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			<title> <hi rend="bold">"The Eagle Doesn't Catch Flies," Class Composition of Thomas W. Mason,
			 [1856]:</hi> Electronic Edition.</title> 
		  <author> Mason, Thomas Williams, 1839-1921</author> 
		  <editor>Erika Lindemann</editor> 
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			 <date>2005</date> </edition> 
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		  <date>2005</date> 
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		  <title type="monograph"> <hi rend="italics">True and Candid
			 Compositions: The Lives and Writings of Antebellum Students in North
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			 	<title type="collection">Sally Long Jarman Papers (#4005), Southern Historical Collection, 
			 		University of North Carolina at Chapel Hill </title> 
			 	<title type="document">"The Eagle Doesn't Catch Flies," Class Composition of Thomas W. Mason, [1856]</title> 
				<author>Thomas W. Mason</author> 
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			 <extent>5 pages, 6 page images</extent> 
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				<date value="1856">[1856]</date>
			 	<publisher>Southern Historical Collection, 
				  University of North Carolina at Chapel Hill</publisher> 
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				<note type="call number">Call number 4005 (Southern Historical
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				  Hill)</note> 
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		  <p> Transcript of the class composition. Originals are in the Southern
			 Historical Collection, University of North Carolina at Chapel Hill.</p> 
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  <text id="mss05-10"> 
	 <front> 
		<div1 type="doc_summary" id="doc_sum05-10"> 
		  <head>Document Summary</head> 
		  <p> Mason's composition interprets the proverb, "The Eagle Doesn't
			 Catch Flies," as referring to the eagle's selectivity in choosing noble
			 animals, not flies, for his prey. A preeminent symbol in Greek mythology and
			 Christianity, the eagle teaches us to develop characters that show fixedness of
			 purpose, choose the best pursuits in life, and aspire to greatness.</p> 
		</div1> 
	 </front> 
	 <body> 
		<div1 type="composition"> 
			<head>"The Eagle Doesn't Catch Flies," Class Composition of 
			 <name key="pn0001106" type="person" reg="Mason, Thomas Williams" id="TWM">Thomas W. Mason</name>, [1856]<ref id="ref938" rend="sup" type="source" target="note938">1</ref></head> 
			<pb id="mss05-10-p01" n="1"/>  
			
			<opener><signed rend="left"><name key="pn0001106" reg="Mason, Thomas Williams" type="person">Mason</name></signed></opener>
			<head type="original" rend="center"> 
			 The Eagle do'es-n't catch flies<ref id="ref939" rend="sup" target="note939" type="info">2</ref></head> 
		  <p>It is a fact, worthy of notice, that while the eagle<ref id="ref940" rend="sup" type="edit" target="note940">3</ref> is,
			 of all birds, the most<ref id="ref941" rend="sup" type="edit" target="note941">4</ref>
			 merciless towards and eager after<ref id="ref942" rend="sup" type="edit" target="note942">5</ref> his
			 prey, he nevertheless makes good choice of it, in selecting the noblest animals
			 that come within reach of his cruel talons. With his airie<ref id="ref943" rend="sup" type="edit" target="note943">6</ref> upon
			 the mountains, and his home among the clouds, he scorns, as it were, to devour
			 the little insect that he may meet with in his flight, or to descend upon the
			 piteous worm that crawls the earth. As if really feeling himself king of birds,
			 he seems to have higher aspirations than to destroy so mean a creature as a
			 fly. He would not degrade his noble young by bringing them such humble food;
			 but would, with revolting cruelty, bare<ref id="ref944" rend="sup" type="edit" target="note944">7</ref>
			 through the air the bleating lamb or wailing infant, as a triumphant conqueror
			 returning from the field of conquest.<ref id="ref945" rend="sup" type="edit" target="note945">8</ref> The 
			 <name key="pn0000589" reg="God" type="person" rend="no">God of Nature</name> has
			 placed within his breast a noble instinct that guides him in a brighter career,
			 and teaches him that there is no glory in destroying a creature so much weaker
			 than himself. He will not pollute his throne by the blood of the<ref id="ref946" rend="sup" type="edit" target="note946">9</ref>
			 meaner creatures: his noble instinct forbids.<ref id="ref947" rend="sup" type="edit" target="note947">10</ref></p>
		  
		  <p>It is for this reason that he has always been styled king of birds,
			 and has obtained the sceptre over them. He has been represented in fable as
			 leading their armies out to battle. He is said, in Greek mythology, to have
			 been employed by 
			 <name key="pn0000892" reg="Jupiter" type="person">Jupiter</name> to
			 snatch the yellow-haired 
			 <name key="pn0000563" reg="Ganymede" type="person">Ganymede</name> from
			 his flocks and transport him to heaven to be his future cup-bearer. He is also
			 represented with 
			 <name key="pn0000889" reg="Jove" type="person" rend="no">Jove's</name>
			 thunderbolts in his talons, the messengers of his direful wrath.<pb id="mss05-10-p01a" n="1 verso"/><pb id="mss05-10-p02" n="2"/>Powerful nations have felt proud to have the eagle
			 represented as bearing in his talons their banner, emblematic of the prosperity
			 that should attend their country, and their rank among other nations. He has
			 been stamped upon their coin, as though his mere image would promote it's
			 currency. And still more to his glory, our blessed 
			 <name key="pn0000311" reg="Christ" type="person" rend="no">Lord</name> has not
			 forgotten to remind the disconsolate 
			 <name key="name0001267" reg="Israelites" type="people">children of
				Israel</name> to be faithful in the observance of his laws since he had brought
			 them out from the lands of 
			 <name key="name0000318" reg="Egypt" type="place" rend="no">Egypt</name> on
			 "eagle's wings".<ref id="ref948" rend="sup" type="edit" target="note948">11</ref> The
			 eagle then seems to be the type of all that is most noble and good: of liberty,
			 learning and 
			 <name key="name0000192" reg="Christianity" type="religion" rend="no">christianity</name>, all three combined in the star-spangled
			 banner which he may be said to have borne so nobly for the last eighty years,
			 of constancy and durability which his image upon our coin implies, of vengeance
			 upon the wicked and unjust, as the carrier of 
			 <name key="pn0000889" reg="Jove" type="person" rend="no">Jove's</name>
			 thunderbolt, and, above all, of that sentiment which pervades the whole of<ref id="ref949" rend="sup" type="edit" target="note949">12</ref>
			 sacred writings, and which has thrown a halo of glory around the 
			 <name key="pn0000311" reg="Christ" type="person">Messiah's</name> name,
			 protective to the poor and oppressed: "Ye have seen what I did unto the 
			 <name key="name0001268" reg="Egyptians" type="people" rend="no">Egyptians</name>,
			 and how I bare you on <hi rend="underscore">eagle's</hi> wings and brought you
			 to myself".<ref id="ref950" rend="sup" type="info" target="note950">13</ref>
			 What a glorious picture is this for the poet or the painter: The mighty eagle
			 of 
			 <name key="name0000192" reg="Christianity" type="religion" rend="no">Christianity</name> bearing on his outstretched pinions the
			 care-worn 
			 <name key="name0001267" reg="Israelites" type="people">Israelites</name>
			 from the oppression of 
			 <name key="pn0001354" reg="Pharaoh" type="person">Pharaoh</name>,
			 through the wilderness, for forty long years of trial and trouble, and placing
			 them at last in the 
			 <name key="name0000145" reg="Canaan" type="place">Canaan</name> of their
			 hopes, "a land flowing with milk and honey"<ref id="ref951" rend="sup" type="info" target="note951">14</ref>—in the very bosom of their 
			 <name key="pn0000589" reg="God" type="person">God</name>! What a noble
			 office is the eagle here represented as performing: carrying on his wings 
			 <name key="pn0000589" reg="God" type="person" rend="no">God's</name> chosen
			 people! Many are the types of nobility which his character has procured him,
			 among the other birds.<pb id="mss05-10-p03" n="3"/>And why has he thus been so
			 distinguished? Because he never stops to catch flies. Because he has high
			 aspirations, congenial with the clouds upon which he rides, and the mountain
			 tops upon which he rests. His character, to use the expression, has constituted
			 him king of the birds, and he sits, as a wise ruler upon his throne, dispensing
			 justice.</p> 
		  <p>From these simple words, "The Eagle doesnt catch flies", a
			 moral lesson is taught the human race. The eagle, by his qualities, has
			 obtained preeminence among the other birds, and if we wish to be preeminent
			 with our own kind, we must try to possess similar qualities. Let us see what
			 these are<ref id="ref952" rend="sup" type="edit" target="note952">15</ref> in
			 order that we may try to ingraft them into<ref id="ref953" rend="sup" type="edit" target="note953">16</ref> our
			 own natures. In the first place the moral inculcates that only sure guide to
			 prosperity and happiness, fixedness of purpose and resolution. without this a
			 man can certainly attain to nothing great or good. As the eagle descries the
			 object of prey, worthy of it's talons, and then darts upon it with a velocity
			 that heeds not small obstacles, so we must find out some noble object of
			 pursuit, and then set out resolutely to obtain it. We must not stop at every
			 little thing on the way-side, that asks for some attention; for if we do, we
			 will<ref id="ref954" rend="sup" type="edit" target="note954">17</ref> be
			 like a traveller who sets out on a journey to some beautiful city, but sees so
			 many things to admire on the way that he never reaches his journey's end, and
			 dies with broken hopes. If we see a beautiful object in the distance, and
			 obstacles intervene so that we are unwilling to approach it, it will never come
			 to us. Fixedness of purpose and resolution will alone carry a person<pb id="mss05-10-p04" n="4"/>well through this life of change and chance. Without
			 these,<ref id="ref955" rend="sup" type="edit" target="note955">18</ref> we
			 are a cipher. Those lines of 
			 <name key="pn0000595" reg="Gordon, George Noel, Lord Byron" type="person">Byron</name>, in a translation of an ode of 
			 <name key="pn0000785" reg="Horace" type="person">Horace</name>, should
			 ever be before our eyes: 
			 <q> 
				<lg type="verse"> 
				  <l>The man of firm and fixed resolve</l> 
				  <l>No factious clamors can control</l> 
				  <l>No Tyrant, by his threatening nod</l> 
				  <l>Can swerve him from his just intent.<ref id="ref956" rend="sup" type="info" target="note956">19</ref></l> 
				</lg></q>As the eagle shows discretion in selecting the object of
			 prey, so ought we to use discretion in chosing the best pursuits in life, and
			 especially in the training of our moral and intellectual faculties, pruning<ref id="ref957" rend="sup" type="edit" target="note957">20</ref> the
			 evil and cultivating the good. When we are about to enter upon life we stand at
			 the intersection of four wide roads; <del hand="TWM" rend="overstrike">the</del> one leading to ruin and misery, another to earthly
			 happiness, another to earthly glory, and the fourth to glory and happiness, in
			 heaven and on earth, combined. We need discretion then to select one of the
			 four. We must not catch a fly. Again, life is a garden of various flowers, all
			 equally beautiful; but some contain<add rend="sup" hand="TWM">ing</add> the
			 poison of those meaner passions which corrupt man's heart. We need discretion
			 then lest, like the poor bird that falls beneath the fatal Upas tree, we inhale
			 some of these noxious odors, ere we are aware.</p> 
		  <p>Our moral also teaches us to have high aspirations. The noble bird
			 does not catch flies, neither ought we to catch trifling things. We are created
			 with a loftier statue<ref id="ref958" rend="sup" type="edit" target="note958">21</ref>
			 than the rest of the animals, and all our thoughts and actions should be lofty
			 also. High aspirations have made all our great and good mean, have raised many
			 from the lowest depth of poverty and ignorance. As the small essence of the
			 acorn, hardly breaking at first the earth's crust, and aspiring, as it were, to
			 sweep the<pb id="mss05-10-p05" n="5"/>very floor of heaven with its branches,
			 becomes a mighty oak, so we, though weak at first, must turn our eyes, our
			 body, our thoughts upward, and we will<ref id="ref959" rend="sup" type="edit" target="note959">22</ref> be
			 the tall oak, 'neath whose branches the weary and oppressed will delight to
			 sit. If we aspire to something great or good, ambition is apt to urge us on to
			 it, as it did 
		  	<name key="pn0000829" reg="Jason (classical figure)" type="person">Jason</name> in sear<add rend="sup" hand="TWM">c</add>h of the "<name key="name0000425" reg="Golden Fleece" type="myth" rend="no">Golden
			 	Fleece</name>", 
		  	<name key="pn0000014" reg="Aeneas" type="person" rend="no">Aeneas</name> in search
			 of the oracle—told loud of 
		  	<name key="name0000530" reg="Italy" type="place" rend="no">Italy</name>, and 
			 <name key="pn0000337" reg="Columbus, Christopher" type="person">Columbus</name> in search of our own country. Had he not have<ref id="ref960" rend="sup" type="edit" target="note960">23</ref> had
			 high aspirations to confer a great benefit on the human race, this goodly land
			 of ours might still have been buried, as it were, in the depths of the ocean.
			 Lastly since our moral teaches us to have high aspirations and fixedness of
			 purpose, it may be said to teach us everything that is great and good. Then
			 <add rend="sup" hand="TWM">let</add> learning and 
			 <name key="name0000192" reg="Christianity" type="religion" rend="no">Christianity</name> be our aspirations, moral courage and faith
		  	our watch-word, and prosperity on earth, happiness in heaven will be ours.<q><lg type="verse"> 
		  		<l>That Eagles do not catch at<ref id="ref961" rend="sup" type="edit" target="note961">24</ref>
		  			flies</l> 
		  		<l>Let us remember, and be wise.</l> 
		  	</lg></q></p> 
		  
		</div1> 
	 </body> 
	 <back> 
		<div1 type="notes"> 
		  <note id="note938" target="ref938" type="source" rend="sup"> 
		  	<p>1. <xref url="http://www.lib.unc.edu/mss/inv/j/Jarman,Sally_Long.html">Sally Jarman Long Papers, SHC.</xref> Though undated, the composition
				was written for 
				<name key="pn0001756" reg="Wheat, John Thomas" type="person">John
				  Thomas Wheat</name>, professor of rhetoric and logic, who corrected it in
				pencil  (see Prof. Wheat's comment on page 1 verso image). The topic, a proverb, is consistent with assignments that would have
				been given in the sophomore composition class. A second essay on the same
				topic, written by 
				<name key="pn0000456" reg="Dowd, William Carey" type="person">William
				  Carey Dowd</name> and also corrected by 
				<name key="pn0001756" reg="Wheat, John Thomas" type="person">Wheat</name>, survives (see <xref url="/true/mss05-11/mss05-11.html">"Class Composition of William C. Dowd"</xref>).
		  	
		  	</p> </note> 
		  <note id="note939" rend="sup" type="info" target="ref939"> 
			 <p>2. The title is a proverb attributed to 
			 	<name key="pn0000485" reg="Erasmus, Desiderius" type="person">Erasmus</name> 
				  (c. 1467-1536): "<foreign lang="lat">Ad aquila non captat
				muscas.</foreign>"</p></note> 
		  <note id="note940" rend="sup" type="edit" target="ref940"> 
			 <p>3. 
				<name key="pn0001106" reg="Mason, Thomas Williams" type="person">Mason</name> wrote <hi rend="italics">a</hi> on top of
				<hi rend="italics">g</hi> as the second character of <hi rend="italics">eagle</hi>.</p></note> 
		  <note id="note941" rend="sup" type="edit" target="ref941"> 
			 <p>4. 
				<name key="pn0001756" reg="Wheat, John Thomas" type="person">Wheat</name> inserted <hi rend="italics">eager &amp;</hi> above
				<hi rend="italics">most</hi> in pencil.</p></note> 
		  <note id="note942" rend="sup" type="edit" target="ref942"> 
			 <p>5. 
				<name key="pn0001756" reg="Wheat, John Thomas" type="person">Wheat</name> crossed out in pencil "towards and eager
				after" and wrote "in the pursuit" above the phrase.</p></note> 
		  <note id="note943" rend="sup" type="edit" target="ref943"> 
			 <p>6. 
				<name key="pn0001756" reg="Wheat, John Thomas" type="person">Wheat</name> crossed out <hi rend="italics">airie</hi> and
				pencilled <hi rend="italics">eyry</hi> above the word.</p></note> 
		  <note id="note944" rend="sup" type="edit" target="ref944"> 
			 <p>7. 
				<name key="pn0001756" reg="Wheat, John Thomas" type="person">Wheat</name> corrected <hi rend="italics">bare</hi> to
				<hi rend="italics">bear</hi> by crossing out <hi rend="italics">e</hi> and
				inserting <hi rend="italics">e</hi> between <hi rend="italics">b</hi> and
				<hi rend="italics">a</hi>.</p></note> 
		  <note id="note945" rend="sup" type="edit" target="ref945"> 
			 <p>8. 
				<name key="pn0001756" reg="Wheat, John Thomas" type="person">Wheat</name> crossed out <hi rend="italics">conquest</hi> and
				pencilled <hi rend="italics">battle</hi> above the word.</p></note> 
		  <note id="note946" rend="sup" type="edit" target="ref946"> 
			 <p>9. 
				<name key="pn0001756" reg="Wheat, John Thomas" type="person">Wheat</name> crossed out <hi rend="italics">the</hi> in
				pencil.</p></note> 
		  <note id="note947" rend="sup" type="edit" target="ref947"> 
			 <p>10. 
				<name key="pn0001756" reg="Wheat, John Thomas" type="person">Wheat</name> inserted <hi rend="italics">it</hi> in pencil after
				<hi rend="italics">forbids</hi>.</p></note> 
		  <note id="note948" rend="sup" type="edit" target="ref948"> 
			 <p>11. 
				<name key="name0000099" reg="Bible" type="publication" rend="no">Exodus 19:4</name> :
				"Ye have seen what I did unto the 
				<name key="name0001268" reg="Egyptians" type="people" rend="no">Egyptians</name>, and how I bare you on eagles' wings, and
				brought you to myself."<name key="pn0001756" reg="Wheat, John Thomas" type="person">Wheat</name> pencilled an X after this sentence to indicate an
				insertion, the text of which he wrote on the verso of the previous page:
				"Again in 
				<name key="name0000099" reg="Bible" type="publication" rend="no">Rev.</name> a 'flying
				eagle' is one of the four beasts that are before the throne, symbolizing the 
				<name key="name0000099" reg="Bible" type="publication" rend="no">Gospel</name> agencies
				that are hastening the coming of the 
				<name key="name0000656" reg="Millenium" type="event" rend="no">Millenium</name>."</p></note> 
		  <note id="note949" rend="sup" type="edit" target="ref949"> 
			 <p>12. 
				<name key="pn0001756" reg="Wheat, John Thomas" type="person">Wheat</name> inserted <hi rend="italics">the</hi> in pencil after
				<hi rend="italics">of</hi>.</p></note> 
		  <note id="note950" rend="sup" type="info" target="ref950"> 
			 <p>13. 
				<name key="name0000099" reg="Bible" type="publication" rend="no">Exodus 19:4</name>
				.</p></note> 
		  <note id="note951" rend="sup" type="info" target="ref951"> 
			 <p>14. 
				<name key="name0000099" reg="Bible" type="publication" rend="no">Exodus 3:8</name> :
				"And I am come down to deliver them out of the hand of the 
				<name key="name0001268" reg="Egyptians" type="people" rend="no">Egyptians</name>, and to bring them up out of that land unto a
				good land and a large, unto a land flowing with milk and
				honey."</p></note> 
		  <note id="note952" rend="sup" type="edit" target="ref952"> 
			 <p>15. 
				<name key="pn0001756" reg="Wheat, John Thomas" type="person">Wheat</name> inserted a comma in pencil after <hi rend="italics">are</hi>.</p></note> 
		  <note id="note953" rend="sup" type="edit" target="ref953"> 
			 <p>16. 
				<name key="pn0001756" reg="Wheat, John Thomas" type="person">Wheat</name> crossed out <hi rend="italics">into</hi> and
				pencilled <hi rend="italics">upon</hi> above the word.</p></note> 
		  <note id="note954" rend="sup" type="edit" target="ref954"> 
			 <p>17. 
				<name key="pn0001756" reg="Wheat, John Thomas" type="person">Wheat</name> crossed out <hi rend="italics">will</hi> and
				pencilled <hi rend="italics">shall</hi> above the word.</p></note> 
		  <note id="note955" rend="sup" type="edit" target="ref955"> 
			 <p>18. 
			 	<name key="pn0001106" reg="Mason, Thomas Williams" type="person">Mason</name> wrote <hi rend="italics">these</hi> on top of <hi rend="italics">this</hi>.</p></note> 
		  <note id="note956" rend="sup" type="info" target="ref956"> 
			 <p>19. 
				<name key="pn0000595" reg="Gordon, George Noel, Lord Byron" type="person" rend="no">George Noel Gordon, Lord Byron</name>, 
				<name key="name0000501" reg="&quot;Horace, Ode 3, Lib. 3&quot; (Byron)" type="publication" rend="no">"<name key="pn0000785" reg="Horace" type="person" rend="no">Horace</name>, Ode
				  3, Lib. 3,"</name> 
				<name key="name0001269" reg="Hours of Idleness (Byron)" type="publication" rend="no"><hi rend="italics">Hours of Idleness</hi> (1806?)</name>: "The man of firm,
				and noble soul/No factious clamours can controul;/No threat'ning tyrant's
				darkling brow/Can swerve him from his just intent."</p></note> 
		  <note id="note957" rend="sup" type="edit" target="ref957"> 
			 <p>20. 
				<name key="pn0001756" reg="Wheat, John Thomas" type="person">Wheat</name> crossed out <hi rend="italics">pruning</hi> and
				pencilled <hi rend="italics">eradicating</hi> above the word.</p></note> 
		  <note id="note958" rend="sup" type="edit" target="ref958"> 
			 <p>21. 
				<name key="pn0001756" reg="Wheat, John Thomas" type="person">Wheat</name> corrected <hi rend="italics">statue</hi> to
				<hi rend="italics">stature</hi> by inserting <hi rend="italics">r</hi> between
				u and <hi rend="italics">e</hi>.</p></note> 
		  <note id="note959" rend="sup" type="edit" target="ref959"> 
			 <p>22. 
				<name key="pn0001756" reg="Wheat, John Thomas" type="person">Wheat</name> crossed out <hi rend="italics">will</hi> and
				pencilled <hi rend="italics">shall</hi> above the word.</p></note> 
		  <note id="note960" rend="sup" type="edit" target="ref960"> 
			 <p>23. 
				<name key="pn0001756" reg="Wheat, John Thomas" type="person">Wheat</name> crossed out <hi rend="italics">have</hi> in
				pencil.</p></note> 
		  <note id="note961" rend="sup" type="edit" target="ref961"> 
			 <p>24. 
				<name key="pn0001756" reg="Wheat, John Thomas" type="person">Wheat</name> wrote in pencil "feast on" above
				"catch at."</p></note> 
		</div1> 
	 </back> 
  </text> 
</TEI.2>