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			<title> <hi rend="bold">"Eagles Don't Catch Flies," Class Composition of William C. Dowd,
			 [1856]:</hi> Electronic Edition.</title> 
		  <author>Dowd, William Carey, 1835-1860</author> 
		  <editor>Erika Lindemann</editor> 
		  <funder>Funding from the State Library of North Carolina supported the
			 electronic publication of this title.</funder> 
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			 <resp>Text transcribed by</resp> 
			 <name>Erika Lindemann, John D. McMahon, and Julie N. Straight</name> 
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			 <resp>Images scanned by</resp> 
			 <name>Mara E. Dabrishus</name> 
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			 <resp>Text encoded by</resp> 
			 <name>Brian Dietz</name> 
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		  <edition>First Edition, 
			 <date>2005</date> </edition> 
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		<extent>ca. 25K</extent> 
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		  <publisher>The University Library, University of North Carolina at
			 Chapel Hill </publisher> 
		  <pubPlace>Chapel Hill, North Carolina</pubPlace> 
		  <date>2005</date> 
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			 <p>© This work is the property of the University of North Carolina at
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		  <title type="monograph"> <hi rend="italics">True and Candid
			 Compositions: The Lives and Writings of Antebellum Students in North
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			 	<title type="collection"> William Carey Dowd Papers (#1722-z), Southern Historical Collection, 
			 		University of North Carolina at Chapel Hill
				  </title> 
			 	<title type="document">"Eagles Don't Catch Flies," Class Composition of William C. Dowd, [1856] </title> 
				<author>William C. Dowd </author> 
			 </titleStmt> 
			 <extent>5 pages, 5 page images</extent> 
			 <publicationStmt> 
				<date value="1856">[1856]</date>
			 	<publisher>Southern Historical Collection, 
				  University of North Carolina at Chapel Hill</publisher> 
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				<note type="call number">Call number 1722-z (Southern
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				  Chapel Hill)</note> 
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		  <p> Transcript of the class composition. Originals are in the Southern
			 Historical Collection, University of North Carolina at Chapel Hill.</p> 
		  <p>Original grammar, punctuation, and spelling have been preserved.</p>
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  <text id="mss05-11"> 
	 <front> 
		<div1 type="doc_summary" id="doc_sum05-11"> 
		  <head>Document Summary</head> 
		  <p>Dowd's composition treats the proverb, "The Eagle Doesn't Catch
			 Flies," as symbolic of America. The flight of the eagle teaches us not to
			 stoop to trifles but to pursue nobler objects, to be persistent and wise in
			 climbing the collegiate mountaintop.</p> 
		</div1> 
	 </front> 
	 <body> 
		<div1 type="composition"> 
			<head>"Eagles Don't Catch Flies," Class Composition of 
			 <name reg="Dowd, William Carey" type="person" id="WCD" key="pn0000456">William C. Dowd</name>, [1856]<ref id="ref962" rend="sup" type="source" target="note962">1</ref></head> 
			<pb id="mss05-11-p01" n="1"/>   
			<opener><signed rend="left"><name key="pn0000456" reg="Dowd, William Carey" type="person">WC.
				D</name></signed></opener>
			<head type="original" rend="center"> 
			 Eagles dont<ref id="ref963" rend="sup" type="edit" target="note963">2</ref>
			 catch flies.</head> 
		  <p> To the mind of an 
			 <name key="name0000034" reg="Americans" type="people" rend="no">American</name>,
			 the eagle is significant of all that is romantic, eloquent and brave. Let 
		  	<name key="pn0000812" reg="Irving, Washington" type="person" rend="no">Washington
				Irving</name> have occasion to indulge a feeling of romance—and you hear
			 of "the eagle wheeling aloft from the rugged banks of the 
			 <name key="name0000505" reg="Hudson River" type="place">Hudson</name> and
			 breasting the pure mountain breeze."<ref id="ref964" rend="sup" type="info" target="note964">3</ref> Let
			 the orator indulge<ref id="ref965" rend="sup" type="edit" target="note965">4</ref> a
			 picture—and on eagle's wings his ideas mount to the regions of the
			 sublime. Let dread war deluge our land 'till hope is ready to bid our ranks
			 adieu—: but raise the eagle in the midst of our foes, and every soul
			 that's fired with American<ref id="ref966" rend="sup" type="edit" target="note966">5</ref>
			 blood dreams no longer of death, even though the musket is pointed at his
			 face.</p> 
		  <p>The eagle is still further significant. He has been adopted as the
			 American motto<ref id="ref967" rend="sup" type="edit" target="note967">6</ref>—and thus has become indicative of an age of
			 refinement. 'Tis a truth familiar<ref id="ref968" rend="sup" type="edit" target="note968">7</ref>
			 that, on 
			 <name key="name0000336" reg="England" type="place" rend="no">English soil</name>,
			 young heroes were wont to bear to battle nought
			 <del rend="overstrike" hand="WCD">more</del> for a standard than, perhaps<ref id="ref969" rend="sup" type="edit" target="note969">8</ref> a
		  worthless present from their lovers. This we know was
		  ignorance—superstition. When that race became more intelligent the lion
		  became its adopted motto<ref id="ref970" rend="sup" type="edit" target="note970">9</ref>, one
		  not unworthy still of those whom the world fears. In our time, however, an
		  age<pb id="mss05-11-p02" n="2"/><del rend="overstrike" hand="WCD">when</del> of
		  literary advancement—when the scienc[e]s a[n]d arts flourish, when genius
		  is rewarded and all nature betokens bliss, the eagle is the adopted motto<ref id="ref971" rend="sup" type="edit" target="note971">10</ref> of
		  the first nation on earth. I doubt not that, the historian of future ages, when
		  he reviews our history, will see these three mottoes<ref id="ref972" rend="sup" type="edit" target="note972">11</ref>
		  plainly marking the different periods of our civilization, and indicating our
		  growth in literature.</p> 
		  <p>The eagle is thus significant and hence our
			 proverb—"Eagles do'nt catch flies" that is, as the eagle deigns
			 not to catch a fly—so strong minds stoop not to trifles. The Statesman<ref id="ref973" rend="sup" type="edit" target="note973">12</ref>
			 notes not the fall of a leaf when in his evening stroll he is thinking how may
			 the contentions of 
			 <name key="name0001229" reg="Whigs" type="organization" rend="no">Whigs</name> and 
		  	<name key="name0001122" reg="Tories" type="organization" rend="no">Tories</name>
			 result—how may 
		  	<name key="name0000336" reg="England" type="place" rend="no">England</name> be freed
			 from the strong grasp of tyranizing 
			 <name key="name0000990" reg="Roman Catholicism" type="religion" rend="no">Catholicism</name>?<ref id="ref974" rend="sup" type="edit" target="note974">13</ref> (I
			 speak of a statesman in the time of 
		  	<name key="pn0000823" reg="James II" type="person" rend="no">James II</name>) Nor
			 does the air whistling at the key-hole of his study catch his attention whilst
			 to<ref id="ref975" rend="sup" type="edit" target="note975">14</ref> his
			 mid-night lamp he rehearses the sayings of 
			 <name key="pn0000314" reg="Cicero, Marcus Tullius" type="person">Cicero</name>.</p> 
		  <p>Nobler objects fill his mind. It contemplates relations between
			 nations, reviews the history of the past, makes the light gained therefrom
			 shine upon some deep political conception, which is to affect the future
			 condition of his country.</p> 
		  <p>'Tis thus with the Mathematician. That two words may make a rhyme is
			 the least of his thoughts!<pb id="mss05-11-p03" n="3"/>He stands at the center
			 of the earth and sees it is round, measures the degreess around it, cuts it in
			 a moment into a thousand angles, belts, &amp;c. &amp;c. He ascends—the
			 heavenly<ref id="ref976" rend="sup" type="edit" target="note976">15</ref>
			 bodies are before him. He measures each<ref id="ref977" rend="sup" type="edit" target="note977">16</ref>
			 relative distance,<ref id="ref978" rend="sup" type="edit" target="note978">17</ref>
			 fixes each relative position, and subjects the workmanship of 
			 <name key="pn0000589" reg="God" type="person" rend="no">God</name> to man-invented
			 laws. He has touched 
			 <name key="pn0000589" reg="God" type="person" rend="no">God's</name> mightiest
			 implements: for he has bound the lightning <del hand="WCD" rend="overstrike">t</del> within his vial, and sends it now and then to distant
			 realms to announge<ref id="ref979" rend="sup" type="edit" target="note979">18</ref> sad
			 or joyous news. What have <hi rend="underscore">not</hi> strong minds done? In
			 the dim "Past" I see a body of men consulting by what means they may
			 deprive Nature of her power—how they may, despite of<ref id="ref980" rend="sup" type="edit" target="note980">19</ref> her
			 mandate, which says dust to dust shall return,<ref id="ref981" rend="sup" type="info" target="note981">20</ref>
			 give to posterity their king unimpared. Now I see them exhibiting signals of
			 success and now I see a mighty Pyramid. I look again and see upon 
			 <name key="name0001131" reg="Troy" type="place">Trojan plains</name> the
			 blood of 
			 <name key="name0000440" reg="Greeks" type="people" rend="no">Grecian heroes</name>
			 and I turn my eye to my little pile of books and there is 
		  	<name key="pn0000772" reg="Homer" type="person" rend="no">Homer</name> a treasure
			 worth more than the hoarded silver of a 
			 <name key="pn0000370" reg="Croesus" type="person">Cresus</name>.<ref id="ref982" rend="sup" type="edit" target="note982">21</ref> I
			 see floating down the stream of Time numberless specimens of human art which
			 time can not obliterate.<ref id="ref983" rend="sup" type="edit" target="note983">22</ref></p>
		  
		  <p>The flight of the eagle teaches us wisdom.</p> 
		  <p>When, for a time he walks upon the earth, whither hunger alone
			 drives him, his glossy pinions become contaminated<pb id="mss05-11-p04" n="4"/>by its mists and he sees with sorrow his wonted beauty gone. His eye
			 turns upward: above<ref id="ref984" rend="sup" type="edit" target="note984">23</ref> it
			 sees a purer atmosphere, a clime more congenial,<ref id="ref985" rend="sup" type="edit" target="note985">24</ref>
			 where the pure sun-beam may restore his lost treasure. He arises—and on
			 swift wing is borne to genial climes <del rend="overstrike" hand="WCD">far away
			 from and</del> unknown to the inferior tribes, where he hold<ref id="ref986" rend="sup" type="edit" target="note986">25</ref> his
			 proper position as monarch of birds. We never know that he is wearied nor have
			 we reason to think he ever is, and herein consists the lesson which<ref id="ref987" rend="sup" type="edit" target="note987">26</ref>
			 teaches us. When man first launches his bark upon life's sea,
			 <del rend="overstrike" hand="WCD">he</del> it is driven hither and thither by
			 each successive billow 'till he loses sights of the intended goal, sees his
			 bark ready to sink beneath a superior power, and wishes in despair that he had
			 never made an effort. He now indulges his inclination to idleness. Youth
			 becomes a dull monotony, yielding nothing to animate and please him. He wanders
			 in the plain of Melancho<del rend="overstrike" hand="WCD">l</del>ly where is
		  	the foot of the ladder whose head rests upon the threshold of the "<name key="name0001101" reg="Temple of Fame" type="place" rend="no">Temple of
				Fame</name>" It<ref id="ref988" rend="sup" type="edit" target="note988">27</ref>
			 catches his eye, and he resolves to climb; for before him he sees those he
			 loves, who urge him to the attempt. Whilst still in his boyhood he mounts the
			 first round. In his College days he mounts again, when half overcome by
			 fear—half by<ref id="ref989" rend="sup" type="edit" target="note989">28</ref>
			 despair he looks upward and in the distance sees as some inaccessible<pb id="mss05-11-p05" n="5"/>mountain-tops, the lofty seats of illustrious
			 Statesmen<ref id="ref990" rend="sup" type="edit" target="note990">29</ref> who
			 attained that place of distinction in the days when 
			 <name key="name0000994" reg="Rome" type="place">Rome</name> was torn by
			 internal feuds or when 
			 <name key="name0000336" reg="England" type="place">England</name> tottered
			 under the footsteps of invaders. Again his eye is turned and he sees, as it
			 were an oasis in a barren, trackless desert, a beautiful summit where revel in
			 ease and luxury the worlds wise-men. Doctors. Lawyers. Editors &amp;c. Still
			 his eye traces the ladder and still further in the distance he sees it resting
			 upon the pillow<ref id="ref991" rend="sup" type="edit" target="note991">30</ref>
		  	that supports it. Here is the "<name key="name0001101" reg="Temple of Fame" type="place" rend="no">Temple of
				Fame</name>" Here mingle a higher order of beings, the Poets and their
			 sattelites, beings too good for earth. Here they find a genial abode, and here
			 the eagle in his lofty flight stops.</p> 
		  <p>The young man, filled with love of what he has seen, and buoyed up
			 by hope, grapples another round and another 'till his form vanishes from my
			 sight. This is the lesson the eagle teaches, to leave our abode of i[g]norance,
			 to trust our full grown, but <hi rend="underscore">unused</hi> wings and mount
			 as does its young to purer regions of which our nature is capable. Go to the
			 ant thou sluggard<ref id="ref992" rend="sup" type="info" target="note992">31</ref> is
			 good advice to an idler. Learn of the eagle is a word of consolation to the
			 wise. </p> 
		</div1> 
	 </body> 
	 <back> 
		<div1 type="notes"> 
		  <note id="note962" target="ref962" type="source" rend="sup"> 
			 <p>1. 
			 	<xref url="http://www.lib.unc.edu/mss/inv/d/Dowd,William_Carey.html">William
				  Carey Dowd Papers, SHC.</xref> Though undated, the composition was written for 
				<name key="pn0001756" reg="Wheat, John Thomas" type="person">John
				  Thomas Wheat</name>, professor of rhetoric and logic, who corrected it in
				pencil. The topic, a proverb, is consistent with assignments that would have
				been given in the sophomore composition class. A second essay on the same
				topic, written by 
				<name key="pn0001106" reg="Mason, Thomas Williams" type="person">Thomas Williams Mason</name> and also corrected by 
			 	<name key="pn0001756" reg="Wheat, John Thomas" type="person">Wheat</name>, survives (<xref url="/true/mss05-10/mss05-10.html">see "Class Composition of Thomas W. Mason"</xref>). A prolific writer, 
				<name reg="Dowd, William Carey" key="pn0000456" type="person">Dowd</name> saved many of his high school and college
			 	compositions. The <xref url="http://www.lib.unc.edu/mss/inv/d/Dowd,William_Carey.html">
				<name key="pn0000456" reg="Dowd, William Carey" type="person">William
				  Carey Dowd</name> Papers, SHC</xref>, house eight essays written before 
				<name key="pn0000456" reg="Dowd, William Carey" type="person">Dowd</name> entered the 
				<name reg="University of North Carolina" type="organization" key="name0001146">University</name>, an inaugural address given before the 
				<name key="name0000284" reg="Dialectic Society" type="organization">Dialectic
				  Society</name>, a draft of his valedictory oration, four essays that appear to
				be class compositions, and a thirty-page journal of "Miscellaneous
				Sketches."</p> </note> 
		  <note id="note963" rend="sup" type="edit" target="ref963"> 
			 <p>2. 
				<name key="pn0001756" reg="Wheat, John Thomas" type="person">Wheat</name> inserted in pencil an apostrophe between the
				<hi rend="italics">o</hi> and the <hi rend="italics">n</hi> in
				<hi rend="italics">dont</hi>.</p></note> 
		  <note id="note964" rend="sup" type="info" target="ref964"> 
			 <p>3. 
			 	<name key="pn0000812" reg="Irving, Washington" type="person" rend="no">Washington Irving</name>, 
			 	<name key="name0000502" reg="Rip Van Winkle" type="publication" rend="no">"Rip Van
				  Winkle" (1820)</name>: "the eagle was wheeling aloft and breasting
				the pure mountain breeze."</p></note> 
		  <note id="note965" rend="sup" type="edit" target="ref965"> 
			 <p>4. 
				<name key="pn0001756" reg="Wheat, John Thomas" type="person">Wheat</name> crossed out <hi rend="italics">indulge</hi> and
				pencilled in <hi rend="italics">paint</hi> above the word.</p></note> 
		  <note id="note966" rend="sup" type="edit" target="ref966"> 
			 <p>5. 
				<name key="pn0000456" reg="Dowd, William Carey" type="person">Dowd</name> wrote <hi rend="italics">A</hi> on top of
				<hi rend="italics">a</hi> at the beginning of <hi rend="italics">American</hi>.</p></note> 
		  <note id="note967" rend="sup" type="edit" target="ref967"> 
			 <p>6. 
				<name key="pn0001756" reg="Wheat, John Thomas" type="person">Wheat</name> crossed out <hi rend="italics">motto</hi> and
				pencilled in <hi rend="italics">ensign</hi> above the word.</p></note> 
		  <note id="note968" rend="sup" type="edit" target="ref968"> 
			 <p>7. 
				<name key="pn0001756" reg="Wheat, John Thomas" type="person">Wheat</name> pencilled <hi rend="italics">(2)</hi> above
				<hi rend="italics">truth</hi> and <hi rend="italics">(1)</hi> above
				<hi rend="italics">familiar</hi>, preferring "familiar truth" to 
				<name key="pn0000456" reg="Dowd, William Carey" type="person">Dowd's</name>"truth familiar."</p></note> 
		  <note id="note969" rend="sup" type="edit" target="ref969"> 
			 <p>8. 
				<name key="pn0001756" reg="Wheat, John Thomas" type="person">Wheat</name> crossed out <hi rend="italics">than</hi>, wrote
				<hi rend="italics">save</hi> above the word, and pencilled in a comma after
				<hi rend="italics">perhaps</hi>.</p></note> 
		  <note id="note970" rend="sup" type="edit" target="ref970"> 
			 <p>9. 
				<name key="pn0001756" reg="Wheat, John Thomas" type="person">Wheat</name> crossed out "adopted motto" and pencilled
				in <hi rend="italics">standard</hi> above the phrase.</p></note> 
		  <note id="note971" rend="sup" type="edit" target="ref971"> 
			 <p>10. 
				<name key="pn0001756" reg="Wheat, John Thomas" type="person">Wheat</name> crossed out "adopted motto" and pencilled
				in "ensign armorial" above the phrase.</p></note> 
		  <note id="note972" rend="sup" type="edit" target="ref972"> 
			 <p>11. 
				<name key="pn0001756" reg="Wheat, John Thomas" type="person">Wheat</name> crossed out <hi rend="italics">mottoes</hi> and
				pencilled in "heraldic devices" above the word.</p></note> 
		  <note id="note973" rend="sup" type="edit" target="ref973"> 
			 <p>12. 
				<name key="pn0000456" reg="Dowd, William Carey" type="person">Dowd</name> wrote <hi rend="italics">S</hi> on top of
				<hi rend="italics">s</hi> at the beginning of <hi rend="italics">Statesman</hi>.</p></note> 
		  <note id="note974" rend="sup" type="edit" target="ref974"> 
			 <p>13. 
				<name key="pn0001756" reg="Wheat, John Thomas" type="person">Wheat</name> dotted the second <hi rend="italics">i</hi> of
				<hi rend="italics"><name key="name0000990" reg="Roman Catholicism" type="religion" rend="no">Catholicism</name></hi> in pencil.</p></note> 
		  <note id="note975" rend="sup" type="edit" target="ref975"> 
			 <p>14. 
				<name key="pn0000456" reg="Dowd, William Carey" type="person">Dowd</name> wrote <hi rend="italics">to</hi> on top of
				<hi rend="italics">in</hi>.</p></note> 
		  <note id="note976" rend="sup" type="edit" target="ref976"> 
			 <p>15. 
				<name key="pn0000456" reg="Dowd, William Carey" type="person">Dowd</name> crossed the <hi rend="italics">l</hi> in
				<hi rend="italics">heavenly</hi>; 
				<name key="pn0001756" reg="Wheat, John Thomas" type="person">Wheat</name> cancelled the stroke in pencil.</p></note> 
		  <note id="note977" rend="sup" type="edit" target="ref977"> 
			 <p>16. 
				<name key="pn0001756" reg="Wheat, John Thomas" type="person">Wheat</name> crossed out <hi rend="italics">each</hi> and
				pencilled in <hi rend="italics">their</hi> above the word.</p></note> 
		  <note id="note978" rend="sup" type="edit" target="ref978"> 
			 <p>17. 
				<name key="pn0001756" reg="Wheat, John Thomas" type="person">Wheat</name> pencilled in <hi rend="italics">s</hi> above
				<hi rend="italics">distance</hi>.</p></note> 
		  <note id="note979" rend="sup" type="edit" target="ref979"> 
			 <p>18. 
				<name key="pn0001756" reg="Wheat, John Thomas" type="person">Wheat</name> crossed out <hi rend="italics">g</hi> in
				<hi rend="italics">announge</hi> and pencilled in <hi rend="italics">c</hi>
				above the word.</p></note> 
		  <note id="note980" rend="sup" type="edit" target="ref980"> 
			 <p>19. 
				<name key="pn0001756" reg="Wheat, John Thomas" type="person">Wheat</name> crossed out <hi rend="italics">of</hi> in
				pencil.</p></note> 
		  <note id="note981" rend="sup" type="info" target="ref981"> 
			 <p>20. 
				<name key="name0000099" reg="Bible" type="publication" rend="no">Genesis 3:19</name> :
				"In the sweat of thy face shalt thou eat bread, till thou return unto the
				ground; for out of it wast thou taken: for dust thou art, and unto dust shalt
				thou return."</p></note> 
		  <note id="note982" rend="sup" type="edit" target="ref982"> 
			 <p>21. 
				<name key="pn0001756" reg="Wheat, John Thomas" type="person">Wheat</name> pencilled in <hi rend="italics">o</hi> between
				<hi rend="italics">r</hi> and <hi rend="italics">e</hi> above
				<hi rend="italics"><name key="pn0000370" reg="Croesus" type="person">Cresus</name></hi>.</p></note> 
		  <note id="note983" rend="sup" type="edit" target="ref983"> 
			 <p>22. 
				<name key="pn0000456" reg="Dowd, William Carey" type="person">Dowd</name> having mistakenly crossed the <hi rend="italics">l</hi> and first <hi rend="italics">t</hi> of <hi rend="italics">obliterate</hi>, 
				<name key="pn0001756" reg="Wheat, John Thomas" type="person">Wheat</name> crossed the second <hi rend="italics">t</hi> in
				pencil.</p></note> 
		  <note id="note984" rend="sup" type="edit" target="ref984"> 
			 <p>23. 
				<name key="pn0001756" reg="Wheat, John Thomas" type="person">Wheat</name> pencilled in a comma after <hi rend="italics">above</hi>.</p></note> 
		  <note id="note985" rend="sup" type="edit" target="ref985"> 
			 <p>24. 
				<name key="pn0001756" reg="Wheat, John Thomas" type="person">Wheat</name> deleted <hi rend="italics">con</hi> of
				<hi rend="italics">congenial</hi> in pencil.</p></note> 
		  <note id="note986" rend="sup" type="edit" target="ref986"> 
			 <p>25. 
				<name key="pn0001756" reg="Wheat, John Thomas" type="person">Wheat</name> pencilled in an <hi rend="italics">s</hi> after
				<hi rend="italics">hold</hi>.</p></note> 
		  <note id="note987" rend="sup" type="edit" target="ref987"> 
			 <p>26. 
				<name key="pn0001756" reg="Wheat, John Thomas" type="person">Wheat</name> inserted <hi rend="italics">he</hi> in pencil after
				<hi rend="italics">which</hi>.</p></note> 
		  <note id="note988" rend="sup" type="edit" target="ref988"> 
			 <p>27. 
				<name key="pn0000456" reg="Dowd, William Carey" type="person">Dowd</name> wrote <hi rend="italics">It</hi> on top of an
				unrecovered word.</p></note> 
		  <note id="note989" rend="sup" type="edit" target="ref989"> 
			 <p>28. 
				<name key="pn0000456" reg="Dowd, William Carey" type="person">Dowd</name> wrote <hi rend="italics">by</hi> on top of
				<hi rend="italics">wi</hi>.</p></note> 
		  <note id="note990" rend="sup" type="edit" target="ref990"> 
			 <p>29. 
				<name key="pn0001756" reg="Wheat, John Thomas" type="person">Wheat</name> inserted a comma in pencil after <hi rend="italics">Statesmen</hi>.</p></note> 
		  <note id="note991" rend="sup" type="edit" target="ref991"> 
			 <p>30. 
				<name key="pn0001756" reg="Wheat, John Thomas" type="person">Wheat</name> crossed out <hi rend="italics">ow</hi> in
				<hi rend="italics">pillow</hi> and pencilled in <hi rend="italics">ar</hi>
				above the word.</p></note> 
		  <note id="note992" rend="sup" type="info" target="ref992"> 
			 <p>31. 
				<name key="name0000099" reg="Bible" type="publication" rend="no">Proverbs 6:6</name> :
				"Go to the ant, thou sluggard; consider her ways, and be
				wise."</p></note> 
		</div1> 
	 </back> 
  </text> 
</TEI.2>