                <l>Till I had meetly, with commission'd force,</l>
                <l>Prepared for all thy battles. Thou forget'st</l>
                <l>The strength I bring—the powers that, in a trice,</l>
                <l>From farthest ocean I can call at once,</l>
                <l>Where the deep thickens to a bed of reeds;</l>
                <l>And from the kings that o'er the whirlpools sway,</l>
                <l>Gather'd to my allegiance, by a blast</l>
                <l>Upon the shell I bear within my hand.</l>
                <l>Thou seem'st to have forgotten too, methinks,</l>
                <l>That, by my single arm, thy mother's first,</l>
                <l>And thy own brother, fiercest of them all,</l>
                <l>Fell, like an infant, impotent, o'erthrown!</l>
                <pb id="p131" n="131"/>
                <l>What though I lost the conflict, did ye gain?</l>
                <l>Was not your city of the rocks destroy'd</l>
                <l>By the wild waves, which, in my wanton mood,</l>
                <l>O'erwent and left them prostrate;—while thyself,</l>
                <l>An infant then, rocked in a purple shell,</l>
                <l>'Twixt two obedient billows, scarce preserved,</l>
                <l>Wast borne away, affrighted, in the arms</l>
                <l>Of thy most humble follower. This, methinks,</l>
                <l>Thy memory lacks, and I repeat it thee,</l>
                <l>Not for the glory of mine own exploit,</l>
                <l>But to remind me of the groundless hope</l>
                <l>On which thou build'st for safety.</l>
              </sp>
              <sp>
                <speaker>ATAL.</speaker>
                <l>It is well!</l>
                <l>Thou hast chosen for thy wooing a fit style,</l>
                <l>And most judicious, when that thou relat'st</l>
                <l>Thy bloody traffic with thyself and mine.</l>
              </sp>
              <sp>
                <speaker>ONESI.</speaker>
                <l>Thyself hast moved me to 't.</l>
              </sp>
              <sp>
                <speaker>ATAL.</speaker>
                <l>I blame thee not,</l>
                <l>Rude monster, for the evil thou hast done,</l>
                <l>And sought beyond thy utmost power to do!</l>
                <l>'Tis in thy nature. There is on thy front</l>
                <l>The character of the beast. Thy savage eye,</l>
                <l>Fix'd in thy bloated and unmeasured face,</l>
                <l>From which it glares like some red, baleful star,</l>
                <l>Upon a dismal, dusk, unspeaking blank,—</l>
                <l>Hath mark'd thee strongly. Labor as thou mayst—</l>
                <l>Speak, like thy shell, in music—let thy words</l>
                <l>Be like the honey dews, that, on the rocks,</l>
                <l>Nursed in the hollows, nightly fall from heaven,</l>
                <l>A solace for the storm-bird and the gull,—</l>
                <l>Yet art thou fatal to the spells thou hast,</l>
                <l>And bafflest thine own art. Thou canst not change;</l>
                <l>The beast is high o'er all, a monstrous mock,</l>
                <l>In contradiction of itself and strength—</l>
                <pb id="p132" n="132"/>
                <l>So that the very sweets that thou mayst own</l>
                <l>Grow poisonous in thy use.</l>
              </sp>
              <sp>
                <speaker>ONESI.</speaker>
                <l>Oh, thou dost well,</l>
                <l>And wisely, urging me to anger thus,</l>
                <l>Till thou dost dissipate that kindly sense,</l>
                <l>At variance with my spirit, which my love,</l>
                <l>Bids live in thy behalf. Dost thou not fear,</l>
                <l>That, vex'd by thy sharp mock and wanton speech,</l>
                <l>My love shall grow to hatred?</l>
              </sp>
              <sp>
                <speaker>ATAL.</speaker>
                <l>Be it so!</l>
                <l>I heed thee not—thy anger scorn, not fear;</l>
                <l>Thou art of those, being the foe to truth,</l>
                <l>That are, when friendliest, most inimical,—</l>
                <l>And dost most harm in doing seeming good,</l>
                <l>And art most hateful, most injurious,</l>
                <l>When most professing love! I fear thee not,—</l>
                <l>Though by an active cunning—and yet less,</l>
                <l>By active cunning than mine own neglect,—</l>
                <l>Gaining the advance upon us, thou hast made</l>
                <l>A prisoner and dire enemy of one,</l>
                <l>Who, in another chance, and other time,</l>
                <l>Had never made so little of her thought,</l>
                <l>To waste it on thee.</l>
              </sp>
              <sp>
                <speaker>ONESI.</speaker>
                <l>Wilt thou nothing, then,</l>
                <l>To gain thy freedom? Thou wilt surely smile,</l>
                <l>Look pleased in some small sort, and speak him well,</l>
                <l>Whose power alone can free thee.</l>
              </sp>
              <sp>
                <speaker>ATAL.</speaker>
                <l>Trust not that!</l>
                <l>I shall be free by other means, and soon!</l>
                <l>I barter not my grace for mine own right;—</l>
                <l>Lest that the gift, misused, grow valueless!—</l>
                <l>Thou hast no boon in all thy store and might</l>
                <l>Which I can give thee thanks for. In myself</l>
                <l>The means of freedom rest.</l>
              </sp>
              <pb id="p133" n="133"/>
              <sp>
                <speaker>ONESI.</speaker>
                <stage>[<hi rend="italics">aside.</hi>]</stage>
                <l>Ha! in herself!</l>
                <l>I snatch'd from her the powerful wand which made</l>
                <l>The elements do her bidding. What remains?</l>
              </sp>
              <sp>
                <speaker>ATAL.</speaker>
                <l>A power, which as it teaches me to know</l>
                <l>The secret thought thou speak'st not, cannot be</l>
                <l>Wrench'd from my firm possession.</l>
              </sp>
              <sp>
                <speaker>ONESI.</speaker>
                <l>We shall see!</l>
                <l>Thy instincts may declare my thought, but cannot</l>
                <l>Avail to give thee freedom. All in vain</l>
                <l>Thy hope, whether within thyself it be,</l>
                <l>Or in the armies which thy brothers raise—</l>
                <l>Here, powerless in the conflict, useless all;—</l>
                <l>For, in the air, I've thrown a circling spell,</l>
                <l>Borrow'd from night and silence,—which, being gross,</l>
                <l>Far grosser than the elements which make</l>
                <l>Your finer tempers, ye may not withstand!</l>
                <l>This will resist them! Into this; who comes,</l>
                <l>Not fitted like ourselves to meet its power,</l>
                <l>Blinded and shorn of strength, falls feebly down,</l>
                <l>And straight is thrall'd forever. All around</l>
                <l>Our island limit, where the ocean breaks,</l>
                <l>This element is scattered;—like a wall,</l>
                <l>Shutting out all invasion,—closing all,</l>
                <l>Within, from commerce with the realm without!</l>
                <l>Thus art thou girdled now. Denied thy wand—</l>
                <l>Which, in yon rock, within a mystic frame,</l>
                <l>Moulded by midnight spells, in halls where rule</l>
                <l>Thousands of spirits dethroned, I have encased</l>
                <l>And seal'd with magic, and the mighty word</l>
                <l>Given me at creation as a spell,</l>
                <l>That consummates my will;—thou canst not break</l>
                <l>The narrow circle of thy prison bound,</l>
                <l>And taste the finer element, whose breath</l>
                <l>Might bring thee to thy power.</l>
              </sp>
              <pb id="p134" n="134"/>
              <sp>
                <speaker>ATAL.</speaker>
                <l>Thy prudence well</l>
                <l>Hath counselled thee of dangers thou must dread—</l>
                <l>Dangers best studied in thy strong defence</l>
                <l>And wily combinations. But thy art</l>
                <l>Is shallow like thy power. A little while,</l>
                <l>Watch as thou mayst, the wand is mine again,</l>
                <l>And whatsoe'er its faculty, be sure</l>
                <l>It shall be raised against thee. Thou shalt be</l>
                <l>O'erthrown when most secure; and, like the bird,</l>
                <l>Slain by its stronger fellow, as thou saw'st</l>
                <l>Upon the morn I fell thy prisoner,</l>
                <l>Even from thy topmost pinnacle struck down,</l>
                <l>Thy fall shall mate thy arrogance of flight,</l>
                <l>Beneath the lowest, low. How should my soul,</l>
                <l>Strong among giant spirits, hark or heed</l>
                <l>Thy profferings or thy threats? What canst thou do</l>
                <l>To bend my purer nature unto thine,</l>
                <l>In base extremity, unless I yield,</l>
                <l>Wanton, and shorn of the true woman strength,—</l>
                <l>Which finds best nutriment in innocence,</l>
                <l>And lives mature in its own delicate essence,</l>
                <l>A power in due degree with chastity,—</l>
                <l>To meet thy brutal want and foul desire,</l>
                <l>Thou that art foulest! Thou hast 'vantage won,</l>
                <l>And when I slept thou waked'st; and I now,</l>
                <l>For a brief season, suffer that I slept,—</l>
                <l>That the condition of all negligence,—</l>
                <l>When, with a subtle and dishonest foe,</l>
                <l>Such as thou art, in certain neighborhood,</l>
                <l>We should have watch'd with armament prepared,</l>
                <l>And every weapon bright, and high rock lit,</l>
                <l>Kindled with sea-spar into ruddiness!</l>
                <l>So hadst thou shrunk away, scared by the blaze,</l>
                <l>Cowering, with backward terror, till the sun,</l>
                <pb id="p135" n="135"/>
                <l>Thy nature's dread, thy great antipathy,</l>
                <l>Leaping from off his billowy bed at morn,</l>
                <l>No cloud about his brow, and strong from sleep,</l>
                <l>Drives thee, with glittering shafts that never fail,</l>
                <l>Blinded and bellowing to thy marshy gulfs.</l>
              </sp>
              <sp>
                <speaker>ONESI.</speaker>
                <l>Dost thou exult, and is my fate so sure,—</l>
                <l>And shalt thou have thy liberty so soon,</l>
                <l>As thou dost fancy? Then, a gentler speech</l>
                <l>Had better graced thy lips as conqueror,</l>
                <l>Over the feeble foe thou canst not fear.</l>
                <l>But let me win thee to some fair constraint</l>
                <l>Of seeming amnesty. A truce awhile,</l>
                <l>To this so keen and profitless retort,</l>
                <l>Which keeps us thus asunder. Let us each</l>
                <l>Heed reason from the other. Thou hast said,</l>
                <l>With hope 'yond expectation, that thou look'st</l>
                <l>For soon and certain help. I see not this</l>
                <l>Present or in far prospect; nor beyond,</l>
                <l>In the imperfect future, can I frame</l>
                <l>The aid thou look'st for from thy tribute realms.</l>
                <l>These things affright me not as once before,—</l>
                <l>My kingdom as it is, all well prepared</l>
                <l>To keep its own, and conquer, right or wrong.</l>
                <l>Its barriers shut out hope from thee, unless</l>
                <l>Thou swerv'st my settled feeling, which thou mayst</l>
                <l>By seasonable yielding—so shall both</l>
                <l>Our anxious purpose win;—thy freedom thou,</l>
                <l>And I, the sweet accomplishment of that</l>
                <l>Which flames desire within me! Well I know</l>
                <l>My power can go no farther than thou will'st,</l>
                <l>In this so dear condition,—but thou art,</l>
                <l>My prisoner still—and that may move thy wish,</l>
                <l>Not capable of liberty unless</l>
                <l>My will shall break thy fetters. Hear me then,</l>
                <pb id="p136" n="136"/>
                <l>Since this our opposition.</l>
              </sp>
              <sp>
                <speaker>ATAL.</speaker>
                <l>Speak! I hear!</l>
              </sp>
              <sp>
                <speaker>ONESI.</speaker>
                <l>Become my bride,—nay, patiently!—smile not—</l>
                <l>My queen, if better lists thee. On my throne,—</l>
                <l>Thou hast beheld its state,—of emeralds made,</l>
                <l>Each one a crowning and a marvellous gem,</l>
                <l>Set round the spacious bosom of a shell</l>
                <l>Torn from a fierce sea-monster—one who bore</l>
                <l>The miracled wonder on his glittering back,</l>
                <l>And battled for it as became its worth,</l>
                <l>Nor lost it ere his life;—thy hand shall wield,—</l>
                <l>Fit hand for such a rule!—a sceptred wand,</l>
                <l>Pluck'd from an ocean cave of farthest Ind,</l>
                <l>By ancient giants held,—a pillar'd spire,</l>
                <l>Of holiest sapphire, which at evening burns</l>
                <l>Deeper than ever sunlight, and around</l>
                <l>Lights up the sable waters many a league,</l>
                <l>From sea to shore, till the scared 'habitants</l>
                <l>Fly to their cover in the wood, nor dream</l>
                <l>How sportive is the sway of that Sea-Queen,</l>
                <l>Who rides the waves and makes them smile by night.</l>
              </sp>
              <sp>
                <speaker>ATAL.</speaker>
                <l>Oh! wonderful! most wonderful!</l>
              </sp>
              <sp>
                <speaker>ONESI.</speaker>
                <l>Dost scorn?</l>
                <l>But let me not be anger'd. Hear me still.—</l>
                <l>These are but shown thee to declare the fruit,</l>
                <l>The effect, perchance, but not the source of might,</l>
                <l>So fertile as is mine. But thou shalt know,</l>
                <l>That, of the full division of these seas,</l>
                <l>One part of which thou hold'st, the great'st is mine;</l>
                <l>My realm the wid'st; and, of the numerous powers</l>
                <l>That hold dominion in these provinces,</l>
                <l>Most are to me as tributary bound,</l>
                <l>Sworn to my bidding, subject to my will.</l>
                <l>Compell'd for peace and war! These, if I bid,</l>
                <pb id="p137" n="137"/>
                <l>I gather such array, as leaves my power</l>
                <l>Unmatchable by all the tribes that swarm</l>
                <l>Thy cities, when the starlight wakes the dance.</l>
              </sp>
              <sp>
                <speaker>ATAL.</speaker>
                <l>I know not that! The kingdom which I hold</l>
                <l>Though in extent less spacious, is not less</l>
                <l>Proportion'd to the incidents of war!</l>
                <l>Thou hast wide realm of sea, but scatter'd tribes;</l>
                <l>Canst gambol hugely when the waves are smooth,</l>
                <l>With uncouth legions; but when sounds the gong,</l>
                <l>Struck sharply on our headlands, they go down,</l>
                <l>Sudden, in search of shadowing slime and reeds,</l>
                <l>Forgetting all their state and mocking thine,</l>
                <l>Indifferent where they hide. Thou mayst o'ercome</l>
                <l>The sluggish monster, that, upon the deep,</l>
                <l>Slumbers at noonday,—winning, with his life</l>
                <l>The useless glitter of his cumbrous shell;—</l>
                <l>But, for becoming enemy, thou hast</l>
                <l>But little armament of serious force,</l>
                <l>Save, as I said, in fraud and stratagem.</l>
                <l>Art answer'd?</l>
              </sp>
              <sp>
                <speaker>ONESI.</speaker>
                <l>Wouldst thou more?</l>
              </sp>
              <sp>
                <speaker>ATAL.</speaker>
                <l>Oh! say thy thought!</l>
              </sp>
              <sp>
                <speaker>ONESI.</speaker>
                <l>Meetly indulgent for a captive maid.—</l>
                <l>I will proceed, and leave thee to decide,</l>
                <l>Whether, a free and queenly mistress, thou</l>
                <l>Ascend'st a monarch's throne and shar'st his rule,</l>
                <l>Strong in sustaining majesty and pride,</l>
                <l>Or, vainly chafing at thy prison bar,</l>
                <l>Rav'st for the freedom that but mocks thy sight,</l>
                <l>In gleams of blessed sky, or sudden breath</l>
                <l>Of zephyr from the seas, or glimpse of wing,</l>
                <l>Lustrous in noonday sunlight, that thou see'st</l>
                <l>Disparting the white clouds!</l>
              </sp>
              <sp>
                <speaker>ATAL.</speaker>
                <l>Go on! Go on!</l>
              </sp>
              <pb id="p138" n="138"/>
              <sp>
                <speaker>ONESI.</speaker>
                <l>Three princely cities own my single rule,—</l>
                <l>Hamlets unnumber'd,—homes that, scatter'd wide,</l>
                <l>Hath each a mighty circle for a court,</l>
                <l>Might clasp your utter empire. Plain and cave</l>
                <l>Are thus made rich in dwellings for a tribe.</l>
                <l>Each rock hath its high palace. Not a wave</l>
                <l>Spans its receding billow but o'erswims</l>
                <l>Some golden habitation; where the light,</l>
                <l>A mitigated splendor, like the moon,</l>
                <l>Without its chill and solitude, comes down</l>
                <l>From empires where a thousand suns abide,</l>
                <l>Struggling with rival splendors to inflame</l>
                <l>A thousand realms like ours. There, subtle gems,</l>
                <l>With glories such as starlight flings on earth,</l>
                <l>Adorn the innoxious serpents, that for aye</l>
                <l>Through the long hours, with toil that mocks fatigue,</l>
                <l>Nightly replenishing their founts of light,</l>
                <l>Trail through the giant groves, and meet in vales</l>
                <l>Whose lavish wealth, in absence of the sun,</l>
                <l>Still recompense his beams. There shalt thou see</l>
                <l>Rocks, in their own gifts marvellous, at stroke</l>
                <l>Of wondrous masters, spring to palaces;</l>
                <l>And, at a word, as thou hast cause to know,</l>
                <l>Fair islands, flush with flowers, and rich in airs</l>
                <l>Of most persuasive odor, break the deeps,</l>
                <l>And gather in the sunlight. And again,</l>
                <l>Even at the will of him whose sovereign power</l>
                <l>Thou mock'st at in thy mood, evanishing,</l>
                <l>Forget they had existence;—cheating thus</l>
                <l>The gaze of simple mariner, who dreams</l>
                <l>That, towards evening, he beholds the land</l>
                <l>And cries it to his fellows,—who straight cheer</l>
                <l>The hungering hope within them, while they spread</l>
                <l>The broad and yellow sail, and urge their prows,</l>
                <pb id="p139" n="139"/>
                <l>To find at last,—so wills my cunning art—</l>
                <l>Some hazy cloud, that hangs with mocking skirts</l>
                <l>Where slept the wooing land as night came down.</l>
              </sp>
              <sp>
                <speaker>ATAL.</speaker>
                <l>Ay, thou art all a cheat! 'Tis like thyself</l>
                <l>To mock the weary heart, and still to vex</l>
                <l>The sick soul's expectation. But thy power,</l>
                <l>As thou describ'st it in thy fairest speech,</l>
                <l>And most imploring aspect, moves not me,</l>
                <l>And wins me not in wonder or in love.</l>
                <l>The simple mariner who needs the barque,</l>
                <l>Which, in their reckless mood, the waves may wreck,</l>
                <l>And wanton winds destroy, affords, methinks,</l>
                <l>But little trophy, with his bleaching bones,</l>
                <l>On desert sands, and isles beyond thy gulf,</l>
                <l>To him who conquers thus, even by a will,</l>
                <l>Without the joy of conflict. Spare, I pray,</l>
                <l>Thy farther story. Breathe, and let me breathe,</l>
                <l>Some purer air than that which from thy lips</l>
                <l>Assails each wholesome sense with sickliness.</l>
              </sp>
              <sp>
                <speaker>ONESI.</speaker>
                <l>Wilt thou not hear me?</l>
              </sp>
              <sp>
                <speaker>ATAL.</speaker>
                <l>Can I else than hear,</l>
                <l>Close girt as my poor fortunes find me now?</l>
                <l>Wer't in my will, thou shouldst play orator</l>
                <l>To things of thy own fashion, not to me!</l>
                <l>Thy jewel-headed serpents, the huge beast</l>
                <l>Thou rid'st to war, and whom, when met by foes</l>
                <l>Thou canst not baffle here, thou send'st to land,</l>
                <l>To trample down the cities of the tribes</l>
                <l>That only wet their feet within thy waves,</l>
                <l>To bring down ruin on them. Go to these,</l>
                <l>And tell them of thy prowess and thy wealth!—</l>
                <l>Nor these, nor thee I heed, and would not hear.</l>
              </sp>
              <sp>
                <speaker>ONESI.</speaker>
                <l>Thou bind'st thy fetters faster with each word !—</l>
                <l>But ho!—That signal breaks my farther speech.</l>
                <pb id="p140" n="140"/>
                <l>Here are new captives. Prone upon our isle</l>
                <l>Comes some adventurous barque that must be stay'd,</l>
                <l>And punish'd for its crime. We must not have</l>
                <l>Thy presence mock'd with such vile things of earth,</l>
                <l>That know not of the rarest beautiful,</l>
                <l>Such as adorns thy virtues—makes thy form</l>
                <l>Itself a virtue of the beautiful,</l>
                <l>That spells all best affections at a glance,</l>
                <l>And makes them slaves forever. I must speed</l>
                <l>And save thee from these wretches, who shall taste</l>
                <l>That power which thou defy'st. But now look forth,</l>
                <l>And see the great ship shatter'd into foam;</l>
                <l>Fierce, rending wings among its cloud broad vans,</l>
                <l>And mounting billows darting up its sides</l>
                <l>To drag it down to ruin. Lend thine ear</l>
                <l>To the wild music of men's cries;—their shrieks</l>
                <l>That the storm mocks, and the ascending seas</l>
                <l>Stifle in their own murmurs!—It will need,</l>
                <l>Fair Atalant, I leave thee:—yet, ere day</l>
                <l>Hath fully, in the chambers of the deep,</l>
                <l>Ta'en off his pinions;—ere this gentle eve,</l>
                <l>With eyes of ever-dropping dews, hath shut</l>
                <l>The sweet unmurmuring flowers,—and bade the night</l>
                <l>Summon upon her realm the spirit airs</l>
                <l>That all subdue to silence—the voiced things</l>
                <l>Of myriad elements and agencies,</l>
                <l>That breathe beneath the moon—I shall return</l>
                <l>To seek thee with a hope;—ah! not in vain,—</l>
                <l>Eager for fitting answer to that prayer</l>
                <l>That else must be the stern authority</l>
                <l>Of will that breaks resistance. Till that hour,</l>
                <l>Thou hast for calm reflection;—let it teach</l>
                <l>A sweet response of sympathy to mine,</l>
                <l>And love as yielding soft as mine is fond—</l>
                <pb id="p141" n="141"/>
                <l>Else, let thy fear——</l>
              </sp>
              <sp>
                <speaker>ATAL.</speaker>
                <l>Thou know'st I have no fear!</l>
                <l>Get thee hence, monster, to thy work of dread,</l>
                <l>Since prayer may never move thee. Thou'st no art</l>
                <l>To work upon my terrors. My spirit is made</l>
                <l>Of essence far more confident than thine.</l>
                <l>Rather thou tremble, that, as I am pure,—</l>
                <l>For so the ruler that we all obey</l>
                <l>Hath will'd it—and most haply will'd it too—</l>
                <l>I may command to use the spirits who rule</l>
                <l>O'er the unclouded seasons—those who glide,</l>
                <l>Through the illumined mansions of the night,</l>
                <l>Teaching the stars their watches—those who sway,</l>
                <l>With melodies of power, all elements—</l>
                <l>And of the zephyr from the south and west,</l>
                <l>The voice that comes with morning, and declares</l>
                <l>The hour when day shall droop,—can call a spell</l>
                <l>To dissipate the darkness, and dispart</l>
                <l>Thy blackest shapes of storm.</l>
              </sp>
              <sp>
                <speaker>ONESI.</speaker>
                <l>When thou art free!</l>
              </sp>
              <sp>
                <speaker>ATAL.</speaker>
                <l>Alas! that I were free,—then should'st thou feel,</l>
                <l>And fly, and learn to spare!</l>
              </sp>
              <sp>
                <speaker>ONESI.</speaker>
                <l>Now, I despise</l>
                <l>And, as you speak their agencies, defy</l>
                <l>The entire realm of air, the stars, and all,—</l>
                <l>Your spirit of the south and of the west,</l>
                <l>Your voice of night and morning, and their spells;—</l>
                <l>Your tiny tribes, your coral queen—the hosts,</l>
                <l>Myriads of lesser power and feebler wing,</l>
                <l>That make your choice dominion—all I scorn!</l>
                <l>And, but that mine own want would have thee grace</l>
                <l>With milder seeming this same prayer of mine,</l>
                <l>I should devote thee, heedless of the youth,</l>
                <l>The glory and the beauty of thy form,—</l>
                <pb id="p142" n="142"/>
                <l>Which, to mine eye, foul as you deem its make,</l>
                <l>Stands up a rich perfection, born to shine,</l>
                <l>In any world of loveliness, the first—</l>
                <l>To the same ruin and destruction sure</l>
                <l>Thou hold'st for the most hateful enemy.</l>
                <l>I love thee not to pleasure thee, or give</l>
                <l>A satisfaction craved. I please myself,</l>
                <l>And nothing care for others. I play not</l>
                <l>The wary hypocrite, but speak my thought,—</l>
                <l>My will, even as it rises to my thought;—</l>
                <l>Nor seek I for thy love, but only seek</l>
                <l>For such equivalent as may suffice,</l>
                <l>In love's own absence, my enamored sense.</l>
                <l>Thou hear'st me?—and thou know'st me! It is well!</l>
                <l>Be wise while thou art wary. I depart.</l>
                <stage>[<hi rend="italics">Exit Onesi.</hi></stage>
              </sp>
              <sp>
                <speaker>ATAL.</speaker>
                <l>Ay, go, thou loathsome! Thou hast fill'd the air</l>
                <l>With foulness, and my breath is scarce more free</l>
                <l>Than the poor form thou hast fetter'd by thy fraud!</l>
                <l>Thou, as thy menace, from my thought depart:</l>
                <l>I scorn thee and defy thy utmost power!</l>
                <l>Thou hast no art to win me to thy will,</l>
                <l>And, until I, forgetful of myself,</l>
                <l>Do so declare me, thou canst never bend</l>
                <l>My spirit to thy purpose. I behold,—</l>
                <l>Though in what shape it come I may not see,—</l>
                <l>My liberation sure. Awhile, awhile!</l>
                <l>Sweet patience in my circumscribed bound,</l>
                <l>Give me thy succor. Ere the moon shall soar</l>
                <l>Thrice from her saffron chamber—ere the winds,</l>
                <l>Sporting thrice round the red embodied day</l>
                <l>Shall win him into smiles with melodies—</l>
                <l>And, ere the wing'd stars, through the misty vault,</l>
                <l>Gleam thrice upon the troubles of the night—</l>
                <l>I shall be free this monster's pestilence.</l>
                <l>Come hither to me, Nea. Thou, at least,</l>
                <pb id="p143" n="143"/>
                <l>Art spared me, and he knows not—shallow king!</l>
                <l>That knows not his own power, and little dreams,</l>
                <l>Of captive but the one. Hither to me,</l>
                <l>And let my sad eyes freshen with the sight,</l>
                <l>The picture of the gentler clime and race,</l>
                <l>In thy perfections, damsel. Wake thy shell,</l>
                <l>And with a sweet song from its purple depths,</l>
                <l>Call up the happier fancies that preside</l>
                <l>O'er the dear hopes we see not. Let me lose</l>
                <l>The turbulent thought within me!</l>
              </sp>
            </div4>
            <div4 type="scene">
              <head>SCENE II.—<stage><hi rend="italics">The same.</hi></stage> </head>
              <stage>
                <hi rend="italics">Atalantis, Nea.</hi>
              </stage>
              <sp>
                <speaker>NEA.</speaker>
                <l>Mistress, here!</l>
              </sp>
              <sp>
                <speaker>ATAL.</speaker>
                <l>Thy sweetest song, my Nea,—</l>
                <l>Such as he sings, the spirit of the shell,</l>
                <l>That brooding in his billows never sleeps,</l>
                <l>For longing of his home, and still who hears</l>
                <l>Its voices, breathing ever sighs of love,</l>
                <l>In echo to his own, by ocean's marge,</l>
                <l>Telling of purple islets in the deep,</l>
                <l>Where first he won his wings and whence his voice.</l>
              </sp>
              <q direct="unspecified">
                <text>
                  <body>
                    <div1 type="song">
                      <head>SONG OF THE SHELL-SPIRIT.</head>
                      <lg type="verse">
                        <head>I.</head>
                        <l>I am of the sprites of ocean,</l>
                        <l>Dweller there, the gentlest one,</l>
                        <l>And I take my airy motion,</l>
                        <l>When the day is done;</l>
                        <l>It is mine, the voice that rouses</l>
                        <l>All the lovely tribes of sea,</l>
                        <l>From their tiny coral houses,</l>
                        <l>Glad to wake with me.</l>
                      </lg>
                      <pb id="p144" n="144"/>
                      <lg type="verse">
                        <head>II.</head>
                        <l>When the sun, in ocean sinking,</l>
                        <l>Leaves to fairy power the earth,</l>
                        <l>When the night stars, slowly winking,</l>
                        <l>Bid the winds have birth:</l>
                        <l>Gently o'er the waters stealing,</l>
                        <l>Mine's the song that sweetly flies</l>
                        <l>Wooing to one common feeling</l>
                        <l>Ocean, earth, and skies.</l>
                      </lg>
                      <lg type="verse">
                        <head>III.</head>
                        <l>Loveliest of the zephyr's daughters,</l>
                        <l>Born to breathe in bloom and shine,</l>
                        <l>I can still the angry waters</l>
                        <l>With a breath of mine.</l>
                        <l>Not a stronger spirit rideth</l>
                        <l>O'er the rolling waves than I;</l>
                        <l>Not a lovelier shape abideth</l>
                        <l>'Neath the tropic sky.</l>
                      </lg>
                    </div1>
                  </body>
                </text>
              </q>
              <sp>
                <speaker>ATAL.</speaker>
                <l>Sweet is the air thou sing'st! Ah! would 'twere true!</l>
                <l>Would that our spirit of the shell had power,</l>
                <l>Such as thou brag'st of ;—it were easy then,</l>
                <l>Flung by our billows on this sultry isle,</l>
                <l>To conjure up a service at his wings,</l>
                <l>Might give us present freedom. Thou hast themes,</l>
                <l>Might better suit our state than this, which mocks</l>
                <l>Our hearts' best wishes. One of these, my girl,—</l>
                <l>Some ditty of old romance, such as our realm—</l>
                <l>A spacious province, where the wand'ring thought</l>
                <l>And wilder'd fancy, erring, may be lost—</l>
                <l>Owns without limit. Thou canst meetly sing</l>
                <l>Of bearded-white Ogrear, the giant king,</l>
                <l>Who, with the music of his magic horn,</l>
                <l>Subdued, and to his pastures midst the rocks,</l>
                <pb id="p145" n="145"/>
                <l>Guided the monster first, which, in itself,</l>
                <l>Is a huge mountain, rolling on the deeps,</l>
                <l>Unconscious of his load, though on his back,</l>
                <l>Rode the old wizard's tribe—his giant sons</l>
                <l>And daughters, an unnumbered family,</l>
                <l>That sung in concert to the old man's horn,</l>
                <l>Until the monster, drowsing in his path,</l>
                <l>Yielded himself, as fast fix'd as an isle,</l>
                <l>Through the long summer's day. This were a theme,</l>
                <l>Might make us half forgetful that we weep</l>
                <l>As fettered as was he. And other themes,—</l>
                <l>The gloom that hangs above the prison-house,</l>
                <l>Might challenge something from thy memory,</l>
                <l>More kindred to the touch of mournful thoughts.</l>
                <l>Let thy song teach us of the coming hour,—</l>
                <l>Sad time,—when on the perillous journey bent,</l>
                <l>We pass the untravell'd valley, till we find,</l>
                <l>That other province of delay,—that home,</l>
                <l>Of temporary refuge, dark or bright,</l>
                <l>As suited to the service we have done,</l>
                <l>In past conditions;—other seas, perchance,</l>
                <l>Unvex'd by contact with rebellious power,</l>
                <l>Such as offends us here;—a happy realm,</l>
                <l>Whose provinces are lit by countless smiles,</l>
                <l>From the benignant presence of a God,</l>
                <l>Whose will is born of love!—or, saddest thought,</l>
                <l>Descending from our grade, in baser shape,</l>
                <l>Doom'd in the mansions of sea-weed to dwell,</l>
                <l>Thence only darting, under cruel impulse,</l>
                <l>And chasing, with a terrible agony,</l>
                <l>The wild and staring mariner, grown weak,</l>
                <l>And hopeless of the shore, his straining balls</l>
                <l>Shall never more encounter.</l>
              </sp>
              <sp>
                <speaker>NEA.</speaker>
                <l>None of these!—</l>
                <pb id="p146" n="146"/>
                <l>Too sad thy fortunes now for themes so sad.—</l>
                <l>But I would rather from my memory call,</l>
                <l>Some of those ditties sung in happier days,</l>
                <l>Which thou hast bid me thrice and thrice repeat,</l>
                <l>And ever with the tear within thine eye,</l>
                <l>Which spoke thy pleasure—when, upon the close,</l>
                <l>Thou didst, unconscious, with mine own chime in</l>
                <l>The murmurs of thy melancholy voice,</l>
                <l>Till the vex'd waters, wroth with overflow,</l>
                <l>Subdued their sullen crests, in service rapt,</l>
                <l>And, at thy feet, in murmurs like thine own,</l>
                <l>Grew captive to our song. There is one strain</l>
                <l>Methinks might glad thine ear, of Coraline—</l>
                <l>One of those gentle damsels of the groves,</l>
                <l>Whom sometimes we see sporting on the isles,</l>
                <l>Amidst the flowers, when first upon the sky</l>
                <l>The moon's bright sickle glows. She taught it me;—</l>
                <l>It tells of love, and how they love, and speaks</l>
                <l>So truly of the passion, that meseems,</l>
                <l>It must have first been wrought within our cells,</l>
                <l>And borrowed by these warblers of the wood.</l>
              </sp>
              <sp>
                <speaker>ATAL.</speaker>
                <l>Sing, if it speaks of love. Such song, methinks,</l>
                <l>Must only make more hateful our constraint,</l>
                <l>Upon this loathsome isle. I hearken thee.</l>
              </sp>
              <q direct="unspecified">
                <text>
                  <body>
                    <div1 type="song">
                      <head>SONG OF CORALINE.</head>
                      <lg type="verse">
                        <head>I.</head>
                        <l>Be at my side when the winds are awaking,</l>
                        <l>Each from his cave, in the depths of the night;</l>
                        <l>Fly to our groves, till the daylight comes breaking,</l>
                        <l>Fresh from the east with his tremulous light.</l>
                        <l>When the stars peer out in the blue deeps of even,</l>
                        <l>When the crowd is at rest, and the moon soars apace,</l>
                        <pb id="p147" n="147"/>
                        <l>Silent and sad, through the watches of heaven,</l>
                        <l>Be thou, beloved, at the love-hallow'd place:</l>
                        <l>Come in thy beauty and lightness,</l>
                        <l>Bright-eyed and free-footed, oh! dearest one, come,</l>
                        <l>Filling the dark wood with brightness</l>
                        <l>And crowning the green hill with bloom;—</l>
                        <l>Such bloom—the heart-chosen for thousand sweet groves,</l>
                        <l>As is dear to the wood-nymphs and born of their loves.</l>
                      </lg>
                      <lg type="verse">
                        <head>II.</head>
                        <l>In the spirit of beauty, bewitchingly tender,</l>
                        <l>Fly to my bosom, beloved of my heart;</l>
                        <l>Thy lip bearing sweetness, thine eye giving splendor,</l>
                        <l>Thy smile shedding rapture wherever thou art;</l>
                        <l>And while the pale moonlight is round and above thee,</l>
                        <l>While the leaves twinkle soft in the breeze o'er thy</l>
                        <l>Hear, dearest rose of my heart, how I love thee,</l>
                        <l>And treasure, sweet spirit, my vow.</l>
                        <l>Come! while the night-gems are glowing,</l>
                        <l>Each in his orb, over forest and sea,</l>
                        <l>Less glory, though bright in their beauty, bestowing</l>
                        <l>Than that which now hangs about thee.</l>
                        <l>Fly to me, blest, in this gentlest of hours,</l>
                        <l>Outshining the planets, outblooming the flowers.</l>
                      </lg>
                    </div1>
                  </body>
                </text>
              </q>
              <sp>
                <speaker>ATAL.</speaker>
                <l>Thy song delights me not—nay, not thy song</l>
                <l>That fails, the softness of thy linked words,</l>
                <l>Or melody of thy music;—in my heart,</l>
                <l>Lies the defect of sweetness—which comes not</l>
                <l>To take the shadow from our prison-house.</l>
                <l>It is the captive's spirit that complains,</l>
                <l>Not Atalantis.</l>
              </sp>
              <sp>
                <speaker>NEA.</speaker>
                <l>Would I could cheer thee, mistress.</l>
              </sp>
              <sp>
                <speaker>ATAL.</speaker>
                <l>Thou shalt, my Nea.—Speed thee round this isle,</l>
                <l>And mark what thou behold'st. 'Tis not in thee</l>
                <l>To shrink from contact with the heavy earth,</l>
                <l>Its damp and vapor. But to us, who are</l>
                <pb id="p148" n="148"/>
                <l>Wrought of more delicate matter, all is gross</l>
                <l>That yields this monster tribute.</l>
              </sp>
              <sp>
                <speaker>NEA.</speaker>
                <l>We've some range,</l>
                <l>Sweet mistress! and I prithee wend with me,</l>
                <l>As near we may, the borders of the sea,</l>
                <l>Looking towards our province. Better airs</l>
                <l>Methinks, will come to cheer us into smiles,</l>
                <l>From waters that we loved; and newer hopes,</l>
                <l>As we look out upon the waste beyond,</l>
                <l>Will freshen us with strength. Along the sea,</l>
                <l>Some little range is left us. There we may</l>
                <l>Call up sweet fancies from our dreams of hope,</l>
                <l>And feel the wayward spirit wake to life,</l>
                <l>Surveying the blue waters and our home!</l>
              </sp>
              <sp>
                <speaker>ATAL.</speaker>
                <l>I'll go with thee! I pine for the sweet airs</l>
                <l>Of my own Mergevan.</l>
              </sp>
              <sp>
                <speaker>NEA.</speaker>
                <l>They'll seek us out,</l>
                <l>With loving consciousness of that we seek.</l>
              </sp>
            </div4>
          </div3>
          <div3 type="act">
            <pb id="p149" n="149"/>
            <head>ACT II.—SCENE I.</head>
            <div4 type="scene">
              <stage>
                <hi rend="italics">The Ocean: the islet of Onesimarchus in the background—a ship in the distance, approaching. The Zephyr-Spirit rides upon the billow.</hi>
              </stage>
              <sp>
                <speaker>ZEPHYR-SPIRIT.</speaker>
                <l>It is a gallant vessel, and it bends,</l>
                <l>To the new islet of Onesimarch;—</l>
                <l>That bigot and most brutal arbiter</l>
                <l>Of eighty leagues of ocean. He hath rear'd,</l>
                <l>In the past day, these undetected rocks,</l>
                <l>Whose subtle currents, by his strategy,</l>
                <l>Will suck the unconscious vessel to the snare;</l>
                <l>Baffling the untutor'd mariner, whose skill</l>
                <l>Might vainly hope escape, within the jaws</l>
                <l>Of this dread artifice. Now, in the deep,</l>
                <l>Will I dispose myself; and, by my art,</l>
                <l>Conceal'd in folding billows, in the guise</l>
                <l>Of green-hair'd maid of the waters, with a song</l>
                <l>Still gently studied to invade his sense,</l>
                <l>Will teach him of the danger he may 'scape</l>
                <l>By seasonable flight. A human voice</l>
                <l>'Tis mine to mingle with these ocean tones.</l>
                <l>And, by a sweet mysterious sympathy,</l>
                <l>That ever still its benefit declares</l>
                <l>To the unslumb'ring instinct, will I teach</l>
                <l>The error of his prow. Haply, by this,</l>
                <l>His way he may regain, and newly trim</l>
                <l>His prone and headlong sail, that, steering thus,</l>
                <l>Must soon encounter with the treacherous rocks,</l>
                <pb id="p150" n="150"/>
                <l>That hunger for their prey. And, to my wish</l>
                <l>Of swift concealment from his eager sight,</l>
                <l>A sudden cloud is spreading o'er yon heap</l>
                <l>Of crested waters. There will I imbed</l>
                <l>My many folds of form, while, with my voice,</l>
                <l>I frame a music for this mariner,</l>
                <l>Not to beguile him with fresh fantasies,</l>
                <l>But wake him to the peril in his path.</l>
              </sp>
              <stage>[<hi rend="italics">Scene changes to the deck of the ship. Count Leon musing at the side.</hi></stage>
              <sp>
                <speaker>LEON,</speaker>
                <stage>[<hi rend="italics">solus.</hi>]</stage>
                <l>I have been drowsing sure,—yet what a dream,</l>
                <l>So strange to earth, so natural to romance;—</l>
                <l>And such wild music;—hark!—it comes again.</l>
              </sp>
              <q direct="unspecified">
                <text>
                  <body>
                    <div1 type="song">
                      <lg type="song">
                        <head>SONG OF THE ZEPHYR-SPIRIT.</head>
                        <lg type="verse">
                          <head>I.</head>
                          <l>I have come from the deeps where the sea-maiden twines,</l>
                          <l>In her bowers of amber, her garlands of shells;</l>
                          <l>For a captive like thee, in her chamber she pines,</l>
                          <l>And weaves for thy coming the subtlest of spells;</l>
                          <l>She has breathed on the harpstring that sounds in her cave,</l>
                          <l>And the strain as it rose hath been murmur'd for thee;</l>
                          <l>She would win thee from earth for her home in the wave,</l>
                          <l>And her couch, in the coral grove, deep in the sea.</l>
                        </lg>
                        <lg type="verse">
                          <head>II.</head>
                          <l>Thou hast dream'd in thy boyhood of sea-circled bowers,</l>
                          <l>Where all may be found that is joyous and bright,—</l>
                          <l>Where life is a frolic through fancies and flowers,</l>
                          <l>And the soul lives in dreams of a lasting delight!</l>
                          <l>Wouldst thou win what thy fancies have taught to thy heart?</l>
                          <l>Wouldst thou dwell with the maiden now pining for thee?</l>
                          <l>Flee away from the cares of the earth, and depart</l>
                          <l>For her mansions of coral, far down in the sea.</l>
                        </lg>
                        <pb id="p151" n="151"/>
                        <lg type="verse">
                          <head>III.</head>
                          <l>Her charms will beguile thee when noonday is nigh,</l>
                          <l>The song of her nymphs shall persuade thee to sleep,</l>
                          <l>She will watch o'er thy couch as the storm hurries by,</l>
                          <l>Nor suffer the sea-snake beside thee to creep;</l>
                          <l>But still with a charm which is born of the hours</l>
                          <l>Her love shall implore thee to bliss ever free;</l>
                          <l>Thou wilt rove with delight through her crystalline bowers,</l>
                          <l>And sleep without care in her home of the sea.</l>
                        </lg>
                      </lg>
                    </div1>
                  </body>
                </text>
              </q>
              <sp>
                <speaker>LEON.</speaker>
                <l>Most sweet indeed, but something in the spell</l>
                <l>Proclaims it cold. Even were the precious love</l>
                <l>Such as this music speaks of, 'twere enough</l>
                <l>To palsy passion in the human heart,</l>
                <l>And make its fancies fail.—My Isabel.</l>
              </sp>
              <stage>
                <hi rend="italics">Enter Isabel.</hi>
              </stage>
              <sp>
                <speaker>ISABEL.</speaker>
                <l>What wraps you thus, sweet brother? Why so sad,</l>
                <l>When thus so trimly speeds our swanlike bark</l>
                <l>O'er the smooth waters? But a few days more,</l>
                <l>We tread the lovely island that we seek,</l>
                <l>Whose bowers of beauty and eternal spring</l>
                <l>Recall the first sweet garden of our race,</l>
                <l>Before it knew the serpent. Dost thou sadden,</l>
                <l>That thus we near those regions? Art thou sick,</l>
                <l>Dear brother, that such vague abstraction creeps</l>
                <l>Over your eyes, that seem as 'twere in search</l>
                <l>For airy speculations in the deep?</l>
              </sp>
              <sp>
                <speaker>LEON.</speaker>
                <l>Thou'rt right!—An airy speculation sure,</l>
                <l>Since I can nothing see to speak for it,</l>
                <l>And tell me whence it comes.</l>
              </sp>
              <sp>
                <speaker>ISABEL.</speaker>
                <l>What is't thou mean'st?</l>
              </sp>
              <sp>
                <speaker>LEON.</speaker>
                <l>A moment,—stay! Now, as I live, I heard it</l>
                <l>Steal by me, as the murmurs of a lute</l>
                <l>From thy own lattice, Isabel.</l>
              </sp>
              <pb id="p152" n="152"/>
              <sp>
                <speaker>ISABEL.</speaker>
                <l>What heard'st?—</l>
                <l>What is it that thou speak'st of?</l>
              </sp>
              <sp>
                <speaker>LEON.</speaker>
                <l>A strain of song,—</l>
                <l>That crept along the waters from afar,</l>
                <l>Softly at first, but growing as it came</l>
                <l>To an embodied strength of harmony,</l>
                <l>That spoke to all my joys. It bore a tone</l>
                <l>Slight as a spirit's whisper, born of love</l>
                <l>In aspiration,—such as innocent youth</l>
                <l>Acknowledges at first, ere yet the world</l>
                <l>Hath school'd it through its sorrows to caprice.</l>
                <l>'Twas like thy own sweet music, Isabel,</l>
                <l>When out among our Andalusian hills,</l>
                <l>We play'd the dusk Morisco for a while,</l>
                <l>Grown wanton in the moonlight with the flowers</l>
                <l>That seem'd to sing us back. Oh! thou shouldst hear,</l>
                <l>To sadden with its sweetness.</l>
              </sp>
              <sp>
                <speaker>ISABEL.</speaker>
                <l>Thou hast dream'd!</l>
                <l>Whence should such music come?</l>
              </sp>
              <sp>
                <speaker>LEON.</speaker>
                <l>Ay! whence indeed,</l>
                <l>But from some green-hair'd maiden of the deep,</l>
                <l>As still our legends tell us such there be,</l>
                <l>That, sitting on the edge of lonely rocks,</l>
                <l>Midway in ocean, loose their flowing locks,</l>
                <l>And, with strange songs, discoursing to the waves,</l>
                <l>Subdue their crests to service.</l>
              </sp>
              <sp>
                <speaker>ISABEL.</speaker>
                <l>As the tale</l>
                <l>Of Nicuesa pictures. Wouldst thou hear?</l>
              </sp>
              <sp>
                <speaker>LEON.</speaker>
                <l>Sing it, my Isabel.</l>
              </sp>
              <sp>
                <speaker>ISABEL.</speaker>
                <l>'Tis something like</l>
                <l>Thy fancy,—nay, has been the making of 't,</l>
                <l>While thou wert dreaming. But thou didst not dream.</l>
              </sp>
              <pb id="p153" n="153"/>
              <q direct="unspecified">
                <text>
                  <body>
                    <div1 type="ballad">
                      <head>BALLAD.</head>
                      <lg type="verse">
                        <head>I.</head>
                        <l>'Mong Lucayo's isles and waters,</l>
                        <l>Leaping to the evening light,</l>
                        <l>Dance the moonlight's silver daughters—</l>
                        <l>Tresses streaming, glances gleaming,</l>
                        <l>Ever beautiful and bright.</l>
                      </lg>
                      <lg type="verse">
                        <head>II.</head>
                        <l>And their wild and mellow voices,</l>
                        <l>Still to hear along the deep,</l>
                        <l>Every brooding star rejoices,</l>
                        <l>While the billow, on its pillow</l>
                        <l>Lull'd to silence, sinks to sleep.</l>
                      </lg>
                      <lg type="verse">
                        <head>III.</head>
                        <l>Yet they wake a song of sorrow,</l>
                        <l>Those sweet voices of the night;</l>
                        <l>Still from grief a gift they borrow,</l>
                        <l>And hearts shiver, as they quiver</l>
                        <l>With a wild and sad delight.</l>
                      </lg>
                      <lg type="verse">
                        <head>IV.</head>
                        <l>'Tis the wail for life they waken</l>
                        <l>By Samana's lonely shore;</l>
                        <l>With the tempest it is shaken,</l>
                        <l>The wide ocean is in motion,</l>
                        <l>And the song is heard no more.</l>
                      </lg>
                      <lg type="verse">
                        <head>V.</head>
                        <l>But the gallant bark comes sailing,</l>
                        <l>At her prow the chieftain stands;</l>
                        <l>He hath heard the tender wailing—</l>
                        <l>It delights him—it invites him</l>
                        <l>To the joys of other lands.</l>
                      </lg>
                      <pb id="p154" n="154"/>
                      <lg type="verse">
                        <head>VI.</head>
                        <l>Bright the moonlight round and o'er him,</l>
                        <l>And, oh! see, a picture lies</l>
                        <l>In the yielding waves before him,—</l>
                        <l>Woman smiling, still beguiling</l>
                        <l>From the depths of wondrous eyes.</l>
                      </lg>
                      <lg type="verse">
                        <head>VII.</head>
                        <l>White arms toss above the waters,</l>
                        <l>Pleading murmurs fill his ears,</l>
                        <l>And the Queen of Ocean's daughters,</l>
                        <l>Heart alluring, love assuring,</l>
                        <l>Wins him down with tears.</l>
                      </lg>
                      <lg type="verse">
                        <head>VIII.</head>
                        <l>On, the good ship speeds without him,</l>
                        <l>By Samana's lonely shore;</l>
                        <l>They have wound their arms about him,</l>
                        <l>In the water's—ocean's daughters</l>
                        <l>Sadly singing as before.</l>
                      </lg>
                    </div1>
                  </body>
                </text>
              </q>
              <sp>
                <speaker>LEON.</speaker>
                <l>Unhappy Nicuesa!</l>
              </sp>
              <sp>
                <speaker>ISABEL.</speaker>
                <l>Such his song,</l>
                <l>And, with the ocean murmur in thy ears,</l>
                <l>Thy fancy, in thy dream, hath made it thine.</l>
              </sp>
              <sp>
                <speaker>LEON.</speaker>
                <l>I did not sleep or dream, my Isabel;—</l>
                <l>I heard this wondrous music, even now,</l>
                <l>When first I summon'd thee. I grant it strange</l>
                <l>That it should syllable to familiar sound,</l>
                <l>Boyhood's first fancies, of fair isles that lie</l>
                <l>In farthest depths of ocean,—jewell'd isles</l>
                <l>Boundless in but imaginable spoils,</l>
                <l>Such as boy-visions only can conceive</l>
                <l>And boyhood's faith admit.</l>
              </sp>
              <sp>
                <speaker>ISABEL.</speaker>
                <l>And still thou dream'st!—</l>
                <pb id="p155" n="155"/>
                <l>Thy boyhood's legends and thy boyhood's faith,</l>
                <l>Grown fresh beneath the force of circumstance,</l>
                <l>And the wild fancies of this foreign world,</l>
                <l>Still carry thee away,—till thou forget'st,—</l>
                <l>As still the wisest may,—the difference</l>
                <l>'Twixt those two worlds,—the one where nature toils,</l>
                <l>The other she but dreams of.</l>
              </sp>
              <sp>
                <speaker>LEON.</speaker>
                <l>'Twas no dream!</l>
                <l>It comes again! Now hark thee, Isabel—</l>
                <l>It is no murmur of the deep thou hear'st!</l>
                <l>It hath a voice not human,—not unlike—</l>
                <l>And sings, as still a spirit might sing, that wills</l>
                <l>To do humanity service. Hark!</l>
              </sp>
              <sp>
                <speaker>ISABEL.</speaker>
                <l>I do!—</l>
                <l>Yet I hear nothing.</l>
              </sp>
              <sp>
                <speaker>LEON.</speaker>
                <l>Sure, I did not dream!</l>
                <l>'Twas like the zephyr through a bed of reeds</l>
                <l>Sighing as 'twere at cheerlessness of home,</l>
                <l>In the approach of winter.</l>
              </sp>
              <sp>
                <speaker>ISABEL.</speaker>
                <l>Oh! no more!—</l>
                <l>Thou art too led astray by idle thoughts,</l>
                <l>Dear Leon;—dost possess thee of the hues,</l>
                <l>Shed by the passing cloud, and mak'st thy heart,</l>
                <l>Still the abiding place of hopeless fancies</l>
                <l>That waste thy strength of will. Thou art too prone</l>
                <l>To these wild speculations.</l>
              </sp>
              <sp>
                <speaker>LEON.</speaker>
                <l>Hear it now!</l>
                <l>My fancy trick'd me not,—my sense was true,—</l>
                <l>It comes again, far off, and very fine,</l>
                <l>As the first birth 'twixt silence and his dame,</l>
                <l>The mother of the voice. Now, Isabel,—</l>
                <l>Thine ears are traitors if they do not feel</l>
                <l>That music as it sweeps by us but now.</l>
              </sp>
              <sp>
                <speaker>ISABEL.</speaker>
                <l>I hear a murmur truly, but so slight—</l>
                <pb id="p156" n="156"/>
                <l>A breath of the wind might make it, or a sail</l>
                <l>Drawn suddenly.</l>
              </sp>
              <sp>
                <speaker>LEON.</speaker>
                <l>Art silenced? It is there!</l>
              </sp>
              <q direct="unspecified">
                <text>
                  <body>
                    <div1 type="song">
                      <lg type="song">
                        <head>ZEPHYR-SPIRIT.</head>
                        <l>In the billow before thee</l>
                        <l>My form is conceal'd—</l>
                        <l>In the breath that comes o'er thee</l>
                        <l>My thought is reveal'd—</l>
                        <l>Strown thickly beneath me</l>
                        <l>The coral rocks grow,</l>
                        <l>And the waves that enwreath me,</l>
                        <l>Are working thee woe.</l>
                      </lg>
                    </div1>
                  </body>
                </text>
              </q>
              <sp>
                <speaker>LEON.</speaker>
                <l>Didst hear it, Isabel?</l>
              </sp>
              <sp>
                <speaker>ISABEL.</speaker>
                <l>It spoke, methought,</l>
                <l>Of peril from the rocks that near us grow.</l>
              </sp>
              <sp>
                <speaker>LEON.</speaker>
                <l>It did, but idly! Here can lurk no rocks</l>
                <l>For, by the chart which now before us lies,</l>
                <l>Thy own unpractised eye may well discern</l>
                <l>The wide extent of the ocean—shoreless all;</l>
                <l>The land, for many a league, to th' westward hangs,</l>
                <l>And not a point beside it.</l>
              </sp>
              <sp>
                <speaker>ISABEL.</speaker>
                <l>Wherefore then,</l>
                <l>Should come this voice of warning?</l>
              </sp>
              <sp>
                <speaker>LEON.</speaker>
                <l>From the deep:</l>
                <l>It hath its demons as the earth and air,</l>
                <l>All tributaries to the master-fiend</l>
                <l>That sets their springs in motion. This is one,</l>
                <l>That, doubting to mislead us, plants this wile,</l>
                <l>So to divert our course, that we may strike</l>
                <l>The very rocks he fain would warn us from.</l>
              </sp>
              <sp>
                <speaker>ISABEL.</speaker>
                <l>A subtle sprite—and, now I think of it,</l>
                <l>Dost thou remember the old story told</l>
                <pb id="p157" n="157"/>
                <l>By Diaz Ortis, the lame mariner,</l>
                <l>Of an adventure in the Indian seas,</l>
                <l>Where he made one with John of Portugal,—</l>
                <l>Touching a woman of the ocean wave</l>
                <l>That swam beside the barque and sang strange songs</l>
                <l>Of riches in the waters;—with a speech</l>
                <l>So winning on the senses, that the crew</l>
                <l>Grew all infected with the melody,</l>
                <l>And, but for a good father of the church</l>
                <l>Who made the sign of the cross and offer'd up</l>
                <l>Befitting prayer, which drove the fiend away,</l>
                <l>They had been tempted by her cunning voice</l>
                <l>To leap into the ocean.</l>
              </sp>
              <sp>
                <speaker>LEON.</speaker>
                <l>I do, I do!</l>
                <l>And, at the time, I do remember me,</l>
                <l>I made much mirth of the extravagant tale,</l>
                <l>As a deceit of the reason;—the old man</l>
                <l>Being in his second childhood, and at fits,</l>
                <l>As wild, in other histories, as in this.</l>
              </sp>
              <sp>
                <speaker>ISABEL.</speaker>
                <l>I never more shall mock at marvellous things;</l>
                <l>Such strange conceits hath after time found true,</l>
                <l>That once were themes for jest. I shall not smile</l>
                <l>At the most monstrous legend.</l>
              </sp>
              <sp>
                <speaker>LEON.</speaker>
                <l>Nor will I!—</l>
                <l>To any tale of foreign wonderment,</l>
                <l>I shall bestow mine ear nor wonder more;</l>
                <l>And every image that my childhood bred,</l>
                <l>In vagrant dreams of fancy, I shall look,</l>
                <l>To find, without rebuke, my sense approve.</l>
                <l>Thus, like a little island of the deep,</l>
                <l>Girdled by perilous seas, and all unknown</l>
                <l>To prows of venture, may be yon same cloud</l>
                <l>Specking, with fleecy bosom, the blue sky,</l>
                <l>Lit by the rising moon. There, we may dream,</l>
                <pb id="p158" n="158"/>
                <l>And find no censure in an after day,</l>
                <l>Throng the assembled fairies, perch'd on beams,</l>
                <l>And riding on their way triumphantly.</l>
                <l>There gather the coy spirits. Many a fay,</l>
                <l>Roving the silver sands of that same isle,</l>
                <l>Floating in azure ether, plumes her wing</l>
                <l>Of ever-frolicsome fancy, and pursues—</l>
                <l>While myriads like herself, do watch the chase—</l>
                <l>Some truant sylph, through the infinitude</l>
                <l>Of their uncircumscribed and rich domain.</l>
                <l>There sport they through the night, with mimicry</l>
                <l>Of strife and battle,—striking their tiny shields</l>
                <l>And gathering into combat; meeting fierce,</l>
                <l>With lip compress'd, and spear aloft, and eye</l>
                <l>Glaring with desperate purpose in the fight;—</l>
                <l>Then sudden—in a moment all their wrath</l>
                <l>Mellow'd to friendly terms of courtesy—</l>
                <l>Throwing aside the dread array and link'd,</l>
                <l>Each, in his foe's embrace. Then comes the dance,</l>
                <l>The grateful route, the wild and musical pomp,</l>
                <l>The long procession o'er fantastic realms</l>
                <l>Of cloud and moonbeam, through th' enamor'd night,</l>
                <l>Making it all one revel. Thus, the eye</l>
                <l>Breathed on by fancy, with enlargéd scope,</l>
                <l>Through the protracted and deep hush of night,</l>
                <l>May note the fairies, coursing the lazy hours,</l>
                <l>In various changes, and without fatigue.</l>
                <l>A fickle race, who tell their time by flowers,</l>
                <l>And live on zephyrs, and have stars for lamps,</l>
                <l>And night-dews for ambrosia; perch'd on beams,</l>
                <l>Speeding through space, even with the scattering light</l>
                <l>On which they feed and frolic.</l>
              </sp>
              <sp>
                <speaker>ISABEL.</speaker>
                <l>A wild dream!—</l>
                <l>And yet, since this old tale of Diaz Ortis,</l>
                <pb id="p159" n="159"/>
                <l>That moved our laughter once, is thus made sooth,</l>
                <l>Perchance, not all a dream.</l>
              </sp>
              <sp>
                <speaker>LEON.</speaker>
                <l>Yet, may we doubt!—</l>
                <l>There may be something in this marvel still</l>
                <l>Of human practice. Man hath wondrous powers,</l>
                <l>Most like a God;—that, with each hour of toil,</l>
                <l>Perfect themselves in actions strangely great.</l>
                <l>Some cunning seaman, having natural skill,</l>
                <l>As by the books we learn hath oft been done,</l>
                <l>Hath 'yond our vessel's figure pitch'd his voice,—</l>
                <l>With gay deceit of unsuspected art,</l>
                <l>Leading us wantonly.</l>
              </sp>
              <sp>
                <speaker>ISABEL.</speaker>
                <l>It is not so;—</l>
                <l>Or, does my sense deceive? Look, where the wave</l>
                <l>A perch beyond our vessel, grows in folds</l>
                <l>That seem not like the element. Dost see?</l>
              </sp>
              <sp>
                <speaker>LEON.</speaker>
                <l>A marvellous shape that with the billow curls,</l>
                <l>In gambols of the deep, and yet is not</l>
                <l>Its wonted burden; for, beneath the waves,</l>
                <l>I mark the elaborate windings of a form,</l>
                <l>That heaves and flashes with an antic play,</l>
                <l>As if to win our gaze.</l>
              </sp>
              <sp>
                <speaker>ISABEL.</speaker>
                <l>Again—it sings.</l>
              </sp>
              <q direct="unspecified">
                <text>
                  <body>
                    <div1 type="song">
                      <head>ZEPHYR-SPIRIT</head>
                      <lg type="verse">
                        <head>I.</head>
                        <l>By the planet at whose bid,</l>
                        <l>I must close the heavy lid,</l>
                        <l>Ere the hour that wings my flight</l>
                        <l>I unfold me to your sight,</l>
                        <l>That your wondering thoughts may find,</l>
                        <l>Wherewith to awake the mind;—</l>
                        <l>To arouse ye with a fear,</l>
                        <l>Do I sing and wanton here;</l>
                        <pb id="p160" n="160"/>
                        <l>Sing with sorrow lest too late,</l>
                        <l>Ye awaken to your fate:</l>
                        <l>Hearken to my voice and fly,</l>
                        <l>For the danger lurketh nigh.</l>
                      </lg>
                      <lg type="verse">
                        <head>II.</head>
                        <l>Deem me not a form of ill,</l>
                        <l>Free to lure and injure still;—</l>
                        <l>Mine's the gentler task to save</l>
                        <l>From the perils of the wave.</l>
                        <l>When thou feel'st the tempest's shocks,</l>
                        <l>I send breezes off the rocks;</l>
                        <l>When the ocean's calm as death,</l>
                        <l>From me comes the tradewind's breath—</l>
                        <l>For my essence is not made</l>
                        <l>Of the cold and gloomy shade,</l>
                        <l>But of gentlest dews of night,</l>
                        <l>And of purest rays of light.</l>
                      </lg>
                      <lg type="verse">
                        <head>III.</head>
                        <l>Heed me then, and turn thy prow</l>
                        <l>From the rocks that wait thee now;—</l>
                        <l>Close beneath thee, do they sleep</l>
                        <l>In the hollows of the deep;</l>
                        <l>And thy sail is truly prone</l>
                        <l>Where the yellow sand is strown;</l>
                        <l>And no human power can save</l>
                        <l>From the terrors of the wave,</l>
                        <l>Smooth, and gently gliding, now,</l>
                        <l>With a whisper, round thy prow;</l>
                        <l>In an hour and all is o'er—</l>
                        <l>Thou wilt hear my voice no more.</l>
                      </lg>
                    </div1>
                  </body>
                </text>
              </q>
              <sp>
                <speaker>LEON.</speaker>
                <l>'Tis passing strange, and it were well to rouse</l>
                <l>The master to this marvel. What, ho! there!</l>
                <l>Hark ye, good Mendez Celer, lend awhile</l>
                <l>Your presence here on deck.</l>
              </sp>
              <pb id="p161" n="161"/>
              <stage>
                <hi rend="italics">Enter Mendez Celer.</hi>
              </stage>
              <sp>
                <speaker>MENDEZ.</speaker>
                <l>Who summons me?</l>
                <l>Ha! brave Don Leon, but thou look'st as wild,</l>
                <l>As thou hadst spoke some monster of the deep,</l>
                <l>And shipp'd his tidings in a sea of foam.</l>
                <l>Hadst thou but weather'd awhile the Indian seas,</l>
                <l>As I have done, where, from his fiery steep,</l>
                <l>El Norté plunges headlong o'er the seas,</l>
                <l>Smiting the billows with his scourge of wings</l>
                <l>Till their gray scalps lie flat, methinks thine eyes,</l>
                <l>That find a wonder in each hour of change,</l>
                <l>Would soon grow slow to marvel.</l>
              </sp>
              <sp>
                <speaker>LEON.</speaker>
                <l>It may be,—</l>
                <l>Yet there's a marvel here to challenge well</l>
                <l>Thy old experience in these wizard seas.</l>
                <l>Here swam a voice that spoke to us in song</l>
                <l>Of most prevailing sweetness. There it rose—</l>
                <l>Even from yon heap of waters, which thou see'st</l>
                <l>Still stirring with an action not their own,</l>
                <l>Unlike the rest of the ocean. Thou mayst note</l>
                <l>Where the sea rises and the billows toss,</l>
                <l>Still swelling in strange folds. 'Tis there it moves,—</l>
                <l>From thence the music came.</l>
              </sp>
              <sp>
                <speaker>MEN.</speaker>
                <l>What said the song?</l>
                <l>A ditty of the marvellous love, I ween,</l>
                <l>The girl of the ocean bears thee—was it not?</l>
              </sp>
              <sp>
                <speaker>LEON.</speaker>
                <l>No, in no wise!—the tones it used were soft,</l>
                <l>And the words gentle, and the music sweet,</l>
                <l>But yet it spoke no love and ask'd for none.—</l>
                <l>It rather told of danger to our barque;—</l>
                <l>Of rocks in certain and near neighborhood,</l>
                <l>And shoals and sands, that, close beneath our prow,</l>
                <l>Are lurking to ensnare.</l>
              </sp>
              <pb id="p162" n="162"/>
              <sp>
                <speaker>MEN.</speaker>
                <l>Bah! good Don Leon!</l>
                <l>'Tis, as we say in Palos, a poor devil</l>
                <l>That goes without his brimstone.—A dull cheat</l>
                <l>Who when he shows his hook forgets the bait.</l>
                <l>Your sea-girl was a young one. Mark me now,</l>
                <l>There is no land—no single spot of shore</l>
                <l>Whereon a plank or spar might lie at ease,</l>
                <l>Within a three day's sail of us. I've been</l>
                <l>Some thirty years a mariner, and scarce,</l>
                <l>In all that time, have been from off the seas</l>
                <l>A month or two, at farthest, at a spell;</l>
                <l>And this same route o'er which we travel now,</l>
                <l>Comes to me as my nightcap or my prayers—</l>
                <l>I put not on the one, nor say the other,</l>
                <l>Yet both are done, the thanks to Mary Mother,</l>
                <l>And I am none the wiser.</l>
              </sp>
              <sp>
                <speaker>LEON.</speaker>
                <l>It is strange</l>
                <l>That we should hear this music!</l>
              </sp>
              <sp>
                <speaker>MEN.</speaker>
                <l>Not a whit.</l>
                <l>I've oftentimes heard from the Portuguese—</l>
                <l>I'm rather one myself, belike you know,</l>
                <l>My father having stray'd, at a wrong time,</l>
                <l>From Lisbon to my mother's house at Palos,</l>
                <l>And then it came about that I was born—</l>
                <l>(Nothing ill-graced to Lady Isabel;)</l>
                <l>And, as I say, it is a standing tale</l>
                <l>With the old seamen, that a woman comes—</l>
                <l>Her lower parts being fishlike—in the wave;</l>
                <l>Singing strange songs of love, that so inflame</l>
                <l>The blinded seamen, that they steal away</l>
                <l>And join her in the waters; and, that then,</l>
                <l>Having her victim, she is seen no more.</l>
              </sp>
              <sp>
                <speaker>LEON.</speaker>
                <l>And is it deem'd, the men thus wildly snared</l>
                <l>Become a prey and forfeit life at once?</l>
              </sp>
              <pb id="p163" n="163"/>
              <sp>
                <speaker>MEN.</speaker>
                <l>So must it be; and yet, there is a tale</l>
                <l>That they do wed these creatures; which have power,</l>
                <l>So to convert their nature, that they make,</l>
                <l>As to themselves, the sea their element;</l>
                <l>And have a life renew'd, though at the risk</l>
                <l>And grievous peril of their Christian souls,</l>
                <l>Doom'd thence unto perdition.</l>
              </sp>
              <sp>
                <speaker>LEON.</speaker>
                <l>And you then</l>
                <l>Think nothing of this warning?</l>
              </sp>
              <sp>
                <speaker>MEN.</speaker>
                <l>By your grace,</l>
                <l>Surely, I hold it the wild lustful song</l>
                <l>Of this same woman. She has lost, perchance,—</l>
                <l>Since death must come at last who comes to all,—</l>
                <l>Her late companion. Would you take his place?</l>
                <l>If not, wax up your ears, and sleep secure,</l>
                <l>There's naught to fear, and sea-room quite enough.</l>
                <stage>[<hi rend="italics">Shock—the ship strikes.</hi></stage>
                <l>God, and thou gracious Mary, what is that?</l>
                <stage>[<hi rend="italics">Ship strikes again.</hi></stage>
                <l>We're in our certain course—what may this mean?</l>
              </sp>
              <sp>
                <speaker>LEON.</speaker>
                <l>The vessel strikes—she strikes again and shivers,</l>
                <l>Through all her frame, as if convulsed with horror,</l>
                <l>She felt herself the pangs we soon must feel!</l>
                <l>The devil speaks truth, for once, good Mendez Celer!</l>
              </sp>
              <sp>
                <speaker>MEN.</speaker>
                <l>Oh, holy Mary, and thou gracious shield</l>
                <l>Blessed Saint Anthony, lend us now your aid;</l>
                <l>Speak fairly to the waters—see us through</l>
                <l>This sad deceit. Below there—hands aloft!—</l>
                <l>Ho, Juan! trim the sail,—out with the lead—</l>
                <l>Helm down, Pedrillo—Hernan—luff yet more.</l>
                <l>Jesu! She rides again—we yet may swim!</l>
                <stage>[<hi rend="italics">Vessel strikes heavily upon the rocks.</hi></stage>
                <l>It is all over! To your prayers at once!</l>
                <l>There is no longer hope, nor chance of life,</l>
                <pb id="p164" n="164"/>
                <l>Unless from the good saints and Mary Mother,</l>
                <l>We may have mercy and sweet countenance!</l>
                <stage>[<hi rend="italics">The master takes a leaden image from his h<gap reason="broken type" extent="two characters"/> and prostra<gap reason="illegible" extent="three characters"/> himself before it. Storm rises.</hi></stage>
                <l>Gracious Saint Anthony, for fifty years</l>
                <l>We've voyagéd in company, and now,</l>
                <l>I pray thee, in this strait, that thou forsake not</l>
                <l>Thy ancient comrade. To thy use I vow—</l>
                <l>If thou wilt man our yards, and trim our sails,</l>
                <l>And lift our ragged keel from off these rocks,—</l>
                <l>A box of Cadiz candles——</l>
              </sp>
              <sp>
                <speaker>LEON.</speaker>
                <l>Be a man!</l>
                <l>Rise, Mendez, to the peril and the storm.</l>
                <l>Let us do something for ourselves, nor ask</l>
                <l>The smiles of heaven upon our fears alone.</l>
                <l>Shall we but crouch and perish, with no stroke</l>
                <l>Made for our lives! For shame, sir—ply your men;</l>
                <l>Nor with an idle prayer, which the waves mock</l>
                <l>And the winds laugh at, show our feebleness.</l>
                <l>If there be land so nigh, as by our glance,</l>
                <l>The eye may seem to conjure, we may try,</l>
                <l>The little we can do, to save our lives.</l>
                <l>The boats—get out the boats!</l>
              </sp>
              <sp>
                <speaker>MEN.</speaker>
                <l>In vain—in vain;</l>
                <l>No boat may live in such a sea as that.</l>
                <l>Look at this surf, that chafes like a wild beast,</l>
                <l>And ramps, like something mad, upon the rocks.</l>
                <l>This is the strangest chance I yet have known:—</l>
                <l>By the chart we are in the open sea,</l>
                <l>And here we meet with land, where land is none.</l>
                <l>A moment since, and the whole sea was calm,</l>
                <l>Now boils it like a cauldron—and the winds,</l>
                <l>That late were almost breathless, now exclaim</l>
                <l>In wrath, and yell like fiends above the sea.</l>
                <pb id="p165" n="165"/>
                <l>Oh, Mary Mother, in this strait befriend!—</l>
                <l>To thee, to Jesu, and the saints alone,</l>
                <l>May we now look for mercy!</l>
                <stage>[<hi rend="italics">Storm increases. Ship strikes with increasing violenc<gap reason="illegible" extent="two characters"/></hi></stage>
              </sp>
              <sp>
                <speaker>LEON.</speaker>
                <l>So we perish!—</l>
                <l>The ship is parting! We must try the boat,</l>
                <l>Whate'er the peril from the raging sea!</l>
                <l>Better, thus struggling in the embrace of strife,</l>
                <l>To meet the fatal enemy, than thus,</l>
                <l>With idly folded arms and shivering fears</l>
                <l>That mock the very passion in our prayer</l>
                <l>With broken utterance most unmeet for heaven,</l>
                <l>Await him feebly here. Ho! man the boat.</l>
              </sp>
              <sp>
                <speaker>ISABEL.</speaker>
                <l>Leave me not, brother, for a moment now!</l>
                <l>There's not a pressing danger, or I do</l>
                <l>Greatly mistake the courage in your eye,</l>
                <l>That hath no touch of terror in its calm,</l>
                <l>And looks the strength of safety.</l>
              </sp>
              <sp>
                <speaker>LEON.</speaker>
                <l>Yet, there is,</l>
                <l>Dear Isabel, a danger of the worst,</l>
                <l>Now pressing on our lives with terrible wrath,</l>
                <l>That needs the soul's best fortitude and hope</l>
                <l>To meet with manhood. We may yet escape,</l>
                <l>So, take you heart. Look not with such an eye,</l>
                <l>Or I may fail at this most perilous hour,</l>
                <l>And sink into the woman. Be all firm,</l>
                <l>And like our mother, dearest,—nor grow weak,</l>
                <l>When I do tell you that the chances gather</l>
                <l>Against our fondest hope.</l>
              </sp>
              <sp>
                <speaker>ISABEL.</speaker>
                <l>And is it so?—</l>
                <l>And you and I, dear Leon,—both so young,</l>
                <l>So fond,—so full of life's best promises,—</l>
                <l>Thus sudden cut from all—the loved, the loving,—</l>
                <l>And by a fate so terrible!</l>
              </sp>
              <pb id="p166" n="166"/>
              <sp>
                <speaker>LEON.</speaker>
                <l>Still hope!—</l>
                <l>Since combating the fear that ushers death,</l>
                <l>We little feel his shaft. Whatever haps,</l>
                <l>Be firm, and cling to me. Keep close at hand,</l>
                <l>And, with the mercy of God, through every chance,</l>
                <l>Dear sister, I devote myself to thee.</l>
              </sp>
              <sp>
                <speaker>ISABEL.</speaker>
                <l>I know thou wilt!—I will be at thy side,</l>
                <l>Nor trouble thee with my terrors.</l>
              </sp>
              <sp>
                <speaker>LEON.</speaker>
                <l>Noble girl!</l>
                <l>My safety shall be thine;—and if I fail,</l>
                <l>'Twill somewhat soothe the pang of that sad passage</l>
                <l>That still we go together. We have lived,</l>
                <l>So truly in one another from the first,</l>
                <l>And known no sense of pleasure not inwrought,</l>
                <l>With twin affection in our mutual hearts,</l>
                <l>That 'twill not move our chiding when the fate</l>
                <l>Strikes both in one, and with a kindly blow,</l>
                <l>Secures 'gainst future parting.</l>
              </sp>
              <sp>
                <speaker>ISABEL.</speaker>
                <l>I'll not chide!</l>
                <l>I will be firm,—and yet I dread the rage</l>
                <l>And rushing of the waters. How they roar,</l>
                <l>And lash themselves to madness o'er our bows!</l>
                <l>I dread me, Leon, that my senses fail!</l>
                <l>Mine eyes grow blind—I see thee not—Here, here!</l>
                <l>My brother, leave me not.</l>
              </sp>
              <sp>
                <speaker>LEON.</speaker>
                <l>I'm here with thee!</l>
              </sp>
              <sp>
                <speaker>ISABEL.</speaker>
                <l>Dost hear me when I speak,—dost hear me, brother?</l>
                <l>I cannot hear myself. My voice is gone,</l>
                <l>Drown'd in that horrible coil of storm and billow</l>
                <l>That fain would wrap us all. That crash!—</l>
                <stage>[<hi rend="italics">Shrieks.</hi></stage>
              </sp>
              <sp>
                <speaker>LEON.</speaker>
                <l>Hither!—</l>
                <l>I have thee, poor unconscious!—child of sorrow,</l>
                <l>That hast no farther feeling of thy woe!</l>
                <l>Make way there.</l>
              </sp>
              <pb id="p167" n="167"/>
              <sp>
                <speaker>MARINER.</speaker>
                <l>The boat is ready, masters.</l>
              </sp>
              <stage>[<hi rend="italics">The vessel parts. The seamen enter the boat. Leon lifts Isabel into it.</hi></stage>
              <sp>
                <speaker>MEN.</speaker>
                <l>Delay not now for me—bear off, bear off,—</l>
                <l>I go in no new craft—my log's complete.</l>
                <l>This is my ninetieth voyage, and the last,</l>
                <l>Though not the longest or most fortunate.</l>
                <l>I cannot leave the ship—it is our creed—</l>
                <l>Till she leaves me. We've sail'd together long—</l>
                <l>And if I 'scaped the present, would not much</l>
                <l>Survive her reckoning. Bid me well at home,</l>
                <l>And say the manner of my death to all.</l>
                <l>Tell old Bertiaz, should you ever make</l>
                <l>The shore I never more shall touch again,</l>
                <l>(He owns the vessel), that the “Arragon”</l>
                <l>(Too fine a name for such a fate as this),</l>
                <l>Is Arragon no longer. You may say—</l>
                <l>'Twill do me good in my grave—I died in her.</l>
                <stage>[<hi rend="italics">They leave her—she goes to pieces in their sight.</hi></stage>
              </sp>
            </div4>
            <div4 type="scene">
              <head>SCENE II.—<stage><hi rend="italics">The Boat.</hi></stage></head>
              <sp>
                <speaker>MARINER.</speaker>
                <l>There, she goes down,—the master still in her;</l>
                <l>I see him on a spar, and—now he sinks.</l>
                <l>Pull there more freely, boys. The swell she makes</l>
                <l>May trouble us greatly. Fiercely, all at once,</l>
                <l>Mark you, Don Leon, how the waters leap,</l>
                <l>And the seas whiten. Here are ugly rocks.</l>
              </sp>
              <sp>
                <speaker>LEON.</speaker>
                <l>The billows rush on madly, as they were</l>
                <l>Some battling armies. These are cruel waves,</l>
                <l>That, fastening on our sides, still clamber high,</l>
                <pb id="p168" n="168"/>
                <l>More like the forms of demons, dark and dread,</l>
                <l>With fiend malignity and bent on wrath,</l>
                <l>Than billows of the ocean. We shall scarce—</l>
                <l>Unless good fortune and the blessed saints</l>
                <l>Look kindly on us—overcome the space,</l>
                <l>Growing as we o'erleap it, that, between,</l>
                <l>Now keeps us from yon islet, which I mark,</l>
                <l>Dim, in the distance, o'er the swell in front.</l>
                <l>Pray ye, strike full your oars and all at once,</l>
                <l>Cheerly and bold, becoming fearless men;—</l>
                <l>And, if we live, God's blessing on your service,</l>
                <l>But lack, ye shall not, your reward on earth.</l>
                <l>My arm grows weary with the weight upon 't</l>
                <l>Of this most precious burden; while a cloud</l>
                <l>Like a thick pitchy wall, right in our way</l>
                <l>Rests heavily on the waters, and denies</l>
                <l>That I should see beyond. Give way, like men,</l>
                <l>And enter the deep darkness unafraid.</l>
              </sp>
              <stage>[<hi rend="italics">The boat disappears.</hi></stage>
            </div4>
            <div4 type="scene">
              <head>SCENE III.—<stage><hi rend="italics">The ocean waste.</hi></stage></head>
              <sp>
                <speaker>ZEPHYR-SPIRIT.</speaker>
                <l>Now, terribly through the waters comes the form</l>
                <l>Of that fierce savage and malignant king,</l>
                <l>Onesimarch. Behind him gathering rush</l>
                <l>Clouds of his brutal followers, clad in wrath,</l>
                <l>Howling for prey. Beneath their vexing spells</l>
                <l>The deep boils like a whirlpool, and the waves,</l>
                <l>So lately still and placid, wrought to rage,</l>
                <l>Leap up about the poor ill-fated barque.</l>
                <l>Now grappling to her prow, they drag her down,</l>
                <pb id="p169" n="169"/>
                <l>The billows rushing in; and, wrapt in each,</l>
                <l>Some of the monster's followers, well conceal'd,</l>
                <l>With fierce and furious might, impel her down;—</l>
                <l>Now mount her bending sides, now strike with force</l>
                <l>Their own, against her weak and shrieking ribs—</l>
                <l>Tear up her planks, and rushing through the space,</l>
                <l>Rend her broad back, and o'er the flinty rocks</l>
                <l>Drag the too yielding keel until it parts.</l>
                <l>Onesimarch, himself, a hungry fiend,</l>
                <l>With darker powers endow'd, with sulphur arm'd,</l>
                <l>Hurls a perpetual lightning, which distracts</l>
                <l>And dazzles the weak eye. He shapes their course,</l>
                <l>And guides the tribute legions; working new joys</l>
                <l>From out the wrongs he doth, for his own sense,</l>
                <l>And for that potentest of all the fiends,</l>
                <l>By whom his power is wrought. And now, they chant</l>
                <l>A song of terror in the drowning ears</l>
                <l>Of the wild seamen, cutting off all hope</l>
                <l>That manhood may achieve against its fate.</l>
              </sp>
            </div4>
            <div4 type="scene">
              <head>SCENE IV.—<stage><hi rend="italics">The same.</hi></stage></head>
              <stage>
                <hi rend="italics">Storm. Flight of Sea-Demons, singing.</hi>
              </stage>
              <lg type="verse">
                <head>I.</head>
                <l>Fly! fly!</l>
                <l>Through the perilous sky,</l>
                <l>Spirits of terror and tumult on high!</l>
                <l>Even as we go,</l>
                <l>Working the woe,</l>
                <l>Of all that is hatefully happy below!</l>
                <l>Speed! our mission, fierce and fatal,</l>
                <l>Is to spoil superior things;</l>
                <pb id="p170" n="170"/>
                <l>For, at birth, our planets natal</l>
                <l>Crown'd with blight our demon wings!</l>
                <l>Oh! the joy to rob the treasures,</l>
                <l>Hopes of soul and beauty given,</l>
                <l>From the race whose purer pleasures,</l>
                <l>Are the special care of Heaven!</l>
                <l>Joy, that thus, still doom'd to sorrow,</l>
                <l>We may happier fortunes blight,</l>
                <l>And from woe extremest borrow,</l>
                <l>Still the power that yields delight.</l>
                <l>To the terror, fiercely wending,</l>
                <l>Speed we, till our work is done,</l>
                <l>Still destroying, raging, rending,</l>
                <l>Till the shadow chokes the sun!</l>
              </lg>
              <lg type="verse">
                <head>II.</head>
                <l>Speed! for the meed</l>
                <l>Of merciless deed,</l>
                <l>Summons us fiercely with clamors of greed;</l>
                <l>While the ship glides</l>
                <l>Through the treacherous tides,</l>
                <l>Break down her bulwarks and rush through her sides!</l>
                <l>These are mortals, wretched creatures!</l>
                <l>Yet from doom like ours set free;</l>
                <l>Wrought of clay, and yet with features,</l>
                <l>Such as make us rage to see!</l>
                <l>Such the haughty sovereign presence,</l>
                <l>That pursued with storm and flame!</l>
                <l>From our homes of power and pleasaunce,</l>
                <l>Drove us forth in grief and shame!</l>
                <l>Him we dare not face with battle,</l>
                <l>Now, as then, with fearless powers,</l>
                <l>But his race of God-mark'd cattle,</l>
                <l>Yields the proper spoil for ours.</l>
                <l>In his likeness made, they languish,</l>
                <l>For the wings he hath not given;</l>
                <l>And, in trampling on their anguish,</l>
                <l>Wage we still our war with Heaven!</l>
              </lg>
              <pb id="p171" n="171"/>
              <lg type="verse">
                <head>III.</head>
                <l>Why, oh! why,</l>
                <l>Breathing the sky</l>
                <l>Orisons still should they offer on high;</l>
                <l>Why should they pray,</l>
                <l>Creatures of clay,</l>
                <l>Whose faith is a fable, whose life is a day!</l>
                <l>Mock the mortals with your voices,</l>
                <l>Shouting death and hate and hell;</l>
                <l>Fill their ears with horrid noises,</l>
                <l>Ring for every soul the knell!</l>
                <l>Tell them, while the ocean smothers</l>
                <l>Life and hope, that, never more,</l>
                <l>Shall the loved ones, wives and mothers,</l>
                <l>See the forms so dear before!</l>
                <l>Show them Death in grimmest aspect,</l>
                <l>Cold, corruption, worms, and night;</l>
                <l>And depict the penal prospect</l>
                <l>Of the future world of blight,</l>
                <l>Endless, for the guilt-unshriven,</l>
                <l>Fetter'd fast by tyrant powers,</l>
                <l>With no hope to be forgiven,</l>
                <l>And a doom more dread than ours!</l>
              </lg>
              <lg type="verse">
                <head>IV.</head>
                <l>Lo! where in sight,</l>
                <l>Fierce as in fight,</l>
                <l>Rising from ocean, our monarch of might;</l>
                <l>With the storm for his steed,</l>
                <l>He is here at our need,</l>
                <l>The dreadful in strife, and the matchless in speed.</l>
                <l>Full our legions,—dread battalions,</l>
                <l>Sweep we now the ocean plain;</l>
                <l>Cower the golden Spanish galleons,</l>
                <l>Cower and sink beneath the main!</l>
                <l>Vain the skill and power to stay us,</l>
                <l>Vain the prayers that hope to spell;</l>
                <pb id="p172" n="172"/>
                <l>Hate, alone, may soothe or sway us,</l>
                <l>And the power that conquers hell!</l>
                <l>These we dread not in our mission,</l>
                <l>When the victim wrought of clay,</l>
                <l>Guilty grown, in his condition,</l>
                <l>Yields himself beneath our sway.</l>
                <l>Then he forfeits angel keeping,</l>
                <l>Which had baffled else our hate;</l>
                <l>And the doom of woe and weeping,</l>
                <l>Makes him subject to our fate!</l>
              </lg>
              <lg type="chorus">
                <head>CHORUS.</head>
                <l>From the regions south, and the regions north,</l>
                <l>Mount we, and speed we, and hurry we forth;</l>
                <l>From where the sun fails, in the putrid gales,</l>
                <l>Launch we afloat on our shadowy sails:</l>
                <l>Darkening the sky, oh! how we fly,</l>
                <l>Spirits of tumult and terror on high:</l>
                <l>The whirlwind we fling abroad on its wing,</l>
                <l>And the hurricane speeds to its work, as we sing!</l>
                <l>Lo! the skies how they stoop, and the stars how they droop,</l>
                <l>While the trailing storms follow our flight in a troop;</l>
                <l>As downward we sweep, the black billows leap,</l>
                <l>To welcome our flight, with a roar from the deep!</l>
                <l>We are here, we are there; in the ocean, the air,</l>
                <l>With a breath that is death, and a song that's despair!</l>
                <l>Ho! for the master! The sulphur balls go!</l>
                <l>How sweet is the shriek of the perishing foe!</l>
                <l>Ho! for the master! The red arrows fly,</l>
                <l>And burst in the blackness of billow and sky!</l>
                <l><hi rend="italics">Papé Sathanas!</hi> We work for thee well!</l>
                <l><hi rend="italics">Aleppé!</hi><ref id="ref1" rend="sc" target="n1" targOrder="U">*</ref> There's clucking for triumph in Hell!</l>
                <l>Hear'st thou the groans of the victims?—They pray—</l>
                <l>Ho! ho! but how vainly!—too late i' the day!</l>
                <pb id="p173" n="173"/>
                <l>We stifle the prayer, in the breath—and we tear,</l>
                <l>The last hope away from the breast of despair!</l>
                <l>Ho! for new flights and new victims,—Ho! Ho!</l>
                <l>With the tempest for wings, and the lightning we go.</l>
                <l><hi rend="italics">Papé Sathanas!</hi> we work for thee well!</l>
                <l><hi rend="italics">Aleppé!</hi> There's clucking for triumph in Hell!</l>
              </lg>
              <note id="n1" rend="sc" place="foot" anchored="yes" target="ref1">
                <p>* See Dante, Inferno, Canto vii:—<q direct="unspecified"><lg type="verse"><l>“<foreign lang="ita">Pape Satan, pape Satan aleppe,</foreign></l><l><foreign lang="ita">Cominciò Pluto colla voce chioccia.</foreign>”</l></lg></q></p>
              </note>
            </div4>
            <div4 type="scene">
              <head>SCENE V.—<stage><hi rend="italics">The Boat.</hi></stage></head>
              <sp>
                <speaker>MARINER.</speaker>
                <l>Master, we strive in vain.</l>
              </sp>
              <sp>
                <speaker>LEON.</speaker>
                <l>We can but die.</l>
              </sp>
              <sp>
                <speaker>MAR.</speaker>
                <l>Why toil for it?</l>
              </sp>
              <sp>
                <speaker>LEON.</speaker>
                <l>As one who strikes his foe,</l>
                <l>Though conscious that he battles without hope,</l>
                <l>And dies in the brave conflict.—Ha! she stirs.</l>
              </sp>
              <sp>
                <speaker>ISABEL,</speaker>
                <stage>[<hi rend="italics">recovering.</hi>]</stage>
                <l>Horrible sounds are rushing through <gap reason="broken type" extent="two characters"/> ears,</l>
                <l>More like the cries of demons, mad for blood,</l>
                <l>Than the hoarse billows and the roaring winds.</l>
                <l>They dart into my brain, and seem to shout,</l>
                <l>Triumphant, oh, my brother, o'er our fate;—</l>
                <l>Speak of the sorrow in our father's halls,</l>
                <l>That, with an anguish, far too great for speech,</l>
                <l>Grows dumb and scorns expression. Could we live—</l>
                <l>But live to see him once!—oh, bear me up;—</l>
                <l>Desert me not, dear Leon, but entwine,</l>
                <l>Closely, thy arm around; nor let these waves,</l>
                <l>That seem impatient of their midnight feast,</l>
                <l>Suck me into their black and ravenous jaws.</l>
              </sp>
              <sp>
                <speaker>LEON.</speaker>
                <l>Doubt me not, Isabel, in this dark hour!</l>
                <l>Think'st thou I could desert thee, precious sweetness,</l>
                <l>To whose frail nature and too delicate youth</l>
                <l>Sweet elements should minister with love,</l>
                <pb id="p174" n="174"/>
                <l>Not hunt with hate. I have thee in my arms;</l>
                <l>Will hold thee, while they have their hold in life,</l>
                <l>And I have thought and sense to will the struggle</l>
                <l>That wards the final danger from thy breast.</l>
                <l>But, cling to me, my sister.</l>
              </sp>
              <sp>
                <speaker>ISABEL.</speaker>
                <l>Will I not?</l>
                <l>Why should we think of death?</l>
              </sp>
              <sp>
                <speaker>MAR.</speaker>
                <l>It comes! It comes!</l>
              </sp>
              <stage>[<hi rend="italics">The boat strikes and goes to pieces.</hi></stage>
              <sp>
                <speaker>LEON.</speaker>
                <l>Isabel,—sister!</l>
              </sp>
              <sp>
                <speaker>ISABEL,</speaker>
                <stage>[<hi rend="italics">faintly afar off.</hi>]</stage>
                <l>Here, Leon, here!</l>
              </sp>
              <sp>
                <speaker>LEON.</speaker>
                <l>Oh, Jesu! lost!</l>
              </sp>
              <stage>[<hi rend="italics">Scene closes.</hi></stage>
            </div4>
            <div4 type="scene">
              <head>SCENE VI.—<stage><hi rend="italics">The Ocean waste.</hi></stage></head>
              <sp>
                <speaker>ZEPHYR-SPIRIT.</speaker>
                <l>'Tis done! The strife is over. Hope is none!</l>
                <l>These cruel demons triumph, with a rage</l>
                <l>That mocks at mortal strength. Prone to the deep,</l>
                <l>I watch'd that hungry slave, Calemmia, seize,</l>
                <l>Conceal'd in a dense billow, on the prow;</l>
                <l>And, all despite the seaman's sturdy stroke,</l>
                <l>The helmsman's firm direction, and the cheer</l>
                <l>Of that strong human impulse, which did grow,</l>
                <l>Upon the sight of land, into a hope,</l>
                <l>Drag her among the sharp rocks, while the surfs</l>
                <l>Beat her to pieces. She is scatter'd far—</l>
                <l>A spar floats on the wave—a single oar,</l>
                <l>Cast high among the sands, alone has reach'd</l>
                <l>The mocking shores that wreck'd them. Yet, not so!—</l>
                <l>I mark a floating form that struggles still,</l>
                <l>With a most human love of life, afar.</l>
                <l>Him may I succor, and, with safety now;—</l>
                <pb id="p175" n="175"/>
                <l>The legions of Onesimarch, being done</l>
                <l>Their toil of terror, have, for newer spoils,</l>
                <l>Wrapt in a gathering cloud, departed hence,</l>
                <l>Leaving all calm again. Curl'd in this wave,</l>
                <l>I will beneath him glide, and bear him up;</l>
                <l>Till, on the shore, beyond the ocean's swell,</l>
                <l>He rests in safety. I can do no more—</l>
                <l>Since, in gross contact with the heavy earth,</l>
                <l>I lose the subtle power that makes my gift,</l>
                <l>And forfeit, of the light ethereal nature,</l>
                <l>The buoyant spirit that supplies its wing.</l>
              </sp>
            </div4>
          </div3>
          <div3 type="act">
            <pb id="p176" n="176"/>
            <head>ACT III.—SCENE I.</head>
            <stage>
              <hi rend="italics">The islet of Onesimarchus.</hi>
            </stage>
            <stage>
              <hi rend="italics">Atalantis, Nea.</hi>
            </stage>
            <div4 type="act III, scene I">
              <sp>
                <speaker>ATAL.</speaker>
                <l>This islet hath no quality of joy,</l>
                <l>Fair to the sight, or fragrant to the sense,—</l>
                <l>No beauty that upon its surface glows,</l>
                <l>No treasure that within its bosom sleeps;—</l>
                <l>It is the foul'st deception—all is gross,</l>
                <l>And tainted with that sinborn leprousness</l>
                <l>That marks the soul who will'd it into birth,</l>
                <l>And raised its treacherous rocks along the deep.</l>
                <l>No innocent beast hath dwelling in this clime,</l>
                <l>No valley blooms with verdure. Not a flower</l>
                <l>Gems the bleak sands, that, barrenly spread out,</l>
                <l>Pain the unsatisfied and wandering eye,</l>
                <l>That, seeing naught else, grows weary. Not a bird,</l>
                <l>But, as he flies above, subdues his voice,</l>
                <l>And, panting in his silence, quickens his wing,</l>
                <l>Having a nameless terror. The foul taint</l>
                <l>That poisons all things in this tyrant's sway,</l>
                <l>Takes from them all their virtue. Not a shrub</l>
                <l>Breathes fragrance to the breeze, whose whisper'd plaint</l>
                <l>Would woo it still to fondness. Not an air</l>
                <l>Enters these bounds, but flags and settles down</l>
                <l>Clumsy and wingless; and the very stars</l>
                <l>Do seem to leave their places in the heavens,</l>
                <l>Looking down on it. Even we, who are</l>
                <l>Of a tenacious temper, yielding naught,—</l>
                <pb id="p177" n="177"/>
                <l>If that our hearts be pure and souls be firm</l>
                <l>To the capricious influence,—we lose</l>
                <l>Something of that refined and subtler sense,</l>
                <l>Which gives us power to meet and match the sway</l>
                <l>Of his low cunning and detested art.</l>
                <l>How heavy is this silence! What a spell</l>
                <l>Comes with the sullen muttering of the winds,</l>
                <l>Now sweeping from the waters; and, how sad</l>
                <l>Are the faint murmurs of you moaning sea,</l>
                <l>In the far distance chiding, as in grief,</l>
                <l>For some new stroke of sorrow! All things yield—</l>
                <l>So it would seem—a something to the spell,</l>
                <l>That makes his power, and keeps us captive here;</l>
                <l>Wrapping us in a circle, not to move,</l>
                <l>Or strive, lest it undoes us. The shrill scream</l>
                <l>Of one poor gull, that, o'er the whiten'd foam,</l>
                <l>Hung with gray wing suspended, breaks no more</l>
                <l>Fitfully on the ear;—and all of life</l>
                <l>Seems resolute to pay its offering now</l>
                <l>To that dread silence, which, in human sense,</l>
                <l>Makes up the all of death!</l>
              </sp>
              <sp>
                <speaker>NEA.</speaker>
                <l>Even as thou say'st!—</l>
                <l>'Tis a sad spot, fair mistress; sad for us,</l>
                <l>That have been wont, in finer element,</l>
                <l>To drink the nurture of a better lot.</l>
                <l>Ah! how unlike the sweet life of the light,</l>
                <l>Blessing the fair dominion thou hast lost;—</l>
                <l>Lost for a season only,—yet too long,</l>
                <l>Since such a dwelling as we find perforce,</l>
                <l>Subdues the heart to sorrows not its own,</l>
                <l>Which still must bide in memory. I feel</l>
                <l>How dreary is the labor of restraint,</l>
                <l>This watching, waiting,—when my wonted use,</l>
                <l>Would have me winging an unlicensed flight,</l>
                <pb id="p178" n="178"/>
                <l>Now in the embracing air, now through the deeps,</l>
                <l>Disparting their white billows night and morn,</l>
                <l>With no more pause than to adjust my plumes,</l>
                <l>Ruffled by zephrys; then, with fresh device,</l>
                <l>Soaring in wilder progress,—sea and sky,</l>
                <l>Our ample field, and the delighted tribes,</l>
                <l>Their habitants, come forth to share the chase.</l>
              </sp>
              <sp>
                <speaker>ATAL.</speaker>
                <l>And lack'st thou now all wonted qualities—</l>
                <l>Thy dance, thy song, whose melodies can make</l>
                <l>The mad seas sleep when wildest, while the winds</l>
                <l>Fold up their cloudy vans to hear thy lay?</l>
                <l>Hast thou no strain to fit these drowsy hours</l>
                <l>With wings of light and fragrance, while the thought</l>
                <l>Grows wanton and forgetful of the grief</l>
                <l>That burden'd it with gloom? Methinks, my girl,</l>
                <l>'Twere in thy happy spells of verse to find</l>
                <l>Some carol of our own domain, to take</l>
                <l>The impatient soul, and in delicious dews</l>
                <l>Steep the fine sense to sweet forgetfulness.</l>
                <l>Sing me some ditty from our Mergevan,</l>
                <l>While every flower, in gardens of the past,</l>
                <l>Our hands have ever gather'd, the young page,</l>
                <l>Whose name is Memory, faithful to his task,</l>
                <l>Shall bring anew to joy us in our need.</l>
                <l>Give me the song the Flower-Spirit once framed,</l>
                <l>When through our gardens, far beneath the sea,</l>
                <l>Wall'd in by wildest waters, we pursued,</l>
                <l>For the first time, the summer festival.</l>
              </sp>
              <q direct="unspecified">
                <text>
                  <body>
                    <div1 type="song">
                      <head>SONG OF THE FLOWER-SPIRIT.</head>
                      <lg type="verse">
                        <head>I.</head>
                        <l>I am the spirit that sleeps in the flower,</l>
                        <l>Mine is the music of fragrance that flies,</l>
                        <pb id="p179" n="179"/>
                        <l>When silence and moonlight are dressing each bower</l>
                        <l>That blooms in the favor of tropical skies:</l>
                        <l>I win the bird with new melody glowing,</l>
                        <l>To rise with the zephyr, and warble his strain;</l>
                        <l>And mine is the odor, in turn, that bestowing,</l>
                        <l>The minstrel is paid for his music again.</l>
                      </lg>
                      <lg type="verse">
                        <head>II.</head>
                        <l>Sorrow comes never where I am abiding,</l>
                        <l>The tempests are strangers, and far from us rove;</l>
                        <l>I woo the zephyrs too hurriedly riding,</l>
                        <l>And gently they linger and fill us with love.</l>
                        <l>They pause, and we glow in their winning embraces;</l>
                        <l>They drink our warm breath, rich with odor and song;</l>
                        <l>Then hurry away to their desolate places,</l>
                        <l>And look for us hourly, and mourn for us long.</l>
                      </lg>
                      <lg type="verse">
                        <head>III.</head>
                        <l>We were born of the dews, and our destiny found us,</l>
                        <l>Embraced by a sunbeam, all budding and bright;</l>
                        <l>On its wing, came from heaven the glory that crown'd us,</l>
                        <l>And the odor that makes us a living delight.</l>
                        <l>And when the warm blessings of summer stream on us,</l>
                        <l>Our winglets of silk we unfold to the air;</l>
                        <l>Leaping upward in joy to the spirit that won us,</l>
                        <l>And made us the tenants of regions so fair.</l>
                      </lg>
                    </div1>
                  </body>
                </text>
              </q>
              <sp>
                <speaker>ATAL.</speaker>
                <l>The ocean hath no calm like what is here—</l>
                <l>And, if the waters might unfold to us,</l>
                <l>There hath been fearful strife upon their waves.</l>
                <l>Here come its tokens. These are broken spars</l>
                <l>From some tall ship, that lately sped along,</l>
                <l>As oft-times I have seen them, with a grace</l>
                <l>And majesty becoming in a queen</l>
                <l>Ruling a thousand seas. It is a game</l>
                <l>Onesimarch delights in, to destroy</l>
                <pb id="p180" n="180"/>
                <l>The goodly creatures that do dwell in them—</l>
                <l>Shaped like ourselves, though little taught to cope</l>
                <l>In knowledge with ourselves. Inferior things</l>
                <l>Of lower grade, who, when we have become</l>
                <l>The tenants and possessors of a realm</l>
                <l>Now far beyond our state, shall rise to ours,</l>
                <l>As we enjoy it now. But what is here,</l>
                <l>Grasping a shaft, and lifelessly spread out?</l>
                <stage>[<hi rend="italics">Seeing the body of Leon<gap reason="illegible" extent="1 character"/></hi></stage>
              </sp>
              <sp>
                <speaker>NEA.</speaker>
                <l>One of the creatures of that goodly barque,—</l>
                <l>Perchance, the only one of many men,</l>
                <l>That, from their distant homes, went forth in her,</l>
                <l>And here have perish'd.</l>
              </sp>
              <sp>
                <speaker>ATAL.</speaker>
                <l>There is life in him;—</l>
                <l>His bosom swells, methinks, beneath my hand,—</l>
                <l>With fitful pulse—most faint—now here—now gone!</l>
                <l>Alas! I fear it may not come again.</l>
                <l>How very young he is—how beautiful!—</l>
                <l>Made with a matchless sense of what is true</l>
                <l>In manly grace and mortal elegance;</l>
                <l>And features, rounded in as soft a mould</l>
                <l>As our own, Nea.</l>
              </sp>
              <sp>
                <speaker>NEA.</speaker>
                <l>His eye unfolds.</l>
              </sp>
              <sp>
                <speaker>ATAL.</speaker>
                <l>Ah!</l>
                <l>Stand aside, girl, and let me look on him.</l>
                <l>I see not that he wakes.</l>
              </sp>
              <sp>
                <speaker>NEA.</speaker>
                <l>But now he did.</l>
              </sp>
              <sp>
                <speaker>ATAL.</speaker>
                <l>Alas! he sleeps in death! How pitiful</l>
                <l>That one so young, and princely in his port,</l>
                <l>Should fall so soon a victim. He hath been,</l>
                <l>I doubt not, a great noble with his people.</l>
                <l>How should it be that such a form as this,</l>
                <l>So lovely and commanding in its aspect,</l>
                <l>Should rank below the people of our race?</l>
                <pb id="p181" n="181"/>
                <l>Methinks he is a creature, that, in life,</l>
                <l>Might stand compared with any of our chiefs.</l>
              </sp>
              <sp>
                <speaker>NEA.</speaker>
                <l>At least, in outward seeming.</l>
              </sp>
              <sp>
                <speaker>ATAL.</speaker>
                <l>And this speaks,—</l>
                <l>Where still the brow is lofty, and the form</l>
                <l>Familiar, in erect and graceful carriage,—</l>
                <l>For that which guides within.</l>
              </sp>
              <sp>
                <speaker>NEA.</speaker>
                <l>He looks well;—</l>
                <l>Yet may he be a thing of seeming only,</l>
                <l>Wanting in all that higher sense of soul,</l>
                <l>Which makes the virtue of true excellence.</l>
              </sp>
              <sp>
                <speaker>ATAL.</speaker>
                <l>Oh! I am sure there is no want in him;</l>
                <l>The spirit must be true, the sense supreme,</l>
                <l>The soul as far ascending, strong and bright,</l>
                <l>As is the form they do inhabit in.</l>
                <l>Breathe on him, Nea; fan him with thy wing</l>
                <l>And rouse him, if thou canst. Oh! could I bring</l>
                <l>The life into his cheek. Stay, yet awhile;—</l>
                <l>Now, while his senses sleep, I'll place my lip</l>
                <l>Upon his own—it is so beautiful!</l>
                <l>Such lips should give forth music—such a sweet</l>
                <l>Should have been got in heaven,—the produce there,</l>
                <l>Of never-blighted gardens.</l>
                <stage>[<hi rend="italics">Kisses him<gap reason="illegible" extent="one character"/></hi></stage>
              </sp>
              <sp>
                <speaker>LEON,</speaker>
                <stage>[<hi rend="italics">starts.</hi>]</stage>
                <l>Cling to me—</l>
                <l>Am I not with thee now, my Isabel!</l>
                <stage>[<hi rend="italics">Swoons again.</hi></stage>
              </sp>
              <sp>
                <speaker>ATAL.</speaker>
                <l>Oh, gentle sounds—how sweetly did they fall,</l>
                <l>In broken murmurs, like a melody,</l>
                <l>From lips, that waiting long on loving hearts,</l>
                <l>Had learn'd to murmur like them. Wake again,</l>
                <l>Sweet stranger! If my lips have wrought this spell,</l>
                <l>And won thee back to life, though but to sigh,</l>
                <l>And sleep again in death,—they shall, once more,</l>
                <l>Wake and restore thee.</l>
              </sp>
              <sp>
                <speaker>NEA.</speaker>
                <l>You arouse him not.</l>
              </sp>
              <pb id="p182" n="182"/>
              <sp>
                <speaker>ATAL.</speaker>
                <l>Alas! should life's string, overstrain'd, be crack'd,</l>
                <l>No more to be reknit, I forfeit peace</l>
                <l>Forever,—never more to hope for joy</l>
                <l>In any life that follows.</l>
              </sp>
              <sp>
                <speaker>NEA.</speaker>
                <l>Oh! my mistress,</l>
                <l>This passion of grief—</l>
              </sp>
              <sp>
                <speaker>ATAL.</speaker>
                <l>Nea, now at last,</l>
                <l>I feel that I do love! The sudden fire</l>
                <l>Kindles at last, where never yet before</l>
                <l>Its spark found nurture. If it be in vain!—</l>
                <l>I, that had scorn'd the suppliant before,</l>
                <l>I too, must be the suppliant for a love</l>
                <l>That's born without a hope. The lesson comes</l>
                <l>Too late, and I have but to weep o'er dreams</l>
                <l>That have no waking promise for the heart,</l>
                <l>And leave it but to tears. Alas! Alas!</l>
                <stage>[<hi rend="italics">Throws herself upon Leon.</hi></stage>
              </sp>
              <sp>
                <speaker>NEA.</speaker>
                <l>Oh! yield not thus, my mistress, to a passion</l>
                <l>That never can be blest. The best of love</l>
                <l>Still teaches sorrow as his natural gift,</l>
                <l>More sure than precious.</l>
              </sp>
              <sp>
                <speaker>ATAL.</speaker>
                <l>Know you aught of Love?</l>
              </sp>
              <sp>
                <speaker>NEA.</speaker>
                <l>As of a power that's best esteemed in fancy,</l>
                <l>In which he more abides than in the heart.</l>
                <l>Love's but an artful tyrant. He first wins</l>
                <l>By the most servile flatteries. He can stoop</l>
                <l>The better to ascend; and pliant grows,</l>
                <l>When most the secret purpose in his soul,</l>
                <l>Makes him unyielding. Pleasant is his prayer;—</l>
                <l>He will discourse you in the dove's own note,</l>
                <l>Cooing and plaining, with such murmur'd sweets,</l>
                <l>That pity learns to take the place of doubt,</l>
                <l>And paves the way for trust. But, wait awhile,</l>
                <l>And soon his habit changes. He grows apt,—</l>
                <pb id="p183" n="183"/>
                <l>Learns the new lesson his condition makes,</l>
                <l>As readily as the old; and, sure of power,</l>
                <l>Firm, with free footing walks, where late he crept.</l>
                <l>Then, see you heed the master;—who will now</l>
                <l>Claim, for his right, that which he lately sued,</l>
                <l>As the poor meed of charity; and thus</l>
                <l>Step by step upward, with insidious art,</l>
                <l>And cunning most unequall'd, doth he rise,</l>
                <l>Until you find your neck beneath his foot,</l>
                <l>And you become his slave, who once was yours.</l>
              </sp>
              <sp>
                <speaker>ATAL.</speaker>
                <l>Oh! terrible,—where heard you this of Love?</l>
              </sp>
              <sp>
                <speaker>NEA.</speaker>
                <l>From many teachers.</l>
              </sp>
              <sp>
                <speaker>ATAL.</speaker>
                <l>Did they know him well?</l>
                <l>They slander him, methinks.</l>
              </sp>
              <sp>
                <speaker>NEA.</speaker>
                <l>They suffer'd first!</l>
                <l>Our minstrels note him thus!—Our maidens, taught</l>
                <l>By many a hapless lesson, thus describe</l>
                <l>His art and empire. They do further tell,</l>
                <l>Beyond his tyrant habits, that his sweets</l>
                <l>Are few and failing. Painful, do they say,</l>
                <l>Are even the creature's pleasures, since they wake</l>
                <l>Such doubts and dread misgiving for their loss,</l>
                <l>As even their joys can't equal. The sick soul,</l>
                <l>That grieves with Love's delusions, evermore dreams</l>
                <l>Dreading its losses. It forever makes</l>
                <l>A sombre cloud to gather in the sky,</l>
                <l>And glooms the spirit. Looking far beyond</l>
                <l>The glory in its gaze, it sadly sees</l>
                <l>Countless privations, and far-coming storms,</l>
                <l>Shrinking from what it conjures. Let them say</l>
                <l>Green youth and greener maidens, as they may,</l>
                <l>Of Love and of his raptures:—for my part,</l>
                <l>I hold him a disease—a very ache,</l>
                <l>And ague-fever, sore and troublesome;</l>
                <pb id="p184" n="184"/>
                <l>Apt caller forth of tears, and wails, and plaints,</l>
                <l>And then of colds, and heats, and fantasies—</l>
                <l>Realities most mournful, and, forsooth,</l>
                <l>Imaginings, whose strange complexions be</l>
                <l>Not a whit kinder. Love's a sorry slave,</l>
                <l>And a sad master. As a slave, he steals</l>
                <l>The jewel of our nature, and its lights,—</l>
                <l>The heart and its affections;—which, having got,</l>
                <l>He straight assumes the master:—they, in turn,</l>
                <l>Being his willing instruments and doom'd,</l>
                <l>When that the tyrant of his play grows sick;</l>
                <l>To be the creature's victims at the last.</l>
              </sp>
              <sp>
                <speaker>ATAL.</speaker>
                <l>I cannot think this truly said of Love!—</l>
                <l>The minstrels do belie him, much, methinks,</l>
                <l>For envy of his conquests; and, the maids—</l>
                <l>They only do complain, whom he doth slight.</l>
                <l>They never knew his nature. They, perchance—</l>
                <l>Since what is winning still hath counterfeits—</l>
                <l>Have seen some subtle semblance of his form,</l>
                <l>His true spirit all being wanting; and were made,</l>
                <l>Haply, the victims of some wanton art,</l>
                <l>That hath betray'd them. It were wisdom poor,</l>
                <l>And a most sad philosophy, to scorn</l>
                <l>The blessing, as in nature's exigence,</l>
                <l>It might grow forfeit. Better, with this rule,</l>
                <l>Not live, since in the end we all must die.</l>
                <l>Though there be doubts that love may yet be lost,</l>
                <l>Still let me love;—the very doubt but shows</l>
                <l>The worth of the possession. Not for me</l>
                <l>The sway of kingdoms only. In my heart</l>
                <l>There still hath been a void—a vacant place,</l>
                <l>That ever seem'd to crave some image there,</l>
                <l>Set up for worship. Till this happy hour,</l>
                <l>The shrine hath been unoccupied and cold;</l>
                <pb id="p185" n="185"/>
                <l>Now doth the warmth of a divinity</l>
                <l>Suffuse the reluctant nature, and I glow</l>
                <l>In the superior consciousness of hopes</l>
                <l>That fill me with devotion. Here is one</l>
                <l>Might teach me wherefore this.</l>
              </sp>
              <sp>
                <speaker>NEA.</speaker>
                <l>He breathes again;</l>
                <l>There's life within him yet.—His lips, they part</l>
                <l>In murmurs:—he will live. Shall we now leave him?</l>
              </sp>
              <sp>
                <speaker>ATAL.</speaker>
                <l>Leave him, dost thou ask? alas! my Nea,</l>
                <l>I cannot if I would. His image takes</l>
                <l>Possession of the waste place in my soul,</l>
                <l>And fills me with himself. Whether I go,</l>
                <l>Or stay,—the fates forbid that we should part;—</l>
                <l>And known, perchance, and loved too late, he still</l>
                <l>Hath grown to such a presence in my thought,</l>
                <l>That, though I lose him in the hour that finds,</l>
                <l>I lose him not from love. Now, let us call</l>
                <l>The life into his cheek. Some water bring,</l>
                <l>Scoop'd out from yonder fountain near the sea.</l>
                <l>There, fan him with thy pinions. See, his lips,—</l>
                <l>Again they part, how sweetly!—and again,</l>
                <l>I stoop to press them with my own that burn</l>
                <l>With a strange fervor never felt before.</l>
                <l>He wakes!—Ah me, he wakes! His eyes unclose</l>
                <l>With a dim beauty. As they open, mine</l>
                <l>Sink to the sands. I feel his glances now,</l>
                <l>Stealing and searching through my throbbing heart,</l>
                <l>Until it hath no secret. Doth he speak?</l>
                <l>What says he, my sweet Nea?</l>
              </sp>
              <sp>
                <speaker>LEON,</speaker>
                <stage>[<hi rend="italics">struggling to his feet.</hi>]</stage>
                <l>Nay,—no more!—</l>
                <l>Ah! sister, is it thou? That terrible thought</l>
                <l>That thou wert swallow'd in the ravenous sea,</l>
                <l>And the waves over thee! I saw thee sink—</l>
                <l>Beheld thy outstretch'd arms—heard thy wild cry</l>
                <pb id="p186" n="186"/>
                <l>For succor, that I strove in vain to give,—</l>
                <l>And, struggling in the surf, 'gainst cruel hands,</l>
                <l>That kept me from thee in the fearful hour,</l>
                <l>I yielded thee as lost.—I have thee now—</l>
                <l>We shall not part again.</l>
                <stage>[<hi rend="italics">Embracing Atalant<gap reason="illegible" extent="two characters"/></hi></stage>
              </sp>
              <sp>
                <stage>ATAL.</stage>
                <l>Ah!—</l>
              </sp>
              <sp>
                <speaker>LEON,</speaker>
                <stage>[<hi rend="italics">discovering her.</hi>]</stage>
                <l>Who art thou?</l>
                <l>Where is my sister—give her to my arms;</l>
                <l>Why dost thou keep her from me when I call?</l>
              </sp>
              <sp>
                <speaker>ATAL.</speaker>
                <l>Oh! look not thus upon me, gentle youth:</l>
                <l>I have not done thee wrong.</l>
              </sp>
              <sp>
                <speaker>LEON.</speaker>
                <l>My sister?</l>
              </sp>
              <sp>
                <speaker>ATAL.</speaker>
                <l>She—</l>
                <l>I know not.—</l>
              </sp>
              <sp>
                <speaker>LEON.</speaker>
                <l>Alas! alas! for me!—I am alone.</l>
              </sp>
              <sp>
                <speaker>ATAL.</speaker>
                <l>Oh! not alone, for though we know not her,</l>
                <l>The sister thou hast lost, we'll seek for her,</l>
                <l>And strive to bring her to thy love again.</l>
                <l>We too will love thee, if thou'lt suffer us,</l>
                <l>And claim thy love in turn.</l>
              </sp>
              <sp>
                <speaker>LEON.</speaker>
                <l>Where am I then?</l>
                <l>Oh! tell me, noble lady, tell me true,</l>
                <l>What is the shore we stand on—where the ship</l>
                <l>That bore us—the old master, and the men,—</l>
                <l>And over all of these, the precious maid,</l>
                <l>My sister, whom I swore to save from harm,</l>
                <l>While strength was in my arms to strive for her.</l>
                <l>Alas! that I am here, with life and strength,</l>
                <l>And she—thou look'st as thou hadst love and truth,—</l>
                <l>Spare me these pangs—withhold her not from me,—</l>
                <l>I shall not sink into an agony,</l>
                <l>Joy-troubled at her sight. I'm strong to bear</l>
                <l>This happiness, if thou hast it to bestow,</l>
                <l>And take my blessing for it. Give her me!</l>
              </sp>
              <pb id="p187" n="187"/>
              <sp>
                <speaker>ATAL.</speaker>
                <l>Alas! thou plead'st to me, dear youth, in vain;</l>
                <l>I know not of the gentle maid you seek.</l>
                <l>Thou only, of the creatures of the ship,</l>
                <l>Hast found the refuge of the shore.</l>
              </sp>
              <sp>
                <speaker>LEON.</speaker>
                <l>She's gone,—</l>
                <l>And I survive her! How can I survive?</l>
                <l>With what a terror she entreated me,</l>
                <l>Never to leave her; and I pledged my soul,</l>
                <l>If I had power to save, she should not sink,</l>
                <l>Or I should share her fate. My Isabel!</l>
                <l>I could not save, and cannot now survive;—</l>
                <l>I come to thee,—I come!</l>
                <stage>[<hi rend="italics">Rushes towards the sea.</hi></stage>
              </sp>
              <sp>
                <speaker>ATAL.</speaker>
                <l>Forbear! Forbear!</l>
                <l>Oh! be not thus the murderer of thyself,</l>
                <l>When heaven's own voice hath order'd thee to live.</l>
                <l>For my sake as for thine! I kneel to thee.</l>
                <l>Do not this wrong unto thyself, I pray,</l>
                <l>Nor to the memory of the maid thou griev'st,</l>
                <l>Who, if she loved thee, never could be blest,</l>
                <l>At this, thy woeful sacrifice. Oh! hear!</l>
                <l>Let me implore. Thy sister yet may live,</l>
                <l>Cast on some other isle, as thou on this.</l>
                <l>We'll seek her hence together, with a hope</l>
                <l>That we may find her on the yellow sands,</l>
                <l>And win her back to life.</l>
              </sp>
              <sp>
                <speaker>LEON.</speaker>
                <l>Oh! sweet thy words!</l>
                <l>I will believe thee, lady, with a hope</l>
                <l>That comes on golden pinions; for thine eye</l>
                <l>Tells of a true sense prompting thee to speak,</l>
                <l>In mercy, with a blessing won from truth;</l>
                <l>While in thy voice a delicate music lies,</l>
                <l>Spelling all sympathies that fill the heart.</l>
                <l>Say, who art thou?</l>
              </sp>
              <sp>
                <speaker>ATAL.</speaker>
                <l>My name is Atalantis.</l>
                <pb id="p188" n="188"/>
                <l>I am a Princess of the ocean waste,</l>
                <l>But now a prisoner on this cruel isle,</l>
                <l>Which, raised by magic from the hidden deep,</l>
                <l>Wreck'd thee and fetters me. I have the sway</l>
                <l>Of a large ocean empire which, in sight,</l>
                <l>Extends beyond the sight, and far beneath</l>
                <l>In winding ways and valleys of the sea.</l>
                <l>I keep no state, but, as a captive, pine</l>
                <l>In sight of my own kingdom, in the power</l>
                <l>Of a dread monarch of the demon race,</l>
                <l>A mighty potentate who keeps me here,</l>
                <l>Seeking my love.</l>
              </sp>
              <sp>
                <speaker>LEON.</speaker>
                <l>How fell you in his power?</l>
              </sp>
              <sp>
                <speaker>ATAL.</speaker>
                <l>'Twere a long speech to tell you of our realms,</l>
                <l>The sway that's mine and his respectively,</l>
                <l>And the slight space betwixt us; or to dwell</l>
                <l>On the opposing powers we each possess:</l>
                <l>It is enough, sweet youth, that yestermorn,</l>
                <l>I and this maiden, o'er the quiet sea,</l>
                <l>Idly disporting in our innocence,</l>
                <l>Pass'd from our own dominions into his;</l>
                <l>When, straightway he,—being ever on the watch,</l>
                <l>And all unmatch'd for cunning—raised this isle,</l>
                <l>At once, beneath us. In this sudden strait,</l>
                <l>Frighted, I cast aside my magic wand,</l>
                <l>Without which, I am nothing; and, with joy,</l>
                <l>Knowing its powers, this monster seized it then,</l>
                <l>And keeps me now his captive, close fenced in</l>
                <l>By thickest spells, which, circling all this isle,</l>
                <l>And having with our fine sense deadly hate,</l>
                <l>We may not pass, unless he wills it so,</l>
                <l>Or I regain my wand. Could that be done,</l>
                <l>Its power is such that I could sink this isle,</l>
                <pb id="p189" n="189"/>
                <l>And, with one stroke in air, undo the spells</l>
                <l>Of his foul-brew'd enchantment.</l>
              </sp>
              <sp>
                <speaker>LEON.</speaker>
                <l>It is strange!</l>
                <l>Methinks I wander in the Arabian tale,</l>
                <l>And wear the enchanted ring.—This demon king—</l>
                <l>Where is his castle where he harbors now?</l>
                <l>I would behold him, and do battle for you.</l>
                <l>I am a knight of Spain, well known in arms,</l>
                <l>And wear the honors of the noblest courts,</l>
                <l>Shining in Christendie.</l>
              </sp>
              <sp>
                <speaker>ATAL.</speaker>
                <l>The arms you wield,</l>
                <l>In fight with such as he, would nothing serve:</l>
                <l>He deals in subtlest magic, and receives</l>
                <l>Spells from gigantic spirits. 'Twas his power</l>
                <l>Aroused the storm that overthrew your bark;</l>
                <l>And now, on like employment bent, he speeds</l>
                <l>Afar upon the ocean, with a host</l>
                <l>Of most malignant followers in his train,</l>
                <l>Rank for destruction. Could I get my wand,</l>
                <l>In which a power of mightiest strength abides,</l>
                <l>I'd battle him myself, and drive him back,</l>
                <l>And whelm the barren isle which keeps us now!</l>
                <l>Nay, more than this,—if that thy sister sleeps</l>
                <l>Beneath the waters,—though I may not win</l>
                <l>Her spirit back to life—with that same wand,</l>
                <l>We both may penetrate the tumbling waves,</l>
                <l>Without or hurt or harm,—with vision free,</l>
                <l>To find her gentle beauties where they rest</l>
                <l>On quiet beds of flowers beneath the deep.</l>
                <l>There, with our magic art may we enwrap</l>
                <l>Her fragile beauty in protecting spells,</l>
                <l>That still her eyes shall shine as when in life,</l>
                <l>Her cheeks still glow with love's own red,—her lips,</l>
                <l>Though they no more with many a tone of joy,</l>
                <pb id="p190" n="190"/>
                <l>Made soft by feeling, whisper in your ears,—</l>
                <l>Still look the sweetness they have ever worn,</l>
                <l>Keeping the wonted freshness that they knew,—</l>
                <l>When first they grew to thine. This shall we do,</l>
                <l>And more, that nothing that thy sense may seek</l>
                <l>Shall lack to make her lovely.</l>
              </sp>
              <sp>
                <speaker>LEON.</speaker>
                <l>Gentle Queen,</l>
                <l>If this be so,—do with me as thou wilt,—</l>
                <l>I am thy slave,—thy slave!</l>
              </sp>
              <sp>
                <speaker>ATAL.</speaker>
                <l>Rather I thine!</l>
                <l>If thou wilt love me, this will I perform;</l>
                <l>Nay, though thou love me not, I still will do it,</l>
                <l>For love I have for thee.</l>
              </sp>
              <sp>
                <speaker>NEA,</speaker>
                <stage>[<hi rend="italics">aside.</hi>]</stage>
                <l>No more a Queen!</l>
                <l>How doth she yield herself unto this power,</l>
                <l>Forgetting her dominion.</l>
              </sp>
              <sp>
                <speaker>LEON.</speaker>
                <l>Gentle Princess,</l>
                <l>Shall we not get possession of this wand?</l>
                <l>Methinks that I could do 't. But let me hear;</l>
                <l>Teach me the way!—I shall not fear to meet</l>
                <l>This monster, though with magic panoplied</l>
                <l>And all foul arts. Trust then the toil with me,</l>
                <l>I am a soldier of the holy cross,</l>
                <l>And do defy the fiend and all his works.</l>
              </sp>
              <sp>
                <speaker>ATAL.</speaker>
                <l>'Tis a brave spirit, but here can little do,</l>
                <l>Save to adventure.—This, indeed, is much!—</l>
                <l>Magic must baffle magic. 'Tis for thee,</l>
                <l>Still to procure this wand, which thou canst win,</l>
                <l>When I have arm'd thee with some little power;</l>
                <l>Thou being of earthly essence, with no fear</l>
                <l>From contact with the all-infectious spell</l>
                <l>Girdling the island round. Within yon rock,</l>
                <l>That hangs precipitous above the deep—</l>
                <l>That should be far beneath it—by him raised,</l>
                <pb id="p191" n="191"/>
                <l>With sudden conjuration, at a word—</l>
                <l>Seal'd in with spells, and in a curious vase,</l>
                <l>Itself a spell, the treasure lies enshrined.</l>
                <l>These charms, to me, were naught, could I but reach</l>
                <l>The chambers where they lie; for, with this ring,</l>
                <l>Which now upon thy hand I place from mine,</l>
                <l>I may command all seals, and bid them break.</l>
                <l>Onesimarch knows this, and trusts them not;</l>
                <l>But placing an earthborn taint upon the air,</l>
                <l>He doth restrain my footstep.</l>
              </sp>
              <sp>
                <speaker>LEON.</speaker>
                <l>Let me go—</l>
                <l>I will achieve the adventure, or will die.</l>
              </sp>
              <sp>
                <speaker>ATAL.</speaker>
                <l>Not yet—it were in vain that you would pass,</l>
                <l>With your enfeebled strength, the threatening gulfs</l>
                <l>Of leaping waters, that, between this isle,</l>
                <l>And the high rocks you aim at, spread themselves.</l>
                <l>We must seek other aid—and, what are these,</l>
                <l>Auspiciously, that gather on the sands,</l>
                <l>In the fine haze of moonlight?</l>
              </sp>
              <sp>
                <speaker>NEA.</speaker>
                <l>Fairy tribes,</l>
                <l>That, sporting in the moonbeams, saw below</l>
                <l>This new creation of Onesimarch,</l>
                <l>And straight came down, still glad in what is new,</l>
                <l>To keep their revels on it.</l>
              </sp>
              <sp>
                <speaker>LEON,</speaker>
                <stage>[<hi rend="italics">aside.</hi>]</stage>
                <l>Wonders grow,</l>
                <l>Fruitful as things of nature.</l>
              </sp>
              <sp>
                <speaker>ATAL.</speaker>
                <stage>[<hi rend="italics">To Nea.</hi>]</stage>
                <l>This is well;—</l>
                <l>Meet to our purpose, at the needful hour,</l>
                <l>When they might succor us. We must persuade</l>
                <l>The aid and office they will scarce deny</l>
                <l>To one who holds them of a kindred race,</l>
                <l>Though of another element. Away!</l>
                <l>Seek their chief, Nea. Show him all our strait,—</l>
                <l>Declare our want, and for his service now,</l>
                <pb id="p192" n="192"/>
                <l>Pledge our good office at another time.</l>
                <l>We wait thee here. <stage>[<hi rend="italics">Exit Nea.</hi>]</stage> Alas! sweet youth, thou look'st</l>
                <l>With such a sadness on me!</l>
              </sp>
              <sp>
                <speaker>LEON.</speaker>
                <l>Not on thee;—</l>
                <l>'Tis on my fate I look!</l>
              </sp>
              <sp>
                <speaker>ATAL.</speaker>
                <l>I am thy fate!</l>
                <l>And thou wilt hate me for it! Oh! forgive!—</l>
                <l>If I have won thee now against thy will,</l>
                <l>To this wild venture, I do free thee from 't;—</l>
                <l>I would not have my freedom, did it bring</l>
                <l>A moment's grief to thee.</l>
              </sp>
              <sp>
                <speaker>LEON.</speaker>
                <l>Thou little know'st,</l>
                <l>Sweet Princess, of the lessons of my youth,</l>
                <l>The training of my people, and the laws</l>
                <l>Which make it still our duty as our pride,</l>
                <l>To stake the issues all, of life and death,—</l>
                <l>All that we pleasure and can peril most,—</l>
                <l>In cause of love and beauty. I rejoice</l>
                <l>That it is mine to combat thy mishap.</l>
                <l>This is a venture of my heart's own choice,</l>
                <l>Too precious to be yielded,—and, forgive,—</l>
                <l>But little know'st thou of Spain's chivalry,</l>
                <l>When thou believest that its valor shrinks</l>
                <l>From any odds with fortune. 'Tis with me</l>
                <l>A pride to seek for peril; and